"My dear Weber,"I am bringing you the seven scoundrels composing Altenheim's gang, the men who killed Gourel (and plenty of others) and who killed me as well, under the name of M. Lenormand."That only leaves their leader unaccounted for. I am going to effect his arrest this minute. Come and join me. He lives in the Rue Delaizement, at Neuilly and goes by the name of Leon Massier."Kind regards."Yours,"Arsène Lupin,"Chief of the Detective-service."
"My dear Weber,
"I am bringing you the seven scoundrels composing Altenheim's gang, the men who killed Gourel (and plenty of others) and who killed me as well, under the name of M. Lenormand.
"That only leaves their leader unaccounted for. I am going to effect his arrest this minute. Come and join me. He lives in the Rue Delaizement, at Neuilly and goes by the name of Leon Massier.
"Kind regards.
"Yours,
"Arsène Lupin,
"Chief of the Detective-service."
He sealed the letter:
"Give that to M. Weber. It's urgent. Now I want seven men to receive the goods. I left them on the quay."
On going back to the taxis, he was met by a chief inspector:
"Ah, it's you M. Lebœuf!" he said. "I've made a fine haul. . . . The whole of Altenheim's gang. . . . They're there in the taxi-cabs."
"Where did you find them?"
"Hard at work kidnapping Mrs. Kesselbach and robbing her house. But I'll tell you all about it when the time comes."
The chief inspector took him aside and, with the air of surprise:
"I beg your pardon, monsieur, but I was sent for to see the commissary of police for Auteuil. And I don't seem to . . . Whom have I the honor of addressing?"
"Somebody who is making you a handsome present of seven hooligans of the finest quality."
"Still, I should like to know. . . ."
"My name?"
"Yes."
"Arsène Lupin."
He nimbly tripped the chief inspector up, ran to the Rue de Rivoli, jumped into a passing taxi-cab and drove to the Porte des Ternes.
The Route de la Revolte was close by. He went to No. 3.
For all his coolness and self-command, Arsène Lupin was unable to control his excitement. Would he find Dolores Kesselbach? Had Louis de Malreich taken her either to his own place or to the Broker's shed?
Lupin had taken the key of the shed from the Broker, so that it was easy for him, after ringing and walkingacross the different yards, to open the door and enter the lumber-shop.
He switched on his lantern and took his bearings. A little to the right was the free space in which he had seen the accomplices hold their last confabulation. On the sofa mentioned by the Broker he saw a black figure, Dolores lay wrapped in blankets and gagged.
He helped her up.
"Ah, it's you, it's you!" she stammered. "They haven't touched you!"
And, rising and pointing to the back of the shop:
"There . . . he went out that side . . . I heard him. . . . I am sure. . . . You must go . . . please!"
"I must get you away first," he said.
"No, never mind me . . . go after him. . . . I entreat you. . . . Strike him!"
Fear, this time, instead of dejecting her, seemed to be giving her unwonted strength; and she repeated, with an immense longing to place her terrible enemy in his power:
"Go after him first. . . . I can't go on living like this. . . . You must save me from him. . . . I can't go on living. . . ."
He unfastened her bonds, laid her carefully on the sofa and said:
"You are right. . . . Besides, you have nothing to fear here. . . . Wait for me, I shall come back."
As he was going away, she caught hold of his hand:
"But you yourself?"
"Well?"
"If that man . . ."
It was as though she dreaded for Lupin the great, final contest to which she was exposing him and asthough, at the last moment, she would have been glad to hold him back.
He said:
"Thank you, have no fear. What have I to be afraid of? He is alone."
And, leaving her, he went to the back of the shed. As he expected, he found a ladder standing against the wall which brought him to the level of the little window through which he had watched the scoundrels hold their meeting. It was the way by which Malreich had returned to his house in the Rue Delaizement.
He, therefore, took the same road, just as he had done a few hours earlier, climbed into the loft of the other coach-house and down into the garden. He found himself at the back of the villa occupied by Malreich.
Strange to say, he did not doubt, for a moment that Malreich was there. He would meet him inevitably; the formidable battle which they were waging against each other was nearing its end. A few minutes more and, one way or another, all would be over.
He was amazed, on grasping the handle of a door, to find that the handle turned and the door opened under his pressure. The villa was not even locked.
He passed through a kitchen, a hall and up a staircase; and he walked deliberately, without seeking to deaden the sound of his footsteps.
On the landing, he stopped. The perspiration streamed from his forehead; and his temples throbbed under the rush of his blood. Nevertheless, he remained calm, master of himself and conscious of his least thoughts. He laid two revolvers on a stair:
"No weapons," he said to himself. "My hands only, just the effort of my two hands. . . . That's quite enough. . . . That will be better. . . ."
Opposite him were three doors. He chose the middle one, turned the handle and encountered no obstacle. He went in. There was no light in the room, but the rays of the night entered through the wide-open window and, amid the darkness, he saw the sheets and the white curtains of the bed.
And somebody was standing beside it.
He savagely cast the gleam of his lantern upon that form.
Malreich!
The pallid face of Malreich, his dim eyes, his cadaverous cheek-bones, his scraggy neck. . . .
And all this stood motionless, opposite him, at five steps' distance; and he could not have said whether that dull face, that death-face, expressed the least terror or even a grain of anxiety.
Lupin took a step forward . . . and a second . . . and a third. . . .
The man did not move.
Did he see? Did he understand? It was as though the man's eyes were gazing into space and that he thought himself possessed by an hallucination, rather than looking upon a real image.
One more step. . . .
"He will defend himself," thought Lupin, "he is bound to defend himself."
And Lupin thrust out his arms.
The man did not make a movement. He did not retreat; his eyelids did not blink.
The contact took place.
And it was Lupin, scared and bewildered, who losthis head. He knocked the man back upon his bed, stretched him at full length, rolled him in the sheets, bound him in the blankets and held him under his knee, like a prey . . . whereas the man had not made the slightest movement of resistance.
"Ah!" shouted Lupin, drunk with delight and satisfied hatred. "At last I have crushed you, you odious brute! At last I am the master!"
