In the East fames are won,In the West deeds are done.
In the East fames are won,In the West deeds are done.
In the East fames are won,In the West deeds are done.
In the East fames are won,
In the West deeds are done.
One merit in Carlyle, let the subject be what it may, is the freedom of prospect he allows, the entire absence of cant and dogma. He removes many cart-loads of rubbish, and leaves open a broad highway. His writings are all unfenced on the side of the future and the possible. Though he does but inadvertently direct our eyes to the open heavens, nevertheless he lets us wander broadly underneath, and shows them to us reflected in innumerable pools and lakes.
These volumes contain not the highest, but a very practicable wisdom, which startles and provokes, rather than informs us. Carlyle does not oblige us to think; we have thought enough for him already, but he compels us to act. We accompany him rapidly through an endless gallery of pictures, and glorious reminiscences of experiences unimproved. “Have you not had Moses and the prophets? Neither will ye be persuaded if one should rise from the dead.” There is no calm philosophy of life here, such as you might put at the end of the Almanac, to hang over the farmer’s hearth, how men shall live in these winter, in these summer days. No philosophy, properly speaking, of love, or friendship, or religion, or politics, or education, or nature, or spirit; perhaps a nearer approach to a philosophy of kingship, and of the place of the literary man, than of anything else. A rare preacher, with prayer, and psalm, and sermon, and benediction, but no contemplation of man’s life from the serene oriental ground, nor yet from the stirring occidental. No thanksgiving sermon for the holydays, or the Easter vacations, when all men submit to float on the full currents of life. When we see with what spirits, though with little heroism enough, wood-choppers, drovers,and apprentices take and spend life, playing all day long, sunning themselves, shading themselves, eating, drinking, sleeping, we think that the philosophy of their life written would be such a level natural history as the Gardener’s Calendar and the works of the early botanists, inconceivably slow to come to practical conclusions.
There is no philosophy here for philosophers, only as every man is said to have his philosophy. No system but such as is the man himself; and, indeed, he stands compactly enough; no progress beyond the first assertion and challenge, as it were, with trumpet blast. One thing is certain,—that we had best be doing something in good earnest henceforth forever; that’s an indispensable philosophy. The before impossible precept, “know thyself,” he translates into the partially possible one, “know what thou canst work at.” Sartor Resartus is, perhaps, the sunniest and most philosophical, as it is the most autobiographical of his works, in which he drew most largely on the experience of his youth. But we miss everywhere a calm depth, like a lake, even stagnant, and must submit to rapidity and whirl, as on skates, with all kinds of skilful and antic motions, sculling, sliding, cutting punch-bowls and rings, forward and backward. The talent is very nearly equal to the genius. Sometimes it would be preferable to wade slowly through a Serbonian bog, and feel the juices of the meadow.
Beside some philosophers of larger vision, Carlyle stands like an honest, half-despairing boy, grasping at some details only of their world systems. Philosophy, certainly, is some account of truths, the fragments and very insignificant parts of which man will practise in this workshop; truths infinite and in harmony with infinity; in respect to which the very objects and ends of the so-calledpractical philosopher will be mere propositions, like the rest. It would be no reproach to a philosopher, that he knew the future better than the past, or even than the present. It is better worth knowing. He will prophesy, tell what is to be, or in other words, what alone is, under appearances, laying little stress on the boiling of the pot, or the condition-of-England question. He has no more to do with the condition of England than with her national debt, which a vigorous generation would not inherit. The philosopher’s conception of things will, above all, be truer than other men’s, and his philosophy will subordinate all the circumstances of life. To live like a philosopher is to live, not foolishly, like other men, but wisely and according to universal laws. If Carlyle does not take two steps in philosophy, are there any who take three? Philosophy having crept clinging to the rocks, so far, puts out its feelers many ways in vain. It would be hard to surprise him by the relation of any important human experience, but in some nook or corner of his works you will find that this, too, was sometimes dreamed of in his philosophy.
