Now all you ramblers in mourning go,For the prince of ramblers is lying low,And all you maidens that love the game,Put on your mourning veils again.
Thus he celebrated his downfall in a ballad that has the true Newgate ring, and verily in his own eyes he was a hero who carried to the scaffold a dauntless spirit unstained by treachery.
He believed himself an adept in all the arts; as a squire of dames he held himself peerless, and he assured the ineffable Combe, who recorded his flippant utterance with a credulous respect, that he had sacrificed hecatombs of innocent virgins to his importunate lust. Prose and verse trickled with equal facility from his pen, and his biography is a masterpiece. Written in the pedlar's French as it was misspoken in the hells of Edinburgh, it is a narrative of uncommon simplicity and directness, marred now and again by such superfluous reflections as are the natural result of thievish sentimentality. He tells his tale without paraphrase or adornment, and the worthy Writer to the Signet, who prepared the work for the Press, would have asked three times the space to record one-half the adventures. 'I sunk upon it with my forks and brought it with me'; 'We obtained thirty-three pounds by this affair'—is there not the stalwart flavour of the epic in these plain, unvarnished sentences?
His other accomplishments are pallid in the light of his brilliant left hand. Once, at Derry—he attended a cock-fight, and beguiled an interval by emptying the pockets of a lucky bookmaker. An expert, who watched the exploit in admiration, could not withhold a compliment. 'You are the Switcher,' he exclaimed; 'some take all, but you leave nothing.' And it is as the Switcher that Haggart keeps his memory green.
'DAMN ye both! stop, or I will blow your brains out!' Thus it was that Harry Simms greeted his victims, proving in a phrase that the heroic age of the rumpad was no more. Forgotten the debonair courtesy of Claude Duval! Forgotten the lightning wit, the swift repartee of the incomparable Hind! No longer was the hightoby-gloak a 'gentleman' of the road; he was a butcher, if not a beggar, on horseback; a braggart without the courage to pull a trigger; a swashbuckler, oblivious of that ancient style which converted the misery of surrender into a privilege. Yet Harry Simms, the supreme adventurer of his age, was not without distinction; his lithe form and his hard-ridden horse were the common dread of England; his activity was rewarded with a princely treasure; and if his method were lacking in urbanity, the excuse is that he danced not to the brilliant measure of the Cavaliers, but limped to the clumsy fiddle-scraping of the early Georges.
At Eton, where a too-indulgent grandmother had placed him, he ransacked the desks of his school-fellows, and avenged a birching by emptying his master's pockets. Wherefore he lost the hope of a polite education, and instead of proceeding with a clerkly dignity to King's College, in the University of Cambridge, he was ignominiously apprenticed to a breeches-maker. The one restraint was as irksome as the other, and Harry Simms abandoned the needle, as he had scorned the grammar, to go upon the pad. Though his early companions were scragged at Tyburn, the light-fingered rascal was indifferent to their fate, and squandering such booty as fell to his share, he bravely 'turned out' for more. Tottenham Court Fair was the theatre of his childish exploits, and there he gained some little skill in the picking of pockets. But a spell of bad trade brought him to poverty, and he attempted to replenish an empty pocket by the childish expedient of a threatening letter.
The plan was conceived and executed with a futility which ensured an instant capture. The bungler chose a stranger at haphazard, commanding him, under penalty of death, to lay five guineas upon a gun in Tower Wharf; the guineas were cunningly deposited, and the rascal, caught with his hand upon the booty, was committed to Newgate. Youth, and the intercession of his grandmother, procured a release, unjustified by the infamous stupidity of the trick. Its very clumsiness should have sent him over sea; and it is wonderful that from a beginning of so little promise, he should have climbed even the first slopes of greatness. However, the memory of gaol forced him to a brief interlude of honesty; for a while he wore the pink coat of Colonel Cunningham's postillion, and presently was promoted to the independence of a hackney coach.
Thus employed, he became acquainted with the famous Cyprians of Covent Garden, who, loving him for his handsome face and sprightly gesture, seduced him to desert his cab for an easier profession. So long as the sky was fair, he lived under their amiable protection; but the summer having chased the smarter gentry from town, the ladies could afford him no more than would purchase a horse and a pair of pistols, so that Harry was compelled to challenge fortune on the high road. His first journey was triumphantly successful. A post-chaise and a couple of coaches emptied their wealth into his hands, and, riding for London, he was able to return the favours lavished upon him by Covent Garden. At the first touch of gold he was transformed to a finished blade. He purchased himself a silver-hilted sword, which he dangled over a discreet suit of black velvet; a prodigious run of luck at the gaming-tables kept his purse well lined; and he made so brilliant an appearance in his familiar haunts that he speedily gained the name of 'Gentleman Harry.' But the money, lightly won, was lightly spent. The tables took back more than they gave, and before long Simms was astride his horse again, flourishing his irons, and crying: 'Stand and deliver'! upon every road in England.