He heard a noise outside, in the Rue Delaizement; men knocking at the gate. He ran to the window and cried:
"Is that you, Weber? Already? Well done! You are a model servant! Break down the gate, old chap, and come up here; delighted to see you!"
In a few minutes, he searched his prisoner's clothes, got hold of his pocket-book, cleared the papers out of the drawers of the desk and the davenport, flung them on the table and went through them.
He gave a shout of joy: the bundle of letters was there, the famous bundle of letters which he had promised to restore to the Emperor.
He put back the papers in their place and went to the window:
"It's all finished, Weber! You can come in! You will find Mr. Kesselbach's murderer in his bed, all ready tied up. . . . Good-bye, Weber!"
And Lupin, tearing down the stairs, ran to the coach-house and went back to Dolores Kesselbach, while Weber was breaking into the villa.
Single-handed, he had arrested Altenheim's seven companions!
And he had delivered to justice the mysterious leader of the gang, the infamous monster, Louis de Malreich!
A young man sat writing at a table on a wide wooden balcony.
From time to time, he raised his head and cast a vague glance toward the horizon of hills, where the trees, stripped by the autumn, were shedding their last leaves over the red roofs of the villas and the lawns of the gardens. Then he went on writing.
Presently he took up his paper and read aloud:
Nos jours s'en vont à la dérive,Comme emportés par un courantQui les pousse vers une riveOù l'on n'aborde qu'en mourant.[10]
Nos jours s'en vont à la dérive,Comme emportés par un courantQui les pousse vers une riveOù l'on n'aborde qu'en mourant.[10]
[10]Our days go by, adrift, adrift,Borne along by current swiftThat urges them toward the strandWhere not until we die, we land.
[10]Our days go by, adrift, adrift,Borne along by current swiftThat urges them toward the strandWhere not until we die, we land.
[10]Our days go by, adrift, adrift,Borne along by current swiftThat urges them toward the strandWhere not until we die, we land.
"Not so bad," said a voice behind him. "Mme. Amable Tastu might have written that, or Mrs. Felicia Hemans. However, we can't all be Byrons or Lamartines!"
"You! . . . You! . . ." stammered the young man, in dismay.
"Yes, I, poet, I myself, Arsène Lupin come to see his dear friend Pierre Leduc."
Pierre Leduc began to shake, as though shivering with fever. He asked, in a low voice:
"Has the hour come?"
"Yes, my dear Pierre Leduc: the hour has come for you to give up, or rather to interrupt the slack poet's life which you have been leading for months at the feet of Geneviève Ernemont and Mrs. Kesselbach and to perform the part which I have allotted to you in my play . . . oh, a fine play, I assure you, thoroughly well-constructed, according to all the canonsof art, with top notes, comic relief and gnashing of teeth galore! We have reached the fifth act; the grand finale is at hand; and you, Pierre Leduc, are the hero. There's fame for you!"
The young man rose from his seat:
"And suppose I refuse?"
"Idiot!"
"Yes, suppose I refuse? After all, what obliges me to submit to your will? What obliges me to accept a part which I do not know, but which I loathe in advance and feel ashamed of?"
"Idiot!" repeated Lupin.
And forcing Pierre Leduc back into his chair, he sat down beside him and, in the gentlest of voices:
"You quite forget, my dear young man, that you are not Pierre Leduc, but Gérard Baupré. That you bear the beautiful name of Pierre Leduc is due to the fact that you, Gérard Baupré, killed Pierre Leduc and robbed him of his individuality."
The young man bounded with indignation:
"You are mad! You know as well as I do that you conceived the whole plot. . . ."
"Yes, I know that, of course; but the law doesn't know it; and what will the law say when I come forward with proof that the real Pierre Leduc died a violent death and that you have taken his place?"
The young man, overwhelmed with consternation, stammered:
"No one will believe you. . . . Why should I have done that? With what object?"
"Idiot! The object is so self-evident that Weber himself could have perceived it. You lie when you say that you will not accept a part which you do not know. You know your part quite well. It is the partwhich Pierre Leduc would have played were he not dead."
"But Pierre Leduc, to me, to everybody, was only a name. Who was he? Who am I?"
"What difference can that make to you?"
"I want to know. I want to know what I am doing!"
"And, if you know, will you go straight ahead?"
"Yes, if the object of which you speak is worth it."
"If it were not, do you think I would take all this trouble?"
"Who am I? Whatever my destiny, you may be sure that I shall prove worthy of it. But I want to know. Who am I?"
Arsène Lupin took off his hat, bowed and said: "Hermann IV., Grand-duke of Zweibrucken-Veldenz, Prince of Berncastel, Elector of Treves and lord of all sorts of places."
Three days later, Arsène Lupin took Mrs. Kesselbach away in a motor-car in the direction of the frontier. The journey was accomplished in silence, Lupin remembered with emotion Dolores's terrified conduct and the words which she spoke in the house in the Rue des Vignes, when he was about to defend her against Altenheim's accomplices. And she must have remembered also, for she remained embarrassed and evidently perturbed in his presence.
In the evening they reached a small castle, all covered with creepers and flowers, roofed with an enormous slate cap and standing in a large garden full of ancestral trees.
Here Mrs. Kesselbach found Geneviève already installed, after a visit to the neighboring town, whereshe had engaged a staff of servants from among the country-people.
"This will be your residence, madame," said Lupin. "You are at Bruggen Castle. You will be quite safe here, while waiting the outcome of these events. I have written to Pierre Leduc and he will be your guest from to-morrow."
He started off again at once, drove to Veldenz and handed over to Count von Waldemar the famous letters which he had recaptured:
"You know my conditions, my dear Waldemar," said Lupin. "The first and most important thing is to restore the House of Zweibrucken-Veldenz and to reinstate the Grand-duke Hermann IV., in the grand-duchy."
"I shall open negotiations with the Council of Regency to-day. According to my information, it will not be a difficult matter. But this Grand-duke Hermann. . . ."
"His Royal Highness is at present staying at Bruggen Castle, under the name of Pierre Leduc. I will supply all the necessary proofs of his identity."
That same evening, Lupin took the road back to Paris, with the intention of actively hurrying on the trial of Malreich and the seven scoundrels.
