This is an expression consecrated in its appropriation by the fathers of the Church and even by the primitive propagators of our holy religion. It signifies the application of oratory to circumstances.
For example: St. Paul, being a Christian, comes to the temple of the Jews to perform the Judaic rites, in order to show that he does not forsake the Mosaic law; he is recognized at the end of a week and accused of having profaned the temple. Loaded with blows, he is dragged along by the mob; the tribune of the cohort—tribunis cohortis—arrives, and binds him with a double chain. The next day this tribune assembles the council and carries Paul before it, when the High Priest Ananias commences proceedings by giving him a box on the ear, on which Paul salutes him with the epithet of "a whited wall."
"But when Paul perceived that the one part were Sadducees and the other Pharisees, he cried out in the council, 'Men and brethren, I am a Pharisee, the son of a Pharisee, of the hope and resurrection of the dead I am called in question.' And when he had so said there arose a discussion between the Pharisees and the Sadducees, and the multitude was divided. For the Sadducees say that there is no resurrection, neither angel nor spirit, but the Pharisees confess both."
It is very evident from the text that Paul was not a Pharisee after he became a Christian and that there was in this affair no question either of resurrection or hope, of angel or spirit.
The text shows that Paul spoke thus only to embroil the Pharisees and Sadducees. This was speaking with economy, that is to say, with prudence; it was a pious artifice which, perhaps, would not have been permitted to any but an apostle.
It is thus that almost all the fathers of the Church have spoken "with economy." St. Jerome develops this method admirably in his fifty-fourth letter to Pammachus. Weigh his words. After having said that there are occasions when it is necessary to present a loaf and to throw a stone, he continues thus:
"Pray read Demosthenes, read Cicero, and if these rhetoricians displease you because their art consists in speaking of the seeming rather than the true, read Plato, Theophrastus, Xenophon, Aristotle, and all those who, having dipped into the fountain of Socrates, drew different waters from it. Is there among them any candor, any simplicity? What terms among them are not ambiguous, and what sense do they not make free with to bear away the palm of victory? Origen, Methodius, Eusebius, Apollinarus, have written a million of arguments against Celsus and Porphyry. Consider with what artifice, with what problematic subtlety they combat the spirit of the devil. They do not say what they think, but what it is expedient to say:Non quod sentiunt, sed quod necesse est dicunt. And not to mention other Latins—Tertullian, Cyprian, Minutius, Victorinus, Lactantius, and Hilarius—whom I will not cite here; I will content myself with relating the example of the Apostle Paul," etc.
St. Augustine often writes with economy. He so accommodates himself to time and circumstances that in one of his epistles he confesses that he explained the Trinity only because he must say something.
Assuredly this was not because he doubted the Holy Trinity, but he felt how ineffable this mystery is and wished to content the curiosity of the people.
This method was always received in theology. It employed an argument against the Eucratics, which was the cause of triumph to the Carpocratians; and when it afterwards disputed with the Carpocratians its arms were changed.
It is asserted that Jesus Christ died for many when the number of rejected is set forth, but when his universal bounty is to be manifested he is said to have died for all. Here you take the real sense for the figurative; there the figurative for the real, as prudence and expediency direct.
Such practices are not admitted in justice. A witness would be punished who told thepourandcontreof a capital offence. But there is an infinite difference between vile human interests, which require the greatest clearness, and divine interests, which are hidden in an impenetrable abyss. The same judges who require indubitable demonstrative proofs will be contented in sermons with moral proofs, and even with declamations exhibiting no proofs at all.
St. Augustine speaks with economy, when he says, "I believe, because it is absurd; I believe, because it is impossible." These words, which would be extravagant in all worldly affairs, are very respectable in theology. They signify that what is absurd and impossible to mortal eyes is not so to the eyes of God; God has revealed to me these pretended absurdities, these apparent impossibilities, therefore I ought to believe them.
An advocate would not be allowed to speak thus at the bar. They would confine in a lunatic asylum a witness who might say, "I assert that the accused, while shut up in a country house in Martinique, killed a man in Paris, and I am the more certain of this homicide because it is absurd and impossible." But revelations, miracles, and faith are quite a distinct order of things.
The same St. Augustine observes in his one hundred and fifty-third letter, "It is written that the whole world belongs to the faithful, and infidels have not an obolus that they possess legitimately."
If upon this principle a brace of bankers were to wait upon me to assure me that they were of the faithful, and in that capacity had appropriated the property belonging to me, a miserable worldling, to themselves, it is certain that they would be committed to the Châtelet, in spite of the economy of the language of St. Augustine.
St. Irenæus asserts that we must not condemn the incest of the two daughters of Lot, nor that of Thamar with her father-in-law, because the Holy Scripture has not expressly declared them criminal. This verbal economy prevents not the legal punishment of incest among ourselves. It is true that if the Lord expressly ordered people to commit incest it would not be sinful, which is the economy of Irenæus. His laudable object is to make us respect everything in the Holy Scriptures, but as God has not expressly praised the foregoing doings of the daughters of Lot and of Judah we are permitted to condemn them.
All the first Christians, without exception, thought of war like the Quakers and Dunkards of the present day, and the Brahmins, both ancient and modern. Tertullian is the father who is most explicit against this legal species of murder, which our vile human nature renders expedient. "No custom, no rule," says he, "can render this criminal destruction legitimate."
Nevertheless, after assuring us that no Christian can carry arms, he says, "by economy," in the same book, in order to intimidate the Roman Empire, "although of such recent origin, we fill your cities and yourarmies."
It is in the same spirit that he asserts that Pilate was a Christian in his heart, and the whole of his apology is filled with similar assertions, which redoubled the zeal of his proselytes.
Let us terminate these examples of the economical style, which are numberless, by a passage of St. Jerome, in his controversy with Jovian upon second marriages. The holy Jerome roundly asserts that it is plain, by the formation of the two sexes—in the description of which he is rather particular—that they are destined for each other, and for propagation. It follows, therefore, that they are to make love without ceasing, in order that their respective faculties may not be bestowed in vain. This being the case, why should not men and women marry again? Why, indeed, is a man to deny his wife to his friend if a cessation of attention on his own part be personally convenient? He may present the wife of another with a loaf of bread if she be hungry, and why may not her other wants be supplied, if they are urgent? Functions are not given to lie dormant, etc.
After such a passage it is useless to quote any more, but it is necessary to remark, by the way, that the economical style, so intimately connected with the polemical, ought to be employed with the greatest circumspection, and that it belongs not to the profane to imitate the things hazarded by the saints, either as regards the heat of their zeal or the piquancy of their delivery.
According to some authors this word comes from "electus," chosen; it does not appear that its etymology can be derived from any other Latin word, since all is choice that is elegant. Elegance is the result of regularity and grace.
