TRANSLATION

Note.Since the first proof of this bibliography was corrected, the following books, stories, and articles by Mr. Lawrence have either been published or announced for early publication: (1)Little Novels of Sicilyby Giovanni Verga, translated by D. H. Lawrence, has been published in America by Thomas Seltzer, and is announced for publication in England by Basil Blackwell; (2)Mastro-Don Gesualdoby Giovanni Verga, translated by D. H. Lawrence, is announced for publication in England by Jonathan Cape; (3)St. Mawr, containing two long stories, “St. Mawr” and “The Princess,” has been announced for publication in England by Martin Secker; (4)The Black Swansby M. L. Skinner, with an introduction by D. H. Lawrence, has been announced for publication in England by Jonathan Cape; (5)The New Decameron, Volume IV, published in England by Basil Blackwell, contains “The Last Laugh,” a new short story by Mr. Lawrence; (6) the first installment of “The Princess” appeared in the March number ofThe Calendar of Modern Lettersa new English monthly.

TRANSLATIONMASTRO—DON GESUALDO1923Mastro—Don Gesualdo/ By / Giovanni Verga / Translated by / D. H. Lawrence / (publisher’s device) / New York / Thomas Seltzer / 1923Collation:—pp. xii + 456, consisting of half-title (with a list of fifteen booksBy D. H. Lawrence, surrounded by one-line border, on verso), pp. (i, ii); title-page, as above (withCopyright, 1923, by/Thomas Seltzer, Inc./ (a line) /All Rights Reserved/Printed in the United States of Americaon verso), pp. (iii, iv);Biographical Note, pp. v-vii;Bibliography, p. viii;Principal Characters, pp. ix, (x); table ofContents(verso blank), pp. (xi, xii); fly-leaf,First Part(verso blank), pp. (1, 2); text, pp. 3-454. Pp. (455, 456) blank. There is no printer’s imprint. Fly-leaves precede the four parts of the work at pp. (1, 2), (163, 164), (269, 270), (351, 352). Pp. (2), (164), (268), (270), (352) blank.Crown 8vo, 7⅜ × 5; issued in rough orange cloth; front cover has in blind one-line border, and is divided by vertical line in blind; horizontal line in blind, two inches from top, is broken by purple paper title-and-name label lettered in white as follows:Mastro—/Don/Gesualdo/by/Giovanni/VergaBackbone has at top purple title-and-name label lettered across in white:Mastro—/Don/Gesualdo/ (a line) /Verga/ (withThomas/Seltzerstamped in black at bottom); back cover blank. Top edges orange; all edges cut. End-papers white.Some copies ofMastro—Don Gesualdoshow a slight variation from the above. In these copies what is p. (i) is preceded by, and what is page (456) is followed by three blank leaves of very heavy paper, like the end-papers. This translation has not thus far been published in England.

TRANSLATION

MASTRO—DON GESUALDO

1923

Mastro—Don Gesualdo/ By / Giovanni Verga / Translated by / D. H. Lawrence / (publisher’s device) / New York / Thomas Seltzer / 1923

Collation:—pp. xii + 456, consisting of half-title (with a list of fifteen booksBy D. H. Lawrence, surrounded by one-line border, on verso), pp. (i, ii); title-page, as above (withCopyright, 1923, by/Thomas Seltzer, Inc./ (a line) /All Rights Reserved/Printed in the United States of Americaon verso), pp. (iii, iv);Biographical Note, pp. v-vii;Bibliography, p. viii;Principal Characters, pp. ix, (x); table ofContents(verso blank), pp. (xi, xii); fly-leaf,First Part(verso blank), pp. (1, 2); text, pp. 3-454. Pp. (455, 456) blank. There is no printer’s imprint. Fly-leaves precede the four parts of the work at pp. (1, 2), (163, 164), (269, 270), (351, 352). Pp. (2), (164), (268), (270), (352) blank.

Crown 8vo, 7⅜ × 5; issued in rough orange cloth; front cover has in blind one-line border, and is divided by vertical line in blind; horizontal line in blind, two inches from top, is broken by purple paper title-and-name label lettered in white as follows:Mastro—/Don/Gesualdo/by/Giovanni/VergaBackbone has at top purple title-and-name label lettered across in white:Mastro—/Don/Gesualdo/ (a line) /Verga/ (withThomas/Seltzerstamped in black at bottom); back cover blank. Top edges orange; all edges cut. End-papers white.

Some copies ofMastro—Don Gesualdoshow a slight variation from the above. In these copies what is p. (i) is preceded by, and what is page (456) is followed by three blank leaves of very heavy paper, like the end-papers. This translation has not thus far been published in England.