It would be wearisome to recapitulate the story of the case: the facts, down to the smallest details, are in the memory of one and all. It was one of those sensational events which still form a subject of conversation and discussion among the weather-beaten laborers in the remotest villages.
But what I wish to recall is the enormous part playedby Lupin in the conduct of the case and in the incidents appertaining to the preliminary inquiry. As a matter of fact, it was he who managed the inquiry. From the very start, he took the place of the authorities, ordering police-searches, directing the measures to be taken, prescribing the questions to be put to the prisoners, assuming the responsibility for everything.
We can all remember the universal amazement when, morning after morning, we read in the papers those letters, so irresistible in their masterly logic, signed, by turns:
"ARSÈNE LUPIN,Examining-magistrate.""ARSÈNE LUPIN,Public Prosecutor.""ARSÈNE LUPIN,Minister of Justice.""ARSÈNE LUPIN,Copper."
"ARSÈNE LUPIN,Examining-magistrate."
"ARSÈNE LUPIN,Public Prosecutor."
"ARSÈNE LUPIN,Minister of Justice."
"ARSÈNE LUPIN,Copper."
He flung himself into the business with a spirit, an ardor, a violence, even, that was astonishing in one usually so full of light-hearted chaff and, when all was said, so naturally disposed by temperament to display a certain professional indulgence.
No, this time he was prompted by hatred.
He hated Louis de Malreich, that bloodthirsty scoundrel, that foul brute, of whom he had always been afraid and who, even beaten, even in prison, still gave him that sensation of dread and repugnance which one feels at the sight of a reptile.
Besides, had not Malreich had the audacity to persecute Dolores?
"He has played and lost," said Lupin. "He shall pay for it with his head."
That was what he wanted for his terrible enemy: the scaffold, the bleak, dull morning when the blade of the guillotine slides down and kills. . . .
It was a strange prisoner whom the examining-magistrate questioned for months on end between the four walls of his room, a strange figure, that bony man, with the skeleton face and the lifeless eyes!
He seemed quite out of himself. His thoughts were not there, but elsewhere. And he cared so little about answering!
"My name is Leon Massier."
That was the one sentence to which he confined himself.
And Lupin retorted.
"You lie. Leon Massier, born at Perigueux, left fatherless at the age of ten, died seven years ago. You took his papers. But you forgot his death-certificate. Here it is."
And Lupin sent a copy of the document to the public prosecutor.
"I am Leon Massier," declared the prisoner, once again.
"You lie," replied Lupin. "You are Louis de Malreich, the last surviving descendant of a small French noble who settled in Germany in the eighteenth century. You had a brother who called himself Parbury, Ribeira and Altenheim, by turns: you killed your brother. You had a sister, Isilda de Malreich: you killed your sister."
"I am Leon Massier."
"You lie. You are Malreich. Here is your birth-certificate. Here are your brother's and your sister's."
And Lupin sent the three certificates.
Apart from the question of his identity, Malreich, crushed, no doubt, by the accumulation of proofs brought up against him, did not defend himself. What could he say? They had forty notes written in hisown hand—a comparison of the handwritings established the fact—written in his own hand to the gang of his accomplices, forty notes which he had omitted to tear up after taking them back. And all these notes were orders relating to the Kesselbach case, the capture of M. Lenormand and Gourel, the pursuit of old Steinweg, the construction of the underground passages at Garches and so on. What possibility was there of a denial?
One rather odd thing baffled the law officers. The seven scoundrels, when confronted with their leader, all declared that they did not know him, because they had never seen him. They received his instructions either by telephone, or else in the dark, by means of those same little notes which Malreich slipped into their hands without a word.
But, for the rest, was not the existence of the communication between the villa in the Rue Delaizement and the Broker's shed an ample proof of complicity? From that spot, Malreich saw and heard. From that spot, the leader watched his men.
Discrepancies? Apparently irreconcilable facts? Lupin explained them all away. In a celebrated article, published on the morning of the trial, he took up the case from the start, revealed what lay beneath it, unravelled its web, showed Malreich, unknown to all, living in the room of his brother, the sham Major Parbury, passing unseen along the passages of the Palace Hotel and murdering Mr. Kesselbach, murdering Beudot the floor-waiter, murdering Chapman the secretary.
The trial lingers in the memory. It was both terrifying and gloomy: terrifying because of the atmosphere of anguish that hung over the crowd of onlookersand the recollection of crime and blood that obsessed their minds: gloomy, heavy, darksome, stifling because of the tremendous silence observed by the prisoner.
Not a protest, not a movement, not a word. A face of wax that neither saw nor heard. An awful vision of impassive calmness! The people in court shuddered. Their distraught imaginations conjured up a sort of supernatural being rather than a man, a sort of genie out of the Arabian Nights, one of those Hindu gods who symbolize all that is ferocious, cruel, sanguinary and pernicious.
As for the other scoundrels, the people did not even look at them, treated them as insignificant supers overshadowed by that stupendous leader.
The most sensational evidence was that given by Mrs. Kesselbach. To the general astonishment and to Lupin's own surprise, Dolores, who had answered none of the magistrate's summonses and who had retired to an unknown spot, Dolores appeared, a sorrow-stricken widow, to give damning evidence against her husband's murderer.
She gazed at him for many seconds and then said, simply:
"That is the man who entered my house in the Rue des Vignes, who carried me off and who locked me up in the Broker's shed. I recognize him."
"On your oath?"
"I swear it before God and man."
Two days later, Louis de Malreich,aliasLeon Massier was sentenced to death. And his overpowering personality may be said to have absorbed that of his accomplices to such an extent that they received the benefit of extenuating circumstances.
"Louis de Malreich have you nothing to say?" asked the presiding judge.
He made no reply.
One question alone remained undecided in Lupin's eyes: why had Malreich committed all those crimes? What did he want? What was his object?
Lupin was soon to understand; and the day was not far off when, gasping with horror, struck, mortally smitten with despair, he would know the awful truth.