Epping Forest was his general hunting-ground, but his enterprise took him far afield, and if one night he galloped by starlight across Bagshot Heath, another he was holding up the York stage with unbridled insolence. He robbed, he roared, he blustered with praiseworthy industry; and good luck coming to the aid of caution, he escaped for a while the necessary punishment of his crimes. It was on Stockbridge Downs that he met his first check.
He had stopped a chariot, and came off with a hatful of gold, but the victims, impatient of disaster, raised the county, and Gentleman Harry was laid by the heels. Never at a loss, he condescended to a cringing hypocrisy: he whined, he whimpered, he babbled of reform, he plied his prosecutors with letters so packed with penitence, that they abandoned their case, and in a couple of days Simms had eased a collector at Eversey Bank of three hundred pounds. For this enterprise two others climbed the gallows, and the robber's pride in his capture was miserably lessened by the shedding of innocent blood.
But he forgot his remorse as speedily as he dissipated his money, and sentimentality neither damped his enjoyment nor restrained his energy. Even his brief visits to London were turned to the best account; and, though he would have the world believe him a mere voluptuary, his eye was bent sternly upon business. If he did lose his money in a gambling hell, he knew who won it, and spoke with his opponent on the homeward way. In his eyes a fuddled rake was always fair game, and the stern windows of St. Clement's Church looked down upon many a profitable adventure. His most distinguished journey was to Ireland, whither he set forth to find a market for his stolen treasure. But he determined that the road should bear its own charges, and he reached Dublin a richer man than he left London. In three months he was penniless, but he did not begin trade again until he had recrossed the Channel, and, having got to work near Chester, he returned to the Piazza fat with bank-notes.
With success his extravagance increased, and, living the life of a man about town, he was soon harassed by debt. More than once he was lodged in the Marshalsea, and as his violent temper resented the interference of a dun, he became notorious for his assaults upon sheriff's officers. And thus his poor skill grew poorer: forgetting his trade, he expected that brandy would ease his embarrassment. At last, sodden with drink, he enlisted in the Guards, from which regiment he deserted, only to be pressed aboard a man-of-war. Freed by a clever trick, he took to the road again, until a paltry theft from a barber transported him to Maryland. There he turned sailor, and his ship, The Two Sisters, being taken by a privateer, he contrived to scramble into Portugal, whence he made his way back to England, and to the only adventure of which he was master. He landed with no more money than the price of a pistol, but he prigged a prancer at Bristol horsefair, and set out upon his last journey. The tide of his fortune was at flood. He crammed his pockets with watches; he was owner of enough diamonds to set up shop in a fashionable quarter; of guineas he had as many as would support his magnificence for half a year; and at last he resolved to quit the road, and to live like the gentleman he was. To this prudence he was the more easily persuaded, because not only were the thief-takers eager for his capture, but he was a double-dyed deserter, whose sole chance of quietude was a decent obscurity.
His resolution was taken at St. Albans, and over a comfortable dinner he pictured a serene and uneventful future. On the morrow he would set forth to Dublin, sell his handsome stock of jewels, and forget that the cart ever lumbered up Tyburn Hill. So elated was he with his growing virtue, that he called for a second bottle, and as the port heated his blood his fingers tingled for action. A third bottle proved beyond dispute that only the craven were idle; 'and why,' he exclaimed, generous with wine, 'should the most industrious ruffler of England condescend to inaction?' Instantly he summoned the ostler, screaming for his horse, and before Redburn he had emptied four pockets, and had exchanged his own tired jade for a fresh and willing beast. Still exultant in his contempt of cowardice, he faced the Warrington stage, and made off with his plunder at a drunken gallop. Arrived at Dunstable, he was so befogged with liquor and pride, that he entered the 'Bull Inn,' the goal of the very coach he had just encountered. He had scarce called for a quartern of brandy when the robbed passengers thronged into the kitchen; and the fright gave him enough sobriety to leave his glass untasted, and stagger to his horse. In a wild fury of arrogance and terror, of conflicting vice and virtue, he pressed on to Hockcliffe, where he took refuge from the rain, and presently, fuddled with more brandy, he fell asleep over the kitchen fire.
By this time the hue and cry was raised; and as the hero lay helpless in the corner three troopers burst into the inn, levelled their pistols at his head, and threatened death if he put his hand to his pocket. Half asleep, and wholly drunk, he made not he smallest show of resistance; he surrendered all his money, watches, and diamonds, save a little that was sewn into his neckcloth, and sulkily crawled up to his bed-chamber. Thither the troopers followed him, and having restored some nine pounds at his urgent demand, they watched his heavy slumbers. For all his brandy Simms slept but uneasily, and awoke in the night sick with the remorse which is bred of ruined plans and a splitting head. He got up wearily, and sat over the fire 'a good deal chagrined,' to quote his own simple phrase, at his miserable capture. Escape seemed hopeless indeed; there crouched the vigilant troopers, scowling on their prey. A thousand plans chased each other through the hero's fuddled brain, and at last he resolved to tempt the cupidity of his guardians, and to make himself master of their fire-arms. There were still left him a couple of seals, one gold, the other silver, and watching his opportunity, Simms flung them with a flourish in the fire. It fell out as he expected; the hungry troopers made a dash to save the trinkets; the prisoner seized a brace of pistols and leapt to the door. But, alas, the pistols missed fire, Harry was immediately overpowered, and on the morrow was carried, sick and sorry, before the Justice. From Dunstable he travelled his last journey to Newgate, and, being condemned at the Old Bailey, he was hanged till he was dead, and his body thereafter was carried for dissection to a surgeon's in that same Covent Garden where he first deserted his hackney cab for the pleasures of the town.