This word is employed in speaking of painting and sculpture.Elegans signumis opposed tosignum rigens—a proportionate figure, the rounded outlines of which are expressed with softness, to a cold and badly-finished figure.
The severity of the ancient Romans gave an odious sense to the word "elegantia." They regarded all kinds of elegance as affectation and far-fetched politeness, unworthy the gravity of the first ages. "Vitæ non laudi fuit," says Aulus Gellius. They call him an "elegant man," whom in these days we designate apetit-maître (bellus homuncio),and which the English call a "beau"; but towards the time of Cicero, when manners received their last degree of refinement,eleganswas always deemed laudatory. Cicero makes use of this word in a hundred places to describe a man or a polite discourse. At that time even a repast was called elegant, which is scarcely the case among us.
This term among the French, as among the ancient Romans, is confined to sculpture, painting, eloquence, and still more to poetry; it does not precisely mean the same thing as grace.
The word "grace" applies particularly to the countenance, and we do not say an elegant face, as we say elegant contours; the reason is that grace always relates to something in motion, and it is in the countenance that the mind appears; thus we do not say an elegant gait, because gait includes motion.
The elegance of a discourse is not its eloquence; it is a part of it; it is neither the harmony nor metre alone; it is clearness, metre, and choice of words, united.
There are languages in Europe in which nothing is more scarce than an elegant expression. Rude terminations, frequent consonants, and auxiliary-verbs grammatically repeated in the same sentence, offend the ears even of the natives themselves.
A discourse may be elegant without being good, elegance being, in reality, only a choice of words; but a discourse cannot be absolutely good without being elegant. Elegance is still more necessary to poetry than eloquence, because it is a part of that harmony so necessary to verse.
An orator may convince and affect even without elegance, purity, or number; a poet cannot really do so without being elegant: it is one of the principal merits of Virgil. Horace is much less elegant in his satires and epistles, so that he is much less of a poetsermoni proprior.
The great point in poetry and the oratorical art is that the elegance should never appear forced; and the poet in that, as in other things, has greater difficulties than the orator, for harmony being the base of his art, he must not permit a succession of harsh syllables. He must even sometimes sacrifice a little of the thought to elegance of expression, which is a constraint that the orator never experiences.
It should be remarked that if elegance always appears easy, all that is easy and natural is not, however, elegant.
It is seldom said of a comedy that it is elegantly written. The simplicity and rapidity of a familiar dialogue exclude this merit, so proper to all other poetry. Elegance would seem inconsistent with the comic. A thing elegantly said would not be laughed at, though most of the verses of Molière's "Amphitryon,"with the exception of those of mere pleasantry, are elegantly written. The mixture of gods and men in this piece, so unique in its kind, and the irregular verses, forming a number of madrigals, are perhaps the cause.
A madrigal requires to be more elegant than an epigram, because the madrigal bears somewhat the nature of the ode, and the epigram belongs to the comic. The one is made to express a delicate sentiment, and the other a ludicrous one.
Elegance should not be attended to in the sublime: it would weaken it. If we read of the elegance of the Jupiter Olympus of Phidias, it would be a satire. The elegance of the "Venus of Praxiteles" may be properly alluded to.
Elias and Enoch are two very important personages of antiquity. They are the only mortals who have been taken out of the world without having first tasted of death. A very learned man has pretended that these are allegorical personages. The father and mother of Elias are unknown. He believes that his country, Gilead, signifies nothing but the circulation of time. He proves it to have come from Galgala, which signifies revolution. But what signifies the name of the village of Galgala!
The word Elias has a sensible relation to that of Elios, the sun. The burned sacrifice offered by Elias, and lighted by fire from heaven, is an image of that which can be done by the united rays of the sun. The rain which falls, after great heats, is also a physical truth.
The chariot of fire and the fiery horses, which bore Elias to heaven, are a lively image of the four horses of the sun. The return of Elias at the end of the world seems to accord with the ancient opinion, that the sun would extinguish itself in the waters, in the midst of the general destruction that was expected, for almost all antiquity was for a long time persuaded that the world would sooner or later be destroyed.
We do not adopt these allegories; we only stand by those related in the Old Testament.
Enoch is as singular a personage as Elias, only that Genesis names his father and son, while the family of Elias is unknown. The inhabitants of both East and West have celebrated this Enoch.
The Holy Scripture, which is our infallible guide, informs us that Enoch was the father of Methuselah, or Methusalem, and that he only dwelt on the earth three hundred and sixty-five years, which seems a very short life for one of the first patriarchs. It is said that he walked in the way of God and that he appeared no longer because God carried him away. "It is that," says Calmet, "which makes the holy fathers and most of the commentators assure us that Enoch still lives; that God has borne him out of the world as well as Elias; that both will come before the last judgment to oppose the antichrist; that Elias will preach to the Jews, and Enoch to the Gentiles."
St. Paul, in his Epistle to the Hebrews—which has been contested—says expressly, "by faith Enoch was translated, that he should not see death, because death had translated him."
St. Justin, or somebody who had taken his name, says that Elias and Enoch are in a terrestrial paradise, and that they there wait the second coming of Jesus Christ.
St. Jerome, on the contrary, believes that Enoch and Elias are in heaven. It is the same Enoch, the seventh man after Adam, who is pretended to have written the book quoted by St. Jude.
Tertullian says that this work was preserved in the ark, and even that Enoch made a second copy of it after the deluge.
This is what the Holy Scripture and the holy fathers relate of Enoch; but the profane writers of the East tell us much more. They believe that there really was an Enoch, and that he was the first who made slaves of prisoners of war; they sometimes call him Enoc, and sometimes Edris. They say that he was the same who gave laws to the Egyptians under the name of Thaut, called by the Greeks Hermes Trismegistus. They give him a son named Sabi, the author of the religion of the Sabæans.
There was a tradition in Phrygia on a certain Anach, the same whom the Hebrews call Enoch. The Phrygians held this tradition from the Chaldæans or Babylonians, who also recognized an Enoch, or Anach, as the inventor of astronomy.
They wept for Enoch one day in the year in Phrygia, as they wept for Adonis among the Phœnicians.
The ingenious and profound writer, who believes Elias a person purely allegorical, thinks the same of Enoch. He believes that Enoch, Anach, Annoch, signified the year; that the Orientals wept for it, as for Adonis, and that they rejoiced at the commencement of the new year; that Janus, afterwards known in Italy, was the ancient Anach, or Annoch, of Asia; that not only Enoch formerly signified, among all nations, the beginning and end of the year, but the last day of the week; that the names of Anne, John, Januarius, Janvier, and January, all come from the same source.
