Folkard, W. A. wood engraver,544,564*.Forma, a shape or mould,42.Formschneider,19,43,44,410.Foster, Birket, artist,551,556-558,570*,571*.Fournier, P. S. his discoveries with respect to the Speculum Salvationis,101;his opinion of wooden types,136;his works,467-469.Fox’s, John, Acts and Monuments,428.Fracture,283n.Franklin, John, draughtsman,599*.Frellon, John and Francis, publishers of the second edition of the Lyons Dance of Death,366.French wood-cuts,610.Frey, Agnes, the wife of Durer, her avarice and ill-temper said to have hastened her husband’s death,273.Frith, W. P. painter,59.GGænsfleisch, a surname of the family of Gutemberg,124.Galenus de Temperamentis, with a title-page, engraved on copper, printed at Cambridge, 1521,421.Galius, Nicholas, tells the story of Coster’s invention to H. Junius,150.Gamperlin, Von, cuts ascribed to,314.Garfagninus, Joseph Porta,390.Gebhard, L. A. his notice of the History of the Council of Constance, with cuts of arms,189.Gemini, Thomas, his Compendium of Anatomy, with copper-plate engravings, London, 1545,422.Gent, Thomas, wood-cuts in his History of Ripon,181.George IV. his signature stamped,14;his snuff-box, with designs by Flaxman,590.Gesner, Conrad, expressly mentions the cuts in the Lyons Dance of Death, as having been designed by Holbein,364.Ghesquiere, M. his answer to M. Desroches,120.Gilbert, John, artist,561*,563*,564*.Gilpin, Rev. William, his definition of tint,213.Giolito, Gabriel, printer, of Venice,394.Giraffe, wood-cut of a, in Breydenbach’s Travels, 1486,269.Glasses, observations on the use of,573.Globe, glass, the engraver’s, to concentrate the light of the lamp,575.Glockendon, George, an early German wood engraver,227.Glockenton, A. cuts ascribed to,317.Goethe, allusion to Sir Theurdank, in his Götz Von Berlichingen,281n.Golden Legend, printed by W. de Worde, 1493, large cut in,195.Goldsmith and Parnell’s Poems, printed by Bulmer,513.Goltzius, Henry, chiaro-scuros by,432.Goltzius, Hubert, his portraits of the Roman Emperors in chiaro-scuro, from plates of metal, 1557,405.Goodall, E. painter,598*.Goodall, W. draughtsman,599*.Goose, Bernacle or Barnacle, said to be produced from a tree,414.Gorway, Charles, wood engraver,544,600*.Gospels of Ulphilas,44.Gothic monograms,15.Graff, Rose,313,314.Grand-duc de l’armée céleste,173.Grant, W. J. painter,598*.Gratture, the French term for the process of thickening the lines in a wood-cut by scraping them down,464.Gravers,574,575.Gray, Charles, wood-engraver,544.Green, W. T. wood-engraver,544,547,548.Greenaway, J. wood-engraver,553-555.Greff, Jerome, publisher of a pirated edition of Durer’s Illustrations of the Apocalypse,241.Greffier and Scrivener,2n.Gregson, Mr. C., letter to, from Bewick,474,479.Gringonneur, Jacquemin, cards painted by,41.Gritner, a French wood-engraver,547.Grotesque,9n.Grün, H. B.320.Gubitz, a modern German wood-engraver,546.Guicciardini, L. mentions the report of printing having been invented at Harlem,146.Gutemberg, John, his birth,124;residing at Strasburg in 1434,125;his partnership with Andrew Drytzehn,ib.;evidences of his having apressin 1438, for the purpose of printing,127;his return to Mentz and partnership with Faust,131;partnership dissolved,133;proofs of his having afterwards had a press of his own,140;his death and epitaph,144.HHahn, Ulric, Meditationes J. de Turrecremata, printed by, in 1467,184.Hammond, —, wood-engraver,600*.Hancock, Charles, his patent for engraving in metallic relief,635.Handgun, figure of one seen in cut in Valturius, de Re Militari, 1472,187.Hans, Young, Briefmaler,116,225.Harral, Horace, wood-engraver,566*,583*,594*.Harrington, Sir John, his translation of Ariosto, with copper-plate engravings, 1591,423.Hartlieb, Dr. Cyromantia,116.Harvey, William, a pupil of Bewick, notice of his works as an engraver and designer,527-534.Hawkins, John Sidney, editor of Emblems of Mortality, 1789,329.Hawkins, Sir John, wood-cuts in his History of Music, 1776,471.658Haydock, R. his translation of Lomazzo, with copper-plate engraving, 1598,423.Head of Paris, the lover of Helen, serves for that