'Gentleman Harry' was neither a brilliant thief nor a courteous highwayman. There was no touch of the grand manner even in his prettiest achievement. His predecessors had made a pistol and a vizard an overwhelming terror, and he did but profit by their tradition when he bade the cowed traveller stand and deliver. His profession, as he practised it, neither demanded skill nor incurred danger. Though he threatened death at every encounter, you never hear that he pulled a trigger throughout his career. If his opponent jeered and rode off, he rode off with a whole skin and a full pocket. Once even this renowned adventurer accepted the cut of a riding-whip across his face, nor made any attempt to avenge the insult. But his manifold shortcomings were no hindrance to his success. Wherever he went, between London and York, he stopped coaches and levied his tax. A threatening voice, an arched eyebrow, an arrogant method of fingering an unloaded pistol, conspired with the craven, indolent habit of the time to make his every journey a procession of triumph. He was capable of performing all such feats as the age required of him. But you miss the spirit, the bravery, the urbanity, and the wit, which made the adventurer of the seventeenth century a figure of romance.
One point only of the great tradition did Harry Simms remember. He was never unwilling to restore a trinket made precious by sentiment. Once when he took a gold ring from a gentleman's finger a gentlewoman burst into tears, exclaiming, 'There goes your father's ring.' Whereupon Simms threw all his booty into a hat, saying, 'For God's sake, take that or anything else you please.' In all other respects he was a bully, with the hesitancy of a coward, rather than the proper rival of Hind or Duval. Apart from the exercise of his trade, he was a very Mohock for brutality. He would ill-treat his victims, whenever their drunkenness permitted the freedom, and he had no better gifts for the women who were kind to him than cruelty and neglect. One of his many imprisonments was the result of a monstrous ferocity. 'Unluckily in a quarrel,' he tells you gravely, 'I ran a crab-stick into a woman's eye'; and well did he deserve his sojourn in the New Prison. At another time he rewarded the keeper of a coffee-house, who supported him for six months, by stealing her watch; and, when she grumbled at his insolence, he reflected, with a chuckle, that she could more easily bear the loss of her watch than the loss of her lover. Even in his gaiety there was an unpleasant spice of greed and truculence. Once, when he was still seen in fashionable company, he went to a masquerade, dressed in a rich Spanish habit, lent him by a Captain in the Guards, and he made so fine a show that he captivated a young and beautiful Cyprian, whom, when she would have treated him with generosity, he did but reward with the loss of all her jewels.
Moreover, he had so small a regard for his craft, that he would spoil his effects by drink or debauchery; and, though a highwayman, he cared so little for style, that he would as lief trick a drunken gamester as face his man on Bagshot Heath or beneath the shade of Epping Forest. You admire not his success, because, like the success of the popular politician, it depended rather upon his dupes than upon his merit. You approve not his raffish exploits in the hells of Covent Garden or Drury Lane. But you cannot withhold respect from his consistent dandyism, and you are grateful for the record that, engaged in a mean enterprise, he was dressed 'in a green velvet frock and a short lac'd waistcoat.' Above all, his picturesque capture at Hockcliffe atones for much stupidity. The resolution, wavering at the wine glass, the last drunken ride from St. Albans—these are inventions in experience, which should make Simms immortal. And when he sits 'by the fireside a good deal chagrined,' he recalls the arrest of a far greater man—even of Cartouche, who was surprised by the soldiers at his bedside stitching a torn pair of breeches. His autobiography, wherein 'he relates the truth as a dying man,' seemed excellent in the eyes of Borrow, who loved it so well that he imagined a sentence, ascribed it falsely to Simms, and then rewarded it with extravagant applause.
But Gentleman Harry knew how to tell a simple story, and the book, 'all wrote by myself while under sentence of death,' is his best performance. In action he had many faults, for, if he was a highwayman among rakes, he was but a rake among highwaymen.
HAGGART and Simms are united in the praise of Borrow, and in the generous applause of posterity. Each resumes for his own generation the prowess of his kind. Each has assured his immortality by an experiment in literature; and if epic simplicity and rapid narrative are the virtues of biography, it is difficult to award the prize. The Switcher preferred to write in the rough lingo, wherein he best expressed himself. He packs his pages with ill-spelt slang, telling his story of thievery in the true language of thieves. Gentleman Harry, as became a person of quality, mimicked the dialect wherewith he was familiar in the more fashionable gambling-dens of Covent Garden. Both write with out the smallest suggestion of false shame or idle regret, and a natural vanity lifts each of them out of the pit of commonplace on to the tableland of the heroic. They set forth their depredation, as a victorious general might record his triumphs, and they excel the nimblest Ordinary that ever penned a dying speech in all the gifts of the historian.
