CHAPTER XI

"Yes," he hazarded, and "Yes," and "Yes," his smiling lips belying the lassitude of his eyes. Actually, he looked out and beyond her, at another Eve, to whom he now paid his adieux. It was the dainty little figure of her childish self which he saw, with its bright, long hair, and its confiding eyes, and its caressing little ways, in the deepening shadows between the bookshelves—and for the last time. It vanished like a shadow, smiling mockingly, and he knew it would never return. In its place abode henceforth the image of this stately maiden, comely and desirable, with the profound eyes which lighted up—for Dick. An unaccountable sense of failure stole over Rainham—unaccountable because he could lay his finger upon no tangible cause of his discomfiture.

The little town was brilliant with September sunshine; the blue smoke spired almost unbroken into the bluer vault above, and the cream-coloured façades of the houses, with their faded blue shutters and verandas, the gay striped awnings of the little fleet of rowing boats, the gray of the stone parapet, and the dull green of the mountainous opposite shore, were mirrored steeply in the bight of narrowing, sunlit lake. The wide, dusty esplanade was almost empty, except at the corners, where voluble market women gossiped over their fruit-baskets, heaped with purple-brown figs, little mountain-born strawberries, sweet, watery grapes, green almonds, and stupendous pears. At rare intervals a steamboat, bright and neat as a new toy, trailed a long feather of smoke from the foot of the Rigi, shed a small and dusty crowd into the sleepy town, and then bustled back, shearing the silken flood and strangely distorting its reflections.

"The worst of Lucerne," said Mrs. Sylvester—"the worst of Lucerne is that one can't escape from Mount Pilatus and the Lion. The inhabitants all think that Pilatus regulates the weather, and they would certainly give their Lion the preference over the Venus of Milo."

They were all sitting on the terrace in front of the Schweitzerhof; Lady Garnett and Mary, Mrs. Sylvester and Eve. Lady Garnett and her companion were but newly arrived, and, as birds of passage, preferred the hotel to apension. The Sylvesters had been staying in the quaint, rambling town for nearly a fortnight. It was their usual summer resort, and although the spring of each year found them deciding to go elsewhere for a change, in the end they nearly always proved faithful to the familiar lake. Theirpension—they regarded it almost as a country house—was such an inducement! The Pension Bungay was maintained by an old servant of the family, who, when he began to find the duties of butler too exacting for his declining years, gave a warning, which applied also to one of his fellow-servants, the cook, to wit, a lady of Continental origin, who had consented to become Madame Bungay; and the pair, having souls above public-houses, and relying on their not inconsiderable connection among the servants of Mayfair, had boldly and successfully launched into an independent career as sole proprietors and managers of the Pension Bungay, Lucerne.

"Yes," said Lady Garnett sympathetically; "I suppose Pilatusisrather monotonous. It's rather too near, I think. It ought to be far away, and covered with snow, more like the Jungfrau, which we have been worshipping at Interlaken, where, by the way, there are positively more Americans than natives."

"Oh," Mrs. Sylvester chimed in, "isn't it dreadful the way they overrun Europe nowadays! There are two American families staying at ourpension, and you see them everywhere."

"I think I rather like them. They amuse me, you know, and somehow, though it may be disloyal for me, as a naturalized Englishwoman, to say so, as a rule they comport themselves much better than the ordinary British tourist. Of course, the country is not so accessible for the Americans; it's out of the reach of their cheap excursionists. But how opportune that curious tower is, and the bridge! of course, it's correct to admire them?"

Mary Masters and Eve, who had been quietly discussingchiffons, got up from their chairs with a preconcerted air.

"We are so tired of sitting still," said the former, balancing herself with an air of indecision, and giving Mrs. Sylvester time to note the admirable taste of her simple, maize-coloured travelling dress, which did not suffer from contrast with the younger girl's brighter and more elaborately charming toilette. "Miss Sylvester wants to show me the uncatchable trout in the lake, and I want to go and see if the salon is empty, so that I can try the piano; and we can't decide which to do. I suppose, Mrs. Sylvester, that the hotel is more within the bounds of propriety?"

"Oh, well," said Eve, laughing, "I don't care; anyhow, let's go and find the piano. Only, there is sure to be some one there already."

"By the way," said Lady Garnett, when the girls had vanished into the building, "of course you know that Philip Rainham's friend—the young man who paints and has a moustache, I mean—is here, or will be very shortly? He was staying at our hotel at Berne."

"Mr. Lightmark, I suppose?" answered the other, without showing her surprise except in her eyes. "We told him that we were coming to Lucerne, and it was more or less arranged."

"Ah, yes," interposed Lady Garnett; "am I indiscreet in suggesting an exceptional attraction?"

Mrs. Sylvester merely looked mysterious, and Lady Garnett was encouraged to continue.

"Your daughter is very beautiful. This Mr. Lightmark has been painting her portrait,n'est ce pas? I should think it ought to be a success. Am I to congratulate him?"

"Oh," said Mrs. Sylvester hurriedly, "dear Lady Garnett, it hasn't gone so far as that."

"The portrait?" murmured the other innocently. "Ah, I'm afraid you misunderstood me."

Mrs. Sylvester cast a meaning glance in the direction of Eve, who, sauntering along the terrace with Mary, was now behind their seat, and the conversation, which promised to become interesting, dropped, while Mary explained that they had found the music-stool occupied by a lady, who was superfluously protesting her inability to sing "the old songs"—the person who alwaysdidmonopolize hotel pianos, as Mary laughingly asserted.

Two days later Lightmark presented himself at the Pension Bungay. He had come to Lucerne with the fixed purpose of definitely proposing marriage to Eve. He was far too worldly-wise to fail to perceive that, so far at least, Mrs. Sylvester had certainly taken no trouble to discourage his pretensions. His attentions, he argued, had been by no means obscure; his studio had been singularly honoured by the presence of Miss Sylvester and her mother, for the purposes of the portrait; he had even been granted a sitting at the house in Park Street, when a less rigid supervision had been exercised, and when, in the absence of the mother, he had been able to assure himself that the girl was far from despising his adoration. Before leaving town he had dined with his uncle, the Colonel, at his club, and the veteran had spontaneously and strenuously urged the step, and even thrown out promising hints as to settlements. He broke in upon the little circle at the hour of afternoon tea, and Eve found his gray travelling suit, and the bronze of his complexion, exceedingly becoming. He announced that he had come to stay for a week or two; he was going to make some sketches, and he couldn't tear himself away from that delightful bridge, and his lodgings!

