The John L. Davis School was an ancient red-brick building with an iron picket fence enclosing the schoolyard. As I went up the steps to the door, I could hear a class of small voices chanting something in unison. It was a sleepy, nostalgic, afternoon sound.
In the wide wooden hallway there were drinking fountains which looked absurdly low. A small boy came down the hall, tapping himself gently and wistfully on the head with a ruler. He gave me an opaque stare and continued on his way.
There was a nervous young woman in the outer office of the principal's office. She was typing and chewing her lip and when she looked up at me she was obviously irritated by the interruption.
"I'm trying to find a Miss Major who used to teach here. She taught eighth-grade subjects, I believe."
"We only go through the sixth. Then the children go to the junior high."
"I know that. But you used to have the seventh and eighth here."
"Not for a long time. Not since I've been here."
"Aren't there any records? Isn't there any place you could look?"
"I wouldn't know where to look. I wouldn't know anything like that."
"Are there any teachers here who would have been here when Miss Major was here?"
"I guess there probably are. I guess there would be some. How long ago was she here?"
"About twelve years ago."
"Mrs. Stearns has been teaching here twenty-two years. Third grade. Room sixteen. That's on this floor just around the corner."
"I wouldn't want to interrupt a class."
"Any minute now they'll all be going home. Then you could ask her. I wouldn't know anything like that. I wouldn't know where to look or anything."
I waited outside room sixteen. There was a lull and then somebody started a record player. Sousa filled the halls with brass, at peak volume. There was a great scurrying in all the rooms. The doors opened. All the small denizens marched into the hall and stood in impatient ragged double lines, stomping their feet in time to the music. The floor shook. Weary teachers kept a cautious eye on the lines. The upstairs rooms marched down the stairs and out the double doors. Then the main floor marched out, yelling as soon as they hit the sunlight. The school was emptied. Sousa blared on for a few moments and died in the middle of a bar.
"Mrs. Stearns?"
"Yes, I'm Mrs. Stearns." She was a round, pale woman with hair like steel wool and small, sharp, bright dark eyes.
"My name is Howard, Talbert Howard. Did you know a Miss Major who used to teach here?"
"Of course. I knew Katherine very well. That reminds me, I should stop by and see how she's getting along these days."
"She's in town?"
"Oh, yes, the poor thing."
"Is she ill?"
"Oh, I thought you knew. Katherine went blind quite suddenly about ten years ago. It was a shock to all of us. I feel guilty that I don't call on her more often. But after a full day of the children, I don't feel like calling on anyone. I don't seem to have the energy any more."
"Could you tell me where she lives?"
"Not off hand, but it's in the phone book. She's on Finch Avenue, in an apartment. I know the house but I can't remember the number. She lives alone. She's very proud, you know. And she really gets along remarkably well, considering."
It was a small ground-floor apartment in the rear of an old house. Music was playing loudly in the apartment. It was a symphony I didn't recognize. The music stopped moments after I knocked at the door.
Miss Major opened the door. She wore a blue dress. Her hair was white and worn in a long page boy. Her features were strong. She could have once been a beautiful woman. She was still handsome. When I spoke to her, she seemed to focus on my face. It was hard to believe those eyes were sightless.
I told her my name and said I wanted to ask her about a student she had had in the eighth grade.
"Please come in, Mr. Howard. Sit there in the red chair. I was having tea. Would you care for some?"
"No, thank you."
"Then one of these cookies. A friend of mine bakes them. They're very good."
She held the plate in precisely the right spot. I took one and thanked her. She put the plate back on the table and sat facing me. She found her teacup and lifted it to her lips.
"Now what student was it?"
"Do you remember Timmy Warden?"
"Of course I remember him! He was a charmer. I was told how he died. I was dreadfully sorry to hear it. A man came to see me six or seven months ago. He said he'd been in that prison camp with Timmy. I never could quite understand why he came to see me. His name was Fitzmartin and he asked all sorts of odd questions. I couldn't feel at ease with him. He didn't seem—quite right if you know what I mean. When you lose one sense you seem to become more aware of nuances."
"I was in that camp too, Miss Major."
"Oh, I'm so sorry. Probably Mr. Fitzmartin is a friend of yours."
"No, he's not."
"That's a relief. Now don't tell me you came here to ask odd questions too, Mr. Howard."
"Fairly odd, I guess. In camp Timmy spoke about a girl named Cindy. I've been trying to track her down for—personal reasons. One of your other students, Cindy Kirschner, told me that you wrote a skit based on Cinderella for the eighth grade when you had Timmy in the class. Timmy wasn't—very well when he mentioned this Cindy. I'm wondering if he could have meant the girl who played the part in the play."
"Whatever has happened to Cindy Kirschner, Mr. Howard? Such a shy, sweet child. And those dreadful teeth."
"The teeth have been fixed. She's married to a man named Pat Rorick and she has a couple of kids."
"That's good to hear. The other children used to be horrible to her. They can be little animals at times."
"Do you remember who played the part of Cindy in the skit?"
"Of course I remember. I remember because it was sort of an experiment. Her name was Antoinette Rasi. Wait a moment. I'll show you something." She went into the other room. She was gone nearly five minutes. She came back with a glossy photograph.
"I had a friend help me sort these out after I learned Braille. I've marked them all so I know this is the right one. It's a graduation picture. I've kept the graduation pictures of all my classes, though what use I have for pictures, I'll never know."
She handed it to me and said, "I believe Antoinette is in the back row toward the left. Look for a girl with a great mass of black hair and a pretty, rather sullen face. I don't imagine she was smiling."
"I think I've found her."
"Antoinette was a problem. She was a little older than the others. Half French and half Italian. She resented discipline. She was a rowdy, a troublemaker. But I liked the child and I thought I understood her. Her people were very poor and I don't think she got much attention at home. She had an older brother who had been in trouble with the police and I believe an older sister. She came to school inadequately dressed when the weather was cold. She had a lot of spirit. She was a very alive person. I think she was sensitive, but she hid it very carefully. I can't help but wonder sometimes what has happened to the child. The Rasis lived north of the city where the river widens out. I believe that Mr. Rasi had a boat and bait business in the summer and did odd jobs in the wintertime. Their house was a shack. I went out there once after Antoinette had missed a whole week of school. I found she hadn't come because she had a black eye. Her brother gave it to her. I gave her the part of Cinderella in an attempt to get her to take more interest in class activities. I'm afraid it was a mistake. I believe she thought it was a reflection on the way she lived."
"Was Timmy friendly with her?"
"Quite friendly. I sometimes wondered if that was a good thing. She seemed quite—precocious in some departments. And Timmy was a very sweet boy."
"He could have called her Cindy because of the skit?"
"I imagine so. Children dote on nicknames. I remember one poor little boy with a sinus condition. The other children made him unhappy by calling him Rumblehead."
"I want to thank you for your help, Miss Major."
"I hope the information is of some use to you. When you find Antoinette, tell her I asked about her."
