Chapter 4

We ascended the steps, and passing through the portico went into the hall by what seemed to me a doorless way. It was not really so, as I discovered later; the doors, of which there were several, some of colored glass, others of some other material, were simply thrust back into receptacles within the wall itself, which was five or six feet thick. The hall was the noblest I had ever seen; it had a stone and bronze fireplace some twenty or thirty feet long on one side, and several tall arched doorways on the other. The spaces between the doors were covered with sculpture, its material being a blue-gray stone combined or inlaid with a yellow metal, the effect being indescribably rich. The floor was mosaic of many dark colors, but with no definite pattern, and the concave roof was deep red in color. Though beautiful, it was somewhat somber, as the light was not strong. At all events, that is how it struck me at first on coming in from the bright sunlight. Nor, it appeared, was I alone in experiencing such a feeling. As soon as we were inside, the old gentleman, removing his cap and passing his thin fingers through his white hair, looked around him, and addressing some of the others, who were bringing in small round tables and placing them about the hall, said: "No, no; let us sup this evening where we can look at the sky."

The tables were immediately taken away.

Now some of those who were in the hall or who came in with the tables had not attended the funeral, and these were all astonished on seeing me. They did not stare at me, but I, of course, saw the expression on their faces, and noticed that the others who had made my acquaintance at the grave-side whispered in their ears to explain my presence. This made me extremely uncomfortable, and it was a relief when they began to go out again.

One of the men was seated near me; he was of those who had assisted in carrying the corpse, and he now turned to me and remarked: "You have been a long time in the open air, and probably feel the change as much as we do."

I assented, and he rose and walked away to the far end of the hall, where a great door stood facing the one by which we had entered. From the spot where I was—a distance of forty or fifty feet, perhaps—this door appeared to be of polished slate of a very dark gray, its surface ornamented with very large horse-chestnut leaves of brass or copper, or both, for they varied in shade from bright yellow to deepest copper-red. It was a double door with agate handles, and, first pressing on one handle, then on the other, he thrust it back into the walls on either side, revealing a new thing of beauty to my eyes, for behind the vanished door was a window, the sight of which came suddenly before me like a celestial vision. Sunshine, wind, cloud and rain had evidently inspired the artist who designed it, but I did not at the time understand the meaning of the symbolic figures appearing in the picture. Below, with loosened dark golden-red hair and amber-colored garments fluttering in the wind, stood a graceful female figure on the summit of a gray rock; over the rock, and as high as her knees, slanted the thin branches of some mountain shrub, the strong wind even now stripping them of their remaining yellow and russet leaves, whirling them aloft and away. Round the woman's head was a garland of ivy leaves, and she was gazing aloft with expectant face, stretching up her arms, as if to implore or receive some precious gift from the sky. Above, against the slaty-gray cloud-wrack, four exquisite slender girl-forms appeared, with loose hair, silver-gray drapery and gauzy wings as of ephemerae, flying in pursuit of the cloud. Each carried a quantity of flowers, shaped like lilies, in her dress, held up with the left hand; one carried red lilies, another yellow, the third violet, and the last blue; and the gauzy wings and drapery of each was also touched in places with the same hue as the flowers she carried. Looking back in their flight they were all with the disengaged hand throwing down lilies to the standing figure.

This lovely window gave a fresh charm to the whole apartment, while the sunlight falling through it served also to reveal other beauties which I had not observed. One that quickly drew and absorbed my attention was a piece of statuary on the floor at some distance from me, and going to it I stood for some time gazing on it in the greatest delight. It was a statue about one-third the size of life, of a young woman seated on a white bull with golden horns. She had a graceful figure and beautiful countenance; the face, arms and feet were alabaster, the flesh tinted, but with colors more delicate than in nature. On her arms were broad golden armlets, and the drapery, a long flowing robe, was blue, embroidered with yellow flowers. A stringed instrument rested on her knee, and she was represented playing and singing. The bull, with lowered horns, appeared walking; about his chest hung a garland of flowers mingled with ears of yellow corn, oak, ivy, and various other leaves, green and russet, and acorns and crimson berries. The garland and blue dress were made of malachite,lapis lazuli, and various precious stones.

"Aha, my fair Phoenician, I know you well!" thought I exultingly, "though I never saw you before with a harp in your hand. But were you not gathering flowers, O lovely daughter of Agenor, when that celestial animal, that masquerading god, put himself so cunningly in your way to be admired and caressed, until you unsuspiciously placed yourself on his back? That explains the garland. I shall have a word to say about this pretty thing to my learned and very superior host."