"My dear fellow," he said to Charles Sylvester, with an air of familiarity which gave one an insight as to the advance the artist had made in his relations with the family, "you must come and see my diggings. The most delightful old hostelry in Europe. Built straight up out of the lake, like the castle of Chillon. It's called theGasthof zum Pfistern. I could fish out of my bedroom window. I assure you, it's charming. You must come and dine with me there. I hope you ladies will so far honour me?"

This project, however, fell through, and by way of compensation Lightmark and Charles enjoyed the privilege of entertaining the party, including Lady Garnett and Miss Masters, at Borghoni's; after which the younger people chartered a boat, and floated idly about the star-reflecting lake, while the dowagers maintained a discreet surveillance from their seat on the esplanade.

Of this last incident it may be said that Lightmark and Eve found it altogether delightful, the latter especially being struck by the romance of the situation; while Charles was inclined to be ponderously sentimental, and Miss Masters afterwards confessed to having felt bored.

In the course of the next day Lightmark had the privilege of a confidential interview with the mother of his adored. Mrs. Sylvester had fully armed herself for the occasion, and presented an edifying example of matronly affection and prudence.

"Of course, I was not altogether unprepared for this, Mr. Lightmark. In fact, I may as well own that I have talked it over with my son, and we agreed that the whole question resolved itself into—ah—into settlements. You must not think me mercenary." This was said with a dignified calm, which made the idea preposterous. "If you can"—here she seemed to refer to some mental note-book—"ah—satisfy Charles on that point, I am sure that it will give me great pleasure to regard you as a prospective son-in-law. Of course, you know, I can't answer for Eve, or Charles."

"Ah, my dear lady," said the other, gracefully overwhelmed, "if I may count on your good offices I am very fortunate."

That evening, as the two men sat discussing their cigars and coffee, Lightmark listened with wonderful patience to a disquisition on the subject of—he couldn't afterwards remember whether it was Strikes or the Sugar Bounty. He was rather afraid of the necessary interview with Charles. It would require some tact, and he was prepared to find him unpleasantly exacting as arbiter of his pecuniary status.

"You ought to be in the House, by Jove! that's your line, Sylvester, with a clever wife, you know, to do the canvassing for you" ("and write your speeches," he mentally added).

The other owned that he had thought of it.

"But the wife," he added, with an attempt at levity, "that's the difficulty!"

And the connection of a subsequent remark with this topic, though some conversation intervened, did not escape his astute companion, and he was careful to sing Miss Masters' praises with an absence of allusiveness, which showed the actor. Then he threw away the stump of his cigar, and mentally braced himself.

"You have seen a good deal of me lately," he said. "I want to ask you if you have any objection to me as a possible brother-in-law; in fact, I want to marry your sister."

"Yes?" said the other encouragingly.

"I have, as you may know, spoken to Mrs. Sylvester about it, and I believe she will—that is to say, I think she has no personal objection to me."

"Oh, of course, my dear fellow, my mother and I are flattered, quite flattered; but you will understand our anxiety that we should run no risk of sacrificing any of the advantages she has enjoyed hitherto. May I ask, er——"

"What is my income from all sources?" suggested Lightmark rather flippantly. "Well, I have to confess that my profession, in which I am said to be rising, brings me in about four hundred and fifty a year, in addition to which I have a private income, which amounts to, say, three hundred; total, seven hundred and fifty." Then, seeing that Charles looked grave, he played his trump card: "And I ought to add that my uncle, the Colonel, you know, has been good enough to talk about making me an allowance, on my marrying with his approval. In fact he is, I believe, prepared to make a settlement on my marriage with your sister."

Charles Sylvester pronounced himself provisionally satisfied, and it was arranged that he should communicate with Colonel Lightmark, and that meanwhile the engagement should not be made public.

Eve was standing on the little balcony, appertaining to the sitting-room which had been dedicated to the ladies as a special mark of favour by the proprietor of thepension, and Lightmark hastened to join her there; and while Charles and his mother played a long game of chess, the two looked out at the line of moonlit Alps, and were sentimentally and absurdly happy.

"Mrs. Sylvester," said Lightmark, when that lady thought it advisable to warn her daughter that there was a cold wind blowing off the lake, "we have arranged that a certain portrait shall figure in the Academy catalogue next spring as 'Portrait of the Artist's Wife.'"

After which Mrs. Sylvester began to call him Richard, and Charles became oppressively genial: a development which led the embarrassed recipient of these honours to console himself by reflecting that, after all, he was not going to marry the entire family.

"Ma cherie," said Lady Garnett, as the Paris train steamed out of Lucerne on the afternoon of the next day but one, "do you know that I feel a sensation of positive relief at getting away from those people? Eve is verygentille, but lovers aresouninteresting, when they are properly engaged; and the excellent Charles! My child, I am afraid you have been very cruel."

"Cruel, aunt?" said Mary, with a demure look of astonishment. "I like Eve very much, and I suppose Mr. Lightmark must be nice, because he's such a friend of Philip's. But I don't quite like the way he talks about Philip, and … he's very clever."

"Yes," said the old lady drowsily; "he's cleverer than Philip."

"He may be cleverer, but——" Mary began with some warmth, and paused.

Her companion opened her eyes widely, and darted a keen glance at the girl. Then, settling herself into her corner:

"My dear child, to whom do you say it?"

It was eminently characteristic of Lady Garnett that, even when she was sleepy, she understood what people were going to say long before the words were spoken, and, especially with her familiars, she had a habit of taking her anticipations as realized.

Mary found something embarrassing in the humour of the old lady's expression, and devoted herself to gazing out of the window at the mountain-bound landscape, in which houses, trees, and cattle all seemed to be in miniature, until the sound of regular breathing assured her that the inquisitive eyes were closed.

During the long, hot August, which variously dispersed the rest of their acquaintances, the intimacy of that ill-assorted couple, the bird of passage Rainham, and Oswyn the artist, was able to ripen. They met occasionally at Brodonowski's, of which dingy restaurant they had now almost a monopoly; for its artistic session had been prorogued, and the "boys" were scattered, departing one by one, as their purses and inclinations prompted, to resume acquaintance with their favourite "bits" in Cornwall, or among the orchards and moors of Brittany, to study mountains in sad Merioneth, or to paint ocean rollers and Irish peasants in ultimate Galway. On the occasion of their second meeting, Rainham having (a trifle diffidently, for the painter was not a questionable man) evinced a curiosity as to his summer movements, Oswyn had scornfully repudiated such a notion.

