PUNCTUATION.

PUNCTUATION.

Punctuation is the art of marking in writing the several pauses, or rests, between sentences, and the parts of sentences, according to their proper quantity or proportion, as they are expressed in a just and accurate pronunciation.

As the several articulate sounds, the syllables and words, of which sentences consist, are marked by Letters; so the rests and pauses between sentences and their parts are marked by Points.

But, tho’ the several articulate sounds are pretty fully and exactly marked by Letters of known and determinate power; yet the several pauses, which are used in a just pronunciation of discourse, are very imperfectly expressed by Points.

For the different degrees of connexion between the several parts of sentences, and the different pauses in a just pronunciation, which express those degrees of connexion according to their proper value, admit of great variety; but the whole number of Points, which we have to express this variety, amounts only to Four.

Hence it is, that we are under a necessity of expressing pauses of the same quantity, on different occasions, by different points; and more frequently of expressing pauses of different quantity by the same points.

So that the doctrine of Punctuation must needs be very imperfect: few precise rules can be given, which will hold without exception in all cases; but much must be left to the judgement and taste of the writer.

On the other hand, if a greater number of marks were invented to express all the possible different pauses of pronunciation; the doctrine of them would be very perplexed and difficult, and the use of them would rather embarass than assist the reader.

It remains therefore, that we be content with the Rules of Punctuation, laid down with as much exactness as the nature of the subject will admit; such as may serve for a general direction, to be accommodated to different occasions, and to be supplied where deficient by the writers judgement.

The several degrees of Connexion between Sentences, and between their principal constructive parts, Rhetoricians have considered under the following distinctions, as the most obvious and remarkable: thePeriod, Colon, Semicolon, and Comma.

The Period is the whole Sentence, compleat in itself, wanting nothing to make a full and perfect sense, and not connected in construction with a subsequent Sentence.

The Colon, or Member, is a chief constructive part, or greater division, of a Sentence.

The Semicolon, or Half-member, is a less constructive part, or subdivision of a Sentence or Member.

A Sentence or Member is again subdivided into Commas, or Segments; which are the least constructive parts of a Sentence, or Member, in this way of considering it; for the next subdivision would be the resolution of it into Phrases and Words.

The Grammarians have followedthis division of the Rhetoricians, and have appropriated to each of these distinctions its mark, or Point; which takes its name from the part of the Sentence which it is employed to distinguish; as follows:

The proportional quantity or time of the Points with respect to one another is determined by the following general rule: The Period is a pause in quantity or duration double of the Colon; the Colon is double of the Semicolon; and the Semicolon is double of the Comma. So that they are in the same proportion to one another as the Semibrief, the Minim, the Crotchet, and the Quaver, in Music. The precise quantity or duration of eachPause or Note cannot be defined; for that varies with the Time; and both in Discourse and Music the same Composition may be rehearsed in a quicker or a slower Time: but in Music the proportion between the Notes remains ever the same; and in Discourse, if the Doctrine of Punctuation were exact, the proportion between the Pauses would be ever invariable.

The Points then being designed to express the Pauses, which depend on the different degrees of connexion between Sentences, and between their principal constructive parts; to understand the meaning of the Points, and to know how to apply them properly, we must consider the nature of a Sentence, as divided into its principal constructive parts; and the degrees of connexionbetween those parts, upon which such division of it depends.

To begin with the least of these principal constructive parts, the Comma. In order the more clearly to determine the proper application of the Point which marks it, we must distinguish between an Imperfect Phrase, a Simple Sentence, and a Compounded Sentence.

An Imperfect Phrase contains no assertion, or does not amount to a Proposition or Sentence.

A Simple Sentence has but one Subject and one finite Verb.

A Compounded Sentence has more than one Subject or one finite Verb, either expressed or understood; or it consists of two or more simple Sentences connected together.