of Thales, Dante, and others,212.Hegner, Ulrich, author of Life of Holbein, his notice of the Dance of Death, at Basle,326;of the German names in proof impressions of the cuts in the Lyons Dance of Death,331;of Hans Lutzelburger,351;his Life of Holbein,372.Heilman, Anthony, his evidence in the suit of the Drytzehns against Gutemberg, 1438,128.Heineken, Charles, Baron Von, his disbelief of Papillon’s story of the Cunio,27;his opinion that cards were invented in Germany,40;his notice of the old wood-cut of St. Christopher,46;of the History of the Virgin,68;of the Apocalypse,80;of the Poor Preacher’s Bible,82,94;of the Speculum Salvationis,100;his erroneous account of a Dutch wood-cut, byPhillery[Willem] de figuersnider,309.Helgen, or Helglein, figures of Saints,45.Henderson, Dr. his History of Wines, with Illustrations, by W. Harvey,530.Henry VIII. his signature stamped,14.Heures a l’Usaige de Chartres, printed by S. Vostre, 1502,232.Hicks, G. E. painter,598*.Hieroglyphic sonnet,396;Bible,478.Highland Society, diploma of,523.Historiarum Veteris Testamenti Icones, or Bible-cuts, designed by Holbein,365-371.Histories, the Four, dated 1462,172-175.History of the Virgin, an ancient block-book,68-80.Hodgson, Solomon, printer of the first four editions of Bewick’s Quadrupeds,488.Hodgson, T. the engraver of a cut in Sir John Hawkins’s History of Music, 1776,471.Hogarth, cut from projected edition of,544;sketch from,594.Hogenberg, R. portrait of Archbishop Parker engraved by, 1572,422.Holbein, Hans, the designer of the cuts in the Dance of Death printed at Lyons,371;his birth,ib.;his marriage,372;how employed at Basle,373;visits England,ib.;revisits Basle,376;his death,378;his satirical drawings,378n;his Alphabet,352.Hole, Henry, a pupil of Bewick,492n.Holl, Leonard, printer of Ulm, his edition of Ptolemy, 1483,199.Hollar, W. his etchings of the Dance of Death,337.Holzschneider,2.Horace, his well-stored wine,9.Horne, Rev. T. H. probably incorrect with respect to a date,60.Horsley, J. C. artist,591*,598*.Hortus Sanitatis, 1491,210.Householder, the Good,438.Howel’s Medulla Historiæ Anglicanæ, with wood-cuts, 1712,446.Hughes, Hugh, his Beauties of Cambria,538-548.Hughes, William, wood-engraver,538.Hudibras, 1819, cut from,543.Hulme, F. W. draughtsman,599*.Humanæ Vitæ Imago,436n.Humphreys, Noel, draughtsman,599*.Hunt, W. Holman, painter,598*.Hunting and Hawking, Book of, printed at St. Alban’s, 1486, and at Westminster in 1496,195.Hutton’s Mensuration, with diagrams engraved by Bewick, 1768-1770,475.Hypnerotomachia Poliphili,218,220,224.IImages of the Old Testament, with cuts, designed by Holbein,365-370.Impressions from wood and from copper, the difference in the mode of taking, 4.Initial letters, flowered,191,429.Insanity of engravers,458n.Inscriptions on bells,20.Intaglio engraving on wood, so that the outlines appear white upon black,225,482,618,619.JJackson, John, wood-engraver,545.Jackson, John Baptist, an English wood engraver, perhaps a pupil of Kirkall,453;Papillon’s notice of him,454;engraves several chiaro-scuros at Venice,455;establishes a manufactory for paper-hangings at Battersea, and publishes an essay on chiaro-scuro engraving,455-457.Jackson, John,545.Jackson, Mason, wood-engraver,589*,600*.Jacob blessing the children of Joseph,596,597.Janszoon, Lawrence, supposed to be the same person as Lawrence Coster,162.Javelin-headed characters,7.Jean-le-Robert, his Journal,122.Jegher, Christopher, wood engravings by, from drawings by Rubens,437.Jettons, or counters,19.Jewitt, Orlando, draughtsman and wood-engraver,584*-587*.John, St. old wood-cuts of,60.Johnson, John, a pupil of Bewick,517n.Johnson, Robert, a pupil of Bewick’s, list of tail-pieces in the British Birds designed by,497;notice of his life,516.Jones, Owen, draughtsman,599*.Journal, Albert Durer’s, of his visit to Flanders,260.Judith, with the head of Holofernes,440.Junius, Hadrian, claims the invention of printing for Lawrence Coster,147-150.KKartenmachers in Germany, in the fifteenth century,43.Keene, Charles, draughtsman,599*.659Killing the black, a technical term