It is difficult to penetrate the depths of ancient history. When we seize truth in the dark, we are never sure of retaining her. It is absolutely necessary for a Christian to hold by the Scriptures, whatever difficulty he may have in understanding them.
Eloquence was created before the rules of rhetoric, as the languages are formed before grammar.
Nature renders men eloquent under the influence of great interests or passions. A person much excited sees things with a different eye from other men. To him all is the object of rapid comparison and metaphor. Without premeditation, he vivifies all, and makes all who listen to him partake of his enthusiasm.
A very enlightened philosopher has remarked that people often express themselves by figures; that nothing is more common or more natural than the turns called tropes.
Thus, in all languages, the heart burns, courage is kindled, the eyes sparkle; the mind is oppressed, it is divided, it is exhausted; the blood freezes, the head is turned upside down; we are inflated with pride, intoxicated with vengeance. Nature is everywhere painted in these strong images, which have become common.
It is from her that instinct learns to assume a modest tone and air, when it is necessary. The natural desire of captivating our judges and masters; the concentrated energies of a profoundly stricken soul, which prepares to display the sentiments which oppress it, are the first teachers of this art.
It is the same nature which sometimes inspires lively and animated sallies; a strong impulse or a pressing danger prompts the imagination suddenly. Thus a captain of the first caliphs, seeing the Mussulmans fly from the field of battle, cried out, "Where are you running to? Your enemies are not there."
This speech has been given to many captains; it is attributed to Cromwell. Strong minds much oftener accord than fine wits.
Rasi, a Mussulman, captain of the time of Mahomet, seeing his Arabs frightened at the death of their general, Derar, said to them, "What does it signify that Derar is dead? God is living, and observes your actions."
Where is there a more eloquent man than that English sailor who decided the war against Spain in 1740? "When the Spaniards, having mutilated me, were going to kill me, I recommended my soul to God, and my vengeance to my country!"
Nature, then, elicits eloquence; and if it be said that poets are created and orators formed, it is applicable only when eloquence is forced to study the laws, the genius of the judges, and the manners of the times. Nature alone is spontaneously eloquent.
The precepts always follow the art. Tisias was the first who collected the laws of eloquence, of which nature gives the first rules. Plato afterwards said, in his "Gorgias," that an orator should have the subtlety of the logician, the science of the philosopher, almost the diction of the poet, and the voice and gesture of the greatest actors.
Aristotle, also, showed that true philosophy is the secret guide to perfection in all the arts. He discovered the sources of eloquence in his "Book of Rhetoric." He showed that logic is the foundation of the art of persuasion, and that to be eloquent is to know how to demonstrate.
He distinguished three kinds of eloquence: the deliberative, the demonstrative, and the judiciary. The deliberative is employed to exhort those who deliberate in taking a part in war, in peace, etc.; the demonstrative, to show that which is worthy of praise or blame; the judiciary, to persuade, absolve, condemn, etc.
He afterwards treats of the manners and passions with which all orators should be acquainted.
He examines the proofs which should be employed in these three species of eloquence, and finally he treats of elocution, without which all would languish. He recommends metaphors, provided they are just and noble; and, above all, he requires consistency and decorum.
All these precepts breathe the enlightened precision of a philosopher, and the politeness of an Athenian; and, in giving the rules of eloquence, he is eloquent with simplicity.
It is to be remarked, that Greece was the only country in the world in which the laws of eloquence were then known, because it was the only one in which true eloquence existed.
The grosser art was known to all men; sublime traits have everywhere escaped from nature at all times; but to rouse the minds of the whole of a polished nation—to please, convince, and affect at the same time, belonged only to the Greeks.
The Orientals were almost all slaves; and it is one of the characteristics of servitude to exaggerate everything. Thus the Asiatic eloquence was monstrous. The West was barbarous in the time of Aristotle.
True eloquence began to show itself in the time of the Gracchi, and was not perfected until the time of Cicero. Mark Antony, the orator Hortensius, Curion, Cæsar, and several others, were eloquent men.
This eloquence perished with the republic, like that of Athens. Sublime eloquence, it is said, belongs only to liberty; it consists in telling bold truths, in displaying strong reasons and representations. A man often dislikes truth, fears reason, and likes a well-turned compliment better than the sublimest eloquence.
Cicero, after having given the examples in his harangues, gave the precepts in his "Book of the Orator"; he followed almost all the methods of Aristotle, and explained himself in the style of Plato.
It distinguishes the simple species, the temperate, and the sublime.
Rollin has followed this division in his "Treatise on Study"; and he pretends that which Cicero does not, that the "temperate" is a beautiful river, shaded with green forests on both sides; the "simple," a properly-served table, of which all the meats are of excellent flavor, and from which all refinement is banished; that the "sublime" thunders forth, and is an impetuous current which overthrows all that resists it.
Without sitting down to this table, without following this thunderbolt, this current, or this river, every man of sense must see that simple eloquence is that which has simple things to expose, and that clearness and elegance are all that are necessary to it.
There is no occasion to read Aristotle, Cicero, and Quintilian, to feel that an advocate who begins by a pompous exordium on the subject of a partition wall is ridiculous; it was, however, the fault of the bar until the middle of the seventeenth century; they spoke with emphasis of the most trivial things. Volumes of these examples may be compiled; but all might be reduced to this speech of a witty advocate, who, observing that his adversary was speaking of the Trojan war and of Scamander, interrupted him by saying, "The court will observe that my client is not called Scamander, but Michaut." The sublime species can only regard powerful interests, treated of in a great assembly.
There may still be seen lively traces of it in the Parliament of England': several harangues partook of it which were pronounced there in 1739, when they debated about declaring war against Spain. The spirits of Cicero and Demosthenes seem to have dictated several passages in their speeches; but they will not descend to posterity like those of the Greeks and Romans, because they want the art and charm of diction, which place the seal of immortality on good works.
The temperate species is that of those preparatory discourses, of those public speeches, and of those studied compliments, in which the deficiency of matter must be concealed with flowers.
These three species are often mingled, as also the three objects of eloquence, according to Aristotle: the great merit of the orator consists in uniting them with judgment.
Great eloquence can scarcely be known to the bar in France, because it does not conduct to honors, as in Athens, Rome, and at present in London; neither has it great public interests for its object; it is confined to funeral orations, in which it borders a little upon poetry.
Bossuet, and after him Fléchier, seem to have obeyed that precept of Plato, which teaches us that the elocution of an orator may sometimes be the same as that of a poet.
Pulpit oratory had been almost barbarous until P. Bourdaloue; he was one of the first who caused reason to be spoken there.
