A POPULAR HANDBOOK TO THE NATIONAL GALLERY. Including Notes collected from the Works of Mr. Ruskin. By SirEdward T. Cook. Revised and rearranged throughout. In two vols. Crown 8vo. Thin paper. Leather binding.Vol. I.Foreign Schools.Eighth Edition. 10s. net.Vol. II.British Schools(including the Tate Gallery). Sixth Edition. 10s. net.POPULAR HANDBOOK TO THE GREEK AND ROMAN ANTIQUITIES IN THE BRITISH MUSEUM. By SirE. T. Cook. Crown 8vo. 10s. net.THE VENETIAN SCHOOL OF PAINTING. ByEvelyn March Phillipps. Illustrated. 8vo. 7s. 6d. net.ALBRECHT DÜRER. His Life, and a Selection of his Works, with Explanatory Comments by Dr.Friedrich Nüchter. Translated byLucy D. Williams. With 54 Plates (1 in colour). Imperial 4to. 6s. net.THE TRAINING OF THE MEMORY IN ART AND THE EDUCATION OF THE ARTIST. ByLecoq de Boisbaudran. Translated byL. D. Luard. With an Introduction by Prof.Selwyn Image, M.A. Illustrated. 8vo. 6s. net.INDIVIDUALITY AND ART. ByHerbert E. A. Furst. Illustrated. Extra Crown 8vo. 3s. 6d. net.Works by Dr. YRJÖ HIRNTHE ORIGINS OF ART. A Psychological and Sociological Inquiry. ByYrjö Hirn. 8vo. 10s. net.THE SACRED SHRINE. A Study of the Poetry and Art of the Catholic Church. 8vo. 14s. net.MEMORIALS OF EDWARD BURNE-JONES. ByG. B.-J.With 41 Photogravure Plates and other Illustrations. Second Edition. Two vols. 8vo. 30s. net. Cheaper Edition. With 2 Photogravure Plates and other Illustrations. Two vols. 8vo. 10s. net.PRE-RAPHAELITISM AND THE PRE-RAPHAELITE BROTHERHOOD. ByW. Holman Hunt. Illustrated. Two vols. 8vo. 42s. net.
A POPULAR HANDBOOK TO THE NATIONAL GALLERY. Including Notes collected from the Works of Mr. Ruskin. By SirEdward T. Cook. Revised and rearranged throughout. In two vols. Crown 8vo. Thin paper. Leather binding.
Vol. I.Foreign Schools.Eighth Edition. 10s. net.
Vol. II.British Schools(including the Tate Gallery). Sixth Edition. 10s. net.
POPULAR HANDBOOK TO THE GREEK AND ROMAN ANTIQUITIES IN THE BRITISH MUSEUM. By SirE. T. Cook. Crown 8vo. 10s. net.
THE VENETIAN SCHOOL OF PAINTING. ByEvelyn March Phillipps. Illustrated. 8vo. 7s. 6d. net.
ALBRECHT DÜRER. His Life, and a Selection of his Works, with Explanatory Comments by Dr.Friedrich Nüchter. Translated byLucy D. Williams. With 54 Plates (1 in colour). Imperial 4to. 6s. net.
THE TRAINING OF THE MEMORY IN ART AND THE EDUCATION OF THE ARTIST. ByLecoq de Boisbaudran. Translated byL. D. Luard. With an Introduction by Prof.Selwyn Image, M.A. Illustrated. 8vo. 6s. net.
INDIVIDUALITY AND ART. ByHerbert E. A. Furst. Illustrated. Extra Crown 8vo. 3s. 6d. net.
THE ORIGINS OF ART. A Psychological and Sociological Inquiry. ByYrjö Hirn. 8vo. 10s. net.
THE SACRED SHRINE. A Study of the Poetry and Art of the Catholic Church. 8vo. 14s. net.
MEMORIALS OF EDWARD BURNE-JONES. ByG. B.-J.With 41 Photogravure Plates and other Illustrations. Second Edition. Two vols. 8vo. 30s. net. Cheaper Edition. With 2 Photogravure Plates and other Illustrations. Two vols. 8vo. 10s. net.
