Tavern RoysterersTAVERN ROYSTERERS AT EARLY MORNING IN THE TOURAINE.
TAVERN ROYSTERERS AT EARLY MORNING IN THE TOURAINE.
On proceeding to Vouvray from Tours, we skirt a succession of poplar-fringed meadows, stretching eastward in the direction of Amboise along the right bank of the Loire; and after a time a curve in the river discloses to view a range of vine-clad heights, extending some distance beyond the village of Vouvray. Our route lies past the picturesque ruins of the abbey of Marmoûtier, immortalised in the piquant pages of theContes Drôlatiques, and the Château des Roches—one of the most celebrated castles of the Loire—the numerous excavations in the soft limestone ridge on which they are perched being converted as usual into houses, magazines, and wine-cellars. We proceed through the village of Rochecorbon, and along a road winding among the spurs of the Vouvray range, past hamlets, half of whose inhabitants live in these primitive dwellings hollowed out of the cliff, and finally enter the charming Vallé Coquette, hemmed in on all sides with vine-clad slopes. Here a picturesque old house, half château, half homestead, was pointed out to us as a favourite place of sojourn of Balzac, who held the wine of Vouvray in high esteem, and who speaks of this rocky ridge as ‘inhabited by a population of vine-dressers, their houses of several stories being hollowed out in the face of the cliff, and connected by dangerous staircases hewn in the soft stone. Smoke curls from most of the chimneys which peep above the green crest of vines, while the blows of the cooper’s hammer resound in several of the cellars. A young girl trips to her garden over the roofs of these primitive dwellings, and an old woman, tranquilly seated on a ledge of projecting rock, supported solely by straggling roots of ivy spreading itself over the disjointed stones, leisurely turns her spinning-wheel, regardless of her dangerous position.’ The foregoing picture, sketched by the author ofLa Comédie Humaineforty years ago, has scarcely changed at the present day.
At the point where the village of Vouvray climbs half-way up the vine-crested ridge the rapid-winding Cise throws itself into the Loire, and on crossing the bridge that spans the tributary stream we discern on the western horizon, far beyond the verdant islets studding the swollen Loire, the tall campaniles of Tours Cathedral, which seem to rise out of the water like a couple of Venetian towers. Vouvray is a trim little place, clustered round about with numerous pleasant villas in the midst of charming gardens. The modern château of Moncontour here dominates the slope, and its terraced gardens, with their fantastically-clipped trees and geometric parterres, rise tier above tier up the face of the picturesque height that overlooks the broad fertile valley, with its gardens, cultivated fields, patches of woodland, and wide stretches of green pasture which, fringed with willows and poplars, border the swollen waters of the Loire. Where the river Brenne empties itself into the Cise the Coteau de Vouvray slopes off towards the north, and there rise up the vine-clad heights of Vernou, yielding a similar but inferior wine to that of Vouvray. The village of Vernou is nestled under the hill, and near the porch of its quaint little church a venerable elm-tree is pointed out as having been planted by Sully, Henry IV.’s able Minister. Here, too, an ancient wall, pierced with curious arched windows, and forming part of a modern building, is regarded by popular tradition as belonging to the palace in which Pépin-le-Bref, father of Charlemagne, lived at Vernou.
DolmenDOLMEN AT BAGNEUX, NEAR SAUMUR.
DOLMEN AT BAGNEUX, NEAR SAUMUR.
The communes of Dampierre, Souzay, and Parnay, in the neighbourhood of Saumur, produce still red wines rivalling those of Champigny, besides which all the finest white wines are vintaged hereabouts—in the Perrière, the Poilleux, and the Clos Morain vineyards, and in the Rotissans vineyard at Turquant. Wines of very fair quality are also grown on the more favourable slopes extending southwards along the valley of the Thouet, and comprised in the communes of Varrains,Chacé, St. Cyr-en-Bourg, and Brézé. The whole of this district, by the way, abounds with interesting archæological remains. While visiting the vineyards of Varrains and Chacé we came upon a couple of dolmens—vestiges of the ancient Celtic population of the valley of the Loire singularly abundant hereabouts. Brézé, the marquisate of which formerly belonged to Louis XVI.’s famous grand master of the ceremonies—immortalised by the rebuff he received from Mirabeau—boasts a noble château on the site of an ancient fortress, in connection with which there are contemporary excavations in the neighbouring limestone, designed for a garrison of 500 or 600 men. Beyond the vineyards of Saint-Florent, westward of Saumur and on the banks of the Thouet, is an extensive plateau, partially overgrown with vines, where may be traced the remains of a Roman camp. Moreover, in the southern environs of Saumur, in the midst of vineyards producing exclusively white wines, is one of the most remarkable dolmens known. This imposing structure, perfect in all respects save that one of the four enormous stones which roof it in has been split in two, and requires to be supported, is no less than 65 feet in length, 23 feet in width, and 10 feet high.
At Saint-Florent, the pleasant little suburb of Saumur, skirting the river Thouet, and sheltered by steep hills formed of soft limestone, which offers great facilities for the excavation of extensive cellars, the largest manufacturer of Saumur sparkling wines has his establishment. Externally this offers but little to strike the eye. A couple of pleasant country houses, half hidden by spreading foliage, stand at the two extremities of a spacious and well-kept garden, beyond which one catches a glimpse of some outbuildings sheltered by the vine-crowned cliff, in which a labyrinth of gloomy galleries has been hollowed out. Here M. Ackerman-Laurance, the extent of whose business ranks him as second among the sparkling wine manufacturers of the world, stores something like 10,000 casks and several million bottles of wine.
