One afternoon many years ago two little brothers named Seth and Abner were playing in the orchard. They were not troubled with the heat of the August day, for a soft, cool wind came up from the river in the valley over yonder and fanned their red cheeks and played all kinds of pranks with their tangled curls. All about them was the hum of bees, the song of birds, the smell of clover, and the merry music of the crickets. Their little dog Fido chased them through the high, waving grass, and rolled with them under the trees, and barked himself hoarse in his attempt to keep pace with their laughter. Wearied at length, they lay beneath the bellflower-tree and looked off at the Hampshire hills, and wondered if the time ever would come when they should go out into theworld beyond those hills and be great, noisy men. Fido did not understand it at all. He lolled in the grass, cooling his tongue on the clover bloom, and puzzling his brain to know why his little masters were so quiet all at once.
"I wish I were a man," said Abner, ruefully. "I want to be somebody and do something. It is very hard to be a little boy so long and to have no companions but little boys and girls, to see nothing but these same old trees and this same high grass, and to hear nothing but the same bird-songs from one day to another."
"That is true," said Seth. "I, too, am very tired of being a little boy, and I long to go out into the world and be a man like my gran'pa or my father or my uncles. With nothing to look at but those distant hills and the river in the valley, my eyes are wearied; and I shall be very happy when I am big enough to leave this stupid place."
Had Fido understood their words he would have chided them, for the little dog loved his home and had no thought of any other pleasure than romping through the orchard and playing with his little masters all theday. But Fido did not understand them.
The clover bloom heard them with sadness. Had they but listened in turn they would have heard the clover saying softly: "Stay with me while you may, little boys; trample me with your merry feet; let me feel the imprint of your curly heads and kiss the sunburn on your little cheeks. Love me while you may, for when you go away you never will come back."
The bellflower-tree heard them, too, and she waved her great, strong branches as if she would caress the impatient little lads, and she whispered: "Do not think of leaving me: you are children, and you know nothing of the world beyond those distant hills. It is full of trouble and care and sorrow; abide here in this quiet spot till you are prepared to meet the vexations of that outer world. We are for you,—we trees and grass and birds and bees and flowers. Abide with us, and learn the wisdom we teach."
The cricket in the raspberry-hedge heard them, and she chirped, oh! so sadly: "You will go out into the world and leave us and never think of us again till it is too late to return. Open your ears, little boys, andhear my song of contentment."
So spake the clover bloom and the bellflower-tree and the cricket; and in like manner the robin that nested in the linden over yonder, and the big bumblebee that lived in the hole under the pasture gate, and the butterfly and the wild rose pleaded with them, each in his own way; but the little boys did not heed them, so eager were their desires to go into and mingle with the great world beyond those distant hills.
Many years went by; and at last Seth and Abner grew to manhood, and the time was come when they were to go into the world and be brave, strong men. Fido had been dead a long time. They had made him a grave under the bellflower-tree,—yes, just where he had romped with the two little boys that August afternoon Fido lay sleeping amid the humming of the bees and the perfume of the clover. But Seth and Abner did not think of Fido now, nor did they give even a passing thought to any of their old friends,—the bellflower-tree, the clover, the cricket, and the robin. Their hearts beat with exultation. They were men, and they were going beyond the hills to know and try the world.
They were equipped for that struggle, not in a vain, frivolous way, but as good and brave young men should be. A gentle mother had counselled them, a prudent father had advised them, and they had gathered from the sweet things of Nature much of that wisdom before which all knowledge is as nothing. So they were fortified. They went beyond the hills and came into the West. How great and busy was the world,—how great and busy it was here in the West! What a rush and noise and turmoil and seething and surging, and how keenly did the brothers have to watch and struggle for vantage ground. Withal, they prospered; the counsel of the mother, the advice of the father, the wisdom of the grass and flowers and trees, were much to them, and they prospered. Honor and riches came to them, and they were happy. But amid it all, how seldom they thought of the little home among the circling hills where they had learned the first sweet lessons of life!
And now they were old and gray. They lived in splendid mansions, and all people paid them honor.
One August day a grim messenger stood in Seth's presence and beckoned to him.
"Who are you?" cried Seth. "What strange power have you over me that the very sight of you chills my blood and stays the beating of my heart?"
Then the messenger threw aside his mask, and Seth saw that he was Death. Seth made no outcry; he knew what the summons meant, and he was content. But he sent for Abner.
And when Abner came, Seth was stretched upon his bed, and there was a strange look in his eyes and a flush upon his cheeks, as though a fatal fever had laid hold on him.
"You shall not die!" cried Abner, and he threw himself about his brother's neck and wept.
But Seth bade Abner cease his outcry. "Sit here by my bedside and talk with me," said he, "and let us speak of the Hampshire hills."
A great wonder overcame Abner. With reverence he listened, and as he listened, a sweet peace seemed to steal into his soul.
"I am prepared for Death," said Seth, "and I will go with Death this day. Let us talk of our childhood now, for, after all the battle with this great world, it is pleasant to think andspeak of our boyhood among the Hampshire hills."
"Say on, dear brother," said Abner.
"I am thinking of an August day long ago," said Seth, solemnly and softly. "It wasso verylong ago, and yet it seems only yesterday. We were in the orchard together, under the bellflower-tree, and our little dog—"
"Fido," said Abner, remembering it all, as the years came back.