"Thank God!" he cried, "I have outworn that mania of searching for prettiness. London is big enough for me. My work is here, and the studies I want are here, and here I stay till the end of all things. I hate the tame country faces, the aggressive stillness and the silent noise, the sentiment and the sheep of it. Give me the streets and the yellow gas, the roar of the City, smoke, haggard faces, flaming omnibuses, parched London, and the river rolling oilily by the embankment like Styx at night when the lamps shine."

He drew in a breath thirstily, as though the picture were growing on canvas before him.

"Well, if you want river subjects you must come and find them at Blackpool," said Rainham; and Oswyn had replied abruptly that he would.

And he kept his word, not once but many times, dropping down on Rainham suddenly, unexplainedly, after his fashion, as it were from the clouds, in the late afternoon, when the clerks had left. He would chat there for an hour or two in his spasmodic, half-sullen way, in which, however, an increasing cordiality mingled, making, before he retired once more into space, some colour notes of the yard or the river, or at times a rough sketch, which was never without its terse originality.

Rainham began to look forward to these visits with a recurring pleasure. Oswyn's beautiful genius and Oswyn's savage humours fascinated him, and no less his pleasing, personal ambiguity. He seemed to be a person without antecedents, as he was certainly without present ties. Except that he painted, and so must have a place to paint in, he might have lodged precariously in a doss-house, or on door-steps, or under the Adelphi arches with those outcasts of civilization to whom, in personal appearance, one might not deny he bore a certain resemblance. To no one did he reveal his abiding-place, and it was the merest tradition of little authority that a man from Brodonowski's had once been taken to his studio. By no means a perspicuous man, and to be approached perhaps charily; yet Rainham, as his acquaintance progressed, found himself from time to time brought up with a certain surprise, as he discovered, under all his savage cynicism, his overweening devotion to a depressing theory, a very real vein of refinement, of delicate mundane sensibility, revealed perhaps in a chance phrase or diffidence, or more often in some curiously fine touch to canvas of his rare, audacious brush. The incongruities of the man, his malice, his coarseness, his reckless generosity, gave Rainham much food for thought. And, indeed, that parched empty August seemed full of problematical issues; and he had, on matters of more import than the enigmatic mind of a new friend, to be content at last to be tossed to and fro on the winds of vain conjecture.

Lightmark and the Sylvesters occupied him much; but beyond a brief note from Mrs. Sylvester in Lucerne, which told him nothing that he would know, there came to him no news from Switzerland. In the matter of the girl whom he had befriended, recklessly, he told himself at times, difficulties multiplied. A sort of dumb devil seemed to have entered into her, and, with the best will in the world, it was a merely pecuniary assistance which he could give her, half angry with himself the while that his indolent good nature (it appeared to him little else) forbade him to cast back at her what seemed a curious ingratitude almost passing the proverbial feminine perversity, and let her go her own way as she would have it. On two occasions, since that chance meeting in the Park, he had called at the lodging in which he had helped her to install herself; and from the last he had come away with a distinct sense of failure. Something had come between them, an alien influence was in the air, and the mystery which surrounded the girl, he saw with disappointment, she would not of her own accord assist to dissipate. And yet there was nothing offensive in her attitude, only it had changed, lacked frankness.

One afternoon, finding that he could leave the dock early, he made another effort. He stopped before one in a dingy row of small houses, uniformly depressing, in a street that ran into the Commercial Road, and rang the bell, which tinkled aggressively. A slatternly woman, with a bandage round her head and an air of drunken servility, responded to his inquiry for "Mrs. Crichton" by ushering him into a small back parlour, in which a pale girl in black sat with her head bent over a typewriter. She rose, as he came in, a little nervously, and stood, her thin hands clasped in front of her, looking up at him with expectant, terrified eyes.

"I am sorry to alarm you," he said stiffly. "I came to see if I could do anything for you, and to tell you once more that I can do nothing for you unless you are open with me, unless you help me."

The woman looked away to where the child sat, in a corner of the small room, playing with some disused cotton reels.

"You are very kind, sir," she said in a low, uneasy voice; "but I want nothing, we want very little, the child and I; and with what your kindness in getting me the machine helps us to, we have enough."

"You don't want to be reinstated, to get back your lover, to have your child acknowledged?"

The girl flushed; her hands, which were still locked together, trembled a little.

"I don't want for nothing, sir, except to be left alone."

Then she added, looking him straight in the face now, with a certain rude dignity:

"I wouldn't seem ungrateful, sir, for your great kindness. I think you are the best man I ever met. Oh, believe me, I am not ungrateful, sir! But it is no good, not a scrap, though once I thought it. We must get along as we can now, the child and I—shame and all."

She sighed, gazed intently for a silent minute at the keys of the elaborate machine before her, and then continued, speaking very slowly, as if she were afraid of drawing too largely on her newly-found candour.

"Why should I keep it from you? It makes me feel a liar every time I see you. I will be quite plain with you, sir; perhaps the truth's best, though it's hard enough. I've seen him; that's why I couldn't tell you any more. And it's all over and done, and God help us! We must make the best of it. You see, sir, he is married," said the girl, with a sharp intonation in her voice like a sob.

Rainham had sunk into a chair wearily; he looked up at her now, drawing a long breath, which, for some reason he could not analyse, was replete with relief.

"Married?" he ejaculated; "are you sure?"

"Sure enough," said Kitty Crichton. "He told me so."

"Do you care for this fellow?" he asked curiously after a while.

The flush on her face had faded into two hectic spots on either cheek; there was a lack of all animation in her voice, whether of hope or indignation; she had the air of a person who gave up, who was terribly tired of things.

"Care?" she echoed. "I don't rightly know, sir; I think it's all dead together—love and anger, and my good looks and all. I care for the child, and I don't want to harry or hunt him down for the sake of what has been,—that's all."

He regarded her with the same disinterested pity which had seized him when he saw her first. There were only ruins of a beauty that must have once been striking. As he watched her a doubt assailed him, whether, after all, he had not been deceived by a bare resemblance; whether, in effect, she had ever been actually identical with that brilliant Pierrette whose likeness had so amazed him in Lightmark's rooms.

"By the way," he asked suddenly, "you told me you have been a model: did—was this man a painter? Has he ever painted you?"

The girl fell back a step or two irresolutely.

"Ah! why do you trouble so? What does it matter?" Then she added faintly, but hurriedly stumbling over her words:

"He wasn't a painter—only for amusement; he didn't exhibit. He was a newspaper writer. But he couldn't get work, and got a place in a foreign-going steamer, to keep accounts, I think. That was afterwards, and that's why I looked for him at your dock. They told me the ship had been there, but it wasn't true. Ah! let me be, sir, let me be!"

