That platform in the grove is maintained for the benefit of free speech, with reasonable limitations.Clerical and political orators have had their day there. In short, it is the platform of all nations, newly consecrated every summer by the rhythmic feet and gleesome voices of childhood. Then, if ever, the oak and madrono spread their branches of perpetual green over such more tenderly, as symbols of the immortal freshness of youth. Is not this succession of life from chaos eternal, and the race itself only in its infancy? Neither the woodman's axe nor the fire could take the vitality out of that redwood stump, for the saplings have sprung out of its clefts, and the old roots are sending these new spires up toward the heavens. As little does the destruction of a nation affect the genesis of the race, or its everlasting succession. The orchard is the symbol of peace, abundance, the mellowness of life. It is the sign of a gentle civilization grafted on to the wildness of nature. The wild blackberry and strawberry, which grow along the fences and hedgerows, have an aboriginal flavor. When they are domesticated they are a hundredfold better. The wild trees of the forest take to themselves new qualities when set in the open grounds. The ship built of "pasture oak"is a better craft, because the toughness of fiber of such trees was gained in the open field, where they had given shelter to ruminating cows. Was not the yew tree, which grew about the ancestral homes generations ago, chosen for the cross-bow because of its toughness and elasticity? This solitary ash by the fence is more lithe and graceful for its introduction to domestic life; and this wide-branching oak before the door, casting now its shadows aslant, made handsome obeisance to the earthquake, sweeping the ground with its lateral branches. Not a fracture of one of its elastic limbs; but that ancient stone chimney rumbled fearfully, and stood apart in moody isolation. When the dog abandons the civilized community and hears no human speech, he loses his bark. The lowest type of humanity has only a few guttural sounds. The civilized master follows the condition of his dog—that is, if he be cast on some solitary island, he gradually loses his speech. Dog and man have finally gone back to dumb nature. Why is the fruit of the ancient pear tree, standing by some deserted homestead of ante-revolutionary days, more acrid and pungent than it was a hundred years ago? It had lost associationwith human kind. If one could grasp the sweeter subtleties of Nature, he might find a gracious accord, a point of sympathetic contact, where the mellowness of the individual, the rich and generous juices of his nature, give a finer quality to the fruits of the trees which he has planted. Something may come back to him, also, in the aroma of the orchard, helping him by its fragrance to a gentler and more thoughtful life.
SUBURBAN ETCHINGS.
SUBURBAN ETCHINGS.
Itaccords with the folk-lore, or traditions of the "Hill," that one must not offer violence to a black cat. Now it happened that in the season of spring chickens—in the very callow time of their existence—a vagrant cat installed himself in the garden. Charcoal was grey in contrast with the depth of his blackness; and his yellow eyes were flanked by jowls indicating that he fared sumptuously. If a cat of this hue is a symbol of evil, why not induce him to move on at once? "Bridget" was questioned for a satisfactory answer. "Because you mustn't. It is bad luck to harm a black cat." And so this superstition from the heart of the African continent was respected for a time. There might be some occult influence by which the cat propagated the superstition; creating it and living, as it were, in its very atmosphere. Hoodooing possibly is not confined to Africans. It has some relation to blackness, midnight, weird and mysterious eyes. This prowling feline mayhave in him the spirit of mischief. A symbol of evil may sometimes be the thing itself. It is a strange custom to mourn for lost friends by wearing black. What more natural interpretation than that the wearer also is dead? Whereas the "heathen" have hit upon a better symbol, wearing white for the loss of friends, signifying that they have entered into light, that the world itself is all luminous for the living.
Now that cat, the spirit and essence of darkness, the forerunner of diabolism, was true to the symbol. What did he do but leap over a high fence every morning and take from the inclosure the tenderest of spring chickens. Then an hour afterward he would go down the garden walk for a greeting, as if he were not a knave and a hypocrite, arching his back and curving his tail beautifully, rubbing his sleek coat against one and looking up in the face as much as to say, "The only honest trades in the world are yours and mine." It is true that the business economy of the world is mainly a system of reprisals. But there ought to be a spiritual economy which should teach something better. It is evident that this cat must be converted with other than spiritual weapons. In a millennialsense shotguns, no doubt, may become "organ pipes of peace," and even now they may be used to project a sermon to a considerable distance. One by one that brood of chickens disappeared, and another was just coming off. A neighbor was consulted as to the best manner of getting around the superstition that no harm must be done to a black cat. The case was plain enough. He had a beautiful breech-loading shotgun, costing, he suggested, a hundred and twenty dollars. All that was necessary to be done in the premises was to exhort that marauder with that gun. He would show us how to use it. Then followed a drill in its use. The cartridges went in at the breech, an eye was to be squinted along the barrel—and then came the crisis. What a beautiful implement! And how wonderful the contrast with the old Queen's arm, the relic of revolutionary days stored in the garret, with its flint lock, priming wire and muzzle, into which went five fingers of powder and shot, and one of wads! That gun, the use of which was always interdicted to small boys, had been let down from the garret window many a time by a toe-string manufactured for the occasion, and the first hint which maternal governmentgot of that sleight of hand was a report in the nearest woods, which all the heavens echoed to the old homestead. That honest revolutionary piece would not lie. It spoke the truth even if we had to suffer the consequences. The draft made on a clump of hazel bushes near by, was the serious part of the business. But it abides in the memory that no red squirrel running on a ziz-zag fence was wholly safe when that Queen's arm was pointed at him.
