VITRIFIABLE COLOURS; seeEnamels,Pastes,Pottery, andStained Glass.
VITRIFIABLE COLOURS; seeEnamels,Pastes,Pottery, andStained Glass.
VITRIOL, fromvitrum, glass, is the old chemical, and still the vulgar appellation of sulphuric acid, and of many of its compounds, which in certain states have a glassy appearance: thus—Vitriolic acid, or oil of vitriol, is sulphuric acid; blue vitriol, is sulphate of copper; green vitriol, is green sulphate of iron; vitriol of Mars, is red sulphate of iron; and white vitriol, is sulphate of zinc.
VITRIOL, fromvitrum, glass, is the old chemical, and still the vulgar appellation of sulphuric acid, and of many of its compounds, which in certain states have a glassy appearance: thus—
Vitriolic acid, or oil of vitriol, is sulphuric acid; blue vitriol, is sulphate of copper; green vitriol, is green sulphate of iron; vitriol of Mars, is red sulphate of iron; and white vitriol, is sulphate of zinc.
WACKE, is a massive mineral, intermediate between claystone and basalt. It is of a greenish-gray colour; vesicular in structure; dull, opaque; streak shining; soft, easily frangible; spec. grav. 2·55 to 2·9; it fuses like basalt.
WACKE, is a massive mineral, intermediate between claystone and basalt. It is of a greenish-gray colour; vesicular in structure; dull, opaque; streak shining; soft, easily frangible; spec. grav. 2·55 to 2·9; it fuses like basalt.
WADD, is the provincial name of plumbago in Cumberland; and also of an ore of manganese in Derbyshire, which consists of the peroxide of that metal, associated with nearly its own weight of oxide of iron.
WADD, is the provincial name of plumbago in Cumberland; and also of an ore of manganese in Derbyshire, which consists of the peroxide of that metal, associated with nearly its own weight of oxide of iron.
WADDING (Ouate, Fr.;Watte, Germ.); is the spongy web which serves to line ladies’ pelisses, &c.Ouate, orWat, was the name originally given to the glossy downy tufts found in the pods of the plant commonly calledApocyn, and by botanistsAsclepias syriaca, which was imported from Egypt and Asia Minor for the purpose of stuffing cushions, &c. Wadding is now made with a lap or fleece of cotton prepared by the carding-engine (seeCarding,Cotton Manufacture), which is applied to tissue paper by a coat of size, made by boiling the cuttings of hare-skins, and adding a little alum to the gelatinous solution. When two laps are glued with their faces together, they form the most downy kind of wadding.
WADDING (Ouate, Fr.;Watte, Germ.); is the spongy web which serves to line ladies’ pelisses, &c.Ouate, orWat, was the name originally given to the glossy downy tufts found in the pods of the plant commonly calledApocyn, and by botanistsAsclepias syriaca, which was imported from Egypt and Asia Minor for the purpose of stuffing cushions, &c. Wadding is now made with a lap or fleece of cotton prepared by the carding-engine (seeCarding,Cotton Manufacture), which is applied to tissue paper by a coat of size, made by boiling the cuttings of hare-skins, and adding a little alum to the gelatinous solution. When two laps are glued with their faces together, they form the most downy kind of wadding.
