CHAPTER IX.

CHAPTER IX.

The Count, as Vjera supposed, had dressed himself with even greater care than usual in anticipation of the official visit, and while she was working through the never-ending hours of her weary day, he was calmly seated upon a chair by the open window in his little room, one leg crossed over the other, one hand thrust into the bosom of his coat and the other extended idly upon the table by his side. His features expressed the perfect calm and satisfaction of a man who knows that something very pleasant is about to happen, who has prepared himself for it, and who sits in the midst of his swept and garnished dwelling in an attitude of pleased expectancy.

The Count's face was tired, indeed, and there were dark circles under his sunken grey eyes, brought there by loss of sleep as much as by an habitual facility for forgetting to eat and drink. But in the eyes themselves there was a bright, unusual light, as though some brilliant spectacle were reflected in them out of the immediate future.There was colour, too, in his lean cheeks, a slight flush like that which comes into certain dark faces with the anticipation of any keen pleasure. As he sat in his chair, he looked constantly at the door of the room, as though expecting it to open at any moment. From time to time, voices and footsteps were heard on the stairs, far below. When any of these sounds reached him, the Count rose gravely from his seat, and stood in the middle of the room, slowly rubbing his hands together, listening again, moving a step to the one side or the other and back again, in the mechanical manner of a person to whom a visitor has been announced and who expects to see him appear almost immediately. But the footsteps echoed and died away and the voices were still again. The Count stood still a few moments when this happened, satisfying himself that he had been mistaken, and then, shaking his head and once more passing his hands round each other, he resumed his seat and his former attitude. He listened also for the chiming of the hours, and when he was sure that an hour had passed since the arrival of his imaginary express train, he rose again, looked out of the window, watched the wheeling of the house swallows, and assumed an air of momentary indifference. The next ringingof the clock bells revived the illusion. Another train was doubtless just running in to the station, and in a quarter of an hour his friends might be with him. There was no time to be lost. The flush returned to his cheeks as he hastily combed his smooth hair for the twentieth time, examining his appearance minutely in the dingy, spotted mirror, brushing his clothes—far too well brushed these many years—and lastly making sure that there was no weak point in the adjustment of his false collar. He made another turn of inspection round his little room, feeling sure that there was just time to see that all was right and in order, but already beginning to listen for a noise of approaching people on the stairs. Once more he straightened and arranged the patched coverlet of Turkey red cotton upon the bed, so that it should hide the pillows and the sheets; once more he adjusted the clean towel neatly upon the wooden peg over the washing-stand, discreetly concealing the one he had used in the drawer of the table; for the last time he made sure that the chair which had the broken leg was in such close and perfect contact with the wall as to make it safely serviceable if not rashly removed into a wider sphere of action. Then, as he passed the chest of drawers, he gave a final touch to the half-dozenragged-edged books which composed his library—three volumes of Puschkin, of three different editions, Ivan Kryloff'sPoems and Fables, Gogol'sTerrible Revenge, Tolstoi'sHow People Live, and two or three more, including Koltsoff, the shepherd poet, and an ancient guide to the city of Kiew—as heterogeneous a collection of works as could be imagined, yet all notable in their way, except, indeed, the guide-book, for beauty, power, or touching truth.

And when he had touched and straightened everything in the room, he returned to his seat, calmly expectant as ever, to wait for the footsteps on the stairs, to rise and rub his hands, if the sound reached him, to shake his head gravely if he were again disappointed, in short to go through the same little round of performance as before until some chiming clock suggested to his imagination that the train had come and brought no one, and that he might enjoy an interval of distraction in looking out of the window until the next one arrived. The Count must have had a very exaggerated idea of the facility of communication between Munich and Russia, for he assuredly stood waiting for his friends, combed, brushed, and altogether at his best, more than twenty times between the morningand the evening. As the day declined, indeed, his imaginary railway station must have presented a scene of dangerous confusion, for his international express trains seemed to come in quicker and quicker succession, until he barely had time to look out of the window before it became necessary to comb his hair again in order to be ready for the next possible arrival. At last he walked perpetually on a monotonous beat from the window to the mirror, from the mirror to the door, and from the door to the mirror again.

Suddenly he stopped and tapped his forehead with his hand. The sun was setting and the last of his level rays shot over the sea of roofs and the forest of chimneys and entered the little room in a broad red stream, illuminating the lean, nervous figure as it stood still in the ruddy light.

"Good Heavens!" exclaimed the Count, in a tone of great anxiety, "I have forgotten Fischelowitz and his money."

There was a considerable break in the continuity of the imaginary time-table, for he stood still a long time, in deep thought. He was arguing the case in his mind. What he had promised was, to consider the fifty marks as a debt of honour. Now a debt of honour must be paid within twenty-four hours. Nodoubt, thought the Count, it would not be altogether impossible to consider the twenty-four hours as extending from midnight to midnight. The Russians have an expression which means a day and a night together—they call that space of time the sutki, and it is a more or less elastic term, as we say "from day to day," "from one evening to another." Rooms in Russian hotels are let by the sutki, railway tickets are valid for one or more sutki, and the Count might have chosen to consider that his sutki extended from the time when he had spoken to Fischelowitz until twelve o'clock on the following night. But he had no means of knowing exactly what the time had been when he had been in the shop, and his punctilious ideas of honour drove him to under-estimate the number of hours still at his disposal. Moreover, and this last consideration determined his action, if he brought the money too late it was to be feared that Fischelowitz would have shut up the shop, after which there would be no certainty of finding him. The Count wished to make the restitution of the money in Akulina's presence, but he was also determined to give the fifty marks directly to the tobacconist.