But when you leave the study for the field, the Switcher instantly declares his superiority. He had the happiness to practise his craft in its heyday, while Simms knew but the fag-end of a noble tradition. Haggart, moreover, was an expert, pursuing a difficult art, while Simms was a bully, plundering his betters by bluff. Simms boasted no quality which might be set off against the accurate delicacy of Haggart's hand. The Englishman grew rich upon a rolling eye and a rusty pistol. He put on his 'fiercest manner,' and believed that the world would deny him nothing. The Scot, rejoicing in his exquisite skill, went to work without fuss or bluster, and added the joy of artistic pride to his delight in plunder. Though Simm's manner seems the more chivalrous, it required not one tithe of the courage which was Haggart's necessity. On horseback, with the semblance of a fire-arm, a man may easily challenge a coachful of women. It needs a cool brain and a sound courage to empty a pocket in the watchful presence of spies and policemen. While Gentleman Harry chose a lonely road, or the cover of night for his exploits, the Switcher always worked by day, hustled by a crowd of witnesses.
Their hours of leisure furnish a yet more striking contrast. Simms was a polished dandy delighting in his clothes, unhappy if he were deprived of his bottle and his game. Haggart, on the other hand, was before all things sealed to his profession. He would have deserted the gayest masquerade, had he ever strayed into so light a frivolity, for the chance of lightening a pocket. He tasted but few amusements without the limits of his craft, and he preserved unto the end a touch of that dour character which is the heritage of his race. But, withal, he was an amiable decent body, who would have recoiled in horror from the drunken brutality of Gentleman Harry. Though he bragged to George Combe of his pitiless undoing of wenches, he never thrust a crab-stick into a woman's eye, and he was incapable of rewarding a kindness by robbery and neglect. Once—at Newcastle—he arrayed himself in a smart white coat and tops, but the splendour ill became his red-headed awkwardness, and he would have stood aghast at the satin frocks and velvet waistcoats of him who broke the hearts of Drury Lane. But if he were gentler in his life, Haggart was prepared to fight with a more reckless courage when his trade demanded it. It was the Gentleman's boast that he never shed the blood of man. When David found a turnkey between himself and freedom, he did not hesitate to kill, though his remorse was bitter enough when he neared the gallows. In brief, Haggart was not only the better craftsman, but the honester fellow, and though his hands were red with blood, he deserved his death far less than did the more truculent, less valiant Simms. Each had in his brain the stuff whereof men of letters are made: this is their parallel. And, by way of contrast, while the Switcher was an accomplished artist, Gentleman Harry was a roystering braggart.
AS William Brodie stood at the bar, on trial for a his life, he seemed the gallantest gentleman in court. Thither he had been carried in a chair, and, still conscious of the honour paid him, he flashed a condescending smile upon his judges. His step was jaunty as ever; his superb attire well became the Deacon of a Guild. His coat was blue, his vest a very garden of flowers; while his satin breeches and his stockings of white silk were splendid in their simplicity. Beneath a cocked hat his hair was fully dressed and powdered, and even the prosecuting counsel assailed him with the respect due to a man of fashion. The fellow's magnificence was thrown into relief by the squalor of his accomplice. For George Smith had neither the money nor the taste to disguise himself as a polished rogue, and he huddled as far from his master as he could in the rags of his mean estate. Nor from this moment did Brodie ever abate one jot of his dignity. He faced his accusers with a clear eye and a frigid amiability; he listened to his sentence with a calm contempt; he laughed complacently at the sorry interludes of judicial wit; and he faced the last music with a bravery and a cynicism which bore the stamp of true greatness.
It was not until after his crime that Brodie's heroism approved itself. And even then his was a triumph not of skill but of character. Always a gentleman in manner and conduct, he owed the success and the failure of his life to this one quality. When in flight he made for Flushing on board the Endeavour, the other passengers, who knew not his name, straightway christened him 'the gentleman.' The enterprise itself would have been impossible to one less persuasively gifted, and its proper execution is a tribute to the lofty quality of his mind. There was he in London, a stranger and a fugitive; yet instead of crawling furtively into a coal-barge he charters a ship, captures the confidence of the captain, carries the other passengers to Flushing, when they were bound for Leith, and compels every one to confess his charm! The thief, also, found him irresistible; and while the game lasted, the flash kens of Edinburgh murmured the Deacon's name in the hushed whisper of respect.