At the commencement of the present century, in the days when, as Balzac relates in hisEugénie Grandet, the Belgians bought up entire vintages of Saumur wine, then largely in demand with them for sacramental purposes, the founder of the Saint-Florent house commenced to deal in the ordinary still wines of the district. Nearly half a century ago he was led to attempt the manufacture of sparkling wines, but his efforts to bring them into notice failed; and he was on the point of abandoning his enterprise, when an order for one hundred cases revived his hopes, and led to the foundation of the present vast establishment. As already mentioned, for many miles all the heights along the Loire have been more or less excavated for stone for building purposes, so that every one hereabouts who grows wine or deals in it has any amount of cellar accommodation ready to hand. It was the vast extent of the galleries which M. Ackermanpèrediscovered already excavated at Saint-Florent that induced him to settle there in preference to Saumur. Extensive, however, as the original vaults were, considerable additional excavations have from time to time been found necessary; and to-day the firm is still further increasing the area of its cellars, which already comprise three principal avenues, each the third of a mile long, and no fewer than sixty transverse galleries, the total length of which is several miles. One great advantage is that the whole are on the ordinary level.
Ranged against the black uneven walls of the more tortuous ancient vaults which give access to these labyrinthine corridors are thousands of casks of wine—some in single rows, others in triple tiers—forming the reserve stock of the establishment. As may be supposed, a powerful vinous odour permeates these vaults, in which the fumes of wine have been accumulating for the best part of a century. After passing beneath a massive stone arch which separates the old cellars from the new, a series of broad and regularly proportioned galleries are reached, having bottles stacked in their tens of thousands on either side. Overhead the roof is perforated at regular intervals with circular shafts, affording both light and ventilation, and enabling the temperature to be regulated to a nicety. In these lateral and transverse galleries millions of bottles of wine in various stages of preparation are stacked.
Cellars of M. Ackerman-LauranceTHE CELLARS OF M. ACKERMAN-LAURANCE AT SAINT-FLORENT.LABELLING AND PACKING SPARKLING SAUMUR.
THE CELLARS OF M. ACKERMAN-LAURANCE AT SAINT-FLORENT.LABELLING AND PACKING SPARKLING SAUMUR.
We have explained that in the Champagne it is the custom for the manufacturers of sparkling wine to purchase considerable quantities of grapes from the surrounding growers, and to press these themselves, or have them pressed under their own superintendence. At Saumur only those firms possessing vineyards make their ownvin brut, the bulk of the wine used for conversion into sparkling wine being purchased from the neighbouring growers. On the newly-expressed must arriving at M. Ackerman-Laurance’s cellars it is allowed to rest until the commencement of the ensuing year, when half of it is mixed with wine in stock belonging to last year’s vintage, and the remaining half is reserved for mingling with the must of the ensuing vintage. The blending is accomplished in a couple of colossal vats hewn out of the rock, and coated on the inside with cement. Each of these vats is provided with 200 paddles for thoroughly mixing the wine, and with five pipes for drawing it off when the amalgamation is complete. Usually the cuvée will embrace 1600 hogsheads, or 80,000 gallons of wine, almost sufficient for half a million bottles. A fourth of this quantity can be mixed in each vat at a single operation, and this mixing is repeated again and again until the last gallon run off is of precisely the same type as the first. For the finer qualities of sparkling Saumur the proportion of wine from the black grapes to that from white is generally at the rate of three or four to one. For the inferior qualities more wine from white than from black grapes is invariably used. Only in the wine from white grapes is the effervescent principle retained to any particular extent; but, on the other hand, the wine from black grapes imparts both quality and vinous character to the blend.
The blending having been satisfactorily accomplished, the wine is stored in casks, never perfectly filled, yet with their bungholes tightly closed, and slowly continues its fermentation, eating up its sugar, purging itself, and letting fall its lees. Three months later it is fined. It is rarely kept in the wood for more than a year, though sometimes the superior qualities remain for a couple of years in cask. Occasionally it is even bottled in the spring following the vintage; still, as a rule, the bottling of sparkling Saumur takes place during the ensuing summer months, when the temperature is at the highest, as this insures to it a greater degree of effervescence. At the time of bottling its saccharine strength is raised to a given degree by the addition of the finest sugar-candy, and henceforward the wine is subjected to precisely the same treatment as is pursued with regard to Champagne.
It is in a broad but sombre gallery of the more ancient vaults—the roughly-hewn walls of which are black from the combined action of alcohol and carbonic acid gas—that the processes of disgorging the wine of its sediment, adding the syrup, filling up the bottles with wine to replace that which gushes out when the disgorging operation is performed, together with the re-corking, stringing, and wiring of the bottles, are carried on. The one or two adjacent shafts impart very little light, but a couple of resplendent metal reflectors, which at a distance one might fancy to be some dragon’s flaming eyes, combined with the lamps placed near the people at work, effectually illuminate the spot.
Cellars of M. Louis Duvau AînéTHE CELLARS OF M. LOUIS DUVAU AÎNÉ AT THE CHÂTEAU OF VARRAINS.