CONTRIBUTIONS TO BOOKSI. POETRYGEORGIAN POETRY: 1911-1912Published December 1912Georgian/Poetry/ 1911-1912 / (six small ornaments in triangular arrangement) / The Poetry Bookshop / 35 Devonshire St. Theobalds Rd. / London W. C.Collation:—pp. viii + 200, consisting of half-title (verso blank), pp. (i, ii); title-page, as above (withDedicated/To/Robert Bridges/By the Writers/And the Editoron verso), pp. (iii, iv);Prefatory Note(with long quotation from Lord Dunsany on verso), pp. (v, vi); table ofContents, pp. (vii, viii); divisional fly-leaf, withLascelles Abercrombieon recto (verso blank), pp. (1, 2); text, pp. 3-193; p. (194) blank;Bibliography, pp. 195-197. Printers’ imprint at center of p. (198) as follows: Device (Stag and Tree) with lettering,The/Arden(device)Press/LetchworthPp. (199, 200) blank.Crown 8vo, 7½ × 5; issued in light brown boards; front cover lettered in gilt and ornamented as follows:Georgian Poetry/1911-1912/P(diamond)B(on bright red shield) /The Poetry BookshopBackbone lettered in gilt:Georgian/Poetry/1911-1912Back cover blank. Top edges gilt; fore edges uncut and unopened; bottom edges untrimmed. End-papers white.Five volumes ofGeorgian Poetryhave so far been published.All but one of these volumes, that for 1916-1917, contain contributions by Mr. Lawrence. He is represented in the above collection, at pages 113-116, by “Snap-Dragon,” a poem which was printed in theEnglish Review, June 1912, but which appeared for the first time between boards inGeorgian Poetry. It was later included inAmores.In America, the five volumes ofGeorgian Poetrywere published, from the Poetry Bookshop sheets, by G. P. Putnam’s Sons.GEORGIAN POETRY: 1913-1915Published November 1915Georgian/Poetry/ 1913-1915 / (six small ornaments in triangular arrangement) / The Poetry Bookshop / 35 Devonshire St. Theobalds Rd. / London W. C. / MCMXVCollation:—pp. x + 246, consisting of half-title (verso blank), pp. (i, ii); title-page, as above (withIn Memoriam/R. B./J. E. F.on verso), pp. (iii, iv);Prefatory Note(verso blank), pp. (v, vi); table ofContents, pp. (vii-ix); p. (x) blank; divisional fly-leaf, withGordon Bottomleyon recto (verso blank), pp. (1, 2); text, pp. 3-239; p. (240) blank;Bibliography, pp. 241-244. Pp. (245, 246) are occupied by advertisements ofPoetry Bookshop Publications. Printers’ imprint at foot of p. (246) as follows:Printed by W. H. Smith & Son (The Arden Press), 53(slanting line)5 Fetter Lane, London, E. C.Crown 8vo, 7½ × 5; issued in light blue boards; front cover lettered in gilt as follows:Georgian Poetry/1913-1915/The Poetry BookshopBackbone lettered across in gilt and ornamented:Georgian/Poetry/1913-1915/P(diamond)B(on bright red shield). Back cover blank. Top edges gilt; fore and bottom edges rough trimmed. End-papers white.To the second volume ofGeorgian PoetryMr. Lawrence contributed the following poems: “Service of All the Dead;” “Meeting among the Mountains;” “Cruelty and Love.” They occupy pages 153-158. The last was reprinted fromLove Poems; the first was later included inLook! We Have Come Through!where it appeared under the title “Giorno dei Morti.” “Meeting among the Mountains” has not, unless I am mistaken, been included in any of Mr. Lawrence’s books of verse.SOME IMAGIST POETSPublished April 1915Some Imagist/Poets/ An Anthology / (publishers’ device) / Boston and New York / Houghton Mifflin Company / The Riverside Press Cambridge / 1915Collation:—pp. ii + x + 96, consisting of leaf, not reckoned in pagination, recto blank (with seven titles inThe New Poetry Series, surrounded by one-line border, on verso), pp. (i, ii); half-title (verso blank), pp. (i, ii); title-page, as above (withCopyright, 1915, By Houghton Mifflin Company/All RightsReserved/Published April 1915on verso), pp. (iii, iv);Preface, pp. v-(viii); table ofContents, pp. ix, (x); divisional fly-leaf, withRichard Aldingtonon recto (verso blank), pp. (1, 2); text, pp. 3-(92); divisional fly-leaf, withBibliographyon recto (verso blank), pp. (93, 94);Bibliography, p. (95). Printers’ imprint at center of p. (96) as follows:The Riverside Press/Cambridge . Massachusetts/U . S . ACrown 8vo, 7¾ × 5⅝; issued in plain flexible boards, with surrounding green paper wrappers glued along back strip only; front cover lettered in black as follows:Some Imagist Poets/An Anthology/The New Poetry Series/ (publishers’ device)Houghton Mifflin Company/Boston and New York/ (small ornament). Lettered down backstrip:Some Imagist PoetsBack cover blank. All edges cut flush with boards. Wrappers over-lap top and bottom edges ⅛ inch, and fold in three inches at fore edges of boards. End-papers white.To this volume, the first of threeImagist Anthologiespublished by the Houghton Mifflin Company, Mr. Lawrence contributed seven poems as follows: “Ballad of Another Ophelia;” “Illicit;” “Fireflies in the Corn;” “A Woman and Her Dead Husband;” “The Mowers;” “Scent of Irises;” “Green.” These poems occupy pages 67 to 78. The first and sixth appeared later inAmores. The second, third, fifth, and seventh were included inLook! We Have Come Through!But, “The Mowers,” revised, was here printed under the title “A Youth Mowing,” and “Illicit” became “On a Balcony.” “A Woman and Her Dead Husband” is, inNew Poems, “The Bitterness of Death.”Because the contributors to theImagist Anthologieshad agreed among themselves to submit nothing that had previously appeared in book form, these collections are of especial interest to collectors of Mr. Lawrence’s first printings in books.TheImagist Anthologieswere published in England by Constable and Company, but after the American editions, which were the first.SOME IMAGIST POETS: 1916Published May 1916Some Imagist Poets/ 1916 / (a line) / An Annual Anthology / (publishers’ device) / Boston and New York / Houghton Mifflin Company / The Riverside Press Cambridge / 1916Collation:—pp. ii + xvi + 98, consisting of leaf, not reckoned in pagination, recto blank (with thirteen titles inThe New Poetry Serieson verso), pp. (i, ii); half-title (verso blank), pp. (i, ii); title-page, as above (withCopyright, 1916, By Houghton Mifflin Company/All Rights Reserved/Published May 1916on verso), pp. (iii, iv);Preface, pp. v-(xii); table ofContents, pp. xiii, (xiv); acknowledgement—ten lines (verso blank), pp. (xv, xvi); divisional fly-leaf, withRichard Aldingtonon recto (verso blank), pp. (1, 2); text, pp. 3-(91); p. (92) blank; divisional fly-leaf, withBibliographyon recto (verso blank), pp. (93, 94);Bibliography, pp. 95, (96); p. (97) blank. Printers’ imprint at center of p. (98) as follows:The Riverside Press/Cambridge . Massachusetts/U . S . ACrown 8vo, 7¾ × 5⅝; issued in plain flexible boards, with surrounding green paper wrappers glued along back strip only; front cover lettered in black as follows:Some Imagist Poets, 1916/An Annual Anthology/The New Poetry Series/ (publishers’ device) /Houghton Mifflin Company/Boston and New York/ (small ornament). Lettered down back strip:Some Imagist Poets, 1916Back cover blank. All edges cut flush with boards. Wrappers over-lap top and bottom edges ⅛ inch, and fold in three inches at fore edges of boards. End-papers white.To the secondImagist AnthologyMr. Lawrence contributed five poems: “Erinnyes;” “Perfidy;” “At the Window;” “In Trouble and Shame;” “Brooding Grief.” These poems occupy pages 67-74. All but “Erinnyes,” most beautiful of war poems, were later included inAmores. Any one of the many anthologies of war poetry might have enriched itself greatly by including “Erinnyes.” If any such collection did make use of this poem, I am unaware of it.SOME IMAGIST POETS: 1917Published April 1917Some Imagist Poets/ 1917 / (a line) / An Annual Anthology / (publishers’ device) / Boston and New York / Houghton Mifflin Company / The Riverside Press Cambridge / 1917Collation:—pp. viii + 92, consisting of half-title (verso blank), pp. (i, ii); title-page, as above (withCopyright, 1917, By Houghton Mifflin Company/All Rights Reserved/Published April 1917on verso), pp. (iii, iv); acknowledgement—eight lines (verso blank), pp. (v, vi); table ofContents, pp. vii, (viii); divisional fly-leaf, withRichard Aldingtonon recto (verso blank), pp. (1, 2); text, pp. 3-(86); divisional fly-leaf, withBibliographyon recto (verso blank), pp. (87, 88);Bibliography, pp. 89, (90); p. (91) blank. Printers’ imprint at center of p. (92) as follows:The Riverside Press/Cambridge . Massachusetts/U . S . ACrown 8vo, 7¾ × 5⅝; issued in plain flexible boards, with surrounding green paper wrappers glued along back strip only; front cover lettered in black as follows:Some Imagist Poets, 1917(a line beneath numbers) /An Annual Anthology/ (publishers’ device) /Houghton Mifflin Company/Boston and New York(small ornament). Lettered down backbone in black:Some Imagist Poets, 1917(a line beneath numbers). Back cover blank. All edges cut flush with boards. Wrappers over-lap top and bottom edges ⅛ inch, and fold in three inches at fore edges of boards. End-papers white.To this, the third and last Houghton MifflinImagist Anthology, Mr. Lawrence contributed only one poem, “Terra Nuova,” which occupies pages 69-75. “Terra Nuova” was later included inLook! We Have Come Through!under the title “New Heaven and Earth.”NEW PATHSPublished May 1918New Paths/ Verse (dot) Prose (dot) Pictures / 1917-1918 / Edited by / C. W. Beaumont and M. T. H. Sadler / Decorated by / Anne Estelle Rice / (publisher’s device) / London / C. W. Beaumont / 75 Charing Cross Road W. C. 2Collation:—pp. xii + 164 (with a frontispiece), consisting of half-title (verso blank), pp. (i, ii); frontispiece; title-page, as above (withFirst published May 1918on verso), pp. (iii, iv); dedication (verso blank), pp. (v, vi); table ofContents, pp. (vii-x); blank leaf, pp. (xi, xii);Verse, pp. 1-74;Prose, pp. 75-111;Pictures, pp. 112-164. At end of volume there is twelve-page, unnumbered and undated, catalogue of variousPublishers’ AnnouncementsTipped-in between pp. (x) and (xi) is an errata slip—seven lines.Foolscap 4to, 8¾ × 6¾; issued in light tan boards; front cover lettered and ornamented in dark blue as follows:New Paths/Verse(dot)Prose(dot)Pictures/1917-1918/ (a bowl of fruit). Backbone has white paper title label, with one-line border in dark blue, lettered in dark blue:New/Paths/1917-18/ (small ornament) /C. W./BeaumontBack cover has at center woman’s head, in dark blue. Top and fore edges uncut and in part unopened; bottom edges untrimmed. End-papers white.To this representative collection of modern verse, prose, and pictures Mr. Lawrence contributed two poems: “Labour Battalion” and “No News,” which occupy pages 37-39. So far as I am aware neither of these poems has been reprinted in any of Mr. Lawrence’s books of poems. It islikely that the edition ofNew Pathswas small, for this book has already become scarce—at least for an anthology.An American edition ofNew Pathswas published by Alfred A. Knopf, New York, 1918.BOOK OF BRITISH VERSEBook of British Verse.Edited by W. S. Braithwaite. Boston, 1919. (Small, Maynard and Company.)Contains: “Kisses in the Train,” by Mr. Lawrence. This poem was reprinted fromLove Poems; it appeared in the above anthology under the incorrect title “Kisses in the Rain.”GEORGIAN POETRY: 1918-1919Georgian Poetry: 1918-1919. (Selected by E. M.) London, 1919. (The Poetry Bookshop.)Contains: “Seven Seals,” by Mr. Lawrence. Reprinted fromNew Poems.MODERN BRITISH POETRYModern British Poetry.Edited by Louis Untermeyer. New York, 1920. (Harcourt, Brace and Company.)Contains: “People;” “Piano,” by Mr. Lawrence. The former was reprinted fromLook! We Have Come Through!the latter fromNew Poems.AN ANTHOLOGY OF MODERN VERSEAn Anthology of Modern Verse.Chosen by A. M. With an Introduction by Robert Lynd. London (1921). (Methuen and Company.)Contains: “Giorno dei Morti,” by Mr. Lawrence. Reprinted fromLook! We Have Come Through!POETICA EROTICAPoetica Erotica.A Collection of Rare and Curious Amatory Verse. Edited by T. R. Smith. Volume II. New York, 1921. (Boni and Liveright.)Contains: “A Bad Beginning;” “Excursion;” “Last Words to Miriam;” “Lilies in the Fire;” “Mystery;” “New Year’s Eve;” “New Year’s Night;” “Reproach;” “Wedlock,” by Mr. Lawrence. These poems were reprinted fromLove Poems,Amores, andLook! We Have Come Through!THE LE GALLIENNE BOOK OF ENGLISH VERSEThe Le Gallienne Book of English Verse.Edited,with an Introduction, by Richard Le Gallienne. New York, 1921. (Boni and Liveright.)Contains: “All of Roses,” by Mr. Lawrence. Reprinted apparently fromPoetry, although these same verses were in 1917 included inLook! We Have Come Through!under the title “River Roses.” A marvelous lyric, however called.GEORGIAN POETRY: 1920-1922Published November 1922Georgian/Poetry/ 1920-1922 / (six small ornaments in triangular arrangement) / The Poetry Bookshop / 35 Devonshire St. Theobalds Rd. / London W. C. 1 / MCMXXIICollation:—pp. xiv+210, consisting of half-title (withPublished November, 1922on verso), pp. (i, ii); title-page, as above (withTo/Alice Meynell/Made and printed in Great Britain.on verso), pp. (iii, iv);Prefatory Note, pp. (v-vii); p. (viii) blank; table ofContents, pp. (ix-xiii); p. (xiv) blank; divisional fly-leaf, withLascelles Abercrombieon recto (verso blank), pp. (1, 2); text, pp. 3-200; divisional fly-leaf, withBibliographyon recto (verso blank), pp. (201, 202);Bibliography, pp. 203-207. Printers’ imprint at center of p. (208) as follows: (Stag and Tree device), with lettering,The/Arden(device)Press/W. H. Smith & Son/The Arden Press, /Stamford Street/London, S. E. 1.Pp. (209, 210) blank.Crown 8vo, 7½ × 5; issued in bright red boards; front cover lettered in gilt as follows:Georgian Poetry/1920-1922/The Poetry BookshopBackbone lettered across in gilt:Georgian/Poetry/1920-1922/P(diamond)B(on dark blue shield). Back cover blank. Top edges gilt; fore edges uncut and in part unopened; bottom edges rough trimmed. End-papers white.In this volume ofGeorgian PoetryMr. Lawrence is represented by “Snake.” This remarkable poem appeared in theDial, July 1921, and was later included inBirds, Beasts and Flowers.A MISCELLANY OF POETRY: 1920-1922A Miscellany of Poetry(1920-1922). Edited by W. K. Seymour. London (1922). (John G. Wilson.)Contains: “Snake,” by Mr. Lawrence. This collection was, according to a line of type in the volume, published in December, 1922.SHORTER LYRICS OF THE TWENTIETH CENTURYShorter Lyrics of the Twentieth Century.Selected, with a foreword, by W. H. Davies. London (1922). (Poetry Bookshop.)Contains: “Gloire de Dijon;” “Service of All the Dead,” by Mr. Lawrence. These poems were reprinted fromLook! We Have Come Through!The second poem appearsin this volume under the title “Giorno dei Morti.” Probably Mr. Davies took it directly fromGeorgian Poetry: 1913-1915, where the older title was used.NEW VOICESNew Voices: An Introduction to Contemporary Poetry. Marguerite Wilkinson. New York, 1922. (The Macmillan Company.)Contains: “Fireflies in the Corn,” by Mr. Lawrence. Reprinted fromLook! We Have Come Through!THE NEW POETRYThe New Poetry.Edited by Harriet Monroe and Alice C. Henderson, New York, 1923. (The Macmillan Company.)Contains: “A Woman and Her Dead Husband;” “Fireflies in the Corn;” “Green;” “Grief;” “Service of All the Dead;” “Nostalgia;” “A Baby Asleep after Pain;” “Tommies in the Train;” “Resurrection,” by Mr. Lawrence.All but one of these poems were evidently reprinted fromPoetry, edited by the compilers ofNew Poetry. All but “Resurrection” have been printed in certain of Mr. Lawrence’s volumes of verse: namely,Amores,Look! We Have Come Through!,New Poems, andBay.BEST POEMS OF 1923Best Poems of 1923.Edited by L. A. G. Strong. Boston (1924). (Small, Maynard and Company.)Contains: “The Evening Land,” by Mr. Lawrence. Reprinted fromBirds, Beasts and Flowers.THE LITTLE BOOK OF MODERN BRITISH VERSEThe Little Book of Modern British Verse.Edited by Jessie B. Rittenhouse. Boston and New York, 1924. (Houghton Mifflin Company.)Contains: “Gloire de Dijon;” “A Baby Asleep after Pain;” “Nostalgia;” “Snake,” by Mr. Lawrence. Reprinted fromLook! We Have Come Through!,Bay, andBirds, Beasts and Flowers.SECOND SELECTIONS FROM MODERN POETSSecond Selections from Modern Poets.Made by J. C. Squire. London (1924). (Martin Secker.)Contains: “Kangaroo;” “Snake;” “Man and Bat,” by Mr. Lawrence. All of these poems were reprinted fromBirds, Beasts and Flowers.II. PROSEGREAT MODERN ENGLISH STORIESGreat Modern English Stories: An Anthology. Edited by E. J. O’Brien. New York, 1919. (Boni and Liveright.)Contains: “A Sick Collier,” by Mr. Lawrence. This story was reprinted fromThe Prussian Officer.ALL THINGS ARE POSSIBLE1920All Things Are Possible/ By Leo Shestov / Authorised Translation / By S. S. Koteliansky / With a Foreword by / D. H. Lawrence / London: Martin SeckerCollation:—pp. 248, consisting of half-title (verso blank), pp. (1, 2); title-page, as above (withFirst published in England, 1920on verso), pp. (3, 4); biographical and bibliographicalNote(verso blank), pp. (5, 6);Foreword, pp. 7-12; divisional fly-leaf, withPart I/Zu fragmentarisch ist Welt und Leben./H. Heine.on recto (verso blank), pp. (13, 14); text, pp. 15-(244). Printers’ imprint, beneath thin line, at foot of p. (244) as follows:The London and Norwich Press, Limited, London and Norwich, EnglandPp. (245-248) blank.Crown 8vo, 7½ × 5; issued in purple cloth; front and back covers blank; backbone has white paper title-and-name label lettered across in purple as follows:All/Things Are/Possible/ (diamond) /ShestovTop edges cut; fore edges unopened; bottom edges untrimmed. End-papers white.To this volume Mr. Lawrence contributed the “Foreword,” which occupies pages 7-12.THE NEW KEEPSAKE FOR THE YEAR 1921Published December 1920The New(two vertical lines)Le Nouveau/Keepsake/For(two vertical lines)Pour/The Year(two vertical lines)L’Annee/ 1921 / Edited by / X. M. Boulestin / With Plates Selected by / J. E. Laboureur / Published for X. M. Boulestin, 102, George Street / Portman Square, W., by the Chelsea Book Club / 65, Cheyne Walk, S. W. / London (two vertical lines) ParisA note must suffice to describe this very beautiful anthology of English and French verse, prose, woodcuts, etchings, etc. The edition ofThe New Keepsakewas limited to 620 copies for general distribution; 50 copies on Japanese vellum, numbered from 1 to 50; 20 copies on blue vellum, numbered from 51 to 70; 550 copies on hand-made paper, numbered from 71 to 620. The blue vellum copies were bound in black buckram, lettered in pink; those on hand-made paper were done in yellow buckram, lettered in black. I have not seen a copy of this book onJapanese vellum. Copies on this and blue vellum are, in the nature of things, now very scarce; but the cheapest form of the book can still be bought from dealers at a nominal advance over publication price, which was 18s. 6d.“Adolf,” Mr. Lawrence’s contribution toThe New Keepsake, occupies pages 19-33. It is a beautiful story—one which should certainly find a place in some future collection of his shorter pieces. “Adolf” was published in theDial, September, 1920.THE GENTLEMAN FROM SAN FRANCISCO1922The Gentleman from/San Francisco/and Other Stories/ By / I. A. Bunin / Translated from the Russian by / S. S. Koteliansky and Leonard Woolf / Published by Leonard & Virginia Woolf at / The Hogarth Press, Paradise Road, Richmond / 1922Collation:—pp. vi (preceded by leaf with signatureaon recto, verso blank) + 88, consisting of half-title (verso blank), pp. (i, ii); title-page, as above (withPrinted in Great Britain/by/William Clowes and Sons, Limited,/London and Beccles.on verso), pp. (iii, iv); table ofContents(verso blank), pp. v, (vi); text, pp. 1-86. P. (87) is occupied by list ofPrevious Publicationsof the Hogarth Press; p. (88) has announcements ofForthcoming Publicationsof the same. On title-page is tipped-in an erratumNoteas follows:The first story in this book “The Gentleman/from San Francisco” is translated by D. H./Lawrence andS. S. Koteliansky. Owing to/a mistake Mr. Lawrence’s name has been/omitted from the title-page. The three other/stories are translated by S. S. Koteliansky and/Leonard Woolf.Crown 8vo, 7⅛ × 4¾; issued in decorated boards, with white paper title-and-name label on front cover lettered in black as follows: (a line) /The Gentleman from/ (small ornament)San Francisco(small ornament) /and Other Stories./ (small ornament) /I. A. Bunin./ (a line). Paper label down the back lettered in black:The Gentleman from San Francisco. I. A. Bunin.Back cover blank. All edges cut flush with boards. End-papers white.Mr. Lawrence’s contribution to this volume is pointed out in the erratum note quoted in the collation.THE NEW DECAMERON1922The New Decameron/ The Third Volume, Containing / Stories by / Compton Mackenzie / J. D. Beresford / D. H. Lawrence / Desmond Coke / Michael Sadleir / Norman Davey / Storm Jameson / Robert Keable / V. Sackville West / and / Bill Nobbs / Oxford / Basil Blackwell / 1922Collation:—pp. viii + 232, consisting of half-title (verso blank), pp. (i, ii); title-page, as above (verso blank), pp. (iii, iv); table ofContents, pp. v, vi;A Note in Summary of/What Has Gone Before, pp. vii, viii; text, pp. (1)-(231). Printers’ imprint at foot of p. (231) as follows:Printed in Great Britain by Hazell,Watson & Viney, Ld.,/London and Aylesbury.P. (232) is occupied by advertisements of four books published by Basil Blackwell.Crown 8vo, 7⅝ × 5; issued in light blue boards, with natural linen cloth back; front and back covers blank; backbone has white paper title-and-name label lettered across in dark blue as follows:The New(small ornament) /Decameron/ (small ornament) /Compton Mackenzie/J. D. Beresford/D. H. Lawrence/Michael Sadleir/Robert Keable/and Others/ (small ornament). Top edges unopened; fore edges uncut and in part unopened; bottom edges untrimmed. End-papers white.Three volumes ofThe New Decameron, an interesting anthology of modern prose tales, have thus far been published. To the third of these volumes Mr. Lawrence contributed one of the greatest of his short stories—“Wintry Peacock,” which occupies pages 123-146. Although this story was included inEngland, My England, its first appearance between boards was as a part of the above collection. Mr. Lawrence did not contribute to the first two volumes ofThe New Decameron.GEORGIAN STORIESGeorgian Stories.Selected by E. M. London, 1922. (Chapman and Hall.)Contains: “The Shadow in the Rose Garden,” by Mr. Lawrence. Reprinted fromThe Prussian Officer.THE BEST BRITISH SHORT STORIES FOR 1923The Best British Short Stories for 1923.Selected by Edward J. O’Brien and John Cournos. Boston (1924). (Small, Maynard and Company.)Contains: “The Horse-Dealer’s Daughter,” by Mr. Lawrence. Reprinted fromEngland, My England.STORIES FROM THE DIALPublished August 1924(Ornament across top)Stories/from/the Dial/ (publisher’s device) / Lincoln MacVeagh / The Dial Press / New York (dot) MCMXXIV / (ornament across bottom)Collation:—pp. vi + 330, consisting of half-title (with list, dated1924, of four books publishedAt the Sign of/The Cupid and Lionon verso), pp. (i, ii); title-page, as above (withCopyright, 1924,/By Dial Press, Incorporated/Printed in U. S. A./Vail-Ballou Press, Inc./Binghampton and New Yorkon verso), pp. (iii, iv); table ofContents(verso blank), pp. (v, vi); divisional half-title (verso blank), pp. (1, 2); text, pp. 3-321; p. (322) blank. Divisional fly-leaf, withAppendixon recto (verso blank), pp. (323, 324); Appendix, pp. 325-330.Crown 8vo, 7½ × 5; issued in batik boards, with dark blue cloth back, approximating half-cloth; front and back covers blank; backbone lettered across in gilt as follows:Stories/from the/Dial/ (small ornament) / (publisher’s device) /The Dial PressTop edges yellow andcut; fore and bottom edges untrimmed. End-papers fawn-colored.Mr. Lawrence is represented in this volume by “Rex,” a dog story, which was published in theDial, February, 1921.The appendix ofStories from the Dialgives brief accounts of the authors represented in the anthology, together with check-lists of their principal works. The bibliographical note on Mr. Lawrence is very inaccurate.MEMOIRS OF THE FOREIGN LEGIONPublished September 1924Memoirs of the/Foreign Legion/ By / M. M. / With an Introduction by / D. H. Lawrence / 1924 / (a line) / London: Martin SeckerCollation:—pp. 320, consisting of two blank leaves, pp. (1-4); half-title (verso blank), pp. (5, 6); title-page, as above (withLondon: Martin Secker (Ltd.)/1924at foot of verso), pp. (7, 8); divisional fly-leaf, withIntroductionon recto (verso blank), pp. (9, 10);Introduction, pp. 11-94; pp. (95, 96) blank; divisional half-title, with signatureG(verso blank), pp. (97, 98);Publisher’s Note—in all eight lines (verso blank), pp. (99, 100); text, pp. 101-(320). Printers’ imprint at foot of p. (320) as follows:Printed in Great Britain at/The Mayflower Press, Plymouth. William Brendon & Son, Ltd.Crown 8vo, 7½ × 5; issued in black cloth; front cover letteredin gilt as follows:Memoirs of the Foreign Legion/By M. M.Backbone lettered across in gilt:Memoirs/of the/Foreign/Legion/ (small ornament) /M. M./Secker.Back cover blank. Top edges red and cut; fore edges rough trimmed; bottom edges untrimmed. End-papers white.To this volume Mr. Lawrence contributed a long and brilliant introduction; presumably, the editorial responsibility for the book was also largely his—in all, an item of the first importance.THE SHORT STORY’S MUTATIONSThe Short Story’s Mutations.Frances Newman. New York, 1924. (B. W. Huebsch.)Contains: “The Shades of Spring,” by Mr. Lawrence. This story was reprinted fromThe Prussian Officer.

