He returned to the house excited and happy. It had been an uneasy, uncanny moment when Mrs. Moore’s name was mentioned, stirring memories. “Esmiss Esmoor . . .”—as though she was coming to help him. She had always been so good, and that youth whom he had scarcely looked at was her son, Ralph Moore, Stella and Ralph, whom he had promised to be kind to, and Stella had married Cyril.
All the time the palace ceased not to thrum and tum-tum. The revelation was over, but its effect lasted, and its effect was to make men feel that the revelation had not yet come. Hope existed despite fulfilment, as it will be in heaven. Although the God had been born, His procession—loosely supposed by many to be the birth—had not taken place. In normal years, the middle hours of this day were signalized by performances of great beauty in the private apartments of the Rajah. He owned a consecrated troupe of men and boys, whose duty it was to dance various actions and meditations of his faith before him. Seated at his ease, he could witness the Three Steps by which the Saviour ascended the universe to the discomfiture of Indra, also the death of the dragon, the mountain that turned into an umbrella, and the saddhu who (with comic results) invoked the God before dining. All culminated in the dance of the milkmaidens before Krishna, and in the still greater dance of Krishna before the milkmaidens, when the music and the musicians swirled through the dark blue robes of the actors into their tinsel crowns, and all became one. The Rajah and his guests would then forget that this was a dramatic performance, and would worship the actors. Nothing of the sort could occur to-day, because death interrupts. It interrupted less here than in Europe, its pathos was less poignant, its irony less cruel. There were two claimants to the throne, unfortunately, who were in the palace now and suspected what had happened, yet they made no trouble, because religion is a living force to the Hindus, and can at certain moments fling down everything that is petty and temporary in their natures. The festival flowed on, wild and sincere, and all men loved each other, and avoided by instinct whatever could cause inconvenience or pain.
Aziz could not understand this, any more than an average Christian could. He was puzzled that Mau should suddenly be purged from suspicion and self-seeking. Although he was an outsider, and excluded from their rites, they were always particularly charming to him at this time; he and his household received small courtesies and presents, just because he was outside. He had nothing to do all day, except to send the embrocation over to the Guest House, and towards sunset he remembered it, and looked round his house for a local palliative, for the dispensary was shut. He found a tin of ointment belonging to Mohammed Latif, who was unwilling it should be removed, for magic words had been spoken over it while it was being boiled down, but Aziz promised that he would bring it back after application to the stings: he wanted an excuse for a ride.
The procession was beginning to form as he passed the palace. A large crowd watched the loading of the State palanquin, the prow of which protruded in the form of a silver dragon’s head through the lofty half-opened door. Gods, big and little, were getting aboard. He averted his eyes, for he never knew how much he was supposed to see, and nearly collided with the Minister of Education. “Ah, you might make me late”—meaning that the touch of a non-Hindu would necessitate another bath; the words were spoken without moral heat. “Sorry,” said Aziz. The other smiled, and again mentioned the Guest House party, and when he heard that Fielding’s wife was not Miss Quested after all, remarked “Ah, no, he married the sister of Mr. Heaslop. Ah, exactly, I have known that for over a year”—also without heat. “Why did you not tell me? Your silence plunged me into a pretty pickle.” Godbole, who had never been known to tell anyone anything, smiled again, and said in deprecating tones: “Never be angry with me. I am, as far as my limitations permit, your true friend; besides, it is my holy festival.” Aziz always felt like a baby in that strange presence, a baby who unexpectedly receives a toy. He smiled also, and turned his horse into a lane, for the crush increased. The Sweepers’ Band was arriving. Playing on sieves and other emblems of their profession, they marched straight at the gate of the palace with the air of a victorious army. All other music was silent, for this was ritually the moment of the Despised and Rejected; the God could not issue from his temple until the unclean Sweepers played their tune, they were the spot of filth without which the spirit cannot cohere. For an instant the scene was magnificent. The doors were thrown open, and the whole court was seen inside, barefoot and dressed in white robes; in the fairway stood the Ark of the Lord, covered with cloth of gold and flanked by peacock fans and by stiff circular banners of crimson. It was full to the brim with statuettes and flowers. As it rose from the earth on the shoulders of its bearers, the friendly sun of the monsoons shone forth and flooded the world with colour, so that the yellow tigers painted on the palace walls seemed to spring, and pink and green skeins of cloud to link up the upper sky. The palanquin moved. . . . The lane was full of State elephants, who would follow it, their howdahs empty out of humility. Aziz did not pay attention to these sanctities, for they had no connection with his own; he felt bored, slightly cynical, like his own dear Emperor Babur, who came down from the north and found in Hindustan no good fruit, no fresh water or witty conversation, not even a friend.