in wood engraving, explained,232.Kirchner, —, wood-engraver,563*.Kirkall, E. copper-plate frontispiece to Howel’s Medulla Historiæ Anglicanæ, engraved by, 1712,447;chiaro-scuros engraved by,451;copper-plates engraved by, in Rowe’s translation of Lucan’s Pharsalia, and other works,452.Klauber, H. H., repainted the Dance of Death in the church-court of the Dominicans, at Basle,327.Knight, R. Payne, his bequest of a piece of sculpture, by A. Durer, to the British Museum,258.Knight, C. his patent illuminated prints and maps,630.Koburger, Anthony, printer of the Nuremberg Chronicle, 1493,212.Koning, J. a modern advocate of Coster’s invention,154.Krismer, librarian of the Convent of Buxheim,49n.Kunig, der Weiss, the title of a work, with wood-cuts, chiefly written by the Emperor Maximilian,286,483;summary of its contents,ib.Kupfer-stecher,2.Küttner, K. G. his opinion of Sir Theurdank,282.Kyloe Ox, by Bewick,485n.LLadenspelder, Hans,355.Laer, W. Rolewinck de, his Fasciculus Temporum, with wood-cuts, 1474,190.Lamp, the engraver’s,575.Landells, Ebenezer, wood-engraver,544.Landseer, Mr. Edwin, on vignettes,615.Landseer, Mr. John, his theory of vegetable putties,72;his observations on the term colour, as applied to engravings,213.Laocoon, burlesque of the, by Titian,435.Lapis, Dominico de, printer of Bologna, his edition of Ptolemy, with an erroneous date,201.Lar, the word on a Roman stamp,8.Lawless, M. J. draughtsman,599*.Lee, James, wood-engraver,593*.Lee, John, wood-engraver,534.Leech, John, artist,580*,581*.Leglenweiss, the word explained,44.Legrand, J. G. his translation of the Hypnerotomachia,219.Lehne, F. his observations on a passage in the Cologne Chronicle,122n;his Chronology of the Harlem Fiction,155;his remarks on Koning,157.Leicester, Robert Earl of, his portrait in Archbishop Parker’s edition of the Bible, 1568,419.Leighton, John, artist,582*.Leighton, Henry, wood-engraver,582*.Le Jeune, H. painter,598*.Leland, John, his Næniæ, 1542, contains a portrait, engraved on wood, of Sir Thomas Wyatt,379.Le Sueurs, French wood-engravers,443,467.Letania Lauretana, with wood-cuts, Valencia, 1768,469.Lettere Cifrate,395.Leyden, Lucas van, visited by Durer,269;his engravings,308.Lhuyd, Humphrey, erroneously described by Walpole as an engraver,420.Libripagus, a definition of the word, by Paul of Prague,182.Lignamine, P. de, in his Chronicle, 1474, mentions Gutemberg and Faust, as printers, at Mentz in 1458,140.Linton, W. J. wood-engraver,544,590*,591*.Lobel and Pena’s Stirpium Adversaria, with copper-plate title-page, London, 1570,423.Lodewyc von Vaelbeke, a fidler, supposed to have been the inventor of printing,119.Logography,417.Lorenzo, Nicolo, books containing copper-plates printed by him, 1477-1481,202.Lorich, Melchior,408.Loudon’s Arboretum, with cuts printed from casts of etchings, by Branston,634.Loudon, J. wood-engraver,600*.Lowering, the practice of, no recent invention,465.Lowering, concave,618.Lowering, advantages of,624.Lowering, complicated,625.Lowering, the difference between cylindrical rollers and the common press, so far as relates to,640n.Lucas van Leyden,308.Lucchesini, an Italian wood-engraver, about 1770,469.Luther, Martin, his cause espoused by Durer,265;caricature portraits of,267.Lutzelburger, Hans, a wood-engraver,351.Lydgate, John, mentions vignettes in his Troy Book,616.Lysons, Mr. Samuel, letter from, to Sir George Beaumont,108.MMabillon,14.Machabre, The Dance of,325-329.Maclise, D. artist,568*,569*.Macquoid, T. draughtsman,599*.Mair, an engraver, a supposed chiaro-scuro by, 1499,231.McIan, R. R. artist,588*,590*.Maittaire’s Latin Classics, wood-cut ornaments in, 1713,448.Mallinkrot, his translation of a passage in the Cologne Chronicle,123.Mander, C. Van, ascribes the Lyons Dance of Death to Holbein,365.Mantegna, Andrea, wood-cuts of the Hypnerotomachia ascribed to,219.Manung, widder die Durken, an early specimen of typography,138.Map engraved on wood, specimen of a,612.660Maps engraved on wood and on copper, the earliest,199;names of places in, printed in type, 1511,203;printed in colours, 1538,204;improvements