"I'll do that."
She went with me to the door. She said, "They're bringing me a new Braille student at four. He seems to be a little late. Mr. Howard, are you in some kind of trouble?"
The abruptnon sequiturstartled me. "Trouble? Yes, I'm in trouble. Bad trouble."
"I won't give you any chin-up lecture, Mr. Howard. I've been given too much of that myself. I was just checking my own reactions. I sensed trouble. An aura of worry. As with that Mr. Fitzmartin I detected an aura of directed evil."
When I got out in front, a woman was helping a young boy out of a car. The boy wore dark glasses. His mouth had an ill-tempered look, and I heard the whine in his voice as he complained about something to her.
I felt that I had discovered Cindy. There had been a hint as to what she was like in the very tone of Timmy's voice. Weak as he was, there had been a note of fond appreciation—the echo of lust. Cindy would know. The phrasing was odd. NotCindy knows.Cindy would know.It would be a place known to her.
I sat in my car for a few moments. I did not know how long my period of grace would last. I did not know whether I should continue in search of the elusive Cindy or try to make sense of the relationship between Fitz and Grassman. It came to me that I had been a fool not to search the body. There might have been notes, papers, letters, reports—something to indicate why he had been slain. Yet I knew I could not risk going back there, and it was doubtful that the murderer would have been so clumsy as to leave anything indirectly incriminating on the body itself.
I did not know where to start. I didn't think anything could be gained by going to Fitzmartin, facing him. He certainly would answer no questions. Why had it been necessary to kill Grassman? Either it was related to Grassman's job, or it was something apart from it. Grassman's job had apparently been due to Rose Fulton's conviction that her husband had come to some harm here in Hillston.
Prine's investigation had evidently been thorough. He was satisfied that Fulton and Eloise Warden had run off together. He had a witness to the actual departure. Yet Grassman had been poking around the cabin the Wardens used to own. I could not imagine what he hoped to gain.
I could not help but believe that Grassman's death was in some way related to the sixty thousand dollars. I wondered if Grassman had somehow acquired the information that a sizable sum had disappeared from the Warden business ventures over a period of time, and had added two and two together. Or if, in looking for Fulton's body, he had stumbled across the money. Maybe at the same time Fitz was looking for it. Many murders have been committed for one tenth that amount. There was only one starting place with Grassman. That was Rose Fulton. Maybe Grassman had sent her reports. She was probably a resident of Illinois.
I wondered who would know her address. It would have to be someone whose suspicions would not be aroused. I wondered if there was any way of finding out without asking anyone. If the police investigation had been reported in the local paper, Fulton's home town would probably have been given, but not his street address.
I realized that I did not dare make any effort to get hold of Mrs. Fulton. It would link me too closely to Grassman.
Antoinette Rasi then. I would look for her.
The shack was on the riverbank. It had a sagging porch, auto parts stamped into the mud of the yard, dingy Monday washing flapping on a knotted line, a disconsolate tire hanging from a tree limb, and a shiny new television aerial. A thin, dark boy of about twelve was carefully painting an overturned boat, doing a good job of it. A little dark-headed girl was trying to harness a fat, humble dog to a broken cart. A toddler in diapers watched her. Some chickens were scratching the loose dirt under the porch.
The children looked at me as I got out of the car. A heavy woman came to the door. She bulged with pregnancy. Her eyes and expression were unfriendly. The small girl began to cry. I heard her brother hiss at her to shut up. The woman in the doorway could have once been quite pretty. She wasn't any more. It was hard to guess how old she might be.
"Is your name Rasi?" I asked.
"It was once. Now it's Doyle. What do you want?"
"I'm trying to locate Antoinette Rasi."
"For God's sake, shut up sniveling, Jeanie. This man isn't come to take the teevee." She smiled apologetically at me. "They took it away once, and to Jeanie any stranger comes after the same thing. Every night the kids watch it. No homework, no nothing. Just sit and look. It drives me nuts. What do you want Antoinette for?"
"I've got a message for her. From a friend."
The woman sniffed. "She makes a lot of friends, I guess. She doesn't hang around here any more. She's up in Redding. I don't hear from her any more. She never gets down. God knows I never get up there. The old man is dead and Jack is in the federal can in Atlanta, and Doyle can't stand the sight of her, so why should she bother coming down here. Hell, I'm only her only sister. She sends money for the kids, but no messages. No nothing."
"What does she do?"
She gave me a wise, wet smile. "She goes around making friends, I guess."
"How do I get in touch with her?"
"Cruise around. Try the Aztec, and the Cub Room. And try the Doubloon, too. I heard her mention that. You can probably find her."
It was sixty miles to Redding, and dark when I got there. It was twice the size of Hillston. It was a town with a lot of neon. Lime and pink. Dark, inviting blue. Lots of uniforms on the night streets. Lots of girls on the dark streets. Lots of cars going nowhere too fast, horns blowing, Bermuda bells ringing, tires wailing. I asked where the Aztec and the Cub Room and the Doubloon were. I was directed to a wide highway on the west edge of town, called, inevitably, the Strip. There the neon really blossomed. There wasn't as much sidewalk traffic. But for a Monday night there were enough cars in the lots. Enough rough music in the air. Enough places to lose your money. Or spend it. Or have it taken away from you.
I went to the Aztec and I went to the Cub Room and I went to the Doubloon. In each place I asked a bartender about Antoinette Rasi. On each occasion I received a blank stare and a shrug and a, "Never heard of her."
"Dark-haired girl?"
"That's unusual? Sorry, buster."
The cadence of the evening was beginning to quicken. All three places were glamorous. They were like the lounges of the hotels along Collins Avenue on Miami Beach. And like the bistros of Beverly Hills. The lighting was carefully contrived. There was a Las Vegas tension in those three places, a smell of money. Here the games were hidden. But not hard to find.
The way Mrs. Doyle had spoken of her sister gave me reason to believe I could get assistance from the police. They were in a brand new building. The sergeant looked uncomfortable behind a long curve of stainless steel.
I told him what Mrs. Doyle had said about how to find her.
"There ought to be something on her. Let me check it out. Wait a couple minutes."
He got on the phone. He had to wait quite a while. Then he thanked the man on the other end and hung up. "He knows her. She's been booked a couple times as Antoinette Rasi. But the name she uses is Toni Raselle. She calls herself an entertainer. He says he thinks she did sing for a while at one place. She's a fancy whore. The last address he's got is the Glendon Arms. That's a high-class apartment hotel on the west side, not too far from the Strip. Both times she was booked last it was on a cute variation of the old badger game. So cute they couldn't make it stick. So watch yourself. She plays with rough people. We got rough ones here by the dozen."
I thanked him and left. It was nearly ten when I got back to the Strip. I went into the Aztec first. I went to the same bartender. "Find that girl yet?" he asked.
"I found she calls herself Toni Raselle."
"Hell, I know her. She comes in every once in a while. She may show here yet tonight. You an old friend or something?"