The statue stood on an octagonal pedestal of a highly polished slaty-gray stone, and on each of its eight faces was a picture in which one human figure appeared. Now, from gazing on the statue itself I fell to contemplating one of these pictures with a very keen interest, for the figure, I recognized, was a portrait of the beautiful girl Yoletta. The picture was a winter landscape. The earth was white, not with snow, but with hoar frost; the distant trees, clothed by the frozen moisture as if with a feathery foliage, looked misty against the whitey-blue wintry sky. In the foreground, on the pale frosted grass, stood the girl, in a dark maroon dress, with silver embroidery on the bosom, and a dark red cap on her head. Close to her drooped the slender terminal twigs of a tree, sparkling with rime and icicle, and on the twigs were several small snow-white birds, hopping and fluttering down towards her outstretched hand; while she gazed up at them with flushed cheeks, and lips parting with a bright, joyous smile.

Presently, while I stood admiring this most lovely work, the young man I have mentioned as having raised Yoletta from the ground at the grave came to my side and remarked, smiling: "You have noticed the resemblance."

"Yes, indeed," I returned; "she is painted to the life."

"This is not Yoletta's portrait," he replied, "though it is very like her;" and then, when I looked at him incredulously, he pointed to some letters under the picture, saying: "Do you not see the name and date?"

Finding that I could not read the words, I hazarded the remark that it was Yoletta's mother, perhaps.

"This portrait was painted four centuries ago," he said, with surprise in his accent; and then he turned aside, thinking me, perhaps, a rather dull and ignorant person.

I did not want him to go away with that impression, and remarked, pointing to the statue I have spoken of: "I fancy I know very well who that is—that is Europa."

"Europa? That is a name I never heard; I doubt that any one in the house ever bore it." Then, with a half-puzzled smile, he added: "How could you possibly know unless you were told? No, that is Mistrelde. It was formerly the custom of the house for the Mother to ride on a white bull at the harvest festival. Mistrelde was the last to observe it."

"Oh, I see," I returned lamely, though I didn't see at all. The indifferent way in which he spoke ofcenturiesin connection with this brilliant and apparently fresh-painted picture rather took me aback.

Presently he condescended to say something more. Pointing to the marks or characters which I could not read, he said: "You have seen the name of Yoletta here, and that and the resemblance misled you. You must know that there has always been a Yoletta in this house. This was the daughter of Mistrelde, the Mother, who died young and left but eight children; and when this work was made their portraits were placed on the eight faces of the pedestal."

"Thanks for telling me," I said, wondering if it was all true, or only a fantastic romance.

He then motioned me to follow him, and we quitted that room where it had been decided that we were not to sup.

We came to a large portico-like place open on three sides to the air, the roof being supported by slender columns. We were now on the opposite side of the house and looked upon the river, which was not more than a couple of hundred yards from the terrace or platform on which it stood. The ground here sloped rapidly to the banks, and, like that in the front, was a wilderness with rock and patches of tall fern and thickets of thorn and bramble, with a few trees of great size. Nor was wild life wanting in this natural park; some deer were feeding near the bank, while on the water numbers of wild duck and other water-fowl were disporting themselves, splashing and flapping over the surface and uttering shrill cries.

The people of the house were already assembled, standing and sitting by the small tables. There was a lively hum of conversation, which ceased on my entrance; then those who were sitting stood up and the whole company fixed its eyes on me, which was rather disconcerting.

The old gentleman, standing in the midst of the people, now bent on me a long, scrutinizing gaze; he appeared to be waiting for me to speak, and, finding that I remained silent, he finally addressed me with solemnity. "Smith," he said—and I did not like it—"the meeting with you today was to me and to all of us a very strange experience: I little thought that an even stranger one awaited me, that before you break bread in this house in which you have found shelter, I should have to remind you that you are now in a house."

"Yes, I know I am," I said, and then added: "I'm sure, sir, I appreciate your kindness in bringing me here."

He had perhaps expected something more or something entirely different from me, as he continued standing with his eyes fixed on me. Then with a sigh, and looking round him, he said in a dissatisfied tone: "My children, let us begin, and for the present put out of our minds this matter which has been troubling us."

He then motioned me to a seat at his own table, where I was pleased to have a place since the lovely Yoletta was also there.

I am not particular about what I eat, as with me good digestion waits on appetite, and so long as I get a bellyful—to use a good old English word—I am satisfied. On this particular occasion, with or without a pretty girl at the table, I could have consumed a haggis—that greatest abomination ever invented by flesh-eating barbarians—I was so desperately hungry. It was therefore a disappointment when nothing more substantial than a plate of whitey-green, crisp-looking stuff resembling endive, was placed before me by one of the picturesque handmaidens. It was cold and somewhat bitter to the taste, but hunger compelled me to eat it even to the last green leaf; then, when I began to wonder if it would be right to ask for more, to my great relief other more succulent dishes followed, composed of various vegetables. We also had some pleasant drinks, made, I suppose, from the juices of fruits, but the delicious alcoholic sting was not in them. We had fruits, too, of unfamiliar flavors, and a confection of crushed nuts and honey.