in engraving,ib.;printed in separate pieces, with types, 1776,205;improvements in printing,417;early, on copper, published in England,419;Knight’s patent illuminated,630.Marcolini, F. wood-cuts in his Sorti, 1540,389,391.Marks, double, on wood-cuts,350.Marshall, J. R. wood engraver,596*.Martin, John, artist,545,546,547,590*.Martin, J. wood-engraver,544.Mary de Medici, her portrait mistaken by Papillon and Fournier for a specimen of her own engraving on wood,461.Masters, little,320n.Matsys, Quintin, entertains Durer,261.Maude, Thomas, extract from his poem of the School Boy,473.Maugerard, M. copy of an early edition of the Bible discovered by,139.Maximilian the First, Emperor of Germany, his triumphal car and arch, designed by Durer,255;the Adventures of Sir Theurdank, the joint composition of himself and his secretary,282-285;works celebrating his actions,—The Wise King,286;the Triumphal Procession,288,289.Mazarine Bible,139n.Meadows, Kenny, artist,597*.Measom, Geo. wood engraver,575*.Mechel, Christian von, of Basle, his engravings after Holbein,350.Medals,320.Meditationes Joannis de Turrecremata,184.Meerman, G. his disbelief of the story of Coster’s invention,154;and his subsequent attempts to establish its credibility,155.Mentelin, John, printer, of Strasburg, formerly an illuminator,121.Mentonnière,465,574.Merchants’-marks,17.Metallic relief engraving, erroneous statements about,305;Blake’s metallic relief engraving,632;portrait thus executed by Lizars,633;Woone’s,634;Schonberg’s,ib.;Branston’s,ib.;Hancock’s patent,635;Sly’s experiments,636;Messrs. Best, Andrew, and Leloir,ib.Meydenbach, John, said to have been one of Gutemberg’s assistants,166.Meydenbach, Jacobus, printer of the Hortus Sanitatis, 1491,210.Millais, J. E. painter,598*.Mints, provincial, for coining money,19.Mirror of Human Salvation,95.Mirror of the World, printed by Caxton,194.Missale Herbipolense, with a copper-plate engraving, 1481,201.Moffet’s Theatre of Insects,442.Monogram,13,15.Montagna, Benedetto, wood-cuts of the Hypnerotomachia ascribed to him,220.Monte Sancto di Dio, an early book, containing copper-plates, 1477,202.Monumental brasses,21.More, Sir Thomas,375.Morgan, M. S. draughtsman,599*.Morland, sketch from,592.Mort, les Simulachres de la, Lyons, 1538,328.Mosses, Thomas, wood engraver,544.Mulready, W. painter,598*.Munster, Sebastian, his Cosmography,413;his letters to Joachim Vadianus about an improvement in the mode of printing maps,417.Murr, C. G. Von, references to his Journal of Art, and other works,2,9,42,47,49,51,56,74,227,236,237,241,242,257,260,262,264,267,273,281,283,289,291.NNames of wood engravers at the back of the original blocks of the Triumphs of Maximilian,292.Naming of John the Baptist, a piece of sculpture by A. Durer,259.Nash, J. painter,599*.Nesbit, Charlton, a pupil of Bewick, notice of some of his principal cuts,519-521.Neudörffer, his account of Jerome Resch, a wood engraver, contemporary with Durer,236.Nicholson, Isaac, a pupil of Bewick,527.Northcote, James, his mode of composing the cuttings for his Fables,529n.Notarial stamps,17.Nummi bracteati,16.Nuremberg Chronicle,212.OOberlin, J. J. Essai d’Annales de la Vie de Gutenberg,125,130,136,138,140,143.Odes, two, by Lloyd and Colman, with wood-cuts, 1760,470.Ortelius, Abraham, his collection of maps, engraved on copper, 1570,419.Ortus Sanitatis,211.Ottley, W. Y. adopts Papillon’s story of the Cunio,419;his advocacy of Coster’s pretensions,160;ascribes the introduction of cross-hatching to M. Wolgemuth,239;and the designs of the cuts in the Hypnerotomachia to Benedetto Montagna,220.Outline, in wood engraving, the difference between the white and the true,587;engravings in,590.Overlaying wood-cuts, mode of,613,645.
Folkard, W. A. wood engraver,544,564*.
Forma, a shape or mould,42.
Formschneider,19,43,44,410.
Foster, Birket, artist,551,556-558,570*,571*.
Fournier, P. S. his discoveries with respect to the Speculum Salvationis,101;
his opinion of wooden types,136;
his works,467-469.
Fox’s, John, Acts and Monuments,428.
Fracture,283n.
Franklin, John, draughtsman,599*.