The breech-loader was taken down and stored in the library for an aggravated occasion. It came in a few days. The man of all work came bowling up the walk red and wrathful. "That old son of perdition has got another chicken!" Now then, his time had come. He shall be swept with the besom of destruction. Superstitions go this day for nothing. A hundred and twenty dollar shotgun, silver mounted, and a patent cartridge! "Rest it across my back, 'Squire, and take good aim. Aim for his shoulder, and don't kill the chicken in his mouth."—"Did you fetch the cat?" Well, not exactly. The old superstition that day had a powerful effect. That cat dropped the chicken, though, and ran toward the gunner as if to salute him, and then leaped over aten-feet fence and disappeared. That was not all. There were four chickens feeding in the grass beyond, every one of which was laid out cold, and a fifth was struck in the head and had the blind staggers so that it was counted in with the dead. There had been a little variance in the "besom of destruction" which operated in favor of that mysterious cat. Then there was the salutation of Bridget: "Didn't I tell you that it is bad luck to kill a black cat!" "Well, I haven't killed him by a long way. But you might go down in the back lot and gather up an apron full of spring chickens." That gun was returned with thanks. It was an elegant piece. But, somehow, it didn't work like the Queen's arm. The next day that cat returned as if nothing had happened, and took the regular toll of a chicken a day. For a whole year more these depredations went on at intervals, regulated by the supply of young chickens. Here was enterprise. A hundred-dollar chicken yard, constructed and arranged on "scientific principles," was just adequate for the supply of one black cat, on which no impression could be made with a breech-loader, while chickens were bought every week in the market to meet the homedemand! In this extremity a new plan was evolved.
A cash premium—a new dollar from the mint—shall go for the destruction of this particular cat and all successors. Robert, the utility man, soon claimed the dollar. He had exhorted the sleek old hypocrite with a hoe-handle, and brought him to sudden repentance.
"It is bad luck to kill a black cat," said Bridget the next morning; "and you didn't kill him, neither." Well, I paid Robert a premium of a dollar, and he took him off. "Hang all superstitions."
"But the black cat is down in the garden now."
There was that thieving rascal, or a duplicate, at the old business. Robert offered to show the original underground. The premium business was continued, and went into the monthly statement. No sooner was one taken off than another appeared, provided always that it was not the original vagabond. The same predatory habits, the same midnight and diabolical expression, the same decimation in the chicken yard. What did it all mean? There was some occult diabolism that could not be explained. "Didn't I tell you," says Bridget, with an air of triumph, "that you can't kill a black cat."
No, I can't, with a breech-loader. But Robert is drawing a regular premium. The black cat premium fund was exhausted. Now, state your account, my boy. "Well, I have killedfive, upon honor, and have my eye upon another one." There was a suspicion that the original was still there. But the superstition vanished in the clear light of day when it was shown that number six had a little fleck of white between the four legs. But the depredations still go on, and you cannot convince the honest old house-servant that a black cat has ever been killed—and looking out into the garden just now, as that sleek black rascal lies in the grass, with a waving motion of his tail and his yellow eye fixed upon a callow brood, it is clearer than ever before that the succession of black cats is eternal. They do not come in single file, but sun themselves on the fences by the half dozen, run over the green-house, breaking panes of glass, climb up on the outside to the gable window of the barn, flit across the garden walks at twilight, conceal themselves under the low shrubbery, as if defying all efforts at dislodgement. Then there is the comment of Patrick, our neighbor's utility man: "They know the char-acter you've made with that gun."
Nor was it a mitigating circumstance that a sympathizing friend proposed to regulate the succession of cats by sending over a small half-grown terrier. If well brought up, he would keep the peace in the interest of spring chickens. He did occasionally run the black vagrants to the trees handsomely. But as an incidental diversion, he would lay out half a dozen chickens on any fine morning. Where was the gain? Cats could be exhorted with a shotgun, at least there was one experiment of that kind. But when "Towser" was exhorted with a switch, a wail went up from the Hill. It was as if the spirits of all the dogs in Christendom had united to pierce the heavens. So great a noise for so small a catastrophe! But this elementary education cannot be interrupted on account of noises. There is a Hindoo proverb that you cannot get the crook out of a dog's tail by mollifying appliances. But what was needed in that particular case was to get the crook out of his intellect. It ought to have been settled long ago, as a principal of moral and mental philosophy, that you cannot beat honesty and virtue into men or dogs. And so this young canine rascal will come back to do to-morrow what he has done to-day. Does theboy rob bird's nests or plum trees any the less because he gets a sprouting now and then? He has in his moral system a thousand years of inherited aptitude for such predatory excursions.