We sat at table—or tables—a long time, and the meal was enlivened with conversation; for all now appeared in a cheerful frame of mind, notwithstanding the melancholy event which had occupied them during the day. It was, in fact, a kind of supper, and the one great meal of the day: the only other meals being a breakfast, and at noon a crust of brown bread, a handful of dried fruit, and drink of milk.

At the conclusion of the repast, during which I had been too much occupied to take notice of everything that passed, I observed that a number of small birds had flown in, and were briskly hopping over the floor and tables, also perching quite fearlessly on the heads or shoulders of the company, and that they were being fed with the fragments. I took them to be sparrows and things of that kind, but they did not look altogether familiar to me. One little fellow, most lively in his motions, was remarkably like my old friend the robin, only the bosom was more vivid, running almost into orange, and the wings and tail were tipped with the same hue, giving it quite a distinguished appearance. Another small olive-green bird, which I at first took for a green linnet, was even prettier, the throat and bosom being of a most delicate buff, crossed with a belt of velvet black. The bird that really seemed most like a common sparrow was chestnut, with a white throat and mouse-colored wings and tail. These pretty little pensioners systematically avoided my neighborhood, although I tempted them with crumbs and fruit; only one flew onto my table, but had no sooner done so than it darted away again, and out of the room, as if greatly alarmed. I caught the pretty girl's eye just then, and having finished eating, and being anxious to join the conversation, for I hate to sit silent when others are talking. I remarked that it was strange the little birds so persistently avoided me.

"Oh no, not at all strange," she replied, with surprising readiness, showing that she too had noticed it. "They are frightened at your appearance."

"I must indeed appear strange to them," said I, with some bitterness, and recalling the adventures of the morning. "It is to me a new and very painful experience to walk about the world frightening men, cattle, and birds; yet I suppose it is entirely due to the clothes I am wearing—and the boots. I wish some kind person would suggest a remedy for this state of things; for just now my greatest desire is to be dressed in accordance with the fashion."

"Allow me to interrupt you for one moment, Smith," said the old gentleman, who had been listening attentively to my words. "We understood what you said so well on this occasion that it seems a pity you should suddenly again render yourself unintelligible. Can you explain to us what you mean by dressing in accordance with the fashion?"

"My meaning is, that I simply desire to dress like one of yourselves, to see the last of theseuncouthgarments." I could not help putting a little vicious emphasis on that hateful word.

He inclined his head and said, "Yes?"

Thus encouraged, I dashed boldly into the middle of matter; for now, having dined, albeit without wine, I was inflamed with an intense craving to see myself arrayed in their rich, mysterious dress. "This being so," I continued, "may I ask you if it is in your power to provide me with the necessary garments, so that I may cease to be an object of aversion and offense to every living thing and person, myself included?"

A long and uncomfortable silence ensued, which was perhaps not strange, considering the nature of the request. That I had blundered once more seemed likely enough, from the general suspense and the somewhat alarmed expression of the old gentleman's countenance; nevertheless, my motives had been good: I had expressed my wish in that way for the sake of peace and quietness, and fearing that if I had asked to be directed to the nearest clothing establishment, a new fit of amazement would have been the result.

Finding the silence intolerable, I at length ventured to remark that I feared he had not understood me to the end.

"Perhaps not," he answered gravely. "Or, rather let me say, I hope not."

"May I explain my meaning?" said I, greatly distressed.

"Assuredly you may," he replied with dignity. "Only before you speak, let me put this plain question to you: Do you ask us to provide you with garments—that is to say, to bestow them as a gift on you?"

"Certainly not!" I exclaimed, turning crimson with shame to think that they were all taking me for a beggar. "My wish is to obtain them somehow from somebody, since I cannot make them for myself, and to give in return their full value."

I had no sooner spoken than I greatly feared that I had made matters worse; for here was I, a guest in the house, actually offering to purchase clothing—ready-made or to to order—from my host, who, for all I knew, might be one of the aristocracy of the country. My fears, however, proved quite groundless.

"I am glad to hear your explanation," he answered, "for it has completely removed the unpleasant impression caused by your former words. What can you do in return for the garments you are anxious to possess? And here, let me remark, I approve highly of your wish to escape, with the least possible delay, from your present covering. Do you wish to confine yourself to the finishing of some work in a particular line—as wood-carving, or stone, metal, clay or glass work; or in making or using colors? or have you only that general knowledge of the various arts which would enable you to assist the more skilled in preparing materials?"

"No, I am not an artist," I replied, surprised at his question. "All I can do is to buy the clothes—to pay for them in money."

"What do you mean by that? What is money?"