Frellon, John and Francis, publishers of the second edition of the Lyons Dance of Death,366.
French wood-cuts,610.
Frey, Agnes, the wife of Durer, her avarice and ill-temper said to have hastened her husband’s death,273.
Frith, W. P. painter,59.
G
Gænsfleisch, a surname of the family of Gutemberg,124.
Galenus de Temperamentis, with a title-page, engraved on copper, printed at Cambridge, 1521,421.
Galius, Nicholas, tells the story of Coster’s invention to H. Junius,150.
Gamperlin, Von, cuts ascribed to,314.
Garfagninus, Joseph Porta,390.
Gebhard, L. A. his notice of the History of the Council of Constance, with cuts of arms,189.
Gemini, Thomas, his Compendium of Anatomy, with copper-plate engravings, London, 1545,422.
Gent, Thomas, wood-cuts in his History of Ripon,181.
George IV. his signature stamped,14;
his snuff-box, with designs by Flaxman,590.
Gesner, Conrad, expressly mentions the cuts in the Lyons Dance of Death, as having been designed by Holbein,364.
Ghesquiere, M. his answer to M. Desroches,120.
Gilbert, John, artist,561*,563*,564*.
Gilpin, Rev. William, his definition of tint,213.
Giolito, Gabriel, printer, of Venice,394.
Giraffe, wood-cut of a, in Breydenbach’s Travels, 1486,269.
Glasses, observations on the use of,573.
Globe, glass, the engraver’s, to concentrate the light of the lamp,575.
Glockendon, George, an early German wood engraver,227.
Glockenton, A. cuts ascribed to,317.
Goethe, allusion to Sir Theurdank, in his Götz Von Berlichingen,281n.
Golden Legend, printed by W. de Worde, 1493, large cut in,195.
Goldsmith and Parnell’s Poems, printed by Bulmer,513.
Goltzius, Henry, chiaro-scuros by,432.
Goltzius, Hubert, his portraits of the Roman Emperors in chiaro-scuro, from plates of metal, 1557,405.
Goodall, E. painter,598*.
Goodall, W. draughtsman,599*.
Goose, Bernacle or Barnacle, said to be produced from a tree,414.
Gorway, Charles, wood engraver,544,600*.
Gospels of Ulphilas,44.
Gothic monograms,15.
Graff, Rose,313,314.
Grand-duc de l’armée céleste,173.
Grant, W. J. painter,598*.
Gratture, the French term for the process of thickening the lines in a wood-cut by scraping them down,464.
Gravers,574,575.
Gray, Charles, wood-engraver,544.
Green, W. T. wood-engraver,544,547,548.
Greenaway, J. wood-engraver,553-555.
Greff, Jerome, publisher of a pirated edition of Durer’s Illustrations of the Apocalypse,241.
Greffier and Scrivener,2n.
Gregson, Mr. C., letter to, from Bewick,474,479.
Gringonneur, Jacquemin, cards painted by,41.
Gritner, a French wood-engraver,547.
Grotesque,9n.
Grün, H. B.320.
Gubitz, a modern German wood-engraver,546.
Guicciardini, L. mentions the report of printing having been invented at Harlem,146.
Gutemberg, John, his birth,124;
residing at Strasburg in 1434,125;
his partnership with Andrew Drytzehn,ib.;
evidences of his having apressin 1438, for the purpose of printing,127;
his return to Mentz and partnership with Faust,131;
partnership dissolved,133;
proofs of his having afterwards had a press of his own,140;
his death and epitaph,144.
H
Hahn, Ulric, Meditationes J. de Turrecremata, printed by, in 1467,184.
Hammond, —, wood-engraver,600*.
Hancock, Charles, his patent for engraving in metallic relief,635.
Handgun, figure of one seen in cut in Valturius, de Re Militari, 1472,187.
Hans, Young, Briefmaler,116,225.
Harral, Horace, wood-engraver,566*,583*,594*.
Harrington, Sir John, his translation of Ariosto, with copper-plate engravings, 1591,423.
Hartlieb, Dr. Cyromantia,116.
Harvey, William, a pupil of Bewick, notice of his works as an engraver and designer,527-534.
Hawkins, John Sidney, editor of Emblems of Mortality, 1789,329.
Hawkins, Sir John, wood-cuts in his History of Music, 1776,471.
Haydock, R. his translation of Lomazzo, with copper-plate engraving, 1598,423.
Head of Paris, the lover of Helen, serves for that of Thales, Dante, and others,212.
Hegner, Ulrich, author of Life of Holbein, his notice of the Dance of Death, at Basle,326;
of the German names in proof impressions of the cuts in the Lyons Dance of Death,331;
of Hans Lutzelburger,351;
his Life of Holbein,372.