His fine temperament disarmed treachery. In London he visited an ancient doxy of his own, who, with her bully, shielded him from justice, though betrayal would have met with an ample reward. Smith, if he knew himself the superior craftsman, trembled at the Deacon's nod, who thus swaggered it through life, with none to withhold the exacted reverence. To this same personal compulsion he owed his worldly advancement. Deacon of the Wrights' Guild while still a young man, he served upon the Council, was known for one of Edinburgh's honoured citizens, and never went abroad unmarked by the finger of respectful envy. He was elected in 1773 a member of the Cape Club, and met at the Isle of Man Arms in Craig's Close the wittiest men of his time and town. Raeburn, Runciman, and Ferguson the poet were of the society, and it was with such as these that Brodie might have wasted his vacant hour. Indeed, at the very moment that he was cracking cribs and shaking the ivories, he was a chosen leader of fashion and gaiety; and it was the elegance of the 'gentleman' that distinguished him from his fellows.
The fop, indeed, had climbed the altitudes of life; the cracksman still stumbled in the valleys. If he had a ready cunning in the planning of an enterprise, he must needs bungle at the execution; and had he not been associated with George Smith, a king of scoundrels, there would be few exploits to record. And yet for the craft of housebreaker he had one solid advantage: he knew the locks and bolts of Edinburgh as he knew his primer—for had he not fashioned the most of them himself? But, his knowledge once imparted to his accomplices, he cheerfully sank to a menial's office. In no job did he play a principal's part: he was merely told off by Smith or another to guard the entrance and sound the alarm. When M'Kain's on the Bridge was broken, the Deacon found the false keys; it was Smith who carried off such poor booty as was found. And though the master suggested the attack upon Bruce's shop, knowing full well the simplicity of the lock, he lingered at the Vintner's over a game of hazard, and let the man pouch a sumptuous booty.
Even the onslaught upon the Excise Office, which cost his life, was contrived with appalling clumsiness. The Deacon of the Wrights' Guild, who could slash wood at his will, who knew the artifice of every lock in the city, let his men go to work with no better implements than the stolen coulter of a plough and a pair of spurs. And when they tackled the ill omened job, Brodie was of those who brought failure upon it. Long had they watched the door of the Excise; long had they studied the habits of its clerks; so that they went to work in no vain spirit of experiment. Nor on the fatal night did they force an entrance until they had dogged the porter to his home. Smith and Brown ransacked the place for money, while Brodie and Andrew Ainslie remained without to give a necessary warning. Whereupon Ainslie was seized with fright, and Brodie, losing his head, called off the others, so that six hundred pounds were left, that might have been an easy prey. Smith, indignant at the collapse of the long-pondered design, laid the blame upon his master, and they swung, as Brodie's grim spirit of farce suggested, for four pounds apiece.
The humours of the situation were all the Deacon's own. He dressed the part in black; his respectability grinned behind a vizard; and all the while he trifled nonchalantly with a pistol. Breaking the silence with snatches from The Beggar's Opera, he promised that all their lead should turn to gold, christened the coulter and the crow the Great and Little Samuel, and then went off to drink and dice at the Vintner's. How could anger prevail against this undying gaiety? And if Smith were peevish at failure, he was presently reconciled, and prepared once more to die for his Deacon.
Even after escape, the amateur is still apparent. True, he managed the trip to Flushing with his ancient extravagance; true, he employed all the juggleries of the law to prevent his surrender at Amsterdam. But he knew not the caution of the born criminal, and he was run to earth, because he would still write to his friends like a gentleman. His letters, during this nightmare of disaster, are perfect in their carelessness and good-fellowship. In this he demands news of his children, as becomes a father and a citizen, and furnishes a schedule of their education; in that he is curious concerning the issue of a main, and would know whether his black cock came off triumphant. Nor, even in flight, did he forget his proper craft, but would have his tools sent to Charleston, that in America he might resume the trade that had made him Deacon.
But his was the art of conduct, not of guile, and he deserved capture for his rare indifference. Why, then, with no natural impulsion, did he risk the gallows? Why, being no born thief, and innocent of the thief's cunning, did he associate with so clever a scoundrel as George Smith, with cowards craven as Brown and Ainslie? The greed of gold, doubtless, half persuaded him, but gold was otherwise attainable, and the motive was assuredly far more subtle. Brodie, in fact, was of a romantic turn. He was, so to say, a glorified schoolboy, surfeited with penny dreadfuls. He loved above all things to patter the flash, to dream himself another Macheath, to trick himself out with all the trappings of a crime he was unfit to commit. It was never the job itself that attracted him: he would always rather throw the dice than force a neighbour's window. But he must needs have a distraction from the respectability of his life. Everybody was at his feet; he was Deacon of his Guild, at an age whereat his fellows were striving to earn a reputable living; his masterpieces were fashioned, and the wrights' trade was already a burden. To go upon the cross seemed a dream of freedom, until he snapped his fingers at the world, filled his mouth with slang, prepared his alibi, and furnished him a whole wardrobe of disguises.