The moulting season having come, the "chicken lot" looks as if several feather beds had been emptied there. There is less crowing and apparently more time given to meditation and introspection. The old rooster and his harem are now in undress, and a hint has been given that domestic eggs will be scarce for the next month. A young chick that learned to crow hardly more than a month ago, and eats from the hand with fine audacity, has just begun to balance his accounts. He is in full dress—his first suit, as it were—and is not subject to the moulting process at present. But having been under the tyranny of the patriarch who has now lost his tail, the younger one calls him to account daily. There is a hint of retributive justice here. All tyrants ought to have some part of their accounts settled in this world. By way of example, it might be better if the settlements were very complete. After all, there are very few tyrants who manage to get out of the world without a partial accountingwith humanity. Now and then, it is measure for measure, the tyrant having his heaped up a little by way of emphasis. That last reflection is made clearer by the way that young rooster, in his juvenile dress, persists in settling his grievances. He knows nothing of the quality of magnanimity, which suggests that when an adversary has had a sound drubbing he should be let off with a mild regret that any such chastening had been necessary. There is little probability that the quality of mercy will be strained at present. Although, when a tramp called at the kitchen door, unkempt, belated and besotted, the compassionate Bridget set him out a generous breakfast. But when he complained that the coffee was not hot, the quality of mercy was strained which withheld the firing of the poker and coal scuttle at his head. The asceticism of the modern tramp, and the delicacy and exacting nature of his tastes, constitute the latest problem in sociology. It is strange, too, that his moulting season should last the year round. His laying off season never ends. His gains are in inverse proportion to his industry. It might be well to inquire whether there is not a secret profit in cultivating incapacity for work. This ChristianBedouin gets all he needs without effort. But daily I see a man who has acquired ten millions, and wants more. I know not which is the better off. The one appears to be going forward to an eternity of wants. Suppose this capacity for wanting things to increase in geometrical ratio—it may be necessary to mortgage the universe for his convenience. The other is going back on the track, lightening the dead weight as he goes, shedding his superfluous clothes by the wayside, getting down to the level of a ruminating animal, rejoicing in the fragrance of hay stacks at night and the freedom of hospitable kitchens by day. If there is nothing better than to delve for clothes and wooden palaces, it were as well that there should be more moulting. Who knows but the tramp reposing in the sun, his blood enriched thereby, his person made a little more fragrant by the redolence of the hay stack, may not gain a fresh stock of vitality quite needful for this languishing world? The profoundest philosopher of modern times surprised the world with a treatise devoted mainly to clothes. It is not given to know the day on which the profounder philosopher will come and surprise the world by showing the absurdity of clothes worn in conformityto any conventional requirements. Society is forever moulting, putting off and on, and is not happy. But the Patagonian covers his epidermis with mud to protect him from cold, and is happy, at least there is no evidence to the contrary. After all, there was a savor of health in the cynicism which inspired the sturdy old Greek to live in his tub when at home, and to hunt for an honest man with a lantern in the open day. It is nowhere stated that he found him.
There is an ancient Spanish custom of planting the seed of fruit which has been eaten. It is a way of pronouncing a benediction for the good received—not in empty words, but by a thoughtful and beneficent act. One has eaten of the fruit that another has planted, and he is glad; he will also plant that another may eat. Were that custom perpetuated the world over, evermore there would be fruit by the wayside. The highways and byways would not be cursed with barrenness and dust, but fringed with the mulberry and apple, with silent salutations for every weary traveler who would put forth his hand and eat. What matters it that the tree planted to-day shall never overarch and protect you from the smiting sun?—shall never drop its golden fruit by your side?Shall we not read by the light of eternal day that every tree thus planted has brought its benediction to the world? Is it little that others had planted for us, that we should forget to plant again? The patriarch entertained an angel unaware. How many angels might be entertained by one goodly orchard? Or, at least, such as by grace of speech, of mind, and manner, have already received the divine stamp. The heavens have no message for the destroyer; but they have one of peace for those who plant and build wisely on the earth.
