"All right, ma'am. What name?"
"Well, now," said she, "my husband, the father of Jonas, and the grandfather of the little Jonas, he always sailed in a schooner, and the ship was theBold Venture."
"TheBonaventura, I think. I remember her."
"I'm sure she was theBold Venture."
"I think not, Mrs. Rea."
"It must have been theBold VentureorBold Adventurer. What sense is there in such a name asBoneventure? I never heard of no such venture, unless it were that of Jack Smithson, who jumped out of a garret window, and sure enough he broke a bone of his leg. No, Mr. Elway, I'll have her entitled theBold Venture."
"I'll not gainsay you.Bold Ventureshe shall be."
Then the painter very dexterously and daintily put the name in black paint on the white strip at the stern.
"Will it be dry by to-morrow?" asked the old woman. "That's the little lad's birthday, and I promised to have his schooner ready for him to sail her then."
"I've put dryers in the paint," answered Mr. Elway, "and you may reckon it will be right for to-morrow."
That night Betty was unable to sleep, so eager was she for the day when the little boy would attain his ninth year and become the possessor of the beautiful ship she had fashioned for him with her own hands, and on which, in fact, she had been engaged for more than a twelvemonth.
Nor was she able to eat her simple breakfast and noonday meal, so thrilled was her old heart with love for the child and expectation of his delight when theBold Venturewas made over to him as his own.
She heard his little feet on the cobblestones of the alley: he came on, dancing, jumping, fidgeted at the lock, threw the door open and burst in with a shout—
"See! see, granny! my new ship! Mother has give it me. A real frigate—with three masts, all red and green, and cost her seven shillings at Camelot Fair yesterday." He bore aloft a very magnificent toy ship. It had pennants at the mast-top and a flag at stern. "Granny! look! look! ain't she a beauty? Now I shan't want your drashy old schooner when I have my grand new frigate."
"Won't you have your ship—theBold Venture?"
"No, granny; chuck it away. It's a shabby bit o' rubbish, mother says; and see! there's a brass cannon, a real cannon that will go off with a bang, on my frigate. Ain't it a beauty?"
"Oh, Jonas! look at theBold Venture!"
"No, granny, I can't stay. I want to be off and swim my beautiful seven-shilling ship."
Then he dashed away as boisterous as he had dashed in, and forgot to shut the door. It was evening when the elder Jonas returned home, and he was welcomed by his son with exclamations of delight, and was shown the new ship.
"But, daddy, her won't sail; over her will flop in the water."
"There is no lead on the keel," remarked the father. "The vessel is built for show only."
Then he walked away to his mother's cottage. He was vexed. He knew that his wife had bought the toy with the deliberate intent of disappointing and wounding her mother-in-law; and he was afraid that he would find the old lady deeply mortified and incensed. As he entered the dingy lane, he noticed that her door was partly open.
The aged woman was on the seat by the table at the window, lying forward clasping the ship, and the two masts were run through her white hair; her head rested, partly on the new ship and partly on the table.
"Mother!" said he. "Mother!"
There was no answer.
The feeble old heart had given way under the blow, and had ceased to beat.
I was accustomed, a few summers past, to spend a couple of months at Portstephen. Jonas Rea took me often in his boat, either mackerel fishing, or on excursions to the islets off the coast, in quest of wild birds. We became familiar, and I would now and then spend an evening with him in his cottage, and talk about the sea, and the chances of a harbour of refuge being made at Portstephen, and sometimes we spoke of our own family affairs. Thus it was that, little by little, the story of the shipBold Venturewas told me.
Mrs. Jane was no more in the house.
"It's a curious thing," said Jonas Rea, "but the first ship my mother made was no sooner done than my boy Peter died, and when she made another, with two masts, as soon as ever it was finished she died herself, and shortly after my wife, Jane, who took a chill at mother's funeral. It settled on her chest, and she died in a fortnight."
"Is that the boat?" I inquired, pointing to a glass case on a cupboard, in which was a rudely executed schooner.
"That's her," replied Jonas; "and I'd like you to have a look close at her."
I walked to the cupboard and looked.
"Do you see anything particular?" asked the fisherman.
"I can't say that I do."
"Look at her masthead. What is there?"
After a pause I said: "There is a grey hair, that is all, like a pennant."
"I mean that," said Jonas. "I can't say whether my old mother put a hair from her white head there for the purpose, or whether it caught and fixed itself when she fell forward clasping the boat, and the masts and spars and shrouds were all tangled in her hair. Anyhow, there it be, and that's one reason why I've had theBold Ventureput in a glass case—that the white hair may never by no chance get brushed away from it. Now, look again. Do you see nothing more?"
"Can't say I do."
"Look at the bows."
I did so. Presently I remarked: "I see nothing except, perhaps, some bruises, and a little bit of red paint."
"Ah! that's it, and where did the red paint come from?"
I was, of course, quite unable to suggest an explanation.
Presently, after Mr. Rea had waited—as if to draw from me the answer he expected—he said: "Well, no, I reckon you can't tell. It was thus. When mother died, I brought theBold Venturehere and set her where she is now, on the cupboard, and Jonas, he had set the new ship, all red and green, theSaucy Janeit was called, on the bureau. Will you believe me, next morning when I came downstairs the frigate was on the floor, and some of her spars broken and all the rigging in a muddle."
"There was no lead on the bottom. It fell down."
"It was not once that happened. It came to the same thing every night; and what is more, theBold Venturebegan to show signs of having fouled her."
"How so?"
"Run against her. She had bruises, and had brought away some of the paint of theSaucy Jane. Every morning the frigate, if she were'nt on the floor, were rammed into a corner, and battered as if she'd been in a bad sea."
"But it is impossible."
"Of course, lots o' things is impossible, but they happen all the same."
"Well, what next?"
"Jane, she was ill, and took wus and wus, and just as she got wus so it took wus as well with theSaucy Jane. And on the night she died, I reckon that there was a reg'lar pitched sea-fight."
"But not at sea."
"Well, no; but the frigate seemed to have been rammed, and she was on the floor and split from stem to stern."
"And, pray, has theBold Venturemade no attempt since? The glass case is not broken."
"There's been no occasion. I chucked what remained of theSaucy Janeinto the fire."
Among the many hangers-on at the Hotel de l'Europe at Luxor—donkey-boys, porters, guides, antiquity dealers—was one, a young man named Mustapha, who proved a general favourite.
I spent three winters at Luxor, partly for my health, partly for pleasure, mainly to make artistic studies, as I am by profession a painter. So I came to know Mustapha fairly well in three stages, during those three winters.
