pag262iloBIG SAL HOLDS THE LITTLE MASTER
pag262ilo
BIG SAL HOLDS THE LITTLE MASTER
The negroes noted it, and, simple as it was, it served to deepen the mystery in which Aaron seemed to be enveloped; and among themselves they shook their heads and whispered that he must be a "cunjur" man.
But Aaron was not troubled by whisperings that never reached his ears, nor by the strange imaginings of the negroes. He had other things to think of—one thing in particular that seemed to him to be most serious. He could see that Little Crotchet was gradually growing weaker and weaker. It was some time before he discovered this. We know that the trunks of trees slowly expand, but we do not see the process going on.
Little Crotchet seemed to be growing weaker day by day, and yet the process was so gradual that only the most careful observation could detect it. The burning of the house was somethingof a shock to him. He was not frightened by that event, and never for a moment lost his self-possession; but the spectacle of the fierce red flames mounting high in the air, their red tongues darting out and lapping about in space, and then, having found nothing to feed on, curling back and devouring the house, roaring and growling, and snapping and hissing,—this spectacle was so unexpected and so impossible in that place that the energy Little Crotchet lost in trying to fit the awful affair to his experience never came back to him. He never lost the feeling of numbness that came over him as he saw the house disappear in smoke and flame.
But it was weeks—months—after that before Aaron made his discovery, a discovery that could only be confirmed by the keenest and most patient watchfulness. For Little Crotchet was never more cheerful. And he was restless, too; always eager to be going. But Aaron soon saw that if the lad went galloping about on the Gray Pony as often as before, he did not go so far. Nor did he use his crutches so freely,—the crutches on which he had displayed such marvelous nimbleness.
And so from day to day Aaron saw that the Little Master was slowly failing. The lad found the nights longer, and Aaron had great trouble to drive away the red goblin, Pain. Thus the days slipped by, and the weeks ran into months, and the months counted up a year lacking a fortnight. This fortnight found the Little Master in bed both day and night, still happy and cheerful, but weak and pale. Always at night Aaron was sitting by the bed, and sometimes the lad would send for Big Sal. He was so cheerful that he deceived everybody except the doctor and Aaron as to his condition.
But one day the doctor came and sat by the Little Master's bedside longer than usual. The lad was cheerful as ever, but the doctor knew. As he was going away he gave some information to the father and mother that caused them to turn pale. The mother, indeed, would have rushed weeping to her son. Was it for this,—for this,—her darling child had been born? The doctor stayed her. It was indeed for this her darling child had been born. Would she hasten it? Why not let the mystery come to him as a friend and comforter,—as the friend offriends,—as a messenger from our dear Lord, the Prince of Peace and Joy?
And so the poor mother dried her eyes as best she could and took her place by the Little Master's bedside. The lad was cheerful and his eyes were as bright as a bird's. Doctors do not know everything, the mother thought, and, taking heart of hope, smiled as Little Crotchet prattled away.
Nothing would do but he must have a look at the toys that used to amuse him when he was a little bit of a boy; and in getting out the old toys the mother found a shoe he had worn when he first began to walk,—a little shoe out at the toe and worn at the heel.
This interested the lad more than all the toys. He held it in his hand and measured it with his thumb. And was it truly true that he had ever worn a shoe as small as that? The shoe reminded him of something else he had been thinking of. He had dreamed that when he got well he would need his crutches no more, and he wondered how it would feel to walk with his feet on the ground.
And there was the old popgun, too, still smelling of chinaberries. If Aaron only but knew it, that popgun had been a wonderful gun. Yes,siree! the bird that didn't want to get hurt when that popgun was in working order had to run mighty fast or fly mighty high. But, heigh-ho! he was too old and too large for popguns now, and when he got well, which would be pretty soon, he would have a sure-enough gun, and then he would get a powder flask and a shot bag and mount the Gray Pony and shoot—well, let's see what he would shoot: not the gray squirrels, they were too pretty; not the shy partridges, they might have nests or young ones somewhere; not the rabbits—they were too funny with their pop eyes and big ears. Well, he could shoot at a mark, and that's just what he would do.
And when night fell, the Little Master wanted to hear the negroes sing. And he wanted mother and father and sister to hear them too—not the loud songs, but the soft and sweet ones. But the negroes wouldn't feel like singing at all if everybody was in the room with them, and mother and father and sister could sit in the next room and pretend they were not listening. And so it was arranged.
When the negroes arrived and were ushered into the room by Mammy Lucy, they were so embarrassedand felt so much out of place they hardly knew what to do, or say, or how to begin. Aaron was carrying the Little Master in his arms, walking up and down, up and down, and his long strides and supple knees gave a swinging motion to his body that was infinitely soothing and restful to the Little Master. Swinging back and forth, up and down, the Son of Ben Ali paid no attention to the negroes, and they stood confused for a moment, but only for a moment. Suddenly there came streaming into the room the strain of a heart-breaking melody, rising and falling, falling and rising, as the leaves of a weeping willow are blown by the wind; drifting away and floating back, as the foam of the wave is swayed by the sea.
Little Crotchet lay still in Aaron's arms for ever so long. Was he listening? Who knows? He was almost within hearing of the songs of the angels. Suddenly he raised his head in the pause of the song—
"Tell them all good-night. Tell mother"—
Aaron stopped his swinging walk and placed the Little Master on the bed and stood beside it, his right hand raised above his head. It might have been a benediction, it might have been a prayer. The negroes interpreted it as a signal of dismissal. One by one they went softly to the bedside and gazed on the Little Master. He might have been asleep, for he was smiling. Each negro looked inquiringly at Aaron, and to each he nodded, his right hand still lifted above his head.