The English did not arrive at that art until a later date, as is avowed by Burnet, bishop of Salisbury. They knew not the funeral oration; they avoided, in their sermons, all those vehement turns which appeared not to them consistent with the simplicity of the Gospel; and they were diffident of using those far-fetched divisions which are condemned by Arch-bishop Fénelon, in his dialogues "Sur l'Éloquence."
Though our sermons turn on the most important subjects to man, they supply few of those striking parts which, like the fine passages of Cicero and Demosthenes, are fit to become the models of all the western nations. The reader will therefore be glad to learn the effect produced by M. Massillon, since bishop of Clermont, the first time that he preached his famous sermon on the small number of the elect. A kind of transport seized all the audience; they rose involuntarily; the murmurs of acclamation and surprise were so great as to disturb the orator; and this confusion only served to augment the pathos of his discourse. The following is the passage:
"I will suppose that this is our last hour, that the heavens open over our heads, that time is past, and that eternity commences; that Jesus Christ is going to appear to judge us according to our works, and that we are all here to receive from Him the sentence of eternal life or death: I ask you, overwhelmed with terror like yourselves, without separating my lot from your own, and putting myself in the same situation in which we must all one day appear before God our judge—if Jesus Christ were now to make the terrible separation of the just from the unjust, do you believe that the greater part would be saved? Do you believe that the number of the righteous would be in the least degree equal to the number of the sinners? Do you believe that, if He now discussed the works of the great number who are in this church, He would find ten righteous souls among us? Would He find a single one?"
There are several different editions of this discourse, but the substance is the same in all of them.
This figure, the boldest which was ever employed, and the best timed, is one of the finest turns of eloquence which can be read either among the ancients or moderns; and the rest of the discourse is not unworthy of this brilliant appeal.
Preachers who cannot imitate these fine models would do well to learn them by heart, and deliver them to their congregations—supposing that they have the rare talent of declamation—instead of preaching to them, in a languishing style, things as common-place as they are useless.
It is asked, if eloquence be permitted to historians? That which belongs to them consists in the art of arranging events, in being always elegant in their expositions, sometimes lively and impressive, sometimes elaborate and florid; in being strong and true in their pictures of general manners and principal personages, and in the reflections naturally incorporated with the narrative, so that they should not appear to be obtruded. The eloquence of Demosthenes belongs not to Thucydides; a studied harangue, put into the mouth of a hero who never pronounced it is, in the opinion of many enlightened minds, nothing more than a splendid defect.
If, however, these licences be permitted, the following is an occasion in which Mézeray, in his great history, may obtain grace for a boldness so approved by the ancients, to whom he is equal, at least on this occasion. It is at the commencement of the reign of Henry IV., when that prince, with very few troops, was opposed near Dieppe by an army of thirty thousand men, and was advised to retire into England, Mézeray excels himself in making a speech for Marshal Biron, who really was a man of genius, and might have said a part of that which the historian attributes to him:
"What, sire, are you advised to cross the sea, as if there was no other way of preserving your kingdom than by quitting it? If you were not in France, your friends would have you run all hazards and surmount all obstacles to get there; and now you are here, they would have you depart—would have you voluntarily do that to which the greatest efforts of your enemies ought not to constrain you! In your present state, to go out of France only for four-and-twenty hours would be to banish yourself from it forever. As to the danger, it is not so great as represented; those who think to overcome us are either the same whom we shut up so easily in Paris, or people who are not much better, and will rapidly have more subjects of dispute among themselves than against us. In short, sire, we are in France, and we must remain here; we must show ourselves worthy of it; we must either conquer it or die for it; and even when there is no other safety for your sacred person than in flight, I well know that you would a thousand times rather die planted in the soil, than save yourself by such means. Your majesty would never suffer it to be said that a younger brother of the house of Lorraine had made you retire, and, still less, that you had been seen to beg at the door of a foreign prince. No, no, sire—there is neither crown nor honor for you across the sea; if you thus demand the succor of England, it will not be granted; if you present yourself at the port of Rochelle, as a man anxious to save himself, you will only meet with reproaches and contempt. I cannot believe that you would rather trust your person to the inconstancy of the waves, or the mercy of a stranger, than to so many brave gentlemen and old soldiers, who are ready to serve you as ramparts and bucklers; and I am too much devoted to your majesty to conceal from you, that if you seek your safety elsewhere than in their virtue, they will be obliged to seek theirs in a different party from your own."
This fine speech which Mézeray puts into the mouth of Marshal Biron is no doubt what Henry IV. felt in his heart.
Much more might be said upon the subject; but the books treating of eloquence have already said too much; and in an enlightened age, genius, aided by examples, knows more of it than can be taught by all the masters in the world.
In Antiquity, everything is emblematical and figurative. The Chaldæans began with placing a ram, two kids, and a bull among the constellations, to indicate the productions of the earth in spring. In Persia, fire is the emblem of the divinity; the celestial dog gives notice to the Egyptians of the inundations of the Nile; the serpent, concealing its tail in its head, becomes the image of eternity. All nature is painted and disguised.
There are still to be found in India many of those gigantic and terrific statues which we have already mentioned, representing virtue furnished with ten arms, with which it may successfully contend against the vices, and which our poor missionaries mistook for representations of the devil; taking it for granted, that all those who did not speak French or Italian were worshippers of the devil.
Show all these symbols devised by antiquity to a man of clear sense, but who has never heard them at all mentioned or alluded to, and he will not have the slightest idea of their meaning. It would be to him a perfectly new language.
The ancient poetical theologians were under the necessity of ascribing to the deity eyes, hands, and feet; of describing him under the figure of a man.
St. Clement of Alexandria quotes verses from Xenophanes the Colophonian, which state that every species of animal supplies metaphor to aid the imagination in its ideas of the deity—the wings of the bird, the speed of the horse, and the strength of the lion. It is evident, from these verses of Xenophanes, that it is by no means a practice of recent date for men to represent God after their own image. The ancient Thracian Orpheus, the first theologian among the Greeks, who lived long before Homer, according to the same Clement of Alexandria, describes God as seated upon the clouds, and tranquilly ruling the whirlwind and the storm. His feet reach the earth, and His hands extend from one ocean to the other. He is the beginning, middle, and end of all things.
Everything being thus represented by figure and emblem, philosophers, and particularly those among them who travelled to India, employed the same method; their precepts were emblems, were enigmas.
"Stir not the fire with a sword:" that is, aggravate not men who are angry.
"Place not a lamp under a bushel:" conceal not the truth from men.
"Abstain from beans:" frequent not popular assemblies, in which votes were given by white or black beans.
"Have no swallows about your house:" keep away babblers.
"During a tempest, worship the echo:" while civil broils endure, withdraw into retirement.
"Never write on snow:" throw not away instruction upon weak and imbecile minds.
"Never devour either your heart or your brains:" never give yourself up to useless anxiety or intense study.
