Huguenots AttackedATTACK ON THE HUGUENOTS AT EPERNAY.
ATTACK ON THE HUGUENOTS AT EPERNAY.
Watchman
As a matter of course, the hapless fate of the town pursued it during the religious wars of the sixteenth century. In 1567 the Huguenots, under Condé, seized on Epernay—then a portion of the appanage of the unfortunate Marie Stuart of Scotland—and exacted a ransom of 10,500 livres, towards which the Abbey of St. Martin contributed 3451 livres, partly in money and partly in wine, calculated at no more than eleven livres the queue. A higher price appears to have ruled on the recapture of the town by the Duke of Guise the same year, when the levy made consisted of 500 pièces of wine, estimated at twenty-four livres the queue.[436]Guise was driven out by the inhabitants in 1588; but after onefruitless assault, the Leaguers under Rosné succeeded in obtaining forcible possession of Epernay four years later.
On Henri Quatre laying siege in turn to Epernay in 1592, the vineyards around the town were again literally watered with blood. One notable episode of this siege was the death of Maréchal Biron, the most devoted of Henri’s adherents. On the 27th July the King and Biron were returning on horseback from Damery to the camp. As they advanced up the road leading from Mardeuil to the faubourg of Igny, the wind blew off Henri’s hat, adorned with the famous white plume, and Biron, picking it up, jestingly placed it upon his own head. At this moment the white plume unluckily caught the eye of Petit, the master gunner of Epernay, and he at once pointed a cannon at it from the Tour Saint Antoine. ‘For the Béarnais!’ he exclaimed, as he fired; and the ball carried away the head of the Maréchal, to whom Henri was speaking, and upon whose shoulder the King’s hand was actually resting. ‘Ah, mordieu, the dog has bitten the Béarnais!’ cried the exulting gunner, believing it was the King who had fallen, and alluding to the name of the cannon, which was known as the ‘Dog of Orleans,’ from its having been captured from the English at the siege of that city, and bearing on its breech the figure of a dog.[437]
Henri QuatreHENRI QUATRE BEFORE EPERNAY.
HENRI QUATRE BEFORE EPERNAY.
The death of Maréchal Biron, and the fact that Henri was devoting quite as much attention to his ‘belle hôtesse’ at Damery, the fair Présidente Anne du Puy, as he was to the siege, encouraged St. Paul, who commanded at Reims for the League, to despatch a strong body of Walloon pikemen and musketeers to the relief of the beleaguered town. They approached by the hollow road leading from the Faubourg des Ponts Neufs to the slope of the Vignes des Capinets, and passing between the vineyards Dure Epine and Gouttes d’Or. Attacked by the Royalists, they drew up in good order in the latter spot, and prepared to defend themselves with all the stubborn valour of their race, their dense array of pikes bristling amongst the bright green leaves—for it was the close of summer, and the vines were in all the glory of their luxuriant foliage. Vainly for a long time the Royalists assailed them. Attack after attack was repulsed, till the ‘golden drops’ were turned to drops of gore; and it was not until the white plume of King Henri came dashing on in the forefront of his choicest cavalry that the Walloons were finally broken and routed, after inflicting upon their assailants a far greater loss thanthey themselves sustained. The vineyard thus baptised in blood was thenceforward known as the Vigne des Sièges.[438]
Baptised with Wine
Flirtation in the Arbour
Though data may be lacking to connect the ‘bon Roi Henri’ directly with the wine of Epernay, there can be no doubt that the sovereign whose triple talent for drinking, fighting, and love-making has been handed down to us in song[439]found a fair opportunity of exercising all three of these attributes during the siege. Of fighting, as we have seen, he had plenty, and, Anacreon-like, he seems to have blended love and wine together.[440]He who, when a new-born babe, had his lips wetted in the old castle of Pau by stout Antoine de Bourbon with a cup of the generous wine of the South, and who gloried in the title of the Sieur d’Ay, was not likely to neglect the nectar vintaged on the slopes around Epernay. And probably the recollection of the raven-haired, black-eyed, bronze-skinned Bernais peasant-girls, whom tradition vows he used to woo when in the first flush of youthful manhood beneath the trellised vines of Jurançon and Gan, served by contrast to heighten the fairer charms of the blonde Anne du Puy, in whose honour he is reported to have sung:
‘Morning bright,Thy pure lightI rejoice when I see;The fair doveWhom I loveSo, is rosy like thee.She is fair,None so rare,With a waist matched by none;By my handIt is spanned,And eyes bright as the sun.Wet with newFallen dew,The rose sparkles less bright;Freer from spotErmine’s not,Nor is lily more white.Fair Dupuis,All agree,On ambrosia is fed;From her lipWhen I sipNectar’s perfume is shed.’[441]
‘Morning bright,Thy pure lightI rejoice when I see;The fair doveWhom I loveSo, is rosy like thee.She is fair,None so rare,With a waist matched by none;By my handIt is spanned,And eyes bright as the sun.Wet with newFallen dew,The rose sparkles less bright;Freer from spotErmine’s not,Nor is lily more white.Fair Dupuis,All agree,On ambrosia is fed;From her lipWhen I sipNectar’s perfume is shed.’[441]
‘Morning bright,Thy pure lightI rejoice when I see;The fair doveWhom I loveSo, is rosy like thee.