PRE-RAPHAELITISM AND THE PRE-RAPHAELITE BROTHERHOOD. ByW. Holman Hunt. Illustrated. Two vols. 8vo. 42s. net.
A CERTAIN PHASE OF LITHOGRAPHY. A Lecture. 4to. 15s. net.THE HERKOMERS. Vol. I. Library Edition. With 6 Illustrations. 8vo. 7s. 6d. net. Large Paper Edition, with 28 Illustrations. 4to. 25s. net. Vol. II. With 8 Illustrations. 8vo. 7s. 6d. net.THE PRACTICE OF WATER COLOUR PAINTING. Illustrated by the work of Modern Artists. ByA. L. Baldry. With 37 Illustrations in Colour by distinguished Artists. Crown 4to. 12s. net.A HISTORY OF OLD SHEFFIELD PLATE. ByFrederick Bradbury. Illustrated. Demy 4to. £2: 2s. net.THE FRENCH PASTELLISTS OF THE EIGHTEENTH CENTURY. ByHaldane Macfall. Edited byT. Leman Hare. With 40 Plates in Colour and 12 in Black. Demy 4to. 42s. net.
A CERTAIN PHASE OF LITHOGRAPHY. A Lecture. 4to. 15s. net.
THE HERKOMERS. Vol. I. Library Edition. With 6 Illustrations. 8vo. 7s. 6d. net. Large Paper Edition, with 28 Illustrations. 4to. 25s. net. Vol. II. With 8 Illustrations. 8vo. 7s. 6d. net.
THE PRACTICE OF WATER COLOUR PAINTING. Illustrated by the work of Modern Artists. ByA. L. Baldry. With 37 Illustrations in Colour by distinguished Artists. Crown 4to. 12s. net.
A HISTORY OF OLD SHEFFIELD PLATE. ByFrederick Bradbury. Illustrated. Demy 4to. £2: 2s. net.
THE FRENCH PASTELLISTS OF THE EIGHTEENTH CENTURY. ByHaldane Macfall. Edited byT. Leman Hare. With 40 Plates in Colour and 12 in Black. Demy 4to. 42s. net.
MACMILLAN AND CO.,Ltd., LONDON.
FOOTNOTES:[265]Pictures bought out of the Chantrey Bequest are not included. For these see Vol. II.[266]The number of this picture has now been given to the foregoing, which has only recently been exhibited.[267]This picture does not appear in the Official Catalogue; nor can I find any trace, in the Director's Annual Reports, of what was done with it. Its number has now been given to the foregoing picture, which has only recently been exhibited.[268]The donor was informed when he offered these two pictures that they were too large, in view of the limited wall-space then at the disposal of the Gallery, to be placed in the rooms to which the public were admitted. The pictures were presented on those terms, and for many years were not numbered or incorporated in the Official Catalogue. They are now Nos. 2723, 2724.[269]No. 622 appears to have been missed in the official numbering.[270]No. 723 appears to have been missed in the official numbering.[271]The central portion of this triptych was bought in 1874 for £525. The two side panels were bought in 1878, at the sale of Mr. Barker's pictures, for £33:12s., and were added to the central compartment under the same number (909).[272]£1224 from public Funds, £151:10s. from Lewis Fund.[273]1313 and 1318 were purchased together for £2500.[274]£25,000 from a Parliamentary Grant; £30,000 from private gifts (see p.xv.)[275]1313 and 1318 were purchased together for £2500.[276]1324 and 1326 were purchased together for £2500.[277]Under the terms of Sir C. Eastlake's will these pictures were offered to the National Gallery at the prices which he paid for them.[278]This sum was made up as follows:—Special Grant from the Treasury, £12,500; from the Annual Grant for 1898-99, £1550; gifts by Mr. Alfred de Rothschild and Mr. Heseltine, £500 each.[279]£9000 from the Parliamentary grant; the remainder subscribed by Mr. W. W. Astor, Mr. A. Beit, Lord Burton, Lord Iveagh, Mr. J. Pierpont Morgan, and Lady Wantage.[280]To this sum Messrs. Colnaghi contributed £1000.[281]Presented by the National Art-Collections Fund with the aid of a grant from the Government of £10,000.[282]The National Gallery funds provided £15,000; the Treasury made a special grant of £15,000; and the National Art-Collections Fund contributed £10,000.