She broke off hastily, clasping her hands across her breast.

The story, though incoherent, was possible; Rainham could see no motive for her deceiving him, and yet he believed she was lying. He merely shrugged his shoulders, with a rising lassitude. He seemed to have been infected by her own dreariness, to labour under a disability of doing or saying any more; he, too, gave it up. He wanted to get away out of the dingy room; its rickety table and chairs, its two vulgar vases on the stained mantel, its gross upholstery, seemed too trenchantly sordid in the strong August sun. The child's golden head—she was growing intelligent now, and strong on her legs—was the one bright spot in the room. He stopped to pat it with a great pity, a sense of too much pathos in things flooding him, before he passed out again into the mean street.

September set in cold, with rain and east winds, and Rainham, a naturally chilly mortal, as he handed his coat to Lady Garnett's butler, and followed him into the little library, where dinner was laid for three, congratulated himself that a seasonable fire crackled on the large hearth.

"I hardly expected you back yet," he remarked, after the first greetings, stretching out his hands to the blaze; "and your note was a welcome surprise. I almost think we are the only people in town."

Lady Garnett shrugged her shoulders with a gesture of rich tolerance, as one who acknowledged the respectability of all tastes, whilst preferring her own.

"London has its charm, to me," she remarked. "We are glad to be back. I am getting too old to travel—that terrible crossing, and the terrible people one meets!"

Rainham smiled with absent sympathy, looking into the red coals.

"You must remember, I don't know where you have been. Tell me your adventures and your news."

"I leave that to Mary, my dear," said the old lady.

And at that moment the girl came in, looking stately and older than her age in one of the dark, high-cut dresses which she affected. She shook hands with Rainham, smiling; and as they went to table he repeated his question.

"It is difficult," she said; "we seem to have been everywhere. Oh, we have been very restless this year, Philip. I think we were generally in the train. We tried Trouville——"

"Detestable!" put in Lady Garnett with genial petulance; "it was too small. Half the world was crowded into it; and it was precisely the half-world——"

"I can imagine it," interrupted Rainham, with his grave smile; "and then?"

"Then we thought of Switzerland," continued the young girl. "We went to Geneva. We were almost dead when we arrived, because we had to go a very roundabout way to avoid Paris; we could not go to Paris, because we were afraid of seeing the Republic. It was very hot in Geneva. No place ever was so hot before. We lay on the sofa for three days, and then we were strong enough to run away."

"It was purgatorial!" said the elder lady; "it was full of English governesses and Swiss pastors."

"Then we went to look for cool places, and we had a charming week at Interlaken, and looked longingly at the Jungfrau, and contemplated the ascent."

Lady Garnett laughed her quaint, little laugh.

"Interlaken might have sufficed, my dear; but, unfortunately—it was one of Mary's ridiculous economies—we went to apension; and we fell into the hands of an extraordinary woman with a fringe and a Bible, a native of North America, who endeavoured to persuade me that I was a Jewess."

"No, no!" laughed Mary, "not quite so bad as that. It was one of the other tribes she would have us belong to—one of the lost tribes. It was not personal."

"Ah,Dieu merci! if they are lost," ejaculated her aunt; "but you are wrong; it was most personal, Mary."

"I will do her the justice to add that she only suggested it once," continued the girl with a smile of elision. "However, we had to flee from her; and so we came to Lucerne."

"That was worst of all," said Lady Garnett, arching her delicate eyebrows; "it was full of lovers."

The solemn butler had placed a pair of obdurate birds before Rainham, which engrossed him; presently he looked up, remarking quietly:

"Did you see the Sylvesters?"

"Ah yes! we saw the Sylvesters; we walked with the Sylvesters; we drank tea with the Sylvesters; we made music with the Sylvesters; we went on the lake with the Sylvesters. That handsome artist, Mr. Lightmark, is it not, Mary? was there, making the running with Miss Eve. The marriage seems to be arranged."

She shrugged her shoulders; the precise shade of meaning in the gesture escaped Rainham; he looked over to Mary inquiringly.

"They seem very much attached to each other," she remarked.

"Oh, they were imbecile!" added Lady Garnett; "try the Moselle, my dear, and leave that terrible sweet stuff to Mary. Yes, I was glad to come away from Lucerne. Everything is very bad now except my Constant'svol-au-vent, which you don't seem to have tried; but lovers are the worst of all. Though I like that young man, Lightmark; he is a type that interests me; he seems——"

She looked round the room vaguely, as if the appropriate word might be lurking in some angle of the apartment; finally, the epithet proving difficult, she abandoned the search.

"Il ira loin!" she said tersely; "he flatters me discreetly, as they did when I was young, before the Republic."

The silent, well-trained man handed round caviare and olives; Mary trifled with some grapes, her brow knitted a little, thoughtfully. Lady Garnett poured herself a glass of maraschino. When they were left alone, the girl remarked abruptly:

"I am not sure whether I quite like Mr. Lightmark; he does not seem to me sincere."

Lady Garnett lifted up her hands.

"Why should he be, my dear? sincerity is very trying. A decent hypocrisy is the secret of good society. Your good, frank people are very rude. If I am a wicked old woman, it is nobody's business to tell me so but my director's."

Mary had risen, and had come over to the old lady's side.

"But then, you are not a wicked old woman, my aunt," she observed gently.

"Ah!" she threw back, "how do you judge? Do me the justice to believe,chèrie, that, if I tell you a good deal, there is a good deal, happily, which I don't tell you."

She pushed a box of cigarettes, which the man had placed on the table, toward Rainham. He took one and lit it silently, absently, without his accustomed protests; the girl looked up smiling.

"That means that you want yourtête-à-tête, Aunt Marcelle? I know the signal. Well, I will leave you. I want to try over that new march of Liszt's; and I expect, by the time I have grappled with it, you will be coming up for your coffee."

"You are a good girl," answered the elder lady, stroking her hand. "Yes, run away and make music! When Philip and I have had enough scandal and frivolity, we will come and find you; and you shall play us a little of that strange person Wagner, who fascinates me, though you may not believe it."

It was a habit of the house, on occasion of these triangular dinner-parties, that Lady Garnett should remain with Rainham in the interval which custom would have made him spend solitary over his wine. It was a habit which Mary sacredly respected, although it often amused her; and she knew it was one which her aunt valued. And, indeed, though the two made no movement, and for a while said nothing, there was an air of increased intimacy, if it were only in their silence, when the door had closed on the girl and left them together. Presently Lady Garnett began holding up her little glass of crystal maraschino that vied in the light of the candelabra with the diamonds on her fingers.