To sum up our most serious objections in a few words, we should say that Carlyle indicates a depth,—and we mean not impliedly, but distinctly,—which he neglects to fathom. We want to know more about that which he wants to know as well. If any luminous star or undissolvable nebula is visible from his station which is not visible from ours, the interests of science require that the fact be communicated to us. The universe expects every man to do his duty in his parallel of latitude. We want to hear more of his inmost life; his hymn and prayer more; his elegy and eulogy less; that he should speak more from his character, and less fromhis talent; communicate centrally with his readers, and not by a side; that he should say what he believes, without suspecting that men disbelieve it, out of his never-misunderstood nature. His genius can cover all the land with gorgeous palaces, but the reader does not abide in them, but pitches his tent rather in the desert and on the mountain-peak.
When we look about for something to quote, as the fairest specimen of the man, we confess that we labor under an unusual difficulty; for his philosophy is so little of the proverbial or sentential kind, and opens so gradually, rising insensibly from the reviewer’s level, and developing its thought completely and in detail, that we look in vain for the brilliant passages, for point and antithesis, and must end by quoting his works entire. What in a writer of less breadth would have been the proposition which would have bounded his discourse, his column of victory, his Pillar of Hercules, andne plus ultra, is in Carlyle frequently the same thought unfolded; no Pillar of Hercules, but a considerable prospect, north and south, along the Atlantic coast. There are other pillars of Hercules, like beacons and light-houses, still further in the horizon, toward Atlantis, set up by a few ancient and modern travellers; but, so far as this traveller goes, he clears and colonizes, and all the surplus population of London is bound thither at once. What we would quote is, in fact, his vivacity, and not any particular wisdom or sense, which last is ever synonymous with sentence [sententia], as in his contemporaries Coleridge, Landor, and Wordsworth. We have not attempted to discriminate between his works, but have rather regarded them all as one work, as is the man himself. We have not examined so much as remembered them. To do otherwise wouldhave required a more indifferent, and perhaps even less just review, than the present.
All his works might well enough be embraced under the title of one of them, a good specimen brick, “On Heroes, Hero-Worship, and the Heroic in History.” Of this department he is the Chief Professor in the World’s University, and even leaves Plutarch behind. Such intimate and living, such loyal and generous sympathy with the heroes of history, not one in one age only, but forty in forty ages, such an unparalleled reviewing and greeting of all past worth, with exceptions, to be sure,—but exceptions were the rule before,—it was, indeed, to make this the age of review writing, as if now one period of the human story were completing itself, and getting its accounts settled. This soldier has told the stories with new emphasis, and will be a memorable hander-down of fame to posterity. And with what wise discrimination he has selected his men, with reference both to his own genius and to theirs,—Mahomet, Dante, Cromwell, Voltaire, Johnson, Burns, Goethe, Richter, Schiller, Mirabeau,—could any of these have been spared? These we wanted to hear about. We have not as commonly the cold and refined judgment of the scholar and critic merely, but something more human and affecting. These eulogies have the glow and warmth of friendship. There is sympathy, not with mere fames, and formless, incredible things, but with kindred men,—not transiently, but life long he has walked with them.
No doubt, some of Carlyle’s worthies, should they ever return to earth, would find themselves unpleasantly put upon their good behavior, to sustain their characters; but if he can return a man’s life more perfect toour hands than it was left at his death, following out the design of its author, we shall have no great cause to complain. We do not want a daguerreotype likeness. All biography is the life of Adam,—a much-experienced man,—and time withdraws something partial from the story of every individual, that the historian may supply something general. If these virtues were not in this man, perhaps they are in his biographer,—no fatal mistake. Really, in any other sense, we never do, nor desire to, come at the historical man,—unless we rob his grave, that is the nearest approach. Why did he die, then?Heis with his bones, surely.