[265]Pictures bought out of the Chantrey Bequest are not included. For these see Vol. II.
[265]Pictures bought out of the Chantrey Bequest are not included. For these see Vol. II.
[266]The number of this picture has now been given to the foregoing, which has only recently been exhibited.
[266]The number of this picture has now been given to the foregoing, which has only recently been exhibited.
[267]This picture does not appear in the Official Catalogue; nor can I find any trace, in the Director's Annual Reports, of what was done with it. Its number has now been given to the foregoing picture, which has only recently been exhibited.
[267]This picture does not appear in the Official Catalogue; nor can I find any trace, in the Director's Annual Reports, of what was done with it. Its number has now been given to the foregoing picture, which has only recently been exhibited.
[268]The donor was informed when he offered these two pictures that they were too large, in view of the limited wall-space then at the disposal of the Gallery, to be placed in the rooms to which the public were admitted. The pictures were presented on those terms, and for many years were not numbered or incorporated in the Official Catalogue. They are now Nos. 2723, 2724.
[268]The donor was informed when he offered these two pictures that they were too large, in view of the limited wall-space then at the disposal of the Gallery, to be placed in the rooms to which the public were admitted. The pictures were presented on those terms, and for many years were not numbered or incorporated in the Official Catalogue. They are now Nos. 2723, 2724.
[269]No. 622 appears to have been missed in the official numbering.
[269]No. 622 appears to have been missed in the official numbering.
[270]No. 723 appears to have been missed in the official numbering.
[270]No. 723 appears to have been missed in the official numbering.
[271]The central portion of this triptych was bought in 1874 for £525. The two side panels were bought in 1878, at the sale of Mr. Barker's pictures, for £33:12s., and were added to the central compartment under the same number (909).
[271]The central portion of this triptych was bought in 1874 for £525. The two side panels were bought in 1878, at the sale of Mr. Barker's pictures, for £33:12s., and were added to the central compartment under the same number (909).
[272]£1224 from public Funds, £151:10s. from Lewis Fund.
[272]£1224 from public Funds, £151:10s. from Lewis Fund.
[273]1313 and 1318 were purchased together for £2500.
[273]1313 and 1318 were purchased together for £2500.
[274]£25,000 from a Parliamentary Grant; £30,000 from private gifts (see p.xv.)
[274]£25,000 from a Parliamentary Grant; £30,000 from private gifts (see p.xv.)
[275]1313 and 1318 were purchased together for £2500.
[275]1313 and 1318 were purchased together for £2500.
[276]1324 and 1326 were purchased together for £2500.
[276]1324 and 1326 were purchased together for £2500.
[277]Under the terms of Sir C. Eastlake's will these pictures were offered to the National Gallery at the prices which he paid for them.
[277]Under the terms of Sir C. Eastlake's will these pictures were offered to the National Gallery at the prices which he paid for them.
[278]This sum was made up as follows:—Special Grant from the Treasury, £12,500; from the Annual Grant for 1898-99, £1550; gifts by Mr. Alfred de Rothschild and Mr. Heseltine, £500 each.
[278]This sum was made up as follows:—Special Grant from the Treasury, £12,500; from the Annual Grant for 1898-99, £1550; gifts by Mr. Alfred de Rothschild and Mr. Heseltine, £500 each.
[279]£9000 from the Parliamentary grant; the remainder subscribed by Mr. W. W. Astor, Mr. A. Beit, Lord Burton, Lord Iveagh, Mr. J. Pierpont Morgan, and Lady Wantage.