With a conscious irony, maybe, he buried his pistols beneath the domestic hearth, jammed his dark lantern into the press, where he kept his game-cocks, and determined to make an inextricable jumble of his career. Drink is sometimes a sufficient reaction against the orderliness of a successful life.
But drink and cards failed with the Deacon, and at the Vintner's of his frequentation he encountered accomplices proper for his schemes. Never was so outrageous a protest offered against domesticity. Yet Brodie's resolution was romantic after its fashion, and was far more respectable than the blackguardism of the French Revolution, which distracted housewifely discontent a year after the Deacon swung. Moreover, it gave occasion for his dandyism and his love of display. If in one incarnation he was the complete gentleman, in another he dressed the part of the perfect scoundrel, and the list of his costumes would have filled one of his own ledgers.
But, when once the possibility of housebreaking was taken from him, he returned to his familiar dignity. Being questioned by the Procurator Fiscal, he shrugged his shoulders, regretting that other affairs demanded his attention. As who should say: it is unpardonable to disturb the meditations of a gentleman. He made a will bequeathing his knowledge of law to the magistrates of Edinburgh, his dexterity in cards and dice to Hamilton the chimney-sweeper, and all his bad qualities to his good friends and old companions, Brown and Ainslie, not doubting, however, that their own will secure them 'a rope at last.' In prison it was his worst complaint that, though the nails of his toes and fingers were not quite so long as Nebuchadnezzar's, they were long enough for a mandarin, and much longer than he found convenient. Thus he preserved an untroubled demeanour until the day of his death. Always polite, and even joyous, he met the smallest indulgence with enthusiasm. When Smith complained that a respite of six weeks was of small account, Brodie exclaimed, 'George, what would you and I give for six weeks longer? Six weeks would be an age to us.'
The day of execution was the day of his supreme triumph. As some men are artists in their lives, so the Deacon was an artist in his death. Nothing became him so well as his manner of leaving the world. There is never a blot upon this exquisite performance. It is superb, impeccable! Again his dandyism supported him, and he played the part of a dying man in a full suit of black, his hair, as always, dressed and powdered. The day before he had been jovial and sparkling. He had chanted all his flash songs, and cracked the jokes of a man of fashion. But he set out for the gallows with a firm step and a rigorous demeanour. He offered a prayer of his own composing, and 'O Lord,' he said, 'I lament that I know so little of Thee.' The patronage and the confession are alike characteristic. As he drew near the scaffold, the model of which he had given to his native city a few years since, he stepped with an agile briskness; he examined the halter, destined for his neck, with an impartial curiosity.
His last pleasantry was uttered as he ascended the table. 'George,' he muttered, 'you are first in hand,' and thereafter he took farewell of his friends. Only one word of petulance escaped his lips: when the halters were found too short, his contempt for slovenly workmanship urged him to protest, and to demand a punishment for the executioner. Again ascending the table, he assured himself against further mishap by arranging the rope with his own hands. Thus he was turned off in a brilliant assembly. The Provost and Magistrates, in respect for his dandyism, were resplendent in their robes of office, and though the crowd of spectators rivalled that which paid a tardy honour to Jonathan Wild, no one was hurt save the customary policeman. Such was the dignified end of a 'double life.' And the duplicity is the stranger, because the real Deacon was not Brodie the Cracksman, but Brodie the Gentleman. So lightly did he esteem life that he tossed it from him in a careless impulse. So little did he fear death that, 'What is hanging?' he asked. 'A leap in the dark.'
CHARLES PEACE, after the habit of his kind, was born of scrupulously honest parents. The son of a religious file-maker, he owed to his father not only his singular piety but his love of edged tools. As he never encountered an iron bar whose scission baffled him, so there never was a fire-eating Methodist to whose ministrations he would not turn a repentant ear. After a handy portico and a rich booty he loved nothing so well as a soul-stirring discourse. Not even his precious fiddle occupied a larger space in his heart than that devotion which the ignorant have termed hypocrisy. Wherefore his career was no less suitable to his ambition than his inglorious end. For he lived the king of housebreakers, and he died a warning to all evildoers, with a prayer of intercession trembling upon his lips.
The hero's boyhood is wrapped in obscurity. It is certain that no glittering precocity brought disappointment to his maturer years, and he was already nineteen when he achieved his first imprisonment. Even then 'twas a sorry offence, which merited no more than a month, so that he returned to freedom and his fiddle with his character unbesmirched. Serious as ever in pious exercises, he gained a scanty living as strolling musician. There was never a tavern in Sheffield where the twang of his violin was unheard, and the skill wherewith he extorted music from a single string earned him the style and title of the modern Paganini. But such an employ was too mean for his pride, and he soon got to work again—this time with a better success. The mansions of Sheffield were his early prey, and a rich plunder rewarded his intrepidity. The design was as masterly as its accomplishment. The grand style is already discernible. The houses were broken in quietude and good order. None saw the opened window; none heard the step upon the stair; in truth, the victim's loss was his first intelligence.