It is a notable fact that all the deciduous trees, as well as all the rose bushes which are within the range of suburban observation, have a dormant season about mid-summer. Neither the sun, the south wind, nor water at the roots, can wholly prevent this intervening period of rest. In their own time and way they awake, as it were, to newness of life. In this dormant season they are storing energy for a new development. It is drawn from the sun, the atmosphere, and the nursing earth. When they have accumulated fresh stores there is a new wealth of blossom and foliage. Something analogous to this divine order reaches over from matter to mind.There are dormant seasons—periods of infertility—when the chemistry of heaven and earth is needed to overcome this barrenness. The artist dreams and touches not the fresh canvas on his easel. The poet wanders aimlessly in wider pastures, content to see the bees come and go, and the lupins and wild poppies nod to each other on the hillside. It is the ruminant season, when it is needful that one should digest what has been stored up within. Doth not the land lying in summer fallow gain new fertility? The unclothed land going so near to barrenness shall surely be clothed upon in the coming spring-time. It is well now if one may lie down and dream that the heavens were studded for him alone; and that the west wind of autumn, bearing the perfume of a hundred orchards, comes to him from a land of eternal fruitage. Even now the young leaves are starting on the rose bushes; the period of second growth has already begun. The pear begins to blush under the rays of a September sun; and a strange lily among the ineffable white of the callas, has gone all aflame, as if sainthood and bleeding martyrdom were never far apart.
LITERATURE AND ART.
LITERATURE AND ART.[B]
Ifone may find by the way-side in early springtime so much as a harebell or dandelion, a springing blade of grass or an unfolding bud, as much real satisfaction may be drawn from these scant treasures as from the more abounding fullness of summer, or the mellow ripeness of autumn. In all that relates to education, literature and art, it is early springtime here. What would you have more than some wayside evidences of the serene summer yet to follow, and an intellectual fruitage, of which the gold and purple of the vintage are but the faintest symbols? What is a quarter of a century in the life of a commonwealth, to the rounded centuries which have matured the great universities of Europe, or even the two centuries which have enriched Harvard and Yale? The canvas tents of '49,pitched on the sandy slopes of the peninsula, promised no great city, no perfected system of common schools, no academies and seminaries, and no university planted at Berkeley, in sight from a city of more than a quarter of a million inhabitants. The dissolving gravel beds of a placer mine and the arid plains, were neither symbols of permanence nor of bread. What could you expect in this stress of humanity, even though the agglomerated community were not lacking in some of the best and bravest of all lands?
There can be no beginning of a commonwealth until a Divine Providence begins to set the solitary in families. Homes, children, the economies of domestic life, the commonwealth of husband and wife, the law of the household, and that human providence which grows tender and thoughtful with each young and dependent life—these are precedent conditions of the future state.
It was most fitting that a graduate of one of the oldest colleges in the country should have opened the first public school in California. Thomas Douglas, a graduate of Yale College, began a public school in San Francisco on the 3d day of April,1848. It was a good beginning. But when a few months later nearly the whole population had, drifted away to the mines, Douglas was left high and dry on the sand hills.
All true scholarship has breadth and catholicity. Let not ours be impeached by ignoring what others have done in the domain of letters and science. The fact is none the less significant, that the public school, with its canvas roof, and three scholars, in 1849, is crowned by the University of California to-day.
Possibly, the pioneer educators builded better than they knew. Douglas, the master of arts of Yale, setting the first stakes in the sand hills—Marvin, the first State Superintendent of Public Schools, who, having made a campaign against the Indians, turned over his emoluments to the school fund—Brayton, who conducted for years the most successful preparatory school in the State, a brave, patient and lovable man, whose life went out all too soon in the midst of his noble work—Durant, who, beginning at the foundations, saw the University with the clear vision of a prophet, and lived to see the fruition of his hopes—the gentle andprofound scholar, the dignified president, the wise and firm civil magistrate, who, in the richness of his intellect, the purity of his soul, and the steadfastness of his friendship, was more than president, magistrate, or scholar. Tompkins, as a legislator and as regent, worked with unflagging zeal for the University, and fitly crowned that work by endowing, out of his moderate fortune, the first professorship. When he had made his last public speech in behalf of the institution for which he had wrought so well, it remained for him to enter into the sacred guild of those pioneers who had gone a little before. Gilman, the second president, whose organizing mind grasped every detail of the University, who wrought effectively for it by day, and planned wisely for it by night—a man of rare executive ability, who seemed half unconscious of his own power to influence men in behalf of the great interests for which he wrought. Let it be said of him that he bore himself in his high office with a patience and dignity befitting the Christian gentleman and accomplished scholar. Such a man rarely misses his place, because he is a citizen of the world of letters. It is here for a few years, and on the other side of the countryfor more. But here or there, I think he will never need a better testimonial than that which his work will offer.
Some good work has also been done in a scientific way. The geological survey of this State was arrested by the impatience of the people for immediate results. The topographical survey alone, than which nothing better has ever been done in this country, was more than an equivalent for the entire outlay. There will come a time when the practical value of such an enterprise will be better understood. The physical problems in a single State like California could not be solved in half a century. Was it well to ask a scientific commission to solve them, and publish the results in a few months?
