PAMELA AT BELLECHASSE

PAMELA AT BELLECHASSEThe Schooldays of Lady Edward Fitzgerald

The Schooldays of Lady Edward Fitzgerald

“Pale, pretty Pamela!” So charming a picture she makes, in her husband’s letters to his mother, as she sits in the window by the garden of Kildare Lodge, daintily stitching for her baby; or out in the garden (whilehesits in the window) “busy in her little American jacket planting sweet pea and mignonette”; or in stately Leinster House, making for him a point of light in its gloom, of comfort in its loneliness, with her baby in her arms, “her sweet, pale, delicate face bending over it, and the pretty look she gives it,” that our hearts are hers for all time. Even the sordid story of the after years cannot alienate them from her. For us, in Ireland, whatever France may have done with her during the hard and pitiless “twenties” of the nineteenth century, she lives for ever, setby her husband’s love in an atmosphere of eternal youth, of eternal romance—lovely and pale, and sweet—Lord Edward’s girl-wife.

This is why, having come across, in theMémoiresof her mother, Madame de Genlis, an account of the education shared by Pamela with the Orléans children at the Convent of Bellechasse, I felt convinced that my readers would be grateful to me for setting the story of it down at the end of this book I have gathered, not of hero-lays indeed, but of tales of little girls’ school lives in many ages and many lands.

Apart altogether from our special interest in Pamela, as Lord Edward Fitzgerald’s wife, it is true that Madame de Genlis is too important a figure in the history of education to be passed over in silence. Through Miss Edgeworth’sMoral Tales, in which it is impossible to mistake her influence, her ideas have influenced middle-class education in Ireland as far down as the present generation at least (as distinct from the “rising” generation, which will doubtless be preserved from them by the thoughtfulness of our Education Boards in prescribing Miss Edgeworth’s works for examination purposes). In this connection it would be extremelyinteresting to inquire how far the outlook of the Irish Bourgeoisie, which gives such offence to Mr. Yeats, can be laid at the charge of Madame de Genlis.

In herself, that good lady united two oddly dissimilar educational traditions, that of Madame de Maintenon, and that of Jean Jacques Rousseau. Rousseau, perhaps, more because he was the fashion, and Madame de Maintenon by conscious selection. But there was one aspect of Madame de Maintenon’s system, which Madame de Genlis was, unhappily, unable to assimilate, because there was wanting in her own the deep and genuine piety which gives such strength to Madame de Maintenon.

It was in 1777, when the little twin Orléans Princesses were tiny babies, that Madame de Genlis (in accordance with a promise to their mother made before their birth: that she should take charge of their education), withdrew from her brilliant position as Court Lady at the Palais Royal, to the seclusion of the Convent of Bellechasse. She does not omit to point out what a sacrifice she was making, but then—what will she not do for her dear Duke and Duchess?

If the truth must be told, the sacrifice was more apparent than real. It is easy enoughto gather from Madame’s own hints that her position at the Palais Royal, where she had made many enemies, was not altogether pleasant. Moreover, she was shrewd enough to see that in the new career as “gouvernante” of these royal children, there was a chance of distinction for a woman of her very real talents and intelligence which could never be gained at Court.

Clever actress and dramatist that she was, she never took more pains with her setting than on this occasion. She herself had drawn the plans “for the charming pavilion in the midst of the convent garden,” where she and her pupils were to live. Hers, too, of course, was the idea of the vine-covered pergola which connected it with the convent. The ceremony of installation was arranged, one may be sure, by her, though she passes it off as a “gentillesse” of the community. “I felt nothing but joy in entering this peaceable asylum where I was to exercise so sweet a sovereignty: I reflected that I should be able to give myself up to my real tastes, and I should be no longer exposed to the malice which had caused me such pain.”

There was not very much “seclusion” for the first few days, at all events. Everybody of her acquaintance, whether at thePalais Royal, or out of it, had heard so much of the establishment at Bellechasse that there was a rush to see it. Madame de Genlis, for all her “quiet” tastes, had the greatest pleasure in the world showing them round. “Everyone was enchanted with the place, which was really charming. I had in my room a large alcove, of which my bed only occupied the half; from it, there opened a passage, leading to the Princesses’ room, where a glass door without a curtain enabled me to see from my own bed everything that was going on. One of the rooms of the suite held in glass-cases my whole natural history collection. This and my bureau were all I had brought with me from the Palais Royal.” You will never guess why the “bureau” has such importance until Madame tells you that “she was the first woman to have a bureau,” and was very much criticised for it, though now it was all the fashion.

In those Rousseau days one took much thought for one’s dairy, and Madame de Genlis tells of one built by the Duke, and to which she had the pleasure of leading a charming milk-maid, after having married her to the young German gardener.

Rousseau and Madame de Maintenon are both in her mind when she tells us of theeconomy with which she managed the establishment—“such a remarkable economy that it has been much talked about,” she adds with complacence. “My first principle was to make up my account every day, and to know the price of things, and especially the quantities of food-stuffs given out every day in the kitchen for the different meals.... I knew exactly how much rice or vermicelli was needed for soup for four, eight, twelve persons. I knew the exact quantities required of sugar, jam, cream, oil, butter, milk, cheese, eggs, etc. I sent to the markets every week a man I could trust: he inquired in great detail about the price of all provisions, and brought me back the information in writing.” Details like these, constantly occurring in the Letters of Madame de Maintenon to her brother and young sister-in-law, gave Madame de Genlis the greatest pleasure.