He saw that the sun was going down, and that there was no time to be lost. It occurred to himat the same instant that if he was to pay the debt at all, he must find money for that purpose, and although, in his own belief, he was to be master of a large fortune in the course of the evening, no scheme for raising so considerable a sum as fifty marks presented itself to his imagination. Poor as he was, he was far more used to lending than to borrowing, and more accustomed to giving than to either. He regretted, now, that he had bound himself to pay the debt to-day. It would have been so easy to name the next day but one. But who could have foreseen that his friends would miss that particular train and only arrive late in the evening?

He paced his room in growing anxiety, his trouble increasing in exact proportion with the decrease of the daylight.

"Fifty marks!" he exclaimed, in dismay, as he realised more completely the dilemma in which he was placed. "Fifty marks! It is an enormous sum to find at a moment's notice. If they had only telegraphed me a credit at once, I could have got it from a bank—a bank—yes—but they do not know me. That is it. They do not know me. And then, it is late."

The drops of perspiration stood on his pale forehead as he began to walk again. He glanced at hispossessions and turned from the contemplation of them in renewed despair. Many a time, before, he had sought among his very few belongings for some object upon which a pawnbroker might advance five marks, and he had sought in vain. The furniture of the room was not his, and beyond the furniture the room contained little enough. He had parted long ago with an old silver watch, of which the chain had even sooner found its way to the lender's. A long-cherished ring had disappeared last winter, by an odd coincidence, at the very time when Johann Schmidt's oldest child was lying ill with diphtheria. As for clothing, he had nothing to offer. The secrets of his outward appearance were known to him alone, but they were of a nature to discourage the hope of raising money on coat or trousers. A few well-thumbed volumes of Russian authors could not be expected to find a brilliant sale in Munich at a moment's notice. He looked about, and he saw that there was nothing, and he turned very pale.

"And yet, before midnight, it must be paid," he said. Then his face brightened again. "Before midnight—but they will be here before then, of course. Perhaps I may borrow the money for a few hours."

But in order to do this, or to attempt it, he mustgo out. What if his friends arrived at the moment when he was out of the house?

"No," he said, consulting his imaginary time-table, "there is no train now, for a couple of hours, at least."

He took up his hat and turned to go. It struck him, however, that to provide against all possible accidents it would be as well to leave some written word upon his table, and he took up a sheet of writing paper and a pen. It was remarkable that there was a good supply of the former on the table, and that the inkstand contained ink in a fluid state, as though the Count were in the habit of using it daily. He wrote rapidly, in Russian.

"This line is to inform you that Count Skariatine is momentarily absent from his lodging on a matter of urgent importance, connected with a personal engagement. He will return as soon as possible and requests that you will have the goodness to wait, if you should happen to arrive while he is out."

He set the piece of notepaper upright, in a prominent position upon the table, and exactly opposite to the door. He did not indeed recollect that in the course of half an hour the room would be quite dark, and he was quite satisfied that he had taken everyreasonable precaution against missing his visitors altogether. Once more he seized his hat, and a moment later he was descending the long flights of stairs towards the street. As he went, the magnitude of the sum of money he needed appalled him, and by the time he stepped out upon the pavement into the fresh evening air, he was in a state of excitement and anxiety which bordered on distraction. His brain refused to act any longer, and he was utterly incapable of thinking consecutively of anything, still less of solving a problem so apparently incapable of solution as was involved in the question of finding fifty marks at an hour's notice. It was practically of little use to repeat the words "Fifty marks" incessantly and in an audible voice, to the great surprise of the few pedestrians he met. It was far from likely that any of them would consider themselves called upon to stop in their walk and to produce two large gold pieces and a small one, for the benefit of an odd-looking stranger. And yet, as he hurried along the street, the poor Count had not the least idea where he was going, and if he should chance to reach any definite destination in his erratic course he would certainly be much puzzled to decide what he was to do upon his arrival. The one thing which remained clearly defined in hisshaken intelligence was that he must pay to Fischelowitz the money promised within the limit of time agreed upon, or be disgraced for ever in his own eyes, as well as in the estimation of the world at large. The latter catastrophe would be bad enough, but nothing short of self-destruction could follow upon his condemnation of himself.

A special Providence is said to watch over the movements of madmen, sleep-walkers and drunkards. Those who find difficulty in believing in the direct intervention of Heaven in very trivial matters of everyday life, are satisfied to put a construction of less tremendous import upon the facts in cases concerning the preservation of their irresponsible brethren. A great deal may be accounted for by considering what are the instincts of the body when momentarily liberated from the directing guidance of the mind. It has been already noticed in the course of this story that, when the Count did not know where he was going, he was generally making the best of his way to the establishment in which so much of his time was passed. This is exactly what took place on the present occasion. Conscious only of his debt, and not knowing where to find money with which to pay it, he was unwittingly hurrying towards the very place in which the payment wasto be made, and, within a quarter of an hour of his leaving his lodging, he found himself standing on the pavement, over against the tobacconist's shop, stupidly gazing at the glass door, the well-known sign and the familiar, dilapidated chalet of cigarettes which held a prominent place in the show window. No longer ago than yesterday afternoon the little Swiss cottage had been flanked by the Wiener Gigerl, whose smart red coat and insolent face had been the cause of so much disaster and anxiety during the past twenty-four hours. The very fact that the doll was no longer there, in its accustomed place, served to remind the Count of his rash promise to pay the money and dangerously increased the excitement which already possessed him. He wiped the cold drops from his brow and leaned for a moment against the brick wall behind him. He was dizzy, confused and tired.