For the moment, although the thought of it constantly hovered over his mind, he ceased to occupy himself with the Malreich case. Resolved to get a new skin, as he put it; reassured, on the other hand, as to the fate of Mrs. Kesselbach and Geneviève, over whose peaceful existence he watched from afar; and, lastly, kept informed by Jean Doudeville, whom he had sent to Veldenz, of all the negotiations that were being pursued between the court of Berlin and the regent of Zweibrucken-Veldenz, he employed all his time in winding up the past and preparing for the future.
The thought of the different life which he wished to lead under the eyes of Mrs. Kesselbach filled him with new ambitions and unexpected sentiments, in which the image of Dolores played a part, without his being able to tell exactly how or why.
In a few weeks, he got rid of all the proofs that could have compromised him sooner or later, all the traces that could have led to his ruin. He gave each of his old companions a sum of money sufficient to keep them from want for the rest of their lives and said good-bye to them, saying that he was going to South America.
One morning, after a night of careful thought and a deep study of the situation, he cried:
"It's done. There's nothing to fear now. The old Lupin is dead. Make way for the young one."
His man brought him a telegram from Germany. It contained the news for which he had been waiting. The Council of Regency, greatly influenced by the Court of Berlin, had referred the question to the electors; and the electors, greatly influenced by the Council of Regency, had declared their unshaken attachment to the old dynasty of the Veldenz. Count von Waldemar was deputed, together with three delegates selected from the nobility, the army and the law, to go to Bruggen Castle, carefully to establish the identity of the Grand-duke Hermann IV. and to make all the arrangements with His Royal Highness for his triumphal entry into the principality of his fathers, which was to take place in the course of the following month.
"This time, I've pulled it off," said Lupin to himself. "Mr. Kesselbach's great scheme is being realized. All that remains for me to do is to make Waldemar swallow Pierre Leduc; and that is child's play. The banns between Geneviève and Pierre shall be published to-morrow. And it shall be the grand-duke's affianced bride that will be presented to Waldemar."
Full of glee, he started in his motor for Bruggen Castle.
He sang in the car, he whistled, he chatted to his chauffeur:
"Octave, do you know whom you have the honor of driving? The master of the world! . . . Yes, old man, that staggers you, eh? Just so, but it's the truth. I am the master of the world."
He rubbed his hands and went on soliloquizing:
"All the same, it was a long job. It's a year since the fight began. True, it was the most formidable fight I ever stood to win or lose. . . . By Jupiter, what a war of giants!" And he repeated, "But this time, I've pulled it off! The enemies are in the water. There are no obstacles left between the goal and me. The site is free: let us build upon it! I have the materials at hand, I have the workmen: let us build, Lupin! And let the palace be worthy of you!"
He stopped the car at a few hundred yards from the castle, so that his arrival might create as little fuss as possible, and said to Octave:
"Wait here for twenty minutes, until four o'clock, and then drive in. Take my bags to the little chalet at the end of the park. That's where I shall sleep."
At the first turn of the road, the castle appeared in sight, standing at the end of a dark avenue of lime trees. From the distance, he saw Geneviève passing on the terrace.
His heart was softly stirred:
"Geneviève, Geneviève," he said, fondly. "Geneviève . . . the vow which I made to the dying mother is being fulfilled as well. . . . Geneviève a grand-duchess! . . . And I, in the shade, watching over her happiness . . . and pursuing the great schemes of Arsène Lupin!"
He burst out laughing, sprang behind a cluster of trees that stood to the left of the avenue and slipped along the thick shrubberies. In this way, he reached the castle without the possibility of his being seen from the windows of the drawing-room or the principal bedrooms.
He wanted to see Dolores before she saw him andpronounced her name several times, as he had pronounced Geneviève's, but with an emotion that surprised himself:
"Dolores. . . . Dolores. . . ."
He stole along the passages and reached the dining-room. From this room, through a glass panel, he could see half the drawing-room.
He drew nearer.
Dolores was lying on a couch; and Pierre Leduc, on his knees before her, was gazing at her with eyes of ecstasy. . . .
Pierre Leduc loved Dolores!
Lupin felt a keen, penetrating pain in the depths of his being, as though he had been wounded in the very source of life; a pain so great that, for the first time, he had a clear perception of what Dolores had gradually, unknown to himself, become to him.
Pierre Leduc loved Dolores! And he was looking at her as a man looks at the woman he loves.
Lupin felt a murderous instinct rise up within him, blindly and furiously. That look, that look of love cast upon Dolores, maddened him. He received an impression of the great silence that enveloped Dolores and Pierre Leduc; and in silence, in the stillness of their attitude there was nothing living but that look of love, that dumb and sensuous hymn in which the eyes told all the passion, all the desire, all the transport, all the yearning that one being can feel for another.
And he saw Mrs. Kesselbach also. Dolores' eyes were invisible under their lowered lids, the silky eyelids with the long black lashes. But how she seemed to feel that look of love which sought for hers! How she quivered under that impalpable caress!
"She loves him . . . she loves him," thought Lupin, burning with jealousy.
And, when Pierre made a movement:
"Oh, the villain! If he dares to touch her, I will kill him!"
Then, realizing the disorder of his reason and striving to combat it, he said to himself:
"What a fool I am! What, you, Lupin, letting your self go like this! . . . Look here, it's only natural that she should love him. . . . Yes, of course, you expected her to show a certain emotion at your arrival . . . a certain agitation. . . . You silly idiot, you're only a thief, a robber . . . whereas he is a prince and young. . . ."
Pierre had not stirred further. But his lips moved and it seemed as though Dolores were waking. Softly, slowly, she raised her lids, turned her head a little and her eyes met the young man's eyes with the look that offers itself and surrenders itself and is more intense than the most intense of kisses.
What followed came suddenly and unexpectedly, like a thunder-clap. In three bounds, Lupin rushed into the drawing-room, sprang upon the young man, flung him to the ground and, with one hand on his rival's chest, beside himself with anger, turning to Mrs. Kesselbach, he cried:
"But don't you know? Hasn't he told you, the cheat? . . . And you love him, you love that! Does he look like a grand-duke? Oh, what a joke!"