WAFERS. There are two manners of manufacturing wafers: 1, with wheat flour and water, for the ordinary kind; and 2, with gelatine. 1. A certain quantity of fine flour is to be diffused through pure water, and so mixed as to leave no clotty particles. This thin pap is then coloured with one or other of the matters to be particularly described under the second head; and which are, vermillion, sulphate of indigo, and gamboge. The pap is not allowed to ferment, but must be employed immediately after it is mixed. For this purpose a tool is employed, consisting of two plates of iron,which come together like pincers or a pair of tongs, leaving a certain small definite space betwixt them. These plates are first slightly heated, greased with butter, filled with the pap, closed, and then exposed for a short time to the heat of a charcoal fire. The iron plates being allowed to cool, on opening them, the thin cake appears dry, solid, brittle, and about as thick as a playing-card. By means of annular punches of different sizes, with sharp edges, the cake is cut into wafers. 2. The transparent wafers are made as follows:—Dissolve fine glue, or isinglass, in such a quantity of water, that the solution, when cold, may be consistent. Let it be poured hot upon a plate of mirror glass, (previously warmed with steam, and slightly greased,) which is fitted in a metallic frame, with edges just as high as the wafers should be thick. A second plate of glass, heated and greased, is laid on the surface, so as to touch every point of the gelatine, resting on the edges of the frame. By this pressure, the thin cake of gelatine is made perfectly uniform. When the two plates of glass get cold, the gelatine becomes solid, and may easily be removed. It is then cut with proper punches into discs of different sizes.The colouring-matters ought not to be of an insalubrious kind.For red wafers, carmine is well adapted, when they are not to be transparent; but this colour is dear, and can be used only for the finer kinds. Instead of it, a decoction of brazil wood, brightened with a little alum, may be employed.For yellow, an infusion of saffron or turmeric has been prescribed; but a decoction of weld, fustic, or Persian berries, might be used.Sulphate of indigo, partially saturated with potash, is used for the blue wafers; and this mixed with yellow, for the greens. Some recommend the sulphate to be nearly neutralized with chalk, and to treat the liquor with alcohol, in order to obtain the best blue dye for wafers.Common wafers are, however, coloured with the substances mentioned at the beginning of the article; and for the cheaper kinds, red lead is used instead of vermillion, and turmeric instead of gamboge.
WAFERS. There are two manners of manufacturing wafers: 1, with wheat flour and water, for the ordinary kind; and 2, with gelatine. 1. A certain quantity of fine flour is to be diffused through pure water, and so mixed as to leave no clotty particles. This thin pap is then coloured with one or other of the matters to be particularly described under the second head; and which are, vermillion, sulphate of indigo, and gamboge. The pap is not allowed to ferment, but must be employed immediately after it is mixed. For this purpose a tool is employed, consisting of two plates of iron,which come together like pincers or a pair of tongs, leaving a certain small definite space betwixt them. These plates are first slightly heated, greased with butter, filled with the pap, closed, and then exposed for a short time to the heat of a charcoal fire. The iron plates being allowed to cool, on opening them, the thin cake appears dry, solid, brittle, and about as thick as a playing-card. By means of annular punches of different sizes, with sharp edges, the cake is cut into wafers. 2. The transparent wafers are made as follows:—
Dissolve fine glue, or isinglass, in such a quantity of water, that the solution, when cold, may be consistent. Let it be poured hot upon a plate of mirror glass, (previously warmed with steam, and slightly greased,) which is fitted in a metallic frame, with edges just as high as the wafers should be thick. A second plate of glass, heated and greased, is laid on the surface, so as to touch every point of the gelatine, resting on the edges of the frame. By this pressure, the thin cake of gelatine is made perfectly uniform. When the two plates of glass get cold, the gelatine becomes solid, and may easily be removed. It is then cut with proper punches into discs of different sizes.
The colouring-matters ought not to be of an insalubrious kind.
For red wafers, carmine is well adapted, when they are not to be transparent; but this colour is dear, and can be used only for the finer kinds. Instead of it, a decoction of brazil wood, brightened with a little alum, may be employed.
For yellow, an infusion of saffron or turmeric has been prescribed; but a decoction of weld, fustic, or Persian berries, might be used.
Sulphate of indigo, partially saturated with potash, is used for the blue wafers; and this mixed with yellow, for the greens. Some recommend the sulphate to be nearly neutralized with chalk, and to treat the liquor with alcohol, in order to obtain the best blue dye for wafers.
Common wafers are, however, coloured with the substances mentioned at the beginning of the article; and for the cheaper kinds, red lead is used instead of vermillion, and turmeric instead of gamboge.
WALNUT HUSKS, or PEELS (Brout des noix, Fr.); are much employed by the French dyers for rooting or giving dun colours.
WALNUT HUSKS, or PEELS (Brout des noix, Fr.); are much employed by the French dyers for rooting or giving dun colours.
WARP (Chaine, Fr.;Kette,Auschweif,Zettel, Germ.); is the name of the longitudinal threads or yarns, whether of cotton, linen, silk, or wool, which being decussated at right angles by the woof or weft threads, form a piece of cloth. The warp yarns are parallel, and continuous from end to end of the web. SeeWeaving, for a description of thewarping-mill.