The public journal, as a factor in education, is here, as elsewhere, the outgrowth of our civilization. It embodies the passions, caprices and enterprises of the community. In its best estate it gives the history of the world for one day. In its poorest estate it is content with a patent outside, the puffing of some mountebank, and the abuse of rivals. But at the close of this quarter century, the onlycomplete history of the rise and progress of this commonwealth is that which the newspapers contain. I have seen an artist sketch an accurate likeness of his friend on his thumb-nail. But the modern newspaper every day sketches the likeness, the pulse, and the throbbing heart of the civilized world.
Just as the ideal state is something far in advance of the actual, so the ideal newspaper is something far better than exists on this side of the continent. Here, as elsewhere, it is largely the product of steamships, railroads and telegraphs. But the journal of the future will, after all, be very much what the community makes it. It is the child of civilization, going forward with the community to a better condition, or going backward with it to coarseness and barbarism. The best newspaper a hundred years ago was a poor affair. A hundred years hence, the journal of to-day will probably be viewed with as much interest for what it lacks, as for what it contains.
Our ideal newspaper will pander to no mean prejudices. It will be no generator of slang phrases. It will not murder honest English. It will have ripe and well-digested opinions. It will not truckleto base men. It will not sneer at religion. It will keep its editorial columns above all just suspicion of purchase. It will leave garbage in the gutter. It will assail no man unjustly, nor fear to defend any man or interest because he or it may be obscure or unpopular. No good citizen will fear the honest journal of the future, and no bad man will like it.
Observe how the outer bark of the madrono and eucalyptus, with the coming of every Summer, bursts, rolls up, and falls to the ground as so much rubbish. That is a sign of expanding life. A great deal of newspaper rubbish to-day is a sign of growth. The outer rind and husk of things fall to the ground by that vital force which is continually developing a larger and nobler life in the community. No man will hereafter go to the head of this profession without fair scholarship, a wide range of observation, a large capacity, to deal in a general way with human affairs, and that keen insight which catches the spirit and essence of this on-going life. Most difficult of all is a certain power of statement which no school can teach, and without which the highest plane of the journalist cannot be reached. Your long storywill not be heard. The world is waiting for the man of condensation. Tell it in few words. If one can master this high eclecticism of thought and statement, I know of no more promising field for young men to-day than journalism. If one cannot, the potato field, in a season of blight, is quite as promising.
Without this broader culture for the journalist, there will be great danger that the exigencies of his work will make him a superficial man. The habit will grow upon him of touching merely the surface of things. He will come to think that, as his journal is only for the day, his errors are for the day also. The habit of careful investigation and exactness of thought and statement, will be discarded for random guesses and the temporary expedients of the hour. Nothing but the balancing influence of generous culture will arrest this lapsing tendency. It will be disclosed in platitudes and commonplaces; in writing against space, and in that dreadful amplitude which buries a thought under a mountain of verbiage.
One cannot fail to note that the newspaper has been gradually encroaching on the domain ofliterature. It has absorbed monthly magazines or forced publishers to resort to illustrations—to a sort of picture-book literature for grown-up children. It has driven the lumbering quarterlies into smaller fields and diminished their relative importance. The average citizen craves the news from a journal having the very dew of the morning and of the evening upon it. It must come to him damp and limp, bringing whatever is best at the smallest possible cost. The newspaper is the herald of the new era. Its errand must be swift, its statements compact, and its thought eclectic and comprehensive.
Three thousand years ago, one of the grand old prophets spoke mysteriously of the "living spirit in the wheels." Was it other than the modern newspaper thrown off by the pulsing of the great cylinder press? But observe that through yonder Golden Gate, which the sun and the stars and the lamps of men glorify day and night, the devil-fish comes sailing up, and is no whit concerned whether his accursedtentaculaclose around saint or sinner. Is it not the fittest symbol of a public journal conducted by ignorant and unscrupulous men? Rather would you not choose, as a more fittingsymbol of the ideal journal, one of the small globules of quicksilver which you shall find on any of these encircling hills, so powerless to draw to it an atom of filth or rubbish, but ever attracting the smallest particle of incorruptible silver and gold?