"I had a conversation with that wearisome young man Charles Sylvester at Lucerne, Philip; he tried to sound me as to Mary's prospects and the state of her affections."

Rainham looked up with quiet surprise.

"Do you mean to say——?" he queried.

"It is very obvious," she answered quickly; "I saw it long ago. But don't imagine that he got much out of me. I was as deep as a well. But what do you think of it?"

"I hope they will be happy," he answered absently. She arched her expressive brows, and he coloured, recollected himself. "I beg your pardon," he said hastily; "I confess I was thinking of something else. You were talking of Mary; why should it not do? Does she care about him?"

His companion laughed, and her laugh had more than its wonted suggestion of irony.

"My dear Philip, for a clever man you can be singularly dense! Care for him! of course she does not."

"She might do worse," he said; "Sylvester is not very bright, but he works hard, and will succeed after a fashion. His limitations dovetail conveniently with his capacities. What do you intend to do?"

"Do I ever interfere in these things? My dear, you are remarkably dull to-night. I never make marriages, nor prevent them. With all my faults, match-making is not one of them. I think too ill of life to try and arrange it. You must admit," she added, "that, long as I have known you, I have never tried to marry you?"

"Ah, that would have been too fatuous!" he remarked lightly.

They were both silent for a while, regarding each other disinterestedly; they appeared to be following a train of thought which led no whither; presently Lady Garnett asked:

"Are you going abroad this year?"

"Yes," he said, "as soon as I can—about the middle of October; toMentone or Bordighera, I suppose."

"Do you find them interesting? Do they do you much good?"

He smiled rather listlessly, ignoring her second question.

"I confess," he said, "it becomes rather a bore. But, I suppose, at my time of life one finds nothing very interesting. The mere act of living becomes rather a bore after a time."

"I wonder what you are thinking about, Philip?" she asked meditatively; "something has annoyed you to-night; I wonder if you are going to tell me."

He laughed.

"Do we ever tell each other our annoyances? I think we sit and look at each other, and discover them. That is much more appropriate."

"You take things too seriously," she went on; "my dear, they are really not worth it. That is my settled conviction."

She sat and sipped her liqueur appreciatively, smiling good-humouredly, and Philip could not help regarding her with a certain admiration. Her small, sharp, subtile face, beneath its mask of smiling indifference, looked positively youthful in the judicious candle-light; only the little, bird-like, withered hands bore the stigmata of age. And he could not conceive her changing; to the last, those tell-tale hands apart, she would be comely and cynical, and would die as she had lived, secure "in the high places of laughter"—a laughter that, for all its geniality, struck him at times as richly sardonic—in the decent drapery of her fictitious youth; in a decorous piety, yet a little complicated, in the very reception of the last rites, by the amiable arching of her expressive eyebrows.

"You are wonderful," he exclaimed, after an interval, "wonderful; that was what I was thinking."

She smiled disinterestedly.

"Because you don't understand me? My dear, nothing is so easy as mystification; that is why I don't return the compliment. Yourself, you know, are not very intelligible to-night."

He looked away frowning, but without embarrassment; presently throwing up his hands with a little mock gesture of despair, he remarked:

"I should be delighted to explain myself, but I can't. I am unintelligible to myself also; we must give it up, and go and find Mary."

"Ah no! let us give it up, by all means; but we will not join Mary yet; smoke another cigarette."

He took one and lit it, absently, in the blue flame of the spirit-lamp, and she watched him closely with her bright, curious eyes.

"You know this Mr. Lightmark very well, don't you, Philip?"

"Intimately," he answered, nodding.

"You must be pleased," she said. "It is a great match for him, a struggling artist. Can he paint, by the way?"

"He has great talent." He held his cigarette away from him, considered the ash critically. "Yes, he can certainly paint. I suppose it is a good thing—and for Eve, too. Why should it not be?"

"He is a charming young man"—she spoke judicially—"charming! But in effect Mary was quite right; she generally is—he is not sincere."

"I think you are wrong," said Rainham after a moment. "I should be sorry to believe you were not, for the little girl's sake. And I have known him a long time; he is a good fellow at bottom."

"Ah!" cried Lady Garnett with a little, quick gesture of her right hand, "that is precisely what he is not. He exaggerates; he must be very secret; no one ever was so frank as he seems to be."

"Why are you saying all this to me?" the other asked after a moment."You know I should be very sorry; but what can I do? it's arranged."

"I think you might have prevented it, if you had cared; but, as you say, it is too late now."

"There was no way possible in which I could have prevented it," he said slowly, after an interval which seemed to strike them both as ponderous.

"That was an admission I wanted," she flashed back. "Youwouldhave prevented it—you would have given worlds to have prevented it."

His retort came as quickly, accented by a smile:

"Not a halfpenny. I make no admissions; and I have not the faintest idea of what you are driving at. I am a pure spectator. To quote yourself, I don't make marriages, nor mar them; I think too ill of life."

"Ah no!" she said; "it is that you are too indolent; you disappoint me."

"It is you, dear lady, who are inconsistent," he cried, laughing.

"No, you disappoint me," she resumed; "seriously, my dear, I am dissatisfied with you. You will not assert yourself; you do nothing; you have done nothing. There never was a man who made less of his life."

He protested laughingly:

"I have had no time; I have been looking after my lungs."

"Ah, you are incorrigible," she exclaimed, rising; "let us go and find Mary. I give you up; or, rather, I give myself up, as an adviser. For, after all, you are right—there is nothing worth doing in this bad world except looking after one's lung, or whatever it may be."

"Perhaps not even that," said Philip, as he followed her from the room; "even that, after a time, becomes monotonous."

It occurred to Lightmark one evening, as he groped through the gloom of his studio, on his way to bed, after assisting at a very charming social gathering at the Sylvesters', that as soon as he was married he would have to cut Brodonowski's. The reasons he gave himself were plausible enough, and, indeed, he would have found himself the only Benedict among this horde of wild bachelors. The informal circle was of such recent association that, so far, no precedent for matrimony had occurred, and it was more than doubtful how the experiment might be received. In any case, he told himself, he could not be expected to introduce people like Oswyn and McAllister to his wife—or, rather, to Mrs. Sylvester's daughter. Oswyn was plainly impossible, and McAllister's devotion to tobacco so inordinate that it had come to be a matter of common belief that he smoked short pipes in his sleep.