‘Morning bright,
Thy pure light
I rejoice when I see;
The fair dove
Whom I love
So, is rosy like thee.
She is fair,None so rare,With a waist matched by none;By my handIt is spanned,And eyes bright as the sun.
She is fair,
None so rare,
With a waist matched by none;
By my hand
It is spanned,
And eyes bright as the sun.
Wet with newFallen dew,The rose sparkles less bright;Freer from spotErmine’s not,Nor is lily more white.
Wet with new
Fallen dew,
The rose sparkles less bright;
Freer from spot
Ermine’s not,
Nor is lily more white.
Fair Dupuis,All agree,On ambrosia is fed;From her lipWhen I sipNectar’s perfume is shed.’[441]
Fair Dupuis,
All agree,
On ambrosia is fed;
From her lip
When I sip
Nectar’s perfume is shed.’[441]
At the outset of the seventeenth century Epernay had its full share in the troubles that marked the early part of the reign of Louis XIII., being taken in turn by Condé, by the Count de Soissons, acting for the malcontent nobles leagued against Richelieu in 1634, and by the King’s forces the year following. The peacefulrecords are, however, plentiful and interesting. In 1631 we find the town council deciding to present ‘six caques of white wine, the best that can be found,’ to M. de Vignolles, and the same to M. d’Elbenne; and two years later protesting to the ‘treasurers of France’ their inability to pay 70,000 livres, demanded towards the maintenance of the army, owing to the all but total failure of the wine crop. The council were fully aware of the merits of their vintage, and of the advantages of appealing to the heart by way of the stomach. Six ‘feuillettes’ of the best wine were ordered to be sent in September 1636 to M. de Vaubecourt, and one to his secretary, ‘to retain their good-will towards the town,’ and induce the former to use his influence with a committee appointed by the King for repaying loans and advances, and also towards getting rid of the garrison. A little later the Marquis de Senneterre received a queue of wine to withdraw his troops from the town. The Maréchal de Chatillon, M. de Vaubecourt, M. de Belfonds, and the Count d’Estaing were in frequent receipt of such gifts; and it is noteworthy that amongst them figure ‘two caques of wine in bottles,’ sent to each of the two first at Sainte Ménéhoulde in 1639.[442]
Another Glass of Wine
The successful efforts of Turenne against his great rival Condé during the wars of the Fronde were encouraged by frequent presents of the wine of Epernay. As the brother of the Duc de Bouillon, to whom the town of Epernay had been given in 1643 in exchange for Sedan, and as the protector of the district against the Spaniards, he received numerous tokens of the citizens’ good-will. In September 1652 twelve caques of wine were sent to him, with the result that he at once ordered his soldiers to repair the broken bridge across the Marne. In the following January a chevreuil and two caques, and in June wine, fowls, and game, were presented to him. In June 1654 it was resolved that a deputation should be sent to the coronation of Louis XIV. at Reims, ‘to render the homage due to the King,’ and to present ‘a caque of wine in bottles’ to M. de Turenne, which helped no doubt to spread the fame of the Epernay wine amongst the nobility present on that occasion.
The same social lever was applied in 1660 to the ‘traitant général’ of the so-called ‘don gratuit’ exacted on the occasion of the King’s marriage, two feuillettes being proffered in order to get him to reduce the assessment. Representations made to an eschevin of Paris, despatched to Epernay in 1662 to see if there was any store of grain in the town that could be sold to benefit the starving poor of the capital, to the effect that the district was a wine-growing and not a corn country; and the despatch of a deputation in August 1666 to Louvois, to request that the garrison might be withdrawn to allow of the vintage being gathered in—the inhabitants of the surrounding country having fled to avoid sheltering soldiers,—serve to show the importance of the Epernay wine-trade. In 1671, on the passage of the Duke and Duchess of Orleans from Châlons, fruit and sweetmeats were presented to them, and wine to the lords of their suite, at a cost of 211 livres 7 sols; and two years later, Louis XIV. partook of the local vintage during his sojourn at the ‘maison abbatiale,’ when on his way to the army of the Rhine.
Towards the close of this century the wine grew in repute, and was eagerly sought after. In November 1677 two caques were sent to ‘a person who enjoys some credit,’ and who was willing to accord his protection to the town in the matter of quartering troops upon it; and the following January twelve more caques were despatched to this ‘unknown,’ who may have been Louvois himself. As to Roger Brulart, Marquis de Puisieux et de Sillery and Governor of Epernay, a joyous companion, if we may credit St. Simon, his appreciation of the local vintage is borne ample testimony to. In 1677 six caques of ‘the best’ were sent to him by the town council; but by 1691 he must have become used to larger offerings, as in September a letter was addressed to him begginghim to be satisfied with the like amount, as ‘the inhabitants could not manage more,’ and could only promise, with regard to three caques still due, that they would ‘make an effort’ to supply them the following year. Wise in their generation, they sent at the same time ‘twelve bottles of the best wine’ to his intendant, and a similar gift to his secretary; but the following year they were forced to write again that it would be impossible to supply the wine promised unless he obtained a permission to levy it.[443]
The Old Pretender, or, as he is styled in the local records, ‘Jacques Stuart III., roy d’Angleterre,’ arrived at Epernay in September 1712, and was presented with ‘twenty-four bottles of the best;’ whilst the Marquis de Puisieux, who accompanied him, was satisfied with nothing less than a ‘carteau,’ or quarter-cask. And when the latter announced his intention of paying a visit in the autumn of 1719 to Maître Adam Bertin du Rocheret, conseiller du roy and ex-president of the Grenier-à-sel at Epernay, a resolution was passed to offer him wine on his arrival, and to send ‘a hundredflasksof the best’ to his château of Sillery. The use of the word ‘flaçons’ clearly implies that the discoveries of Dom Perignon were being acted upon at Epernay, and that the gift in question was one of sparkling wine.