Such are the maxims of Pythagoras, the meaning of which is sufficiently obvious.
The most beautiful of all emblems is that of God, whom Timæus of Locris describes under the image of "A circle whose centre is everywhere and circumference nowhere." Plato adopted this emblem, and Pascal inserted it among his materials for future use, which he entitled his "Thoughts."
In metaphysics and in morals, the ancients have said everything. We always encounter or repeat them. All modern books of this description are merely repetitions.
The farther we advance eastward, the more prevalent and established we find the employment of emblems and figures: but, at the same time, the images in use are more remote from our own manners and customs.
The emblems which appear most singular to us are those which were in frequent if not in sacred use among the Indians, Egyptians, and Syrians. These people bore aloft in their solemn processions, and with the most profound respect, the appropriate organs for the perpetuation of the species—the symbols of life. We smile at such practices, and consider these people as simple barbarians. What would they have said on seeing us enter our temples wearing at our sides the weapons of destruction?
At Thebes, the sins of the people were represented by a goat. On the coast of Phœnicia, a naked woman with the lower part of her body like that of a fish was the emblem of nature.
We cannot be at all surprised if this employment of symbols extended to the Hebrews, as they constituted a people near the Desert of Syria.
Of Some Emblems Used by the Jewish Nation.
One of the most beautiful emblems in the Jewish books, is the following exquisite passage in Ecclesiastes:
"When the grinders shall cease because they are few; when those that look out of the windows shall be darkened; when the almond tree shall flourish; when the grasshopper shall become a burden; when desire shall fail; the silver cord be loosed; the golden bowl be fractured: and the pitcher broken at the fountain."
The meaning is, that the aged lose their teeth; that their sight becomes impaired; that their hair becomes white, like the blossom of the almond tree; that their feet become like the grasshopper; that their hair drops off like the leaves of the fir tree; that they have lost the power of communicating life; and that it is time for them to prepare for their long journey.
The "Song of Songs," as is well known, is a continued emblem of the marriage of Jesus Christ with the church.
"Let him kiss me with a kiss of his mouth, for thy breasts are better than wine. Let him put his left hand under my head, and embrace me with his right hand. How beautiful art thou, my love: thy eyes are like those of the dove; thy hair is as a flock of goats; thy lips are like a ribbon of scarlet, and thy cheeks like pomegranates; how beautiful is thy neck! how thy lips drop honey! my beloved put in his hand by the hole of the door, and my bowels were moved for him; thy navel is like a round goblet; thy belly is like a heap of wheat set about with lilies; thy two breasts are like two young roes that are twins; thy neck is like a tower of ivory; thy nose is as the tower of Lebanon; thy head is like Mount Carmel; thy stature is that of a palm tree. I said, I will ascend the palm tree and will gather of its fruits. What shall we do for our little sister? she has no breasts. If she be a wall, we will build upon her a tower of silver; if she be a door, we will enclose her with boards of cedar."
It would be necessary to translate the whole canticle, in order to see that it is an emblem from beginning to end. The ingenious Calmet, in particular, demonstrates that the palm tree which the lover ascended is the cross to which our Lord Jesus Christ was condemned. It must however be confessed, that sound and pure moral doctrine is preferable to these allegories.
We find in the books of this people a great number of emblems and types which shock at the present day, and excite at once our incredulity and ridicule, but which, to the Asiatics, appear clear, natural, and unexceptionable.
God appeared to Isaiah, the son of Amos, and said to him, "Go take thy girdle from thy loins and thy shoes from thy feet," and he did so, walking naked and barefoot. And the Lord said, "Like as my servant Isaiah hath walked naked and barefoot for three years for a sign upon Egypt and Ethiopia, so shall the king of Assyria lead away the Egyptian and Ethiopian prisoners, young and old, naked and barefoot, with their hind parts uncovered, to the shame of Egypt."
This appears to us exceedingly strange: but let us inform ourselves a little about what is passing in our own times among Turks, and Africans, and in India, where we go to trade with so much avidity and so little success. We shall learn that it is by no means unusual to see the santons there absolutely naked, and not only in that state preaching to women, but permitting them to salute particular parts of their body, yet neither indulging or inspiring the slightest portion of licentious or unchaste feeling. We shall see on the banks of the Ganges an innumerable company both of men and women naked from head to foot, extending their arms towards heaven, and waiting for the moment of an eclipse to plunge into the river. The citizens of Paris and Rome should not be too ready to think all the rest of the world bound down to the same modes of living and thinking as themselves.
Jeremiah, who prophesied in the reign of Jehoiakim, king of Jerusalem, in favor of the king of Babylon, puts chains and cords about his neck, by order of the Lord, and sends them to the kings of Edom, Ammon, Tyre and Sidon, by their ambassadors who had been sent to Zedekiah at Jerusalem. He commands them to address their master in these words:
"Thus saith the Lord of Hosts the God of Israel, thus shall ye say unto your masters: I have made the earth, the men, and the beasts of burden which are upon the ground, by my great power and by my outstretched arm, and have given it unto whom it seemed good unto me. And now have I given all these lands into the hands of Nebuchadnezzar, the king of Babylon, my servant, and all the beasts of the field have I given him besides, that they may serve him. I spake also all these words to Zedekiah, king of Judah, saying unto him, submit your neck to the yoke of the king of Babylon, serve him, him and his people, and you shall live," etc.
Accordingly, Jeremiah was accused of betraying his king, and of prophesying in favor of the enemy for the sake of money. It has even been asserted that he was stoned. It is clear that the cords and chains were the emblem of that servitude to which Jeremiah was desirous that the nation should submit.
In a similar manner we are told by Herodotus, that one of the kings of Scythia sent Darius a present of a bird, a mouse, a frog, and five arrows. This emblem implied that, if Darius did not fly as fast as a bird, a mouse, or a frog, he would be pierced by the arrows of the Scythians. The allegory of Jeremiah was that of weakness; the emblem of the Scythians was that of courage.
Thus, also, when Sextus Tarquinius consulted his father, whom we call Tarquinius Superbus, about the policy he should adopt to the Gabii, Tarquin, who was walking in his garden, answered only by striking off the heads of the tallest poppies. His son caught his meaning, and put to death the principal citizens among them. This was the emblem of tyranny.
Many learned men have been of opinion that the history of Daniel, of the dragon, of the den of seven lions who devoured every day two sheep and two men, and the history of the angel who transported Habakkuk by the hair of his head to dine with Daniel in the lion's den, are nothing more than a visible allegory, an emblem of the continual vigilance with which God watches over his servants. But it seems to us a proof of greater piety to believe that it is a real history, like many we find in the Sacred Scriptures, displaying without figure and type the divine power, and which profane minds are not permitted to explore. Let us consider those only as genuine emblems and allegories, which are indicated to us as such by Holy Scripture itself.