CONTRIBUTIONS TO BOOKS

I. POETRY

Published December 1912

Georgian/Poetry/ 1911-1912 / (six small ornaments in triangular arrangement) / The Poetry Bookshop / 35 Devonshire St. Theobalds Rd. / London W. C.

Collation:—pp. viii + 200, consisting of half-title (verso blank), pp. (i, ii); title-page, as above (withDedicated/To/Robert Bridges/By the Writers/And the Editoron verso), pp. (iii, iv);Prefatory Note(with long quotation from Lord Dunsany on verso), pp. (v, vi); table ofContents, pp. (vii, viii); divisional fly-leaf, withLascelles Abercrombieon recto (verso blank), pp. (1, 2); text, pp. 3-193; p. (194) blank;Bibliography, pp. 195-197. Printers’ imprint at center of p. (198) as follows: Device (Stag and Tree) with lettering,The/Arden(device)Press/LetchworthPp. (199, 200) blank.

Crown 8vo, 7½ × 5; issued in light brown boards; front cover lettered in gilt and ornamented as follows:Georgian Poetry/1911-1912/P(diamond)B(on bright red shield) /The Poetry BookshopBackbone lettered in gilt:Georgian/Poetry/1911-1912Back cover blank. Top edges gilt; fore edges uncut and unopened; bottom edges untrimmed. End-papers white.

Five volumes ofGeorgian Poetryhave so far been published.All but one of these volumes, that for 1916-1917, contain contributions by Mr. Lawrence. He is represented in the above collection, at pages 113-116, by “Snap-Dragon,” a poem which was printed in theEnglish Review, June 1912, but which appeared for the first time between boards inGeorgian Poetry. It was later included inAmores.

In America, the five volumes ofGeorgian Poetrywere published, from the Poetry Bookshop sheets, by G. P. Putnam’s Sons.

Published November 1915

Georgian/Poetry/ 1913-1915 / (six small ornaments in triangular arrangement) / The Poetry Bookshop / 35 Devonshire St. Theobalds Rd. / London W. C. / MCMXV

Collation:—pp. x + 246, consisting of half-title (verso blank), pp. (i, ii); title-page, as above (withIn Memoriam/R. B./J. E. F.on verso), pp. (iii, iv);Prefatory Note(verso blank), pp. (v, vi); table ofContents, pp. (vii-ix); p. (x) blank; divisional fly-leaf, withGordon Bottomleyon recto (verso blank), pp. (1, 2); text, pp. 3-239; p. (240) blank;Bibliography, pp. 241-244. Pp. (245, 246) are occupied by advertisements ofPoetry Bookshop Publications. Printers’ imprint at foot of p. (246) as follows:Printed by W. H. Smith & Son (The Arden Press), 53(slanting line)5 Fetter Lane, London, E. C.

