Amsterdam, and Others

Amsterdam, and Others

Amsterdam, July 27

This is the largest and most important city of Holland. It has about as much commerce as Rotterdam, and is longer on history, manufactures, art, and society. It was the first large city built up on a canal system, and its 600,000 population is a proof that something can be built out of nothing. Along about 1300 and 1400 it was a small town in a swamp. When the war for independence from Spain began, in 1656, Amsterdam profited by its location on the Zuyder Zee. The Spaniards ruined most of the rival towns and put an end to the commerce of Antwerp for a while, and Amsterdam received the mechanics and merchants fleeing from the soldiers of Alva. The name means a “dam,” or dike, on the Amstel river. The swamp was reclaimed from the water by dikes and drainage canals, but even now every house in the city must have its foundation on piles. The word dam, or its inclusion in a name, means just about whatit does in English, provided you refer to the proper dam, not the improper damn. As nearly all of the Dutch towns are built on dam sites a great many of them are some-kind-of-a-dam. Amsterdam is built below the level of the sea, which is just beside it, and the water in the canals is pumped out by big engines and forced over the dike into the sea. If this were not done the water would come over the town site and Amsterdam would go back to swamp and not be worth a dam site.

Amsterdam is the chief money market of Holland, and one of the financial capitals of the world. It is the place an American promoter makes for when he is out after the stuff with which to make the female horse travel. A large part of its business men are Jews, and their ability and wealth have maintained the credit of Dutch interests in all parts of the globe. At a time when the Jews were being persecuted nearly everywhere they were given liberty in Holland, and much of the country’s progress is due to that fact and to the religious toleration of all kinds of sects.

The canals run along nearly all the streets,and are filled with freight-boats from the country and from other cities. Thousands of these canal boats lie in the canals of Amsterdam and are the homes of the boatmen, who are the commerce carriers of Holland. Under our window is tied up a canal-boat which could carry as much freight as a dozen American box cars. The power is a sail or a pole or a man or a woman, whichever is most convenient. The boatman and his wife and ten or fifteen children, with a dog and a cat, live comfortably in one end, and we can watch them at their work and play. A dozen more such boats are lying in this block, some with steam engines and some with gasoline engines. The Standard Oil Company does a great business in Holland, and as usual is a great help to the people. It is introducing cheap power for canal-boats by means of proper engines, and in a short time will probably free the boatman and his wife from the pull-and-push system received from the good old days.

The canals are lined with big buildings, business and residence, mostly from four to six stories high, with the narrow, peaked and picturesque architecture made familiar to usby the pictures. All kinds of color are used and ornamented fronts are common. Imagine a street such as I describe and you have this one that is under our hotel window and which is the universal street scene of Amsterdam. Some one called this the Venice of the North, but to my mind it is prettier than Venice, although it lacks some of the oriental architecture and smell.

Last night we went to the Rembrandt theatre to see “The Mikado,” in Dutch. Of course we could follow the music of the old-time friend, and the language made the play funnier than ever. The Dutch are not near so strong on music as are their German or French neighbors. They utilize compositions of other nations, and American airs are very common. The window of a large fine music store is playing up “Has Anybody Here Seen Kelly?” A few Americans were at the big garden Krasnapolsky, listening to a really fine orchestra with an Austrian leader. We sent up a request for the American national air and it came promptly: “Whistling Rufus.” The Europeans think the cake-walk is somethinglike a national dance in our country, and whenever they try to please us they turn loose one of our rag-time melodies. They do not mind chucking the “Georgia Campmeeting” or “Rings on My Fingers and Bells on My Toes,” into a program of Wagner and Tschudi and other composers whom we are taught at home to consider sacred.

The most entertaining feature of the Amsterdam landscape that I have seen is a Dutch lady in a hobble skirt. The fashion is here all right, and it would make an American hobble appear tame and common. In the first place, the Dutch lady is not of the proper architecture, and in the second place, she still wears a lot more underskirts, or whatever they are, than are considered necessary in Paris or Hutchinson. But she does not expand the hobble. The shopping street of Amsterdam is filled with fashionably dressed Dutch ladies who look like tops, and who are worth coming a long ways to see. Far be it from me to criticize the freaks of female fashion. I never know what they are until after they are past due. But if the Dutchhobble ever reaches the American side of the Atlantic it will be time for the mere men to organize.

The greatest art gallery in Europe is here, The Rijks Museum. I went to see it—once. I do not get the proper thrills from seeing a thousand pictures in thirty minutes. They make me tired. But Rembrandt’s Night Watch, or nearly anything a good Dutch artist has painted, is a real pleasure. The Dutch are recognizing their own modern art, and in that way they are going to distance the Italians. The Dutch artists are good at portraying people and common things, such as cats and dogs and ships. They are not strong in allegory or imaginative work, and you do not have to be educated up to enjoy them. And they run a little fun into their work occasionally, which would shock a Dago artist out of his temperament.

Wages are higher in Holland than elsewhere in Europe. A street car conductor gets a dollar a day. Ordinary labor is paid sixty to eighty cents a day. Farm laborer about $15per month, but boards himself. A good all-around hired girl is a dollar a week. Mechanics receive from one dollar to two dollars a day. The necessaries of life are not so high as with us. Vegetables are cheaper. Tobacco is much less. Meats are about as high. Clothing is cheaper, but our people wouldn’t wear it. Beer is two cents a glass and lemonade is five cents. The ordinary workingman lives on soup, vegetables, and very little meat; gets a new suit of clothes about once in five years, and takes his family to a garden for amusement, where they get all they want for ten cents. The Dutch citizen on foot is plain, honest, a little rude, but of good heart and very accommodating. I have not met the citizens in carriages and on horseback, who make up a very small part of the procession in Holland.


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