"Surely——" I began, but fortunately checked myself in time, for I had meant to suggest that he was pulling my leg. But it was really hard to believe that a person of his years did not know what money was. Besides, I could not answer the question, having always abhorred the study of political economy, which tells you all about it; so that I had never learned to define money, but only how to spend it. Presently I thought the best way out of the muddle was to show him some, and I accordingly pulled out my big leather book-purse from my breast pocket. It had an ancient, musty smell, like everything else about me, but seemed pretty heavy and well-filled, and I proceeded to open it and turn the contents on the table. Eleven bright sovereigns and three half-crowns or florins, I forget which, rolled out; then, unfolding the papers, I discovered three five-pound Bank of England notes.

"Surely this is very little for me to have about me!" said I, feeling greatly disappointed. "I fancy I must have been making ducks and drakes of a lot of cash before—before—well, before I was—I don't know what, or when, or where."

Little notice was taken of this somewhat incoherent speech, for all were now gathering round the table, examining the gold and notes with eager curiosity. At length the old gentleman, pointing to the gold pieces, said: "What are these?"

"Sovereigns," I answered, not a little amused. "Have you never seen any like them before?"

"Never. Let me examine them again. Yes, these eleven are of gold. They are all marked alike, on one side with a roughly-executed figure of a woman's head, with the hair gathered on its summit in a kind of ball. There are also other things on them which I do not understand."

"Can you not read the letters?" I asked.

"No. The letters—if these marks are letters—are incomprehensible to me. But what have these small pieces of metal to do with the question of your garments? You puzzle me."

"Why, everything. These pieces of metal, as you call them, are money, and represent, of course, so much buying power. I don't know yet what your currency is, and whether you have the dollar or the rupee"—here I paused, seeing that he did not follow me. "My idea is this," I resumed, and coming down to very plain speaking: "I can give one of these five-pound notes, or its equivalent in gold, if you prefer that—five of these sovereigns, I mean—for a suit of clothes such as you all wear."

So great was my desire to possess the clothes that I was about to double the offer, which struck me as poor, and add that I would give ten sovereigns; but when I had spoken he dropped the piece he held in his hand upon the table, and stared fixedly at me, assisted by all the others. Presently, in the profound silence which ensued, a low, silvery gurgling became audible, as of some merry mountain burn—a sweet, warbling sound, swelling louder by degrees until it ended in a long ringing peal of laughter.

This was from the girl Yoletta. I stared at her, surprised at her unseasonable levity; but the only effect of my doing so was a general explosion, men and women joining in such a tempest of merriment that one might have imagined they had just heard the most wonderful joke ever invented since man acquired the sense of the ludicrous.

The old gentleman was the first to recover a decent gravity, although it was plain to see that he struggled severely at intervals to prevent a relapse.

"Smith," said he, "of all the extraordinary delusions you appear to be suffering from, this, that you can have garments to wear in return for a small piece of paper, or for a few bits of this metal, is the most astounding! You cannot exchange these trifles for clothes, because clothes are the fruit of much labor of many hands."

"And yet, sir, you said you understood me when I proposed to pay for the things I require," said I, in an aggrieved tone. "You seemed even to approve of the offer I made. How, then, am I to pay for them if all I possess is not considered of any value?"

"Allyou possess!" he replied. "Surely I did not say that! Surely you possess the strength and skill common to all men, and can acquire anything you wish by the labor of your hands."

I began once more to see light, although my skill, I knew, would not count for much. "Ah yes," I answered: "to go back to that subject, I do not know anything about wood-carving or using colors, but I might be able to do something—some work of a simpler kind."

"There are trees to be felled, land to be plowed, and many other things to be done. If you will do these things some one else will be released to perform works of skill; and as these are the most agreeable to the worker, it would please us more to have you labor in the fields than in the workhouse."

"I am strong," I answered, "and will gladly undertake labor of the kind you speak of. There is, however, one difficulty. My desire is to change these clothes for others which will be more pleasing to the eye, at once; but the work I shall have to do in return will not be finished in a day. Perhaps not in—well, several days."

"No, of course not," said he. "A year's labor will be necessary to pay for the garments you require."

This staggered me; for if the clothes were given to me at the beginning, then before the end of the year they would be worn to rags, and I should make myself a slave for life. I was sorely perplexed in mind, and pulled about this way and that by the fear of incurring a debt, and the desire to see myself (and to be seen by Yoletta) in those strangely fascinating garments. That I had a decent figure, and was not a bad-looking young fellow, I was pretty sure; and the hope that I should be able to create an impression (favorable, I mean) on the heart of that supremely beautiful girl was very strong in me. At all events, by closing with the offer I should have a year of happiness in her society, and a year of healthy work in the fields could not hurt me, or interfere much with my prospects. Besides, I was not quite sure that my prospects were really worth thinking about just now. Certainly, I had always lived comfortably, spending money, eating and drinking of the best, and dressing well—that is, according to the London standard. And there was my dear old bachelor Uncle Jack—John Smith, Member of Parliament for Wormwood Scrubbs. That is to say, ex-Member; for, being a Liberal when the great change came at the last general election, he was ignominiously ousted from his seat, the Scrubbs proving at the finish a bitter place to him. He was put out in more ways than one, and tried to comfort himself by saying that there would soon be another dissolution—thinking of his own, possibly, being an old man. I remembered that I had rather looked forward to such a contingency, thinking how pleasant it would be to have all that money, and cruise about the world in my own yacht, enjoying myself as I knew how. And really I had some reason to hope. I remember he used to wind up the talk of an evening when I dined with him (and got a check) by saying: "My boy, you have talents, if you'd only use 'em." Where were those talents now? Certainly they had not made me shine much during the last few hours.