Crown 8vo, 7½ × 5; issued in light blue boards; front cover lettered in gilt as follows:Georgian Poetry/1913-1915/The Poetry BookshopBackbone lettered across in gilt and ornamented:Georgian/Poetry/1913-1915/P(diamond)B(on bright red shield). Back cover blank. Top edges gilt; fore and bottom edges rough trimmed. End-papers white.

To the second volume ofGeorgian PoetryMr. Lawrence contributed the following poems: “Service of All the Dead;” “Meeting among the Mountains;” “Cruelty and Love.” They occupy pages 153-158. The last was reprinted fromLove Poems; the first was later included inLook! We Have Come Through!where it appeared under the title “Giorno dei Morti.” “Meeting among the Mountains” has not, unless I am mistaken, been included in any of Mr. Lawrence’s books of verse.

Published April 1915

Some Imagist/Poets/ An Anthology / (publishers’ device) / Boston and New York / Houghton Mifflin Company / The Riverside Press Cambridge / 1915

Collation:—pp. ii + x + 96, consisting of leaf, not reckoned in pagination, recto blank (with seven titles inThe New Poetry Series, surrounded by one-line border, on verso), pp. (i, ii); half-title (verso blank), pp. (i, ii); title-page, as above (withCopyright, 1915, By Houghton Mifflin Company/All RightsReserved/Published April 1915on verso), pp. (iii, iv);Preface, pp. v-(viii); table ofContents, pp. ix, (x); divisional fly-leaf, withRichard Aldingtonon recto (verso blank), pp. (1, 2); text, pp. 3-(92); divisional fly-leaf, withBibliographyon recto (verso blank), pp. (93, 94);Bibliography, p. (95). Printers’ imprint at center of p. (96) as follows:The Riverside Press/Cambridge . Massachusetts/U . S . A

Crown 8vo, 7¾ × 5⅝; issued in plain flexible boards, with surrounding green paper wrappers glued along back strip only; front cover lettered in black as follows:Some Imagist Poets/An Anthology/The New Poetry Series/ (publishers’ device)Houghton Mifflin Company/Boston and New York/ (small ornament). Lettered down backstrip:Some Imagist PoetsBack cover blank. All edges cut flush with boards. Wrappers over-lap top and bottom edges ⅛ inch, and fold in three inches at fore edges of boards. End-papers white.

To this volume, the first of threeImagist Anthologiespublished by the Houghton Mifflin Company, Mr. Lawrence contributed seven poems as follows: “Ballad of Another Ophelia;” “Illicit;” “Fireflies in the Corn;” “A Woman and Her Dead Husband;” “The Mowers;” “Scent of Irises;” “Green.” These poems occupy pages 67 to 78. The first and sixth appeared later inAmores. The second, third, fifth, and seventh were included inLook! We Have Come Through!But, “The Mowers,” revised, was here printed under the title “A Youth Mowing,” and “Illicit” became “On a Balcony.” “A Woman and Her Dead Husband” is, inNew Poems, “The Bitterness of Death.”

Because the contributors to theImagist Anthologieshad agreed among themselves to submit nothing that had previously appeared in book form, these collections are of especial interest to collectors of Mr. Lawrence’s first printings in books.

TheImagist Anthologieswere published in England by Constable and Company, but after the American editions, which were the first.

Published May 1916

Some Imagist Poets/ 1916 / (a line) / An Annual Anthology / (publishers’ device) / Boston and New York / Houghton Mifflin Company / The Riverside Press Cambridge / 1916

Collation:—pp. ii + xvi + 98, consisting of leaf, not reckoned in pagination, recto blank (with thirteen titles inThe New Poetry Serieson verso), pp. (i, ii); half-title (verso blank), pp. (i, ii); title-page, as above (withCopyright, 1916, By Houghton Mifflin Company/All Rights Reserved/Published May 1916on verso), pp. (iii, iv);Preface, pp. v-(xii); table ofContents, pp. xiii, (xiv); acknowledgement—ten lines (verso blank), pp. (xv, xvi); divisional fly-leaf, withRichard Aldingtonon recto (verso blank), pp. (1, 2); text, pp. 3-(91); p. (92) blank; divisional fly-leaf, withBibliographyon recto (verso blank), pp. (93, 94);Bibliography, pp. 95, (96); p. (97) blank. Printers’ imprint at center of p. (98) as follows:The Riverside Press/Cambridge . Massachusetts/U . S . A

Crown 8vo, 7¾ × 5⅝; issued in plain flexible boards, with surrounding green paper wrappers glued along back strip only; front cover lettered in black as follows:Some Imagist Poets, 1916/An Annual Anthology/The New Poetry Series/ (publishers’ device) /Houghton Mifflin Company/Boston and New York/ (small ornament). Lettered down back strip:Some Imagist Poets, 1916Back cover blank. All edges cut flush with boards. Wrappers over-lap top and bottom edges ⅛ inch, and fold in three inches at fore edges of boards. End-papers white.

To the secondImagist AnthologyMr. Lawrence contributed five poems: “Erinnyes;” “Perfidy;” “At the Window;” “In Trouble and Shame;” “Brooding Grief.” These poems occupy pages 67-74. All but “Erinnyes,” most beautiful of war poems, were later included inAmores. Any one of the many anthologies of war poetry might have enriched itself greatly by including “Erinnyes.” If any such collection did make use of this poem, I am unaware of it.

Published April 1917

Some Imagist Poets/ 1917 / (a line) / An Annual Anthology / (publishers’ device) / Boston and New York / Houghton Mifflin Company / The Riverside Press Cambridge / 1917

Collation:—pp. viii + 92, consisting of half-title (verso blank), pp. (i, ii); title-page, as above (withCopyright, 1917, By Houghton Mifflin Company/All Rights Reserved/Published April 1917on verso), pp. (iii, iv); acknowledgement—eight lines (verso blank), pp. (v, vi); table ofContents, pp. vii, (viii); divisional fly-leaf, withRichard Aldingtonon recto (verso blank), pp. (1, 2); text, pp. 3-(86); divisional fly-leaf, withBibliographyon recto (verso blank), pp. (87, 88);Bibliography, pp. 89, (90); p. (91) blank. Printers’ imprint at center of p. (92) as follows:The Riverside Press/Cambridge . Massachusetts/U . S . A

Crown 8vo, 7¾ × 5⅝; issued in plain flexible boards, with surrounding green paper wrappers glued along back strip only; front cover lettered in black as follows:Some Imagist Poets, 1917(a line beneath numbers) /An Annual Anthology/ (publishers’ device) /Houghton Mifflin Company/Boston and New York(small ornament). Lettered down backbone in black:Some Imagist Poets, 1917(a line beneath numbers). Back cover blank. All edges cut flush with boards. Wrappers over-lap top and bottom edges ⅛ inch, and fold in three inches at fore edges of boards. End-papers white.

To this, the third and last Houghton MifflinImagist Anthology, Mr. Lawrence contributed only one poem, “Terra Nuova,” which occupies pages 69-75. “Terra Nuova” was later included inLook! We Have Come Through!under the title “New Heaven and Earth.”

Published May 1918

New Paths/ Verse (dot) Prose (dot) Pictures / 1917-1918 / Edited by / C. W. Beaumont and M. T. H. Sadler / Decorated by / Anne Estelle Rice / (publisher’s device) / London / C. W. Beaumont / 75 Charing Cross Road W. C. 2

Collation:—pp. xii + 164 (with a frontispiece), consisting of half-title (verso blank), pp. (i, ii); frontispiece; title-page, as above (withFirst published May 1918on verso), pp. (iii, iv); dedication (verso blank), pp. (v, vi); table ofContents, pp. (vii-x); blank leaf, pp. (xi, xii);Verse, pp. 1-74;Prose, pp. 75-111;Pictures, pp. 112-164. At end of volume there is twelve-page, unnumbered and undated, catalogue of variousPublishers’ AnnouncementsTipped-in between pp. (x) and (xi) is an errata slip—seven lines.

Foolscap 4to, 8¾ × 6¾; issued in light tan boards; front cover lettered and ornamented in dark blue as follows:New Paths/Verse(dot)Prose(dot)Pictures/1917-1918/ (a bowl of fruit). Backbone has white paper title label, with one-line border in dark blue, lettered in dark blue:New/Paths/1917-18/ (small ornament) /C. W./BeaumontBack cover has at center woman’s head, in dark blue. Top and fore edges uncut and in part unopened; bottom edges untrimmed. End-papers white.

To this representative collection of modern verse, prose, and pictures Mr. Lawrence contributed two poems: “Labour Battalion” and “No News,” which occupy pages 37-39. So far as I am aware neither of these poems has been reprinted in any of Mr. Lawrence’s books of poems. It islikely that the edition ofNew Pathswas small, for this book has already become scarce—at least for an anthology.

An American edition ofNew Pathswas published by Alfred A. Knopf, New York, 1918.

Book of British Verse.Edited by W. S. Braithwaite. Boston, 1919. (Small, Maynard and Company.)

Contains: “Kisses in the Train,” by Mr. Lawrence. This poem was reprinted fromLove Poems; it appeared in the above anthology under the incorrect title “Kisses in the Rain.”

Georgian Poetry: 1918-1919. (Selected by E. M.) London, 1919. (The Poetry Bookshop.)

Contains: “Seven Seals,” by Mr. Lawrence. Reprinted fromNew Poems.

Modern British Poetry.Edited by Louis Untermeyer. New York, 1920. (Harcourt, Brace and Company.)

Contains: “People;” “Piano,” by Mr. Lawrence. The former was reprinted fromLook! We Have Come Through!the latter fromNew Poems.

An Anthology of Modern Verse.Chosen by A. M. With an Introduction by Robert Lynd. London (1921). (Methuen and Company.)

Contains: “Giorno dei Morti,” by Mr. Lawrence. Reprinted fromLook! We Have Come Through!

Poetica Erotica.A Collection of Rare and Curious Amatory Verse. Edited by T. R. Smith. Volume II. New York, 1921. (Boni and Liveright.)

Contains: “A Bad Beginning;” “Excursion;” “Last Words to Miriam;” “Lilies in the Fire;” “Mystery;” “New Year’s Eve;” “New Year’s Night;” “Reproach;” “Wedlock,” by Mr. Lawrence. These poems were reprinted fromLove Poems,Amores, andLook! We Have Come Through!

The Le Gallienne Book of English Verse.Edited,with an Introduction, by Richard Le Gallienne. New York, 1921. (Boni and Liveright.)

Contains: “All of Roses,” by Mr. Lawrence. Reprinted apparently fromPoetry, although these same verses were in 1917 included inLook! We Have Come Through!under the title “River Roses.” A marvelous lyric, however called.