"In the thirteenth year and the fifteenth day of the fourth month, as I was in the midst of the captives on the banks of the river Chobar, the heavens were opened, and I saw the visions of God," etc. "The word of the Lord came to Ezekiel the priest, the son of Buzi, in the land of the Chaldæans by the river Chobar, and the hand of the Lord was upon him."
It is thus that Ezekiel begins his prophecy; and, after having seen a fire and a whirlwind, and in the midst of the fire four living animals resembling a man, having four faces and four wings with feet resembling those of calves, and a wheel which was upon the earth, and which had four parts, the four parts of the wheel going at the same time, etc.
He goes on to say, "The spirit entered into me, and placed me firm upon my feet.... Then the Lord said unto me: 'Son of man, eat that thou findest; eat this book, and go and speak to the children of Israel.' So I opened my mouth, and He caused me to eat that book. And the spirit entered into me and made me stand upon my feet. And he said unto me: 'Go and shut thyself up in the midst of thy house. Son of man, these are the chains with which thou shalt set thy face firm against it; thou shalt be bound,'" etc. "'And thou, son of man, take a tile and place it before thee and portray thereon the city of Jerusalem.'"
"'Take also a pan of iron, and thou shalt place it as a wall of iron between thee and the city; thou shalt be before Jerusalem as if thou didst besiege it; it is a sign to the house of Israel.'"
After this command God orders him to sleep three hundred and ninety days on his left side, on account of the iniquities of the house of Judah.
Before we go further we will transcribe the words of that judicious commentator Calmet, on this part of Ezekiel's prophecy, which is at once a history and an allegory, a real truth and an emblem. These are the remarks of that learned Benedictine:
"There are some who think that the whole of this occurred merely in vision; that a man cannot continue lying so long on the same side without a miracle; that, as the Scripture gives us no intimation that this is a prodigy, we ought not to multiply miraculous acts without necessity; that, if the prophet continued lying in that manner for three hundred and ninety days, it was only during the nights; in the day he was at liberty to attend to his affairs. But we do not see any necessity for recurring to a miracle, nor for any circuitous explanation of the case here stated. It is by no means impossible for a man to continue chained and lying on his side for three hundred and ninety days. We have every day before us cases which prove the possibility among prisoners, sick persons, and persons deranged and chained in a state of raving madness. Prado testifies that he saw a mad person who continued bound and lying quite naked on his side upwards of fifteen years. If all this had occurred only in vision, how could' the Jews of the captivity have comprehended what Ezekiel meant to say to them? How would that prophet have been able to execute the divine commands? We must in that case admit likewise that he did not prepare the plan of Jerusalem, that he did not represent the siege, that he was not bound, that he did not eat the bread of different kinds of grain in any other than the same way; namely, that of vision, or ideally."
We cannot but adopt the opinion of the learned Calmet, which is that of the most respectable interpreters. It is evident that the Holy Scripture recounts the matter as a real truth, and that such truth is the emblem, type, and figure of another truth.
"Take unto thee wheat and barley, and beans and lentils, and millet and vetches, and make cakes of them for as many days as thou art to sleep on thy side. Thou shalt eat for three hundred and ninety days ... thou shalt eat it as barley cakes, and thou shalt cover it with human ordure. Thus shall the children of Israel eat their bread defiled."
It is evident that the Lord was desirous that the Israelites should eat their bread defiled. It follows therefore that the bread of the prophet must have been defiled also. This defilement was so real that Ezekiel expressed actual horror at it. "Alas!" he exclaimed, "my life (my soul) has not hitherto been polluted," etc. And the Lord says to him, "I allow thee, then, cow's dung instead of man's, and with that shalt thou prepare thy bread."
It appears, therefore, to have been absolutely essential that the food should be defiled in order to its becoming an emblem or type. The prophet in fact put cow-dung with his bread for three hundred and ninety days, and the case includes at once a fact and a symbol.
Of the Emblem of Aholah and Aholibah.
The Holy Scripture expressly declares that Aholah is the emblem of Jerusalem. "Son of man, cause Jerusalem to know her abominations; thy father was an Amorite, and thy mother was a Hittite." The prophet then, without any apprehension of malignant interpretations or wanton railleries, addresses the young Aholah in the following words:
"Ubera tua intumuerunt, et pilus tuus germinavit; et eras nuda et confusione plena."—"Thy breasts were fashioned, and thy hair was grown, and thou wast naked and confused."
"Et transivi per te; et ecce tempus tuum, tempus amantium; et expandi amictum meum super te et operui ignominiam tuam. Et juravi tibi, et ingressus sum pactum tecum (ait Dominus Deus), et facta es mihi."—"I passed by and saw thee; and saw thy time was come, thy time for lovers; and I spread my mantle over thee and concealed thy shame. And I swore to thee, and entered into a contract with thee, and thou becamest mine."
"Et habens fiduciam in pulchritudine tua fornicata es in nomine tuo; et exposuisti fornicationem tuam omni transeunti, at ejus fieres."—"And, proud of thy beauty, thou didst commit fornication without disguise, and hast exposed thy fornication to every passerby, to become his."
"Et ædificavisti tibi lupanar, et fecisti tibi prostibulum in cunctis plateis."—"And thou hast built a high place for thyself, and a place of eminence in every public way."
"Et divisisti pedes tuos omni transeunti, et multiplicasti fornicationes tuas."—"And thou hast opened thy feet to every passerby, and hast multiplied thy fornications."
"Et fornicata es cum filiis Egypti vicinis tuis, magnarum carnium; et multiplicasti fornicationem tuam ad irritandum me."—"And thou hast committed fornication with the Egyptians thy neighbors, powerful in the flesh; and thou hast multiplied thy fornication to provoke me."
The article of Aholibah, which signifies Samaria, is much stronger and still further removed from the propriety and decorum of modern manners and language.
"Denudavit quoque fornicationes suas, discooperuit ignominiam suam."—"And she has made bare her fornications and discovered her shame."
"Multiplicavit enim fornicationes suas, recordans dies adolescentiæ suæ."—"For she has multiplied her fornications, remembering the days of her youth."
"Et insanivit libidine super concubitum eorum carnes sunt ut carnes asinorum, et sicut fluxus equorum, fluxus eorum."—"And she has maddened for the embraces of those whose flesh is as the flesh of asses, and whose issue is as the issue of horses."
These images strike us as licentious and revolting. They were at that time simply plain and ingenuous. There are numerous instances of the like in the "Song of Songs," intended to celebrate the purest of all possible unions. It must be attentively considered that these expressions and images are always delivered with seriousness and gravity, and that in no book of equally high antiquity is the slightest jeering or raillery ever applied to the great subject of human production. When dissoluteness is condemned, it is so in natural and undisguised terms, but such are never used to stimulate voluptuousness or pleasantry.