The lane led quickly out of the town on to high rocks and jungle. Here he drew rein and examined the great Mau tank, which lay exposed beneath him to its remotest curve. Reflecting the evening clouds, it filled the nether-world with an equal splendour, so that earth and sky leant toward one another, about to clash in ecstasy. He spat, cynical again, more cynical than before. For in the centre of the burnished circle a small black blot was advancing—the Guest House boat. Those English had improvised something to take the place of oars, and were proceeding in their work of patrolling India. The sight endeared the Hindus by comparison, and looking back at the milk-white hump of the palace, he hoped that they would enjoy carrying their idol about, for at all events it did not pry into other people’s lives. This pose of “seeing India” which had seduced him to Miss Quested at Chandrapore was only a form of ruling India; no sympathy lay behind it; he knew exactly what was going on in the boat as the party gazed at the steps down which the image would presently descend, and debated how near they might row without getting into trouble officially.
He did not give up his ride, for there would be servants at the Guest House whom he could question; a little information never comes amiss. He took the path by the sombre promontory that contained the royal tombs. Like the palace, they were of snowy stucco, and gleamed by their internal light, but their radiance grew ghostly under approaching night. The promontory was covered with lofty trees, and the fruit-bats were unhooking from the boughs and making kissing sounds as they grazed the surface of the tank; hanging upside down all the day, they had grown thirsty. The signs of the contented Indian evening multiplied; frogs on all sides, cow-dung burning eternally; a flock of belated hornbills overhead, looking like winged skeletons as they flapped across the gloaming. There was death in the air, but not sadness; a compromise had been made between destiny and desire, and even the heart of man acquiesced.
The European Guest House stood two hundred feet above the water, on the crest of a rocky and wooded spur that jutted from the jungle. By the time Aziz arrived, the water had paled to a film of mauve-grey, and the boat vanished entirely. A sentry slept in the Guest House porch, lamps burned in the cruciform of the deserted rooms. He went from one room to another, inquisitive, and malicious. Two letters lying on the piano rewarded him, and he pounced and read them promptly. He was not ashamed to do this. The sanctity of private correspondence has never been ratified by the East. Moreover, Mr. McBryde had read all his letters in the past, and spread their contents. One letter—the more interesting of the two—was from Heaslop to Fielding. It threw light on the mentality of his former friend, and it hardened him further against him. Much of it was about Ralph Moore, who appeared to be almost an imbecile. “Hand on my brother whenever suits you. I write to you because he is sure to make a bad bunderbust.” Then: “I quite agree—life is too short to cherish grievances, also I’m relieved you feel able to come into line with the Oppressors of India to some extent. We need all the support we can get. I hope that next time Stella comes my way she will bring you with her, when I will make you as comfortable as a bachelor can—it’s certainly time we met. My sister’s marriage to you coming after my mother’s death and my own difficulties did upset me, and I was unreasonable. It is about time we made it up properly, as you say—let us leave it at faults on both sides. Glad about your son and heir. When next any of you write to Adela, do give her some sort of message from me, for I should like to make my peace with her too. You are lucky to be out of British India at the present moment. Incident after incident, all due to propaganda, but we can’t lay our hands on the connecting thread. The longer one lives here, the more certain one gets that everything hangs together. My personal opinion is, it’s the Jews.”
Thus far the red-nosed boy. Aziz was distracted for a moment by blurred sounds coming from over the water; the procession was under way. The second letter was from Miss Quested to Mrs. Fielding. It contained one or two interesting touches. The writer hoped that “Ralph will enjoy his India more than I did mine,” and appeared to have given him money for this purpose—“my debt which I shall never repay in person.” What debt did Miss Quested imagine she owed the country? He did not relish the phrase. Talk of Ralph’s health. It was all “Stella and Ralph,” even “Cyril” and “Ronny”—all so friendly and sensible, and written in a spirit he could not command. He envied the easy intercourse that is only possible in a nation whose women are free. These five people were making up their little difficulties, and closing their broken ranks against the alien. Even Heaslop was coming in. Hence the strength of England, and in a spurt of temper he hit the piano, and since the notes had swollen and stuck together in groups of threes, he produced a remarkable noise.