Published November 1922

Georgian/Poetry/ 1920-1922 / (six small ornaments in triangular arrangement) / The Poetry Bookshop / 35 Devonshire St. Theobalds Rd. / London W. C. 1 / MCMXXII

Collation:—pp. xiv+210, consisting of half-title (withPublished November, 1922on verso), pp. (i, ii); title-page, as above (withTo/Alice Meynell/Made and printed in Great Britain.on verso), pp. (iii, iv);Prefatory Note, pp. (v-vii); p. (viii) blank; table ofContents, pp. (ix-xiii); p. (xiv) blank; divisional fly-leaf, withLascelles Abercrombieon recto (verso blank), pp. (1, 2); text, pp. 3-200; divisional fly-leaf, withBibliographyon recto (verso blank), pp. (201, 202);Bibliography, pp. 203-207. Printers’ imprint at center of p. (208) as follows: (Stag and Tree device), with lettering,The/Arden(device)Press/W. H. Smith & Son/The Arden Press, /Stamford Street/London, S. E. 1.Pp. (209, 210) blank.

Crown 8vo, 7½ × 5; issued in bright red boards; front cover lettered in gilt as follows:Georgian Poetry/1920-1922/The Poetry BookshopBackbone lettered across in gilt:Georgian/Poetry/1920-1922/P(diamond)B(on dark blue shield). Back cover blank. Top edges gilt; fore edges uncut and in part unopened; bottom edges rough trimmed. End-papers white.

In this volume ofGeorgian PoetryMr. Lawrence is represented by “Snake.” This remarkable poem appeared in theDial, July 1921, and was later included inBirds, Beasts and Flowers.

A Miscellany of Poetry(1920-1922). Edited by W. K. Seymour. London (1922). (John G. Wilson.)

Contains: “Snake,” by Mr. Lawrence. This collection was, according to a line of type in the volume, published in December, 1922.

Shorter Lyrics of the Twentieth Century.Selected, with a foreword, by W. H. Davies. London (1922). (Poetry Bookshop.)

Contains: “Gloire de Dijon;” “Service of All the Dead,” by Mr. Lawrence. These poems were reprinted fromLook! We Have Come Through!The second poem appearsin this volume under the title “Giorno dei Morti.” Probably Mr. Davies took it directly fromGeorgian Poetry: 1913-1915, where the older title was used.

New Voices: An Introduction to Contemporary Poetry. Marguerite Wilkinson. New York, 1922. (The Macmillan Company.)

Contains: “Fireflies in the Corn,” by Mr. Lawrence. Reprinted fromLook! We Have Come Through!

The New Poetry.Edited by Harriet Monroe and Alice C. Henderson, New York, 1923. (The Macmillan Company.)

Contains: “A Woman and Her Dead Husband;” “Fireflies in the Corn;” “Green;” “Grief;” “Service of All the Dead;” “Nostalgia;” “A Baby Asleep after Pain;” “Tommies in the Train;” “Resurrection,” by Mr. Lawrence.

All but one of these poems were evidently reprinted fromPoetry, edited by the compilers ofNew Poetry. All but “Resurrection” have been printed in certain of Mr. Lawrence’s volumes of verse: namely,Amores,Look! We Have Come Through!,New Poems, andBay.

Best Poems of 1923.Edited by L. A. G. Strong. Boston (1924). (Small, Maynard and Company.)

Contains: “The Evening Land,” by Mr. Lawrence. Reprinted fromBirds, Beasts and Flowers.

The Little Book of Modern British Verse.Edited by Jessie B. Rittenhouse. Boston and New York, 1924. (Houghton Mifflin Company.)

Contains: “Gloire de Dijon;” “A Baby Asleep after Pain;” “Nostalgia;” “Snake,” by Mr. Lawrence. Reprinted fromLook! We Have Come Through!,Bay, andBirds, Beasts and Flowers.

Second Selections from Modern Poets.Made by J. C. Squire. London (1924). (Martin Secker.)

Contains: “Kangaroo;” “Snake;” “Man and Bat,” by Mr. Lawrence. All of these poems were reprinted fromBirds, Beasts and Flowers.

II. PROSE

Great Modern English Stories: An Anthology. Edited by E. J. O’Brien. New York, 1919. (Boni and Liveright.)

Contains: “A Sick Collier,” by Mr. Lawrence. This story was reprinted fromThe Prussian Officer.

1920

All Things Are Possible/ By Leo Shestov / Authorised Translation / By S. S. Koteliansky / With a Foreword by / D. H. Lawrence / London: Martin Secker

Collation:—pp. 248, consisting of half-title (verso blank), pp. (1, 2); title-page, as above (withFirst published in England, 1920on verso), pp. (3, 4); biographical and bibliographicalNote(verso blank), pp. (5, 6);Foreword, pp. 7-12; divisional fly-leaf, withPart I/Zu fragmentarisch ist Welt und Leben./H. Heine.on recto (verso blank), pp. (13, 14); text, pp. 15-(244). Printers’ imprint, beneath thin line, at foot of p. (244) as follows:The London and Norwich Press, Limited, London and Norwich, EnglandPp. (245-248) blank.

Crown 8vo, 7½ × 5; issued in purple cloth; front and back covers blank; backbone has white paper title-and-name label lettered across in purple as follows:All/Things Are/Possible/ (diamond) /ShestovTop edges cut; fore edges unopened; bottom edges untrimmed. End-papers white.

To this volume Mr. Lawrence contributed the “Foreword,” which occupies pages 7-12.

Published December 1920

The New(two vertical lines)Le Nouveau/Keepsake/For(two vertical lines)Pour/The Year(two vertical lines)L’Annee/ 1921 / Edited by / X. M. Boulestin / With Plates Selected by / J. E. Laboureur / Published for X. M. Boulestin, 102, George Street / Portman Square, W., by the Chelsea Book Club / 65, Cheyne Walk, S. W. / London (two vertical lines) Paris

A note must suffice to describe this very beautiful anthology of English and French verse, prose, woodcuts, etchings, etc. The edition ofThe New Keepsakewas limited to 620 copies for general distribution; 50 copies on Japanese vellum, numbered from 1 to 50; 20 copies on blue vellum, numbered from 51 to 70; 550 copies on hand-made paper, numbered from 71 to 620. The blue vellum copies were bound in black buckram, lettered in pink; those on hand-made paper were done in yellow buckram, lettered in black. I have not seen a copy of this book onJapanese vellum. Copies on this and blue vellum are, in the nature of things, now very scarce; but the cheapest form of the book can still be bought from dealers at a nominal advance over publication price, which was 18s. 6d.

“Adolf,” Mr. Lawrence’s contribution toThe New Keepsake, occupies pages 19-33. It is a beautiful story—one which should certainly find a place in some future collection of his shorter pieces. “Adolf” was published in theDial, September, 1920.

1922

The Gentleman from/San Francisco/and Other Stories/ By / I. A. Bunin / Translated from the Russian by / S. S. Koteliansky and Leonard Woolf / Published by Leonard & Virginia Woolf at / The Hogarth Press, Paradise Road, Richmond / 1922

Collation:—pp. vi (preceded by leaf with signatureaon recto, verso blank) + 88, consisting of half-title (verso blank), pp. (i, ii); title-page, as above (withPrinted in Great Britain/by/William Clowes and Sons, Limited,/London and Beccles.on verso), pp. (iii, iv); table ofContents(verso blank), pp. v, (vi); text, pp. 1-86. P. (87) is occupied by list ofPrevious Publicationsof the Hogarth Press; p. (88) has announcements ofForthcoming Publicationsof the same. On title-page is tipped-in an erratumNoteas follows:The first story in this book “The Gentleman/from San Francisco” is translated by D. H./Lawrence andS. S. Koteliansky. Owing to/a mistake Mr. Lawrence’s name has been/omitted from the title-page. The three other/stories are translated by S. S. Koteliansky and/Leonard Woolf.

Crown 8vo, 7⅛ × 4¾; issued in decorated boards, with white paper title-and-name label on front cover lettered in black as follows: (a line) /The Gentleman from/ (small ornament)San Francisco(small ornament) /and Other Stories./ (small ornament) /I. A. Bunin./ (a line). Paper label down the back lettered in black:The Gentleman from San Francisco. I. A. Bunin.Back cover blank. All edges cut flush with boards. End-papers white.

Mr. Lawrence’s contribution to this volume is pointed out in the erratum note quoted in the collation.

1922

The New Decameron/ The Third Volume, Containing / Stories by / Compton Mackenzie / J. D. Beresford / D. H. Lawrence / Desmond Coke / Michael Sadleir / Norman Davey / Storm Jameson / Robert Keable / V. Sackville West / and / Bill Nobbs / Oxford / Basil Blackwell / 1922

Collation:—pp. viii + 232, consisting of half-title (verso blank), pp. (i, ii); title-page, as above (verso blank), pp. (iii, iv); table ofContents, pp. v, vi;A Note in Summary of/What Has Gone Before, pp. vii, viii; text, pp. (1)-(231). Printers’ imprint at foot of p. (231) as follows:Printed in Great Britain by Hazell,Watson & Viney, Ld.,/London and Aylesbury.P. (232) is occupied by advertisements of four books published by Basil Blackwell.

Crown 8vo, 7⅝ × 5; issued in light blue boards, with natural linen cloth back; front and back covers blank; backbone has white paper title-and-name label lettered across in dark blue as follows:The New(small ornament) /Decameron/ (small ornament) /Compton Mackenzie/J. D. Beresford/D. H. Lawrence/Michael Sadleir/Robert Keable/and Others/ (small ornament). Top edges unopened; fore edges uncut and in part unopened; bottom edges untrimmed. End-papers white.

Three volumes ofThe New Decameron, an interesting anthology of modern prose tales, have thus far been published. To the third of these volumes Mr. Lawrence contributed one of the greatest of his short stories—“Wintry Peacock,” which occupies pages 123-146. Although this story was included inEngland, My England, its first appearance between boards was as a part of the above collection. Mr. Lawrence did not contribute to the first two volumes ofThe New Decameron.

Georgian Stories.Selected by E. M. London, 1922. (Chapman and Hall.)

Contains: “The Shadow in the Rose Garden,” by Mr. Lawrence. Reprinted fromThe Prussian Officer.

The Best British Short Stories for 1923.Selected by Edward J. O’Brien and John Cournos. Boston (1924). (Small, Maynard and Company.)

Contains: “The Horse-Dealer’s Daughter,” by Mr. Lawrence. Reprinted fromEngland, My England.

Published August 1924

(Ornament across top)Stories/from/the Dial/ (publisher’s device) / Lincoln MacVeagh / The Dial Press / New York (dot) MCMXXIV / (ornament across bottom)

Collation:—pp. vi + 330, consisting of half-title (with list, dated1924, of four books publishedAt the Sign of/The Cupid and Lionon verso), pp. (i, ii); title-page, as above (withCopyright, 1924,/By Dial Press, Incorporated/Printed in U. S. A./Vail-Ballou Press, Inc./Binghampton and New Yorkon verso), pp. (iii, iv); table ofContents(verso blank), pp. (v, vi); divisional half-title (verso blank), pp. (1, 2); text, pp. 3-321; p. (322) blank. Divisional fly-leaf, withAppendixon recto (verso blank), pp. (323, 324); Appendix, pp. 325-330.

Crown 8vo, 7½ × 5; issued in batik boards, with dark blue cloth back, approximating half-cloth; front and back covers blank; backbone lettered across in gilt as follows:Stories/from the/Dial/ (small ornament) / (publisher’s device) /The Dial PressTop edges yellow andcut; fore and bottom edges untrimmed. End-papers fawn-colored.

Mr. Lawrence is represented in this volume by “Rex,” a dog story, which was published in theDial, February, 1921.

The appendix ofStories from the Dialgives brief accounts of the authors represented in the anthology, together with check-lists of their principal works. The bibliographical note on Mr. Lawrence is very inaccurate.