"Not exactly."
I tried the other two places. They knew the name there also, but she hadn't been in. I had a steak sandwich in the Doubloon. A girl alone at the bar made a determined effort to pick me up. She dug through her purse looking for matches, unlit cigarette in her mouth. She started a conversation a shade too loudly with the bartender and tried to drag me into it. She was a lean brunette with shiny eyes and trembling hands. I ordered a refill for her and moved onto the bar stool next to her.
We exchanged inanities until she pointed up at the ceiling with her thumb and said, "Going to try your luck tonight? I'm always lucky. You know there's some fellas I know they wouldn't dare try the crap table without they give me some chips to get in the game."
"I don't want to gamble."
"Yeah, sometimes I get tired of it, too. I mean when you just can't seem to get any action out of your money."
"Do you know a girl around town named Toni Raselle?"
She stopped smiling. "What about her? You looking for her?"
"Somebody mentioned her. I remembered the name. Is she nice?"
"She's damn good looking. But she's crazy. Crazy as hell. She doesn't grab me a bit."
"How come you think she's crazy, Donna?"
"Well, dig this. There's some important guys around here. Like Eddie Larch that owns this place. Guys like Eddie. They really got a yen for her. A deal like that you can fall into. Everything laid on. Apartment, car, clothes. They'd set you up. You know? Then all you got to do is be nice and take it easy. Not Toni. She strictly wants something going on all the time. She wants to lone wolf it. And she keeps getting in jams that way. My Christ, you'd think she liked people or something. If I looked like her, I'd parlay that right into stocks and bonds, believe you me. But that Toni. She does as she damn pleases. She don't like you, you're dead. So you can have hundred-dollar bills out to here, you're still dead. She wouldn't spit if your hair was on fire. That's how she's crazy, man."
"I think I see what you mean."
Donna sensed she'd made some sort of tactical error. She smiled broadly and said, "Don't take me serious, that about parlaying it into stocks and bonds. I'm not that type girl. I like a few laughs. I like to get around. My boy friend is away and I got lonesome tonight so I thought I'd take a look around, see what's going on. You know how it is. Lonesome? Sure you wouldn't want to see if you're lucky?"
"I guess not."
She pursed her lips and studied her half-empty glass. She tried the next gambit. "You know, at a buck a drink, they must make a hell of a lot out of a bottle. If a person was smart they'd do their drinking at home. It would be a lot cheaper."
"It certainly would."
"You know, if we could get a bottle, I got glasses and ice at my place. We could take our hair down and put our feet up and watch the teevee and have a ball. What do you say?"
"I don't think so."
"My boy friend won't be back in town until next weekend. I got my own place."
"No thanks, Donna."
"Whatdoyou want to do?"
"Nothing in particular."
"Joey," she called to the bartender. "What kind of place you running? You got a dead customer sitting here. He's giving me the creepers." She moved over two stools and wouldn't look at me. Within fifteen minutes two heavy, smiling men came in. Soon she was in conversation with them. The three of them went upstairs together to try the tables. I hoped her luck was good.
After she was gone the bartender came over and said in a low voice, "The boss gives me the word to keep her out of here. She used to be a lot better looking. Now she gets drunk and nasty. But when he isn't around, I let her stay. What the hell. It's old times, like they say. You know how it is."
"Sure."
"She can sure get nasty. And she won't make any time with that pair. Did you dig those country-style threads? A small beer says they don't have sixteen bucks between the pair of them. She's losing her touch. Last year this time she'd have cut off their water before they said word one. Old Donna's on the skids."
"What will she do?"
He shrugged. "I don't know where they go. She can always sign for a tour." He winked. "See the world. See all the ports in S.A. I don't know where they go."
I wandered back to the Aztec. My bartending friend told me that Toni Raselle was out in the casino in back, escorted by a general. He said she was wearing a white blouse and dark-red skirt, and had an evening scarf that matched her skirt.
I tipped him and went out into the casino. I bought chips through the wicket just inside the door. The large room was crowded. It was brightly, whitely lighted, like an operating amphitheater. The light made the faces of the people look sick. The cards, the chips, the dice, the wheels were all in pitiless illumination. I spotted the uniform across the room. The general was big-chested. He held his face as though he thought he resembled MacArthur. He did a little. But not enough. He had three rows of discreetly faded ribbons.
Antoinette Rasi stood beside him and laughed up at him. It was the face of the high-school picture, matured, not as sullen. Her tumbled hair was like raw blue-black silk. She held her foldedrebozoover her arm. Her brown shoulders were bare. She was warm within her skin, moving like molten honey, teeth white in laughter against her tan face. Wide across the cheekbones. Eyes deep set. Nose broad at the bridge. Feral look. Gypsy look. A mature woman so alive she made the others in the room look two dimensional, as though they had been carefully placed there to provide their drab contrast to Toni's look of greedy life.
They were at the roulette table. I stood across the table. The general was solemnly playing the black. When he lost Toni laughed at him. He didn't particularly like it, but there wasn't much he could do about it. I had twenty one-dollar chips. I began playing twenty-nine, and watching her instead of the wheel. I won thirty-six dollars on the fourth spin. I began to play the red, and kept winning. Toni became aware of my interest in her. So did the general. He gave me a mental command to throw myself on my sword. Toni gave me a few irritated glances.
Finally the general had to go back to the window to buy more chips. They didn't sell them at the table. As soon as he was gone I said, "Antoinette?"
She looked at me carefully. "Do I know you?"
"No. I want a chance to talk to you."
"How do you know my name?"
"Antoinette Rasi. Through Timmy Warden. Remember him?"
"Of course. I can't talk now. Phone me tomorrow. At noon. Eight three eight nine one. Can you remember that?"
"Eight three eight nine one. I'll remember."
The general came back, staring at me with bitter suspicion. I went away, taking with me the memory of her dark eyes and her low, hoarse, husky voice.
I drove back through the night to Hillston. It was well after midnight when I got there. I wondered if they would be waiting for me at the motel. But theNo Vacancysign was lighted and my room was dark.
I went to bed and went to sleep at once. An hour later I awakened abruptly from a nightmare. I was drenched with sweat. I had dreamed that Grassman rode my back, his legs clamped around my waist, his heavy arms around my throat. I walked down a busy street with him there, asking, begging for help. But they would scream and cover their eyes and shrink away from me. And I knew that Grassman's face was more horrible than I had remembered. No one would help me. Then it was not Grassman any more. It was Timmy who rode there. I could smell the earth we had buried him in. I woke up in panic and it took me a long time to quiet down again.
I called her at noon and she answered on the tenth ring just as I was about to give up.
Her voice was blurred with sleep. "Whozit?"
"Tal Howard."
"Who?"
"I spoke to you last night at the Aztec. About Timmy Warden. You said to phone."
I could hear the soft yowl of her complete yawn. "Oh, sure. You go have some coffee or something and then stop around here. I live at a place called the Glendon Arms. Give me about forty minutes to wake up."