“Oh, oh, who is that?” said a nervous and respectful voice; he could not remember where he had heard its tones before. Something moved in the twilight of an adjoining room. He replied, “State doctor, ridden over to enquire, very little English,” slipped the letters into his pocket, and to show that he had free entry to the Guest House, struck the piano again.
Ralph Moore came into the light.
What a strange-looking youth, tall, prematurely aged, the big blue eyes faded with anxiety, the hair impoverished and tousled! Not a type that is often exported imperially. The doctor in Aziz thought, “Born of too old a mother,” the poet found him rather beautiful.
“I was unable to call earlier owing to pressure of work. How are the celebrated bee-stings?” he asked patronizingly.
“I—I was resting, they thought I had better; they throb rather.”
His timidity and evident “newness” had complicated effects on the malcontent. Speaking threateningly, he said, “Come here, please, allow me to look.” They were practically alone, and he could treat the patient as Callendar had treated Nureddin.
“You said this morning——”
“The best of doctors make mistakes. Come here, please, for the diagnosis under the lamp. I am pressed for time.”
“Aough——”
“What is the matter, pray?”
“Your hands are unkind.”
He started and glanced down at them. The extraordinary youth was right, and he put them behind his back before replying with outward anger: “What the devil have my hands to do with you? This is a most strange remark. I am a qualified doctor, who will not hurt you.”
“I don’t mind pain, there is no pain.”
“No pain?”
“Not really.”
“Excellent news,” sneered Aziz.
“But there is cruelty.”
“I have brought you some salve, but how to put it on in your present nervous state becomes a problem,” he continued, after a pause.
“Please leave it with me.”
“Certainly not. It returns to my dispensary at once.” He stretched forward, and the other retreated to the farther side of a table. “Now, do you want me to treat your stings, or do you prefer an English doctor? There is one at Asirgarh. Asirgarh is forty miles away, and the Ringnod dam broken. Now you see how you are placed. I think I had better see Mr. Fielding about you; this is really great nonsense, your present behaviour.”
“They are out in a boat,” he replied, glancing about him for support.
Aziz feigned intense surprise. “They have not gone in the direction of Mau, I hope. On a night like this the people become most fanatical.” And, as if to confirm him, there was a sob, as though the lips of a giant had parted; the procession was approaching the Jail.
“You should not treat us like this,” he challenged, and this time Aziz was checked, for the voice, though frightened, was not weak.
“Like what?”
“Dr. Aziz, we have done you no harm.”
“Aha, you know my name, I see. Yes, I am Aziz. No, of course your great friend Miss Quested did me no harm at the Marabar.”
Drowning his last words, all the guns of the State went off. A rocket from the Jail garden gave the signal. The prisoner had been released, and was kissing the feet of the singers. Rose-leaves fall from the houses, sacred spices and coco-nut are brought forth. . . . It was the half-way moment; the God had extended His temple, and paused exultantly. Mixed and confused in their passage, the rumours of salvation entered the Guest House. They were startled and moved on to the porch, drawn by the sudden illumination. The bronze gun up on the fort kept flashing, the town was a blur of light, in which the houses seemed dancing, and the palace waving little wings. The water below, the hills and sky above, were not involved as yet; there was still only a little light and song struggling among the shapeless lumps of the universe. The song became audible through much repetition; the choir was repeating and inverting the names of deities.
“Radhakrishna Radhakrishna,Radhakrishna Radhakrishna,Krishnaradha Radhakrishna,Radhakrishna Radhakrishna,”
“Radhakrishna Radhakrishna,
Radhakrishna Radhakrishna,
Krishnaradha Radhakrishna,
Radhakrishna Radhakrishna,”
they sang, and woke the sleeping sentry in the Guest House; he leant upon his iron-tipped spear.
“I must go back now, good night,” said Aziz, and held out his hand, completely forgetting that they were not friends, and focusing his heart on something more distant than the caves, something beautiful. His hand was taken, and then he remembered how detestable he had been, and said gently, “Don’t you think me unkind any more?”
“No.”
“How can you tell, you strange fellow?”
“Not difficult, the one thing I always know.”
“Can you always tell whether a stranger is your friend?”
“Yes.”
“Then you are an Oriental.” He unclasped as he spoke, with a little shudder. Those words—he had said them to Mrs. Moore in the mosque in the beginning of the cycle, from which, after so much suffering, he had got free. Never be friends with the English! Mosque, caves, mosque, caves. And here he was starting again. He handed the magic ointment to him. “Take this, think of me when you use it. I shall never want it back. I must give you one little present, and it is all I have got; you are Mrs. Moore’s son.”