When first I made his acquaintance he was in the transition condition from boyhood to manhood. He had an intelligent face, with bright eyes, a skin soft as brown silk, with a velvety hue on it. His features were regular, and if his face was a little too round to quite satisfy an English artistic eye, yet this was a peculiarity to which one soon became accustomed. He was unflaggingly good-natured and obliging. A mongrel, no doubt, he was; Arab and native Egyptian blood were mingled in his veins. But the result was happy; he combined the patience and gentleness of the child of Mizraim with the energy and pluck of the son of the desert.
Mustapha had been a donkey-boy, but had risen a stage higher, and looked, as the object of his supreme ambition, to become some day a dragoman, and blaze like one of these gilded beetles in lace and chains, rings and weapons. To become a dragoman—one of the most obsequious of men till engaged, one of the veriest tyrants when engaged—to what higher could an Egyptian boy aspire?
To become a dragoman means to go in broadcloth and with gold chains when his fellows are half naked; to lounge and twist the moustache when his kinsfolk are toiling under the water-buckets; to be able to extort backsheesh from all the tradesmen to whom he can introduce a master; to do nothing himself and make others work for him; to be able to look to purchase two, three, even four wives when his father contented himself with one; to soar out of the region of native virtues into that of foreign vices; to be superior to all instilled prejudices against spirits and wine—that is the ideal set before young Egypt through contact with the English and the American tourist.
We all liked Mustapha. No one had a bad word to say of him. Some pious individuals rejoiced to see that he had broken with the Koran, as if this were a first step towards taking up with the Bible. A free-thinking professor was glad to find that Mustapha had emancipated himself from some of those shackles which religion places on august, divine humanity, and that by getting drunk he gave pledge that he had risen into a sphere of pure emancipation, which eventuates in ideal perfection.
As I made my studies I engaged Mustapha to carry my easel and canvas, or camp-stool. I was glad to have him as a study, to make him stand by a wall or sit on a pillar that was prostrate, as artistic exigencies required. He was always ready to accompany me. There was an understanding between us that when a drove of tourists came to Luxor he might leave me for the day to pick up what he could then from the natural prey; but I found him not always keen to be off duty to me. Though he could get more from the occasional visitor than from me, he was above the ravenous appetite for backsheesh which consumed his fellows.
He who has much to do with the native Egyptian will have discovered that there are in him a fund of kindliness and a treasure of good qualities. He is delighted to be treated with humanity, pleased to be noticed, and ready to repay attention with touching gratitude. He is by no means as rapacious for backsheesh as the passing traveller supposes; he is shrewd to distinguish between man and man; likes this one, and will do anything for him unrewarded, and will do naught for another for any bribe.
The Egyptian is now in a transitional state. If it be quite true that the touch of England is restoring life to his crippled limbs, and the voice of England bidding him rise up and walk, there are occasions on which association with Englishmen is a disadvantage to him. Such an instance is that of poor, good Mustapha.
It was not my place to caution Mustapha against the pernicious influences to which he was subjected, and, to speak plainly, I did not know what line to adopt, on what ground to take my stand, if I did. He was breaking with the old life, and taking up with what was new, retaining of the old only what was bad in it, and acquiring of the new none of its good parts. Civilisation—European civilisation—is excellent, but cannot be swallowed at a gulp, nor does it wholly suit the oriental digestion.
That which impelled Mustapha still further in his course was the attitude assumed towards him by his own relatives and the natives of his own village. They were strict Moslems, and they regarded him as one on the highway to becoming a renegade. They treated him with mistrust, showed him aversion, and loaded him with reproaches. Mustapha had a high spirit, and he resented rebuke. Let his fellows grumble and objurgate, said he; they would cringe to him when he became a dragoman, with his pockets stuffed with piastres.
There was in our hotel, the second winter, a young fellow of the name of Jameson, a man with plenty of money, superficial good nature, little intellect, very conceited and egotistic, and this fellow was Mustapha's evil genius. It was Jameson's delight to encourage Mustapha in drinking and gambling. Time hung heavy on his hands. He cared nothing for hieroglyphics, scenery bored him, antiquities, art, had no charm for him. Natural history presented to him no attraction, and the only amusement level with his mental faculties was that of hoaxing natives, or breaking down their religious prejudices.
Matters were in this condition as regarded Mustapha, when an incident occurred during my second winter at Luxor that completely altered the tenor of Mustapha's life.
One night a fire broke out in the nearest village. It originated in a mud hovel belonging to a fellah; his wife had spilled some oil on the hearth, and the flames leaping up had caught the low thatch, which immediately burst into a blaze. A wind was blowing from the direction of the Arabian desert, and it carried the flames and ignited the thatch before it on other roofs; the conflagration spread, and the whole village was menaced with destruction. The greatest excitement and alarm prevailed. The inhabitants lost their heads. Men ran about rescuing from their hovels their only treasures—old sardine tins and empty marmalade pots; women wailed, children sobbed; no one made any attempt to stay the fire; and, above all, were heard the screams of the woman whose incaution had caused the mischief, and who was being beaten unmercifully by her husband.
The few English in the hotel came on the scene, and with their instinctive energy and system set to work to organise a corps and subdue the flames. The women and girls who were rescued from the menaced hovels, or plucked out of those already on fire, were in many cases unveiled, and so it came to pass that Mustapha, who, under English direction, was ablest and most vigorous in his efforts to stop the conflagration, met his fate in the shape of the daughter of Ibraim the Farrier.
By the light of the flames he saw her, and at once resolved to make that fair girl his wife.
No reasonable obstacle intervened, so thought Mustapha. He had amassed a sufficient sum to entitle him to buy a wife and set up a household of his own. A house consists of four mud walls and a low thatch, and housekeeping in an Egyptian house is as elementary and economical as the domestic architecture. The maintenance of a wife and family is not costly after the first outlay, which consists in indemnifying the father for the expense to which he has been put in rearing a daughter.
The ceremony of courting is also elementary, and the addresses of the suitor are not paid to the bride, but to her father, and not in person by the candidate, but by an intermediary.