Published September 1924

Memoirs of the/Foreign Legion/ By / M. M. / With an Introduction by / D. H. Lawrence / 1924 / (a line) / London: Martin Secker

Collation:—pp. 320, consisting of two blank leaves, pp. (1-4); half-title (verso blank), pp. (5, 6); title-page, as above (withLondon: Martin Secker (Ltd.)/1924at foot of verso), pp. (7, 8); divisional fly-leaf, withIntroductionon recto (verso blank), pp. (9, 10);Introduction, pp. 11-94; pp. (95, 96) blank; divisional half-title, with signatureG(verso blank), pp. (97, 98);Publisher’s Note—in all eight lines (verso blank), pp. (99, 100); text, pp. 101-(320). Printers’ imprint at foot of p. (320) as follows:Printed in Great Britain at/The Mayflower Press, Plymouth. William Brendon & Son, Ltd.

Crown 8vo, 7½ × 5; issued in black cloth; front cover letteredin gilt as follows:Memoirs of the Foreign Legion/By M. M.Backbone lettered across in gilt:Memoirs/of the/Foreign/Legion/ (small ornament) /M. M./Secker.Back cover blank. Top edges red and cut; fore edges rough trimmed; bottom edges untrimmed. End-papers white.

To this volume Mr. Lawrence contributed a long and brilliant introduction; presumably, the editorial responsibility for the book was also largely his—in all, an item of the first importance.

The Short Story’s Mutations.Frances Newman. New York, 1924. (B. W. Huebsch.)

Contains: “The Shades of Spring,” by Mr. Lawrence. This story was reprinted fromThe Prussian Officer.

CONTRIBUTIONS TO PERIODICALS* The notes in this section, so far as they assign or do not assign the various contributions to Mr. Lawrence’s books, must be understood to refer to titles rather than to the selections themselves. No consistent effort has been made to ascertain how many of the unassigned contributions appear in the books under new titles. Some do so appear and are noted, but my knowledge of them is the result of casual reading rather than deliberate investigation.I. POETRY“A Still Afternoon” (—“Dreams Old and Nascent:” I. “Old,” II. “Nascent;” “Discipline;” “Baby Movements:” I. “Running Barefoot,” II. “‘Trailing Clouds’”).English Review, November, 1909. Included, with the exception of the last, inAmores.These poems constitute Mr. Lawrence’s first real appearance in print. Before them, he says, “there was a youthful story in the bad grey print of a provincial newspaper—under anom de plume. But, thank God, that has gone to glory in the absolute sense.”“Night Songs” (—“Workaday Evenings:” I. “Yesternight,” II. “To-morrow Night;” “Rebuked;” “Wakened;” “At the Window”).English Review, April, 1910. “At the Window” was included inAmores.“Three Poems” (—I. “Tired of the Boat,” II. “Sigh No More,” III. “Ah, Muriel!”).English Review, October, 1910. “Sigh No More” was included inNew Poems.“Lightning;” “Violets.”Nation(London), November 4, 1911. The first included inLove Poems; the second inNew Poems.“The Schoolmaster” (—I. “Morning,” “Afternoon”).Saturday Westminster Gazette, May 11, 1912.“The Schoolmaster” (—II. “The Last Lesson”).Saturday Westminster Gazette, May 18, 1912. Included inLove Poems, under the major caption “Afternoon in School.”“The Schoolmaster” (—III. “Evening,” IV. “The Punisher”).Saturday Westminster Gazette, May 25, 1912. “The Punisher” was included inAmores.“The Schoolmaster” (—V. “A Snowy Day at School,” VI. “The Best of School”).Saturday Westminster Gazette, June 1, 1912. Included inLove Poems.“Snap-Dragon.”English Review, June, 1912. Included inAmores.“Green;” “All of Roses;” “Fireflies in the Corn;” “A Woman and Her Dead Husband;” “The Wind, the Rascal;” “The Mother of Sons;” “Illicit;” “Birthday.”Poetry, January, 1914. The first three poems and the seventh were included inLook! We Have Come Through!—the second having become “River Roses” and the seventh “On the Balcony.” The fourth, inNew Poems, became “The Bitterness of Death.”“Two Poems” (—“Twilight;” “Meeting among the Mountains”).English Review, February, 1914. These titles do not occur in any of Mr. Lawrence’s books of poetry.“Grief;” “Memories;” “Weariness;” “Service of All the Dead;” “Don Juan;” “Song.”Poetry, December, 1914. Of these poems, “Service of All the Dead” and “Don Juan” were included inLook! We Have Come Through!—the former having become “Giorno dei Morti.”“Last Words to Miriam.”Poetry Journal, December, 1916. Included inAmores.“Resurrection.”Poetry, June, 1917. This title does not occur in any of Mr. Lawrence’s books of poetry.“Three Poems” (—“The Sea;” “Constancy of a Sort;” “Frost Flowers”).English Review, September, 1917. The first and the last were included inLook! We Have Come Through!“War-baby;” “Town;” “After the Opera.”English Review, June, 1918. All of these poems were included inBay.“Moonrise;” “People.”Poetry, July, 1918. Included inLook! We Have Come Through!“Poems” (—“Tommies in the Train;” “War-baby;” “Obsequial Chant;” “Bread upon the Waters;” “Pentecostal;” “Nostalgia”).Poetry, February, 1919. All of these poems were included inBay, but “Pentecostal” was renamed for this volume and became “Shades.”“War Films” (—“Mother’s Son in Saloniki;” “Casualty;” “Message to a Perfidious Soldier;” “The Jewess and the V. C.;” “Sighs;” “The Child and the Soldier;” “Zeppelin Nights;” “Daughter of the Great Man;” “Prisoner at Work in a Turkish Garden;” “Mourning;” “The Grey Nurse;” “Neither Moth Nor Rust”).Poetry, July, 1919. These titles do not occur in any of Mr. Lawrence’s books of poetry.“The Little Town at Evening.”Monthly Chapbook, July, 1919. Included inBay.“Medlars and Sorb-apples.”New Republic, January 5, 1921. Included inBirds, Beasts and Flowers.“The Revolutionary.”New Republic, January 19, 1921.Literary Digest, October 29, 1921. Included inBirds, Beasts and Flowers.“Pomegranate.”Dial, March, 1921. Included inBirds, Beasts and Flowers.“Apostolic Beasts” (—“Saint Mark;” “Saint Luke;” “Saint John”).Dial, April, 1921. Included inBirds, Beasts and Flowers.“Humming-Bird.”New Republic, May 11, 1921.Nation, October 10, 1923.Literary Digest, October 20, 1923.Bookman, January, 1924. Included inBirds, Beasts and Flowers.“Mosquito.”Bookman, July, 1921. Included inBirds, Beasts and Flowers.“Snake.”Dial, July, 1921. Included inBirds, Beasts and Flowers.“Medlars and Sorb-apples;” “Pomegranate.”English Review, August, 1921. Included inBirds, Beasts and Flowers.“The Revolutionary.”English Review, September, 1921. Included inBirds, Beasts and Flowers.“Snake.”London Mercury, October, 1921. Included inBirds, Beasts and Flowers.“Almond Blossom.”English Review, February, 1922. Included inBirds, Beasts and Flowers.“Fish.”English Review, June, 1922. Included inBirds, Beasts and Flowers.“Fish” (Excerpts),Literary Digest, July 8, 1922.“Bat;” “Tortoises;” “Baby Tortoise.”English Review, November, 1922. All included in the English edition ofBirds, Beasts and Flowers. The tortoise poem was, in effect, reprinted fromTortoises, New York, 1921.“The Evening Land;” “Turkey-Cock.”Poetry, November, 1922. Included inBirds, Beasts and Flowers.“Bat.”Literary Review, December 30, 1922. Included inBirds, Beasts and Flowers.“St. Matthew.”Poetry, April, 1923. Included inBirds, Beasts and Flowers.“Elephant.”English Review, April, 1923. Included inBirds, Beasts and Flowers.“Nostalgia.”Palms, Midsummer, 1923. Reprinted fromBay.“Three Poems” (—“Cypresses;” “Saint Matthew;” “Spirits Summoned West”).Adelphi, October, 1923. All included inBirds, Beasts and Flowers.“Poems” (—“Bare Almond Tree;” “Tropic;” “Humming-Bird;” “Peace”).Nation, October 10, 1923. All included inBirds, Beasts and Flowers.“Peace.”Literary Digest, October 20, 1923. Included inBirds, Beasts and Flowers.“Autumn in New Mexico.”Palms, Autumn, 1923. Included inBirds, Beasts and Flowersunder the title “Autumn in Taos.”“Four Poems” (—“Bombardment;” “After the Opera;” “The Little Town at Evening;” “Last Hours”).Palms, Christmas, 1924. All of these poems were reprinted fromBay.II. PROSE“Goose Fair.”English Review, February, 1910. Included inThe Prussian Officer.“Odour of Chrysanthemums.”English Review, June, 1911. Included inThe Prussian Officer.“A Fragment of Stained Glass.”English Review, September, 1911. Included inThe Prussian Officer.“Second Best.”English Review, February, 1912. Included inThe Prussian Officer.“The Miner at Home.”Nation(London), March 16, 1912. A short prose study.“Christs in the Tyrol.”Saturday Westminster Gazette, March 22, 1912. Included inTwilight in Italy.“German Impressions”—I. “French Sons of Germany.”Saturday Westminster Gazette, August 3, 1912.“German Impressions”—II. “Hail in the Rhineland.”Saturday Westminster Gazette, August 10, 1912.“The Georgian Renaissance.”Rhythm, March, 1913.Review of Georgian Poetry(1911-1912).“The Soiled Rose.”Forum, March, 1913. Included inThe Prussian Officer, under the title “The Shades of Spring.”“The Soiled Rose.”Blue Review, May, 1913.“German Books”—“Thomas Mann.”Blue Review, July, 1913. A short critical essay.“Derelict.”Forum, September, 1913. FromSons and Lovers(Chapter XV).“Italian Studies.”English Review, September, 1913. Included inTwilight in Italy.“Strike Pay”—I. “Her Turn.”Saturday Westminster Gazette, September 6, 1913.“Strike Pay”—II. “Ephraim’s Half-Sovereign.”Saturday Westminster Gazette, September 13, 1913.“Vin Ordinaire.”English Review, June, 1914. Included inThe Prussian Officer, under the title “The Thorn in the Flesh.”“Honour and Arms.”English Review, August, 1914. Title changed to “The Prussian Officer;” included in the volume thus named.“Honour and Arms.”Metropolitan, November, 1914.“England, My England.”English Review, October, 1915. Included in volume thus named.“The Crown.” In three parts.The Signature, October 4, 18, and November 4, 1915. This exceedingly scarce item has never been reprinted. The little magazine inwhich it appeared suspended after the third number. In addition to this longish essay by Mr. Lawrence,The Signaturecontains two stories, “Autumns” and “The Little Governess,” in two parts, by Matilda Berry (Katherine Mansfield); and “There Was a Little Man,” in three parts, by Mr. John Middleton Murry. The magazine contains contributions by these three writers only.“The Thimble.”The Seven Arts, March, 1917.“Samson and Delilah.”English Review, March, 1917. Included inEngland, My England.“England, My England.”Metropolitan, April, 1917.“The Reality of Peace.” In four parts.English Review, May, June, July, and August, 1917.“The Mortal Coil.”The Seven Arts, July, 1917.“Love.”English Review, January, 1918.“Life.”English Review, February, 1918.“Introduction to Studies in Classic American Literature”—(i) “The Spirit of Place.”English Review, November, 1918. Included inStudies in Classic American Literature. Before their appearance in this book practically all of the “Studies” here listed were severely revised, and other essays were added.“Studies in Classic American Literature”—(ii) “Benjamin Franklin.”English Review, December, 1918. Included inStudies in Classic American Literature.“Studies in Classic American Literature”—(iii) “HenrySt. John de Crèvecœur.”English Review, January, 1919. Included inStudies in Classic American Literature.“Studies in Classic American Literature”—(iv) “Fenimore Cooper’s Anglo-American Novels.”English Review, February, 1919. Included inStudies in Classic American Literature.“Studies in Classic American Literature”—(v) “Fenimore Cooper’s Leatherstocking Novels.”English Review, March, 1919. Included inStudies in Classic American Literature.“Studies in Classic American Literature”—(vi) “Edgar Allan Poe.”English Review, April, 1919. Included inStudies in Classic American Literature.“Tickets, Please.”Strand, April, 1919. Included inEngland, My England.“Studies in Classic American Literature”—(vii) “Nathaniel Hawthorne.”English Review, May, 1919. Included inStudies in Classic American Literature.“Studies in Classic American Literature”—(viii) “The Two Principles.”English Review, June, 1919.“The Eleventh Commandment.”Metropolitan, August, 1919. Title changed to “Tickets, Please;” included inEngland, My England.“The Poetry of the Present.”The Playboy, Numbers 4-5 (undated). Included, as the preface, in the American edition ofNew Poems.“The Blind Man.”English Review, July, 1920. Included inEngland, My England.“The Blind Man.”Living Age, August 7, 1920. Reprinted from theEnglish Review.“Adolf.”Dial, September, 1920. Included inThe New Keepsake for the Year 1921.“America, Listen to Your Own.”New Republic, December 15, 1920.“Rex.”Dial, February, 1921. Included inStories from the Dial, where it first appeared between boards.“Whitman.”Nation(London), July 23, 1921. Included inStudies in Classic American Literature.“Wintry Peacock.”Metropolitan, August, 1921. Included inEngland, My England, also inThe New Decameron, Volume III, where it first appeared between boards.“Sea and Sardinia: As Far As Palermo.”Dial, October, 1921. Included inSea and Sardinia.“Sea and Sardinia: Cagliari.”Dial, November, 1921. Included inSea and Sardinia.“Fannie and Annie.”Hutchison’s, November 21, 1921. Included inEngland, My England.“The Gentleman from San Francisco.” By I. Bunin. Translated by Samuel Solomonovich and D. H. Lawrence.Dial, January, 1922. Included inThe Gentleman from San Francisco and Other Stories.“Episode.”Dial, February, 1922. FromAaron’s Rod(Chapter xiv).“A Sick Collier.”Pearson’s(American), February, 1922. Reprinted fromThe Prussian Officer.“The Horse-Dealer’s Daughter.”English Review, April, 1922. Included inEngland, My England.“The Fox.” Four parts.Dial, May, June, July, and August, 1922. Included inThe Ladybird(London), andThe Captain’s Doll(New York).“Monkey-Nuts.”Sovereign, August 22, 1922. Included inEngland, My England.“A Letter.”Laughing Horse, Number 4 (undated). This epistolarycoup de grâce, delivered against Mr. Ben Hecht’sFantazius Mallare, was held to becontra bonos moresby the authorities of the University of California; and the owners ofThe Laughing Horsewere asked to find another box-stall for theirétalon intrepide. Denied campus fodder, the cachinating steed roamed a while the great open spaces of the Southwest, where horsesarehorses. He is now at Santa Fe, New Mexico. Number four ofThe Laughing Horseis excessively scarce.“Certain Americans and an Englishman.” New YorkTimes Magazine, December 24, 1922.“Indians and an Englishman.” With painting of D. H. Lawrence, by Jan Juta.Dial, February, 1923.“Taos.”Dial, March, 1923. This and the other unassigned essays, above and below, dealing with the Indiansand other aspects of American life, are, of course, still uncollected.“Surgery for the Novel—or a Bomb.”International Book Review, April, 1923.“Model Americans.” Review of Stuart P. Sherman’sAmericans.Dial, May, 1923. Mr. Lawrence tackles the right and left ends of American criticism.“Trees and Babies and Papas and Mammas.”Adelphi, June, 1923. FromFantasia of the Unconscious(Chapter iv).“Education and Sex.”Adelphi, July, 1923. FromFantasia of the Unconscious(Chapter viii).“At Taos: An Englishman Looks at Mexico.”Cassell’s Weekly, July 11, 1923.“The Saint Joseph’s Ass.” By Giovanni da Verga. Translated by D. H. Lawrence.Adelphi, September, 1923.“On Love and Marriage.”Adelphi, September, 1923. FromFantasia of the Unconscious(Chapters xi and xii).“A Spiritual Record:” Review ofA Second Contemporary Verse Anthology. New YorkEvening Post Literary Review, September 29, 1923.“Across the Sea.” By Giovanni Verga. Translated by D. H. Lawrence.Adelphi, November, 1923.“Indians and an Englishman.”Adelphi, November, 1923.“Au Revoir, U. S. A.”Laughing Horse, Number 8 (undated).“The Proper Study.”Adelphi, December, 1923.“The Proper Study of Mankind.”Vanity Fair, January, 1924.“On Being Religious.”Adelphi, February, 1924.“On Human Destiny.”Adelphi, March, 1924.“Liberty.” By Giovanni Verga. Translated by D. H. Lawrence.Adelphi, May, 1924.“On Human Destiny.”Vanity Fair, May, 1924.“Dear Old Horse: A London Letter;” “The Bad Girl in the Pansy Bed:” A drawing, by D. H. Lawrence.Laughing Horse, Number 10, May, 1924.“On Being a Man.”Vanity Fair, June, 1924.“The Dance of the Sprouting Corn;” with “The Corn Dance:” A drawing, by D. H. Lawrence.Theatre Arts Monthly, July, 1924.“The Dance of the Sprouting Corn.”Adelphi, August, 1924.“The Borderline.”Smart Set, September, 1924.“On Being a Man.”Adelphi, September, 1924.“Just Back from the Snake-Dance—Tired Out.”Laughing Horse, Number 11, September, 1924.“Jimmy and the Desperate Woman.”Criterion, October, 1924.“Indians and Entertainment.” New YorkTimes Magazine, October 26, 1924.“Indians and Entertainment.”Adelphi, November, 1924.“The Hopi Snake Dance.” Part I.Adelphi, January, 1925.“The Hopi Snake Dance.” Part II.Adelphi, February, 1925.