Now, all this seemed unsubstantial, and I remembered these things dimly, like a dream or a story told to me in childhood; and sometimes, when recalling the past, I seemed to be thinking about ancient history—Sesostris, and the Babylonians and Assyrians, and that sort of thing. And, besides, it would be very hard to get back from a place where even the name of London was unknown. And perhaps, if I ever should succeed in getting back, it would only be to encounter a second Roger Tichborne case, or to be confronted with the statute of limitations. Anyhow, a year could not make much difference, and I should also keep my money, which seemed an advantage, though it wasn't much. I looked up: they were all once more studying the coins and notes, and exchanging remarks about them.

"If I bind myself to work one year," said I, "shall I have to wait until the end of that time before I get the clothes?"

The reply to this question, I thought, would settle the matter one way or the other.

"No," said he. "It is your wish, and also ours, that you should be differently clothed at once, and the garments you require would be made for you immediately."

"Then," said I, taking the desperate plunge, "I should like to have them as soon as possible, and I am ready to commence work at once."

"You shall commence to-morrow morning," he answered, smiling at my impetuosity. "The daughters of the house, whose province it is to make these things, shall also suspend other work until your garments are finished. And now, my son, from this evening you are one of the house and one of us, and the things which we possess you also possess in common with us."

I rose and thanked him. He too rose, and, after looking round on us with a fatherly smile, went away to the interior of the house.

When he was gone, and Yoletta had followed, leaving some of the others still studying those wretched sovereigns, I sat down again and rested my chin on my hand; for I was now thinking—deeply: thinking on the terms of the agreement. "I daresay I have succeeded in making a precious ass of myself," was the mental reflection that occurred to me—one I had not infrequently made, and, what is more, been justified in making on former occasions. Then, remembering that I had come to supper with an extravagant appetite, it struck me that my host, quietly observant, had, when proposing terms, taken into account the quantity of food necessary for my sustenance. I regretted too late that I had not exercised more restraint; but the hungry man does not and cannot consider consequences, else a certain hairy gentleman who figures in ancient history had never lent himself to that nefarious compact, which gave so great an advantage to a younger but sleek and well-nourished brother. In spite of all this, I felt a secret satisfaction in the thought of the clothes, and it was also good to know that the nature of the work I had undertaken would not lower my status in the house.

Occupied with these reflections, I had failed to observe that the company had gradually been drifting away until but one person was left with me—the young man who had talked with me before. On his invitation I now rose, put by my money, and followed him. Returning by the hall we went through a passage and entered a room of vast extent, which in its form and great length and high arched roof was like the nave of a cathedral. And yet how unlike in that something ethereal in its aspect, as of a nave in a cloud cathedral, its far-stretching shining floors and walls and columns, pure white and pearl-gray, faintly touched with colors of exquisite delicacy. And over it all was the roof of white or pale gray glass tinged with golden-red—the roof which I had seen from the outside when it seemed to me like a cloud resting on the stony summit of a hill.

On coming in I had the impression of an empty, silent place; yet the inmates of the house were all there; they were sitting and reclining on low couches, some lying at their ease on straw mats on the floor; some were reading, others were occupied with some work in their hands, and some were conversing, the sound coming to me like a faint murmur from a distance.

At one side, somewhere about the center of the room, there was a broad raised place, or dais, with a couch on it, on which the father was reclining at his ease. Beside the couch stood a lectern on which a large volume rested, and before him there was a brass box or cabinet, and behind the couch seven polished brass globes were ranged, suspended on axles resting on bronze frames. These globes varied in size, the largest being not less than about twelve feet in circumference.

I noticed that there were books on a low stand near me. They were all folios, very much alike in form and thickness; and seeing presently that the others were all following their own inclinations, and considering that I had been left to my own resources and that it is a good plan when at Rome to do as the Romans do, I by-and-by ventured to help myself to a volume, which I carried to one of the reading-stands.