"Fido and you and I, under the bellflower-tree," said Seth. "How we had played, and how weary we were, and how cool the grass was, and how sweet was the fragrance of the flowers! Can you remember it, brother?"
"Oh, yes," replied Abner, "and I remember how we lay among the clover and looked off at the distant hills and wondered of the world beyond."
"And amid our wonderings and longings," said Seth, "how the old bellflower-tree seemed to stretch her kind arms down to us as if she would hold us away from that world beyond the hills."
"And now I can remember that the cloverwhispered to us, and the cricket in the raspberry-hedge sang to us of contentment," said Abner.
"The robin, too, carolled in the linden."
"It is very sweet to remember it now," said Seth. "How blue and hazy the hills looked; how cool the breeze blew up from the river; how like a silver lake the old pickerel pond sweltered under the summer sun over beyond the pasture and broom-corn, and how merry was the music of the birds and bees!"
So these old men, who had been little boys together, talked of the August afternoon when with Fido they had romped in the orchard and rested beneath the bellflower-tree. And Seth's voice grew fainter, and his eyes were, oh! so dim; but to the very last he spoke of the dear old days and the orchard and the clover and the Hampshire hills. And when Seth fell asleep forever, Abner kissed his brother's lips and knelt at the bedside and said the prayer his mother had taught him.
In the street without there was the noise of passing carts, the cries of trades-people, and all the bustle of a great and busy city; but, looking upon Seth's dear, dead face, Abner could hear only the music voices of birds and crickets and summer winds as he had heard them with Seth when they were little boys together, back among the Hampshire hills.
1885.
Ezra had written a letter to the home folks, and in it he had complained that never before had he spent such a weary, lonesome day as this Thanksgiving day had been. Having finished this letter, he sat for a long time gazing idly into the open fire that snapped cinders all over the hearthstone and sent its red forks dancing up the chimney to join the winds that frolicked and gambolled across the Kansas prairies that raw November night. It had rained hard all day, and was cold; and although the open fire made every honest effort to be cheerful, Ezra, as he sat in front of it in the wooden rocker and looked down into the glowing embers, experienced a dreadful feeling of loneliness and homesickness.
"I'm sick o' Kansas," said Ezra to himself. "Here I've been in thisplaguey country for goin' on a year, and—yes, I'm sick of it, powerful sick of it. What a miser'ble Thanksgivin' this has been! They don't know what Thanksgivin' is out this way. I wish I was back in ol' Mass'chusetts—that's the country forme, and they hev the kind o' Thanksgivin' I like!"
Musing in this strain, while the rain went patter-patter on the window-panes, Ezra saw a strange sight in the fireplace,—yes, right among the embers and the crackling flames Ezra saw a strange, beautiful picture unfold and spread itself out like a panorama.
"How very wonderful!" murmured the young man. Yet he did not take his eyes away, for the picture soothed him and he loved to look upon it.
"It is a pictur' of long ago," said Ezra, softly. "I had like to forgot it, but now it comes back to me as nat'ral-like as an ol' friend. An' I seem to be a part of it, an' the feelin' of that time comes back with the pictur', too."
Ezra did not stir. His head rested upon his hand, and his eyes were fixed upon the shadows in the firelight.
"It is a pictur' of the ol' home," said Ezra to himself. "I am back there in Belchertown, with the Holyoke hills up north an' the Berkshire mountains a loomin' up gray an' misty-like in the western horizon. Seems as if it wuz early mornin'; everything is still, and it is so cold when we boys crawl out o' bed that, if it wuzn't Thanksgivin' mornin', we'd crawl back again an' wait for Mother to call us. But itisThanksgivin' mornin', an' we're goin' skatin' down on the pond. The squealin' o' the pigs has told us it is five o'clock, and we must hurry; we're goin' to call by for the Dickerson boys an' Hiram Peabody, an' we've got to hyper! Brother Amos gets on about half o' my clo'es, and I get on 'bout half o' his, but it's all the same; they are stout, warm clo'es, and they're big enough to fit any of us boys,—Mother looked out for that when she made 'em. When we go downstairs we find the girls there, all bundled up nice an' warm,—Mary an' Helen an' Cousin Irene. They're goin' with us, an' we all start out tiptoe and quiet-like so's not to wake up the ol' folks. The ground is frozen hard; we stub our toes on the frozen ruts in the road. When we come to the minister'shouse, Laura is standin' on the front stoop, a-waitin' for us. Laura is the minister's daughter. She's a friend o' Sister Helen's—pretty as a dagerr'otype, an' gentle-like and tender. Laura lets me carry her skates, an' I'm glad of it, although I have my hands full already with the lantern, the hockies, and the rest. Hiram Peabody keeps us waitin', for he has overslept himself, an' when he comes trottin' out at last the girls make fun of him,—all except Sister Mary, an' she sort o' sticks up for Hiram, an' we're all so 'cute we kind o' calc'late we know the reason why.