I wasted a half hour over coffee and a newspaper, and then found the Glendon Arms without difficulty. It was as pretentious as its name, with striped canopy, solid glass doors, mosaic tile lobby floor, desk clerk with dreary sneer. He phoned and told me I could go right up to Miss Raselle's apartment, third floor, 3A. The elevator was self-service. The hallway was wide. I pushed the button beside her door.
She opened the door and smiled as she let me in. She wore a white angora sleeveless blouse, slacks of corduroy in a green plaid. I had expected her to be puffy, blurred by dissipation, full of a morning surliness. But she looked fresh, golden, shining and clean. The great mop of black hair was pulled sleekly back and fastened into an intricate rosette.
"Hi, Tal Howard. Can you stand more coffee? Come along."
There was a small breakfast terrace with sliding doors that opened onto it from the bedroom and the kitchen. The sun was warm on the terrace. We had coffee and rolls and butter on a glass-topped table.
"Last night was a waste," she said. "He was a friend of a friend. A stuffed uniform until drink number ten. And then what. He goes with his hands like so. Zoom. Dadadadadada. Gun noises. Fighter planes. I'm too old for toys."
"He had a lot of ribbons."
"He told me what they were for. Several times. How did you track me down, Tal Howard?"
"Through your sister."
"Dear God. Anita has turned into a real slob. It's that Doyle. Doyle allows that the sun rises and sets on Doyle. The kids are nice, though. I don't know how they made it, but they are. What's with Timmy? He was my first love. How is that cutie?"
"He's dead, Toni."
Her face lost its life. "You certainly didn't waste any time working up to that. How?"
"He was taken prisoner by the Chinese in Korea. So was I. We were in the same hut. He got sick and died there and we buried him there."
"What a stinking way for Timmy to go. He was a nice guy. We got along fine, right up into the second year of high school, and then he started considering his social position and brushed me off. I don't blame him. He was too young to know any better. He left me to take a big hack at the dancing-school set. My reputation wasn't exactly solid gold." She grinned. "Nor is it yet."
"He mentioned you while we were in camp."
"Did he?"
"He called you Cindy."
For a long moment she looked puzzled, and then her face cleared. "Oh, that. You know, I'd just about forgotten that. It was sort of a gag. In that eighth grade we had a teacher who was all hopped up about class activities. I was the rebel. She stuck me in a play as Cinderella. Timmy was the prince. He called me Cindy for quite a while after that. A year maybe. A pretty good year, too. I was a wild kid. I didn't know what I wanted. I knew that what I had, I didn't want. But I didn't know how to make a change. I was too young. Gee, I'm sorry about Timmy. That's depressing. It makes me feel old, Tal. I don't like to feel old."
"I came back and tried to find a Cindy. I didn't know your right name. I found a couple. Cindy Waskowitz—"
"A great fat pig. But nothing jolly about her. Brother, she was as nasty as they come."
"She's dead, too. Glandular trouble of some kind."
"Couldn't you go around wearing a wreath or singing hymns like Crossing the Bar?"
"I'm sorry. Then there was Cindy Kirschner."
"Kirschner. Wait a minute. A younger kid. Teeth like this?"
"That's right. But she had them fixed. Now she has a husband and a couple of kids."
"Good for her."
"She was the one who remembered the class play or skit or whatever it was. And the name of the eighth-grade teacher. Miss Major. She couldn't remember who played Cinderella. So I found Miss Major. She went blind quite a while ago and—"
"For God's sake, Tal! I mean really!"
"I'm sorry. Anyway, she identified you. I went out and saw your sister. I came here hunting for Antoinette Rasi. The way your sister spoke about you, when I couldn't find you, I tried the police. They told me the name you use. Then it was easy."
She looked at me coldly and dubiously. "Police, eh? They give you all the bawdy details?"
"They told me a few things. Not much."
"But enough. Enough so that when you walked in here you had to act like a little kid inspecting a leper colony. What the hell did you expect to find? A room all mirrors? A turnstile?"
"Don't get sore."
"You look stuffy to me, Tal Howard. Stuffy people bore me. So what the hell was this? A sentimental journey all the way from prison camp to dig up poor little me?"
"Not exactly. And I'm not stuffy. And I don't give a damn what you are or what you do."
The glare faded. She shrugged and said, "Skip it. I don't know why I should all of a sudden get sensitive. I'm living the way I want to live. I guess it's just from talking about Timmy. That was a tender spot. From thinking about the way I was. At thirteen I wanted to lick the world with my bare hands. Now I'm twenty-eight. Do I look it?"
"No, you really don't."
She rested her cheek on her fist. She looked thoughtful. "You know, Tal Howard, another reason why I think I jumped on you. I think I'm beginning to get bored. I think I'm due for some kind of a change."
"Like what?"
"More than a new town. I don't know. Just restless. Skip that. You said this wasn't exactly a sentimental journey. What is it?"
"There's something else involved."
"Mystery, hey? What's with you?"
"How do you mean?"
"What do you do? You married?"
"I'm not doing anything right now. I'm not married. I came here from the west coast. I haven't got any permanent address."
"You're not the type."
"How do you mean that?"
"That information doesn't fit you, somehow. So it's just a temporary thing with you. You're between lives, aren't you? And maybe as restless as I am?"
"I could be."
She winked at me. "And I think you've been taking yourself too seriously lately. Have you noticed that?"
"I guess I have."
"Now what's the mystery?"
"I'm looking for something. Timmy hid something. Before he left. I know what it is. I don't know where it is. Before he died, not very many hours before he died, Timmy said, 'Cindy would know.' That's why I'm here."
"Here from the west coast, looking for Cindy. He hid something nice, then. Like some nice money?"
"If you can help me, I'll give you some money."
"How much?"
"It depends on how much he hid."
"Maybe you admitted too fast that it was money, Tal. I am noted for my fondness for money. It pleases me. I like the feel of it and the smell of it and the look of it. I'm nuts about it. I like all I can get, maybe because I spent so much time without any of it. A psychiatrist friend told me it was my basic drive. I can't ever have too much."
"If that was really your basic drive, you wouldn't say it like that, I don't think. It's just the way you like to think you are."
She was angry again. "Why does every type you meet try to tell you what you really are?"
"It's a popular hobby."
"So all right. He hid something. Now I've got a big fat disappointment for you. I wouldn't have any idea where he hid something. I don't know what he means."
"Are you sure?"
"Don't look at me like that. I know what you're thinking. You're thinking Idoknow and I won't tell you because I want it all. Honestly, Tal, I don't know. I can't think what he could have meant."
I believed her.
"This sun is actually getting too hot. Let's go inside," she said. I helped carry the things in. She rinsed the dishes. Having seen her the previous evening I would not have thought she had the sort of figure to wear slacks successfully. They were beautifully tailored and she looked well in them. We went into the living-room. It was slightly overfurnished. The lamps were in bad taste. But it was clean and comfortable.