Mustapha negotiated with a friend, a fellow hanger-on at the hotel, to open proceedings with the farrier. He was to represent to the worthy man that the suitor entertained the most ardent admiration for the virtues of Ibraim personally, that he was inspired with but one ambition, which was alliance with so distinguished a family as his. He was to assure the father of the damsel that Mustapha undertook to proclaim through Upper and Lower Egypt, in the ears of Egyptians, Arabs, and Europeans, that Ibraim was the most remarkable man that ever existed for solidity of judgment, excellence of parts, uprightness of dealing, nobility of sentiment, strictness in observance of the precepts of the Koran, and that finally Mustapha was anxious to indemnify this same paragon of genius and virtue for his condescension in having cared to breed and clothe and feed for several years a certain girl, his daughter, if Mustapha might have that daughter as his wife. Not that he cared for the daughter in herself, but as a means whereby he might have the honour of entering into alliance with one so distinguished and so esteemed of Allah as Ibraim the Farrier.
To the infinite surprise of the intermediary, and to the no less surprise and mortification of the suitor, Mustapha was refused. He was a bad Moslem. Ibraim would have no alliance with one who had turned his back on the Prophet and drunk bottled beer.
Till this moment Mustapha had not realised how great was the alienation between his fellows and himself—what a barrier he had set up between himself and the men of his own blood. The refusal of his suit struck the young man to the quick. He had known and played with the farrier's daughter in childhood, till she had come of age to veil her face; now that he had seen her in her ripe charms, his heart was deeply stirred and engaged. He entered into himself, and going to the mosque he there made a solemn vow that if he ever touched wine, ale, or spirits again he would cut his throat, and he sent word to Ibraim that he had done so, and begged that he would not dispose of his daughter and finally reject him till he had seen how that he who had turned in thought and manner of life from the Prophet would return with firm resolution to the right way.
From this time Mustapha changed his conduct. He was obliging and attentive as before, ready to exert himself to do for me what I wanted, ready also to extort money from the ordinary tourist for doing nothing, to go with me and carry my tools when I went forth painting, and to joke and laugh with Jameson; but, unless he were unavoidably detained, he said his prayers five times daily in the mosque, and no inducement whatever would make him touch anything save sherbet, milk, or water.
Mustapha had no easy time of it. The strict Mohammedans mistrusted this sudden conversion, and believed that he was playing a part. Ibraim gave him no encouragement. His relatives maintained their reserve and stiffness towards him.
His companions, moreover, who were in the transitional stage, and those who had completely shaken off all faith in Allah and trust in the Prophet and respect for the Koran, were incensed at his desertion. He was ridiculed, insulted; he was waylaid and beaten. The young fellows mimicked him, the elder scoffed at him.
Jameson took his change to heart, and laid himself out to bring him out of his pot of scruples.
"Mustapha ain't any sport at all now," said he. "I'm hanged if he has another para from me." He offered him bribes in gold, he united with the others in ridicule, he turned his back on him, and refused to employ him. Nothing availed. Mustapha was respectful, courteous, obliging as before, but he had returned, he said, to the faith and rule of life in which he had been brought up, and he would never again leave it.
"I have sworn," said he, "that if I do I will cut my throat."
I had been, perhaps, negligent in cautioning the young fellow the first winter that I knew him against the harm likely to be done him by taking up with European habits contrary to his law and the feelings and prejudices of his people. Now, however, I had no hesitation in expressing to him the satisfaction I felt at the courageous and determined manner in which he had broken with acquired habits that could do him no good. For one thing, we were now better acquaintances, and I felt that as one who had known him for more than a few months in the winter, I had a good right to speak. And, again, it is always easier or pleasanter to praise than to reprimand.
One day when sketching I cut my pencil with a pruning-knife I happened to have in my pocket; my proper knife of many blades had been left behind by misadventure.
Mustapha noticed the knife and admired it, and asked if it had cost a great sum.
"Not at all," I answered. "I did not even buy it. It was given me. I ordered some flower seeds from a seeds-man, and when he sent me the consignment he included this knife in the case as a present. It is not worth more than a shilling in England."
He turned it about, with looks of admiration.
"It is just the sort that would suit me," he said. "I know your other knife with many blades. It is very fine, but it is too small. I do not want it to cut pencils. It has other things in it, a hook for taking stones from a horse's hoof, a pair of tweezers for removing hairs. I do not want such, but a knife such as this, with such a curve, is just the thing."
"Then you shall have it," said I. "You are welcome. It was for rough work only that I brought the knife to Egypt with me."
I finished a painting that winter that gave me real satisfaction. It was of the great court of the temple of Luxor by evening light, with the last red glare of the sun over the distant desert hills, and the eastern sky above of a purple depth. What colours I used! the intensest on my palette, and yet fell short of the effect.
The picture was in the Academy, was well hung, abominably represented in one of the illustrated guides to the galleries, as a blotch, by some sort of photographic process on gelatine; my picture sold, which concerned me most of all, and not only did it sell at a respectable figure, but it also brought me two or three orders for Egyptian pictures. So many English and Americans go up the Nile, and carry away with them pleasant reminiscences of the Land of the Pharaohs, that when in England they are fain to buy pictures which shall remind them of scenes in that land.
I returned to my hotel at Luxor in November, to spend there a third winter. The fellaheen about there saluted me as a friend with an affectionate delight, which I am quite certain was not assumed, as they got nothing out of me save kindly salutations. I had the Egyptian fever on me, which, when once acquired, is not to be shaken off—an enthusiasm for everything Egyptian, the antiquities, the history of the Pharaohs, the very desert, the brown Nile, the desolate hill ranges, the ever blue sky, the marvellous colorations at rise and set of sun, and last, but not least, the prosperity of the poor peasants.
I am quite certain that the very warmest welcome accorded to me was from Mustapha, and almost the first words he said to me on my meeting him again were: "I have been very good. I say my prayers. I drink no wine, and Ibraim will give me his daughter in the second Iomada—what you call January."
"Not before, Mustapha?"
"No, sir; he says I must be tried for one whole year, and he is right."
"Then soon after Christmas you will be happy!"
"I have got a house and made it ready. Yes. After Christmas there will be one very happy man—one very, very happy man in Egypt, and that will be your humble servant, Mustapha."
We were a pleasant party at Luxor, this third winter, not numerous, but for the most part of congenial tastes. For the most part we were keen on hieroglyphics, we admired Queen Hatasou and we hated Rameses II. We could distinguish the artistic work of one dynasty from that of another. We were learned on cartouches, and flourished our knowledge before the tourists dropping in.
One of those staying in the hotel was an Oxford don, very good company, interested in everything, and able to talk well on everything—I mean everything more or less remotely connected with Egypt. Another was a young fellow who had been an attaché at Berlin, but was out of health—nothing organic the matter with his lungs, but they were weak. He was keen on the political situation, and very anti-Gallican, as every man who has been in Egypt naturally is, who is not a Frenchman.