"And now," said Ezra, softly, "the pictur' changes; seems as if I could see the pond. The ice is like a black lookin'-glass, and Hiram Peabody slips up the first thing, an' down he comes lickety-split, an' we all laugh,—except Sister Mary, an'shesays it is very imp'lite to laugh at other folks' misfortunes. Ough! how cold it is, and how my fingers ache with the frost when I take off my mittens to strap on Laura's skates! But, oh, how my cheeks burn! And how careful I am not to hurt Laura, an' how I ask her if that's 'tight enough,' an' how she tells me'jist a little tighter,' and how we two keep foolin' along till the others hev gone an' we are left alone! An' how quick I get myownskates strapped on,—none o' your new-fangled skates with springs an' plates an' clamps an' such, but honest, ol'-fashioned wooden ones with steel runners that curl up over my toes an' have a bright brass button on the end! How I strap 'em and lash 'em and buckle 'em on! An' Laura waits for me an' tells me to be sure to get 'em on tight enough,—why, bless me! after I once got 'em strapped on, if them skates hed come off, the feet wud ha' come with 'em! An' now away we go,—Laura an' me. Around the bend—near the medder where Si Barker's dog killed a woodchuck last summer—we meet the rest. We forget all about the cold. We run races an' play snap the whip, an' cut all sorts o' didoes, an' we never mind the pick'rel weed that is froze in on the ice an' trips us up every time we cut the outside edge; an' then we boys jump over the air-holes, an' the girls stan' by an' scream an' tell us they know we're agoin' to drownd ourselves. So the hours go, an' it is sun-up at last,an' Sister Helen says we must be gettin' home. When we take our skates off, our feet feel as if they were wood. Laura has lost her tippet; I lend her mine, and she kind o' blushes. The old pond seems glad to have us go, and the fire-hangbird's nest in the willer-tree waves us good-by. Laura promises to come over to our house in the evenin', and so we break up.
"Seems now," continued Ezra, musingly,—"seems now as if I could see us all at breakfast. The race on the pond has made us hungry, and Mother says she never knew anybody else's boys that had such capac'ties as hers. It is the Yankee Thanksgivin' breakfast,—sausages an' fried potatoes, an' buckwheat cakes an' syrup,—maple syrup, mind ye, for Father has his own sugar bush, and there was a big run o' sap last season. Mother says, 'Ezry an' Amos, won't you never get through eatin'? We want to clear off the table, for there's pies to make, an' nuts to crack, and laws sakes alive! the turkey's got to be stuffed yit!' Then how we all fly round! Mother sends Helen up into the attic to get a squash while Mary's makin' the pie-crust. Amos an' I crack the walnuts,—they call 'em hickory nuts out in this pesky country of sagebrush and pasture land. The walnuts are hard, and it's all we can do to crack 'em. Ev'ry once 'n a while one on 'em slips outer our fingers an' goes dancin' over the floor or flies into the pan Helen is squeezin' pumpkin into through the col'nder. Helen says we're shif'less an' good for nothin' but frivolin'; but Mother tells us how to crack the walnuts so 's not to let 'em fly all over the room, an' so 's not to be all jammed to pieces like the walnuts was down at the party at the Peasleys' last winter. An' now here comes Tryphena Foster, with her gingham gown an' muslin apron on; her folks have gone up to Amherst for Thanksgivin', an' Tryphena has come over to help our folks get dinner. She thinks a great deal o' Mother, 'cause Mother teaches her Sunday-school class an' says Tryphena oughter marry a missionary. There is bustle everywhere, the rattle uv pans an' the clatter of dishes; an' the new kitch'n stove begins to warm up an' git red, till Helen loses her wits an' is flustered, an' sez she never could git the hang o' that stove's dampers.
"An' now," murmured Ezra, gently, as a tone of deeper reverence crept into his voice, "I cansee Father sittin' all by himself in the parlor. Father's hair is very gray, and there are wrinkles on his honest old face. He is lookin' through the winder at the Holyoke hills over yonder, and I can guess he's thinkin' of the time when he wuz a boy like me an' Amos, an' useter climb over them hills an' kill rattlesnakes an' hunt partridges. Or doesn't his eyes quite reach the Holyoke hills? Do they fall kind o' lovingly but sadly on the little buryin' ground jest beyond the village? Ah, Father knows that spot, an' he loves it, too, for there are treasures there whose memory he wouldn't swap for all the world could give. So, while there is a kind o' mist in Father's eyes, I can see he is dreamin'-like of sweet an' tender things, and a-communin' with memory,—hearin' voices I never heard an' feelin' the tech of hands I never pressed; an' seein' Father's peaceful face I find it hard to think of a Thanksgivin' sweeter than Father's is.
"The pictur' in the firelight changes now," said Ezra, "an' seems as if I wuz in the old frame meetin'-house. The meetin'-house is on the hill, and meetin' begins at half pas' ten. Our pew is well up in front,—seemsas if I could see it now. It has a long red cushion on the seat, and in the hymn-book rack there is a Bible an' a couple of Psalmodies. We walk up the aisle slow, and Mother goes in first; then comes Mary, then me, then Helen, then Amos, and then Father. Father thinks it is jest as well to have one o' the girls set in between me an' Amos. The meetin'-house is full, for everybody goes to meetin' Thanksgivin' day. The minister reads the proclamation an' makes a prayer, an' then he gives out a psalm, an' we all stan' up an' turn 'round an' join the choir. Sam Merritt has come up from Palmer to spend Thanksgivin' with the ol' folks, an' he is singin' tenor to-day in his ol' place in the choir. Some folks say he sings wonderful well, butIdon't like Sam's voice. Laura sings soprano in the choir, and Sam stands next to her an' holds the book.