She sat on the couch and pulled one leg up and locked her hands around her knee. "Want to hear about Timmy and me? The sad story? Not sad, I guess."
"If you want to tell it."
"I've never told anybody. Maybe it's time. I turned fifteen before I got out of the eighth grade. I was older than the other kids. Timmy was fourteen. He was the biggest boy in class. We never had anything to do with each other until that skit. We practiced a couple of times. We got to be friends. It wasn't a girl-friend-boy-friend thing. More like a couple of boys. I wasn't the most feminine creature in the world, believe me. I could run like the wind and I could fight with my fists.
"I didn't want Timmy to come out to the house. I was ashamed of where I lived. I never wanted any of the kids to see how and where I lived. My God, we lived like animals. It wasn't so bad until my mother died but from then on it was pretty bad. You saw the place?"
"I saw it."
"The old man kept pretty well soaked in hisvino. My brother was completely no good. My sister slept with anybody who took the trouble to ask her. We lived in filth. We were on the county relief rolls. The do-gooders brought us food and clothing at Thanksgiving and Christmas. I was proud as hell inside. I couldn't see any way out. The best I could do was try to keep myself clean as a button and not let any of the kids come out there."
She came over and took one of my cigarettes, bent over for me to light it. "Timmy came out there. It nearly killed me. Then I saw that it was all right. He didn't pay any attention to the way things were. I mean it didn't seem to mean much to him. That's the way they were, so that's the way they were. He was my friend. After that I was able to talk to him. He understood. He had his dreams, too. We talked over our dreams.
"When school was out that summer he came out a lot. He used to cut lawns and make money and we'd go to the movies. We used to swim in the river. He'd come out on his bike. He got hold of a broken-down boy's bike for me. He fixed it up and I painted it. Then we could get around better. The relief people gave the old man a hard ride for buying me a bike. I had to explain how I got it and prove I didn't steal it. I can still remember the sneaky eyes on that cop.
"When it happened to us it was sudden. It was in late August. I'd gotten a job in the dime store by lying about my age and filling out the forms wrong. I was squirreling the money away. I spent Sundays with Timmy. His brother and his father didn't like him to see me, but he managed it.
"He had a basket on the front of his bike and we went off on a Sunday picnic. We went a long way into the country. Fifteen miles, I guess. We walked the bikes up a trail. We found a place under trees where it was like a park. It was far away from anybody. We could have been alone in the world. Maybe we were. We ate and then we stretched out and talked about how high school would be when it started in September. It was hot. We were in the shade. He went to sleep. I watched him while he was sleeping, the way his eyelashes were, and the way he looked like a little kid when he slept. I felt a big warmth inside me. It was a new way to feel toward him. When I couldn't stand it any longer, I slipped my arm under his neck and half lay across him and kissed him. He woke up with me kissing him.
"He was funny and kind of half scared and sort of half eager at the same time. I'd had a pretty liberal education as you can well imagine. I guess it was pretty sad. Two kids being as awkward and fumbling as you can possibly imagine, there on that hill in the shade. But awkward as we were, it happened.
"We hardly talked at all on the way back. I knew enough to be damn scared. But fortunately nothing happened. From then on we were different with each other. It got to be something we did whenever we had a chance. It got better and better for us. But we weren't friends the way we were before. Sometimes we seemed almost to be enemies. We tried to hurt each other. It was a strong hunger. We found good places to go. It lasted for a year and a half. We never talked about marriage or things like that. We lived for now. There was one place we would go. We'd take one of the boats and—"
She stopped abruptly. We looked into each other's eyes.
"Now you know where he meant?" I asked her softly.
"I think I do."
"Where?"
"I don't think we can handle it that way, do you?"
"How do you mean?"
"I think we better go there together, don't you?"
"There's nothing to keep you from going there by yourself, Antoinette."
"I know that. What would it mean if I told you I won't?"
"In spite of the money hunger?"
"I would be honest with a thing like this. I would. Believe me. I'd have known nothing about it. How much is there?"
I waited several moments, measuring her and the situation. I couldn't get to it without her. "Nearly sixty thousand, he said."
She sat down abruptly, saying a soundlessOh. "How—how would Timmy get hold of money like that?"
"He did all the book work for the four companies he and his brother owned. He took over two years milking that much in cash out of the four companies."
"Why would he do that to George? It doesn't sound like Timmy."
"He planned to run off with Eloise."
"That thing George married? That pig. I knew her. Where is she?"
"She went off with another man two years ago."
"Maybe she took the money with her."
"Timmy said she didn't know where he buried it."
"And she'd hardly be able to find it. I can guarantee that. So—this is George's money then, isn't it?"
I waited a moment. "Yes, it is."
"But it was already stolen."
"That's right."
"And nobody knows about it. George doesn't suspect. Nobody knows about it but you and me, Tal."
"There's another one who knows about it. A man named Earl Fitzmartin. He was in the camp, too. He didn't know about the name Cindy. Now he does. He's smart. He may be able to trace the name to you."
"What's he like?"
"He's smart and he's vicious."
"So are a lot of my friends."
"I don't think they're like Fitz. I don't think you could go with Fitz and find it and come back from wherever you went to find it, that is if it was a quiet place and he could put you where he dug up the money."
"Like that?"
"I think so. I think there's something wrong in his head. I don't think he's very much like other people."
"Can you and I—can we trust each other, Tal?"
"I think we can." We shook hands with formal ceremony.
She looked at me quizzically. "How about you, Tal? Why are you after the money?"
"Like they say about climbing mountains. Because it's there."
"What will it mean to you?"
"I don't know. I have to find it first."
"And then all of a sudden it's going to be some kind of an answer to everything?"
"Maybe."
"What fouled you up, Tal? What broke your wagon?"
"I don't know."
"I can place most people. I can't quite place you. You look like one type. You know. Played ball in school. Sells bonds or something. Working up to a ranch-type house, a Brooks wardrobe, and some day winter vacations in Bermuda after the kids are in college. You look like that all except the eyes. And the eyes don't look like that at all."
"What do they look like?"
"The eyes on the horse that knows they're going to shoot him because he was clumsy and busted his leg."
"When do we go after the money?"
She stepped to the kitchen door and looked at the clock. "You'd feel better if we stayed together until we get it, wouldn't you?"
"I guess I would. But it isn't essential."
"Your faith is touching. Didn't the police give you the word?"
"They said something about a cute variation of the badger game."