He grinned and chuckled like a madman, while Dolores gazed at him in stupefaction:
"He, a grand-duke! Hermann IV., Grand-duke of Zweibrucken-Veldenz! A reigning sovereign! Elector of Treves! But it's enough to make one die of laughing! He! Why, his name is Baupré, Gérard Baupré, the lowest of ragamuffins . . . a beggar, whom I picked up in the gutter! . . . A grand-duke? Butit's I who made him a grand-duke! Ha, ha, ha, what a joke! . . . If you had seen him cut his little finger . . . he fainted three times . . . the milksop! . . . Ah, you allow yourself to lift your eyes to ladies . . . and to rebel against the master! . . . Wait a bit, Grand-duke of Zweibrucken-Veldenz, I'll show you!"
He took him in his arms, like a bundle, swung him to and fro for a moment and pitched him through the open window:
"Mind the rose trees, grand-duke! There are thorns!"
When he turned round, Dolores was close to him and looking at him with eyes which he had never seen in her before, the eyes of a woman who hates and who is incensed with rage. Could this possibly be Dolores, the weak, ailing Dolores?
She stammered:
"What are you doing? . . . How dare you? . . . And he. . . . Then it's true? . . . lied to me? . . ."
"Lied to you?" cried Lupin, grasping the humiliation which she had suffered as a woman. "Lied to you? He, a grand-duke! A puppet, that's all, a puppet of which I pulled the string . . . an instrument which I tuned, to play upon as I chose! Oh, the fool, the fool!"
Overcome with renewed rage, he stamped his foot and shook his fist at the open window. And he began to walk up and down the room, flinging out phrases in which all the pent-up violence of his secret thought burst forth:
"The fool! Then he didn't see what I expected of him? He did not suspect the greatness of the part hewas to play? Oh, I shall have to drive it into his noddle by force, I see! Lift up your head, you idiot! You shall be grand-duke by the grace of Lupin! And a reigning sovereign! With a civil list! And subjects to fleece! And a palace which Charlemagne shall rebuild for you! And a master that shall be I, Lupin! Do you understand, you numskull? Lift up your head, dash it! Higher than that! Look up at the sky, remember that a Zweibrucken was hanged for cattle-lifting before the Hohenzollerns were ever heard of. And you are a Zweibrucken, by Jove, no less; and I am here, I, I, Lupin! And you shall be grand-duke, I tell you! A paste-board grand-duke? Very well! But a grand-duke all the same, quickened with my breath and glowing with my ardor. A puppet? Very well. But a puppet that shall speakmywords and makemymovements and performmywishes and realizemydreams . . . yes . . . my dreams."
He stood motionless, as though dazzled by the glory of his conception. Then he went up to Dolores and, sinking his voice, with a sort of mystic exaltation, he said:
"On my left, Alsace-Lorraine. . . . On my right, Baden, Wurtemburg, Bavaria. . . . South Germany . . . all those disconnected, discontented states, crushed under the heel of the Prussian Charlemagne, but restless and ready to throw off the yoke at any moment. . . . Do you understand all that a man like myself can do in the midst of that, all the aspirations that he can kindle, all the hatred that he can produce, all the angry rebellion that he can inspire?"
In a still lower voice, he repeated:
"And, on my left, Alsace-Lorraine! . . . Do you fully understand? . . . Dreams? Not at all!It is the reality of the day after to-morrow, of to-morrow! . . . Yes. . . . I wish it. . . . I wish it. . . . Oh, all that I wish and all that I mean to do is unprecedented! . . . Only think, at two steps from the Alsatian frontier! In the heart of German territory! Close to the old Rhine! . . . A little intrigue, a little genius will be enough to change the surface of the earth. Genius I have . . . and to spare. . . . And I shall be the master! I shall be the man who directs. The other, the puppet can have the title and the honors. . . . I shall have the power! . . . I shall remain in the background. No office: I will not be a minister, nor even a chamberlain. Nothing. I shall be one of the servants in the palace, the gardener perhaps. . . . Yes, the gardener. . . . Oh, what a tremendous life! To grow flowers and alter the map of Europe!"
She looked at him greedily, dominated, swayed by the strength of that man. And her eyes expressed an admiration which she did not seek to conceal.
He put his hands on Dolores' shoulders and said:
"That is my dream. Great as it is, it will be surpassed by the facts: that I swear to you. The Kaiser has already seen what I am good for. One day, he will find me installed in front of him, face to face. I hold all the trumps. Valenglay will act at my bidding. . . . England also. . . . The game is played and won. . . . That is my dream. . . . There is another one. . . ."
He stopped suddenly. Dolores did not take her eyes from him; and an infinite emotion changed every feature of her face.
A vast joy penetrated him as he once more felt, and clearly felt, that woman's confusion in his presence.He no longer had the sense of being to her . . . what he was, a thief, a robber; he was a man, a man who loved and whose love roused unspoken feelings in the depths of a friendly soul.
Then he said no more, but he lavished upon her, unuttered, every known word of love and admiration; and he thought of the life which he might lead somewhere, not far from Veldenz, unknown and all-powerful. . . .
A long silence united them. Then she rose and said, softly:
"Go away, I entreat you to go. . . . Pierre shall marry Geneviève, I promise you that, but it is better that you should go . . . that you should not be here. . . . Go. Pierre shall marry Geneviève."
He waited for a moment. Perhaps he would rather have had more definite words, but he dared not ask for anything. And he withdrew, dazed, intoxicated and happy to obey, to subject his destiny to hers!
On his way to the door, he came upon a low chair, which he had to move. But his foot knocked against something. He looked down. It was a little pocket-mirror, in ebony, with a gold monogram.
Suddenly, he started and snatched up the mirror. The monogram consisted of two letters interlaced, an "L" and an "M."
An "L" and an "M!"
"Louis de Malreich," he said to himself, with a shudder.
He turned to Dolores:
"Where does this mirror come from? Whose is it? It is important that I should . . ."
She took it from him and looked at it:
"I don't know. . . . I never saw it before . . . a servant, perhaps. . . ."
"A servant, no doubt," he said, "but it is very odd . . . it is one of those coincidences. . . ."
At that moment, Geneviève entered by the other door, and without seeing Lupin, who was hidden by a screen, at once exclaimed:
"Why, there's your glass, Dolores! . . . So you have found it, after making me hunt for it all this time! . . . Where was it?" And the girl went away saying, "Oh, well, I'm very glad it's found! . . . How upset you were! . . . I will go and tell them at once to stop looking for it. . . ."