There was also staying in the hotel an American lady, fresh and delightful, whose mind and conversation twinkled like frost crystals in the sun, a woman full of good-humour, of the most generous sympathies, and so droll that she kept us ever amused.
And, alas! Jameson was back again, not entering into any of our pursuits, not understanding our little jokes, not at all content to be there. He grumbled at the food—and, indeed, that might have been better; at the monotony of the life at Luxor, at his London doctor for putting the veto on Cairo because of its drainage, or rather the absence of all drainage. I really think we did our utmost to draw Jameson into our circle, to amuse him, to interest him in something; but one by one we gave him up, and the last to do this was the little American lady.
From the outset he had attacked Mustapha, and endeavoured to persuade him to shake off his "squeamish nonsense," as Jameson called his resolve. "I'll tell you what it is, old fellow," he said, "life isn't worth living without good liquor, and as for that blessed Prophet of yours, he showed he was a fool when he put a bar on drinks."
But as Mustapha was not pliable he gave him up. "He's become just as great a bore as that old Rameses," said he. "I'm sick of the whole concern, and I don't think anything of fresh dates, that you fellows make such a fuss about. As for that stupid old Nile—there ain't a fish worth eating comes out of it. And those old Egyptians were arrant humbugs. I haven't seen a lotus since I came here, and they made such a fuss about them too."
The little American lady was not weary of asking questions relative to English home life, and especially to country-house living and amusements.
"Oh, my dear!" said she, "I would give my ears to spend a Christmas in the fine old fashion in a good ancient manor-house in the country."
"There is nothing remarkable in that," said an English lady.
"Not to you, maybe; but there would be to us. What we read of and make pictures of in our fancies, that is what you live. Your facts are our fairy tales. Look at your hunting."
"That, if you like, is fun," threw in Jameson. "But I don't myself think anything save Luxor can be a bigger bore than country-house life at Christmas time—when all the boys are back from school."
"With us," said the little American, "our sportsmen dress in pink like yours—the whole thing—and canter after a bag of anise seed that is trailed before them."
"Why do they not import foxes?"
"Because a fox would not keep to the road. Our farmers object pretty freely to trespass; so the hunting must of necessity be done on the highway, and the game is but a bag of anise seed. I would like to see an English meet and a run."
This subject was thrashed out after having been prolonged unduly for the sake of Jameson.
"Oh, dear me!" said the Yankee lady. "If but that chef could be persuaded to give us plum-puddings for Christmas, I would try to think I was in England."
"Plum-pudding is exploded," said Jameson. "Only children ask for it now. A good trifle or a tipsy-cake is much more to my taste; but this hanged cook here can give us nothing but his blooming custard pudding and burnt sugar."
"I do not think it would be wise to let him attempt a plum-pudding," said the English lady. "But if we can persuade him to permit me I will mix and make the pudding, and then he cannot go far wrong in the boiling and dishing up."
"That is the only thing wanting to make me perfectly happy," said the American. "I'll confront monsieur. I am sure I can talk him into a good humour, and we shall have our plum-pudding."
No one has yet been found, I do believe, who could resist that little woman. She carried everything before her. The cook placed himself and all his culinary apparatus at her feet. We took part in the stoning of the raisins, and the washing of the currants, even the chopping of the suet; we stirred the pudding, threw in sixpence apiece, and a ring, and then it was tied up in a cloth, and set aside to be boiled. Christmas Day came, and the English chaplain preached us a practical sermon on "Goodwill towards men." That was his text, and his sermon was but a swelling out of the words just as rice is swelled to thrice its size by boiling.
We dined. There was an attempt at roast beef—it was more like baked leather. The event of the dinner was to be the bringing in and eating of the plum-pudding.
Surely all would be perfect. We could answer for the materials and the mixing. The English lady could guarantee the boiling. She had seen the plum-pudding "on the boil," and had given strict injunctions as to the length of time during which it was to boil.
But, alas! the pudding was not right when brought on the table. It was not enveloped in lambent blue flame—it was not crackling in the burning brandy. It was sent in dry, and the brandy arrived separate in a white sauce-boat, hot indeed, and sugared, but not on fire.
There ensued outcries of disappointment. Attempts were made to redress the mistake by setting fire to the brandy in a spoon, but the spoon was cold. The flame would not catch, and finally, with a sigh, we had to take our plum-pudding as served.
"I say, chaplain!" exclaimed Jameson, "practice is better than precept, is it not?"
"To be sure it is."
"You gave us a deuced good sermon. It was short, as it ought to be; but I'll go better on it, I'll practise where you preached, and have larks, too!"
Then Jameson started from table with a plate of plum-pudding in one hand and the sauce-boat in the other. "By Jove!" he said, "I'll teach these fellows to open their eyes. I'll show them that we know how to feed. We can't turn out scarabs and cartouches in England, that are no good to anyone, but we can produce the finest roast beef in the world, and do a thing or two in puddings."
And he left the room.
We paid no heed to anything Jameson said or did. We were rather relieved that he was out of the room, and did not concern ourselves about the "larks" he promised himself, and which we were quite certain would be as insipid as were the quails of the Israelites.
In ten minutes he was back, laughing and red in the face.
"I've had splitting fun," he said. "You should have been there."
"Where, Jameson?"
"Why, outside. There were a lot of old moolahs and other hoky-pokies sitting and contemplating the setting sun and all that sort of thing, and I gave Mustapha the pudding. I told him I wished him to try our great national English dish, on which her Majesty the Queen dines daily. Well, he ate and enjoyed it, by George. Then I said, 'Old fellow, it's uncommonly dry, so you must take the sauce to it.' He asked if it was only sauce—flour and water. 'It's sauce, by Jove,' said I, 'a little sugar to it; no bar on the sugar, Musty.' So I put the boat to his lips and gave him a pull. By George, you should have seen his face! It was just thundering fun. 'I've done you at last, old Musty,' I said. 'It is best cognac.' He gave me such a look! He'd have eaten me, I believe—and he walked away. It was just splitting fun. I wish you had been there to see it."
I went out after dinner, to take my usual stroll along the river-bank, and to watch the evening lights die away on the columns and obelisk. On my return I saw at once that something had happened which had produced commotion among the servants of the hotel. I had reached the salon before I inquired what was the matter.
The boy who was taking the coffee round said: "Mustapha is dead. He cut his throat at the door of the mosque. He could not help himself. He had broken his vow."