Books are grand things—sometimes, thought I, prepared to follow the advice I had received, and find out by reading all about the customs of this people, especially their ideas concerningThe House, which appeared to be an object of almost religious regard with them. This would make me quite independent, and teach me how to avoid blundering in the future, or giving expression to any more "extraordinary delusions." On opening the volume I was greatly surprised to find that it was richly illuminated on every leaf, the middle only of each page being occupied with a rather narrow strip of writing; but the minute letters, resembling Hebrew characters, were incomprehensible to me. I bore the disappointment very cheerfully, I must say, for I am not over-fond of study; and, besides, I could not have paid proper attention to the text, surrounded with all that distracting beauty of graceful design and brilliant coloring.

After a while Yoletta came slowly across the room, her fingers engaged with some kind of wool-work as she walked, and my heart beat fast when she paused by my side.

"You are not reading," she said, looking curiously at me. "I have been watching you for some time."

"Have you indeed?" said I, not knowing whether to feel flattered or not. "No, unfortunately, I can't read this book, as I do not understand the letters. But what a wonderfully beautiful book it is! I was just thinking what some of the great London book-buyers—Quaritch, for instance—would be tempted to give for it. Oh, I am forgetting—you have never heard his name, of course; but—but what a beautiful book it is!"

She said nothing in reply, and only looked a little surprised—disgusted, I feared—at my ignorance, then walked away. I had hoped that she was going to talk to me, and with keen disappointment watched her moving across the floor. All the glory seemed now to have gone out of the leaves of the volume, and I continued turning them over listlessly, glancing at intervals at the beautiful girl, who was also like one of the pages before me, wonderful to look at and hard to understand. In a distant part of the room I saw her place some cushions on the floor, and settle herself on them to do her work.

The sun had set by this time, and the interior was growing darker by degrees; the fading light, however, seemed to make no difference to those who worked or read. They appeared to be gifted with an owlish vision, able to see with very little light. The father alone did nothing, but still rested on his couch, perhaps indulging in a postprandial nap. At length he roused himself and looked around him.

"There is no melody in our hearts this evening, my children," he said. "When another day has passed over us it will perhaps be different. To-night the voice so recently stilled in death forever would be too painfully missed by all of us."

Some one then rose and brought a tall wax taper and placed it near him. The flame threw a little brightness on the volume, which he now proceeded to open; and here and there, further away, it flashed and trembled in points of rainbow-colored light on a tall column; but the greater part of the room still remained in twilight obscurity.

He began to read aloud, and, although he did not seem to raise his voice above its usual pitch, the words he uttered fell on my ears with a distinctness and purity of sound which made them seem like a melody "sweetly played in tune." The words he read related to life and death, and such solemn matters; but to my mind his theology seemed somewhat fantastical, although it is right to confess that I am no judge of such matters. There was also a great deal about thehouse, which did not enlighten me much, being too rhapsodical, and when he spoke about our conduct and aims in life, and things of that kind, I understood him little better. Here is a part of his discourse:—

"It is natural to grieve for those that die, because light and knowledge and love and joy are no longer theirs; but they grieve not any more, being now asleep on the lap of the Universal Mother, the bride of the Father, who is with us, sharing our sorrow, which was his first; but it dims not his everlasting brightness; and his desire and our glory is that we should always and in all things resemble him.

"The end of every day is darkness, but the Father of life through our reason has taught us to mitigate the exceeding bitterness of our end; otherwise, we that are above all other creatures in the earth should have been at the last more miserable than they. For in the irrational world, between the different kinds, there reigns perpetual strife and bloodshed, the strong devouring the weak and the incapable; and when failure of life clouds the brightness of that lower soul, which is theirs, the end is not long delayed. Thus the life that has lasted many days goes out with a brief pang, and in its going gives new vigor to the strong that have yet many days to live. Thus also does the ever-living earth from the dust of dead generations of leaves re-make a fresh foliage, and for herself a new garment.

"We only, of all things having life, being like the Father, slay not nor are slain, and are without enemies in the earth; for even the lower kinds, which have not reason, know without reason that we are highest on the earth, and see in us, alone of all his works, the majesty of the Father, and lose all their rage in our presence. Therefore, when the night is near, when life is a burden and we remember our mortality, we hasten the end, that those we love may cease to sorrow at the sight of our decline; and we know that this is his will who called us into being, and gave us life and joy on the earth for a season, but not forever.

"It is better to lay down the life that is ours, to leave all things—the love of our kindred; the beauty of the world and of the house; the labor in which we take delight, to go forth and be no more; but the bitterness endures not, and is scarcely tasted when in our last moments we remember that our labor has borne fruit; that the letters we have written perish not with us, but remain as a testimony and a joy to succeeding generations, and live in the house forever.