This high antiquity has not the slightest touch of similarity to the licentiousness of Martial, Catullus, or Petronius.
Of Hosea, and Some Other Emblems.
We cannot regard as a mere vision, as simply a figure, the positive command given by the Lord to Hosea to take to himself a wife of whoredoms and have by her three children. Children are not produced in a dream. It is not in a vision that he made a contract with Gomer, the daughter of Diblaim, by whom he had two boys and a girl. It was not in a vision that he afterwards took to himself an adulteress by the express order of the Lord, giving her fifteen pieces of silver and a measure and a half of barley.
The first of these disgraced women signified Jerusalem and the second Samaria. But the two unions with these worthless persons, the three children, the fifteen pieces of silver, and the bushel and a half of barley, were not the less real for having included or been intended as an emblem.
It was not in a vision that the patriarch Salmon married the harlot Rahab, the grandmother of David. It was not in a vision that Judah committed incest with his daughter-in-law Thamar, from which incest sprang David. It was not in a vision that Ruth, David's other grandmother, placed herself in the bed with Boaz. It was not in a vision that David murdered Uriah and committed adultery with Bathsheba, of whom was born King Solomon. But, subsequently, all these events became emblems and figures, after the things which they typified were accomplished.
It is perfectly clear, from Ezekiel, Hosea, Jeremiah, and all the Jewish prophets, and all the Jewish books, as well as from all other books which give us any information concerning the usages of the Chaldæans, Persians, Phœnicians, Syrians, Indians, and Egyptians; it is, I say, perfectly clear that their manners were very different from ours, and that the ancient world was scarcely in a single point similar to the modern one.
Pass from Gibraltar to Mequinez, and the decencies and decorums of life are no longer the same; you no longer find the same ideas. Two sea leagues have changed everything.
It is not in the smallest degree probable that all those abominable absurdities are owing, as Pluche would have us believe, to the foliage with which the heads of Isis and Osiris were formerly crowned. What connection can this foliage have with the art of charming serpents, with that of resuscitating the dead, killing men by mere words, inspiring persons with love, or changing men into beasts?
Enchantment(incantatio) comes, say some, from a Chaldee word, which the Greeks translate "productive song."Incantatiocomes from the Chaldee. Truly, the Bocharts are great travellers and proceed from Italy to Mesopotamia in a twinkling! The great and learned Hebrew nation is rapidly explored, and all sorts of books, and all sorts of usages, are the fruits of the journey; the Bocharts are certainly not charlatans.
Is not a large portion of the absurd superstitions which have prevailed to be ascribed to very natural causes? There are scarcely any animals that may not be accustomed to approach at the sound of a bagpipe, or a single horn, to take their food. Orpheus, or some one of his predecessors, played the bagpipe better than other shepherds, or employed singing. All the domestic animals flocked together at the sound of his voice. It was soon supposed that bears and tigers were among the number collected; this first step accomplished, there was no difficulty in believing that Orpheus made stones and trees dance.
If rocks and pine-trees can be thus made to dance a ballet, it will cost little more to build cities by harmony, and the stones will easily arrange themselves at Amphion's song. A violin only will be wanted to build a city, and a ram's horn to destroy it.
The charming of serpents may be attributed to a still more plausible cause. The serpent is neither a voracious nor a ferocious animal. Every reptile is timid. The first thing a reptile does, at least in Europe, on seeing a man, is to hide itself in a hole, like a rabbit or a lizard. The instinct of a man is to pursue everything that flies from him, and to fly from all that pursue him, except when he is armed, when he feels his strength, and, above all, when he is in the presence of many observers.
The serpent, far from being greedy of blood and flesh, feeds only upon herbs, and passes a considerable time without eating at all; if he swallows a few insects, as lizards and chameleons do, he does us a service.
All travellers relate that there are some very large and long ones; although we know of none such in Europe. No man or child was ever attacked there by a large serpent or a small one. Animals attack only what they want to eat; and dogs never bite passengers but in defence of their masters. What could a serpent do with a little infant? What pleasure could it derive from biting it? It could not swallow even the fingers. Serpents do certainly bite, and squirrels also, but only when they are injured, or are fearful of being so.
I am not unwilling to believe that there have been monsters among serpents as well as among men. I will admit that the army of Regulus was put under arms in Africa against a dragon; and that there has since been a Norman there who fought against the waterspout. But it will be granted, on the other hand, that such cases are exceedingly rare.
The two serpents that came from Tenedos for the express purpose of devouring Laocoon, and two great lads twenty years of age, in the presence of the whole Trojan army, form a very fine prodigy, and one worthy of being transmitted to posterity by hexameter verses, and by statues which represent Laocoon like a giant, and his stout boys as pygmies.
I conceive this event to have happened in those times when a prodigious wooden horse took cities which had been built by the gods, when rivers flowed backward to their fountains, when waters were changed to blood, and both sun and moon stood still on the slightest possible occasion.
Everything that has been related about serpents was considered probable in countries in which Apollo came down from heaven to slay the serpent Python.
Serpents were also supposed to be exceedingly sensible animals. Their sense consists in not running so fast as we do, and in suffering themselves to be cut in pieces.
The bite of serpents, and particularly of vipers, is not dangerous, except when irritation has produced the fermentation of a small reservoir of very acid humor which they have under their gums. With this exception, a serpent is no more dangerous than an eel.
Many ladies have tamed and fed serpents, placed them on their toilets, and wreathed them about their arms. The negroes of Guinea worship a serpent which never injures any one.
There are many species of those reptiles, and some are more dangerous than others in hot countries; but in general, serpents are timid and mild animals; it is not uncommon to see them sucking the udder of a cow.
Those who first saw men more daring than themselves domesticate and feed serpents, inducing them to come to them by a hissing sound in a similar way to that by which we induce the approach of bees, considered them as possessing the power of enchantment. The Psilli and Marsæ, who familiarly handled and fondled serpents, had a similar reputation. The apothecaries of Poitou, who take up vipers by the tail, might also, if they chose, be respected as magicians of the first order.
The charming of serpents was considered as a thing regular and constant. The Sacred Scripture itself, which always enters into our weaknesses, deigned to conform itself to this vulgar idea.
"The deaf adder, which shuts its ears that it may not hear the voice of the charmer."
"I will send among you serpents which will resist enchantments."
"The slanderer is like the serpent, which yields not to the enchanter."