Then he had dismissed the subject; the long, pleasant holiday in Switzerland intervened, and it was only on his return, late in the autumn, that the question again presented itself, as he turned from the threshold of the house in Park Street, where he had been dining, and half unconsciously took the familiar short cut towards Turk Street. He paused for a deliberate instant when he had hailed the first passing hansom, and then told the man to drive to Piccadilly Circus.

"Imustgo there a few times more, if only to break it off gently," he reflected, "and I want to see old Rainham. It is stupid of me not to have written to him—yes, stupid! Wonder if he has heard? I mustn't givehimup, at any rate. We'll—we'll ask him to dinner, and all that sort of thing. And what the deuce am I going to send to the Academy? Thank goodness, I have enough Swiss sketches to work up for the other galleries to last me for years. But the Academy——"

Then he lost himself in contemplative enjoyment of the familiar vista of Regent Street, the curved, dotted lines of crocus-coloured lamps, fading in the evening fog, the flitting, ruby-eyed cabs, and the calm, white arc-lights, set irregularly about the circus, dulling the grosser gas. He owned to himself that he had secretly yearned for London; that his satisfaction on leaving the vast city was never so great as his joy on again setting foot upon her pavements.

The atmosphere of the long, low room, with its anomalous dark ceiling and grotesquely-decorated walls, was heavily laden with the incense of tobacco and a more subtile odour, which numbered among its factors whisky and absinthe. The slippered, close-cropped waiter, who, by popular report, could speak five languages, and usually employed a mixture of two or three, was still clearing away the débris of protracted dinners; and a few men sat about, in informal groups, playing dominoes, chatting, or engrossed in their Extra Specials. The fire shone cheerfully beneath the high mantel, and the pleasant lamplight lent a mellow glow, which was vaguely suggestive of Dutch interiors, as it flickered on the dark wooden floor, and glanced from the array of china on the dresser in the corner.

When Lightmark entered, closing the door briskly on the foggy, chill October night, he was greeted warmly and demonstratively. The fraternity which made Brodonowski's its head-quarters generously admired his genius, and, for the most part, frankly envied his good-fortune. The younger men respected him as a man who had seen life; and the narratives with which he occasionally favoured them produced in such of his hearers feelings very different to those which older men, like Oswyn, expressed by a turn of the eyebrow or a shrug. They were always ready enough to welcome him, to gather round him, and to drink with him; and this, perhaps, expresses the limits of their relation.

"Lightmark, by Jove!" cried one of them, waving his pipe in the air, as the new-comer halted in the low doorway, smiling in a rather bewildered manner as he unbuttoned his overcoat. "Welcome to the guerilla camp! And a dress suit! These walls haven't enclosed such a thing since you went away. This is indeed an occasion!"

Lightmark passed from group to group, deftly parrying, and returning the chorus of friendly thrusts, and shaking hands with the affability which was so characteristic a feature of his attitude toward them. The man he looked for, the friend whom he intended to honour with a somewhat tardy confidence of his happiness, was not there. When he asked for Rainham, he was told that "the dry-docker," as these flippant youngsters familiarly designated the silent man, whom they secretly revered, had gone for an after-dinner stroll, or perchance to the theatre, with Oswyn.

"With Oswyn?" queried Lightmark, with the shadow of a frown.

"Oh, Oswyn and he are getting very thick!" said Copal. "They are almost as inseparable as you two used to be. I'm afraid you will find yourself cut out. Three is an awkward number, you know. But when did you come back? When are you going to show us your sketches? And how long did you stay in Paris?… Youdidn'tstop in Paris? This won't do, you know. I say, Dupuis, here's a man who didn't stop in Paris! Ask him if he wants to insult you."

"Ah, mon cher!" expostulated the Frenchman, looking up from his game of dominoes, "I would not stop in London if I could help it."

"Oh, shut up, Copal!" said Lightmark good-humouredly. "I was with ladies—Dupuis will sympathize with me there, eh,mon vieux?—and they wanted to stay at Lucerne until the last minute. So we came straight through."

"Then you haven't seen Sarah in 'Cleopatra,' and we were relying on you for an unvarnished account. Ladies, too! See here, my boy, you won't get any good out of touring about the Continent with ladies. Hang it all! I believe it'll come true, after all?"

"Very likely—what?"

"Oh, well, they said—I didn't believe it, but they said that you were going to desert the camp, and prance about with corpulent R.A.'s in Hanover Square."

"And so would we all, if we got the chance," said McAllister cynically.

And after the general outcry which followed this suggestion, the conversation drifted back to the old discussion of the autumn shows, the pastels at the Grosvenor, and the most recent additions to the National Gallery.

When at last Rainham came into the room, following, with his habitual half-timid air, the shambling figure of the painter Oswyn, it struck Lightmark that he had grown older, and that he had, as it were, assimilated some of the intimate disreputability of the place: it would no longer have been possible to single him out as a foreign unit in the circle, or to detect in his mental attitude any of the curiosity of the casual seeker after new impressions, the Philistine in Bohemia. There was nothing but pleasure in the slight manifestation of surprise which preceded his frank greeting of Lightmark, a greeting thoroughly English in its matter-of-fact want of demonstrativeness, and the avoidance of anything likely to attract the attention of others.

Oswyn seemed less at his ease; there was an extra dash of nervous brusqueness in the sarcastic welcome which he offered to the new-comer; and although there was a vacant seat in the little circle, of which Copal and Lightmark formed the nucleus, and to which Rainham had joined himself, he shuffled off to his favourite corner, and buried himself in "Gil Blas" and an abnormally thick cloud of tobacco-smoke.

Rainham gazed after him for a moment or two with a puzzled expression.

"Amiable as ever!" said Lightmark, with a laugh. "Poor old beggar! Have a cigarette? You ought to give up pipes. Haven't you been told that cigarettes are—what is it?—'the perfect type——?'"

"Oh, chestnuts!" interposed Copal, "that's at least six months old. And it's rot, too! Do you know what McAllister calls them? Spittle and tissue. Brutal, but expressive. But I say, old man, won't Mrs. Thingumy drop on you for smoking in your dress-coat? Or—or—— No, break it to me gently. You don't mean to say that you possesstwo? I really feel proud of having my studio next door to you."

"Copal is becoming quite an humorist," Lightmark suggested in an impartial manner. "What a wag it is! Keep it up, my boy. By the way, Mrs. Grumbit has been talking about your 'goings on,' as she calls them: she's apparently very much exercised in her mind as to the state of your morals. She told me she had to take you in with the matutinal milk three times last week. She wants me to talk to you like a father. It won't do, you know."