"For the house is the image of the world, and we that live and labor in it are the image of our Father who made the world; and, like him, we labor to make for ourselves a worthy habitation, which shall not shame our teacher. This is his desire; for in all his works, and that knowledge which is like pure water to one that thirsts, and satisfies and leaves no taste of bitterness on the palate, we learn the will of him that called us into life. All the knowledge we seek, the invention and skill we possess, and the labor of our hands, has this purpose only: for all knowledge and invention and labor having any other purpose whatsoever is empty and vain in comparison, and unworthy of those that are made in the image of the Father of life. For just as the bodily senses may become perverted, and the taste lose its discrimination, so that the hungry man will devour acrid fruits and poisonous herbs for aliment, so is the mind capable of seeking out new paths, and a knowledge which leads only to misery and destruction.

"Thus we know that in the past men sought after knowledge of various kinds, asking not whether it was for good or for evil: but every offense of the mind and the body has its appropriate reward; and while their knowledge grew apace, that better knowledge and discrimination which the Father gives to every living soul, both in man and in beast, was taken from them. Thus by increasing their riches they were made poorer; and, like one who, forgetting the limits that are set to his faculties, gazes steadfastly on the sun, by seeing much they become afflicted with blindness. But they know not their poverty and blindness, and were not satisfied; but were like shipwrecked men on a lonely and barren rock in the midst of the sea, who are consumed with thirst, and drink of no sweet spring, but of the bitter wave, and thirst, and drink again, until madness possesses their brains, and death releases them from their misery. Thus did they thirst, and drink again, and were crazed; being inflamed with the desire to learn the secrets of nature, hesitating not to dip their hands in blood, seeking in the living tissues of animals for the hidden springs of life. For in their madness they hoped by knowledge to gain absolute dominion over nature, thereby taking from the Father of the world his prerogative.

"But their vain ambition lasted not, and the end of it was death. The madness of their minds preyed on their bodies, and worms were bred in their corrupted flesh: and these, after feeding on their tissues, changed their forms; and becoming winged, flew out in the breath of their nostrils, like clouds of winged ants that issue in the springtime from their breeding-places; and, flying from body to body, filled the race of men in all places with corruption and decay; and the Mother of men was thus avenged of her children for their pride and folly, for they perished miserably, devoured of worms.

"Of the human race only a small remnant survived, these being men of an humble mind, who had lived apart and unknown to their fellows; and after long centuries they went forth into the wilderness of earth and repeopled it; but nowhere did they find any trace or record of those that had passed away; for earth had covered all their ruined works with her dark mold and green forests, even as a man hides unsightly scars on his body with a new and beautiful garment. Nor is it known to us when this destruction fell upon the race of men; we only know that the history thereof was graven an hundred centuries ago on the granite pillars of the House of Evor, on the plains between the sea and the snow-covered mountains of Elf. Thither in past ages some of our pilgrims journeyed, and have brought a record of these things; nor in our house only are they known, but in many houses throughout the world have they been written for the instruction of all men and a warning for all time.

"But to mankind there shall come no second darkness of error, nor seeking after vain knowledge; and in the Father's House there shall be no second desolation, but the sounds of joy and melody, which were silent, shall be heard everlastingly; since we had now continued long in this even mind, seeking only to inform ourselves of his will; until as in a clear crystal without flaw shining with colored light, or as a glassy lake reflecting within itself the heavens and every cloud and star, so is he reflected in our minds; and in the house we are his viceregents, and in the world his co-workers; and for the glory which he has in his work we have a like glory in ours.

"He is our teacher. Morning and evening throughout the various world, in the procession of the seasons, and in the blue heavens powdered with stars; in mountain and plain and many-toned forest; in the sounding walls of the ocean, and in the billowy seas through which we pass in peril from land to land, we read his thoughts and listen to his voice. Here do we learn with what far-seeing intelligence he has laid the foundations of his everlasting mansion, how skillfully he has builded its walls, and with what prodigal richness he has decorated all his works. For the sunlight and moonlight and the blueness of heaven are his; the sea with its tides; the blackness and the lightnings of the tempest, and snow, and changeful winds, and green and yellow leaf; his are also the silver rain and the rainbow, the shadows and the many-colored mists, which he flings like a mantle over all the world. Herein do we learn that he loves a stable building, and that the foundations and walls shall endure for ever: yet loves not sameness; thus, from day to day and from season to season do all things change their aspect, and the walls and floor and roof of his dwelling are covered with a new glory. But to us it is not given to rise to this supreme majesty in our works; therefore do we, like him yet unable to reach so great a height, borrow nothing one from the other, but in each house learn separately from him alone who has infinite riches; so that every habitation, changeless and eternal in itself, shall yet differ from all others, having its own special beauty and splendor: for we inhabit one house only, but the Father of men inhabits all.

"These things are written for the refreshment and delight of those who may no longer journey into distant lands; and they are in the library of the house in the seven thousand volumes of the Houses of the World which our pilgrims have visited in past ages. For once in a lifetime is it ordained that a man shall leave his own place and travel for the space of ten years, visiting the most famous houses in every land he enters, and also seeking out those of which no report has reached us.