“I am that,” he murmured to himself; and a part of Aziz’ mind that had been hidden seemed to move and force its way to the top.
“But you are Heaslop’s brother also, and alas, the two nations cannot be friends.”
“I know. Not yet.”
“Did your mother speak to you about me?”
“Yes.” And with a swerve of voice and body that Aziz did not follow he added, “In her letters, in her letters. She loved you.”
“Yes, your mother was my best friend in all the world.” He was silent, puzzled by his own great gratitude. What did this eternal goodness of Mrs. Moore amount to? To nothing, if brought to the test of thought. She had not borne witness in his favour, nor visited him in the prison, yet she had stolen to the depths of his heart, and he always adored her. “This is our monsoon, the best weather,” he said, while the lights of the procession waved as though embroidered on an agitated curtain. “How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour.”
Was the cycle beginning again? His heart was too full to draw back. He must slip out in the darkness, and do this one act of homage to Mrs. Moore’s son. He knew where the oars were—hidden to deter the visitors from going out—and he brought the second pair, in case they met the other boat; the Fieldings had pushed themselves out with long poles, and might get into difficulties, for the wind was rising.
Once on the water, he became easy. One kind action was with him always a channel for another, and soon the torrent of his hospitality gushed forth and he began doing the honours of Mau and persuading himself that he understood the wild procession, which increased in lights and sounds as the complications of its ritual developed. There was little need to row, for the freshening gale blew them in the direction they desired. Thorns scratched the keel, they ran into an islet and startled some cranes. The strange temporary life of the August flood-water bore them up and seemed as though it would last for ever.
The boat was a rudderless dinghy. Huddled up in the stern, with the spare pair of oars in his arms, the guest asked no questions about details. There was presently a flash of lightning, followed by a second flash—little red scratches on the ponderous sky. “Was that the Rajah?” he asked.
“What—what do you mean?”
“Row back.”
“But there’s no Rajah—nothing——”
“Row back, you will see what I mean.”
Aziz found it hard work against the advancing wind. But he fixed his eyes on the pin of light that marked the Guest House and backed a few strokes.
“There . . .”
Floating in the darkness was a king, who sat under a canopy, in shining royal robes. . . .
“I can’t tell you what that is, I’m sure,” he whispered. “His Highness is dead. I think we should go back at once.”
They were close to the promontory of the tombs, and had looked straight into the chhatri of the Rajah’s father through an opening in the trees. That was the explanation. He had heard of the image—made to imitate life at enormous expense—but he had never chanced to see it before, though he frequently rowed on the lake. There was only one spot from which it could be seen, and Ralph had directed him to it. Hastily he pulled away, feeling that his companion was not so much a visitor as a guide. He remarked, “Shall we go back now?”
“There is still the procession.”
“I’d rather not go nearer—they have such strange customs, and might hurt you.”
“A little nearer.”
Aziz obeyed. He knew with his heart that this was Mrs. Moore’s son, and indeed until his heart was involved he knew nothing. “Radhakrishna Radhakrishna Radhakrishna Radhakrishna Krishnaradha,” went the chant, then suddenly changed, and in the interstice he heard, almost certainly, the syllables of salvation that had sounded during his trial at Chandrapore.
“Mr. Moore, don’t tell anyone that the Rajah is dead. It is a secret still, I am supposed not to say. We pretend he is alive until after the festival, to prevent unhappiness. Do you want to go still nearer?”
“Yes.”
He tried to keep the boat out of the glare of the torches that began to star the other shore. Rockets kept going off, also the guns. Suddenly, closer than he had calculated, the palanquin of Krishna appeared from behind a ruined wall, and descended the carven glistening water-steps. On either side of it the singers tumbled, a woman prominent, a wild and beautiful young saint with flowers in her hair. She was praising God without attributes—thus did she apprehend Him. Others praised Him without attributes, seeing Him in this or that organ of the body or manifestation of the sky. Down they rushed to the foreshore and stood in the small waves, and a sacred meal was prepared, of which those who felt worthy partook. Old Godbole detected the boat, which was drifting in on the gale, and he waved his arms—whether in wrath or joy Aziz never discovered. Above stood the secular power of Mau—elephants, artillery, crowds—and high above them a wild tempest started, confined at first to the upper regions of the air. Gusts of wind mixed darkness and light, sheets of rain cut from the north, stopped, cut from the south, began rising from below, and across them struggled the singers, sounding every note but terror, and preparing to throw God away, God Himself, (not that God can be thrown) into the storm. Thus was He thrown year after year, and were others thrown—little images of Ganpati, baskets of ten-day corn, tiny tazias after Mohurram—scapegoats, husks, emblems of passage; a passage not easy, not now, not here, not to be apprehended except when it is unattainable; the God to be thrown was an emblem of that.