I looked at Jameson without a word. Indeed, I could not speak; I was choking. The little American lady was trembling, the English lady crying. The gentlemen stood silent in the windows, not speaking a word.
Jameson's colour changed. He was honestly distressed, uneasy, and tried to cover his confusion with bravado and a jest.
"After all," he said, "it is only a nigger the less."
"Nigger!" said the American lady. "He was no nigger, but an Egyptian."
"Oh! I don't pretend to distinguish between your blacks and whity-browns any more than I do between your cartouches," returned Jameson.
"He was no black," said the American lady, standing up. "But I do mean to say that I consider you an utterly unredeemed black——"
"My dear, don't," said the Englishwoman, drawing the other down. "It's no good. The thing is done. He meant no harm."
I could not sleep. My blood was in a boil. I felt that I could not speak to Jameson again. He would have to leave Luxor. That was tacitly understood among us. Coventry was the place to which he would be consigned.
I tried to finish in a little sketch I had made in my notebook when I was in my room, but my hand shook, and I was constrained to lay my pencil aside. Then I took up an Egyptian grammar, but could not fix my mind on study. The hotel was very still. Everyone had gone to bed at an early hour that night, disinclined for conversation. No one was moving. There was a lamp in the passage; it was partly turned down. Jameson's room was next to mine. I heard him stir as he undressed, and talk to himself. Then he was quiet. I wound up my watch, and emptying my pocket, put my purse under the pillow. I was not in the least heavy with sleep. If I did go to bed I should not be able to close my eyes. But then—if I sat up I could do nothing.
I was about leisurely to undress, when I heard a sharp cry, or exclamation of mingled pain and alarm, from the adjoining room. In another moment there was a rap at my door. I opened, and Jameson came in. He was in his night-shirt, and looking agitated and frightened.
"Look here, old fellow," said he in a shaking voice, "there is Musty in my room. He has been hiding there, and just as I dropped asleep he ran that knife of yours into my throat."
"My knife?"
"Yes—that pruning-knife you gave him, you know. Look here—I must have the place sewn up. Do go for a doctor, there's a good chap."
"Where is the place?"
"Here on my right gill."
Jameson turned his head to the left, and I raised the lamp. There was no wound of any sort there.
I told him so.
"Oh, yes! That's fine—I tell you I felt his knife go in."
"Nonsense, you were dreaming."
"Dreaming! Not I. I saw Musty as distinctly as I now see you."
"This is a delusion, Jameson," I replied. "The poor fellow is dead."
"Oh, that's very fine," said Jameson. "It is not the first of April, and I don't believe the yarns that you've been spinning. You tried to make believe he was dead, but I know he is not. He has got into my room, and he made a dig at my throat with your pruning-knife."
"I'll go into your room with you."
"Do so. But he's gone by this time. Trust him to cut and run."
I followed Jameson, and looked about. There was no trace of anyone beside himself having been in the room. Moreover, there was no place but the nut-wood wardrobe in the bedroom in which anyone could have secreted himself. I opened this and showed that it was empty.
After a while I pacified Jameson, and induced him to go to bed again, and then I left his room. I did not now attempt to court sleep. I wrote letters with a hand not the steadiest, and did my accounts.
As the hour approached midnight I was again startled by a cry from the adjoining room, and in another moment Jameson was at my door.
"That blooming fellow Musty is in my room still," said he. "He has been at my throat again."
"Nonsense," I said. "You are labouring under hallucinations. You locked your door."
"Oh, by Jove, yes—of course I did; but, hang it, in this hole, neither doors nor windows fit, and the locks are no good, and the bolts nowhere. He got in again somehow, and if I had not started up the moment I felt the knife, he'd have done for me. He would, by George. I wish I had a revolver."
I went into Jameson's room. Again he insisted on my looking at his throat.
"It's very good of you to say there is no wound," said he. "But you won't gull me with words. I felt his knife in my windpipe, and if I had not jumped out of bed——"
"You locked your door. No one could enter. Look in the glass, there is not even a scratch. This is pure imagination."
"I'll tell you what, old fellow, I won't sleep in that room again. Change with me, there's a charitable buffer. If you don't believe in Musty, Musty won't hurt you, maybe—anyhow you can try if he's solid or a phantom. Blow me if the knife felt like a phantom."
"I do not quite see my way to changing rooms," I replied; "but this I will do for you. If you like to go to bed again in your own apartment, I will sit up with you till morning."
"All right," answered Jameson. "And if Musty comes in again, let out at him and do not spare him. Swear that."
I accompanied Jameson once more to his bedroom, Little as I liked the man, I could not deny him my presence and assistance at this time. It was obvious that his nerves were shaken by what had occurred, and he felt his relation to Mustapha much more than he cared to show. The thought that he had been the cause of the poor fellow's death preyed on his mind, never strong, and now it was upset with imaginary terrors.
I gave up letter writing, and brought my Baedeker'sUpper Egyptinto Jameson's room, one of the best of all guide-books, and one crammed with information. I seated myself near the light, and with my back to the bed, on which the young man had once more flung himself.
"I say," said Jameson, raising his head, "is it too late for a brandy-and-soda?"
"Everyone is in bed."
"What lazy dogs they are. One never can get anything one wants here."
"Well, try to go to sleep."
He tossed from side to side for some time, but after a while, either he was quiet, or I was engrossed in my Baedeker, and I heard nothing till a clock struck twelve. At the last stroke I heard a snort and then a gasp and a cry from the bed. I started up, and looked round. Jameson was slipping out with his feet onto the floor.
"Confound you!" said he angrily, "you are a fine watch, you are, to let Mustapha steal in on tiptoe whilst you are cartouching and all that sort of rubbish. He was at me again, and if I had not been sharp he'd have cut my throat. I won't go to bed any more!"
"Well, sit up. But I assure you no one has been here."
"That's fine. How can you tell? You had your back to me, and these devils of fellows steal about like cats. You can't hear them till they are at you."
It was of no use arguing with Jameson, so I let him have his way.
"I can feel all the three places in my throat where he ran the knife in," said he. "And—don't you notice?—I speak with difficulty."
So we sat up together the rest of the night. He became more reasonable as dawn came on, and inclined to admit that he had been a prey to fancies.
The day passed very much as did others—Jameson was dull and sulky. After déjeuner he sat on at table when the ladies had risen and retired, and the gentlemen had formed in knots at the window, discussing what was to be done in the afternoon.
Suddenly Jameson, whose head had begun to nod, started up with an oath and threw down his chair.
"You fellows!" he said, "you are all in league against me. You let that Mustapha come in without a word, and try to stick his knife into me."