CONTRIBUTIONS TO PERIODICALS

* The notes in this section, so far as they assign or do not assign the various contributions to Mr. Lawrence’s books, must be understood to refer to titles rather than to the selections themselves. No consistent effort has been made to ascertain how many of the unassigned contributions appear in the books under new titles. Some do so appear and are noted, but my knowledge of them is the result of casual reading rather than deliberate investigation.

I. POETRY

“A Still Afternoon” (—“Dreams Old and Nascent:” I. “Old,” II. “Nascent;” “Discipline;” “Baby Movements:” I. “Running Barefoot,” II. “‘Trailing Clouds’”).English Review, November, 1909. Included, with the exception of the last, inAmores.

These poems constitute Mr. Lawrence’s first real appearance in print. Before them, he says, “there was a youthful story in the bad grey print of a provincial newspaper—under anom de plume. But, thank God, that has gone to glory in the absolute sense.”

“Night Songs” (—“Workaday Evenings:” I. “Yesternight,” II. “To-morrow Night;” “Rebuked;” “Wakened;” “At the Window”).English Review, April, 1910. “At the Window” was included inAmores.

“Three Poems” (—I. “Tired of the Boat,” II. “Sigh No More,” III. “Ah, Muriel!”).English Review, October, 1910. “Sigh No More” was included inNew Poems.

“Lightning;” “Violets.”Nation(London), November 4, 1911. The first included inLove Poems; the second inNew Poems.

“The Schoolmaster” (—I. “Morning,” “Afternoon”).Saturday Westminster Gazette, May 11, 1912.

“The Schoolmaster” (—II. “The Last Lesson”).Saturday Westminster Gazette, May 18, 1912. Included inLove Poems, under the major caption “Afternoon in School.”

“The Schoolmaster” (—III. “Evening,” IV. “The Punisher”).Saturday Westminster Gazette, May 25, 1912. “The Punisher” was included inAmores.

“The Schoolmaster” (—V. “A Snowy Day at School,” VI. “The Best of School”).Saturday Westminster Gazette, June 1, 1912. Included inLove Poems.

“Snap-Dragon.”English Review, June, 1912. Included inAmores.

“Green;” “All of Roses;” “Fireflies in the Corn;” “A Woman and Her Dead Husband;” “The Wind, the Rascal;” “The Mother of Sons;” “Illicit;” “Birthday.”Poetry, January, 1914. The first three poems and the seventh were included inLook! We Have Come Through!—the second having become “River Roses” and the seventh “On the Balcony.” The fourth, inNew Poems, became “The Bitterness of Death.”

“Two Poems” (—“Twilight;” “Meeting among the Mountains”).English Review, February, 1914. These titles do not occur in any of Mr. Lawrence’s books of poetry.

“Grief;” “Memories;” “Weariness;” “Service of All the Dead;” “Don Juan;” “Song.”Poetry, December, 1914. Of these poems, “Service of All the Dead” and “Don Juan” were included inLook! We Have Come Through!—the former having become “Giorno dei Morti.”

“Last Words to Miriam.”Poetry Journal, December, 1916. Included inAmores.

“Resurrection.”Poetry, June, 1917. This title does not occur in any of Mr. Lawrence’s books of poetry.

“Three Poems” (—“The Sea;” “Constancy of a Sort;” “Frost Flowers”).English Review, September, 1917. The first and the last were included inLook! We Have Come Through!

“War-baby;” “Town;” “After the Opera.”English Review, June, 1918. All of these poems were included inBay.

“Moonrise;” “People.”Poetry, July, 1918. Included inLook! We Have Come Through!

“Poems” (—“Tommies in the Train;” “War-baby;” “Obsequial Chant;” “Bread upon the Waters;” “Pentecostal;” “Nostalgia”).Poetry, February, 1919. All of these poems were included inBay, but “Pentecostal” was renamed for this volume and became “Shades.”

“War Films” (—“Mother’s Son in Saloniki;” “Casualty;” “Message to a Perfidious Soldier;” “The Jewess and the V. C.;” “Sighs;” “The Child and the Soldier;” “Zeppelin Nights;” “Daughter of the Great Man;” “Prisoner at Work in a Turkish Garden;” “Mourning;” “The Grey Nurse;” “Neither Moth Nor Rust”).Poetry, July, 1919. These titles do not occur in any of Mr. Lawrence’s books of poetry.

“The Little Town at Evening.”Monthly Chapbook, July, 1919. Included inBay.

“Medlars and Sorb-apples.”New Republic, January 5, 1921. Included inBirds, Beasts and Flowers.

“The Revolutionary.”New Republic, January 19, 1921.Literary Digest, October 29, 1921. Included inBirds, Beasts and Flowers.

“Pomegranate.”Dial, March, 1921. Included inBirds, Beasts and Flowers.

“Apostolic Beasts” (—“Saint Mark;” “Saint Luke;” “Saint John”).Dial, April, 1921. Included inBirds, Beasts and Flowers.

“Humming-Bird.”New Republic, May 11, 1921.Nation, October 10, 1923.Literary Digest, October 20, 1923.Bookman, January, 1924. Included inBirds, Beasts and Flowers.

“Mosquito.”Bookman, July, 1921. Included inBirds, Beasts and Flowers.

“Snake.”Dial, July, 1921. Included inBirds, Beasts and Flowers.