The village of Gokul reappeared upon its tray. It was the substitute for the silver image, which never left its haze of flowers; on behalf of another symbol, it was to perish. A servitor took it in his hands, and tore off the blue and white streamers. He was naked, broad-shouldered, thin-waisted—the Indian body again triumphant—and it was his hereditary office to close the gates of salvation. He entered the dark waters, pushing the village before him, until the clay dolls slipped off their chairs and began to gutter in the rain, and King Kansa was confounded with the father and mother of the Lord. Dark and solid, the little waves sipped, then a great wave washed and then English voices cried “Take care!”
The boats had collided with each other.
The four outsiders flung out their arms and grappled, and, with oars and poles sticking out, revolved like a mythical monster in the whirlwind. The worshippers howled with wrath or joy, as they drifted forward helplessly against the servitor. Who awaited them, his beautiful dark face expressionless, and as the last morsels melted on his tray, it struck them.
The shock was minute, but Stella, nearest to it, shrank into her husband’s arms, then reached forward, then flung herself against Aziz, and her motions capsized them. They plunged into the warm, shallow water, and rose struggling into a tornado of noise. The oars, the sacred tray, the letters of Ronny and Adela, broke loose and floated confusedly. Artillery was fired, drums beaten, the elephants trumpeted, and drowning all an immense peal of thunder, unaccompanied by lightning, cracked like a mallet on the dome.
That was the climax, as far as India admits of one. The rain settled in steadily to its job of wetting everybody and everything through, and soon spoiled the cloth of gold on the palanquin and the costly disc-shaped banners. Some of the torches went out, fireworks didn’t catch, there began to be less singing, and the tray returned to Professor Godbole, who picked up a fragment of the mud adhering and smeared it on his forehead without much ceremony. Whatever had happened had happened, and while the intruders picked themselves up, the crowds of Hindus began a desultory move back into the town. The image went back too, and on the following day underwent a private death of its own, when some curtains of magenta and green were lowered in front of the dynastic shrine. The singing went on even longer . . . ragged edges of religion . . . unsatisfactory and undramatic tangles. . . . “God is love.” Looking back at the great blur of the last twenty-four hours, no man could say where was the emotional centre of it, any more than he could locate the heart of a cloud.
Friends again, yet aware that they could meet no more, Aziz and Fielding went for their last ride in the Mau jungles. The floods had abated and the Rajah was officially dead, so the Guest House party were departing next morning, as decorum required. What with the mourning and the festival, the visit was a failure.
Fielding had scarcely seen Godbole, who promised every day to show him over the King-Emperor George Fifth High School, his main objective, but always made some excuse. This afternoon Aziz let out what had happened: the King-Emperor had been converted into a granary, and the Minister of Education did not like to admit this to his former Principal. The school had been opened only last year by the Agent to the Governor-General, and it still flourished on paper; he hoped to start it again before its absence was remarked and to collect its scholars before they produced children of their own. Fielding laughed at the tangle and waste of energy, but he did not travel as lightly as in the past; education was a continuous concern to him, because his income and the comfort of his family depended on it. He knew that few Indians think education good in itself, and he deplored this now on the widest grounds. He began to say something heavy on the subject of Native States, but the friendliness of Aziz distracted him. This reconciliation was a success, anyhow. After the funny shipwreck there had been no more nonsense or bitterness, and they went back laughingly to their old relationship as if nothing had happened. Now they rode between jolly bushes and rocks. Presently the ground opened into full sunlight and they saw a grassy slope bright with butterflies, also a cobra, which crawled across doing nothing in particular, and disappeared among some custard apple trees. There were round white clouds in the sky, and white pools on the earth; the hills in the distance were purple. The scene was as park-like as England, but did not cease being queer. They drew rein, to give the cobra elbow-room, and Aziz produced a letter that he wanted to send to Miss Quested. A charming letter. He wanted to thank his old enemy for her fine behaviour two years back: perfectly plain was it now that she had behaved well. “As I fell into our largest Mau tank under circumstances our other friends will relate, I thought how brave Miss Quested was, and decided to tell her so, despite my imperfect English. Through you I am happy here with my children instead of in a prison, of that I make no doubt. My children shall be taught to speak of you with the greatest affection and respect.”