Heilman, Anthony, his evidence in the suit of the Drytzehns against Gutemberg, 1438,128.
Heineken, Charles, Baron Von, his disbelief of Papillon’s story of the Cunio,27;
his opinion that cards were invented in Germany,40;
his notice of the old wood-cut of St. Christopher,46;
of the History of the Virgin,68;
of the Apocalypse,80;
of the Poor Preacher’s Bible,82,94;
of the Speculum Salvationis,100;
his erroneous account of a Dutch wood-cut, byPhillery[Willem] de figuersnider,309.
Helgen, or Helglein, figures of Saints,45.
Henderson, Dr. his History of Wines, with Illustrations, by W. Harvey,530.
Henry VIII. his signature stamped,14.
Heures a l’Usaige de Chartres, printed by S. Vostre, 1502,232.
Hicks, G. E. painter,598*.
Hieroglyphic sonnet,396;
Bible,478.
Highland Society, diploma of,523.
Historiarum Veteris Testamenti Icones, or Bible-cuts, designed by Holbein,365-371.
Histories, the Four, dated 1462,172-175.
History of the Virgin, an ancient block-book,68-80.
Hodgson, Solomon, printer of the first four editions of Bewick’s Quadrupeds,488.
Hodgson, T. the engraver of a cut in Sir John Hawkins’s History of Music, 1776,471.
Hogarth, cut from projected edition of,544;
sketch from,594.
Hogenberg, R. portrait of Archbishop Parker engraved by, 1572,422.
Holbein, Hans, the designer of the cuts in the Dance of Death printed at Lyons,371;
his birth,ib.;
his marriage,372;
how employed at Basle,373;
visits England,ib.;
revisits Basle,376;
his death,378;
his satirical drawings,378n;
his Alphabet,352.
Hole, Henry, a pupil of Bewick,492n.
Holl, Leonard, printer of Ulm, his edition of Ptolemy, 1483,199.
Hollar, W. his etchings of the Dance of Death,337.
Holzschneider,2.
Horace, his well-stored wine,9.
Horne, Rev. T. H. probably incorrect with respect to a date,60.
Horsley, J. C. artist,591*,598*.
Hortus Sanitatis, 1491,210.
Householder, the Good,438.
Howel’s Medulla Historiæ Anglicanæ, with wood-cuts, 1712,446.
Hughes, Hugh, his Beauties of Cambria,538-548.
Hughes, William, wood-engraver,538.
Hudibras, 1819, cut from,543.
Hulme, F. W. draughtsman,599*.
Humanæ Vitæ Imago,436n.
Humphreys, Noel, draughtsman,599*.
Hunt, W. Holman, painter,598*.
Hunting and Hawking, Book of, printed at St. Alban’s, 1486, and at Westminster in 1496,195.
Hutton’s Mensuration, with diagrams engraved by Bewick, 1768-1770,475.
Hypnerotomachia Poliphili,218,220,224.
I
Images of the Old Testament, with cuts, designed by Holbein,365-370.
Impressions from wood and from copper, the difference in the mode of taking, 4.
Initial letters, flowered,191,429.
Insanity of engravers,458n.
Inscriptions on bells,20.
Intaglio engraving on wood, so that the outlines appear white upon black,225,482,618,619.
J
Jackson, John, wood-engraver,545.
Jackson, John Baptist, an English wood engraver, perhaps a pupil of Kirkall,453;
Papillon’s notice of him,454;
engraves several chiaro-scuros at Venice,455;
establishes a manufactory for paper-hangings at Battersea, and publishes an essay on chiaro-scuro engraving,455-457.
Jackson, John,545.
Jackson, Mason, wood-engraver,589*,600*.
Jacob blessing the children of Joseph,596,597.
Janszoon, Lawrence, supposed to be the same person as Lawrence Coster,162.
Javelin-headed characters,7.
Jean-le-Robert, his Journal,122.
Jegher, Christopher, wood engravings by, from drawings by Rubens,437.
Jettons, or counters,19.
Jewitt, Orlando, draughtsman and wood-engraver,584*-587*.
John, St. old wood-cuts of,60.
Johnson, John, a pupil of Bewick,517n.
Johnson, Robert, a pupil of Bewick’s, list of tail-pieces in the British Birds designed by,497;
notice of his life,516.
Jones, Owen, draughtsman,599*.
Journal, Albert Durer’s, of his visit to Flanders,260.
Judith, with the head of Holofernes,440.
Junius, Hadrian, claims the invention of printing for Lawrence Coster,147-150.
K
Kartenmachers in Germany, in the fifteenth century,43.
Keene, Charles, draughtsman,599*.
Killing the black, a technical term in wood engraving, explained,232.