In a Sentence, the Subject andthe Verb may be each of them accompanied with several Adjuncts; as the Object, the End, the Circumstances of Time, Place, Manner, and the like; and this either immediately, or mediately, that is, by being connected with some thing, which is connected with some other; and so on.

If the several Adjuncts affect the Subject or the Verb in a different manner, they are only so many Imperfect Phrases, and the Sentence is Simple.

A Simple Sentence admits of no Point, by which it may be divided, or distinguished into parts.

If the several Adjuncts affect the Subject or the Verb in the same manner, they may be resolved into so many Simple Sentences: the Sentence then becomes Compounded,and it must be divided into its parts by Points.

For if there are several Subjects belonging in the same manner to one Verb, or several Verbs belonging in the same manner to one Subject, the Subjects and Verbs are still to be accounted equal in number: for every Verb must have its Subject, and every Subject its Verb; and every one of the Subjects, or Verbs, should or may have its point of distinction.

“The passion for praise produces excellent effects in women of sense.” Addison, Spect. Nᵒ 73. In this Sentencepassionis the Subject, andproducesthe Verb; each of which is accompanied and connected with its adjuncts. The Subject is not passion in general, but a particularpassion determined by its Adjunct of Specification, as we may call it, the passion for praise. So likewise the Verb is immediately connected with its object,excellent effects; and mediately, that is, by the intervention of the wordeffects, withwomen, the Subject in which these effects are produced; which again is connected with its Adjunct of Specification; for it is not meant of women in general, but of women of sense only. Lastly it is to be observed, that these several Adjuncts are connected with the Verb each in a different manner; namely, witheffects, as the object; withwomen, as the subject of them; withsense, as the quality or characteristic of those women. The Adjuncts therefore are only so many imperfect Phrases; the Sentence is a Simple Sentence, and admits of no Point,by which it may be distinguished into parts.

“The Passion for praise, which is so very vehement in the fair sex, produces excellent effects in women of sense.” Here a new Verb is introduced, accompanied with Adjuncts of its own; and the Subject is repeated by the Relative Pronounwhich. It now becomes a Compounded Sentence, made up of two Simple Sentences, one of which is inserted in the middle of the other; it must therefore be distinguished into its component parts by a Point placed on each side of the additional Sentence.

“How many instances have we [in the fair sex] of chastity, fidelity, devotion? How many Ladies distinguish themselves by the education of their children, care of their families, and love of theirhusbands; which are the great qualities and achievements of woman-kind: as the making of war, the carrying on of traffic, the administration of justice, are those by which men grow famous, and get themselves a name?” Ibid.

In the first of these two Sentences the Adjunctschastity,fidelity,devotion, are connected with the Verb by the wordinstancesin the same manner, and in effect make so many distinct Sentences: “how many instances have we of chastity? how many instances have we of fidelity? how many instances have we of devotion?” They must therefore be separated from one another by a Point. The same may be said of the Adjuncts “education of their children, &c” in the former part of the next Sentence: as likewise of the several Subjects, “the makingof war, &c” in the latter part; which have in effect each their Verb; for each of these “is an atchievement by which men grow famous.”

As Sentences themselves are divided into Simple and Compounded, so the members of sentences may be divided likewise into Simple and Compounded members: for whole Sentences, whether Simple or Compounded, may become members of other Sentences by means of some additional connexion.

Simple members of Sentences closely connected together in one Compound member or sentence, are distinguished or separated by a Comma: as in the foregoing examples.

So likewise the Case Absolute; Nouns in Apposition, when consisting of many terms; the Participlewith something depending on it; are to be distinguished by the Comma: for they may be resolved into Simple members.

When an address is made to a person, the Noun, answering to the Vocative Case in Latin, is distinguished by a Comma.

“This said, He form’d thee, Adam; thee, O man,Dust of the ground.”“Now Morn, her rosy steps in th’ eastern climeAdvancing, sow’d the earth with orient pearl.”Milton.

