Introduction(separate file)List of Illustrations(separate file)Chapter I(separate file)Chapter II(separate file)Chapter III(separate file)Chapter IVChapter VChapter VI(separate file)Chapter VII(separate file)Chapter VIII(separate file)Chapter IX(separate file)Index(separate file)
Introduction(separate file)List of Illustrations(separate file)
Chapter I(separate file)Chapter II(separate file)Chapter III(separate file)Chapter IVChapter VChapter VI(separate file)Chapter VII(separate file)Chapter VIII(separate file)Chapter IX(separate file)
Index(separate file)
ONWOOD ENGRAVING.
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Faust and scheffer’s psalter of 1457—printing at bamberg in 1461—books containing wood-cuts printed there by albert pfister—opposition of the wood engravers of augsburg to the earliest printers established in that city—travelling printers—wood-cuts in “meditationes johannis de turre-cremata,” rome, 1467; and in “valturius de re militari,” verona, 1472—wood-cuts frequent in books printed at augsburg between 1474 and 1480—wood-cuts in books printed by caxton—maps engraved on wood, 1482—progress of map engraving—cross-hatching—flowered borders—hortus sanitatis—nuremberg chronicle—wood engraving in italy—poliphili hypnerotomachia—decline of block-printing—old wood-cuts in derschau’s collection.