Kirchner, —, wood-engraver,563*.
Kirkall, E. copper-plate frontispiece to Howel’s Medulla Historiæ Anglicanæ, engraved by, 1712,447;
chiaro-scuros engraved by,451;
copper-plates engraved by, in Rowe’s translation of Lucan’s Pharsalia, and other works,452.
Klauber, H. H., repainted the Dance of Death in the church-court of the Dominicans, at Basle,327.
Knight, R. Payne, his bequest of a piece of sculpture, by A. Durer, to the British Museum,258.
Knight, C. his patent illuminated prints and maps,630.
Koburger, Anthony, printer of the Nuremberg Chronicle, 1493,212.
Koning, J. a modern advocate of Coster’s invention,154.
Krismer, librarian of the Convent of Buxheim,49n.
Kunig, der Weiss, the title of a work, with wood-cuts, chiefly written by the Emperor Maximilian,286,483;
summary of its contents,ib.
Kupfer-stecher,2.
Küttner, K. G. his opinion of Sir Theurdank,282.
Kyloe Ox, by Bewick,485n.
L
Ladenspelder, Hans,355.
Laer, W. Rolewinck de, his Fasciculus Temporum, with wood-cuts, 1474,190.
Lamp, the engraver’s,575.
Landells, Ebenezer, wood-engraver,544.
Landseer, Mr. Edwin, on vignettes,615.
Landseer, Mr. John, his theory of vegetable putties,72;
his observations on the term colour, as applied to engravings,213.
Laocoon, burlesque of the, by Titian,435.
Lapis, Dominico de, printer of Bologna, his edition of Ptolemy, with an erroneous date,201.
Lar, the word on a Roman stamp,8.
Lawless, M. J. draughtsman,599*.
Lee, James, wood-engraver,593*.
Lee, John, wood-engraver,534.
Leech, John, artist,580*,581*.
Leglenweiss, the word explained,44.
Legrand, J. G. his translation of the Hypnerotomachia,219.
Lehne, F. his observations on a passage in the Cologne Chronicle,122n;
his Chronology of the Harlem Fiction,155;
his remarks on Koning,157.
Leicester, Robert Earl of, his portrait in Archbishop Parker’s edition of the Bible, 1568,419.
Leighton, John, artist,582*.
Leighton, Henry, wood-engraver,582*.
Le Jeune, H. painter,598*.
Leland, John, his Næniæ, 1542, contains a portrait, engraved on wood, of Sir Thomas Wyatt,379.
Le Sueurs, French wood-engravers,443,467.
Letania Lauretana, with wood-cuts, Valencia, 1768,469.
Lettere Cifrate,395.
Leyden, Lucas van, visited by Durer,269;
his engravings,308.
Lhuyd, Humphrey, erroneously described by Walpole as an engraver,420.
Libripagus, a definition of the word, by Paul of Prague,182.
Lignamine, P. de, in his Chronicle, 1474, mentions Gutemberg and Faust, as printers, at Mentz in 1458,140.
Linton, W. J. wood-engraver,544,590*,591*.
Lobel and Pena’s Stirpium Adversaria, with copper-plate title-page, London, 1570,423.
Lodewyc von Vaelbeke, a fidler, supposed to have been the inventor of printing,119.
Logography,417.
Lorenzo, Nicolo, books containing copper-plates printed by him, 1477-1481,202.
Lorich, Melchior,408.
Loudon’s Arboretum, with cuts printed from casts of etchings, by Branston,634.
Loudon, J. wood-engraver,600*.
Lowering, the practice of, no recent invention,465.
Lowering, concave,618.
Lowering, advantages of,624.
Lowering, complicated,625.
Lowering, the difference between cylindrical rollers and the common press, so far as relates to,640n.
Lucas van Leyden,308.
Lucchesini, an Italian wood-engraver, about 1770,469.
Luther, Martin, his cause espoused by Durer,265;
caricature portraits of,267.
Lutzelburger, Hans, a wood-engraver,351.
Lydgate, John, mentions vignettes in his Troy Book,616.
Lysons, Mr. Samuel, letter from, to Sir George Beaumont,108.
M
Mabillon,14.
Machabre, The Dance of,325-329.
Maclise, D. artist,568*,569*.
Macquoid, T. draughtsman,599*.
Mair, an engraver, a supposed chiaro-scuro by, 1499,231.
McIan, R. R. artist,588*,590*.
Maittaire’s Latin Classics, wood-cut ornaments in, 1713,448.
Mallinkrot, his translation of a passage in the Cologne Chronicle,123.
Mander, C. Van, ascribes the Lyons Dance of Death to Holbein,365.
Mantegna, Andrea, wood-cuts of the Hypnerotomachia ascribed to,219.