No doubt Carlyle has a propensity toexaggeratethe heroic in history, that is, he creates you an ideal hero rather than another thing: he has most of that material. This we allow in all its senses, and in one narrower sense it is not so convenient. Yet what were history if he did not exaggerate it? How comes it that history never has to wait for facts, but for a man to write it? The ages may go on forgetting the facts never so long, he can remember two for every one forgotten. The musty records of history, like the catacombs, contain the perishable remains, but only in the breast of genius are embalmed the souls of heroes. There is very little of what is called criticism here; it is love and reverence, rather, which deal with qualities not relatively, but absolutely great; for whatever is admirable in a man is something infinite, to which we cannot set bounds. These sentiments allow the mortal to die, the immortal and divine to survive. There is something antique, even, in his style of treating his subject, reminding us that Heroes and Demi-gods, Fates and Furies, still exist; the common man is nothing to him, but after death the herois apotheosized and has a place in heaven, as in the religion of the Greeks.
Exaggeration! was ever any virtue attributed to a man without exaggeration? was ever any vice, without infinite exaggeration? Do we not exaggerate ourselves to ourselves, or do we recognize ourselves for the actual men we are? Are we not all great men? Yet what are we actually to speak of? We live by exaggeration. What else is it to anticipate more than we enjoy? The lightning is an exaggeration of the light. Exaggerated history is poetry, and truth referred to a new standard. To a small man every greater is an exaggeration. He who cannot exaggerate is not qualified to utter truth. No truth, we think, was ever expressed but with this sort of emphasis, so that for the time there seemed to be no other. Moreover, you must speak loud to those who are hard of hearing, and so you acquire a habit of shouting to those who are not. By an immense exaggeration we appreciate our Greek poetry and philosophy, and Egyptian ruins; our Shakespeares and Miltons, our Liberty and Christianity. We give importance to this hour over all other hours. We do not live by justice, but by grace. As the sort of justice which concerns us in our daily intercourse is not that administered by the judge, so the historical justice which we prize is not arrived at by nicely balancing the evidence. In order to appreciate any, even the humblest man, you must first, by some good fortune, have acquired a sentiment of admiration, even of reverence, for him, and there never were such exaggerators as these.
To try him by the German rule of referring an author to his own standard, we will quote the following from Carlyle’s remarks on history, and leave the reader toconsider how far his practice has been consistent with his theory. “Truly, if History is Philosophy teaching by Experience, the writer fitted to compose history is hitherto an unknown man. The Experience itself would require All-knowledge to record it, were the All-wisdom, needful for such Philosophy as would interpret it, to be had for asking. Better were it that mere earthly Historians should lower such pretensions, more suitable for Omniscience than for human science; and aiming only at some picture of the things acted, which picture itself will at best be a poor approximation, leave the inscrutable purport of them an acknowledged secret; or, at most, in reverent faith, far different from that teaching of Philosophy, pause over the mysterious vestiges of Him whose path is in the great deep of Time, whom History indeed reveals, but only all History, and in Eternity, will clearly reveal.”
Carlyle is a critic who lives in London to tell this generation who have been the great men of our race. We have read that on some exposed place in the city of Geneva, they have fixed a brazen indicator for the use of travellers, with the names of the mountain summits in the horizon marked upon it, “so that by taking sight across the index you can distinguish them at once. You will not mistake Mont Blanc, if you see him, but until you get accustomed to the panorama, you may easily mistake one of his court for the king.” It stands there a piece of mute brass, that seems nevertheless to know in what vicinity it is: and there perchance it will stand, when the nation that placed it there has passed away, still in sympathy with the mountains, forever discriminating in the desert.
So, we may say, stands this man, pointing as long as he lives, in obedience to some spiritual magnetism, to the summits in the historical horizon, for the guidance of his fellows.
Truly, our greatest blessings are very cheap. To have our sunlight without paying for it, without any duty levied,—to have our poet there in England, to furnish us entertainment, and, what is better, provocation, from year to year, all our lives long, to make the world seem richer for us, the age more respectable, and life better worth the living,—all without expense of acknowledgment even, but silently accepted out of the east, like morning light as a matter of course.