The enchantment was sometimes so powerful as to make serpents burst asunder. The natural philosophy of antiquity made this animal immortal. If any rustic found a dead serpent in his road, some enchanter must inevitably have deprived it of its right to immortality:
Frigidus in pratis cantando rumpitur anguis.—VIRG.Eclogueviii. 71.Verse breaks the ground, and penetrates the brake,And in the winding cavern splits the snake.—DRYDEN.
Enchantment of the Dead, or Evocation.
To enchant a dead person, to resuscitate him, or barely to evoke his shade to speak to him, was the most simple thing in the world. It is very common to see the dead in dreams, in which they are spoken to and return answers. If any one has seen them during sleep, why may he not see them when he is awake? It is only necessary to have a spirit like the pythoness; and, to bring this spirit of python-ism into successful operation it is only necessary that one party should be a knave and the other a fool; and no one can deny that suchrencontresvery frequently occur.
The evocation of the dead was one of the sublimest mysteries of magic. Sometimes there was made to pass before the eyes of the inquiring devotee a large, black figure, moved by secret springs in dimness and obscurity. Sometimes the performers, whether sorcerers or witches, limited themselves to declaring thattheysaw the shade which was desired to be evoked, and their word was sufficient; this was called necromancy. The famous witch of Endor has always been a subject of great dispute among the fathers of the Church. The sage Theodoret, in his sixty-second question on the Book of Kings, asserts that it is universally the practice for the dead to appear with the head downwards, and that what terrified the witch was Samuel's being upon his legs.
St. Augustine, when interrogated by Simplicion, replies, in the second book of his "Questions," that there is nothing more extraordinary in a witch's invoking a shade than in the devil's transporting Jesus Christ through the air to the pinnacle of the temple on the top of a mountain.
Some learned men, observing that there were oracular spirits among the Jews, have ventured to conclude that the Jews began to write only at a late period, and that they built almost everything upon Greek fable; but this opinion cannot be maintained.
Of Other Sorceries.
When a man is sufficiently expert to evoke the dead by words, he may yet more easily destroy the living, or at least threaten them with doing so, as the physician,malgré lui, told Lucas that he would give him a fever. At all events, it was not in the slightest degree doubtful that sorcerers had the power of killing beasts; and, to insure the stock of cattle, it was necessary to oppose sorcery to sorcery. But the ancients can with little propriety be laughed at by us, who are ourselves scarcely even yet extricated from the same barbarism. A hundred years have not yet expired since sorcerers were burned all over Europe; and even as recently as 1750, a sorceress, or witch, was burned at Wurzburg. It is unquestionable that certain words and ceremonies will effectually destroy a flock of sheep, if administered with a sufficient portion of arsenic.
The "Critical, History of Superstitious Ceremonies," by Lebrun of the Oratory, is a singular work. His object is to oppose the ridiculous doctrine of witchcraft, and yet he is himself so ridiculous as to believe in its reality. He pretends that Mary Bucaille, the witch, while in prison at Valognes,appearedat some leagues distance, according to the evidence given on oath to the judge of Valognes. He relates the famous prosecution of the shepherds of Brie, condemned in 1691, by the Parliament of Paris, to be hanged and burned. These shepherds had been fools enough to think themselves sorcerers, and villains enough to mix real poisons with their imaginary sorceries.
Father Lebrun solemnly asserts that there was much of what was "supernatural" in what they did, and that they were hanged in consequence. The sentence of the parliament is in direct opposition to this author's statement. "The court declares the accused duly attainted and convicted of superstitions, impieties, sacrileges, profanations, and poisonings."
The sentence does not state that the death of the cattle was caused by profanations, but by poison. A man may commit sacrilege without as well as with poison, without being a sorcerer.
Other judges, I acknowledge, sentenced the priest Ganfredi to be burned, in the firm belief that, by the influence of the devil, he had an illicit commerce with all his female penitents. Ganfredi himself imagined that he was under that influence; but that was in 1611, a period when the majority of our provincial population was very little raised above the Caribs and negroes. Some of this description have existed even in our own times; as, for example, the Jesuit Girard, the ex-Jesuit Nonnotte, the Jesuit Duplessis, and the ex-Jesuit Malagrida; but this race of imbeciles is daily hastening to extinction.
With respect to lycanthropy, that is, the transformation of men into wolves by the power of enchantment, we may observe that a young shepherd's having killed a wolf, and clothed himself with its skin, was enough to excite the terror of all the old women of the district, and to spread throughout the province, and thence through other provinces, the notion of a man's having been changed into a wolf. Some Virgil will soon be found to say:
His ego sæpe lupum fieri, et se condere silvisMoerim sæpe animas imis exire sepulchris.Smeared with these powerful juices on the plain.He howls a wolf among the hungry train,And oft the mighty necromancer boastsWith these to call from tombs the stalking ghosts.—DRYDEN.
To see a man-wolf must certainly be a great curiosity; but to see human souls must be more curious still; and did not the monks of Monte Cassino see the soul of the holy Benedict, or Bennet? Did not the monks of Tours see St. Martin's? and the monks of St. Denis that of Charles Martel?
Enchantments to Kindle Love.
These were for the young. They were vended by the Jews at Rome and Alexandria, and are at the present day sold in Asia. You will find some of these secrets in the "Petit Albert"; and will become further initiated by reading the pleading composed by Apuleius on his being accused by a Christian, whose daughter he had married, of having bewitched her by philtres. Emilian, his father-in-law, alleged that he had made use of certain fishes, since, Venus having been born of the sea, fishes must necessarily have prodigious influence in exciting women to love.
What was generally made use of consisted of vervain, tenia, and hippomanes; or a small portion of the secundine of a mare that had just foaled, together with a little bird called wagtail; in Latinmotacilla.
But Apuleius was chiefly accused of having employed shell-fish, lobster patties, she-hedgehogs, spiced oysters, and cuttle-fish, which was celebrated for its productiveness.
Apuleius clearly explains the real philtre, or charm, which had excited Pudentilla's affection for him. He undoubtedly admits, in his defence, that his wife had called him a magician. "But what," says he, "if she had called me a consul, would that have made me one?"
The plant satyrion was considered both among the Greeks and Romans as the most powerful of philtres. It was calledplanto aphrodisia, the plant of Venus. That called by the Latinserucais now often added to the former.—Et venerem revocans eruca morantem.
A little essence of amber is frequently used. Mandragora has gone out of fashion. Some exhausted debauchees have employed cantharides, which strongly affect the susceptible parts of the frame, and often produce severe and painful consequences.
Youth and health are the only genuine philtres. Chocolate was for a long time in great celebrity with our debilitatedpetits-maîtres. But a man may take twenty cups of chocolate without inspiring any attachment to his person.—"... ut amoris amabilis esto." (Ovid, A. A. ii., 107.)—"Wouldst thou be loved, be amiable."