It can hardly have escaped notice that California, during this quarter-century, has produced more humorists, and more of that literature which is essentially humorous, than all the rest of the country. It may be difficult to trace to any outward sources the inspiration of so much wit. Does it lie in the odd contrasts and strange situations which so often confront the observer here? Nor has this facetiousness depended at all for its development upon any degree of prosperity. In fact, the boldest and bravest challenge which has ever been given to adverse fortune here, has been by the gentle humorists who have suffered from her slings and arrows. It is said: "Cervantes smiled Spain's chivalry away." But these modern satirists made faces at bad fortune; they lampooned her and defied her to do her utmost. The more miserable they ought to have been, the happier they were. They found a grotesque and comic side to the most sober facts. They werefacetious when there was small stock in the larder and smaller credit at the banker's. They smiled at the very grimness of evil fortune until she fled, and, in doing this, they half-unconsciously tickled the midriff of the world. A ripple of laughter ran over the surface of society. It sometimes made slow progress when it here and there met a mountain of obtuseness. But wit is wit; and what difference does it make if, failing to see the point, some people laugh next year instead of this? I will not be distressed because my friend does not, to this day, see how the immortal "Squibob" conquered his adversary at San Diego by falling underneath him and inserting his nose between his teeth. Nor does it greatly concern me that he does not assent to the proposition that John Ph[oe]nix, having made a national reputation by editing the San DiegoHeraldfor one week, was the greatest journalist of modern times. If reputation is the measure of greatness, Ph[oe]nix is to this day without a peer. He made the very desert sparkle with his wit. He was a humorous comet, shooting across the dull horizon of pioneer life. Men looked up and wondered whence it came and whither it had gone.
Possibly, there is something favorable to the play of humor in a greater freedom from conventional limitations. If one grows into this larger liberty, or is translated into it, a flavor of freshness comes to pervade all the intellectual life. A certain spontaneity of expression, a spring, a rioting song of gladness, are some of the signs of this more abounding life. In homely phrase, we say there is a flavor of the soil about it. It might, therefore, have been necessary that Mark Twain should sleep on this soil, and should have a wide range of pioneer experiences, before he could become the prince of grotesque humorists. He got up suddenly from the very soil which in its secret laboratory colors the olive and the orange, and began to make the world laugh. With a keen sense of the symmetry and harmony of things, he had a keener perception of all the shams and ridiculous aspects of life. His pungent gospel of humor is as sanitary as a gentle trade-wind. He knew a better secret than the old alchemists. Every time he made the world laugh he put a thousand ducats into his pocket. But never until he had slept in his blankets, had been robbed on the "Divide," and had learned the delicatecookery of a miner's cabin, could he do these things. But now he cannot even weep at the tomb of his ancestor, Adam, without moving the risibles of half the world. He has also a finer touch and flavor, not of the rankest soil, but of that which gives the aroma and delicate bouquet to the rarest mountain-side vintage. When this man had tried his wit on a Californian audience and had won an approving nod, he had an endorsement that was good in any part of the English-speaking world.
Of a more subtile wit and a finer grain was Harte, who did his best work as a humorist in California. All his earlier triumphs were won here. His subsequent indorsement in a wider field was only an affirmation of this earlier public judgment.
Sometimes in the thicket one may come upon a wild mocking bird which is running up the gamut of its riotous burlesque upon the song of every other bird, and the sound of every living thing in the forest. But when all this is done, that mocking bird will sometimes give out a song which none other can match with its melody. As much as this, and more, lay within the range of this poet-satirist.His mocking had, however, a deep and salient meaning in it. When Truthful James rises to explain in what respect Ah Sin is peculiar, he has a higher purpose than merely to show the overreaching cunning of this bronzed heathen,
"With a smile that was child-like and bland."
So long as Ah Sin and his race could be plucked and despoiled at will, he provoked no antagonisms. But when he overmatched the sharpness of his spoilers, we have this tale, with its moral:
Every demagogue in the State, who had rung the changes on the evils of cheap labor, felt the thrust; and it is doubtful if one of them has forgiven Harte to this day.
The dogmatism and intolerant assumption which sometimes become rampant in scientific societies, is thus punctured by Truthful James, in his description of "The Society upon the Stanislaus:"
When Jones undertook to prove that certain fossil bones were from one of his lost mules, then the trouble began:
When the supposed pliocene skull, found in Calaveras County, had developed a good deal of scientific quackery, Harte, in his "Geological Address," makes the skull declare that it belonged to Joe Bowers, of Missouri, who had fallen down a shaft. For six months thereafter no theorist was able to discuss the character of that fossil with a sober countenance. No Damascus blade ever cutwith keener stroke than did the blade of this satirist, even when it was hidden in a madrigal or concealed in some polished sentence of prose.
As a humorist, he appreciated humor in others. When Dickens died, not another man in all the length and breadth of the land contributed so tender and beautiful a tribute to his memory as did Harte in his poem of "Dickens in Camp." The rude miners around the camp-fire drop their cards as one of them draws forth a book:
It was left to this shy man, who came forth from the very wastes of this far-off wilderness, to lay upon the bier of the dead humorist as fragrant an offering as any mortal fellowship could suggest. It was a song in a different key—as if one having entered into the very life of the great novelist, had also for a moment entered into his death.