But when the booty was in the robber's own safe keeping, the empiricism of his method was revealed. As yet he knew no secret and efficient fence to shield him from detection; as yet he had not learnt that the complete burglar works alone. This time he knew two accomplices—women both, and one his own sister! A paltry pair of boots was the clue of discovery, and a goodly stretch was the proper reward of a clumsy indiscretion. So for twenty years he wavered between the crowbar and the prison house, now perfecting a brilliant scheme, now captured through recklessness or drink. Once when a mistake at Manchester sent him to the Hulks, he owned his failure was the fruit of brandy, and after his wont delivered (from the dock) a little homily upon the benefit of sobriety.
Meanwhile his art was growing to perfection. He had at last discovered that a burglary demands as diligent a forethought as a campaign; he had learnt that no great work is achieved by a multitude of minds. Before his boat carried off a goodly parcel of silk from Nottingham, he was known to the neighbourhood as an enthusiastic and skilful angler. One day he dangled his line, the next he sat peacefully at the same employ; and none suspected that the mild mannered fisherman had under the cloud of night despatched a costly parcel to London. Even the years of imprisonment were not ill-spent. Peace was still preparing the great achievement of his life, and he framed from solitary reflection as well as from his colleagues in crime many an ingenious theory afterwards fearlessly translated into practice. And when at last he escaped the slavery of the gaol, picture-framing was the pursuit which covered the sterner business of his life. His depredation involved him in no suspicion; his changing features rendered recognition impossible. When the exercise of his trade compelled him to shoot a policeman at Whalley Range, another was sentenced for the crime; and had he not encountered Mrs. Dyson, who knows but he might have practised his art in prosperous obscurity until claimed by a coward's death? But a stormy love-passage with Mrs. Dyson led to the unworthy killing of the woman's husband—a crime unnecessary and in no sense consonant to the burglar's craft; and Charles Peace was an outlaw, with a reward set upon his head.
And now came a period of true splendour. Like Fielding, like Cervantes, like Sterne, Peace reserved his veritable masterpiece for the certainty of middle-life. His last two years were nothing less than a march of triumph. If you remember his constant danger, you will realise the grandeur of the scheme. From the moment that Peace left Bannercross with Dyson's blood upon his hands, he was a hunted man. His capture was worth five hundred pounds; his features were familiar to a hundred hungry detectives. Had he been less than a man of genius, he might have taken an unavailing refuge in flight or concealment. But, content with no safety unattended by affluence, he devised a surer plan: he became a householder. Now, a semi-detached villa is an impregnable stronghold. Respectability oozes from the dusky mortar of its bricks, and escapes in clouds of smoke from its soot-grimed chimneys. No policeman ever detects a desperate ruffian in a demure black-coated gentleman who day after day turns an iron gate upon its rusty hinge. And thus, wrapt in a cloak of suburban piety, Peace waged a pitiless and effective war upon his neighbours.
He pillaged Blackheath, Greenwich, Peckham, and many another home of honest worth, with a noiselessness and a precision that were the envy of the whole family. The unknown and intrepid burglar was a terror to all the clerkdom of the City, and though he was as secret and secluded as Peace, the two heroes were never identified. At the time of his true eminence he 'resided' in Evelina Road, Peckham, and none was more sensible than he how well the address became his provincial refinement. There he installed himself with his wife and Mrs. Thompson. His drawing-room suite was the envy of the neighbourhood; his pony-trap proclaimed him a man of substance; his gentle manners won the respect of all Peckham. Hither he would invite his friends to such entertainments as the suburb expected. His musical evenings were recorded in the local paper, while on Sundays he chanted the songs of Zion with a zeal which Clapham herself might envy.
The house in Evelina Road was no mere haunt of quiet gentility. It was chosen with admirable forethought and with a stern eye upon the necessities of business. Beyond the garden wall frowned a railway embankment, which enabled the cracksman to escape from his house without opening the front door. By the same embankment he might, if he chose, convey the trophies of the night's work; and what mattered it if the windows rattled to the passing train?
At least a cloud of suspicion was dispelled. Here he lived for two years, with naught to disturb his tranquillity save Mrs. Thompson's taste for drink. The hours of darkness were spent in laborious activity, the open day brought its own distractions. There was always Bow Street wherein to loaf, and the study of the criminal law lost none of its excitement from the reward offered outside for the bald-headed fanatic who sat placidly within. And the love of music was Peace's constant solace. Whatever treasures he might discard in a hurried flight, he never left a fiddle behind, and so vast became his pilfered collection that he had to borrow an empty room in a friend's house for its better disposal.
Moreover, he had a fervent pride in his craft; and you might deduce from his performance the whole theory and practice of burglary. He worked ever without accomplices. He knew neither the professional thief nor his lingo; and no association with gaol-birds involved him in the risk of treachery and betrayal. His single colleague was a friendly fence, and not even at the gallows' foot would he surrender the fence's name. His master quality was a constructive imagination. Accident never marred his design. He would visit the house of his breaking until he understood its ground-plan, and was familiar with its inhabitants. This demanded an amazing circumspection, but Peace was as stealthy as a cat, and he would keep silent vigil for hours rather than fail from an over keen anxiety. Having marked the place of his entry, and having chosen an appropriate hour, he would prevent the egress of his enemies by screwing up the doors.