J. E. F. StuartJAMES EDWARD FRANCIS STUART, THE OLD PRETENDER.
JAMES EDWARD FRANCIS STUART, THE OLD PRETENDER.
In June 1722 the Sieurs Quatresous and Chertemps, despatched to congratulate the marquis’s nephew and successor, Louis Philogène Brulart, on his appointment to the governorship of the town and his marriage with Mademoiselle de Souvré, granddaughter of Louvois, took with them a similar offering. At the coronation of Louis XV., in October, deputies were sent to compliment the Prince de Turenne, representative of his father the Duc de Bouillon, seigneur d’Epernay, and to present him with ‘game, trout, and other fish,’ and ‘a basket of a hundred flasks of the best.’ In August 1725 the bourgeois were drawn up under arms, and four dozen bottles were got ready, on the passage through the town of the Duke of Orleans, son of the late Regent, on his way to espouse, as the King’s proxy, Marie Leczinska. This was, however, a sad year for the wine-growers, for ten months of incessant rain, beginning in April, not only ruined the at first promising crop entirely, but caused floods which wrought some havoc. The terrible hail-storm of 1730, which devastated the vineyards of Reims, fortunately spared those of Epernay; but a frost in October 1740 destroyed the vintage, and led to a dearness of provisions which pressed even on the most well-to-do.[444]
For the next three-quarters of a century Epernay continued quietly to profit by the yield of ‘the slopes laden with vines producing the most delicious wines in Europe,’ to quote the expression of Stapart, who in 1749 notes the importance of the trade in wine carried on, not only with Paris, butwith foreign countries; though at the same time complaining of the decreasing size of the town, and the fact of vineyards being planted where houses had formerly stood.[445]The only events of importance were from time to time an unusually good or an uncommonly bad crop, or—as the manufacture ofvin mousseuxgradually swallowed up that of still wine—a disastrouscasse, like the memorable one of 1776, varied by an occasional royal visit or so. By 1780, Max Sutaine notes that a single manufacturer would turn out from five to six thousand bottles of sparkling Champagne, and exults over the fact that seven years later an enterprising firm risked atirageof fifty thousand, though people at the time regarded this as something prodigious, and wondered where an outlet would be found.[446]Very likely a bottle of this identicaltiragewas ‘the excellentvin mousseux’ with which Arthur Young regaled himself, at a cost of forty sous, on the 7th July of the same year, at that ‘very good inn’ the Hôtel de Rohan, at Epernay.[447]At this same inn the hapless Louis XVI. stopped to dine on his return from the intercepted flight to Varennes; and when we recall his timid nature, we may fairly surmise that it was Champagne which inspired him, amidst the insults of the mob, to remind the authorities that his ancestor, Henri Quatre, had entered the town in a very different fashion, and by implication to assert that he might yet do the same.[448]
The Emperor Napoleon, the Empress Josephine, the King of Westphalia, and the other members of the Bonaparte dynasty, who from time to time visited Epernay and partook of the hospitality of Jean Remi Moët, showed a healthy appreciation of its vintage. Indeed King Jerome, in giving an order for six thousand bottlespremier cru, remarked with a strange foresight that he would have taken more, only he was afraid that it would be the Russians after all who would come and drink it. Sure enough the eventful year 1814 witnessed the arrival at Epernay of a host of self-invited guests, all equally appreciative of the merits of Champagne, and gifted with an almost unlimited power of consumption, but entertaining insuperable objections to pay for what they consumed. The Prussians and Russians who came hither in February and March misconducted themselves in a very sad manner, burning and pillaging houses, insulting and maltreating the inhabitants, requisitioning all the wine they could lay hands on, and drinking in a manner recalling the Bacchic exploits of Gargantua and Pantagruel. The mayor, Jean Remi Moët, moved by the state of affairs, offered the invaders the free run of his cellars rather than that they should pillage those of others, doubtless under the idea that the reputation his house would thus acquire abroad would soon enable him to retrieve the temporary loss—a proviso happily and amply realised. Beyond the facts that Epernay has profited, and continues to profit, by the ever-increasing development of the taste for sparkling wine; that Charles X., Louis Philippe, and Napoleon III. have successively favoured it with their presence, and accepted thevin d’honneuroffered on such occasions; and that during the war of 1870–1 the town, in common with the rest of the province of Champagne, was occupied by the German invading army, there is nothing more to be said respecting its history.
Rue du CommerceTHE RUE DU COMMERCE (FAUBOURG DE LA FOLIE), EPERNAY.
THE RUE DU COMMERCE (FAUBOURG DE LA FOLIE), EPERNAY.
Packing HallTHE PACKING-HALL AT MESSRS. MOËT AND CHANDON’S, EPERNAY.
THE PACKING-HALL AT MESSRS. MOËT AND CHANDON’S, EPERNAY.