Lupin had not moved. He was confused, and tried in vain to understand. Why had Dolores not spoken the truth? Why had she not at once said whose the mirror was?
An idea flashed across his mind; and he asked, more or less at random:
"Do you know Louis de Malreich?"
"Yes," she said, watching him, as though striving to guess the thoughts that beset him.
He rushed toward her, in a state of intense excitement:
"You know him? Who was he? Who is he? Who is he? And why did you not tell me? Where have you known him? Speak . . . answer. . . . I implore you. . . ."
"No," she said.
"But you must, you must. . . . Think! Louis de Malreich! The murderer! The monster! . . . Why did you not tell me?"
She, in turn, placed her hands on Lupin's shoulders and, in a firm voice, declared:
"Listen, you must never ask me, because I shall never tell. . . . It is a secret which I shall take with me to the grave. . . . Come what may, no one will ever know, no one in the wide world, I swear it!"
He stood before her for some minutes, anxiously, with a confused brain.
He remembered Steinweg's silence and the old man's terror when Lupin asked him to reveal the terrible secret. Dolores also knew and she also refused to speak.
He went out without a word.
The open air, the sense of space, did him good. He passed out through the park-wall and wandered long over the country. And he soliloquized aloud:
"What does it mean? What is happening? For months and months, fighting hard and acting, I have been pulling the strings of all the characters that are to help me in the execution of my plans; and, during this time, I have completely forgotten to stoop over them and see what is going on in their hearts and brains. I do not know Pierre Leduc, I do not know Geneviève, I do not know Dolores. . . . And I have treated them as so many jumping-jacks, whereas they are live persons. And to-day I am stumbling over obstacles."
He stamped his foot and cried:
"Over obstacles that do not exist! What do I care for the psychological state of Geneviève, of Pierre? . . . I will study that later, at Veldenz, when I have secured their happiness. But Dolores . . . she knew Malreich and said nothing! . . . Why? What relation united them? Was she afraid of him? Is she afraid that he will escape from prison and come to revenge himself for an indiscretion on her part?"
At night, he went to the chalet which he had allotted to his own use at the end of the park and dined in a very bad temper, storming at Octave, who waited on him and who was always either too slow or too fast:
"I'm sick of it, leave me alone. . . . You're doing everything wrong to-day. . . . And this coffee. . . . It's not fit to drink."
He pushed back his cup half-full and, for two hours, walked about the park, sifting the same ideas over and over again. At last, one suggestion took definite shape within his mind:
"Malreich has escaped from prison. He is terrifying Mrs. Kesselbach. By this time, he already knows the story of the mirror from her. . . ."
Lupin shrugged his shoulders:
"And to-night he's coming to pull my leg, I suppose! I'm talking nonsense. The best thing I can do is to go to bed."
He went to his room, undressed and got into bed. He fell asleep at once, with a heavy sleep disturbed by nightmares. Twice he woke and tried to light his candle and twice fell back, as though stunned by a blow.
Nevertheless, he heard the hours strike on the village clock, or rather he thought that he heard them strike, for he was plunged in a sort of torpor in which he seemed to retain all his wits.
And he was haunted by dreams, dreams of anguish and terror. He plainly heard the sound of his window opening. He plainly, through his closed eyelids, through the thick darkness,sawa form come toward the bed.
And the form bent over him.
He made the incredible effort needed to raise hiseyelids and look . . . or, at least, he imagined that he did. Was he dreaming? Was he awake? He asked himself the question in despair.
A further sound. . . .
He took up the box of matches by his bedside:
"Let's have a light on it," he said, with a great sense of elation.
He struck a match and lit the candle.
Lupin felt the perspiration stream over his skin, from head to foot, while his heart ceased beating, stopped with terror.The man was there.
Was it possible? No, no . . . and yet hesaw. . . . Oh, the fearsome sight! . . . The man, the monster, was there. . . .
"He shall not . . . he shall not," stammered Lupin madly.
The man, the monster was there, dressed in black, with a mask on his face and with his felt hat pulled down over his fair hair.
"Oh, I am dreaming. . . . I am dreaming!" said Lupin, laughing. "It's a nightmare! . . ."
Exerting all his strength and all his will-power, he tried to make a movement, one movement, to drive away the vision.
He could not.
And, suddenly, he remembered: the coffee! The taste of it . . . similar to the taste of the coffee which he had drunk at Veldenz!
He gave a cry, made a last effort and fell back exhausted. But, in his delirium, he felt that the man was unfastening the top button of his pajama-jacket and baring his neck, felt that the man was raising his arm, saw that the hand was clutching the handle of a dagger, a little steel dagger similar to that which hadstruck Kesselbach, Chapman, Altenheim and so many others. . . .
A few hours later, Lupin woke up, shattered with fatigue, with a scorched palate.
He lay for several minutes collecting his thoughts and, suddenly, remembering, made an instinctive defensive movement, as though he were being attacked:
"Fool that I am!" he cried, jumping out of bed. "It was a nightmare, an hallucination. It only needs a little reflection. Had it been 'he,' had it really been a man, in flesh and blood, who lifted his hand against me last night, he would have cut my throat like a rabbit's. 'He' doesn't hesitate. Let's be logical. Why should he spare me? For the sake of my good looks? No, I have been dreaming, that's all. . . ."
He began to whistle and dressed himself, assuming the greatest calmness, but his brain never ceased working and his eyes sought about. . . .
On the floor, on the window-ledge, not a trace. As his room was on the ground-floor and as he slept with his window open, it was evident that his assailant would have entered that way.
Well, he discovered nothing; and nothing either at the foot of the wall outside, or on the gravel of the path that ran round the chalet.
"Still . . . still . . ." he repeated, between his teeth. . . .
He called Octave:
"Where did you make the coffee which you gave me last night?"
"At the castle, governor, like the rest of the things. There is no range here."
"Did you drink any of it?"
"No."
"Did you throw away what was left in the coffee-pot?"
"Why, yes, governor. You said it was so bad. You only took a few mouthfuls."