“Miss Quested will be greatly pleased. I am glad you have seen her courage at last.”
“I want to do kind actions all round and wipe out the wretched business of the Marabar for ever. I have been so disgracefully hasty, thinking you meant to get hold of my money: as bad a mistake as the cave itself.”
“Aziz, I wish you would talk to my wife. She too believes that the Marabar is wiped out.”
“How so?”
“I don’t know, perhaps she might tell you, she won’t tell me. She has ideas I don’t share—indeed, when I’m away from her I think them ridiculous. When I’m with her, I suppose because I’m fond of her, I feel different, I feel half dead and half blind. My wife’s after something. You and I and Miss Quested are, roughly speaking, not after anything. We jog on as decently as we can, you a little in front—a laudable little party. But my wife is not with us.”
“What are you meaning? Is Stella not faithful to you, Cyril? This fills me with great concern.”
Fielding hesitated. He was not quite happy about his marriage. He was passionate physically again—the final flare-up before the clinkers of middle age—and he knew that his wife did not love him as much as he loved her, and he was ashamed of pestering her. But during the visit to Mau the situation had improved. There seemed a link between them at last—that link outside either participant that is necessary to every relationship. In the language of theology, their union had been blessed. He could assure Aziz that Stella was not only faithful to him, but likely to become more so; and trying to express what was not clear to himself, he added dully that different people had different points of view. “If you won’t talk about the Marabar to Stella, why won’t you talk to Ralph? He is a wise boy really. And (same metaphor) he rides a little behind her, though with her.”
“Tell him also, I have nothing to say to him, but he is indeed a wise boy and has always one Indian friend. I partly love him because he brought me back to you to say good-bye. For this is good-bye, Cyril, though to think about it will spoil our ride and make us sad.”
“No, we won’t think about it.” He too felt that this was their last free intercourse. All the stupid misunderstandings had been cleared up, but socially they had no meeting-place. He had thrown in his lot with Anglo-India by marrying a countrywoman, and he was acquiring some of its limitations, and already felt surprise at his own past heroism. Would he to-day defy all his own people for the sake of a stray Indian? Aziz was a memento, a trophy, they were proud of each other, yet they must inevitably part. And, anxious to make what he could of this last afternoon, he forced himself to speak intimately about his wife, the person most dear to him. He said: “From her point of view, Mau has been a success. It calmed her—both of them suffer from restlessness. She found something soothing, some solution of her queer troubles here.” After a silence—myriads of kisses around them as the earth drew the water in—he continued: “Do you know anything about this Krishna business?”
“My dear chap, officially they call it Gokul Ashtami. All the State offices are closed, but how else should it concern you and me?”
“Gokul is the village where Krishna was born—well, more or less born, for there’s the same hovering between it and another village as between Bethlehem and Nazareth. What I want to discover is its spiritual side, if it has one.”
“It is useless discussing Hindus with me. Living with them teaches me no more. When I think I annoy them, I do not. When I think I don’t annoy them, I do. Perhaps they will sack me for tumbling on to their dolls’-house; on the other hand, perhaps they will double my salary. Time will prove. Why so curious about them?”
“It’s difficult to explain. I never really understood or liked them, except an occasional scrap of Godbole. Does the old fellow still say ‘Come, come?’”
“Oh, presumably.”
Fielding sighed, opened his lips, shut them, then said with a little laugh, “I can’t explain, because it isn’t in words at all, but why do my wife and her brother like Hinduism, though they take no interest in its forms? They won’t talk to me about this. They know I think a certain side of their lives is a mistake, and are shy. That’s why I wish you would talk to them, for at all events you’re Oriental.”
Aziz refused to reply. He didn’t want to meet Stella and Ralph again, knew they didn’t want to meet him, was incurious about their secrets, and felt good old Cyril to be a bit clumsy. Something—not a sight, but a sound—flitted past him, and caused him to re-read his letter to Miss Quested. Hadn’t he wanted to say something else to her? Taking out his pen, he added: “For my own part, I shall henceforth connect you with the name that is very sacred in my mind, namely, Mrs. Moore.” When he had finished, the mirror of the scenery was shattered, the meadow disintegrated into butterflies. A poem about Mecca—the Caaba of Union—the thorn-bushes where pilgrims die before they have seen the Friend—they flitted next; he thought of his wife; and then the whole semi-mystic, semi-sensuous overturn, so characteristic of his spiritual life, came to end like a landslip and rested in its due place, and he found himself riding in the jungle with his dear Cyril.