Early records of the Moët family at Reims and Epernay—Jean Remi Moët, the founder of the commerce in Champagne wines—Extracts from old account-books of the Moëts—Jean Remi Moët receives the Emperor Napoleon, the Empress Josephine, and the King of Westphalia—The firm of Moët & Chandon constituted—Their establishment in the Rue du Commerce—The delivery and washing of new bottles—The numerous vineyards and vendangeoirs of the firm—Their cuvée made in vats of 12,000 gallons—The bottling of the wine—A subterranean city, with miles of streets, cross-roads, open spaces, tramways, and stations—The ancient entrance to these vaults—Tablet commemorative of the visit of Napoleon I.—The original vaults known as Siberia—Scene in the packing-hall—Messrs. Moët & Chandon’s large and complete staff—The famous ‘Star’ brand of the firm—Perrier-Jouët’s château, offices, and cellars—Classification of the wine of the house—The establishment of Messrs. Pol Roger & Co.—Their large stock of the fine 1874 vintage—The preparations for the tirage—Their vast fireproof cellier and its temperature—Their lofty and capacious cellars—Pierry becomes a wine-growing district consequent upon Dom Perignon’s discovery—Esteem in which the growths of the Clos St. Pierre were held—Cazotte, author ofLe Diable Amoureux, and guillotined for planning the escape of Louis XVI. from France, a resident at Pierry—His contest with the Abbot of Hautvillers with reference to the abbey tithes of wine—The Château of Pierry—Its owner demands to have it searched to prove that he is not a forestaller of corn—The vineyards and Champagne establishment of Gé-Dufaut & Co.—The reserves of old wines in the cellars of this firm—Honours secured by them at Vienna and Paris.
Lady Tasting Champagne
THOSEmagnates of the Champagne trade, Messrs. Moët & Chandon, whose famous ‘Star’ brand is familiar in every part of the civilised globe, and whose half-score miles of cellars contain as many million bottles of Champagne as there are millions of inhabitants in most of the secondary European States, have their head-quarters at Epernay in a spacious château—in that street of châteaux named the Rue du Commerce, but commonly known as the Faubourg de la Folie—which is approached through handsome iron gates, and has beautiful gardens in the rear extending in the direction of the River Marne. The existing firm dates from the year 1833, but the family of Moët—conjectured to have originally come from the Low Countries—had already beenassociated with the Champagne wine trade for well-nigh a century previously. If the Moëts came from Holland they must have established themselves in the Champagne at a very early date, for the annals of Reims record that in the fourteenth century Jehan Moët de Mennemont,escuier, held a fief at Attigny from the Archbishop Richard Pique, and that in the following century Jean and Nicolas Moët wereéchevinsof the city. A Moët was present in that capacity at the coronation of Charles VII. in 1429, when Joan of Arc stood erect by the principal altar of the cathedral with her sacred banner in her hand; and for having contributed to repulse an attempt on the part of the English to prevent the entrance of the Royal party into the city, the Moëts were subsequently ennobled by the same monarch. A mural tablet in the church of St. Remi records the death of D. G. Moët, Grand Prior, in 1554; and nine years later we find Nicol Moët claiming exemption at Epernay for the payment oftailleson the ground of his being a noble.
An old commercial book preserved in the family archives shows that in the year 1743—at the epoch when the rashness of the Duc de Grammont saved the English army under George II. from being cut to pieces at Dettingen—a descendant of the foregoing, one Claude Louis Nicolas Moët, who owned considerable vineyard property in the vicinity of Epernay, decided upon embarking in the wine trade. It is his son, however, Jean Remi Moët, born in 1758, who may be looked upon as the veritable founder of the present commerce in Champagne wines, which, thanks to his efforts, received a wonderful impulse, so that instead of the consumption of the vintages of the Marne being limited as heretofore to the privileged few, it spread all over the civilised world.
J. R. MoëtJEAN REMI MOËT.
JEAN REMI MOËT.
At Messrs. Moët & Chandon’s we had the opportunity of inspecting some of the old account-books of the firm, and more particularly those recording the transactions of Jean Remi Moët and his father. The first sales of sparkling wine, on May 23d, 1743, comprised 301 bottles of the vintage of 1741 to Pierre Joly, wine-merchant,bon des douze chez le Roi, whatever that may mean, at Paris; 120 bottles to Pierre Gabriel Baudoin, alsobon des douze, at Paris; and a similar quantity to the Sieur Compoin, keeping the ‘hotellerie ditte la pestitte Escurie,’ Rue du Port-Maillart, at Nantes in Brittany. The entry specifies that the wine for Nantes is to be left at Choisy-le-Roi, and taken by land to Orleans by the carters of that town, who are to be found at the Ecu d’Orléans, Porte St. Michel, Paris, the carriage as far as Choisy being 4 livres 10 deniers (about 4 francs) for the two half-baskets, and to Paris 3 livres 15 deniers the basket.