THE CELLARS OF M. LOUIS DUVAU AÎNÉ AT THE CHÂTEAU OF VARRAINS.
Another considerable manufacturer of sparkling Saumur is M. Louis Duvau aîné, owner of the château of Varrains, in the village of the same name, at no great distance from the Coteau de Saumur. His cellars adjoin the château, a picturesque but somewhat neglected structure of the last century, with sculptured medallions in high relief above the lower windows, and florid vases surmounting the mansards in the roof. In front is a large rambling court shaded with acacia and lime trees, and surrounded by outbuildings, prominent among which is a picturesque dovecot, massive at the base as a martello tower, and having an elegant open stone lantern springing from its bell-shaped roof. The cellars are entered down a steep incline under a low stone arch, the masonry above which is overgrown with ivy in large clusters and straggling creeping plants. We soon come upon a deep recess to the right, wherein stands a unique cumbersome screw-press, needing ten or a dozen men to work the unwieldy capstan which sets the juice flowing from the crushed grapes into the adjacent shallow trough. On our left hand are a couple of ancient reservoirs, formed out of huge blocks of stone, with the entrance to a long vaulted cellar filled with wine in cask. We advance slowly in the uncertain light along a succession of gloomy galleries, with moisture oozing from their blackened walls and roofs, picking our way between bottles of wine stacked in huge square piles and rows of casks raised in tiers. Suddenly a broad flood of light shooting down a lofty shaft throws a Rembrandtish effect across a spacious and most melodramatic-looking cave, roughly hewn out of the rock, and towards which seven dimly-lighted galleries converge. On all sides a scene of bustling animation presents itself. From one gallery men keep arriving with baskets of wine ready for the disgorger; while along another bottles of wine duly dosed with syrup are being borne off to bedecorated with metal foil and their distinctive labels. Groups of workmen are busily engaged disgorging, dosing, and re-corking the newly-arrived bottles of wine; corks fly out with a succession of loud reports, suggestive of the irregular fire of a party of skirmishers; a fizzing, spurting, and spluttering of the wine next ensues, and is followed by the incessant clicking of the various apparatus employed in the corking and wiring of the bottles.
Vintager and Her Grapes
Gradual inclines conduct to the two lower tiers of galleries, for the cellars of M. Duvau consist of as many as three stories. Down below there is naturally less light, and the temperature, too, is sensibly colder. Advantage is taken of this latter circumstance to remove the newly-bottled wine to these lower vaults whenever an excessive development of carbonic acid threatens the bursting of an undue proportion of bottles, a casualty which among the Saumur sparkling wine manufacturers ranges far higher than with the manufacturers of Champagne. For the economy of time and labour, a lift, raised and lowered by means of a capstan worked by horses, is employed to transfer the bottles of wine from one tier of cellars to another.
The demand for sparkling Saumur is evidently on the increase, for M. Duvau, at the time of our visit, was excavating extensive additional cellarage. The subsoil at Varrains being largely composed of marl, which is much softer than the tufa of the Saint-Florent coteau, necessitated the roofs of the new galleries being worked in a particular form in order to avoid having recourse to either brickwork or masonry. Tons of this excavated marl were being spread over the soil of M. Duvau’s vineyard in the rear of the château, greatly, it was said, to the benefit of the vines, whose grapes were all of the black variety; indeed, scarcely any wine is vintaged from white grapes in the commune of Varrains.
At M. Duvau’s we went through a complete scale of sparkling Saumurs, commencing with the younger and less matured samples, and ascending step by step to wines a dozen and more years old. Every year seemed to produce an improvement in the wine, the older varieties gaining greatly in delicacy and softening very perceptibly in flavour.
Vintager with a Basket Full of Grapes
Finding that sparkling wines were being made in most of the wine-producing districts of France, where the growths were sufficiently light and of the requisite quality, Messrs. E. Normandin & Co. conceived the idea of laying the famous Bordeaux district under contribution for a similar purpose, and, aided by a staff of experienced workmen from Epernay, they have succeeded in producing a sparkling Sauternes. Sauternes, as is well known, is one of the finest of white wines, soft, delicate, and of beautiful flavour, and its transformation into a sparkling wine has been very successfully accomplished. Messrs. Normandin’s head-quarters are in the thriving little town of Châteauneuf, in the pleasant valley of the Charente, and within fifteen miles of Angoulême, a famous old French town, encompassed by ancient ramparts and crumbling corner-towers; and which, dominated by the lofty belfry of its restored semi-Byzantine cathedral, rising in a series of open arcades, spreads itself picturesquely out along a precipitous height, watered at its base by the rivers Anguienne and Charente. Between Angoulême and Châteauneuf vineyard plots dotted over with walnut-trees, or simple rows of vines divided by strips of ripening maize, and broken up at intervals by bright green pastures, line both banks of the river Charente. The surrounding country is undulating and picturesque. Poplars and elms fringe the roadsides, divide the larger fields and vineyards, andscreen the cosy-looking red-roofed farmhouses, which present to the eyes of the passing tourist a succession of pictures of quiet rural prosperity.
Châteauneuf communicates with the Sauternes district by rail, so that supplies of wine from there are readily obtainable. Vin de Colombar—a famous white growth which English and Dutch cruisers used to ascend the Charente to obtain cargoes of when the Jerez wines were shut out from England by the Spanish War of Succession—vintaged principally at Montignac-le-Coq, also enters largely into Messrs. Normandin & Co.’s sparkling Sauternes cuvée. This colombar grape is simply the semillon—one of the leading varieties of the Sauternes district—transported to the Charente. The remarkably cool cellars where the firm store their wine, whether in wood or bottle, have been formed from some vast subterranean galleries whence centuries ago stone was quarried, and which are situated about a quarter of an hour’s drive from Châteauneuf, in the midst of vineyards and cornfields. The wine is invariably bottled in a cellier at the head establishment, but it is in these cellars where it goes through the course of careful treatment similar to that pursued with regard to Champagne.
In order that the delicate flavour of the wine may be preserved, the liqueur is prepared with the finest old Sauternes, without any addition of spirit, and the dose is administered with the most improved modern appliance, constructed of silver, and provided with crystal taps. At the Concours Régional d’Angoulême of 1877, the jury, after recording that they had satisfied themselves by the aid of a chemical analysis that the samples of sparkling Sauternes submitted to their judgment were free from any foreign ingredient, awarded to Messrs. Normandin & Co. the only gold medal given in the Group of Alimentary Products.
Encouraged, no doubt, by the success obtained by Messrs. Normandin & Co. with their sparkling Sauternes, the house of Lermat-Robert & Co., of Bordeaux, introduced a few years ago a sparkling Barsac, samples of which were submitted to the jury at the Paris Exhibition of 1878.
Bas-Relief with Drinkng Cupids
Vintager, Côte d’Or
Vintager, Jura
Sparkling wines of the Côte d’Or at the Paris Exhibition of 1878—Chambertin, Romanée, and Vougeot—Burgundy wines and vines formerly presents from princes—Vintaging sparkling Burgundies—Their after-treatment in the cellars—Excess of breakage—Similarity of proceeding to that followed in the Champagne—Principal manufacturers of sparkling Burgundies—Sparkling wines of Tonnerre, the birthplace of the Chevalier d’Eon—The Vin d’Arbanne of Bar-sur-Aube—Death there of the Bastard de Bourbon—Madame de la Motte’s ostentatious display and arrest there—Sparkling wines of the Beaujolais—The Mont-Brouilly vineyards—Ancient reputation of the wines of the Jura—The Vin Jaune of Arbois beloved of Henri Quatre—Rhymes by him in its honour—Lons-le-Saulnier—Vineyards yielding the sparkling Jura wines—Their vintaging and subsequent treatment—Their high alcoholic strength and general drawbacks—Sparkling wines of Auvergne, Guienne, Dauphiné, and Languedoc—Sparkling Saint-Péray the Champagne of the South—Valence, with its reminiscences of Pius VI. and Napoleon I.—The ‘Horns of Crussol’ on the banks of the Rhône—Vintage scene at Saint-Péray—The vines and vineyards producing sparkling wine—Manipulation of sparkling Saint-Péray—Its abundance of natural sugar—The cellars of M. de Saint-Prix, and samples of his wines—Sparkling Côte-Rotie, Château-Grillé, and Hermitage—Annual production and principal markets of sparkling Saint-Péray—Clairette de Die—The Porte Rouge of Die Cathedral—How the Die wine is made—The sparkling white and rose-coloured muscatels of Die—Sparkling wines of Vercheny and Lagrasse—Barnave and the royal flight to Varennes—Narbonne formerly a miniature Rome, now noted merely for its wine and honey—Fête of the Black Virgin at Limoux—Preference given to the new wine over the miraculous water—Blanquette of Limoux, and how it is made—Characteristics of this overrated wine.
Vintager with His Basket
SPARKLINGwines are made to a considerable extent in Burgundy, notably at Beaune, Nuits, and Dijon; and though as a rule heavier and more potent than the subtile and delicate-flavoured wines of the Marne, still some of the higher qualities, both of the red and white varieties, exhibit a degree of refinement which those familiar only with the commoner kinds can scarcely form an idea of. At the Paris Exhibition of 1878 we tasted, among a large collection of the sparkling wines of the Côte d’Or, samples of Chambertin, Romanée, and Vougeot, of the highest order. Although red wines, they had the merit of being deficient in that body which forms such an objectionable feature in sparkling wines of a deep shade ofcolour. M. Regnier, the exhibitor of sparkling red Vougeot, sent, moreover, a white sparkling wine, from the species of grape known locally as the clos blanc de Vougeot. These wines, as well as the Chambertin, came from the Côte de Nuits, the growths of which are generally considered of too vigorous a type for successful conversion into sparkling wine, preference being usually given to the produce of the Côte de Beaune. Among the sparkling Burgundies from the last-named district were samples from Savigny, Chassagne, and Meursault, all famous for their fine white wines.
Burgundy ranks as one of the oldest viticultural regions of Central Europe, and for centuries its wines have been held in the highest renown. In the Middle Ages both the wines and vines of this favoured province passed as presents from one royal personage to another, just as grandcordonsare exchanged between them nowadays. The fabrication of sparkling wine, however, dates no further back than some sixty years or so. The system of procedure is much the same as in the Champagne, and, as there, the wine is mainly the produce of the pineau noir and pineau blanc varieties of grape. At the vintage, in order to avoid bruising the ripened fruit and to guard against premature fermentation, the grapes are conveyed to the pressoirs in baskets, instead of the large oval vats termedbalonges, common to the district. They are placed beneath the press as soon as possible, and for superior sparkling wines only the juice resulting from the first pressure, and known as themère goutte, or mother drop, is employed. For the ordinary wines, that expressed at the second squeezing of the fruit is mingled with the other. The must is at once run off into casks, which have been previously sulphured, to check, in a measure, the ardour of the first fermentation, and lighten the colour of the newly-made wine. Towards the end of October, when this first fermentation is over, the wine is removed to the cellars, or to some other cool place, and in December it is racked into other casks. In the April following it is again racked, to insure its being perfectly clear at the epoch of bottling in the month of May. The sulphuring of the original casks having had the effect of slightly checking the fermentation and retaining a certain amount of saccharine in the wine, it is only on exceptional occasions that the latter is artificially sweetened previous to being bottled.
A fortnight after the tirage the wine commonly attains the stage known asgrand mousseux, and by the end of September the breakage will have amounted to between 5 and 8 per cent, which necessitates the taking down the stacks of bottles and piling them up anew. The wine as a rule remains in the cellars for fully a couple of years from the time of bottling until it is shipped. Posing the bottlessur pointe, agitating them daily, together with the disgorging and liqueuring of the wine, are accomplished precisely as in the Champagne.
Among the principal manufacturers of sparkling Burgundies are Messrs. André & Voillot, of Beaune, whose sparkling white Romanée, Nuits, and Volnay are well and favourably known in England; M. Louis Latour, also of Beaune, and equally noted for his sparkling red Volnay, Nuits, and Chambertin, as for his sparkling white varieties; Messrs. Maire et Fils, likewise of Beaune; M. Labouré-Goutard and Messrs. Geisweiller et Fils, of Nuits; Messrs. Marey & Liger-Belair, of Nuits and Vosne; and M. Regnier, of Dijon.
In the department of the Yonne—that is, in Lower Burgundy—sparkling wines somewhat alcoholic in character have been made for the last half century at Tonnerre, where the Chevalier d’Eon, that enigma of his epoch, was born. The Tonnerre vineyards are of high antiquity, and for sparkling wines the produce of the black and white pineau and the white morillon varieties of grape is had recourse to. The vintaging is accomplished with great care, and only the juice which flows from the first pressure is employed. This is run off immediately into casks, which are hermetically closed when the fermentation has subsided. The after-treatment of the wine is the same as in the Champagne. Sparkling wines are likewise made at Epineuil, a village in the neighbourhood of Tonnerre, and at Chablis, so famous for its white wines, about ten miles distant.
An effervescing wine known as the Vin d’Arbanne is made at Bar-sur-Aube, some fifty miles north-east of Tonnerre, on the borders of Burgundy, but actually in the province of Champagne, although far beyond the limits to which the famed viticultural district extends. It was at Bar-sur-Aube where the Bastard de Bourbon, chief of the sanguinary gang ofécorcheurs(flayers), was sewnup in a sack and flung over the parapet of the old stone bridge into the river beneath, by order of Charles VII.; and here, too, Madame de la Motte, of Diamond Necklace notoriety, was married, and in after years made a parade of the ill-gotten wealth she had acquired by successfully fooling that infatuated libertine the Cardinal Prince de Rohan, until her ostentatious display was cut short by her arrest. This Vin d’Arbanne is produced from pineaux and white gamay grapes, which, after being gathered with care at the moment the dew falls, are forthwith pressed. The wine is left on its lees until the following February, when it is racked and fined, the bottling taking place when the moon is at the full in March.
Red and white sparkling wines are made to a small extent at Saint-Lager, in the Beaujolais, from wine vintaged in the Mont-Brouilly vineyards, one of the best known of the Beaujolais crus. Mont-Brouilly is a lofty hill near the village of Cercie, and is covered from base to summit on all its sides with vines of the gamay species, rarely trained at all, but left to trail along the ground at their own sweet will. At the vintage, as we witnessed it, men and women—young, middle-aged, and old—accompanied by troops of children, were roaming all over the slopes dexterously nipping off the bunches of grapes with their thumb and finger nails, and flinging them into the little wooden tubs with which they were provided. The pressing of the grapes and the after-treatment of the wine destined to become sparkling are the same in the Beaujolais as in Upper and Lower Burgundy.
The red, straw, and yellow wines of the Jura have long had a high reputation in the East of France, and theVin Jauneof Arbois, an ancient fortified town on the banks of the Cuisance, besieged and sacked in turn by Charles of Amboise, Henri IV., and Louis XIV., was one of the favourite beverages of the tippling Béarnais who styled himself Seigneur of Ay and Gonesse, and who acquired his liking for it while sojourning during the siege of Arbois at the old Château des Arsures. In one of Henri Quatre’s letters to his minister Sully we find him observing, ‘I send you two bottles of Vin d’Arbois, for I know you do not detest it.’ A couple of other bottles of the same wine are said to have cemented the king’s reconciliation with Mayenne, the leader of the League; and the lover of La Belle Gabrielle is moreover credited with having composed at his mistress’s table some doggrel rhymes in honour of the famous Jura cru:
‘Come, little page, serve us aright,The crown is often heavy to bear;So fill up my goblet large and lightWhenever you find a vacancy there.This wine is surely no Christian wight,And yet you never complaint will hearThat it’s not baptised with water clear.Down my throat I pourThe old Arbois;And now, my lords, let us our voices raise,And sing of Silenus and Bacchus the praise!’
‘Come, little page, serve us aright,The crown is often heavy to bear;So fill up my goblet large and lightWhenever you find a vacancy there.This wine is surely no Christian wight,And yet you never complaint will hearThat it’s not baptised with water clear.Down my throat I pourThe old Arbois;And now, my lords, let us our voices raise,And sing of Silenus and Bacchus the praise!’
‘Come, little page, serve us aright,The crown is often heavy to bear;So fill up my goblet large and lightWhenever you find a vacancy there.This wine is surely no Christian wight,And yet you never complaint will hearThat it’s not baptised with water clear.Down my throat I pourThe old Arbois;And now, my lords, let us our voices raise,And sing of Silenus and Bacchus the praise!’
‘Come, little page, serve us aright,
The crown is often heavy to bear;
So fill up my goblet large and light
Whenever you find a vacancy there.
This wine is surely no Christian wight,
And yet you never complaint will hear
That it’s not baptised with water clear.
Down my throat I pour
The old Arbois;
And now, my lords, let us our voices raise,
And sing of Silenus and Bacchus the praise!’
In more modern times the Jura, not content with the fame of the historic yellow wines of Arbois and the deservedly-esteemed straw wines of Château-Châlon, has produced large quantities of sparkling wine, the original manufacture of which commenced as far back as a century ago. To-day the principal seats of the manufacture are at Arbois and Lons-le-Saulnier, the latter town the capital of the department, and one of the most ancient towns of France. Originally founded by the Gauls on the banks of the Vallière, in a little valley bordered by lofty hills, which are to-day covered with vines, it was girded round with fortifications by the Romans. Subsequently the Huns and the Vandals pillaged it; then the French and the Burgundians repeatedly contested its possession, and it was only definitively acquired by France during the reign of Louis XIV. Rouget de l’Isle, the famous author of the ‘Marseillaise,’ was born at Lons-le-Saulnier, and here also Marshal Ney assembled and harangued his troops before marching to join Napoleon, whom he had promised Louis XVIII. to bring back to Paris in an iron cage.
The vineyards whence the principal supplies for these sparkling wines are derived are groupedat varying distances around Lons-le-Saulnier at L’Etoile, Quintigny, Salins, Arbois, St. Laurent-la-Roche, and Pupillin, with the Jura chain of mountains rising up grandly on the east. The best vineyards at L’Etoile—which lies some couple of miles from Lons-le-Saulnier, surrounded by hills, planted from base to summit with vines—are La Vigne Blanche, Montmorin, and Montgenest. At Quintigny, the wines of which are less potent than those of Arbois, and only retain their effervescent properties for a couple of years, the Paridis, Prémelan, and Montmorin vineyards are held in most repute, while at Pupillin, where a soft agreeable wine is vintaged, the principal vineyards are the Faille and the Clos. The vines cultivated for the production of sparkling wines are chiefly the savagnin, or white pineau, the melon of Poligny, and the poulsard, a black variety of grape held locally in much esteem.
At the vintage, which commences towards the end of October and lasts until the middle of the following month, all the rotten or unripe grapes are carefully set aside, and the sound ones only submitted to the action of a screw-press. After the must has flowed for about half an hour, the grapes are newly collected under the press and the screw again applied. The produce of this double operation is poured into a vat termed asapine, where it remains until bubbles are seen escaping through thechapeauthat forms on the surface of the liquid. The must is then drawn off—sometimes after being fined—into casks, which the majority of wine-growers previously impregnate with the fumes of sulphur. When in cask the wine is treated in one of two ways; either the casks are kept constantly filled to the bunghole, causing the foam which rises to the surface during the fermentation to flow over, and thereby leave the wine comparatively clear, or else the casks are not completely filled, in which case the wine requires to be racked several times before it is in a condition for fining. This latter operation is effected about the commencement of February, and a second fining follows if the first one fails to render the wine perfectly clear. At the bottling, which invariably takes place in April, the Jura wines rarely require any addition of sugar to insure an ample effervescence. Subsequently they are treated in exactly the same manner as the vintages of the Marne are treated by the great Champagne manufacturers. In addition to white sparkling wine, a pink variety, with natural effervescent properties, is made by mixing with the savagnin and melon grapes a certain proportion of the poulsard species, from which the best red wines of the Jura are produced.
One of the principal sparkling wine establishments at Lons-le-Saulnier is that of M. Auguste Devaux, founded in the year 1860. He manufactures both sweet and dry wines, which are sold largely in France and elsewhere on the Continent, and have lately been introduced into England. Their alcoholic strength is equivalent to from 25° to 26° of proof spirit, being largely above the dry sparkling wines of the Champagne, which the Jura manufacturers regard as a positive advantage rather than a decided drawback, which it most undoubtedly is.
Besides being too spirituous, the sparkling wines of the Jura are deficient in refinement and delicacy. The commoner kinds, indeed, frequently have a pronounced unpleasant flavour, due to the nature of the soil, to careless vinification, or to the inferior quality of liqueur with which the wines have been dosed. Out of some fifty samples of all ages and varieties which in my capacity of juror I tasted at the Paris Exhibition of 1878, I cannot call to mind one that a real connoisseur of sparkling wines would care to admit to his table.
Sparkling wines are made after a fashion in several of the southern provinces of France—in Auvergne, at Clermont-Ferrand, under the shadow of the lofty Puy de Dôme; in Guienne, at Astaffort, the scene of a bloody engagement during the Wars of Religion, in which the Protestant army was cut to pieces when about to cross the Garonne; at Nérac, where frail Marguerite de Valois kept her dissolute Court, and Catherine de Médicis brought her flying squadron of fascinating maids-of-honour to gain over the Huguenot leaders to the Catholic cause; and at Cahors, the Divina, or divine fountain of the Celts, and the birthplace of Pope John XXII., of Clement Marot, the early French poet, and of Léon Gambetta; in Dauphiné, at Die, Saint-Chef, Saint-Péray, and Largentière—so named after some abandoned silver mines—and where the vines are cultivated against low wallsrising in a series of terraces from the base to the summit of the lofty hills; and in Languedoc, at Brioude, where St. Vincent, the patron saint of the vine-dressers, suffered martyrdom, and where it is the practice to expose the must of the future sparkling wine for several nights to the dew in order to rid it of its reddish colour; also at Linardie, and, more southward still, at Limoux, whence comes the well-known effervescing Blanquette.
Principal among the foregoing is the excellent wine of Saint-Péray, commonly characterised as the Champagne of the South of France. The Saint-Péray vineyards border the Rhone some ten miles below the Hermitage coteau—the vines of which are to-day well-nigh destroyed by the phylloxera—but are on the opposite bank of the river. Our visit to Saint-Péray was made from Valence, in which dull southern city we had loitered in order to glance at the vast Hôtel du Gouvernement—where octogenarian Pius VI., after being spirited away a prisoner from Rome and hurried over the Alps in a litter by order of the French Directory, drew his last breath while silently gazing across the rushing river at the view he so much admired—and to discover the house in the Grande Rue, numbered 4, in an attic of which history records that Napoleon I., when a sub-lieutenant of artillery in garrison at Valence, resided, and which he quitted owing three and a half francs to his pastrycook.
We crossed the Rhone over one of its hundred flimsy suspension-bridges, on the majority of which a notice warns you neither to smoke nor run, and were soon skirting the base of a lofty, bare, precipitous rock, with the ‘horns of Crussol,’ as the peasants term two tall pointed gables of a ruined feudal château, perched at the dizzy edge, and having a perpendicular fall of some five or six hundred feet below. The château, which formerly belonged to the Dukes of Uzès, recognised by virtue of the extent of their domains aspremiers pairs de France, was not originally erected in close proximity to any such formidable precipice. The crag on which it stands had, it seems, been blasted from time to time for the sake of the stone, until on one unlucky occasion, when too heavy a charge of powder was employed, the entire side of the rock, together with a considerable portion of the château itself, were sent flying into the air. The authorities, professing to regard what remained of the edifice as an historical monument of the Middle Ages, hereupon stepped in and prohibited the quarry being worked for the future.
Conveying GrapesCONVEYING GRAPES TO THE PRESS AT SAINT-PÉRAY.
CONVEYING GRAPES TO THE PRESS AT SAINT-PÉRAY.
Passing beneath the cliff, one wound round to the left and dived into a picturesque wooded dell at the entrance to a mountain pass, then crossed the rocky bed of a dried-up stream, and drove along an avenue of mulberry-trees, which in a few minutes conducted us to Saint-Péray, where one found the vintage in full operation. Carts laden with tubs filled with white and purple grapes, around which wasps without number swarmed, were arriving from all points of the environs and crowding the narrow streets. Any quantity of grapes were seemingly to be had for the asking, for all the pretty girls in the place were gorging themselves with the luscious-looking fruit. In the coopers’ yards brand-new casks were ranged in rows in readiness for the newly-made wine, and through open doorways, and in all manner of dim recesses, one caught sight of sturdy men energetically trampling the gushing grapes under their bare feet, and of huge creaking winepresses reeking with the purple juice. It was chiefly common red wine, of an excellent flavour, however, that was being made in these nooks and corners, the sparkling white wine known as Saint-Péray being manufactured in larger establishments, and on more scientific principles. It is from a white species of grape known as the petite and grosse rousette—the same which yields the white Hermitage—that the Champagneof the south is produced; and the vineyards where they are cultivated occupy all the more favourable slopes immediately outside the village, the most noted being the Coteau-Gaillard, Solignacs, Thioulet, and Hungary.
Although there is a close similarity between the manufacture of Champagne and the effervescing wine of Saint-Péray, there are still one or two noteworthy variations. For a wine to be sparkling it is requisite that it should ferment in the bottle, a result obtained by bottling it while it contains a certain undeveloped proportion of alcohol and carbonic acid, represented by so much sugar, of which they are the component parts. This ingredient has frequently to be added to the Champagne wines to render them sparkling, but the wine of Saint-Péray in its natural state contains so much sugar that any addition would be deleterious. This excess of saccharine enables the manufacturer to dispense with some of the operations necessary to the fabrication of Champagne, which, after fermenting in the cask, requires a second fermentation to be provoked in the bottle, whereas the Saint-Péray wine ferments only once, being bottled immediately it comes from the wine-press.
The deposit in the wine after being impelled towards the neck of the bottle is got rid of by following the same system as is pursued in the Champagne, but no liqueur whatever is subsequently added to the wine. On the other hand, it is a common practice to reduce the over-sweetness of sparkling Saint-Péray in years when the grapes are more than usually ripe by mixing with it some old dry white wine.