The tormenting thought that was driving him recalled his failing consciousness of outer things. He straightened himself again and made a step forward, as though he would cross the street, but paused again before his foot had left the pavement. Then he asked of his senses how he had got to the place where he stood. He did not remember traversing the familiar highways and byways by whichhe was accustomed daily to make his way from his lodging to the shop. Every object on the way had long been so well known to him as to cause a permanent impression in his brain, which was distinctly visible to him whenever he thought of the walk in any way, whether he had just been over the ground or not. He could not now account to himself for his being so near Fischelowitz's shop, and he found it impossible to decide whether he had come thither by his usual route or not. It was still harder to explain the reason for his coming, since the fifty marks were no nearer to his hand than before, and without them it was useless to think of entering. As he stood there, hesitating and trying to grasp the situation more clearly, it grew, on the contrary, more and more confused. At the same time the bells of a neighbouring church struck the hour, and the clanging tone revived in his mind the other impression, which had possessed it all day, the impression that his friends were at that moment arriving at the railway station. The confusion in his thoughts became intolerable, and he covered his eyes with one hand, steadying himself by pressing the other against the wall.

He did not know how long he had stood thus, when an anxious voice recalled him to outer things—avoice in which love, sympathy, tenderness and anxiety for him had taken possession of the weak tones and lent them a passing thrill of touching music.

"In Heaven's name—what is it? Speak to me—I am Vjera—here, beside you."

He looked up suddenly, and seemed to recover his self-possession.

"You came just in time, Vjera—God bless you. I—" he hesitated. "I think—I must have been a little dizzy with the heat. It is a warm evening—a very warm evening."

He pressed an old silk pocket-handkerchief to his moist brow, the pocket-handkerchief which he always had about him, freshly ironed and smoothly folded, on the day when he expected his friends. Vjera, her face pale with distress, passed her arm through his and made as though she would walk with him down the gentle slope of the street, which leads in the direction of the older city. He suffered himself to be led a few steps in silence.

"Where are you going, Vjera?" he asked, stopping again and looking into her face.

"Wherever you like," she said, trying to speak cheerfully. She saw that something terrible was happening, and it was only by a desperate effortthat she controlled the violent hysterical emotion that rose like a great lump in her throat.

"Ah, that is it, Vjera," he answered. "That is it. Where shall I go, child?" Then he laughed nervously. "The fact is," he continued, "that I am in a very absurd position. I do not at all know what to do."

Perhaps he had tried to give himself courage by the attempt to laugh, but, in that case, he had failed for the present. In spite of his words his despair was evident. His usually erect carriage was gone. His head sank wearily forward, his shoulders rounded themselves as though under a burden, his feet dragged a little as he tried to walk on again, and he leaned heavily on the young girl's arm.

"What is it?" she asked. "Tell me—perhaps I can help you—I mean—I beg your pardon," she added, humbly, "perhaps it would help you to speak of it. That sometimes makes things seem clearer just when they have been most confused."

"Perhaps so, Vjera, perhaps so. You are a very good girl, and you came just in time. I love you, Vjera—do not forget that I love you." His voice was by turns sharp and suddenly low and monotonous, like that of a man talking in sleep. Altogether his manner was so strange that poor Vjera feared thevery worst. The extremity of her anxiety kept her from losing her self-possession. For the first time in her life she felt that she was the stronger of the two, and that if he was to be saved it must be by her efforts rather than by anything he was now able to do for himself. She loved him, mad or sane, with an admiration and a devotion which took no account of his intellectual state except to grieve over it for his own sake. The belief that in this crisis she might be of use to him, strongly conquered the rising hysterical passion, and drove the tears so far from her eyes that she wondered vaguely why she had been so near to shedding them a few moments sooner. She pressed his arm with her hand.

"And I, too, I love you, with all my heart and soul," she said. "And if you will tell me what has happened, I will do what I can—if it were my life that were needed. I know I can help you, for God will help me."

He raised his head a little and again stood still, gazing into her eyes with an odd sort of childish wonder.

"What makes you so strong, Vjera? You used to be a weak little thing."

"Love," she answered.

It was strange to see such a man, outwardly lean, tough-looking, well put together and active, though not, indeed, powerful, looking at the poor white-faced girl and asking the secret of her strength, as though he envied it. But at that moment, the natural situation was reversed. His eyes were lustreless, tired, without energy. Hers were suddenly bright and flashing with determination, and with the expression of her new-found will. Vjera felt that all at once a change had come over her, the weak strings of her heart grew strong, the dreamy hopelessness of her thoughts fell away, leaving one clearly defined resolution in its place. The man she loved was going mad, and she would save him, cost what it might.

That Faith, no larger than the tiniest mustard seed, but able to toss the mountains, as pebbles, from their foundations into the sea, is the determination to do the thing chosen to be done or to die—literally, to die—in the trying to do it. Death is farther from most of us than we fancy, and if we would but risk all, to win or lose all, we could almost always do the deed which looks so grimly impossible. Those who have faced great physical dangers, or who have been matched by fate against overwhelming odds of anxiety and trouble, aloneknow what great things are done when men stand at bay and face the world, and fate, and life, and death and misfortune, all banded together against them, and say in their hearts, "We will win this fight or die." Then, at that word, when it is spoken earnestly, in sincerity and truth, the iron will rises up and takes possession of the feeble body, the doubting soul shakes off its hesitating weakness, is drawn back upon itself like a strong bow bent double, is compressed and full of a terrible latent power, like the handful of deadly explosive which, buried in the bosom of the rock, will presently shake the mighty cliff to its roots, as no thunderbolt could shake it.

Vjera had made up her mind that she would save the man she loved from the destruction which was coming upon him. How he was to be saved, she knew not, but then and there, on the pavement of the commonplace Munich street, she made her stand and faced the odds, as bravely as ever soldier faced the enemy's triumphant charge, though she was only a forlorn little Polish shell-maker, without much health or strength, and having very little understanding of the danger beyond that which was given to her by her love.