Between 1750 and ’60 parcels of wine were despatched to Warsaw, Vienna, Berlin, Königsberg, Dantzig, Stettin, Brussels, and Amsterdam; but one found no mention of any sales to England till the year 1788, when the customers of the firm included ‘Milord’ Farnham, of London, and Messrs. Felix Calvert & Sylvin, who had a couple of sample-bottles sent to them, for which they were charged five shillings. In the same year Messrs. Carbonnell, Moody, & Walker (predecessors of the well-known existing firm of Carbonnell & Co.) wrote in French for two baskets, of ten dozens each, ofvin de Champagne‘of good body, not too charged with liqueur, but of excellent taste, and not at all sparkling.’ The Chevalier Colebrook, writing from Bath, also requests that 72 bottles of Champagne may be sent to his friend the Hon. John Butler, Molesworth-street, Dublin, ‘who, if contented with the wine, will become a good customer, he being rich, keeping a good house, and receiving many amateurs ofvin de Champagne.’ Shortly afterwards the Chevalier himself receives50 bottles of still wine, vintage 1783. In 1789 120 bottles of Champagne, vintage 1788, are supplied to ‘Milord’ Findlater, of London; and in 1790 the customers of the house include Power & Michel, of 44 Lamb-street, London, and Manning, of the St. Alban Tavern, the latter of whom is supplied on March 30th with 130 bottles of Champagne at three livres, or two ‘schillings,’ per bottle; while a month later Mr. Lockart, banker, of 36 Pall Mall, is debited with 360 bottles, vintage 1788, at three shillings.
In this same year M. Moët despatches a traveller to England named Jeanson, and his letters, some two hundred in number, are all preserved in the archives of the house. On the 17th May 1790 he writes from London as follows: ‘As yet I have only gone on preparatory and often useless errands. I have distributed samples of which I have no news. Patience is necessary, and I endeavour to provide myself with it. How the taste of this country has changed since ten years ago! Almost everywhere they ask for dry wine, but at the same time require it so vinous and so strong that there is scarcely any other than the wine of Sillery which can satisfy them.... To-morrow I dine five miles from here, at M. Macnamara’s. We shall uncork four bottles of our wine, which will probably be all right.’ In May 1792 Jean Remi Moët is married, and thenceforward assumes the full management of the house. On December 20 of the year following, when the Reign of Terror was fairly inaugurated, we find the accounts in the ledger opened to this or the other ‘citoyen.’ The orthodox Republican formula, however, did not long continue, and ‘sieur’ and ‘monsieur’ resumed their accustomed places, showing that Jean Remi Moët had no sympathy with the Jacobin faction of the day. In 1805 he became Mayor of Epernay, and between this time and the fall of the Empire received Napoleon several times at his residence, as well as the Empress Josephine and the King of Westphalia. The Emperor, after recapturing Reims from the Allies, came on to Epernay, on which occasion he presented M. Moët with the Cross of the Legion of Honour. In 1830 the latter was arbitrarily dismissed from his mayoralty by Charles X., but was speedily reinstated by Louis Philippe, though he did not retain his office for long, his advanced age compelling him to retire from active life in the course of 1833. At this epoch the firm, which since 1807 had been known as Moët & Co., was remodelled under the style of Moët & Chandon, the two partners being M. Victor Moët, son of the outgoing partner, and M. P. G. Chandon, the descendant of an old ennobled family of the Mâconnais, who had married M. Jean Remi Moët’s eldest daughter. The descendants of these gentlemen are to-day (1880) at the head of the business, the partners being, on the one hand, M. Victor Moët-Romont and M. C. J. V. Auban Moët-Romont; and on the other, MM. Paul and Raoul Chandon de Briailles.
Facing Messrs. Moët & Chandon’s offices at Epernay is a range of comparatively new buildings, with its white façade ornamented with the well-known monogram M. & C., surmounted by the familiar star. It is here that the business of blending and bottling the wine is carried on. Passing through the arched gateway, access is obtained to a spacious courtyard, where carts laden with bottles are being expeditiously lightened of their fragile contents by the busy hands of numerous workmen. Another gateway on the left leads into the spacious bottle-washing room, which from the middle of May until the middle of July presents a scene of extraordinary animation. Bottle-washing apparatus, supplied by a steam-engine with 20,000 gallons of water per diem, are ranged in fifteen rows down the entire length of this hall, and nearly 200 women strive to excel each other in diligence and celerity in their management, a practised hand washing from 900 to 1000 bottles in the course of the day. To the right of thissalle de rinçage, as it is styled, bottles are stacked in their tens of thousands, and lads furnished with barrows, known asdiables, hurry to and fro, conveying these to the washers, or removing the clean bottles to the adjacent courtyard, where they are allowed to drain prior to being taken to thesalle de tirageor bottling-room.
Before, however, the washing of bottles on this gigantic scale commences, the ‘marrying’ or blending of the wine is accomplished in a vast apartment, 250 feet in length and 100 feet broad, during the early spring. The casks of newly-vintaged wine, which have been stowed away during the winter months in the extensive range of cellars hewn out of the chalk underlying Epernay,where they have slowly fermented, are mixed together in due proportion in huge vats, each holding upwards of 12,000 gallons. Some of this wine is the growth of Messrs. Moët & Chandon’s own vineyards, of which they possess as many as 900 acres (giving constant employment to 800 labourers and vinedressers) at Ay, Avenay, Bouzy, Cramant, Champillon, Chouilly, Dizy, Epernay, Grauves, Hautvillers, Le Mesnil, Moussy, Pierry, Saran, St. Martin, Verzy, and Verzenay, and the average annual cost of cultivating which is about £40 per acre. At Ay the firm own 210 acres of vineyards; at Cramant and Chouilly, nearly 180 acres; at Verzy and Verzenay, 120 acres; at Pierry and Grauves, upwards of 100 acres; at Hautvillers, 90 acres; at Le Mesnil, 80 acres; at Epernay, nearly 60 acres; and at Bouzy, 55 acres. Messrs. Moët & Chandon, moreover, possess vendangeoirs, or pressing-houses, at Ay, Bouzy, Cramant, Epernay, Hautvillers, Le Mesnil, Pierry, Saran, and Verzenay, in which the large number of 40 presses are installed. At these vendangeoirs no less than 5450 pièces of fine white wine, sufficient for 1,360,000 bottles of Champagne, are annually made—that is, 1200 pièces at Ay, 1100 at Cramant and Saran, 800 at Verzy and Verzenay, and smaller quantities at the remaining establishments. All these establishments have their celliers and their cellars, together with cottages for the accommodation of the numerous vinedressers in the employment of the firm.