WARP (Chaine, Fr.;Kette,Auschweif,Zettel, Germ.); is the name of the longitudinal threads or yarns, whether of cotton, linen, silk, or wool, which being decussated at right angles by the woof or weft threads, form a piece of cloth. The warp yarns are parallel, and continuous from end to end of the web. SeeWeaving, for a description of thewarping-mill.
WASH, is the fermented wort of the distiller.
WASH, is the fermented wort of the distiller.
WASHING. SeeBleaching, andScouring.
WASHING. SeeBleaching, andScouring.
WATERING OF STUFFS (Moirage, Fr.); is a process to which silk and other textile fabrics are subjected, for causing them to exhibit a variety of undulated reflections, and plays of light. It is produced by sprinkling water upon the goods, and then passing them through a calender, either with cold or hot rollers, plain or variously indented.
WATERING OF STUFFS (Moirage, Fr.); is a process to which silk and other textile fabrics are subjected, for causing them to exhibit a variety of undulated reflections, and plays of light. It is produced by sprinkling water upon the goods, and then passing them through a calender, either with cold or hot rollers, plain or variously indented.
WATER-PROOF CLOTH. SeeCaoutchouc, andGelatine.A patent was obtained, in August, 1830, by Mr. Thomas Hancock, for rendering textile fabrics impervious to water and air, by spreading the liquid juice of the caoutchouc tree upon the surfaces of the goods, and then exposing them to the air to dry. It does not appear that this project has been realized in our manufactures.Mr. William Simpson Potter proposes, in his patent, of April, 1835, to render fabrics water-proof by imbuing them with a solution of isinglass, alum, and soap, by means of a brush applied to the wrong side of the cloth, distended upon a table. After it is dry, it must be brushed on the wrong side, against the grain. Then the brush is to be dipped in clean water, and passed lightly over the cloth. The gloss caused by the above application can be taken off by brushing the goods when they are dry. Cloth so prepared is said to be impervious to water, but not to air.I have examined woollen cloth now on sale in a shop in the Strand, which may be breathed through with the greatest facility, but which retains water upon its surface, as is evinced by a body of water standing upon a concave piece of it tied over a show-glass in the window.Mr. Sievier’s plan of rendering cloth water-proof, for which he obtained a patent in December, 1835, consists in spreading over it, with a brush, a solution of India rubber in spirits of turpentine, at one or more applications, and then applying a similar solution mixed with acetate of lead, litharge, sulphate of zinc, gum mastic, or other drying material. He next takes wool, or other textile material, cut into proper lengths, and spreads it upon the surface of the fabric varnished in this manner, for the purpose of forming the nap or pile. He then presses the cloth by means of rollers, or brushes, so as to fix the nap firmly to its surface.
WATER-PROOF CLOTH. SeeCaoutchouc, andGelatine.
A patent was obtained, in August, 1830, by Mr. Thomas Hancock, for rendering textile fabrics impervious to water and air, by spreading the liquid juice of the caoutchouc tree upon the surfaces of the goods, and then exposing them to the air to dry. It does not appear that this project has been realized in our manufactures.
Mr. William Simpson Potter proposes, in his patent, of April, 1835, to render fabrics water-proof by imbuing them with a solution of isinglass, alum, and soap, by means of a brush applied to the wrong side of the cloth, distended upon a table. After it is dry, it must be brushed on the wrong side, against the grain. Then the brush is to be dipped in clean water, and passed lightly over the cloth. The gloss caused by the above application can be taken off by brushing the goods when they are dry. Cloth so prepared is said to be impervious to water, but not to air.
I have examined woollen cloth now on sale in a shop in the Strand, which may be breathed through with the greatest facility, but which retains water upon its surface, as is evinced by a body of water standing upon a concave piece of it tied over a show-glass in the window.
Mr. Sievier’s plan of rendering cloth water-proof, for which he obtained a patent in December, 1835, consists in spreading over it, with a brush, a solution of India rubber in spirits of turpentine, at one or more applications, and then applying a similar solution mixed with acetate of lead, litharge, sulphate of zinc, gum mastic, or other drying material. He next takes wool, or other textile material, cut into proper lengths, and spreads it upon the surface of the fabric varnished in this manner, for the purpose of forming the nap or pile. He then presses the cloth by means of rollers, or brushes, so as to fix the nap firmly to its surface.