"It was very cute. They couldn't convict. And it was very dishonest, Tal. But it wasn't a case of fleecing the innocent. It was pulled on some citizens who were trying to make a dishonest buck. Like this. I tell them my boy friend is on one of the wheels at the Aztec. I tell the sucker the wheel is gimmicked. My boy friend is sore at the house. The sucker has to have two or three thousand he wants trebled. I say I can't go in with him. I give him a password to tell the boy friend. So they let him win six or seven thousand. He comes here with the money. The boy friend is to show up later. But when the boy friend shows up he is with a very evil-looking citizen who holds a gun on him. Gun has silencer. Evil type shoots boy friend. With a blank. Boy friend groans and dies. Evil type turns gun on sucker. Takes the house money back, plus his two or three, and one time twelve, thousand. Sucker begs for his life. Reluctantly granted. Told to leave town fast. He does. He doesn't want to be mixed up in any murder. House money goes back to house. I get a cut of the take. I love acting. You should see me tremble and faint."
"Suppose he doesn't come back here with the money?"
"They always have. They like to win the money and the girl too. They think it's like the movies. Now will you trust me out of your sight?"
"I'll have to, won't I?"
"I guess that's it. You'll have to." She smiled lazily.
"I have some errands. You can wait here. I'm going places where you can't go. You can wait here or you can meet me here. It's going to take three or four hours. By then it's going to be too late to get to the money today. We can go after it tomorrow morning."
"How are we going to divide it up?"
"Shouldn't we count it first?"
"But after we count it?"
She came toward me and put her hands on my shoulders. "Maybe we won't divide it up, Tal. Maybe we won't squirrel it away. It's free money. Maybe we'll just put it in the pot and spend it as we need it until it's all gone. Maybe we'll see how far we can distribute it. We could spread it from Acapulco to Paris. Then maybe we won't be restless any more. It would buy some drinks to Timmy. In some nice places."
I felt uneasy. I said, "I'm not that attractive to you."
"I know you're not. I like meaner-looking men." She took her hands away. "Maybe to you I'm like they used to say in the old-fashioned books. Damaged goods."
"Not visibly."
She shook her head. "You kill me. It was just an idea. You seem nice and quiet. Not demanding. Let's say restful. You said you don't know what you'll do with the money."
"I said maybe I'll know when I get it."
"And if you don't?"
"Then we'll talk some more."
"You'll wait here?"
"I'll meet you here."
"At five-thirty."
She said she had to change. I left. I wondered if I was being a fool. I had lunch. I didn't have much appetite. I went to a movie. I couldn't follow the movie. I was worrying too much. I began to be convinced I had been a fool. She wasn't the sort of woman to trust. I wondered by what magic she had hypnotized me into trusting her. I could imagine her digging up the money. Once she had it there was nothing I could do. I wondered if my trust had been based on some inner unwillingness to actually take the money. Maybe subconsciously I wanted the moral problem off my hands.
She wasn't back at five-thirty. I waited in the lobby. I was sweating. She came in at quarter to six. She looked pale and upset. We rode up in the elevator together. She gave me the key to open her door. Her fingers were cold. She kept biting her lip. Once we were inside she began to pace.
"What's the matter?"
"Shut up and let me think. Go make some drinks. That thing there is a bar. Scotch on the rocks for me."
I made the drinks. After hers was gone she seemed a little quieter, more thoughtful.
"Sorry for being bitchy, Tal. I'm upset. My errands didn't work out the way I expected. Some people seem to have the idea that just because I was in on the festivities, I belong to the house. You don't need details. I have some funds around here and there. I got to the bank in time. That was fine. But it wasn't so good on the funds that are in, shall we say, safekeeping. I got some of them. Not all that's coming to me. Not by a hell of a lot. I'm not supposed to be able to take off. I made the mistake of saying I was thinking about it. They gave me some strong arguments. I made like changing my mind. Still I was tailed back. How do you like that? The hell with them. They might even be thinking of a hijack job. Now I know I've got to get out of here. I think I've got it worked out. Will you help?"
"I guess so."
"I'm leaving for good. I can't make it tomorrow. Maybe tomorrow I can pick up a little more of what's due me. You drive over here Thursday morning. There's a back way out of here, through the cellar. I can grease the superintendent. Park on the parallel street back of here. Be there at ten sharp, ten in the morning. I'll come out the back way and away we'll go. But, damn it, I hate to leave so much stuff behind. A whole wardrobe."
"Is it dangerous?"
"I don't know how rough they might get. I just don't like the sound of it. I don't like being patted on the shoulder and being given a big toothy grin and being told 'There, there, little Toni, you don't want to leave town. We all love you too much.'"
I said, "I could stay until after dark and you could pack things and I could take them out maybe. A couple of suitcases."
"You sure you want to?"
"I'm willing to. If somebody followed you, they don't know I'm here now. You could leave before I do. They'd follow you. Then I can take the stuff out to my car."
"That should work all right. Gosh, it would really help. I've put a lot of money in clothes. I think it would be better than trying to get the stuff out in the morning, even with your help. I want it to move fast and smoothly. Stay away from the windows."
She spent a lot of time packing. It was dark when she finished. She filled two big suitcases. They bulged and they were heavy.
"Leave them wherever you're staying when you come back for me."
"It's a motel."
"Get me a room, too. Please."
She seemed to relax then. "I think it's going to work out, Tal. They sort of—scared me. I know a lot. I don't plan to do any talking. That's what worries them, I think. You don't know how much I appreciate this. I'll—make it up to you."
She wanted to be kissed and I kissed her. There was an eagerness and warmth and sensuality about her that made it a shock to touch her and hold her. We rocked off balance as we kissed, caught ourselves, smiled a little sheepishly.
"For now," she said.
I took the suitcases into the hall. She went on down. I waited there for fifteen minutes and then I went down. The clerk was very dubious about my leaving with suitcases. He seemed about to speak, but didn't quite know what to say. I was gone before he had phrased the objection. I put the suitcases in the back seat and drove to Hillston. I ate at a drive-in on the edge of town. I took the suitcases back to my motel room. They were an alien presence there, almost as vivid as if she were there with me. I stowed them in the closet.
Wednesday was a gray day. I had hidden Grassman's body on Monday. It seemed longer ago than Monday. The memory was very vivid, but it seemed to be something that had happened a long time ago. I saw the suitcases when I opened my closet to get at my own clothes. I was curious about what she had packed. I felt guilty about opening them. Then I decided that I had earned the right to look.
I put the larger one on the bed and tried the latches. It wasn't locked. It popped open. There were furs on top, silky and lustrous. She had packed neatly. Underneath the furs were suits, dresses, skirts, blouses. The bottom layer was underclothing, slips, panties with frothy lace and intricate embroidery in shades from purest white through all of the spectrum to black.
The other suitcase was much the same. The clothing was fresh and fragrant with perfume. It was perfume that was not musky. It had a clean flower scent. I could understand how this was important to her. I remembered her speaking of the charity gifts of clothing, of the dirt in which she had grown up. She would want clothing, a great deal of it, and all fresh and clean. I found the black leather box in the bottom of the second suitcase. I opened it. Jewelry lay against a black velvet partition. Bracelets, rings, clips. I could not tell if the white and green and red stones were real. They were lustrous. They caught fire in the light. But I could not tell. I lifted the partition. There was money under it. Money in fifties and twenties and hundreds, a sizable stack of bills. I counted it. There was six thousand and forty dollars. When I replaced the partition the stones looked more real.