"Seems as if I could hear the minister's voice, full of earnestness an' melody, comin' from way up in his little round pulpit. He is tellin' us why we should be thankful, an', as he quotes Scriptur' an' Dr. Watts, weboys wonder how anybody can remember so much of the Bible. Then I get nervous and worried. Seems to me the minister was never comin' to lastly, and I find myself wonderin' whether Laura is listenin' to what the preachin' is about, or is writin' notes to Sam Merritt in the back of the tune book. I get thirsty, too, and I fidget about till Father looks at me, and Mother nudges Helen, and Helen passes it along to me with interest.
"An' then," continues Ezra in his revery, "when the last hymn is given out an' we stan' up agin an' join the choir, I am glad to see that Laura is singin' outer the book with Miss Hubbard, the alto. An' goin' out o' meetin' I kind of edge up to Laura and ask her if I kin have the pleasure of seein' her home.
"An' now we boys all go out on the Common to play ball. The Enfield boys have come over, and, as all the Hampshire county folks know, they are tough fellers to beat. Gorham Polly keeps tally, because he has got the newest jack-knife,—oh, how slick it whittles the old broom-handle Gorham picked up in Packard's store an' brought along jest to keep tally on! It is a great game of ball; the bats are broad and light, and theball is small and soft. But the Enfield boys beat us at last; leastwise they make 70 tallies to our 58, when Heman Fitts knocks the ball over into Aunt Dorcas Eastman's yard, and Aunt Dorcas comes out an' picks up the ball an' takes it into the house, an' we have to stop playin'. Then Phineas Owens allows he can flop any boy in Belchertown, an' Moses Baker takes him up, an' they wrassle like two tartars, till at last Moses tuckers Phineas out an' downs him as slick as a whistle.
"Then we all go home, for Thanksgivin' dinner is ready. Two long tables have been made into one, and one of the big tablecloths Gran'ma had when she set up housekeepin' is spread over 'em both. We all set round,—Father, Mother, Aunt Lydia Holbrook, Uncle Jason, Mary, Helen, Tryphena Foster, Amos, and me. How big an' brown the turkey is, and how good it smells! There are bounteous dishes of mashed potato, turnip, an' squash, and the celery is very white and cold, the biscuits are light an' hot, and the stewed cranberries are red as Laura's cheeks. Amos and I get the drumsticks; Mary wants the wish-bone to put over the door forHiram, but Helen gets it. Poor Mary, she alwaysdidhave to give up to 'rushin' Helen,' as we call her. The pies,—oh, what pies mother makes; no dyspepsia in 'em, but good-nature an' good health an' hospitality! Pumpkin pies, mince an' apple too, and then a big dish of pippins an' russets an' bellflowers, an', last of all, walnuts with cider from the Zebrina Dickerson farm! I tell ye, there's a Thanksgivin' dinner for ye! that's what we get in old Belchertown; an' that's the kind of livin' that makes the Yankees so all-fired good an' smart.
"But the best of all," said Ezra, very softly to himself,—"oh, yes, the best scene in all the pictur' is when evenin' comes, when the lamps are lit in the parlor, when the neighbors come in, and when there is music an' singin' an' games. An' it's this part o' the pictur' that makes me homesick now and fills my heart with a longin' I never had before; an' yet it sort o' mellows an' comforts me, too. Miss Serena Cadwell, whose beau was killed in the war, plays on the melodeon, and we all sing,—all on us, men, womenfolks, an' children. Sam Merritt is there, an' he sings a tenor song about love. The womensort of whisper round that he's goin' to be married to a Palmer lady nex' spring, an' I think to myself I never heard better singin' than Sam's. Then we play games,—proverbs, buzz, clap-in-clap-out, copenhagen, fox-an'-geese, button-button-who's-got-the-button, spin-the-platter, go-to-Jerusalem, my-ship's-come-in, and all the rest. The ol' folks play with the young folks just as nat'ral as can be; and we all laugh when Deacon Hosea Cowles hez to measure six yards of love ribbon with Miss Hepsy Newton, and cut each yard with a kiss; for the deacon hez been sort o' purrin' round Miss Hepsy for goin' on two years. Then, aft'r a while, when Mary an' Helen bring in the cookies, nutcakes, cider, an' apples, Mother says: 'I don't b'lieve we're goin' to hev enough apples to go round; Ezry, I guess I'll have to get you to go down-cellar for some more.' Then I says: 'All right, Mother, I'll go, providin' some one'll go along an' hold the candle.' An' when I say this I look right at Laura, an' she blushes. Then Helen, jest for meanness, says: 'Ezry, I s'pose you aint willin' to have your fav'rite sister go down-cellar with you an' catch her death o' cold?' But Mary, who hez been showin' Hiram Peabodythe phot'graph album for more 'n an hour, comes to the rescue an' makes Laura take the candle, and she shows Laura how to hold it so it won't go out.