She goes on to tell of the “delicious life” she leads at Bellechasse. She is relieved by her position from the “fag” of paying visits, but she can receive them very much at her ease. Men were received, this being a privilege of Princesses of the Blood Royal, but they had to leave at ten o’clock.... But, like Bourdalone going topreach at Saint Cyr, it is to be hoped that they took their dinner before they went, for, “to avoid useless expense, I had decided that none of my friends should dine at Bellechasse, except my husband, my brother, and my two sisters-in-law.” And these dined here but rarely.

She had hardly been installed when she got permission for her mother, and her two daughters to come and live with her, and we may feel sure that she early cast about in her mind for a reasonable pretext for introducing on the scene poor little Pamela, who was being brought up like a fisherman’s child in a little village in England.

In the meantime something really important and remarkable happened. The Duke came one evening to Bellechasse, and announced to Madame de Genlis that he should have to provide immediately a “gouverneur” for the two young Princes, whose manners were getting atrocious. He instanced the little Duke of Valois complaining of having to “tambourine” too long at his father’s door, and quoted a pun of the same little Prince, which was certainly not in the style of a Salon of the period. Their father came to consult Madame de Genlis on the choice of a “gouverneur.” She proposed several, andeach met with an objection. M. de Schomberg would make the boys little pedants; the Chevalier de Durfort would pass on to them his own faults of over-emphasis and exaggeration; Monsieur de Thiars was too frivolous. “What about myself, then?” “Why not?” replied the Duke seriously. “His air and tone struck me greatly. I saw the possibility of something extraordinary and glorious, and I desired its realisation with all my heart.” As a matter of fact, before the Duke left the matter was settled, and Madame de Genlis had an honour and a title that no woman in France ever had before. Now the Ladies of the Palais Royal would know what was behind her retirement!

She was so much afraid of anycontretemps, that she even arranged the details before the Duke left. The boys’ tutors, M. de Bonnard and the Abbé Guyot and M. Le Brun, were to be kept on, and one of them was to escort the Princes from the Palais to Bellechasse every day at twelve, and escort them home again to the Palais at ten o’clock at night. “A country house was to be bought, in which we should spend eight months of the year; and I was to have complete control of their education. Knowing that I myself was to teach themhistory, mythology, literature, etc., which, together with the lessons I gave to the Princesses, would leave me not a moment’s leisure, the Duke offered me 20,000 francs. My reply was that no money could pay for such a charge, that only friendship could be its recompense. He insisted. I positively refused. It is therefore quite gratuitously that I have educated these Princes.”

The arrangement, as far as the boys went, was that they were to get up at seven and have their Latin lesson, and religious instruction from the Abbé; they were then to have an arithmetic class with M. Le Brun, who was to bring them to Bellechasse at twelve. The Abbé and M. Le Brun could stay there, or go away as they pleased until the dinner-hour, two o’clock. “After dinner, I took complete charge of the boys until nine, when the masters returned to supper and to bring the boys away. I asked M. Le Brun to keep a detailed journal of the way the boys spent their mornings, leaving a wide margin for my observations. I myself wrote the first pages. These pages contained particular instructions for M. Le Brun on the education of the Princes. M. Le Brun brought me this journal every morning; I read itimmediately; I scolded or praised, punished or rewarded the boys, according to what I saw in it.”

She next gives a portrait of the Duke of Valois, the future Louis Philippe, at the age of eight. It appears his want of application was the most noticeable thing about him. “I commenced by making them read history. M. le duc de Valois paid absolutely no attention. He stretched, and yawned, and you can imagine my astonishment when I saw him sprawl back on the sofa on which we were sitting and settle his feet on the table! I put him in penance on the spot.”

It would appear that the young Prince bore no grudge when the reason of the thing was explained to him. “He loved reasoning, as other children like nursery-tales.” In spite of his “natural good sense,” it seems, however, that he had a most unreasoning aversion to two of the oddest things, dogs and the smell of vinegar. It was the business of his “gouverneur” to rid him of these aversions, and this was happily accomplished. Among his gifts was a most remarkable memory. “I flatter myself that I have succeeded in developing and cultivating this gift of nature.”

Languages were to be taught at Bellechasse,and as far as possible by the direct method. The “second Valet de Chambre” was a German, who not only played the piano very well, but understood the principles of his native language thoroughly. It was he who taught the Duke German. He had an Italian valet who was supposed to speak nothing but Italian to his young master, and an English tutor, “who gave him lessons in my own room.” But, and it is here that Madame de Genlis shows herself so astonishingly modern, what about utilising their play hours, too, for learning English by getting a little English-speaking child to play with them? Mr. Forth, who is buying horses for the Duke in England, receives the commission to look for one, and finds her in little, nameless, five-year-old Pamela, who, after a short delay, is installed at Bellechasse, and made to share the education of the Princes and Princesses of the Blood Royal!