The wit and the poetry which ripen here are under the same sun which ripens the pomegranate and the citron. The grain and texture have always been better than that suggested by the coarser materialism without. It is little to him who is cutting his marble to the divinest form, that the whole city reeks with grime and smoke, and all its outlines are misshapen and ugly. It is little to poet or painter that sometimes the earth has only a single tint of gray, since he may also see incontrast, what a transfigured glory there may be on mountain and on sea.
There are not at any time in this dull world so many genuine humorists as one may count on his fingers. For lack of some healthy laughter the world is going to the bad. It welcomes the gentle missionary of humor, and for lack of him it often accepts those dreary counterfeits who commit assault and battery upon our mother-tongue. As in olden time the prophets were sometimes stoned in their own country, so in modern times one cannot tell whether the poet-prophet who comes up from the wilderness, will fare better or worse. Woe to him if the people cannot interpret him, or are piqued at his coming. It is a curious fact that when Harte had brought forth his first book with the modest title ofOutcroppings, it was pelted from one end of the State to the other. It did not contain a poem of his own. But it did contain samples of the best poetry, other than his own, which had been produced in California. His critics, catching the suggestion of the title, flung at him porphyry, granite, and barren quartz, but never a rock containing a grain of gold. He might have put a torpedo into a couple of stanzasand extinguished them all. But he saw the humorous side of the assault, and enjoyed it with a keener zest than any of his assailants.
None of us would be comfortable with only some pungent sauce for dinner. But when a dreadful staleness overtakes the world, it is ready to cry out, "More sauce!" Whoever comes, therefore, bringing with him salt and seasoning, and whatever else gives a keener zest to life, never comes amiss. Sooner or later we shall know him. He will come very near to us in his books, and by that subtile law of communion which, through the brightest and noblest utterances, makes all the better world akin.
After we have seen the trick of the magician, we do not care to know him any more. But the magician of wit works by an enchantment that we can never despise. His spell is wrought with such gifts as are only given from the very heavens to here and there one. It is not the mythical Puck who is to put a girdle round the world, but the man of genius, whose thought is luminous with the light of all ages. So Shakspeare clasps the world, and Dickens belts it, and the men of wit and genius furnish each a golden thread which girds it about.The book of humor is the heart's ease. In every library it is dog-eared, because it has in it some surcease for the secret ills of life. If a million souls have been made happier for an hour through the fictions of Sir Walter Scott, what is the sum of good thus wrought? What lesser good have they wrought who have come in later times to lighten the dead weight of our overweighted lives?
Do not despise the evangel of humor because he comes unlike one of old, wearing a girdle of camel's hair, and eating his locusts and wild honey. Bear with him if he comes in flaming neck-tie and flamingo vestments, hirsute and robust. You shall know by his wit that he is no charlatan; but you cannot tell it by his raiment, nor his bill of fare. It cannot be shown that the wit of Diogenes was any better for his living in a tub. It is not probable that a dish of water-cress would inspire a better humor than a flagon of wine and a saddle of venison. I would rather look for your modern humorist in the top story of the crowded and garish hostlery; because if he is after game, he will be sure to find it there.
The exacting conditions of pioneer life are not favorable to authorship. If during this quarter ofa century not a book had been written in California, we might plead in mitigation the overshadowing materialism which, while coarsely wrestling for the gains of a day, finds no place for that repose which favors culture and is fruitful of books. But over the arid plains, in the heat and dust of the long summer, one may trace the belt of green which the mountain stream carries sheer down to the sea. So there have been many thoughtful men and women who have freshened and somewhat redeemed these intellectual wastes. They have written more books in this quarter of a century than have been written in all the other States west of the Mississippi River. The publication of some of these books has cost nearly their weight in gold. During the period of twenty-five years, more than 90 volumes have been written by persons living at the time in this State.
Many of these books have had but a local circulation, and are now almost forgotten. Some have gained more than a national reputation. I enumerate among these Halleck'sInternational Law;Mountaineering, by Clarence King;Marine Mammals of the Northwestern Coast of North America, by Captain Scammon;The Luck of Roaring Camp, byBret Harte; andNative Races, by Hubert H. Bancroft. Another work just missed a more than national recognition. Grayson, the self-taught and heroic naturalist, traversed the forests and swamps of Mexico, stopping neither for morass nor jungle, until he had drawn and painted to life nearly two hundred of the rarest birds of that country. His work, which is still in sheets and manuscript, was probably at the cost of his life. But, besides the works of Audubon and Wilson, I know of nothing better in its way by any naturalist, living or dead.
No one has sought to live here exclusively by authorship. It has only been the incidental occupation of those persons who have written out of the fullness of their own lives. If they heard no mysterious voice saying unto them, "Write!"—the great mountains encamped about like sleeping dromedaries, the valleys filled with the aroma of a royal fruitage, the serene sky, and the rhythm of the great sea, all make audible signs to write. They have written out of a fresh new life.