"The cellar is warm an' dark. There are cobwebs all between the rafters an' everywhere else except on the shelves where Mother keeps the butter an' eggs an' other things that would freeze in the butt'ry upstairs. The apples are in bar'ls up against the wall, near the potater-bin. How fresh an' sweet they smell! Laura thinks she sees a mouse, an' she trembles an' wants to jump up on the pork bar'l, but I tell her that there sha'n't no mouse hurt her while I'm round; and I mean it, too, for the sight of Laura a-tremblin' makes me as strong as one of Father's steers. 'What kind of apples do you like best, Ezry?' asks Laura,—'russets or greenin's or crow-eggs or bellflowers or Baldwins or pippins?' 'I like the Baldwins best,' says I, ''coz they've got red cheeks just like yours.' 'Why, Ezry Thompson! how you talk!' says Laura. 'You oughter be ashamed of yourself!' But when I get the dish filled up with apples there aint a Baldwin in all the lot thatcan compare with the bright red of Laura's cheeks. An' Laura knows it, too, an' she sees the mouse agin, an' screams, and then the candle goes out, and we are in a dreadful stew. But I, bein' almost a man, contrive to bear up under it, and knowin' she is an orph'n, I comfort an' encourage Laura the best I know how, and we are almost upstairs when Mother comes to the door and wants to know what has kep' us so long. Jest as if Mother doesn't know! Of course she does; an' when Mother kisses Laura good-by that night there is in the act a tenderness that speaks more sweetly than even Mother's words.
"It is so like Mother," mused Ezra; "so like her with her gentleness an' clingin' love. Hers is the sweetest picture of all, and hers the best love."
Dream on, Ezra; dream of the old home with its dear ones, its holy influences, and its precious inspiration,—mother. Dream on in the far-away firelight; and as the angel hand of memory unfolds these sacred visions, with thee and them shall abide, like a Divine comforter, the spirit of thanksgiving.
1885
Once upon a time there were two youths named Herman and Ludwig; and they both loved Eloise, the daughter of the old burgomaster. Now, the old burgomaster was very rich, and having no child but Eloise, he was anxious that she should be well married and settled in life. "For," said he, "death is likely to come to me at any time: I am old and feeble, and I want to see my child sheltered by another's love before I am done with earth forever."
Eloise was much beloved by all the youth in the village, and there was not one who would not gladly have taken her to wife; but none loved her so much as did Herman and Ludwig. Nor did Eloise care for any but Herman and Ludwig, and she loved Herman. The burgomaster said: "Choose whom youwill—I care not! So long as he be honest I will have him for a son and thank Heaven for him."
So Eloise chose Herman, and all said she chose wisely; for Herman was young and handsome, and by his valor had won distinction in the army, and had thrice been complimented by the general. So when the brave young captain led Eloise to the altar there was great rejoicing in the village. The beaux, forgetting their disappointments, and the maidens, seeing the cause of all their jealousy removed, made merry together; and it was said that never had there been in the history of the province an event so joyous as was the wedding of Herman and Eloise.
But in all the Village there was one aching heart. Ludwig, the young musician, saw with quiet despair the maiden he loved go to the altar with another. He had known Eloise from childhood, and he could not say when his love of her began, it was so very long ago; but now he knew his heart was consumed by a hopeless passion. Once, at a village festival, he had begun to speak to her of his love; but Eloise had placed her handkindly upon his lips and told him to say no further, for they had always been and always would be brother and sister. So Ludwig never spoke his love after that, and Eloise and he were as brother and sister; but the love of her grew always within him, and he had no thought but of her.
And now, when Eloise and Herman were wed, Ludwig feigned that he had received a message from a rich relative in a distant part of the kingdom bidding him come thither, and Ludwig went from the village and was seen there no more.
When the burgomaster died all his possessions went to Herman and Eloise; and they were accounted the richest folk in the province, and so good and charitable were they that they were beloved by all. Meanwhile Herman had risen to greatness in the army, for by his valorous exploits he had become a general, and he was much endeared to the king. And Eloise and Herman lived in a great castle in the midst of a beautiful park, and the people came and paid them reverence there.
And no one in all these years spoke of Ludwig. No one thought of him.Ludwig was forgotten. And so the years went by.
It came to pass, however, that from a far-distant province there spread the fame of a musician so great that the king sent for him to visit the court. No one knew the musician's name nor whence he came, for he lived alone and would never speak of himself; but his music was so tender and beautiful that it was called heart-music, and he himself was called the Master. He was old and bowed with infirmities, but his music was always of youth and love; it touched every heart with its simplicity and pathos, and all wondered how this old and broken man could create so much of tenderness and sweetness on these themes.
But when the king sent for the Master to come to court the Master returned him answer: "No, I am old and feeble. To leave my home would weary me unto death. Let me die here as I have lived these long years, weaving my music for hearts that need my solace."
Then the people wondered. But the king was not angry; in pity he sent the Master a purse of gold, and bade him come or not come, as he willed. Such honor had never before been shown any subject in the kingdom, andall the people were dumb with amazement. But the Master gave the purse of gold to the poor of the village wherein he lived.
In those days Herman died, full of honors and years, and there was a great lamentation in the land, for Herman was beloved by all. And Eloise wept unceasingly and would not be comforted.
On the seventh day after Herman had been buried there came to the castle in the park an aged and bowed man who carried in his white and trembling hands a violin. His kindly face was deeply wrinkled, and a venerable beard swept down upon his breast. He was weary and footsore, but he heeded not the words of pity bestowed on him by all who beheld him tottering on his way. He knocked boldly at the castle gate, and demanded to be brought into the presence of Eloise.
And Eloise said: "Bid him enter; perchance his music will comfort my breaking heart."
Then, when the old man had come into her presence, behold! he was the Master,—ay, the Master whose fame was in every land, whose heart-music was on every tongue.
"If thou art indeed the Master," said Eloise,"let thy music be balm to my chastened spirit."
The Master said: "Ay, Eloise, I will comfort thee in thy sorrow, and thy heart shall be stayed, and a great joy will come to thee."
Then the Master drew his bow across the strings, and lo! forthwith there arose such harmonies as Eloise had never heard before. Gently, persuasively, they stole upon her senses and filled her soul with an ecstasy of peace.
"Is it Herman that speaks to me?" cried Eloise. "It is his voice I hear, and it speaks to me of love. With thy heart-music, O Master, all the sweetness of his life comes back to comfort me!"
The Master did not pause; as he played, it seemed as if each tender word and caress of Herman's life was stealing back on music's pinions to soothe the wounds that death had made.
"It is the song of our love-life," murmured Eloise. "How full of memories it is—what tenderness and harmony—and, oh! what peace it brings! But tell me, Master, what means this minor chord,—this undertone of sadnessand of pathos that flows like a deep, unfathomable current throughout it all, and wailing, weaves itself about thy theme of love and happiness with its weird and subtile influences?"
Then the Master said: "It is that shade of sorrow and sacrifice, O Eloise, that ever makes the picture of love more glorious. An undertone of pathos has beenmypart in all these years to symmetrize the love of Herman and Eloise. The song of thy love is beautiful, and who shall say it is not beautified by the sad undertone of Ludwig's broken heart?"
"Thou art Ludwig!" cried Eloise. "Thou art Ludwig, who didst love me, and hast come to comfort me who loved thee not!"
The Master indeed was Ludwig; but when they hastened to do him homage he heard them not, for with that last and sweetest heart-song his head sank upon his breast, and he was dead.
1885.
One morning in May Fido sat on the front porch, and he was deep in thought. He was wondering whether the people who were moving into the next house were as cross and unfeeling as the people who had just moved out. He hoped they were not, for the people who had just moved out had never treated Fido with that respect and kindness which Fido believed he was on all occasions entitled to.
"The new-comers must be nice folks," said Fido to himself, "for their feather-beds look big and comfortable, and their baskets are all ample and generous,—and see, there goes a bright gilt cage, and there is a plump yellow canary bird in it! Oh, how glad Mrs. Tabby will be to see it,—she so dotes on dear littlecanary birds!"
Mrs. Tabby was the old brindled cat, who was the mother of the four cunning little kittens in the hay-mow. Fido had heard her remark very purringly only a few days ago that she longed for a canary bird, just to amuse her little ones and give them correct musical ears. Honest old Fido! There was no guile in his heart, and he never dreamed there was in all the wide world such a sin as hypocrisy. So when Fido saw the little canary bird in the cage he was glad for Mrs. Tabby's sake.
While Fido sat on the front porch and watched the people moving into the next house another pair of eyes peeped out of the old hollow maple over the way. This was the red-headed woodpecker, who had a warm, cosey nest far down in the old hollow maple, and in the nest there were four beautiful eggs, of which the red-headed woodpecker was very proud.
"Good-morning, Mr. Fido," called the red-headed woodpecker from her high perch. "You are out bright and early to-day. And what do you think of our new neighbors?"
"Upon my word, I cannot tell," replied Fido,wagging his tail cheerily, "for I am not acquainted with them. But I have been watching them closely, and by to-day noon I think I shall be on speaking terms with them,—provided, of course, they are not the cross, unkind people our old neighbors were."
"Oh, I do so hope there are no little boys in the family," sighed the red-headed woodpecker; and then she added, with much determination and a defiant toss of her beautiful head: "I hate little boys!"
"Why so?" inquired Fido. "As for myself, I love little boys. I have always found them the pleasantest of companions. Why doyoudislike them?"
"Because they are wicked," said the red-headed woodpecker. "They climb trees and break up the nests we have worked so hard to build, and they steal away our lovely eggs—oh, I hate little boys!"
"Good little boys don't steal birds' eggs," said Fido, "and I'm sure I never would play with a bad boy."
But the red-headed woodpecker insisted that all little boys were wicked; and, firm in this faith,she flew away to the linden over yonder, where, she had heard the thrush say, there lived a family of fat white grubs. The red-headed woodpecker wanted her breakfast, and it would have been hard to find a more palatable morsel for her than a white fat grub.
As for Fido, he sat on the front porch and watched the people moving in. And as he watched them he thought of what the red-headed woodpecker had said, and he wondered whether it could be possible for little boys to be so cruel as to rob birds' nests. As he brooded over this sad possibility, his train of thought was interrupted by the sound of a voice that fell pleasantly on his ears.
"Goggie, goggie, goggie!" said the voice. "Tum here, 'ittle goggie—tum here, goggie, goggie, goggie!"
Fido looked whence the voice seemed to come, and he saw a tiny figure on the other side of the fence,—a cunning baby-figure in the yard that belonged to the house where the new neighbors were moving in. A second glance assured Fido that the calling stranger was a little boy not more than three years old, wearing a pretty dress, and a broad hat that crowned his yellowhair and shaded his big blue eyes and dimpled face. The sight was a pleasing one, and Fido vibrated his tail,—very cautiously, however, for Fido was not quite certain that the little boy meant his greeting for him, and Fido's sad experiences with the old neighbors had made him wary about scraping acquaintances too hastily.
"Tum, 'ittle goggie!" persisted the prattling stranger, and, as if to encourage Fido, the little boy stretched his chubby arms through the fence and waved them entreatingly.
Fido was convinced now; so he got up, and with many cordial gestures of his hospitable tail, trotted down the steps and over the lawn to the corner of the fence where the little stranger was.
"Me love oo," said the little stranger, patting Fido's honest brown back; "me love oo, 'ittle goggie."
Fido knew that, for there were caresses in every stroke of the dimpled hands. Fido loved the little boy, too,—yes, all at once he loved the little boy; and he licked the dimpled hands, and gave three short, quick barks, and waggedhis tail hysterically. So then and there began the friendship of Fido and the little boy.
Presently Fido crawled under the fence into the next yard, and then the little boy sat down on the grass, and Fido put his forepaws in the little boy's lap and cocked up his ears and looked up into the little boy's face, as much as to say, "We shall be great friends, shall we not, little boy?"
"Me love oo," said the little boy; "me wan' to tiss oo, 'ittle goggie!"
And the little boy did kiss Fido,—yes, right on Fido's cold nose; and Fido liked to have the little boy kiss him, for it reminded him of another little boy who used to kiss him, but who was now so big that he was almost ashamed to play with Fido any more.
"Is oo sit, 'ittle goggie?" asked the little boy, opening his blue eyes to their utmost capacity and looking very piteous. "Oo nose be so told, oo mus' be sit, 'ittle goggie!"
But no, Fido was not sick, even though his nosewascold. Oh, no; he romped and played all that morning in the cool, green grass with the little boy; and the red-headed woodpecker,clinging to the bark on the hickory-tree, laughed at their merry antics till her sides ached and her beautiful head turned fairly livid. Then, at last, the little boy's mamma came out of the house and told him he had played long enough; and neither the red-headed woodpecker nor Fido saw him again that day.
But the next morning the little boy toddled down to the fence-corner, bright and early, and called, "Goggie! goggie! goggie!" so loudly, that Fido heard him in the wood-shed, where he was holding a morning chat with Mrs. Tabby. Fido hastened to answer the call; the way he spun out of the wood-shed and down the gravel walk and around the corner of the house was a marvel.
"Mamma says oo dot f'eas, 'ittle goggie," said the little boy. "Hasoo dot f'eas?"
Fido looked crestfallen, for could Fido have spoken he would have confessed that he indeedwasafflicted with fleas,—not with very many fleas, but just enough to interrupt his slumbers and his meditations at the most inopportune moments. And the little boy's guileless impeachment set Fido to feeling creepy-crawly all of a sudden, and without any further ado Fido turneddeftly in his tracks, twisted his head back toward his tail, and by means of several well-directed bites and plunges gave the malicious Bedouins thereabouts located timely warning to behave themselves. The little boy thought this performance very funny, and he laughed heartily. But Fido looked crestfallen.
Oh, what play and happiness they had that day; how the green grass kissed their feet, and how the smell of clover came with the springtime breezes from the meadow yonder! The red-headed woodpecker heard them at play, and she clambered out of the hollow maple and dodged hither and thither as if she, too, shared their merriment. Yes, and the yellow thistle-bird, whose nest was in the blooming lilac-bush, came and perched in the pear-tree and sang a little song about the dear little eggs in her cunning home. And there was a flower in the fence-corner,—a sweet, modest flower that no human eyes but the little boy's had ever seen,—and she sang a little song, too, a song about the kind old mother earth and the pretty sunbeams,the gentle rain and the droning bees. Why, the little boy had never known anything half so beautiful, and Fido,—he, too, was delighted beyond all telling. If the whole truth must be told, Fido had such an exciting and bewildering romp that day that when night came, and he lay asleep on the kitchen floor, he dreamed he was tumbling in the green grass with the little boy, and he tossed and barked and whined so in his sleep that the hired man had to get up in the night and put him out of doors.
Down in the pasture at the end of the lane lived an old woodchuck. Last year the freshet had driven him from his childhood's home in the cornfield by the brook, and now he resided in a snug hole in the pasture. During their rambles one day, Fido and his little boy friend had come to the pasture, and found the old woodchuck sitting upright at the entrance to his hole.
"Oh, I'm not going to hurt you, old Mr. Woodchuck," said Fido. "I have too much respect for your gray hairs."
"Thank you," replied the woodchuck, sarcastically, "but I'm not afraid of any bench-legged fyste that ever walked. It was only last weekthat I whipped Deacon Skinner's yellow mastiff, and I calc'late I can trounce you, you ridiculous little brown cur!"
The little boy did not hear this badinage. When he saw the woodchuck solemnly perched at the entrance to his hole he was simply delighted.