"He has not been here."
"It's a plant. You are combined to bully me and drive me away. You don't like me. You have engaged Mustapha to murder me. This is the fourth time he has tried to cut my throat, and in thesalle à manger, too, with you all standing round. You ought to be ashamed to call yourselves Englishmen. I'll go to Cairo. I'll complain."
It really seemed that the feeble brain of Jameson was affected. The Oxford don undertook to sit up in the room the following night.
The young man was fagged and sleep-weary, but no sooner did his eyes close, and clouds form about his head, than he was brought to wakefulness again by the same fancy or dream. The Oxford don had more trouble with him on the second night than I had on the first, for his lapses into sleep were more frequent, and each such lapse was succeeded by a start and a panic.
The next day he was worse, and we felt that he could no longer be left alone. The third night the attaché sat up to watch him.
Jameson had now sunk into a sullen mood. He would not speak, except to himself, and then only to grumble.
During the night, without being aware of it, the young attaché, who had taken a couple of magazines with him to read, fell asleep. When he went off he did not know. He woke just before dawn, and in a spasm of terror and self-reproach saw that Jameson's chair was empty.
Jameson was not on his bed. He could not be found in the hotel.
At dawn he was found—dead, at the door of the mosque, with his throat cut.
"There's no good in him," said his stepmother, "not a mossul!" With these words she thrust little Joe forward by applying her knee to the small of his back, and thereby jerking him into the middle of the school before the master. "There's no making nothing out of him, whack him as you will."
Little Joe Lambole was a child of ten, dressed in second-hand, nay, third-hand garments that did not fit. His coat had been a soldier's scarlet uniform, that had gone when discarded to a dealer, who had dealt it to a carter, and when the carter had worn it out it was reduced and adapted to the wear of the child. The nether garments had, in like manner, served a full-grown man till worn out; then they had been cut down at the knees. Though shortened in leg, they maintained their former copiousness of seat, and served as an inexhaustible receptacle for dust. Often as little Joe was "licked" there issued from the dense mass of drapery clouds of dust. It was like beating a puff-ball.
"Only a seven-month child," said Mrs. Lambole contemptuously, "born without his nails on fingers and toes; they growed later. His wits have never come right, and a deal, a deal of larruping it will take to make 'em grow. Use the rod; we won't grumble at you for doing so."
Little Joe Lambole when he came into the world had not been expected to live. He was a poor, small, miserable baby, that could not roar, but whimpered. He had been privately baptised directly he was born, because, at the first, Mrs. Lambole said, "The child is mine, though it be such a creetur, and I wouldn't like it, according, to be buried like a dog."
He was called Joseph. The scriptural Joseph had been sold as a bondman into Egypt; this little Joseph seemed to have been brought into the world to be a slave. In all propriety he ought to have died as a baby, and that happy consummation was almost desired, but he disappointed expectations and lived. His mother died soon after, and his father married again, and his father and stepmother loved him, doubtless; but love is manifested in many ways, and the Lamboles showed theirs in a rough way, by slaps and blows and kicks. The father was ashamed of him because he was a weakling, and the stepmother because he was ugly, and was not her own child. He was a meagre little fellow, with a long neck and a white face and sunken cheeks, a pigeon breast, and a big stomach. He walked with his head forward and his great pale blue eyes staring before him into the far distance, as if he were always looking out of the world. His walk was a waddle, and he tumbled over every obstacle, because he never looked where he was going, always looked to something beyond the horizon.
Because of his walk and his long neck, and staring eyes and big stomach, the village children called him "Gander Joe" or "Joe Gander"; and his parents were not sorry, for they were ashamed that such a creature should be known as a Lambole.
The Lamboles were a sturdy, hearty people, with cheeks like quarrender apples, and bones set firm and knit with iron sinews. They were a hard-working, practical people who fattened pigs and kept poultry at home. Lambole was a roadmaker. In breaking stones one day a bit of one had struck his eye and blinded it. After that he wore a black patch upon it. He saw well enough out of the other; he never missed seeing his own interests. Lambole could have made a few pence with his son had his son been worth anything. He could have sent him to scrape the road, and bring the manure off it in a shovel to his garden. But Joe never took heartily to scraping the dung up. In a word, the boy was good for nothing.
He had hair like tow, and a little straw hat on his head with the top torn, so that the hair forced its way out, and as he walked the top bobbed about like the lid of a boiling saucepan.
When the whortleberries were ripe in June, Mrs. Lambole sent Joe out with other children to collect the berries in a tin can; she sold them for fourpence a quart, and any child could earn eightpence a day in whortleberry time; one that was active might earn a shilling.
But Joe would not remain with the other children. They teased him, imitated ganders and geese, and poked out their necks and uttered sounds in imitation of the voices of these birds. Moreover, they stole the berries he had picked, and put them into their own cans.
When Joe Gander left them and found himself alone in the woods, then he lay down among the brown heather and green fern, and looked up through the oak leaves at the sky, and listened to the singing of the birds. Oh, wondrous music of the woods! the hum of the summer air among the leaves, the drone of the bees about the flowers, the twittering and fluting and piping of the finches and blackbirds and thrushes, and the cool soft cooing of the wood pigeons, like the lowing of aerial oxen; then the tapping of the green woodpecker and a glimpse of its crimson head, like a carbuncle running up the tree trunk, and the powdering down of old husks of fir cones or of the tender rind of the topmost shoot of a Scottish pine; for aloft a red squirrel was barking a beautiful tree out of wantonness and frolic. A rabbit would come forth from the bracken and sit up in the sun, and clean its face with the fore paws and stroke its long ears; then, seeing the soiled red coat, would skip up—little Joe lying very still—and screw its nose and turn its eyes from side to side, and skip nearer again, till it was quite close to Joe Gander; and then the boy laughed, and the rabbit was gone with a flash of white tail.
Happy days! days of listening to mysterious music, of looking into mysteries of sun and foliage, of spiritual intercourse with the great mother-soul of nature.
In the evenings, when Gander Joe came without his can, or with his can empty, he would say to his stepmother: "Oh, steppy! it was so nice; everything was singing."
"I'll make you sing in the chorus too!" cried Mrs. Lambole, and laid a stick across his shoulders. Experience had taught her the futility of dusting at a lower level.