“Medlars and Sorb-apples;” “Pomegranate.”English Review, August, 1921. Included inBirds, Beasts and Flowers.

“The Revolutionary.”English Review, September, 1921. Included inBirds, Beasts and Flowers.

“Snake.”London Mercury, October, 1921. Included inBirds, Beasts and Flowers.

“Almond Blossom.”English Review, February, 1922. Included inBirds, Beasts and Flowers.

“Fish.”English Review, June, 1922. Included inBirds, Beasts and Flowers.

“Fish” (Excerpts),Literary Digest, July 8, 1922.

“Bat;” “Tortoises;” “Baby Tortoise.”English Review, November, 1922. All included in the English edition ofBirds, Beasts and Flowers. The tortoise poem was, in effect, reprinted fromTortoises, New York, 1921.

“The Evening Land;” “Turkey-Cock.”Poetry, November, 1922. Included inBirds, Beasts and Flowers.

“Bat.”Literary Review, December 30, 1922. Included inBirds, Beasts and Flowers.

“St. Matthew.”Poetry, April, 1923. Included inBirds, Beasts and Flowers.

“Elephant.”English Review, April, 1923. Included inBirds, Beasts and Flowers.

“Nostalgia.”Palms, Midsummer, 1923. Reprinted fromBay.

“Three Poems” (—“Cypresses;” “Saint Matthew;” “Spirits Summoned West”).Adelphi, October, 1923. All included inBirds, Beasts and Flowers.

“Poems” (—“Bare Almond Tree;” “Tropic;” “Humming-Bird;” “Peace”).Nation, October 10, 1923. All included inBirds, Beasts and Flowers.

“Peace.”Literary Digest, October 20, 1923. Included inBirds, Beasts and Flowers.

“Autumn in New Mexico.”Palms, Autumn, 1923. Included inBirds, Beasts and Flowersunder the title “Autumn in Taos.”

“Four Poems” (—“Bombardment;” “After the Opera;” “The Little Town at Evening;” “Last Hours”).Palms, Christmas, 1924. All of these poems were reprinted fromBay.

II. PROSE

“Goose Fair.”English Review, February, 1910. Included inThe Prussian Officer.

“Odour of Chrysanthemums.”English Review, June, 1911. Included inThe Prussian Officer.

“A Fragment of Stained Glass.”English Review, September, 1911. Included inThe Prussian Officer.

“Second Best.”English Review, February, 1912. Included inThe Prussian Officer.

“The Miner at Home.”Nation(London), March 16, 1912. A short prose study.

“Christs in the Tyrol.”Saturday Westminster Gazette, March 22, 1912. Included inTwilight in Italy.

“German Impressions”—I. “French Sons of Germany.”Saturday Westminster Gazette, August 3, 1912.

“German Impressions”—II. “Hail in the Rhineland.”Saturday Westminster Gazette, August 10, 1912.

“The Georgian Renaissance.”Rhythm, March, 1913.Review of Georgian Poetry(1911-1912).

“The Soiled Rose.”Forum, March, 1913. Included in

The Prussian Officer, under the title “The Shades of Spring.”

“The Soiled Rose.”Blue Review, May, 1913.

“German Books”—“Thomas Mann.”Blue Review, July, 1913. A short critical essay.

“Derelict.”Forum, September, 1913. FromSons and Lovers(Chapter XV).

“Italian Studies.”English Review, September, 1913. Included inTwilight in Italy.

“Strike Pay”—I. “Her Turn.”Saturday Westminster Gazette, September 6, 1913.

“Strike Pay”—II. “Ephraim’s Half-Sovereign.”Saturday Westminster Gazette, September 13, 1913.

“Vin Ordinaire.”English Review, June, 1914. Included inThe Prussian Officer, under the title “The Thorn in the Flesh.”

“Honour and Arms.”English Review, August, 1914. Title changed to “The Prussian Officer;” included in the volume thus named.

“Honour and Arms.”Metropolitan, November, 1914.

“England, My England.”English Review, October, 1915. Included in volume thus named.

“The Crown.” In three parts.The Signature, October 4, 18, and November 4, 1915. This exceedingly scarce item has never been reprinted. The little magazine inwhich it appeared suspended after the third number. In addition to this longish essay by Mr. Lawrence,The Signaturecontains two stories, “Autumns” and “The Little Governess,” in two parts, by Matilda Berry (Katherine Mansfield); and “There Was a Little Man,” in three parts, by Mr. John Middleton Murry. The magazine contains contributions by these three writers only.

“The Thimble.”The Seven Arts, March, 1917.

“Samson and Delilah.”English Review, March, 1917. Included inEngland, My England.

“England, My England.”Metropolitan, April, 1917.

“The Reality of Peace.” In four parts.English Review, May, June, July, and August, 1917.

“The Mortal Coil.”The Seven Arts, July, 1917.

“Love.”English Review, January, 1918.

“Life.”English Review, February, 1918.

“Introduction to Studies in Classic American Literature”—(i) “The Spirit of Place.”English Review, November, 1918. Included inStudies in Classic American Literature. Before their appearance in this book practically all of the “Studies” here listed were severely revised, and other essays were added.

“Studies in Classic American Literature”—(ii) “Benjamin Franklin.”English Review, December, 1918. Included inStudies in Classic American Literature.

“Studies in Classic American Literature”—(iii) “HenrySt. John de Crèvecœur.”English Review, January, 1919. Included inStudies in Classic American Literature.

“Studies in Classic American Literature”—(iv) “Fenimore Cooper’s Anglo-American Novels.”English Review, February, 1919. Included inStudies in Classic American Literature.

“Studies in Classic American Literature”—(v) “Fenimore Cooper’s Leatherstocking Novels.”English Review, March, 1919. Included inStudies in Classic American Literature.

“Studies in Classic American Literature”—(vi) “Edgar Allan Poe.”English Review, April, 1919. Included inStudies in Classic American Literature.

“Tickets, Please.”Strand, April, 1919. Included inEngland, My England.

“Studies in Classic American Literature”—(vii) “Nathaniel Hawthorne.”English Review, May, 1919. Included inStudies in Classic American Literature.

“Studies in Classic American Literature”—(viii) “The Two Principles.”English Review, June, 1919.

“The Eleventh Commandment.”Metropolitan, August, 1919. Title changed to “Tickets, Please;” included inEngland, My England.

“The Poetry of the Present.”The Playboy, Numbers 4-5 (undated). Included, as the preface, in the American edition ofNew Poems.

“The Blind Man.”English Review, July, 1920. Included inEngland, My England.

“The Blind Man.”Living Age, August 7, 1920. Reprinted from theEnglish Review.

“Adolf.”Dial, September, 1920. Included inThe New Keepsake for the Year 1921.

“America, Listen to Your Own.”New Republic, December 15, 1920.

“Rex.”Dial, February, 1921. Included inStories from the Dial, where it first appeared between boards.

“Whitman.”Nation(London), July 23, 1921. Included inStudies in Classic American Literature.

“Wintry Peacock.”Metropolitan, August, 1921. Included inEngland, My England, also inThe New Decameron, Volume III, where it first appeared between boards.

“Sea and Sardinia: As Far As Palermo.”Dial, October, 1921. Included inSea and Sardinia.

“Sea and Sardinia: Cagliari.”Dial, November, 1921. Included inSea and Sardinia.

“Fannie and Annie.”Hutchison’s, November 21, 1921. Included inEngland, My England.

“The Gentleman from San Francisco.” By I. Bunin. Translated by Samuel Solomonovich and D. H. Lawrence.Dial, January, 1922. Included inThe Gentleman from San Francisco and Other Stories.

“Episode.”Dial, February, 1922. FromAaron’s Rod(Chapter xiv).

“A Sick Collier.”Pearson’s(American), February, 1922. Reprinted fromThe Prussian Officer.

“The Horse-Dealer’s Daughter.”English Review, April, 1922. Included inEngland, My England.

“The Fox.” Four parts.Dial, May, June, July, and August, 1922. Included inThe Ladybird(London), andThe Captain’s Doll(New York).

“Monkey-Nuts.”Sovereign, August 22, 1922. Included inEngland, My England.

“A Letter.”Laughing Horse, Number 4 (undated). This epistolarycoup de grâce, delivered against Mr. Ben Hecht’sFantazius Mallare, was held to becontra bonos moresby the authorities of the University of California; and the owners ofThe Laughing Horsewere asked to find another box-stall for theirétalon intrepide. Denied campus fodder, the cachinating steed roamed a while the great open spaces of the Southwest, where horsesarehorses. He is now at Santa Fe, New Mexico. Number four ofThe Laughing Horseis excessively scarce.

“Certain Americans and an Englishman.” New YorkTimes Magazine, December 24, 1922.

“Indians and an Englishman.” With painting of D. H. Lawrence, by Jan Juta.Dial, February, 1923.

“Taos.”Dial, March, 1923. This and the other unassigned essays, above and below, dealing with the Indiansand other aspects of American life, are, of course, still uncollected.

“Surgery for the Novel—or a Bomb.”International Book Review, April, 1923.

“Model Americans.” Review of Stuart P. Sherman’sAmericans.Dial, May, 1923. Mr. Lawrence tackles the right and left ends of American criticism.

“Trees and Babies and Papas and Mammas.”Adelphi, June, 1923. FromFantasia of the Unconscious(Chapter iv).

“Education and Sex.”Adelphi, July, 1923. FromFantasia of the Unconscious(Chapter viii).

“At Taos: An Englishman Looks at Mexico.”Cassell’s Weekly, July 11, 1923.

“The Saint Joseph’s Ass.” By Giovanni da Verga. Translated by D. H. Lawrence.Adelphi, September, 1923.

“On Love and Marriage.”Adelphi, September, 1923. FromFantasia of the Unconscious(Chapters xi and xii).

“A Spiritual Record:” Review ofA Second Contemporary Verse Anthology. New YorkEvening Post Literary Review, September 29, 1923.

“Across the Sea.” By Giovanni Verga. Translated by D. H. Lawrence.Adelphi, November, 1923.

“Indians and an Englishman.”Adelphi, November, 1923.

“Au Revoir, U. S. A.”Laughing Horse, Number 8 (undated).

“The Proper Study.”Adelphi, December, 1923.

“The Proper Study of Mankind.”Vanity Fair, January, 1924.

“On Being Religious.”Adelphi, February, 1924.

“On Human Destiny.”Adelphi, March, 1924.

“Liberty.” By Giovanni Verga. Translated by D. H. Lawrence.Adelphi, May, 1924.

“On Human Destiny.”Vanity Fair, May, 1924.

“Dear Old Horse: A London Letter;” “The Bad Girl in the Pansy Bed:” A drawing, by D. H. Lawrence.Laughing Horse, Number 10, May, 1924.

“On Being a Man.”Vanity Fair, June, 1924.

“The Dance of the Sprouting Corn;” with “The Corn Dance:” A drawing, by D. H. Lawrence.Theatre Arts Monthly, July, 1924.

“The Dance of the Sprouting Corn.”Adelphi, August, 1924.

“The Borderline.”Smart Set, September, 1924.

“On Being a Man.”Adelphi, September, 1924.

“Just Back from the Snake-Dance—Tired Out.”Laughing Horse, Number 11, September, 1924.

“Jimmy and the Desperate Woman.”Criterion, October, 1924.

“Indians and Entertainment.” New YorkTimes Magazine, October 26, 1924.

“Indians and Entertainment.”Adelphi, November, 1924.

“The Hopi Snake Dance.” Part I.Adelphi, January, 1925.

“The Hopi Snake Dance.” Part II.Adelphi, February, 1925.

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