After the suitcases were back in the closet, I wondered what her thinking had been when she had packed the money in there. Perhaps she assumed I wouldn't search the bags. I hadn't intended to. Maybe she thought that even if I did search them and did find the money it would be safer with me than it would in the apartment. She could have been right. It was safe with me. Even had I been the sort of person to take it and leave, that sort of person would have waited for the chance of acquiring much more—a chance only Antoinette could provide.
I found the bird woman cleaning one of the rooms. I paid her another two nights in advance for myself and asked her to save the room next to mine for a friend who would check in on Thursday. I gave her one night rental on the second room.
As I drove toward town I found myself wondering if what Antoinette had proposed might be the best solution for me. It was tempting. I thought of the ripeness of her, the pungency of her personality, the very startling impact of her lips. There would be no illusions between us. She would make it easy to forget a lot of things. We would have no claims on each other—and would be wedded only by the money, and divorced when it was gone.
After I ate I went to the hardware store. I parked a half block from it. I wanted to talk to George again. I wanted to see if I could steer the conversation toward Eloise and Mr. Fulton. I wanted to see if he would say anything that would make more sense out of the Grassman death. Obviously Fitz hadn't contacted Antoinette. And she seemed confident that no one else could find the money. So it began to appear less logical that Grassman's death had anything to do with the sixty thousand. Then why had Grassman been killed? He could have gotten into some kind of argument with Fitz. We had seen Grassman at the lake on Saturday. Somehow I had spoiled things with Ruth and so I had gotten drunk on Saturday and again on Sunday. Fitz could have killed him on Sunday, not meaning to do so. He could have loaded the body in his car and gone looking for some place to put it, and spotted my car. The California plates would be easy to spot. But by putting the body in my car, he would be eliminating any chance of my leading him to the money Timmy had buried.
But maybe Fitz was convinced that with the clue in his possession, with the name Cindy, he could accomplish as much or more than I could. He was a man of great confidence in himself. And not, I had begun to believe, entirely sane.
If Grassman had contacted Fitz, perhaps George could provide me with some meaningful clue as to why.
But there was a sign on the door. The store was closed. The sign gave no additional information. It was crudely printed on paper Scotch-taped to the inside of the door:Closed. I cupped my hands on the glass and looked inside. The stock did not seem to be disturbed. It could not mean closed for good.
It took me several minutes to remember where George lived. I couldn't remember who had told me. White's Hotel. I found it three blocks away. It was a frame building. It was seedy looking, depressing. It had once been painted yellow and white. I went into the lobby. Old men sat in scuffed leather chairs and smoked and read the papers. Two pimpled boys stood by the desk making intense work out of selecting the right holes to punch on a punchboard while the desk man watched them, his eyes bored, his heavy face slack, smoke curling up from the cigarette between his lips.
"I want to see George Warden."
"Second floor. The stairs are over there. A girl just went on up to see him a minute ago." I hesitated and he said "Go ahead on up. Room two-oh-three. She takes care of him when he gets in rough shape. It's okay. George got taken drunk the last couple of days. She tried to phone him and he wouldn't answer the room phone so she came on down. Just now got here."
I guessed it was Ruth. I wanted to see her. I didn't know how she'd react to me. I didn't want to talk to George with her there, though. I went up the stairs slowly.
When my eyes were above the level of the second floor, I saw Ruth running down the gloomy hall toward me. I reached the top of the stairs just as she got there. Her eyes were wide and unfocused. Her mouth was working. Her face was like wet paper.
I called her name and she focused on me, hesitated, and then came into my arms. She was trembling all over. She ground her forehead against my chin, rocking her head from side to side, making an odd chattering, moaning sound. After a few moments she regained enough control to speak.
"It's George. In the room. On the bed."
"Wait right here."
"N—No. I've got to telephone. Police."
Her high heels chattered down the wooden stairs. I went back to room 203. The door was open. George lay across the bed, naked. There was a rifle on the floor. A towel was loosely wrapped around the muzzle. It was scorched where the slug had gone through it. I moved uneasily around to where I could see his head. The back of his head was blown off. I knew that before I saw his head because I had seen the smeared wall. In the instant of death all body functions had shared the smeared explosion. The room stank. His body had a gray, withered look. I moved backward to the door. I backed through it into the hall. I mopped my forehead. It was a hell of a thing for Ruth to have walked in on. They could just as well move the sign to this door, to this life. Closed. Closed for good.
I stood there in the hall and heard the sirens. The desk clerk came lumbering down the hall. Old men from the lobby followed him. They crowded by me and filled the doorway and stared in.
"Good Christ!" the desk clerk said.
"My oh my oh my," said one of the old men.
Some of the faces were familiar. I knew Hillis and I knew Brubaker and I knew Prine. Prine was not on top this time. He was taking orders from a Captain Marion. Captain Marion was a mild, sandy man who wanted everything cozy and neighborly. He had a wide face full of smile wrinkles, and a soft, buzzing voice, and little blue eyes sunk back beyond the thick crisp blond curl of his eyebrows.
Rather than individual questioning, he made it a seminar. I could tell from Prine's bleak look that he did not approve at all.
They got us all down into a room in police headquarters. There was a stenotype operator present. Captain Marion apologized for inconveniencing anybody. He apologized several times. He shifted papers and cleared his throat and coughed.
"Well now, as I finish with you people I'll tell you whether you can take off or not. Nothing particularly official about this. It's a sort of investigation. Get the facts in front of us. Let's see what we got here. First let me say a couple of words about George. I knew his daddy well and I knew George well, and I knew Timmy. George could have been a big man in this town. He was on his way in that direction, but he lost his grip. Lots of men never seem to get back on the ball after bad wife trouble. But I had hopes George would pull out of it. Seems to me like he didn't. And that's too bad. It's quite a waste. George was a bright man." I saw Prine shift his weight restlessly.
"I got it right here on this paper that the body was discovered at twenty minutes after ten this morning by Ruth Stamm. Now Ruthie, what in the wide world were you doing down there at that White's Hotel?"
"Henr—I mean Captain Marion, George didn't have anybody to look after him. Every once in a while I'd sort of—help him get straightened out."
"You used to go with Timmy, didn't you?"
"Yes, I did. I was trying to help George."
"Did Buck approve of that?"
"I don't think so. I mean I know he didn't."
"I see. Ruthie, what took you down there this morning?"
"I went by the store yesterday afternoon and there was a closed sign on it. It worried me. After I got home I phoned White's Hotel. Herman Watkins was on the desk. He told me George was drinking. This morning I phoned the store and there was no answer. Then I tried the hotel. George wouldn't answer the room phone. He does that sometimes. I mean he used to do that. I have a key. So I drove down and went up to the room. The door wasn't even locked. I opened it and—I saw him."
"What were you planning to do?"