Then Gander Joe cried and writhed, and promised to be more diligent in picking whortleberries in future. But when he went again into the wood it was again the same. The spell of the wood spirits was on him; he forgot about the berries at fourpence a quart, and lay on his back and listened. And the whole wood whispered and sang to him and consoled him for his beating, and the wind played lullabies among the fir spines and whistled in the grass, and the aspen clashed its myriad tiny cymbals together, producing an orchestra of sound that filled the soul of the dreaming boy with love and delight and unutterable yearning.
It fared no better in autumn, when the blackberry season set in. Joe went with his can to an old quarry where the brambles sent their runners over the masses of rubble thrown out from the pits, and warmed and ripened their fruit on the hot stones. It was a marvel to see how the blackberries grew in this deserted quarry; how large the fruit swelled, how thick they were—like mulberries. On the road side of the quarry was a belt of pines, and the sun drew out of their bark scents of unsurpassed sweetness. About the blackberries hovered spotted white and yellow and black moths, beautiful as butterflies. Butterflies did not fail either. The red admiral was there, resting on the bark of the trees, asleep in the sun with wings expanded, or drifting about the clumps of yellow ragwort, doubtful whether to perch or not.
Here, hidden behind the trees, among the leaves of overgrown rubble, was a one-story cottage of wood and clay, covered with thatch, in which lived Roger Gale, the postman.
Roger Gale had ten miles to walk every morning, delivering letters, and the same number of miles every evening, for which twenty miles he received the liberal pay of six shillings a week. He had to be at the post office at half-past six in the morning to receive the letters, and at seven in the evening to deliver them. His work took him about six hours. The middle of the day he had to himself. Roger Gale was an old soldier, and enjoyed a pension. He occupied himself, when at home, as a shoemaker; but the walks took so much out of him, being an old man, that he had not the strength and energy to do much cobbling when at home. Therefore he idled a good deal, and he amused his idle hours with a violin. Now, when Joe Gander came to the quarry before the return of the postman from his rounds, he picked blackberries; but no sooner had Roger Gale unlocked his door, taken down his fiddle, and drawn the bow across the strings, than Joe set down the can and listened. And when old Roger began to play an air from theDaughter of the Regiment, then Joe crept towards his cottage in little stages of wonderment and hunger to hear more and hear better, much in the same way as now and again in the wood the inquisitive rabbits had approached his red jacket. Presently Joe was seated on the doorstep, with his ear against the wooden door, and the blackberries and the can, and stepmother's orders and father's stick, and his hard bed and his meagre meals, even the whole world had passed away as a scroll that is rolled up and laid aside, and he lived only in the world of music.
Though his great eyes were wide he saw nothing through them; though the rain began to fall, and the north-east wind to blow, he felt nothing: he had but one faculty that was awake, and that was hearing.
One day Roger came to his door and opened it suddenly, so that the child, leaning against it, fell across his threshold.
"Whom have we here? What is this? What do you want?" asked the postman.
Then Gander Joe stood up, craning his long neck and staring out of his goggle eyes, with his rough flaxen hair standing up in a ruffle above his head and his great stomach protruded, and said nothing. So Roger burst out laughing. But he did not kick him off the step; he gave him a bit of bread and a drop of cider, and presently drew from the boy the confession that he had been listening to the fiddle. This was flattering to the postman, and it was the initiation of a friendship between them.
But when Joe came home with an empty can and said: "Oh, steppy, Master Roger Gale did fiddle so beautiful!" the woman said: "Fiddle! I'll fiddle your back pretty smartly, you idle vagabond"; and she was a truthful woman who never fell short of her word.
To break him of his bad habits—that is, of his dreaminess and uselessness—Mrs. Lambole took Joe to school.
At school he had a bad time of it. He could not learn the letters. He was mentally incapable of doing a subtraction sum. He sat on a bench staring at the teacher, and was unable to answer an ordinary question what the lesson was about. The school-children tormented him, the monitor scolded, and the master beat. Then little Joe Gander took to absenting himself from school. He was sent off every morning by his stepmother, but instead of going to the school he went to the cottage in the quarry, and listened to the fiddle of Roger Gale.
Little Joe got hold of an old box, and with a knife he cut holes in it; and he fashioned a bridge, and then a handle, and he strung horsehair over the latter, and made a bow, and drew very faint sounds from this improvised violin, that made the postman laugh, but which gave great pleasure to Joe. The sound that issued from his instrument was like the humming of flies, but he got distinct notes out of his strings, though the notes were faint.
After he had played truant for some time his father heard what he had done, and he beat the boy till he was like a battered apple that had been flung from the tree by a storm upon a road.
For a while Joe did not venture to the quarry except on Saturdays and Sundays. He was forbidden by his father to go to church, because the organ and the singing there drove him half crazed. When a beautiful, touching melody was played his eyes became clouded and the tears ran down his cheeks; and when the organ played the "Hallelujah Chorus," or some grand and stirring march, his eyes flashed, and his little body quivered, and he made such faces that the congregation were disturbed and the parson remonstrated with his mother. The child was clearly imbecile, and unfit to attend divine worship.
Mr. Lambole got an idea into his head, he would bring up Joe to be a butcher, and he informed Joe that he was going to place him with a gentleman of that profession in town. Joe cried. He turned sick at the sight of blood, and the smell of raw meat was abhorrent to him. But Joe's likings were of no account with his father, and he took him to the town and placed him with a butcher there. He was invested in a blue smock, and was informed that his duties would consist in taking meat about to the customers. Joe was left. It was the first time he had been from home, and he cried himself to sleep the first night, and he cried all the next day when sent around with meat on his shoulder.
Now on his journey through the streets he had to pass the window of a toy-shop. In the window were dolls and horses and little carts. For these Joe did not care, but there were also some little violins, some high priced, and some very low, and over these Joe lingered with loving, covetous eyes. There was one little fiddle to which his heart went out, that cost only three shillings and sixpence. Each day, as he passed the shop, he was drawn to it, and stood looking in, and longed daily more ardently than on the previous day for this three-and-sixpenny violin.
One day he was so lost in admiration and on the schemes he framed as to how he might eventually become possessed of the instrument, that he was unconscious of some boys stealing the meat out of the sort of trough on his shoulder in which he carried it about.
This was the climax of his misdeeds—he had been reprimanded for his blunders, delivering the wrong meat at the customers' doors; for his dilatory ways in going on his errands. The butcher could endure him no more, and sent him home to his father, who thrashed him, as his welcome.
But he carried home with him the haunting recollections of that beautiful little red fiddle, with its fine black keys. The bow, he remembered, was strung with white horsehair. Joe had now a fixed ambition—something to live for. He would be perfectly happy if he could have that three-shillings-and-sixpenny fiddle. But how were three shillings and sixpence to be earned?