"Very well. Get the motor ready. We're leaving."
Lupin was not the man to remain in doubt. He wanted to have a decisive explanation with Dolores. But, for this, he must first clear up certain points that seemed to him obscure and see Jean Doudeville who had sent him some rather curious information from Veldenz.
He drove, without stopping, to the grand-duchy, which he reached at two o'clock. He had an interview with Count de Waldemar, whom he asked, upon some pretext, to delay the journey of the delegates of the Regency to Bruggen. Then he went in search of Doudeville, in a tavern at Veldenz.
Doudeville took him to another tavern, where he introduced him to a shabbily-dressed little gentleman, Herr Stockli, a clerk in the department of births, deaths and marriages. They had a long conversation. They went out together and all three passed stealthily through the offices of the town-hall. At seven o'clock, Lupin dined and set out again. At ten o'clock he arrived at Bruggen Castle and asked for Geneviève, so that she might take him to Mrs. Kesselbach's room.
He was told that Mlle. Ernemont had been summoned back to Paris by a telegram from her grandmother.
"Ah!" he said. "Could I see Mrs. Kesselbach?"
"Mrs. Kesselbach went straight to bed after dinner. She is sure to be asleep."
"No, I saw a light in her boudoir. She will see me."
He did not even wait for Mrs. Kesselbach to send out an answer. He walked into the boudoir almost upon the maid's heels, dismissed her and said to Dolores:
"I have to speak to you, madame, on an urgent matter. . . . Forgive me . . . I confess that my behavior must seem importunate. . . . But you will understand, I am sure. . . ."
He was greatly excited and did not seem much disposed to put off the explanation, especially as, before entering the room, he thought he heard a sound.
Yet Dolores was alone and lying down. And she said, in her tired voice:
"Perhaps we might . . . to-morrow. . . ."
He did not answer, suddenly struck by a smell that surprised him in that boudoir, a smell of tobacco. And, at once, he had the intuition, the certainty, that there was a man there, at the moment when he himself arrived, and that perhaps the man was there still, hidden somewhere. . . .
Pierre Leduc? No, Pierre Leduc did not smoke. Then who?
Dolores murmured:
"Be quick, please."
"Yes, yes, but first . . . would it be possible for you to tell me . . . ?"
He interrupted himself. What was the use of asking her? If there were really a man in hiding, would she be likely to tell?
Then he made up his mind and, trying to overcome the sort of timid constraint that oppressed him at thesense of a strange presence, he said, in a very low voice, so that Dolores alone should hear:
"Listen, I have learnt something . . . which I do not understand . . . and which perplexes me greatly. You will answer me, will you not, Dolores?"
He spoke her name with great gentleness and as though he were trying to master her by the note of love and affection in his voice.
"What have you learnt?" she asked.
"The register of births at Veldenz contains three names which are those of the last descendants of the family of Malreich, which settled in Germany. . . ."
"Yes, you have told me all that. . . ."
"You remember, the first name is Raoul de Malreich, better known under hisaliasof Altenheim, the scoundrel, the swell hooligan, now dead . . . murdered."
"Yes."
"Next comes Louis de Malreich, the monster, this one, the terrible murderer who will be beheaded in a few days from now."
"Yes."
"Then, lastly, Isilda, the mad daughter. . . ."
"Yes."
"So all that is quite positive, is it not?"
"Yes."
"Well," said Lupin, leaning over her more closely than before, "I have just made an investigation which showed to me that the second of the three Christian names, or rather a part of the line on which it is written, has at some time or other, been subjected to erasure. The line is written over, in a new hand, with much fresher ink; but the writing below is not quite effaced, so that. . . ."
"So that . . . ?" asked Mrs. Kesselbach, in a low voice.
"So that, with a good lens and particularly with the special methods which I have at my disposal, I was able to revive some of the obliterated syllables and, without any possibility of a mistake, in all certainty, to reconstruct the old writing. I then found not Louis de Malreich, but . . ."
"Oh, don't, don't! . . ."
Suddenly shattered by the strain of her prolonged effort of resistance, she lay bent in two and, with her head in her hands, her shoulders shaken with convulsive sobs, she wept.
Lupin looked for long seconds at this weak and listless creature, so pitifully helpless. And he would have liked to stop, to cease the torturing questions which he was inflicting upon her. But was it not to save her that he was acting as he did? And, to save her, was it not necessary that he should know the truth, however painful?
He resumed:
"Why that forgery?"
"It was my husband," she stammered, "it was my husband who did it. With his fortune, he could do everything; and he bribed a junior clerk to have the Christian name of the second child altered for him on the register."
"The Christian name and the sex," said Lupin.
"Yes," she said.
"Then," he continued, "I am not mistaken: the original Christian name, the real one, was Dolores?"
"Yes."
"But why did your husband . . . ?"
She whispered in a shame-faced manner, while the tears streamed down her cheeks.
"Don't you understand?"
"No."
"But think," she said, shuddering, "I was the sister of Isilda, the mad woman, the sister of Altenheim, the ruffian. My husband—or rather my affianced husband—would not have me remain that. He loved me. I loved him too, and I consented. He suppressed Dolores de Malreich on the register, he bought me other papers, another personality, another birth-certificate; and I was married in Holland under another maiden name, as Dolores Amonti."
Lupin reflected for a moment and said, thoughtfully:
"Yes . . . yes . . . I understand. . . . But then Louis de Malreich does not exist; and the murderer of your husband, the murderer of your brother and sister, does not bear that name. . . . His name. . . ."
She sprang to a sitting posture and, eagerly:
"His name! Yes, that is his name . . . yes, it is his name nevertheless. . . . Louis de Malreich. . . . L. M. . . . Remember. . . . Oh, do not try to find out . . . it is the terrible secret. . . . Besides, what does it matter? . . . They have the criminal. . . . He is the criminal. . . . I tell you he is. Did he defend himself when I accused him, face to face? Could he defend himself, under that name or any other? It is he . . . it is he . . . He committed the murders. . . . He struck the blows. . . . The dagger. . . . The steel dagger. . . . Oh, if I could only tell all I know! . . . Louis de Malreich. . . . If I could only . . ."