Washing BottlesWASHING BOTTLES AT MESSRS. MOËT AND CHANDON’S, EPERNAY.
WASHING BOTTLES AT MESSRS. MOËT AND CHANDON’S, EPERNAY.
Extensive as are the vineyards owned by Messrs. Moët & Chandon, the yield from them is utterly inadequate to the enormous demand which the great Epernay firm are annually called upon to supply, and large purchases have to be made by their agents from the growers throughout the Champagne. The wine thus secured, as well as that grown by the firm, is duly mixed together in such proportions as will insure lightness with the requisite vinosity, and fragrance combined with effervescence, a thorough amalgamation being effected by stirring up the wine with long poles provided with fan-shaped ends. If the vintage be indifferent in quality, the firm have scores of huge tuns filled with the yield of more favoured seasons to fall back upon to insure any deficiencies of character and flavour being supplied.
Vendangeoir at BouzyMESSRS. MOËT AND CHANDON’S VENDANGEOIR AT BOUZY.
MESSRS. MOËT AND CHANDON’S VENDANGEOIR AT BOUZY.
The casks of wine to be blended are raised from the cellars, half a dozen at a time, by means of a lift provided with an endless chain, and worked by the steam-engine of which we have already spoken. They are emptied, through traps in the floor of the room above, into the huge vats which, standing upon a raised platform, reach almost to the ceiling. From these vats the fluid is allowed to flow through hose into rows of casks stationed below. Before being bottled the wine reposes for a certain time; is next duly racked and again blended; and is eventually conveyed through silver-plated pipes into oblong reservoirs, each fitted with a dozen syphon-taps, so arranged that directly the bottle slipped on to one of them becomes full the wine ceases to flow.
Upwards of 200 workpeople are employed in thesalle de tirageat Messrs. Moët & Chandon’s, which, while the operation of bottling is going on, presents a scene of bewildering activity. Men and lads are gathered round the syphon-taps, briskly removing the bottles as they become filled, and supplanting them by empty ones. Other lads hasten to transport the filled bottles on trucks to the corkers, whose so-called ‘guillotine’ machines send the corks home with a sudden thud. The corks being secured withagrafes, the bottles are placed in large flat baskets calledmanettes, and wheeled away on trucks, the quarts being deposited in the cellars by means of lifts, while the pints slide down an inclined plane by the aid of an endless chain, which raises the trucks with the empty baskets at the same time the full ones make their descent into the cellars. What with the incessant thud of the corking-machines, the continual rolling of iron-wheeled trucks over the concrete floor, the rattling and creaking of the machinery working the lifts, the occasional sharp report of a bursting bottle, and the loudly-shouted orders of the foremen, who display the national partiality for making a noise to perfection, the din becomes at times all but unbearable. The number of bottles filled in the course of the day naturally varies, still Messrs. Moët & Chandon reckon that during the month of June a daily average of 100,000 are taken in the morning from the stacks in thesalle de rinçage, washed, dried, filled, corked, wired, lowered into the cellars, and carefully arranged in symmetrical order. This represents a total of two and a half million bottles during that month alone.
The bottles on being lowered into the cellars, either by means of the incline or the lifts, areplaced in a horizontal position, and, with their uppermost side daubed with white chalk, are stacked in layers from two to half a dozen bottles deep, with narrow oak laths between. The stacks are usually about 6 or 7 feet high, and 100 feet and upwards in length. Whilst the wine is thus reposing in a temperature of about 55° Fahrenheit, fermentation sets in, and the ensuing month is one of much anxiety. Thanks, however, to the care bestowed, Messrs. Moët & Chandon’s annual loss from bottles bursting rarely exceeds three per cent, though fifteen was once regarded as a respectable and satisfactory average. The broken glass is a perquisite of the workmen, the money arising from its sale, which at the last distribution amounted to no less than 20,000 francs, being divided amongst them every couple of years.
Bottling ChampagneBOTTLING CHAMPAGNE AT MESSRS. MOËT AND CHANDON’S, EPERNAY.
BOTTLING CHAMPAGNE AT MESSRS. MOËT AND CHANDON’S, EPERNAY.