[279]£9000 from the Parliamentary grant; the remainder subscribed by Mr. W. W. Astor, Mr. A. Beit, Lord Burton, Lord Iveagh, Mr. J. Pierpont Morgan, and Lady Wantage.
[280]To this sum Messrs. Colnaghi contributed £1000.
[280]To this sum Messrs. Colnaghi contributed £1000.
[281]Presented by the National Art-Collections Fund with the aid of a grant from the Government of £10,000.
[281]Presented by the National Art-Collections Fund with the aid of a grant from the Government of £10,000.
[282]The National Gallery funds provided £15,000; the Treasury made a special grant of £15,000; and the National Art-Collections Fund contributed £10,000.
[282]The National Gallery funds provided £15,000; the Treasury made a special grant of £15,000; and the National Art-Collections Fund contributed £10,000.
Transcriber's Notes:Obvious spelling & typos corrected.Removed first MACMILLAN AND CO.,Ltd., LONDON. from the books on art section as it is redundant.P.xixthroughxxiis a list of updates. Author mostly used "see also" notation in the INDEX LIST OF PAINTERS for the old reference. Added same notation to missed index entries. Added similar "See also" references to the NUMERICAL CATALOGUE. Also updated INDEX LIST OF PICTURES where the author missed.Moved "Portrait of a Young Man, 1052" from "Milanese School" to "Lombard School (artist unknown)" in INDEX LIST OF PAINTERS to agree with NUMERICAL CATALOGUE & INDEX LIST OF PICTURES.Moved "Adoration of the Magi, 582" from "Angelico,School of" to "Angelico, Fra, p.329" in INDEX LIST OF PAINTERS to agree with NUMERICAL CATALOGUE & INDEX LIST OF PICTURES.Added "Judgment of Paris, 209" to "Poelenburgh, Cornelis van" in INDEX LIST OF PAINTERS to agree with NUMERICAL CATALOGUE and INDEX LIST OF PICTURES.Moved "Scene on the Ice, 1850" from "Meulen A. F. van der" to "Vermeulen, Andries" in INDEX LIST OF PAINTERS to agree with NUMERICAL CATALOGUE and INDEX LIST OF PICTURES.Moved "Interior of a Stable, 1851" from "Meulen A. F. van der" to "Dutch School (artists unknown)" in INDEX LIST OF PAINTERS to agree with NUMERICAL CATALOGUE and INDEX LIST OF PICTURES.
Transcriber's Notes:
Obvious spelling & typos corrected.
Removed first MACMILLAN AND CO.,Ltd., LONDON. from the books on art section as it is redundant.
P.xixthroughxxiis a list of updates. Author mostly used "see also" notation in the INDEX LIST OF PAINTERS for the old reference. Added same notation to missed index entries. Added similar "See also" references to the NUMERICAL CATALOGUE. Also updated INDEX LIST OF PICTURES where the author missed.
Moved "Portrait of a Young Man, 1052" from "Milanese School" to "Lombard School (artist unknown)" in INDEX LIST OF PAINTERS to agree with NUMERICAL CATALOGUE & INDEX LIST OF PICTURES.
Moved "Adoration of the Magi, 582" from "Angelico,School of" to "Angelico, Fra, p.329" in INDEX LIST OF PAINTERS to agree with NUMERICAL CATALOGUE & INDEX LIST OF PICTURES.
Added "Judgment of Paris, 209" to "Poelenburgh, Cornelis van" in INDEX LIST OF PAINTERS to agree with NUMERICAL CATALOGUE and INDEX LIST OF PICTURES.
Moved "Scene on the Ice, 1850" from "Meulen A. F. van der" to "Vermeulen, Andries" in INDEX LIST OF PAINTERS to agree with NUMERICAL CATALOGUE and INDEX LIST OF PICTURES.
Moved "Interior of a Stable, 1851" from "Meulen A. F. van der" to "Dutch School (artists unknown)" in INDEX LIST OF PAINTERS to agree with NUMERICAL CATALOGUE and INDEX LIST OF PICTURES.