He confided his difficulty to postman Roger Gale, and Roger Gale said he would consider the matter.
A couple of days after the postman said to Joe—
"Gander, they want a lad to sweep the leaves in the drive at the great house. The squire's coachman told me, and I mentioned you. You'll have to do it on Saturday, and be paid sixpence."
Joe's face brightened. He went home and told his stepmother.
"For once you are going to be useful," said Mrs. Lambole. "Very well, you shall sweep the drive; then fivepence will come to us, and you shall have a penny every week to spend in sweetstuff at the post office."
Joe tried to reckon how long it would be before he could purchase the fiddle, but the calculation was beyond his powers; so he asked the postman, who assured him it would take him forty weeks—that is, about ten months.
Little Joe was not cast down. What was time with such an end in view? Jacob served fourteen years for Rachel, and this was only forty weeks for a fiddle!
Joe was diligent every Saturday sweeping the drive. He was ordered whenever a carriage entered to dive behind the rhododendrons and laurels and disappear. He was of a too ragged and idiotic appearance to show in a gentleman's grounds.
Once or twice he encountered the squire and stood quaking, with his fingers spread out, his mouth and eyes open, and the broom at his feet. The squire spoke kindly to him, but Joe Gander was too frightened to reply.
"Poor fellow," said the squire to the gardener. "I suppose it is a charity to employ him, but I must say I should have preferred someone else with his wits about him. I will see to having him sent to an asylum for idiots in which I have some interest. There's no knowing," said the squire, "no knowing but that with wholesome food, cleanliness, and kindness his feeble mind may be got to understand that two and two make four, which I learn he has not yet mastered."
Every Saturday evening Joe Gander brought his sixpence home to his stepmother. The woman was not so regular in allowing him his penny out.
"Your edication costs such a lot of money," she said.
"Steppy, need I go to school any more?" He never could frame his mouth to call her mother.
"Of course you must. You haven't passed your standard."
"But I don't think that I ever shall."
"Then," said Mrs. Lambole, "what masses of good food you do eat. You're perfectly insatiable. You cost us more than it would to keep a cow."
"Oh, steppy, I won't eat so much if I may have my penny!"
"Very well. Eating such a lot does no one good. If you will be content with one slice of bread for breakfast instead of two, and the same for supper, you shall have your penny. If you are so very hungry you can always get a swede or a mangold out of Farmer Eggins's field. Swedes and mangolds are cooling to the blood and sit light on the stomick," said Mrs. Lambole.
So the compact was made; but it nearly killed Joe. His cheeks and chest fell in deeper and deeper, and his stomach protruded more than ever. His legs seemed hardly able to support him, and his great pale blue wandering eyes appeared ready to start out of his head like the horns of a snail. As for his voice, it was thin and toneless, like the notes on his improvised fiddle, on which he played incessantly.
"The child will always be a discredit to us," said Lambole. "He don't look like a human child. He don't think and feel like a Christian. The shovelfuls of dung he might have brought to cover our garden if he had only given his heart to it!"
"I've heard of changelings," said Mrs. Lambole; "and with this creetur on our hands I mainly believe the tale. They do say that the pixies steal away the babies of Christian folk, and put their own bantlings in their stead. The only way to find out is to heat a poker red-hot and ram it down the throat of the child; and when you do that the door opens, and in comes the pixy mother and runs off with her own child, and leaves your proper babe behind. That's what we ought to ha' done wi' Joe."
"I doubt, wife, the law wouldn't have upheld us," said Lambole, thrusting hot coals back on to the hearth with his foot.
"I don't suppose it would," said Mrs. Lambole. "And yet we call this a land of liberty! Law ain't made for the poor, but for the rich."
"It is wickedness," argued the father. "It is just the same with colts—all wickedness. You must drive it out with the stick."
And now a great temptation fell on little Gander Joe. The squire and his family were at home, and the daughter of the house, Miss Amory, was musical. Her mother played on the piano and the young lady on the violin. The fashion for ladies to play on this instrument had come in, and Miss Amory had taken lessons from the best masters in town. She played vastly better than poor Roger Gale, and she played to an accompaniment.
Sometimes whilst Joe was sweeping he heard the music; then he stole nearer and nearer to the house, hiding behind rhododendron bushes, and listening with eyes and mouth and nostrils and ears. The music exercised on him an irresistible attraction. He forgot his obligation to work; he forgot the strict orders he had received not to approach the garden-front of the house. The music acted on him like a spell. Occasionally he was roused from his dream by the gardener, who boxed his ears, knocked him over, and bade him get back to his sweeping. Once a servant came out from Miss Amory to tell the ragged little boy not to stand in front of the drawing-room window staring in. On another occasion he was found by Miss Amory crouched behind a rose bush outside her boudoir, listening whilst she practised.
No one supposed that the music drew him. They thought him a fool, and that he had the inquisitiveness of the half-witted to peer in at windows and see the pretty sights within.
He was reprimanded, and threatened with dismissal. The gardener complained to the lad's father and advised a good hiding, such as Joe should not forget.
"These sort of chaps," said the gardener, "have no senses like rational beings, except only the feeling, and you must teach them as you feed the Polar bears—with the end of a stick."
One day Miss Amory, seeing how thin and hollow-eyed the child was, and hearing him cough, brought him out a cup of hot coffee and some bread.
He took it without a word, only pulling off his torn straw hat and throwing it at his feet, exposing the full shock of tow-like hair; then he stared at her out of his great eyes, speechless.
"Joe," she said, "poor little man, how old are you?"
"Dun'now," he answered.
"Can you read and write?"
"No."
"Nor do sums?"
"No."
"What can you do?"
"Fiddle."
"Have you got a fiddle?"
"Yes."
"I should like to see it, and hear you play."
Next day was Sunday. Little Joe forgot about the day, and forgot that Miss Amory would probably be in church in the morning. She had asked to see his fiddle, so in the morning he took it and went down with it to the park. The church was within the grounds, and he had to pass it. As he went by he heard the roll of the organ and the strains of the choir. He stopped to hearken, then went up the steps of the churchyard, listening. A desire came on him to catch the air on his improvised violin, and he put it to his shoulder and drew his bow across the slender cords. The sound was very faint, so faint as to be drowned by the greater volume of the organ and the choir. Nevertheless he could hear the feeble tones close to his ear, and his heart danced at the pleasure of playing to an accompaniment, like Miss Amory. The choir, the congregation, were singing the Advent hymn to Luther's tune—