He then secured the room wherein he worked, and the job finished, he slung himself into the night by the window, so that, ere an alarm could be raised, his pony-trap had carried the booty to Evelina Road.
Such was the outline of his plan; but, being no pedant, he varied it at will: nor was he likely to court defeat through lack of resource. Accomplished as he was in his proper business, he was equally alert to meet the accompanying risks. He had brought the art of cozening strange dogs to perfection; and for the exigence of escape, his physical equipment was complete. He would resist capture with unparalleled determination, and though he shuddered at the shedding of blood, he never hesitated when necessity bade him pull the trigger. Moreover, there was no space into which he would not squeeze his body, and the iron bars were not yet devised through which he could not make an exit. Once—it was at Nottingham—he was surprised by an inquisitive detective who demanded his name and trade. 'I am a hawker of spectacles,' replied Peace, 'and my licence is downstairs. Wait two minutes and I'll show it you.' The detective never saw him again. Six inches only separated the bars of the window, but Peace asked no more, and thus silently he won his freedom. True, his most daring feat—the leap from the train—resulted not in liberty, but in a broken head. But he essayed a task too high even for his endeavour, and, despite his manacles, at least he left his boot in the astonished warder's grip.
No less remarkable than his skill and daring were his means of evasion. Even without a formal disguise he could elude pursuit. At an instant's warning, his loose, plastic features would assume another shape; out shot his lower jaw, and, as if by magic, the blood flew into his face until you might take him for a mulatto. Or, if he chose, he would strap his arm to his side, and let the police be baffled by a wooden mechanism, decently finished with a hook. Thus he roamed London up and down unsuspected, and even after his last failure at Blackheath, none would have discovered Charles Peace in John Ward, the Single-Handed Burglar, had not woman's treachery prompted detection. Indeed, he was an epitome of his craft, the Complete Burglar made manifest.
Not only did he plan his victories with previous ingenuity, but he sacrificed to his success both taste and sentiment. His dress was always of the most sombre; his only wear was the decent black of everyday godliness. The least spice of dandyism might have distinguished him from his fellows, and Peace's whole vanity lay in his craft. Nor did the paltry sentiment of friendship deter him from his just course. When the panic aroused by the silent burglar was uncontrolled, a neighbour consulted Peace concerning the safety of his house. The robber, having duly noted the villa's imperfections, and having discovered the hiding-place of jewellery and plate, complacently rifled it the next night. Though his self-esteem sustained a shock, though henceforth his friend thought meanly of his judgment, he was rewarded with the solid pudding of plunder, and the world whispered of the mysterious marauder with a yet colder horror. In truth, the large simplicity and solitude of his style sets him among the Classics, and though others have surpassed him at single points of the game, he practised the art with such universal breadth and courage as were then a revolution, and are still unsurpassed.
But the burglar ever fights an unequal battle. One false step, and defeat o'erwhelms him. For two years had John Ward intimidated the middle-class seclusion of South London; for two years had he hidden from a curious world the ugly, furrowed visage of Charles Peace. The bald head, the broad-rimmed spectacles, the squat, thick figure—he stood but five feet four in his stockings, and adds yet another to the list of little-great men—should have ensured detection, but the quick change and the persuasive gesture were omnipotent, and until the autumn of 1878 Peace was comfortably at large. And then an encounter at Blackheath put him within the clutch of justice. His revolver failed in its duty, and, valiant as he was, at last he met his match. In prison he was alternately insolent and aggrieved. He blustered for justice, proclaimed himself the victim of sudden temptation, and insisted that his intention had been ever innocent.
But, none the less, he was sentenced to a lifer, and, the mask of John Ward being torn from him, he was sent to Sheffield to stand his trial as Charles Peace. The leap from the train is already recorded; and at his last appearance in the dock he rolled upon the floor, a petulant and broken man. When once the last doom was pronounced, he forgot both fiddle and crowbar; he surrendered himself to those exercises of piety from which he had never wavered. The foolish have denounced him for a hypocrite, not knowing that the artist may have a life apart from his art, and that to Peace religion was an essential pursuit. So he died, having released from an unjust sentence the poor wretch who at Whalley Range had suffered for his crime, and offering up a consolatory prayer for all mankind. In truth, there was no enemy for whom he did not intercede. He prayed for his gaolers, for his executioner, for the Ordinary, for his wife, for Mrs. Thompson, his drunken doxy, and he went to his death with the sure step of one who, having done his duty, is reconciled with the world. The mob testified its affectionate admiration by dubbing him 'Charley,' and remembered with effusion his last grim pleasantry. 'What is the scaffold?' he asked with sublime earnestness. And the answer came quick and sanctimonious: 'A short cut to Heaven!'