"When the time for this chief adventure comes, and we go forth for a long period, there is compensation for every weariness, with absence of kindred and the sweet shelter of our own home: for now do we learn the infinite riches of the Father; for just as the day changes every hour, from the morning to the evening twilight, so does the aspect of the world alter as we progress from day to day; and in all places our fellow-men, learning as we do from him only, and seeing that which is nearest, give a special color of nature to their lives and their houses; and every house, with the family which inhabits it, in their conversation and the arts in which they excel, is like a round lake set about with hills, wherein may be seen that visible world. And in all the earth there is no land without inhabitants, whether on wide continents or islands of the sea; and in all nature there is no grandeur or beauty or grace which men have not copied; knowing that this is pleasing to the Father: for we, that are made like him, delight not to work without witnesses; and we are his witnesses in the earth, taking pleasure in his works, even as he also does in ours.

"Thus, at the beginning of our journey to the far south, where we go to look first on those bright lands, which have hotter suns and a greater variety than ours, we come to the wilderness of Coradine, which seems barren and desolate to our sight, accustomed to the deep verdure of woods and valleys, and the blue mists of an abundant moisture. There a stony soil brings forth only thorns, and thistles, and sere tufts of grass; and blustering winds rush over the unsheltered reaches, where the rough-haired goats huddle for warmth; and there is no melody save the many-toned voices of the wind and the plover's wild cry. There dwell the children of Coradine, on the threshold of the wind-vexed wilderness, where the stupendous columns of green glass uphold the roof of the House of Coradine; the ocean's voice is in their rooms, and the inland-blowing wind brings to them the salt spray and yellow sand swept at low tide from the desolate floors of the sea, and the white-winged bird flying from the black tempest screams aloud in their shadowy halls. There, from the high terraces, when the moon is at its full, we see the children of Coradine gathered together, arrayed like no others, in shining garments of gossamer threads, when, like thistle-down chased by eddying winds, now whirling in a cloud, now scattering far apart, they dance their moonlight dances on the wide alabaster floors; and coming and going they pass away, and seem to melt into the moonlight, yet ever to return again with changeful melody and new measures. And, seeing this, all those things in which we ourselves excel seem poor in comparison, becoming pale in our memories. For the winds and waves, and the whiteness and grace, has been ever with them; and the winged seed of the thistle, and the flight of the gull, and the storm-vexed sea, flowering in foam, and the light of the moon on sea and barren land, have taught them this art, and a swiftness and grace which they alone possess.

"Yet does this moonlight dance, which is the chief glory of the House of Coradine, grow pale in the mind, and is speedily forgotten, when another is seen; and, going on our way from house to house, we learn how everywhere the various riches of the world have been taken into his soul by man, and made part of his life. Nor are we inferior to others, having also an art and chief excellence which is ours only, and the fame of which has long gone forth into the world; so that from many distant lands pilgrims gather yearly to our fields to listen to our harvest melody, when the sun-ripened fruits have been garnered, and our lips and hands make undying music, to gladden the hearts of those that hear it all their lives long. For then do we rejoice beyond others, rising like bright-winged insects from our lowly state to a higher life of glory and joy, which is ours for the space of three whole days. Then the august Mother, in a brazen chariot, is drawn from field to field by milk-white bulls with golden horns; then her children are gathered about her in shining yellow garments, with armlets of gold upon their arms; and with voice and instruments of forms unknown to the stranger, they make glad the listening fields with the great harvest melody.

"In ancient days the children of our house conceived it in their hearts, hearing it in all nature's voices; and it was with them day and night, and they whispered it to one another when it was no louder than the whisper of the wind in the forest leaves; and as the Builder of the world brings from an hundred far places the mist, and the dew, and the sunshine, and the light west wind, to give to the morning hour its freshness and glory; and as we, his humbler followers, seek far off in caverns of the hills and in the dark bowels of the earth for minerals and dyes that outshine the flowers and the sun, to beautify the walls of our house, so everywhere by night and day for long centuries did we listen to all sounds, and made their mystery and melody ours, until this great song was perfected in our hearts, and the fame of it in all lands has caused our house to be called the House of the Harvest Melody; and when the yearly pilgrims behold our procession in the fields, and listen to our song, all the glory of the world seems to pass before them, overcoming their hearts, until, bursting into tears and loud cries, they cast themselves upon the earth and worship the Father of the whole world.

"This shall be the chief glory of our house for ever; when a thousand years have gone by, and we that are now living, like those that have been, are mingled with the nature we come from, and speak to our children only in the wind's voice, and the cry of the passage-bird, pilgrims shall still come to these sun-bright fields, to rejoice, and worship the Father of the world, and bless the august Mother of the house, from whose sacred womb ever comes to it life and love and joy, and the harvest melody that shall endure for ever."


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