"I should like to hear you, Dick," said Rainham lazily. "Fire away!But who is Mrs. Grumbit?"

"Oh, she's our housekeeper—the lady who dusts the studio, you know, and gives the models tea and good advice. She's very particular as to the models: she won't let us paint from any who don't come up to her standard of propriety. And the worst of it is that the properest girls are always the ugliest. I don't know——"

"Before you proceed with this highly original disquisition," interrupted Copal, "I think you ought to be warned that we have recently formed a Society for the Protection of Reputations, models' and actresses' in particular. It was McAllister's idea. You now have the honour of being in the headquarters, the committee-room of the society, and anything like slander, or even truth, will be made an example of."

"Don't you find it rather difficult to spread your sheltering wings over what doesn't exist?" hazarded Lightmark amusedly.

"Ah, I knew you would say that! You see, that's just where we come in. We talk about their morals and reputations until they begin to imagine they have some, and they unconsciously get induced to live up to them. See? It's rather mixed, but it works beautifully. Ask the vice-president! Rainham holds that proud office. I may remark that I am treasurer, and the subscription is half a guinea, which goes towards the expenses of providing light refreshments for the,—the beneficiaries."

"This is really very interesting! Rainham vice-president, too! I thought he looked rather—rather worn by the cares of the office. You must make me a member at once. But who's president?"

"President? Whoispresident, McAllister? I really forget. You see, whenever the president is caught speaking too candidly of any of our clients' characters, we pass a vote of censure, and depose him, and he has to stand drinks. The competition isn't so keen as it used to be. If you would like to stand—for the office, I mean—I dare say there will be an opening soon…. Well, I must be off: I'm afraid of Mrs. Grumbit, and—yes, by Jove!—I've forgotten my latchkey again! Of course you're not coming yet, Dick? Come and breakfast with me to-morrow. Good-night, you fellows!"

"Copal has been in great form to-night," said Lightmark, after the door had closed on him, getting up and stretching himself. "What does it mean? Joy at my return? Fatted calf?"

"No doubt, my boy, no doubt," growled McAllister humorously, on his way to the door. "But you must bear in mind, too, the circumstance that the laddie's just sold a picture."

"Good business!" ejaculated Lightmark, as he reflected to himself that perhaps that despaired-of fiver would be repaid after all.

About midnight most of the men left. Rainham remained, and Lightmark, who professed himself too lazy to move. Rainham lapsed into his familiar state of half-abstraction, while his friend cross-examined a young sculptor fresh from Rome.

At the next table Oswyn was holding forth, with eager gesticulations and the excitement of the hour in his eyes, on the subject of a picture which he contemplated painting in oils for exhibition at the Salon next year. Rainham had heard it all before; still, he listened with a keen appreciation of the wonderful touch with which the little, dishevelled artist enlarged on the capabilities of his choice, the possibilities of colour and treatment. The picture was to be painted at the dock, and the painter had already achieved a daringly suggestive impression in pastels of the familiar night-scene which he now described: the streaming, vivid torches, their rays struggling and drowning in the murky water, glimmering faintly in the windows of the black warehouse barely suggested at the side; the alert, swarming sailors, busy with ropes and tackle; and in the middle the dark, steep leviathan, fresh from the sea-storms, growing, as it were, out of the impenetrable chaos of the foggy background, in which the river-lights gleamed like opals set in dull ebony.

When the tide of inspiration failed the speaker, as it soon did, Lightmark continued to look at him askance, with an air of absent consideration turning to uneasiness. There was a general silence, broken only by the occasional striking of a match and the knocking of pipe against boot-heel. Soon the young sculptor discovered that he had missed his last train, and fled incontinently. Oswyn settled himself back in his chair, as one who has no regard for time, and rolled a cigarette, the animation with which he had spoken now only perceptible in the points of colour in either cheek. Rainham and Lightmark left him a few minutes later, the last of the revellers, drawing the cat with the charred end of a match on the back of an envelope, and too deeply engrossed to notice their departure.

The fog had vanished, and the moon shone softly, through a white wreath of clouds, over the straggling line of house-tops. The narrow, squalid, little street was deserted, and the sound of wheels in the busier thoroughfare at the end was very intermittent.

Lightmark buttoned his gloves deliberately, and drew a long breath of the night air before he broke the silence.

"It's on occasions like this that I wish Bloomsbury and Kensington lay in the same direction—from here, you know; we should save a fortune in cab-fares…. But—but that wasn't what I wanted to say. Philip, my dear fellow, congratulate me."

He paused for a minute looking at the other curiously, with something of a melodramatic pose. Rainham had his face turned rather away, and was gazing at the pale reflection of the moonlight in one of the opposite windows.

"I know," he said simply. "Idocongratulate you—from the bottom of my heart. And I hope you will make her happy." Then he turned and looked Lightmark in the face. "I suppose youdolove her, Dick?"

"I suppose I do. But how the deuce did you know anything about it? I have been blaming myself, needlessly it appears, for not letting you hear of it. Has it—has it been in the papers?"

Rainham laughed in spite of himself.

"Approaching marriage of a celebrated artist? No, Dick, I don't think it has. Lady Garnett told me more than a week ago."

"Oh," said Dick blankly. "I—I'm much obliged to her. I thought perhaps it was the Colonel; I wrote to him, you know, and I thought he was a discreet old bird. But how did Lady Garnett know?"

"She seemed to think it was no secret," said Rainham, with a suggestion of apology in his tone; "and, of course, she knows that I am——"

"My best friend," interposed the other impulsively. "So you are. And I ought to have told you; I was a brute. And I feel like the devil about it…. Well, it can't be helped. Will you have this cab, or shall I?"

Rainham drew back with a gesture of abnegation, as the driver reined the horse back upon its haunches with a clatter.

"I'm going to walk, I think. Only up to Bloomsbury, you know.Good-night, Dick. I hope you'll be very happy, both of you."

When the cab drove off, Rainham stood still for a minute and watched it out of sight. Then he started and seemed to pull himself together.

"I wish I knew!" he said aloud to himself, as he stepped rapidly towards the East. "Well, we'll be off to Bordighera now,mon vieux. We've lost Dick, I think, and we've lost——"

The soliloquy died away in a sigh and a pathetic shrug.

A day or two later, when Rainham called in the afternoon at the Kensington studio to announce his approaching flight from England, he found Mrs. Sylvester and Eve in occupation, and a sitting in progress. His greeting of Eve was somewhat constrained. He seemed to stumble over the congratulations, the utterance of which usage and old acquaintance demanded; and he was more at his ease when the ice was fairly broken.