She fixed her eyes upon the Count's face as though she would have him obey her.

"I will help you, and make everything right," she said. "But you must tell me what the trouble is."

"But how can you help me, child?" he asked, beginning to grow calmer under her clear gaze. "It is such a very complicated case," he continued, falling back gradually into his own natural manner. "You see, my friends have probably arrived by this train, and yet I cannot go home until I have set this other matter right with Fischelowitz. It is true, I have left a word written for them on my table, and perhaps they are there now, waiting for me, and if I went home I could have the money at once. But then—it may be too late before I get here again—"

"What money?" asked Vjera, anxious to get at the truth without delay.

"Oh, it is an absurd thing," he answered, growing nervous again. "Quite absurd—and yet, it is fifty marks—and until they come, I do not see what to do. Fifty marks—to-day it seems so much, and to-morrow it will seem so little!" He made a poor attempt to smile, but his voice trembled.

"But these fifty marks—what do you need them for to-night?" Vjera asked, not understanding at all. "Will not to-morrow do as well?"

"No, no!" he cried in renewed anxiety. "Itmust be to-night, now, this very hour. If I do not pay the money, I am ruined, Vjera, disgraced for ever. It is a debt of honour—you do not understand what that means, child, nor how terrible it is for a man not to pay before the day is over—ah, if it were not a debt of honour!—but there is no time to be lost. It is almost dark already. Go home, dear Vjera, go home. I cannot go with you to-night, for I must find this money. Good-night—and then to-morrow—I have not forgotten, and you must not forget—but there is no time now—good-night!"

He suddenly broke away from her side and began walking quickly in the opposite direction, his head bent down, his arms swinging by his side. She ran after him and again took his arm, and looked into his face.

"You must not go away like this," she said, so firmly and with so much authority that he stood still. "You have only half explained the trouble to me, but I can help you. A debt of honour, you say—what will happen if you do not pay it?"

"I must die," answered the Count. "I could never respect myself again."

"You have borrowed this money of Fischelowitz and promised to pay it to-day? Is that it? Tell me."

"No—I never borrowed it. No, no—it was that villain, last winter, who gave him the Gigerl—"

"And Fischelowitz expects you to pay that!" cried Vjera, indignantly. "It is impossible."

"When I took the Gigerl away last night I promised to bring the fifty marks by to-night. I gave my word, my word as a gentleman, Vjera, which I cannot break—my word, as a gentleman," he repeated with something of his old dignity.

"It is monstrous that Fischelowitz should have taken such a promise," said Vjera.

"That does not alter the obligation," answered the Count proudly. "Besides, I gave it of my own accord. I did not wait for him to ask it, after his wife accused me of being the means of his losing the money."

"Oh, how could she be so heartless!" Vjera exclaimed.

"What was the use of telling you? I did not mean to. Good-night, Vjera dear—I must be quick." He tried to leave her, but she held him fast.

"I will get you the money at once," she said desperately and without the least hesitation. He started, in the utmost astonishment, staring at her as though he fancied that she had lost her senses.

"You! Why, Vjera, how can you imagine that I would take it from you, or how do you think it would be possible for you to find it? You are mad, my dear child, quite mad!"

In spite of everything, the tears broke from her eyes at the words which meant so much to her and which seemed to mean so little to him. But she brushed them bravely away.

"You say you love me—you know that I love you. Do you trust me? Do you believe in me? And if you do, why then believe that I will do what I say. And as for taking the fifty marks from me—will not your friends be here to-night, as you say, and will you not be able to give it all back very soon? Only wait here—or no, go into the shop and talk to Fischelowitz—I will bring it to you in less than an hour, I promise you that I will—"

"But how? Oh, Vjera—I am in such trouble that I could almost bring myself to borrow it of you if you could lend it—I despise myself, but it is growing so late, and it will only be until to-morrow, only for a few hours perhaps. If you will wait to-night I may bring it to you before bedtime. But—are you sure, Vjera? Have you really got it? If I should wait here—and you should not find it—and my word should be broken—"

"For your word I give you mine. You shall have it in an hour." She tried to throw so much certainty into her tone as might persuade him, and she succeeded. "Where will you wait for me? In the shop?" she asked.

"No—not there. In the Café here—I am tired—I will sit down and drink a cup of coffee. I think I have a little money—enough for that." He smiled faintly as he felt in his pockets. Then his face fell. On the previous evening, when they had led him away from the eating-house, he had carelessly given all he had—a mark and two pennies—to pay for his supper, throwing it to the fat hostess without any reckoning, as he went out. "Never mind," he said, after the fruitless search. "I will wait outside."

But Vjera thrust a silver piece into his hand and was gone before he could protest. And in this way she took upon herself the burden of the Count's debt of honour.

CHAPTER X.

Vjera turned her head when she had reached the corner of the street, and saw that the Count had disappeared. He had entered the Café, and had evidently accepted her assurance that she would bring the money without delay. So far, at least, she had been successful. Though by far the most difficult portion of the enterprise lay before her, she was convinced that if she could really produce the fifty marks, the approaching catastrophe of total madness would be averted. Her determination was still so strong that she never doubted the possibility of performing her promise. Without hesitation, she returned to the shop, in search of Johann Schmidt, to whose energies and kindness she instinctively turned for counsel and help. As she came to the door she saw that he was just bidding good-night to his employer. She waited a moment and met him on the pavement as he came out.

"I must have fifty marks in an hour, Herr Schmidt," she said, boldly. "If I do not get it, something dreadful will happen."

"Fifty marks!" exclaimed the Cossack in a tone of amazement. If she had said fifty millions, the shock to his financial sense could not have been more severe. "It is an enormous sum," he said, slowly, while she fixed her eyes upon him, waiting for his answer. "What is the matter, Vjera? Have you not been able to pay your rent this year, and has old Homolka threatened to turn you out?"

"Oh no! It is worse than that, far worse than that! If it were only myself—" she hesitated.

"What is it? Who is it? Perhaps it is not so serious as you think. Tell me all about it."

"There is very little time—only an hour. He is going mad—really mad, Herr Schmidt, because he has given his word of honour to pay Herr Fischelowitz that money this evening. I only calmed him, by promising to bring the money at once."

"You promised that?" exclaimed Schmidt. "It was a very wild promise—"

"I will keep it, and you must help me. We have an hour. If we do not succeed he will never be himself again."

"But fifty marks!" Schmidt could not recover from his astonishment. "Oh, Vjera!" he exclaimed at last, in the simplicity of his heart, "how you must love him!"

"I would do more than that—if I could," she answered. "But come, you will help me, will you not? I have a ten-mark piece and an old thaler put away at home. That makes thirteen, and two I have in my pocket, fifteen and—I am afraid that is all," she concluded after a slight hesitation.

"And five are twenty," said the Cossack, producing the six which he had, and taking one silver piece out of the number to be returned to his pocket. The children must not starve on the morrow.

"Oh, thank you, Herr Schmidt!" cried poor Vjera in a joyful voice as she eagerly took the proffered coins. "Twenty already! Why, twenty-five will be half, will it not? And I am sure that we can find the rest, then."

"There is Dumnoff," said Schmidt. "He probably has something, too."

"But I could not borrow of him—besides, if he knew it was for the Count—and he is so rough—he would not give it to us."

"We shall see," answered the other, who knew his man. "Wait a moment. He is still inside."

He re-entered the shop, where Fischelowitz and his wife were conversing under the gaslight.

"I tell you," Akulina was saying, "that it is high time you got rid of him. The new workman fromVilna will take his place, and it is positively ridiculous to be made to submit to this madman's humours, and impertinence. What sort of a man are you, Christian Gregorovitch, to let the fellow carry off your Gigerl, with his airy promise to pay you the money to-day?"

"The Gigerl was broken," observed the tobacconist.

"Oh, it could have been mended; and if it was really stolen, was that our business, I would like to know? Nobody would ever have supposed, seeing it in our window, that it had been stolen. And it could have been mended, as I say, and might have been worth something after all. You never really tried to sell it, as you ought to have done from the very first. And now you have got nothing at all, nothing but that insolent maniac's promise. If I were you I would take the money out of his wages, I would indeed!"

"No doubt you would," said Fischelowitz, with sincere conviction.

Meanwhile Schmidt had gone into the back shop, where Dumnoff was still doggedly working, making up for the time he had lost by coming late in the morning. He was alone at his little table.

"How much money have you got?" asked theCossack, briefly. Dumnoff looked up rather stupidly, dropped the cigarette he was making, and felt in his pocket for his change. He produced five marks, an unusual sum for him to have in his possession, and which would not have found itself in his hands had not his arrest on the previous evening prevented his spending considerably more than he had spent in his favourite corn-brandy.

"I want it all," said Schmidt.

"You are a cool-blooded fellow," laughed Dumnoff, making as though he would return the coins to his pocket.

"Look here, Dumnoff," answered the Cossack, his bright eyes gleaming. "I want that money. You know me, and you had better give it to me without making any trouble."

Dumnoff seemed confused by the sharpness of the demand, and hesitated.

"You seem in a great hurry," he said, with an awkward laugh, "I suppose you mean to give it back to me?"

"You shall have it at the rate of a mark a day in the next five work days. You will get your pay this evening and that will be quite enough for you to get drunk with to-night."

"That is true," said Dumnoff, thoughtfully. "Well, take it," he added, slipping the money into the other's outstretched palm.

"Thank you," said the Cossack. "You are not so bad as you look, Dumnoff. Good-night." He was gone in a moment.

Dumnoff stared at the door through which he had disappeared.

"After all," he muttered, discontentedly, "he could not have taken it by force. I wonder why I was such a fool as to give it to him!"

"I tell you," said Akulina to her husband as Schmidt passed through the outer shop, "that he will end by costing us so much in money lent, and squandered in charity, that the business will go to dust and feathers! I am only a weak woman, Christian Gregorovitch, but I have four children—"

The Cossack heard no more, for he closed the street door behind him and returned to Vjera's side. She was standing as he had left her, absorbed in the contemplation of the financial crisis.

"Five more," said he, giving her the silver. "That is one half. Now for the other. But are you quite sure, Vjera, that it is as bad as you think? I know that Fischelowitz does not in the least expect the money."

"No—I daresay not. But I know this, if I had not met him just now and promised to bring him the fifty marks, he would have been raving mad before morning." Schmidt saw by her look that she was convinced of the fact.

"Very well," he said. "I am not going to turn back now. The poor Count has done me many a good turn in his time, and I will do my best, though I do not exactly see what more I can do, at such short notice."

"Have you got anything worth pawning, Herr Schmidt?" asked Vjera, ruthless, as devoted people can be when the object of their devotion is in danger.

"Well—I have not much that I can spare. There is the bed—but my wife cannot sleep on the floor, though I would myself. And there are a few pots and pans in the kitchen—not worth much, and I do not know what we should do without them. I do not know, I am sure. I cannot take the children's things, Vjera, even for you."

"No," said Vjera doubtfully. "I suppose not. Of course not!" she exclaimed, immediately afterwards, with an attempt to express conviction.

"There is one thing—there is the old samovar," continued the Cossack. "It has a leak in one side,and we make the tea as we can, when we have any. But I remember that I once pawned it, years ago, for five marks."

"That would make thirty," said Vjera promptly.

"I do not believe they would lend so much on it now, though it is good metal. It is a little battered, besides being leaky."

"Let us get it," said Vjera, beginning to walk briskly on. "I have something, too, though I do not know what it is worth. It is an old skin of a wolf—my father killed it inside the village, just before we came away."

"A wolf skin!" exclaimed Schmidt. "That may be worth something, if it is good."

"I am afraid it is not very good," answered Vjera doubtfully. "The hair comes out. I think it must have been a mangy wolf. And there is a bad hole on one side."

"It was probably badly cured," said the Cossack, who understood furs. "But I can mend the hole in five minutes, so that nobody will see it."

"We will get it, too. But I am afraid that it will not be nearly enough to make up the twenty-five marks. They could not possibly give us twenty marks for the skin, could they?"

"No, indeed, unless you could sell it to some onewho does not understand those things. And the samovar will not bring five, as I said. We must find something else."

"Let us get the samovar first," said Vjera decisively. "I will wait downstairs till you get it, and then you will wait for me where I live, and after that we will go together. I may find something else. Indeed, I must, or we shall not have enough."

They walked rapidly through the deepening shadows towards Schmidt's home. Vjera moved, as people do, who are possessed by an idea which must be put into immediate execution, her head high, her eyes full of light, her lips set, her step firm. Her companion was surprised to find that he needed to walk fast in order to keep by her side. He looked at her often, as he had looked all day, with an expression that showed at once much interest, considerable admiration and some pity. If he had not been lately brought to some new opinion concerning the girl he would certainly not have entered into her wild scheme for calming the Count's excitement without at least arguing the case lengthily, and discussing all the difficulties which presented themselves to his imagination. As it was, he felt himself carried away by a sort ofenthusiasm in her cause, which would have led him to make even greater sacrifices than he had it in his power to offer. So strong was this feeling that he felt called upon to make a sort of apology.

"I am sorry I cannot do more to help you," he said regretfully. "It is very little I know, but then, you see I am not alone in the world, Vjera. There are others to be thought of. And besides, I have just paid the rent, and there are no savings left."

"Dear Herr Schmidt," answered Vjera gratefully, "you are doing too much already—but I cannot help taking all you give me, though I can thank you for it with all my heart."

They did not speak again during the next few minutes, until they reached the door of the house in which the Cossack lived.

"I shall only need a moment," he said, as he dived into the dark entrance.

He lost so little time, that it seemed to Vjera as though the echo of his steps had not died away upon the stairs before she heard his footfall again as he descended. This time, however, there was a rattle and clatter of metal to be heard as well as his quick tread and the loud creaking of his coarse, stiff shoes. He emerged into the street with the body of thesamovar under one arm. The movable brass chimney of the machine was sticking out of one of his pockets, and in his left hand he had its little tray, with the rings and other pieces belonging to the whole. Amongst those latter objects, which he grasped tightly in his fingers, there figured also the fragment of a small spoon of which the bowl had been broken from the handle.

"It is silver," he said, referring to the latter utensil, as he held up the whole handful before Vjera's eyes. "But if we can find a jeweller's shop open, we will sell it. We can get more for it in that way. And now your wolf's skin, Vjera. And be sure to bring me a needle and some strong thread when you come down. I can mend the hole by the gaslight in the street, for Homolka would not understand it if he saw me going to your room, you know."

She helped him to put all the smaller things into his pockets, so that he had only the samovar itself, and its metal tray to carry in his hands, and then they went briskly on towards Vjera's lodging.

"Do you think we shall get three marks for the little spoon?" she asked, constantly preoccupied by her calculations.

"Oh yes," Schmidt answered cheerfully. "Wemay get five. It is good silver, and they buy silver by weight."

A few moments later she stood still before a narrow shop which was lighted within, though there was no lamp in the windows. It was that of a small watchmaker and jeweller, and a few silver watches and some cheap chains and trinkets were visible behind the glass pane.

"Perhaps he may buy the spoon," suggested Vjera, anxious to lose no time.

Without a word Schmidt entered the shop, while the girl stood outside. In less than five minutes he came out again with something in his hand.

"Three and a half," he said, handing her the money.

"I had hoped it would be worth more," she answered, putting the coins with the rest.

"No. He weighed it with silver marks. It weighed just four of them, and he said he must have half a mark to make it worth his while."

"Very well," said Vjera, "it is always something. I have twenty-eight and a half now."

When they reached her lodging Schmidt set down the samovar upon the pavement and made himself a cigarette, while he waited for her. She was gone a long time, as it seemed to him, and he was beginning to wonder whether anything hadhappened, when she suddenly made her appearance, noiseless in her walk, as always. The old wolf's skin was hung over one shoulder, and she carried besides a limp-looking brown paper parcel, tied with a bit of folded ribband. As he caught sight of her face in the light of the street lamp, Schmidt fancied that she was paler than before, and that her cheek was wet.

"I am sorry I was so long," she said. "The little sister cried because I would not stay, and I had to quiet her. Here is the skin. Do you see? I am afraid this is a very big hole—and the hair comes out in handfuls. Look at it."

"It was a very old wolf," remarked the Cossack, holding the skin up under the gaslight.

"Does that make it worth less?" asked Vjera anxiously.

"Not of itself; on the contrary. And I can mend the hole, if you have the thread and needle. The worst thing about it all is the way the hairs fall out. I am afraid the moths have been at it, Vjera." He shook his head gravely. "I am afraid the moths have done a great deal of damage."

"Oh, if I had only known—I would have been so careful! And to think that it might have been worth something."