"Get him some coffee. Get him cleaned up. Give him a good talking to, I guess. As I've done before."
"Ruthie, you can stay or go, just as you please. Now then, I've got this other name here. Talbert Howard. You came along right after Ruthie. What were you doing there?"
I saw Ruth Stamm start to get up and then sit back down. "I wanted to talk to George. I saw that the store was closed, so I went to the hotel."
"What did you want to talk about?"
Prine answered for me. "We had this man in last week, Captain. We thought he was another one of those people Rose Fulton keeps sending down here. This man claims he's writing a book about men who died in the prison camp where Timmy Warden died. This man claims he was there, too. He's never written a book. He's unemployed, has no permanent address, and has a record of one conviction."
"For what?"
I answered for myself. "For taking part in a student riot when I was in school. Disturbing the peace and resisting an officer. The officer broke my collarbone with a nightstick. That was called resisting an officer."
Captain Marion looked at Prine. "Steve, you make everything sound so damn serious. Maybe this boy wants to write a book. Maybe he's trying."
"I happen to doubt it, Captain," Prine said.
"What did you want to talk to George about, son?"
"I wanted more information about Timmy." I glanced at Ruth. She was looking at me with contempt. She looked away.
"What happened when you got there?"
"The desk clerk told me a girl had just gone up. I met Miss Stamm when I got to the head of the stairs. She was too upset to talk."
"I got a look in that room myself. Hardly blame her. Terrible looking sight. All right, son. You can go if you want to."
"I'd prefer him to stay, if you don't mind, Captain."
Marion sighed. "All right, Steve. Stick around, Mr. Howard. Now, Herman, we'll get to you. The doc says he can fix the time of death about midnight last night. He may be able to get it a little closer but he says that's a pretty good guess. Did you see George come in?"
"No, sir. I didn't see him. It was a pretty noisy night last night. There were a lot of people coming and going. I heard George was doing his drinking at Stump's, until Stump wouldn't serve him any more. He left there about ten. Frankly, Captain, I was playing a little poker in the room behind where the desk is. I can't see the desk from there, but I can hear the bell on the desk and hear the switchboard if any calls come in. That's why I brought Mr. Caswell along with me."
"I'm Caswell," a little old man said. He had a thin, high voice and an excited manner. "Bartholomew Boris Caswell, retired eleven years ago. I was a conductor on the Erie and Western Railroad. I'm not what you call a drinking man and I see George Warden come in. I was behind him, maybe half a block. I just happened to look at my watch because I wondered what time I was getting in. Watch said eleven twenty-seven. Doesn't lose a minute a month. See it? One of the best ever made. Right now it's eleven minutes of two and that clock on the wall over your head, Captain, is running two minutes slow."
"Are you sure it was George?"
"Sure as I know my own name. Man alive, he was drunk. Wagging his arms, staggering all over. If it wasn't for his friend he'd never have made it home."
"Who was his friend?"
"Don't know him and didn't get a look at him. Stiff-legged man, though. Stiff in one leg. Like a limp. He horsepowered George right into the hotel. Time I came in, they were gone upstairs. The lobby was empty. I could hear some of the boys hooting and hollering and carrying on up on the second floor. So I went there. They were back in Lester's room. He had himself two gallons of red wine. At least he started with two gallons. I had myself a little out of my own glass that I got from my room. It didn't set so good on what I had been drinking. Didn't set good at all. It like to come up on me. So I went on down to bed. Got into my room at three after midnight. Right then I heard a funny noise. Just when I was closing my door. It sounded a little like somebody dropped a book or maybe tipped over in a chair and thumped his head. I listened and I didn't hear anything else so I went right to bed. It turns out that must have been when George shot himself."
"That would fit what the doctor says. Herman, could you find anybody else who heard anything?"
"I couldn't find anybody else at all."
"You don't need anybody else," Caswell said. "I've told you all you've got to know, haven't I?"
"Thanks, Mr. Caswell. You can go along if you want to."
"I'll stay and see what happens, thank you."
Captain Marion studied the papers in front of him and then muttered to himself for a while. At last he looked up. "It's not up to me to make any decision. That'll be up to the inquest. But I think we can figure that George was pretty beat down. Lost his wife. Lost his brother. Lost most of his business. Drinking heavy. It certainly looks to me that if any man had reasons for suicide, George did. Steve, you look uneasy. What's on your mind?"
"Captain, I don't think it's that easy. I've seen some suicides. I've read up on them. A towel was used as a crude silencer. I've never heard of that being used. A suicide doesn't care about the noise. He wants people to come running. He wants it to be dramatic. The towel-wrapped muzzle of the gun was in his mouth when it went off. The gun was new. A three-oh-three bolt-action rifle, right out of stock, with the tag still wired to the trigger guard. There were nice clean prints on the side of the action. Too clean. They were George's, of course. There were no prints on the inside doorknob. It wasn't wiped, but it had been smeared. That could have been accidental or purposeful. Many suicides are naked. More than half. That fits. Buttons had been ripped off his shirt. Maybe he was in a hurry. Maybe somebody undressed him in a hurry. There was a bottle on the floor, under the bed. Half full of liquor. George left very clear prints on that. I'm interested in the stiff-legged man."
"What do you mean, Steve?"
"I think somebody met George after he left Stump's. I talked to Stump. George was nearly helpless. He carried a key to the store. I think somebody went to the store with him and took a rifle out of stock. I think he slid it down his pant leg. That gave him a stiff-legged walk. He took George up to his room. He fed him more liquor. When he passed out he undressed him, sat him on the edge of the bed, wrapped the muzzle, opened his mouth, put it between his teeth, and pulled the trigger. He put prints on the gun and bottle, smeared the knob, and left."
"Steve, dammit, you always make things harder."
"Strange things are going on. I got a report from the county sheriff's office today. A man named Grassman left his stuff in a cabin and didn't come back for it. That was last Sunday. He'd been staying there a couple of weeks. Milton Grassman from Chicago. The county police found stuff in the cabin to indicate he worked for a Chicago firm of investigators, and was down here on that Fulton thing. He stayed twenty miles north of town, on the Redding road. Yesterday a car was towed in. Over-time parking. A routine deal. Blue sedan, late model, Illinois plates. Just before I came here I found out the registration on the steering post is to this Grassman. All right now. Grassman has disappeared, leaving his clothes and his car. George Warden dies all of a sudden. Grassman was down here looking into the disappearance of a Mr. Fulton who took off with George Warden's wife. It ties up, somehow. I want to know how. If we can tie it up, we can find out for sure if it was suicide or murder. I vote for murder. It was a bold way to do it, and a dangerous way to do it. The man who did it took chances. But I think he did it. Was it Grassman? Was it that man over there who claims to be writing a book? Who was it? And why was it done?"
Marion sighed heavily. "Steve, I could never get it through my head why you take off so ugly on those men who came down to poke around. That poor Fulton woman, if she wants to spend her money, why don't you let her? It's no skin off us."