She fell back on the sofa in a fit of hysterical sobbing; and her hand clutched Lupin's and he heard her stammering, amid inarticulate words:
"Protect me . . . protect me. . . . You alone, perhaps. . . . Oh, do not forsake me. . . . I am so unhappy! . . . Oh, what torture . . . what torture! . . . It is hell! . . ."
With his free hand, he stroked her hair and forehead with infinite gentleness; and, under his caress, she gradually relaxed her tense nerves and became calmer and quieter.
Then he looked at her again and long, long asked himself what there could be behind that fair, white brow, what secret was ravaging that mysterious soul. She also was afraid. But of whom? Against whom was she imploring him to protect her?
Once again, he was obsessed by the image of the man in black, by that Louis de Malreich, the sinister and incomprehensible enemy, whose attacks he had to ward off without knowing whence they came or even if they were taking place.
He was in prison, watched day and night. Tush! Did Lupin not know by his own experience that there are beings for whom prison does not exist and who throw off their chains at the given moment? And Louis de Malreich was one of those.
Yes, there was some one in the Santé prison, in the condemned man's cell. But it might be an accomplice or some victim of Malreich . . . while Malreich himself prowled around Bruggen Castle, slipped in under cover of the darkness, like an invisible spectre, made his way into the chalet in the park and, at night, raised his dagger against Lupin asleep and helpless.
And it was Louis de Malreich who terrorized Dolores,who drove her mad with his threats, who held her by some dreadful secret and forced her into silence and submission.
And Lupin imagined the enemy's plan: to throw Dolores, scared and trembling, into Pierre Leduc's arms, to make away with him, Lupin, and to reign in his place, over there, with the grand-duke's power and Dolores's millions.
It was a likely supposition, a certain supposition, which fitted in with the facts and provided a solution of all the problems.
"Of all?" thought Lupin. "Yes. . . . But then, why did he not kill me, last night, in the chalet? He had but to wish . . .and he did not wish. One movement and I was dead. He did not make that movement. Why?"
Dolores opened her eyes, saw him and smiled, with a pale smile:
"Leave me," she said:
He rose, with some hesitation. Should he go and see if the enemy was behind the curtain or hidden behind the dresses in a cupboard?
She repeated, gently:
"Go . . . I am so sleepy. . . ."
He went away.
But, outside, he stopped behind some trees that formed a dark cluster in front of the castle. He saw a light in Dolores' boudoir. Then the light passed into the bedroom. In a few minutes, all was darkness.
He waited. If the enemy was there, perhaps he would come out of the castle. . . .
An hour elapsed. . . . Two hours. . . . Not a sound. . . .
"There's nothing to be done," thought Lupin."Either he is burrowing in some corner of the castle . . . or else he has gone out by a door which I cannot see from here. Unless the whole thing is the most ridiculous supposition on my part. . . ."
He lit a cigarette and walked back to the chalet.
As he approached it, he saw, at some distance from him, a shadow that appeared to be moving away.
He did not stir, for fear of giving the alarm.
The shadow crossed a path. By the light of the moon, he seemed to recognize the black figure of Malreich.
He rushed forward.
The shadow fled and vanished from sight.
"Come," he said, "it shall be for to-morrow. And, this time. . . ."
Lupin went to Octave's, his chauffeur's, room, woke him and said:
"Take the motor and go to Paris. You will be there by six o'clock in the morning. See Jacques Doudeville and tell him two things: first, to give me news of the man under sentence of death; and secondly, as soon as the post-offices open, to send me a telegram which I will write down for you now. . . ."
He worded the telegram on a scrap of paper and added:
"The moment you have done that, come back, but this way, along the wall of the park. Go now. No one must suspect your absence."
Lupin went to his own room, pressed the spring of his lantern and began to make a minute inspection. "It's as I thought," he said presently. "Some one came here to-night, while I was watching beneath the window. And, if he came, I know what he came for. . . . I was certainly right: things are getting warm.. . . The first time, I was spared. This time, I may be sure of my little stab."
For prudence's sake, he took a blanket, chose a lonely spot in the park and spent the night under the stars.
Octave was back by ten o'clock in the morning:
"It's all right, governor. The telegram has been sent."
"Good. And is Louis de Malreich still in prison?"
"Yes. Doudeville passed his cell at the Santé last night as the warder was coming out. They talked together. Malreich is just the same, it appears: silent as the grave. He is waiting."
"Waiting for what?"
"The fatal hour of course. They are saying, at headquarters, that the execution will take place on the day after to-morrow."
"That's all right, that's all right," said Lupin. "And one thing is quite plain: he has not escaped."
He ceased to understand or even to look for the explanation of the riddle, so clearly did he feel that the whole truth would soon be revealed to him. He had only to prepare his plan, for the enemy to fall into the trap.
"Or for me to fall into it myself," he thought, laughing.
He felt very gay, very free from care; and no fight had ever looked more promising to him.
A footman came from the castle with the telegram which he had told Doudeville to send him and which the postman had just brought. He opened it and put it in his pocket.
A little before twelve o'clock, he met Pierre Leduc in one of the avenues and said, off-hand:
"I am looking for you . . . things are serious. . . . You must answer me frankly. Since you have been at the castle, have you ever seen a man there, besides the two German servants whom I sent in?"
"No."
"Think carefully. I'm not referring to a casual visitor. I mean a man who hides himself, a man whose presence you might have discovered or, less than that, whose presence you might have suspected from some clue or even by some intuition?"
"No. . . . Have you . . . ?"
"Yes. Some one is hiding here . . . some one is prowling about. . . . Where? And who is it? And what is his object? I don't know . . . but I shall know. I already have a suspicion. Do you, on your side, keep your eyes open and watch. And, above all, not a word to Mrs. Kesselbach. . . . It is no use alarming her. . . ."
He went away.
Pierre Leduc, taken aback and upset, went back to the castle. On his way, he saw a piece of blue paper on the edge of the lawn. He picked it up. It was a telegram, not crumpled, like a piece of paper that had been thrown away, but carefully folded: obviously lost.
It was addressed to "Beauny," the name by which Lupin was known at Bruggen. And it contained these words: