THE END
FOOTNOTES:1Ceresais the setting of powdered glass of different colours in a cement bed. Mosaic cubes are often combined with it.2Vide“Wood-Carving,” byCharles Godfrey Leland, F.R.L.S., M.A. (London, Whittaker & Co., 5s.), for a chapter on this subject.3For fullest details as to the treatment of horn, the reader may consultDie Verarbeitung des Hornes, &c., byLouis E. Andés, in which he will also find full details as to dyeing ivory.4The lateW. W. Story, the sculptor and man of letters.5“Handbook on the Preservation of Pictures,” byHenry Mogford; twelfth edition, revised. London: Winsor & Newton, 1s.
1Ceresais the setting of powdered glass of different colours in a cement bed. Mosaic cubes are often combined with it.
1Ceresais the setting of powdered glass of different colours in a cement bed. Mosaic cubes are often combined with it.
2Vide“Wood-Carving,” byCharles Godfrey Leland, F.R.L.S., M.A. (London, Whittaker & Co., 5s.), for a chapter on this subject.
2Vide“Wood-Carving,” byCharles Godfrey Leland, F.R.L.S., M.A. (London, Whittaker & Co., 5s.), for a chapter on this subject.
3For fullest details as to the treatment of horn, the reader may consultDie Verarbeitung des Hornes, &c., byLouis E. Andés, in which he will also find full details as to dyeing ivory.
3For fullest details as to the treatment of horn, the reader may consultDie Verarbeitung des Hornes, &c., byLouis E. Andés, in which he will also find full details as to dyeing ivory.
4The lateW. W. Story, the sculptor and man of letters.
4The lateW. W. Story, the sculptor and man of letters.
5“Handbook on the Preservation of Pictures,” byHenry Mogford; twelfth edition, revised. London: Winsor & Newton, 1s.
5“Handbook on the Preservation of Pictures,” byHenry Mogford; twelfth edition, revised. London: Winsor & Newton, 1s.
Transcriber’s Note:Obvious printer errors corrected silently.Inconsistent spelling and hyphenation are as in the original.
Obvious printer errors corrected silently.
Inconsistent spelling and hyphenation are as in the original.