“Oh, shut up,” he said. “Don’t spoil our last hour with foolish questions. Leave Krishna alone, and talk about something sensible.”
They did. All the way back to Mau they wrangled about politics. Each had hardened since Chandrapore, and a good knock about proved enjoyable. They trusted each other, although they were going to part, perhaps because they were going to part. Fielding had “no further use for politeness,” he said, meaning that the British Empire really can’t be abolished because it’s rude. Aziz retorted, “Very well, and we have no use for you,” and glared at him with abstract hate. Fielding said: “Away from us, Indians go to seed at once. Look at the King-Emperor High School! Look at you, forgetting your medicine and going back to charms. Look at your poems.”—“Jolly good poems, I’m getting published Bombay side.”—“Yes, and what do they say? Free our women and India will be free. Try it, my lad. Free your own lady in the first place, and see who’ll wash Ahmed Karim and Jamila’s faces. A nice situation!”
Aziz grew more excited. He rose in his stirrups and pulled at his horse’s head in the hope it would rear. Then he should feel in a battle. He cried: “Clear out, all you Turtons and Burtons. We wanted to know you ten years back—now it’s too late. If we see you and sit on your committees, it’s for political reasons, don’t you make any mistake.” His horse did rear. “Clear out, clear out, I say. Why are we put to so much suffering? We used to blame you, now we blame ourselves, we grow wiser. Until England is in difficulties we keep silent, but in the next European war—aha, aha! Then is our time.” He paused, and the scenery, though it smiled, fell like a gravestone on any human hope. They cantered past a temple to Hanuman—God so loved the world that he took monkey’s flesh upon him—and past a Saivite temple, which invited to lust, but under the semblance of eternity, its obscenities bearing no relation to those of our flesh and blood. They splashed through butterflies and frogs; great trees with leaves like plates rose among the brushwood. The divisions of daily life were returning, the shrine had almost shut.
“Who do you want instead of the English? The Japanese?” jeered Fielding, drawing rein.
“No, the Afghans. My own ancestors.”
“Oh, your Hindu friends will like that, won’t they?”
“It will be arranged—a conference of Oriental statesmen.”
“It will indeed be arranged.”
“Old story of ‘We will rob every man and rape every woman from Peshawar to Calcutta,’ I suppose, which you get some nobody to repeat and then quote every week in thePioneerin order to frighten us into retaining you! We know!” Still he couldn’t quite fit in Afghans at Mau, and, finding he was in a corner, made his horse rear again until he remembered that he had, or ought to have, a mother-land. Then he shouted: “India shall be a nation! No foreigners of any sort! Hindu and Moslem and Sikh and all shall be one! Hurrah! Hurrah for India! Hurrah! Hurrah!”
India a nation! What an apotheosis! Last comer to the drab nineteenth-century sisterhood! Waddling in at this hour of the world to take her seat! She, whose only peer was the Holy Roman Empire, she shall rank with Guatemala and Belgium perhaps! Fielding mocked again. And Aziz in an awful rage danced this way and that, not knowing what to do, and cried: “Down with the English anyhow. That’s certain. Clear out, you fellows, double quick, I say. We may hate one another, but we hate you most. If I don’t make you go, Ahmed will, Karim will, if it’s fifty five-hundred years we shall get rid of you, yes, we shall drive every blasted Englishman into the sea, and then”—he rode against him furiously—“and then,” he concluded, half kissing him, “you and I shall be friends.”
“Why can’t we be friends now?” said the other, holding him affectionately. “It’s what I want. It’s what you want.”
But the horses didn’t want it—they swerved apart; the earth didn’t want it, sending up rocks through which riders must pass single file; the temples, the tank, the jail, the palace, the birds, the carrion, the Guest House, that came into view as they issued from the gap and saw Mau beneath: they didn’t want it, they said in their hundred voices, “No, not yet,” and the sky said, “No, not there.”
Weybridge, 1924.