“This said, He form’d thee, Adam; thee, O man,Dust of the ground.”“Now Morn, her rosy steps in th’ eastern climeAdvancing, sow’d the earth with orient pearl.”Milton.

“This said, He form’d thee, Adam; thee, O man,Dust of the ground.”

“This said, He form’d thee, Adam; thee, O man,

Dust of the ground.”

“Now Morn, her rosy steps in th’ eastern climeAdvancing, sow’d the earth with orient pearl.”

“Now Morn, her rosy steps in th’ eastern clime

Advancing, sow’d the earth with orient pearl.”

Milton.

Milton.

Two Nouns, or two Adjectives, connected by a single Copulative or Disjunctive, are not separated by a Point: but when there are more than two, or where the Conjunction is understood, they must be distinguished by a Comma.

Simple members connected by Relatives and Comparatives are for the most part distinguished by a Comma: but when the members are short in Comparative Sentences; and when two members are closely connected by a Relative, restraining the general notion of the Antecedent to a particular sense; the pause becomes almost insensible, and the Comma is better omitted.

“Raptures, transports, and extasies are the rewards which they confer: sighs and tears, prayers and broken hearts, are the offerings which are paid to them.” Addison, Ibid.

“Gods partial, changeful, passionate, unjust;Whose attributes were rage, revenge, or lust.”Pope.

“Gods partial, changeful, passionate, unjust;Whose attributes were rage, revenge, or lust.”Pope.

“Gods partial, changeful, passionate, unjust;Whose attributes were rage, revenge, or lust.”

“Gods partial, changeful, passionate, unjust;

Whose attributes were rage, revenge, or lust.”

Pope.

Pope.

“What is sweeter than honey? and what is stronger than a lion?”

A member of a Sentence, whether Simple or Compounded, that requires a greater pause than a Comma, yet does not of itself make a compleat Sentence, but is followed by something closely depending on it, may be distinguished by a Semicolon.

“But as this passion for admiration, when it works according to reason, improves the beautiful part of our species in every thing that is laudable; so nothing is more destructive to them, when it is governed by vanity and folly.” Addison, ibid.

Here the whole Sentence is divided into two parts by the Semicolon; each of which parts are Compounded Members, divided into their Simple Members by Commas.

A member of a Sentence, whether Simple or Compounded, which of itself would make a compleat Sentence, and so requires a greater pause than a Semicolon, yet is followed by an additional part making a more full and perfect Sense, may be distinguished by a Colon.

“Were all books reduced to their quintessence, many a bulky author would make his appearance in a penny paper: there would be scarce any such thing in nature as a folio: the works of an age would be contained on a few shelves: not to mention millions of volumes, that would be utterly annihilated.” Addison, Spect. Nᵒ 124.

Here the whole Sentence is divided into four parts by Colons: the first and last of which are CompoundedMembers, each divided by a Comma; the second and third are Simple Members.

When a Semicolon has preceded, and a greater pause is still necessary; a Colon may be employed, tho’ the Sentence be incompleat.

The Colon is also commonly used, when an Example, or a Speech is introduced.

When a Sentence is so far perfectly finished, as not to be connected in construction with the following Sentence, it is marked with a Period.

In all cases the proportion of the several Points in respect to one another is rather to be regarded, than their supposed precise quantity, or proper office, when taken separately.

Beside the Points which mark the pauses in discourse, there are others which denote a differentmodulation of the voice in correspondence with the sense. These are

The Interrogation and Exclamation Points are sufficiently explained by their names: they are indeterminate as to their quantity or time, and may be equivalent in that respect to a Semicolon, a Colon, or a Period, as the sense requires. They mark an Elevation of the voice.

The Parenthesis incloses in the body of a Sentence a member inserted into it, which is neither necessary to the Sense, nor at all affects the Construction. It marks a moderate depression of the voice, with a pause greater than a Comma.


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