Manung, widder die Durken, an early specimen of typography,138.
Map engraved on wood, specimen of a,612.
Maps engraved on wood and on copper, the earliest,199;
names of places in, printed in type, 1511,203;
printed in colours, 1538,204;
improvements in engraving,ib.;
printed in separate pieces, with types, 1776,205;
improvements in printing,417;
early, on copper, published in England,419;
Knight’s patent illuminated,630.
Marcolini, F. wood-cuts in his Sorti, 1540,389,391.
Marks, double, on wood-cuts,350.
Marshall, J. R. wood engraver,596*.
Martin, John, artist,545,546,547,590*.
Martin, J. wood-engraver,544.
Mary de Medici, her portrait mistaken by Papillon and Fournier for a specimen of her own engraving on wood,461.
Masters, little,320n.
Matsys, Quintin, entertains Durer,261.
Maude, Thomas, extract from his poem of the School Boy,473.
Maugerard, M. copy of an early edition of the Bible discovered by,139.
Maximilian the First, Emperor of Germany, his triumphal car and arch, designed by Durer,255;
the Adventures of Sir Theurdank, the joint composition of himself and his secretary,282-285;
works celebrating his actions,—The Wise King,286;
the Triumphal Procession,288,289.
Mazarine Bible,139n.
Meadows, Kenny, artist,597*.
Measom, Geo. wood engraver,575*.
Mechel, Christian von, of Basle, his engravings after Holbein,350.
Medals,320.
Meditationes Joannis de Turrecremata,184.
Meerman, G. his disbelief of the story of Coster’s invention,154;
and his subsequent attempts to establish its credibility,155.
Mentelin, John, printer, of Strasburg, formerly an illuminator,121.
Mentonnière,465,574.
Merchants’-marks,17.
Metallic relief engraving, erroneous statements about,305;
Blake’s metallic relief engraving,632;
portrait thus executed by Lizars,633;
Woone’s,634;
Schonberg’s,ib.;
Branston’s,ib.;
Hancock’s patent,635;
Sly’s experiments,636;
Messrs. Best, Andrew, and Leloir,ib.
Meydenbach, John, said to have been one of Gutemberg’s assistants,166.
Meydenbach, Jacobus, printer of the Hortus Sanitatis, 1491,210.
Millais, J. E. painter,598*.
Mints, provincial, for coining money,19.
Mirror of Human Salvation,95.
Mirror of the World, printed by Caxton,194.
Missale Herbipolense, with a copper-plate engraving, 1481,201.
Moffet’s Theatre of Insects,442.
Monogram,13,15.
Montagna, Benedetto, wood-cuts of the Hypnerotomachia ascribed to him,220.
Monte Sancto di Dio, an early book, containing copper-plates, 1477,202.
Monumental brasses,21.
More, Sir Thomas,375.
Morgan, M. S. draughtsman,599*.
Morland, sketch from,592.
Mort, les Simulachres de la, Lyons, 1538,328.
Mosses, Thomas, wood engraver,544.
Mulready, W. painter,598*.
Munster, Sebastian, his Cosmography,413;
his letters to Joachim Vadianus about an improvement in the mode of printing maps,417.
Murr, C. G. Von, references to his Journal of Art, and other works,2,9,42,47,49,51,56,74,227,236,237,241,242,257,260,262,264,267,273,281,283,289,291.
N
Names of wood engravers at the back of the original blocks of the Triumphs of Maximilian,292.
Naming of John the Baptist, a piece of sculpture by A. Durer,259.
Nash, J. painter,599*.
Nesbit, Charlton, a pupil of Bewick, notice of some of his principal cuts,519-521.
Neudörffer, his account of Jerome Resch, a wood engraver, contemporary with Durer,236.
Nicholson, Isaac, a pupil of Bewick,527.
Northcote, James, his mode of composing the cuttings for his Fables,529n.
Notarial stamps,17.
Nummi bracteati,16.
Nuremberg Chronicle,212.
O
Oberlin, J. J. Essai d’Annales de la Vie de Gutenberg,125,130,136,138,140,143.
Odes, two, by Lloyd and Colman, with wood-cuts, 1760,470.
Ortelius, Abraham, his collection of maps, engraved on copper, 1570,419.
Ortus Sanitatis,211.
Ottley, W. Y. adopts Papillon’s story of the Cunio,419;
his advocacy of Coster’s pretensions,160;
ascribes the introduction of cross-hatching to M. Wolgemuth,239;
and the designs of the cuts in the Hypnerotomachia to Benedetto Montagna,220.
Outline, in wood engraving, the difference between the white and the true,587;
engravings in,590.
Overlaying wood-cuts, mode of,613,645.