"Oh, see!" cried the little boy, stretching out his fat arms and running toward the woodchuck,—"oh, see,—nuzzer 'ittle goggie! Tum here, 'ittle goggie,—me love oo!"
But the old woodchuck was a shy creature, and not knowing what guile the little boy's cordial greeting might mask, the old woodchuck discreetly disappeared in his hole, much to the little boy's amazement.
Nevertheless, the old woodchuck, the little boy, and Fido became fast friends in time, and almost every day they visited together in the pasture. The old woodchuck—hoary and scarred veteran that he was—had wonderful stories to tell,—stories of marvellous adventures, of narrow escapes, of battles with cruel dogs, and of thrilling experiences that were altogether new to his wondering listeners. Meanwhilethe red-headed woodpecker's eggs in the hollow maple had hatched, and the proud mother had great tales to tell of her baby birds,—of how beautiful and knowing they were, and of what good, noble birds they were going to be when they grew up. The yellow-bird, too, had four fuzzy little babies in her nest in the lilac-bush, and every now and then she came to sing to the little boy and Fido of her darlings. Then, when the little boy and Fido were tired with play, they would sit in the rowen near the fence-corner and hear the flower tell a story the dew had brought fresh from the stars the night before. They all loved each other,—the little boy, Fido, the old woodchuck, the red-headed woodpecker, the yellow-bird, and the flower,—yes, all through the days of spring and all through the summer time they loved each other in their own honest, sweet, simple way.
But one morning Fido sat on the front porch and wondered why the little boy had not come to the fence-corner and called to him. The sun was high, the men had been long gone to the harvest fields, and the heat of the early autumn day had driven the birds to the thickest foliage of the trees. Fido could not understand whythe little boy did not come; he felt, oh! so lonesome, and he yearned for the sound of a little voice calling "Goggie, goggie, goggie."
The red-headed woodpecker could not explain it, nor could the yellow-bird. Fido trotted leisurely down to the fence-corner and asked the flower if she had seen the little boy that morning. But no, the flower had not laid eyes on the little boy, and she could only shake her head doubtfully when Fido asked her what it all meant. At last in desperation Fido braced himself for an heroic solution of the mystery, and as loudly as ever he could, he barked three times,—in the hope, you know, that the little boy would hear his call and come. But the little boy did not come.
Then Fido trotted sadly down the lane to the pasture to talk with the old woodchuck about this strange thing. The old woodchuck saw him coming and ambled out to meet him.
"But where is our little boy?" asked the old woodchuck.
"I do not know," said Fido. "I waited for him and called to him again and again, but he never came."
Ah, those were sorry days for the little boy's friends, and sorriest for Fido. Poor, honest Fido, how lonesome he was and how he moped about! How each sudden sound, how each footfall, startled him! How he sat all those days upon the front door-stoop, with his eyes fixed on the fence-corner and his rough brown ears cocked up as if he expected each moment to see two chubby arms stretched out toward him and to hear a baby voice calling "Goggie, goggie, goggie."
Once only they saw him,—Fido, the flower, and the others. It was one day when Fido had called louder than usual. They saw a little figure in a night-dress come to an upper window and lean his arms out. They saw it was the little boy, and, oh! how pale and ill he looked. But his yellow hair was as glorious as ever, and the dimples came back with the smile that lighted his thin little face when he saw Fido; and he leaned on the window casement and waved his baby hands feebly, and cried: "Goggie! goggie!" till Fido saw the little boy's mother come and take him from the window.
One morning Fido came to the fence-corner—how very lonely that spot seemed now—and he talked with the flower and the woodpecker; and the yellow-bird came, too, and they all talked of the little boy. And at that very moment the old woodchuck reared his hoary head by the hole in the pasture, and he looked this way and that and wondered why the little boy never came any more.
"Suppose," said Fido to the yellow-bird,—"suppose you fly to the window way up there and see what the little boy is doing. Sing him one of your pretty songs, and tell him we are lonesome without him; that we are waiting for him in the old fence-corner."
Then the yellow-bird did as Fido asked,—she flew to the window where they had once seen the little boy, and alighting upon the sill, she peered into the room. In another moment she was back on the bush at Fido's side.
"He is asleep," said the yellow-bird.
"Asleep!" cried Fido.
"Yes," said the yellow-bird, "he is fast asleep. I think he must be dreaming a beautiful dream, for I could see a smile on his face, and his little hands were folded on his bosom. There wereflowers all about him, and but for their sweet voices the chamber would have been very still."
"Come, let us wake him," said Fido; "let us all call to him at once. Then perhaps he will hear us and awaken and answer; perhaps he will come."
So they all called in chorus,—Fido and the other honest friends. They called so loudly that the still air of that autumn morning was strangely startled, and the old woodchuck in the pasture way off yonder heard the echoes and wondered.
"Little boy! little boy!" they called, "why are you sleeping? Why are you sleeping, little boy?"
Call on, dear voices! but the little boy will never hear. The dimpled hands that caressed you are indeed folded upon his breast; the lips that kissed your honest faces are sealed; the baby voice that sang your playtime songs with you is hushed, and all about him is the fragrance and the beauty of flowers. Call on, O honest friends! but he shall never hear your calling; for, as if he were aweary of the love and play and sunshine that were all he knew of earth, our darling is asleep forever.
1885.