"I expected to find you here," he said, addressing Mrs. Sylvester. "I have been to your house, and they told me you would probably be at the studio—thestudio—so I came on."

"Good boy, good boy!" said Lightmark, with as much approbation in his voice as the presence of the stick of a paint-brush between his teeth would allow. "You'll excuse our going on a little longer, won't you? It'll be too dark in a few minutes."

"You don't look well, Philip," remarked Mrs. Sylvester presently, with a well-assumed air of solicitude. "You ought to have come to Lucerne with us, instead of spending all the summer in town."

"Yes; whydidn'tyou, Philip?" cried Eve reproachfully. "It would have been so nice—oh, I'm so sorry, Dick, I didn't mean to move—you really ought to have come."

"Well, there was the dock, you see, and business and all that sort of thing. I can't always neglect business, you know."

Lightmark asserted emphatically that hedidn'tknow, while, on the other hand, Mrs. Sylvester was understood to remark, with a certain air of mystery, that she could quite understand what kept Philip in town.

"Don't you think I might have been rather—rather a fifth wheel?" suggested Rainham feebly, entirely ignoring Mrs. Sylvester's remark, to which, indeed, he attached no special meaning.

"Spare our blushes, old man," expostulated Dick. "It would have been awfully jolly. You would have been such a companion for Charles, you know," he added, with a malicious glance over his shoulder. "Oh dear! fog again. I think I must release you now, Eve. Tell me what you think of the portrait, now that I've worked in the background, Philip. Mrs. Sylvester, now don't you think I was right about the flowers?"

There was, in fact, a charming, almost virginal delicacy and freshness of air and tone about the picture. The girl's simple, white dress, with only—the painter had so far prevailed over the milliner,—only a suggestion of bright ribands at throat and waist; the quaint chippendale chair, the sombre Spanish leather screen, which formed the background, and the pot of copper-coloured chrysanthemums, counterparts of the little cluster which Eve wore in the bosom of her gown, on a many-cornered Turkish table at the side: it had all the gay realism of modern Paris without losing the poetry of the old school, or attaining the hardness of the new.

Rainham looked at it attentively, closely, for a long time. Then he said simply:

"It's the best thing you have done, Dick. It will be one of the best portraits in the Academy, and you ought to get a good place on the line."

"I'm so glad!" cried Eve rapturously, clasping her hands. "On the line! But," and her voice fell, "it isn't to go to the Academy. Mamma has promised Sir—Dick is going to send it to the Grosvenor. But it's pretty much the same, isn't it? Oh, now show Philip the sketch you have made for your Academy picture," she added, pointing to a board which stood on another easel, with a protecting veil over the paper which was stretched upon it. "You knowhecan tell us if it's like the real thing."

"If it's the Riviera, or—or dry docks," added Rainham modestly.

But Lightmark stepped forward hastily, after a moment's hesitation, and put his hand on the drawing just as Eve was preparing with due ceremony to unveil it.

"Excuse me, I don't want to show it to Rainham yet. I—I want to astonish him, you know."

He laughed rather uneasily, and Eve gave way, with some surprise in her eyes, and a puzzled cloud on her pretty brow, and went and seated herself on the settee at her mother's side.

"He's afraid of my critical eye, Mrs. Sylvester," said Rainham gravely. "That's what it is. Well, if you don't show it me now, you won't have another opportunity yet awhile."

"That's it, Eve," exclaimed Lightmark hastily. "I'm afraid of his critical what's-his-name. You know he can be awfully severe sometimes, the old beggar, and I don't want him to curl me up and annihilate me while you're here."

"I don't believe he would, if it wereeverso bad," said Eve, only half satisfied. "And it isn't; it's awfully good. But it's too dark to see anything now."

"By Jove, so it is! Mrs. Sylvester, I'm awfully sorry; I always like the twilight myself. Rainham, would you mind ringing the bell. Thanks. Oh, don't apologize; the handle always comes off. I never use it myself, except when I have visitors. I go and shout in the passage; but Mrs. Grumbit objects to being shouted for when there are visitors on the premises. Great hand at etiquette, Mrs. Grumbit is."

The lady in question arrived at this juncture, fortified by a new and imposing cap, and laden with candles and a tea-tray, which she deposited, with much clatter of teaspoons, on a table by Mrs. Sylvester's side.

"Thank you, Mrs. Grumbit. And now will you come to a poor bachelor's assistance, and pour out tea, Mrs. Sylvester? And I'm very sorry, but I haven't got any sugar-tongs. I generally borrow Copal's, but the beggar's gone out and locked his door. You ladies will have to imagine you're at Oxford."

Mrs. Sylvester looked bewildered, and paused with one hand on theSatsuma teapot.

"Don't you know, mamma, it isn't—form, don't you say? to have sugar-tongs at Oxford? It was one of the things Charles always objected to. I believe he tried to introduce them, but people always threw them out of the window.Ithink they're an absurd invention."

Rainham, as he watched her slender fingers with their dimpled knuckles, daintily selecting the most eligible lumps out of the cracked blue-and-white china teacup which did service for a sugar-basin, unhesitatingly agreed with her; though Mrs. Sylvester seemed to think her argument that sugar-tongs could be so pretty—"Queen Anne, you know"—entirely unanswerable.

It was not until Mrs. Grumbit broke in upon the cosy little party to announce that the ladies' carriage was at the door that Rainham remembered the real object of his expedition.

Then, when Eve, warmly wrapped in her furs, and with the glow of the firelight still in her face, held out a small gloved hand with a smiling "Au revoir, Philip," he shook his head rather sadly.

"I'm afraid it must be good-bye—for some time, at least. I came to tell you that I am on the wing again. Doctor's orders, you know. I shall be in Bordighera on Friday, I expect."

"And to-day's Tuesday," complained Eve.

"And I was just going to ask you to dine with us, one day soon," expostulated her mother.

"You must come over at Christmas, old man," said Dick cheerfully. "For the wedding, you know. You've got to give me away, and be bridesmaid, and all that sort of thing."

Rainham shook his head again.

"I'm afraid not. You don't know my doctor. He wouldn't hear of it. No, you won't see me in town again before May, unless there's a radical reform in the climate."

"Couldn't—couldn't we put it off till May?" suggested Eve naïvely.

But the suggestion was not received with anything approaching enthusiasm.

"Good-bye, Philip," said Eve again, when her lover was handing Mrs. Sylvester into the little brougham. "Mind you take great care of yourself."

Rainham returned the frank pressure of her hand.

"Good-bye," he said.


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