"It is worth something as it is, but at the pawnbroker's they will not lend much on it." He took the threaded needle, which she had not forgotten, and sitting down upon the edge of the pavement spread the skin upon his knees with the fur downwards. Then he quickly began to draw the hole together, sewing it firmly with the furrier's cross stitch, and so neatly that the seam looked like a single straight line on the side of the leather, while it was quite invisible in the fur on the other.

"What is the other thing you have brought?" he inquired without looking up from his work. The light was bad, and he had to bend his eyes close to the sewing.

"It is something I may be able to sell," said Vjera in a rather unsteady voice.

"Silver?" asked Schmidt, cheerfully.

"Oh no—not silver—something dearer," she said, almost under her breath. "I am afraid it is very hard for you to see," she added quickly, attempting to avoid his questions. "Do you not think that I could hold a match for you, to make a little more light? You always have some with you."

"Wait a moment—yes—I have almost finished the seam—here is the box. Now, if you can holdthe match just there, just over the needle, and keep it from going out, I can finish the end off neatly."

Vjera knelt down beside him and held the flickering bit of wood as well as she was able. They made a strange picture, out in the unfrequented street, the dim glare of the gaslight above them, and the redder flame of the match making odd tints and shadows in their faces. Vjera's shawl had slipped back from her head and her thick tress of red-brown hair had found its way over her shoulder. An artist, strolling supperwards from his studio, came down their side of the way. He stopped and looked at them.

"Has anything happened?" he asked kindly. "Can I be of any use?"

Vjera looked up with a frightened glance. The Cossack paid no attention to the stranger.

"Oh no, thank you—thank you, sir, it is nothing—only a little piece of work to finish."

The artist gave one more look and passed on, wishing that he could have had pencil and paper and light at his command for five minutes.

"There," said Schmidt triumphantly. "It is done, and very well done. And now for the pawn-shop, Vjera!"

Vjera took the skin over her arm and her companion picked up the samovar with its tray, and they moved on again. Vjera's face was pale and sad, but she seemed more confident of success than ever, and her step was elastic and hopeful. Johann Schmidt's curiosity was very great, as has been seen on previous occasions. He did his best to control it, for some time, only trying to guess from the general appearance of the limp parcel what it might contain. But his ingenuity failed to solve the problem. At last he could bear it no longer. They were entering the street where the pawnbroker's shop was situated when his resolution broke down.

"Is it a piece of lace?" he asked at a venture. "If it is, you know, and if it is good, it may be worth all the other things together."

"No. It is not a piece of lace," answered the girl. "I will tell you what it is, if we do not get enough without it."

"I only thought," explained the Cossack, "that if we were going to try and pawn it, I had better know—"

"We cannot pawn it," said Vjera decisively. "It will have to be sold. Let us go in together." She spoke the last words as they reached the door of the pawn-shop.

"I could save you the trouble," Schmidt suggested, offering to take the wolf's skin. But Vjera would not give it up. She felt that she must see everything done herself, if only to distract her thoughts from more painful matters.

The place was half full of people, most of them with anxious faces, and all having some object or other in their hands. The pawn-shops do their best business in the evening. A man and a woman, both advanced in middle age, well fed, parsimoniously washed and possessing profiles of an outline disquieting to Christian prejudices, leaned over the counter, handled the articles offered them, consulted each other in incomprehensible monosyllables, talked volubly to the customers in oily undertones and from time to time counted out small doses of change which they gave to the eager recipients, accompanied by little slips of paper on which there were both printed and written words. The room was warm and redolent of poverty. A broad flame of gas burned, without a shade, over the middle of the counter.

In spite of their unctuous tones the Hebrew and his wife did their business rapidly, with sharpness and decision. Either one of them would have undertaken to name the precise pawning value ofanything on earth and, possibly, of most things in heaven, provided that the universe were brought piecemeal to their counter. Both Vjera and Schmidt had been made acquainted by previous necessities with the establishment. Vjera held her paper parcel in her hand. The other things were laid together upon the counter. The Hebrew woman glanced at the samovar, felt the weight of it and turned it once round.

"Leaky," she observed in her smooth voice. "Old brass. One mark and a half." Her husband put out his hand, touched the machine, lifted it, and nodded.

"Only a mark and a half!" exclaimed Vjera. "And the skin, how much for that?"

"It is a genuine Russian wolf," Schmidt put in. "And it is very large."

"Moth-eaten," said the Jewess. "And there is a hole in the side. Five marks."

Schmidt held the fur up to the light and blew into it with a professional air, as furriers do.

"Look at that!" he cried, persuasively. "Why, it is worth twenty!"

The Hebrew lady, instead of answering extended a fat thumb and a plump, pointed forefinger, and pinching a score of hairs between the two, pulledthem out without effort, and then held them close to the Cossack's eyes.

"Five marks," she repeated, getting the money out and preparing to fill in a couple of pawn-tickets.

"Make it ten, with the samovar!" entreated Vjera. The Jewess smiled.

"Do you think the samovar is of gold?" she inquired. "Six and a half for the two. Take it or leave it."

Vjera looked at Schmidt anxiously as though to ask his opinion.

"They will not give more," he said, in Russian.

The girl took the money and the flimsy tickets and they went out into the street. Vjera hesitated as to the direction she should take, and Schmidt looked to her as though awaiting her orders.

"Twenty-eight and a half and six and a half are thirty-five," she said, thoughtfully. "And we have nothing more to give, but this. I must sell it, Herr Schmidt."

"Well, what is it?" he asked, glad to know the secret at last.

"It is my mother's hair. She cut it off herself when she knew she was dying and she told me to sell it if ever I needed a little money."

The girl's voice trembled violently, and she turned her head away. Schmidt was silent and very grave. Then Vjera began to move on again, clutching the precious thing to her bosom and drawing her shawl over it.

"The best man for this lives in the Maffei Strasse," said Schmidt after a few minutes.

"Show me the way." Vjera turned as he directed. At that moment she would have lost herself in the familiar streets, had he not been there to guide her.

The hairdresser's shop was brilliantly lighted, and as good fortune would have it, there were no customers within. With an entreating glance which he obeyed, Vjera made Schmidt wait outside.

"Please do not look!" she whispered. "I can bear it better alone." The good fellow nodded and began to walk up and down.

As Vjera entered the shop, the chief barber in command waltzed forward, as hairdressers always seem to waltz. At the sight of the poor girl, however, he assumed a stern appearance which, to tell the truth, was out of character with his style of beauty. His rich brown locks were curled and anointed in a way that might have aroused envy in the heart of an Assyrian dandy in the palmy days of Sardanapalus.

"Do you buy hair?" asked Vjera, timidly offering her limp parcel.

"Oh, certainly, sometimes," answered the barber. The youth in attendance—the barber tadpole of the hairdresser frog—abandoned the cleansing of a comb and came forward with a leer, in the hope that Vjera might turn out to be pretty on a closer inspection. In this he was disappointed.

The man took the parcel and laid it on one of the narrow marble tables placed before a mirror in a richly gilt frame. He pushed aside the blue glass powder-box, the vial of brilliantine and the brushes. Vjera untied the bit of faded ribband herself and opened the package. The contents exhaled a faint, sickly odour.

A tress of beautiful hair, of unusual length and thickness, lay in the paper. The colour was that which is now so much sought after, and which great ladies endeavour to produce upon their own hair, when they have any, by washing it with extra-dry champagne, while little ladies imitate them with a humble solution of soda. The colour in question is a reddish-brown with rich golden lights in it, and it is very rare in nature.

The barber eyed the thick plait with a businesslike expression.

"The colour is not so bad," he remarked, as though suggesting that it might have been very much better.

"Surely, it is very beautiful hair!" said Vjera, her heart almost breaking at the sight of the tenderly treasured heirloom.

Suddenly the man snuffed the odour, lifted the tress to his nose, and smelt it. Then he laid it down again and took the thicker end, which was tied tightly with a ribband, in his hands, pulling at the short lengths of hair which projected beyond the knot. They broke very easily, with an odd, soft snap.

"It is worth nothing at all," said the barber decisively. "It is a pity, for it is a very pretty colour."

Vjera started, and steadied herself against the back of the professional chair which stood by the table.

"Nothing?" she repeated, half stupid with the pain of her disappointment. "Nothing? not even fifteen marks?"

"Nothing. It is rotten, and could not be worked. The hairs break like glass."

Vjera pressed her left hand to her side as though something hurt her. The tadpole youth grinnedidiotically and the barber seemed anxious to end the interview.

With a look of broken-hearted despair the girl turned to the table and began to do up her parcel again. Her shawl fell to the ground as she moved. Then the tadpole nudged his employer and pointed at Vjera's long, red-brown braid, and grinned again from ear to ear.

"Is it fifteen marks that you want?" asked the man.

"Fifteen—yes—I must have fifteen," repeated Vjera in dull tones.

"I will give it to you for your own hair," said the barber with a short laugh.

"For my own?" cried Vjera, suddenly turning round. It had never occurred to her that her own tress could be worth anything. "For my own?" she repeated as though not believing her ears.

"Yes—let me see," said the man. "Turn your head again, please. Let me see. Yes, yes, it is good hair of the kind, though it has not the gold lights in it that the other had. But, to oblige you, I will give you fifteen for it."

"But I must have the money now," said Vjera, suspiciously. "You must give me the money now, to take with me. I cannot wait."

The barber smiled, and produced a gold piece and five silver ones.

"You may hold the money in your hand," he said, offering it to her, "while you sit down and I do the work."

Vjera clutched the coins fiercely and placed herself in the big chair before the mirror. She could see in the glass that her eyes were on fire. The barber loosened a screw in the back of the seat and removed the block with the cushion, handing it to his assistant.

"The scissors, and a comb, Anton," he said briskly, lifting at the same time the heavy tress and judging its weight. The reflection of the steel flashed in the mirror, as the artist quickly opened and shut the scissors, with that peculiar shuffling jingle which only barbers can produce.

"Wait a minute!" cried Vjera, with sudden anxiety, and turning her head as though to draw away her hair from his grasp. "One minute—please—fifteen and thirty-five are really fifty, are they not?"

The tadpole began to count on his fingers, whispering audibly.

"Yes," answered the barber. "Fifteen and thirty-five are fifty."

The tadpole desisted, having already got into mathematical difficulties in counting from one hand over to the other.

"Then cut it off quickly, please!" said poor Vjera, settling herself in the chair again, and giving her head to the shears.

In the silence that followed, only the soft jingle of the scissors was heard.

"There!" exclaimed the hairdresser, holding up a hand-mirror behind her. "I have been generous, you see. I have not cut it very short. See for yourself."

"Thank you," said Vjera. "You are very kind." She saw nothing, indeed, but she was satisfied, and rose quickly.

She tied up the limp parcel with the same old piece of faded ribband, and a little colour suddenly came into her face as she pressed it to her bosom. All at once, she lost control of herself, and with a sharp sob the tears gushed out. She stooped a little and drew her shawl over her head to hide her face. The tears wet her hands and the brown paper, and fell down to the greasy marble floor of the shop.

"It will grow again very soon," said the barber, not unkindly. He supposed, naturally enough, that she was weeping over her sacrifice.

"Oh no! It is not that!" she cried. "I am so—so happy to have kept this!" Then, without another word, she slipped noiselessly out into the street, clasping the precious relic to her breast.


Back to IndexNext