In the streets of Herculaneum you may see the ruts made more than two thousand years ago. The grooves of society are often narrow and rigid withthe fixedness of centuries. It may be better, by way of change, to propel a velocipede on a fresh track than to run four gilded wheels in the dead grooves which have been cut by the attrition of ages. After one has known the satiety which comes from the mild gabble of society, there is a wonderful freshness in a war-whoop uttered in the depths of the wilderness!
It is this large acquaintance with nature—this lying down with the mountains until one is taken into their confidence—a grim fellowship with untamed savageness—that may give a new vitality, and enlarge the horizon of intellectual life. Whence comes this man with his new poetry, which confounds the critics? and that man with his subtile wit borrowed from no school? I pray you note that for many a day his carpet hath been thespiculaof pine, and his atmosphere hath been perfumed by the fir-tree. He has seen the mountains clad in beatific raiment of white, and their "sacristy set round with stars." He will never go so far that he will not come back to sing and talk of these, his earliest and divinest loves. So Miller sings of "The Sierra," of "Arizona," of "The Ship in the Desert." And Harte comes back againto his miner's camp, and to the larger liberty of the mountains. And there fell on Starr King a grander inspiration after he had seen the white banners of the snow-storm floating from the battlements of Yosemite.
We have brought forth nothing out of our poverty, but rather out of an affluence which could not be wholly restrained. As a gardener clips his choicest shrubs, casting the tangled riotousness of bud and blossom over the wall, so there are many here who have only trimmed a little what they have planted in their own gardens of poetry and fiction.
The little that has been done here in art is rather a sign of better things to come. Art must not only have inspiration, but it needs wealth and the society of a ripe community for its best estate. It is possible to paint for immortality in a garret. But a great deal of work done there has gone to the lumber-room. Not only must there be the fostering spirit of wealth and letters, but art also needs a picturesque world without—the grand estate of mountains and valleys, atmospheres, tones, lights, shadows—and if there be a picturesque people, we might look for a new school of art, and even famous painters. Where a poet canbe inspired, there look also for the poetry which is put on canvas.
In one respect our modern civilization is nearly fatal to art. Philip Hamerton says that "a noble artist will gladly paint a peasant driving a yoke of oxen; but not a commercial traveler in his gig.... Men and women have a fatal liberty which mountains have not. They have the liberty of spoiling themselves, of making themselves ugly, and mean, and ridiculous. A mountain cannot dress in bad taste, neither is it capable of degrading itself by vice. Noble human life in a great and earnest age is better artistic material than wild nature; but human life is an age like ours is not."
If a great artist were asked to paint a fashionable woman in the prevailing stringent costume, do not blame him if he faints away. There will never get into a really great painting any of the stiff and constrained costumes of our time. Observe that the sculptor rarely cuts the statute of a modern statesman without the accessories of some flowing and graceful attire. He cannot sculpture a modern dress-suit without feeling that he has offered an affront to art.
But in spite of our civilization there is a greatdeal that is picturesque among the people—the Parsee, Mohammedan, Malay, and Mongol, whom one may sometimes meet on the same street—the red shirt of the Italian fisherman, and the lateen sail which sends his boat flying over the water. The very distresses and distraits of men here have made them picturesque. I have seen a valedictorian of a leading college deep down in a gravel mine, directing his hydraulic pipe against the bank. Clad in a gray shirt and slouch-hat, he was a far better subject for a painter than on the day he took his degree. The native Californian on horseback, withponcho,sombrero, and leggings, is a good subject for the canvas, as well as the quaint old church where he worships, so rich in its very ruins. Moreover, the whole physical aspect of the country is wonderfully picturesque. The palm tree lifting up its fronded head in the desert, the great fir tree set against the ineffable azure of the heavens, the vine-clad hills, the serrated mountains which the frosts have canonized with their sealed and unsealed fountains, and all the gold and purple which touch the hills at even-tide—these are the rich ministries of nature. It may take art a thousand years to ripen even here.For how many years had the long procession of painters come and gone before Raphael and Michael Angelo appeared?
Our young art school will some day have its treasures; and there will be hung on these walls the portraits of other men whose culture and influence will be worth more than all the gold of the mountains. Let the artist set up his easel and write his silent poem upon the canvas. Welcome all influences which soften this hard and barren materialism. Before the mountains were unvexed by the miner's drill the land itself was a poem and a picture. One day the turbid streams will turn to crystal again, and the only miner will be the living glacier sitting on its white throne of judgment and grinding the very mountains to powder. Fortunate they who can catch this wealth of inspiration. These are the ministers and prophets whose larger and finer interpretation of nature are part of the treasures of the new commonwealth.
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