At Saint-Péray we visited the cellars of M. de Saint-Prix, one of the principal wine-growers of the district. The samples of effervescing wine which he produced for us to taste were of a pale golden colour, of a slightly nutty flavour, and with a decided suggestion of the spirituous essence known to be concentrated in the wine, one glass of which will go quite as far towards elevating a person as three glasses of Champagne. Keeping the wine for a few years is said materially to improve its quality, to the sacrifice, however, of its effervescing properties. M. de Saint-Prix informed us that he manufactured every year a certain quantity of sparkling Côte-Rotie, Château-Grillé, and Hermitage. The principal markets for the Saint-Péray sparkling wines—the production of which falls considerably short of a million bottles per annum—are England, Germany, Russia, Holland, and Belgium.
Collecting Grapes
The other side of the Rhone is fruitful in minor sparkling wines, chief among which is the so-called Clairette de Die, made at the town of that name, a place of some splendour, as existing antiquities show, in the days of the Roman dominion in Gaul. Later on, Die was the scene of constant struggles for supremacy between its counts and bishops, one of the latter being massacred by the populace in front of the cathedral doorway—ever since known by the sinister appellation of the Porte Rouge—and Catholics and Huguenots alike devastated the town in the troublesome times of the Reformation. Clairette de Die is made principally from the blanquette or malvoisie variety of grape, which, after the stalks have been removed, is both trodden with the feet and pressed. The must is run off immediately into casks, and four-and-twenty hours later it is racked into other casks, a similar operation being performed every two or three days for the period of a couple of months, when, the fermentation having subsided, the wine is fined and usually bottled in the following March. Newly-made Clairette de Die is a sweet sparkling wine, but it loses its natural effervescence after a couple of years, unless it has been treated in the same manner as Champagne, which is rarely the case. The wine enjoys a reputation altogether beyond its merits.
In addition to the well-known Clairette, some of the wine-growers of Die make sparkling white and rose-coloured muscatels of superior quality, which retain their effervescing properties for severalyears. A sparkling wine is also made some ten miles from Die, on the road to Saillans, in a district bounded on the one side by the waters of the Drôme, and on the other by strange mountains with helmet-shaped crests. The centre of production is a locality called Vercheny, composed of several hamlets, one of which, named Le Temple, was the original home of the family of Barnave. The impressionable young deputy to the National Assembly formed one of the trio sent to bring back the French royal family from Varennes after their flight from Paris. It will be remembered how, under the influence of Marie Antoinette and Madame Elizabeth, Barnave became transformed during the journey into a faithful partisan of their unhappy cause, and that he eventually paid the penalty of his devotion with his life.
In the extreme south of France, and almost under the shadow of the Pyrenees, a sparkling wine of some repute is made at a place called Lagrasse, about five-and-twenty miles westward of Narbonne, the once-famous Mediterranean city, the maritime rival of Marseilles, and in its palmy days, prior to the Christian era, a miniature Rome, with its capitol, its curia, its decemvirs, its consuls, its prætors, its questors, its censors, and its ediles, and which boasted of being the birthplace of three Roman Emperors. To-day Narbonne has to content itself with the humble renown derived from its delicious honey and its characterless full-bodied wines. Limoux, so celebrated for its Blanquette, lies a long way farther to the west, behind the Corbières range of mountains that join on to the Pyrenees, and the jagged peaks, deep barren gorges, and scarred sides of which have been witness of many a desperate struggle during the century and a half when they formed the boundary between France and Spain.
We arrived at Limoux just too late for the famousfêteof the Black Virgin, which lasts three weeks, and attracts crowds of southern pilgrims to the chapel of Our Lady of Marseilles, perched on a little hill some short distance from the town, with a fountain half-way up, whose water issues drop by drop, and has the credit of possessing unheard-of virtues. The majority of pilgrims, however, exhibit a decided preference for the new-made wine over the miraculous water, and for one-and-twenty days something like a carnival of inebriety prevails at Limoux.
Blanquette de Limoux derives its name from the species of grape it is produced from, and which we believe to be identical with the malvoisie, or malmsey. Its long-shaped berries grow in huge bunches, and dry readily on the stalks. The fruit is gathered as tenderly as possible, care being taken that it shall not be in the slightest degree bruised, and is then spread out upon a floor to admit of whatever sugar it contains becoming perfect. The bad grapes having been carefully picked out, and the seeds extracted from the remaining fruit, the latter is now trodden, and the must, after being filtered through a strainer, is placed in casks, where it remains fermenting for about a week, during which time any overflow is daily replenished by other must reserved for the purpose. The wine is again clarified, and placed in fresh casks with the bungholes only lightly closed until all sensible fermentation has ceased, when they are securely fastened up. The bottling takes place in the month of March, and the wine is subsequently treated much after the same fashion as sparkling Saint-Péray, excepting that it is generally found necessary to repeat the operation ofdégorgementthree, if not as many as four, times.
Blanquette de Limoux is a pale white wine, the saccharine properties of which have become completely transformed into carbonic acid gas and alcohol. It is consequently both dry and spirituous, deficient in delicacy, and altogether proves a great disappointment. At its best it may, perhaps, rank with sparkling Saint-Péray, but unquestionably not with an average Champagne.