The usual entrance to Messrs. Moët & Chandon’s Epernay cellars—which, burrowed out in all directions, are of the aggregate length of nearly seven miles, and have usually between 10,000,000 and 12,000,000 bottles and 20,000 casks of wine stored therein—is through a wide and imposing portal, and down a long and broad flight of steps. It is, however, by the ancient and less imposing entrance, through which more than one crowned head has condescended to pass, that we set forth on our lengthened tour through these intricate underground galleries—this subterranean city, with its miles of streets, cross-roads, open spaces, tramways, and stations devoted solely to Champagne. A gilt inscription on a black-marble tablet testifies that ‘on the 26th July 1807, Napoleon the Great, Emperor of the French, King of Italy, and Protector of the Confederation of the Rhine, honoured commerce by visiting the cellars of Jean Remi Moët, Mayor of Epernay, President of the Canton, and Member of the General Council of the Department,’ within three weeks of the signature of the treaty of Tilsit. Passing down the flight of steep slippery steps traversed by the victor of Eylau and Jena, access is gained to the upper range of vaults, brilliantly illuminated by the glare of gas, or dimly lighted by the flickering flame of tallow-candles, upwards of 60,000 lb. of which are annually consumed. Here group after group of the small army of 350 workmen employed in these subterranean galleries are encountered, engaged in the process of transforming thevin brutintoChampagne. At Messrs. Moët & Chandon’s, the all-important operation of liqueuring the wine is effected by aid of machines of the latest construction, which regulate the quantity administered to the utmost nicety. The corks are branded by being pressed against steel dies heated by gas by women, who can turn out 3000 per day apiece, the quantity of string used to secure them amounting to nearly ten tons in the course of the year.
Commemorative TabletTABLET COMMEMORATIVE OF THE VISIT OF NAPOLEON I.
TABLET COMMEMORATIVE OF THE VISIT OF NAPOLEON I.
There is another and a lower depth of cellars to be explored, to which access is gained by trap-holes in the floor—through which the barrels and baskets of wine are raised and lowered—and by flights of steps. From the foot of the latter there extends an endless vista of lofty and spacious passages hewn out of the chalk, the walls of which, smooth as finished masonry, are lined with thousands of casks of raw wine, varied at intervals by gigantic vats. Miles of long, dark-brown, dampish-looking galleries stretch away to the right and left, devoid of the picturesque festoons of fungi which decorate the London Dock vaults, yet exhibiting a sufficient degree of mouldiness to give them an air of respectable antiquity. These multitudinous galleries, lit up by petroleum-lamps, are mostly lined with wine in bottles stacked in compact masses to a height of six or seven feet, only room enough for a single person to pass being left. Millions of bottles are thus arranged, the majority on their side, in huge piles, with tablets hung up against each stack to note its age and quality; and the rest, which are undergoing daily evolutions at the hands of the twister, in racks at various angles of inclination. These cellars contain nearly 11,000 racks, and as many as 600,000 bottles are commonly twisted here daily.
Corridors of a Champagne Cellar
The way runs on between regiments of bottles of the same size and shape, save where at intervals pints take the place of quarts; and the visitor, gazing into the black depths of the transverse passages to the right and left, becomes conscious of a feeling that if his guide were suddenly to desert him, he would feel as hopelessly lost as in the catacombs of Rome. There are two galleries, each 650 feet in length, containing about 650,000 bottles, and connectedby 32 transverse galleries, with an aggregate length of 4000 feet, in which nearly 1,500,000 bottles are stored. There are, further, eight galleries, each 500 feet in length, and proportionably stocked; also the extensive new vaults, excavated some five or six years back, in the rear of the then existing cellarage, and a considerable number of smaller vaults. The different depths and varying degrees of moisture afford a choice of temperature of which the experienced owners know how to take advantage. The original vaults, wherein more than a century ago the first bottles of Champagne made by the infant firm were stowed away, bear the name of Siberia, on account of their exceeding coldness. This section consists of several roughly-excavated low winding galleries, resembling natural caverns, and affording a striking contrast to the broad, lofty, and regular-shaped corridors of more recent date.
When the proper period arrives for the bottles to emerge once more into the upper air, they are conveyed to the packing-room, a spacious hall 180 feet long and 60 feet broad. In front of its three large double doors wagons are drawn up ready to receive their loads. The 70 men and women employed here easily foil, label, wrap, and pack up some 10,000 bottles a day. Cases and baskets are stacked in different parts of this vast hall, at one end of which numerous trusses of straw used in the packing are piled. Seated at tables ranged along one side of the apartment women are busily occupied in pasting on labels or encasing the necks of bottles in gold or silver foil, whilst elsewhere men, seated on three-legged stools in front of smoking caldrons of molten sealing-wax of a deep green hue, are coating the necks of other bottles by plunging them into the boiling fluid. When labelled and decorated with either wax or foil, the bottles pass on to other women, who swathe them in pink tissue-paper and set them aside for the packers, by whom, after being deftly wrapped round with straw, they are consigned to baskets or cases, to secure which last no less than 10,000 lb. of nails are annually used. England and Russia are partial to gold foil, pink paper, and wooden cases holding a dozen or a couple of dozen bottles of the exhilarating fluid, whereas other nations prefer waxed necks, disdain pink paper, and insist on being supplied in wicker baskets containing fifty bottles each.
Some idea of the complex character of so vast an establishment as that of Messrs. Moët & Chandon may be gathered from a mere enumeration of their staff, which, in addition to twenty clerks and 350 cellarmen proper, includes numerous agrafe-makers and corkcutters, packers and carters, wheelwrights and saddlers, carpenters, masons, slaters and tilers, tinmen, firemen, needlewomen, &c., while the inventory of objects used by this formidable array of workpeople comprises no fewer than 1500 distinct heads. A medical man attached to the establishment gives gratuitous advice to all those employed, and a chemist dispenses drugs and medicines without charge. While suffering from illness the men receive half-pay, but should they be laid up by an accident met with in the course of their work full salary is invariably awarded to them. As may be supposed, so vast an establishment as this is not without a provision for those past work, and all the old hands receive liberal pensions from the firm upon retiring.
It is needless to particularise Messrs. Moët & Chandon’s wines, which are familiar to all drinkers of Champagne. Still it may be mentioned that the great Epernay firm, with the view of meeting the requirements of the time, have lately commenced shipping a high-classvin brut, or natural Champagne, possessing great vinosity, combined with remarkable delicacy of flavour. To this fine dry wine the name of ‘Brut Impérial’ has been given by the house. Moët & Chandon’s famous ‘Star’ brand is known in all societies, figures equally at clubs and mess-tables, at garden-parties and picnics, dinners andsoirées, and has its place in hotelcartesall over the world. One of the best proofs of the wine’s universal popularity is found in the circumstance that as many as a thousand visitors from all parts of the world come annually to Epernay and make the tour of Messrs. Moët & Chandon’s spacious cellars.
A little beyond Messrs. Moët & Chandon’s, in the broad Rue du Commerce, we encounter a heavy, ornate, pretentious-looking château, the residence of the late M. Perrier-Jouët, presenting a striking contrast to the almost mean-looking premises opposite, where the business of the firm iscarried on. On the left-hand side of a courtyard surrounded by low buildings, which serve as celliers, store-houses, packing-rooms, and the like, are the offices; and from an inner courtyard, where piles of bottles are stacked under open sheds, the cellars themselves are reached. Previous to descending into these we passed through the various buildings, in one of which a party of men were engaged in disgorging and preparing wine for shipment. In another we noticed one of those heavy beam presses for pressing the grapes which the more intelligent manufacturers regard as obsolete, while in a third was the cuvée vat, holding no more than 2200 gallons. In making their cuvée the firm commonly mix one part of old wine to three parts of new. An indifferent vintage, however, necessitates the admixture of a larger proportion of the older growth. The cellars, like all the more ancient ones at Epernay, are somewhat straggling and irregular; still they are remarkably cool, and on the lower floor remarkably damp as well. This, however, would appear to be no disadvantage, as the breakage in them is calculated never to exceed 2 ½ per cent.
The firm have no less than five qualities of wine, and at one of the recent Champagne competitions at London, where the experts engaged had no means of identifying the brands submitted to their judgment, Messrs. Perrier-Jouët’s First Quality got classed below a cheaper wine of their neighbours, Messrs. Pol Roger & Co., and very considerably below the Extra Sec of Messrs. Périnet et fils, and inferior even to a wine of De Venoge’s, the great Epernay manufacturer of common-class Champagne.
Champagne establishments, combined with the handsome residences of the manufacturers, line both sides of the long imposing Rue du Commerce at Epernay. On the left hand is a succession of fine châteaux, commencing with one belonging to M. Auban Moët, whose terraced gardens overlook the valley of the Marne, and command views of the vine-clad heights of Cumières, Hautvillers, Ay, and Mareuil, and the more distant slopes of Ambonnay and Bouzy; while on the other side of the famous Epernay thoroughfare we encounter beyond the establishments of Messrs. Moët & Chandon and Perrier-Jouët the ornate monumental façade which the firm of Piper & Co.—of whom Messrs. Kunkelmann & Co. are to-day the successors—raised some years since above their extensive cellars. In a side street at the farther end of the Rue du Commerce stands a château of red brick, overlooking on the one side an extensive pleasure-garden, and on the other a spacious courtyard, bounded by celliers, stables, and bottle-sheds, all of modern construction and on a most extensive scale. These form the establishment of Messrs. Pol Roger & Co., settled for many years at Epernay, and known throughout the Champagne for their large purchases at the epoch of the vintage. From the knowledge they possess of the best crus, and their relations with the leading vineyard proprietors, they are enabled whenever the wine is good to acquire large stocks of it. Having bottled a considerable quantity of the fine wine of 1874, they resolved to profit by the exceptional quality of this vintage to commence shipping Champagne to England, where their agents, Messrs. Reuss, Lauteren, & Co., have successfully introduced the new brand.
Passing through a large open gateway, we enter the vast courtyard of the establishment, which, with arriving and departing carts—the first loaded with wine in cask or with new bottles, and the others with cases of Champagne—presents rather an animated scene. Under a roof projecting from the wall of the vast cellier on the right hand a tribe of ‘Sparnaciennes’—as the feminine inhabitants of Epernay are termed—are occupied in washing bottles in readiness for the coming tirage. The surrounding buildings, most substantially constructed, are not destitute of architectural pretensions.
The extensive cellier, the area of which is 23,589 square feet, is understood to be the largest single construction of the kind in the Champagne district. Built entirely of iron, stone, and brick, its framework is a perfect marvel of lightness. The roof, consisting of rows of brick arches, is covered above with a layer of Portland cement, in order to keep it cool in summer and protect it against the winter cold, two most desirable objects in connection with the manipulation of Champagne. Here an endless chain of a new pattern enables wine in bottle to be lowered and raised with great rapidity to or from the cellars beneath—lofty and capacious excavations of two stories, the lower one of which is reached by a flight of no less than 170 steps.