[End]
Mr. E. M. FORSTERS NOVELS
WHERE ANGELS FEAR TO TREAD
“A remarkable book. Not often has the reviewer to welcome a new writer and a new novel so directly conveying the impression of power and an easy mastery of material. Here there are qualities of style and thought which awaken a sense of satisfaction and delight; a taste in the selection of words; a keen insight into the humour (and not merely the humours) of life; and a challenge to its accepted courses. It is told with a deftness, a lightness, a grace of touch, and a radiant atmosphere of humour which mark a strength and capacity giving large promise for the future.”—Daily News.
“Mr. Forster has succeeded, with a cleverness that is almost uncanny, in illustrating the tragic possibilities that reside in insignificant and unimportant characters when they seek to emancipate themselves from the bondage of convention, or to control those who are dominated by a wholly different set of traditions.”—Spectator.
THE LONGEST JOURNEY
“This novel is a very remarkable and distinguished piece of work. This new book is one of the most promising we have read from a young writer, not only for many publishing seasons, but even for many years. Its abundant cleverness fills even the more strenuous passages with vivacity. The strength of the book consists in its implicit indictment of the mean conventional, self-deceitful insincerity of so much of modern English educated middle-class life. This is certainly one of the cleverest and most original books that have appeared from a new writer since George Meredith first took the literary critics into his confidence.”—Daily Telegraph.
“It is interesting and living and amusing.”—The Times.
A ROOM WITH A VIEW
“Mr. Forster’s new novel is not only much the best of the three he has written, but it clearly admits him to the limited class of writers who stand above and apart from the manufacturers of contemporary fiction.”—Spectator.
“It is packed with wonderful impressions and radiant sayings.”—Evening Standard.
“This is one of the cleverest and most entertaining novels we have read for some time. The characters are as clear and salient as a portrait by Sargent, and there are many of them. One is continually moved to appreciative smiles by clever little touches of description and enlightenment. The story, too, is interesting and real.”—Daily Mail.
“This odd title suggests a story rather out of the common, and it does not prove in the least misleading. The book is both original and delightful, presenting scenes of everyday life almost commonplace sometimes in their fidelity to nature, but chronicled in such a happy vein of quiet humour and with such penetrating observation as makes each little incident and dialogue a source of sheer joy to the reader. The characters are admirably drawn.”—Pall Mall Gazette.
“We have originality and observation, and a book as clever as the other books that Mr. Forster has written already.”—Times.
“Mr. Forster has earned the right to serious criticism. His work has revealed individuality, distinction, and a power of suggestion which opens large issues. ‘A Room with a View’ might stand for a title of all his work. There is a spirit of high comedy in it. Mr. Forster can describe with sure touch the queer satisfactions and still queerer repugnances which make up the strange region of modern things. Had this element been there alone, the book would have been merely an excellent satirical judgment of manners and conventions. Had the other elements stood alone—the revelation of the hidden life—it would have been mystical, intangible, illusory. By the fusion of the one with the other, he is able to present work humorous and arresting, with a curious element in it of compelling strength and emotion.”—Nation.
HOWARDS END
“‘Howards End’ is packed full of good things. It stands out head and shoulders above the great mass of fiction now claiming a hearing. The autumn season has brought us some good novels, but this is, so far, the best of them. ‘Howards End’ raises its author to a place among contemporary novelists which few even of those whose earlier work shows promise succeed in attaining.”—Daily Mail.
“There is no doubt about it whatever. Mr. E. M. Forster is one of the great novelists. His stories are not about life. They are life. His plots are absorbing because his characters are real. All will agree as to the value of the book, as to its absorbing interest, the art and power with which it is put together, and they will feel with us that it is a book quite out of the common by a writer who is one of our assets, and is likely to be one of our glories.”—Daily Telegraph.
“Mr. E. M. Forster has now done what critical admirers of his foregoing novels have confidently looked for—he has written a book in which his highly original talent has found full and ripe expression. A very remarkable and original book.”—The Times.
“The clash of modern culture and modern materialism has seldom found a more vivid interpreter.”—Spectator.
“There is life, imagination, and the very flame of action giving quality to this novel over and above the technique with which it is built up and the wisdom with which it is informed.”—Daily News.
“With this book Mr. Forster seems to us to have arrived, and if he never writes another line, his niche should be secure.”—Standard.
“‘Howards End’ is a novel of high talent—the highest.”—Daily Graphic.
“This novel, taken with its three predecessors, assures its author a place amongst the handful of living writers who count.”—Athenæum.
LONDON : EDWARD ARNOLD & CO.