It had been arranged that the Duke should buy a country-house for the children, and choice was made of Saint Leu, where they spent all the year except the winter. “In the beautiful park I had little gardens made for each of my pupils, which they dug and planted for themselves.” (So Pamela knew something about her business whenshe set about planting her “sweet pea and mignonette” in the garden at Kildare Lodge).

The children had a chemist and botanist among their teachers, a Monsieur Alyon, who accompanied them in all their walks, made them pick flowers, and taught them Botany. M. Alyon gave them, every summer too, a practical course in Chemistry, at which Madame de Genlis made a point of being present. A Pole, called Merys, who was very clever at black-and-white drawing, and water-colours, and had executed many commissions for the Duchess, was employed by Madame to prepare slides for an historical magic lantern. Four different sets of slides were painted by him, from written descriptions made by Madame, and in this attractive way the children learned their Bible History, Ancient History, Roman History, and History of China and Japan. The youngsters, we learn, took their turn week about lecturing with the lantern. Can anything be more modern?

Except, indeed, it be the way they learned Geography! She tells us of “a delightful game” she invented for her pupils. “I made them stage and play out in the garden, or inside the Château, according tothe subject, the most celebrated voyages.” Everybody in the house, including Madame herself, had a rôle in these representations. They had wooden horses for the cavalcade; “the lovely river in the park represented the sea; a number of pretty little boats were our fleets. We had a wardrobe of suitable costumes. The best ‘Voyages’ we played were those of Vasco de Gamma and Snelgrove.”

Another device she had for teaching them history was to stage historic tableau. “I proposed the subjects, and M. Merys grouped the actors.” Those who were not performing had to guess the subject, which would be either historical or mythological. So successful were these “tableaux” that Madame got permission to build a regular little theatre for her children. It was so arranged that the back of the stage could open, if one so wished, and show “a long alley of the garden, all illuminated and adorned with garlands of flowers.” For this little theatre Madame wrote a great number of plays.

In this connection we are told of a success of Pamela. A “tableau” had been arranged representing “Venus and Psyche,” and the parts were taken by Pamela and her two half-sisters, Pamela’s rôle being that of“Love.” David, the great historical painter, was present, and his enthusiasm knew no bounds. It came nearer to his conception of ideal beauty than anything he had ever seen, he declared.

So much for their life at Saint Leu during the summer. At Bellechasse in the winter they were equally busy and equally happy. “I had a turning-lathe put up in an ante-chamber, and all the children, as well as myself, learned to use it. We learned indeed everything that did not require brute force. We learned bookbinding and leather work, and made an enormous number of Morocco leather pocket-books, equal in workmanship to those manufactured in England; we went in for basket-making, making laces, ribbons, artificial flowers, marble paper, wood-gilding, all sorts of hair-work (even wig-making!) Finally, for the boys we had carpentry.” We learn that the future King of the French, Louis Philippe, was particularly good at carpentry. With the sole help of his little brother, the Duke de Montpensier, he made for a poor woman of Saint Leu, in whom he was interested, a great press, and a table with drawers, “both articles as well made as if they had been the work of a first-class joiner.”

Later on the Duke bought a seaside residence for the children, and here they learned to fish, and swim, and collect shells, and “acquire,” as Madame says, “all sorts of local information.”

In the midst of all this, the Revolution was brewing, and in a journey Madame took with her pupils through the North of France, one feels she did more than collect “local information.” She tried to make up her mind which side was going to win, and feeling certain it was not the King’s, she deliberately turned her pupils’ sympathies towards the Revolutionary Party.

“The desire of showing all sides to my pupils (a thing which on this occasion tempted me to take a rash step) brought me from Saint Leu to spend some days at Paris in order to see the people band together to storm the Bastille.” ... She gives a wonderful description of the great ponderous black building swarming over with people, and of the cheers that went up from the crowds, as stone after stone fell beneath the blows of the assailants.

Among the cheers none were louder than those of little Pam, though one wonders very much if she knew what they were about. There she stood in the “Garden of Beaumarchais,” and waved her dainty handkerchief,and hurt her pretty throat with cheers for Liberty, Equality, Fraternity!

Did she know, I wonder, that in the street, there among the crowd of enthusiasts for Liberty, was a handsome young Irishman who had given up his title to throw his lot in with the people, and live up to its new doctrine of Equality? Did she know, I wonder, how she herself was to wear that title, and wear it as a crown set by a stranger people’s love?

Perhaps not. It was some months later that Lord Edward first saw the girl in the shadow of Madame de Genlis’ box at the opera. She reminded him of a dead lady whom he had loved with a boy’s romantic passion, and he asked for an introduction to Madame de Genlis.

A few days later Madame de Genlis was obliged to take Mademoiselle d’Orléans to Tournay. Lord Edward and an English friend accompanied them. Lord Edward, being much in charming Pamela’s society, lost his heart to her and proposed for her. Madame de Genlis stipulated for the consent of his mother, the Duchess of Leinster, and this being obtained, they were married at Tournay in 1793.


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