Come then,Love, what fear holds you trembling?Have done with all misgivings....
Come then,
Love, what fear holds you trembling?
Have done with all misgivings....
His impassioned plea quavered; he clutched Maria's arm to steady himself. Willy cut the music. For five minutes they held cold compresses to the singer's wrists, while members of the orchestra slumped, exhausted, in their chairs. When all were somewhat recovered, Pinkerton attempted the next two lines of his wedding night rapture:
The night doth enfold us,See the world lies sleeping....And then he had to rest again.
The night doth enfold us,
See the world lies sleeping....
And then he had to rest again.
But when Maria answered, her dark eyes flashing defiantly, she went through her entire eight lines without a pause.
Her great test came with the famous second act solo, "One Fine Day". It was difficult enough to learn the strange words and music, but to achieve and hold the emotional peaks of the solo for nearly two minutes was something she had never before attempted.
Because she insisted on doing the entire aria without resting, Willy set the recording for early in the morning, when the orchestra would be fresh. He asked them to assemble on the improvised sound stage an hour after breakfast.
Willy limited the orchestra to a minimum tune up period so that the musicians could conserve their energies for the ordeal ahead. The violins were the last to be ready. When the final string had been tuned, Willy cued the engineers to stand by and pointed the tip of his baton toward Maria.
"Un Bel Di...."
"Un Bel Di...."
The words came clear as the notes of a silver bell, calling back to life the beauty that had been dead for so long. Walther felt his stomach muscles tighten; a tingle of wonder crept up his spine.
Standing there in the center of the old stone barn, wearing only sandals, shorts and a light blouse open at the neck, Maria still managed to convey the feelings of the lonely young Japanese wife who sang so confidently of her husband's return from across the sea.
This was Maria, the incomparable artist, using all of her technique to blend the unfamiliar words and music.
But for the first few lines it was only a technical tour de force. Then Puccini's music began to take hold of Maria, merging the artist with the woman, and creating yet a third entity out of the two.
He saw Willy turn, transfixed toward Maria. His hands and baton continued to move, but not by conscious direction. His pink cheeks were pale, etched with deepening lines. His blue eyes were misted.
Even the other members of the company seemed moved by Maria's performance. Yet they could not stay with her emotionally; they were compelled to break the tension by shuffling their feet and self-consciously lighting cigarettes.
To a man, the orchestra played as if hypnotized, sweeping through measure after measure with an intensity that seemed impossible to maintain.
For an uncertain moment, near the end of the aria, it looked as if Maria could not finish. She swayed, held tightly to the microphone for support. Walther stepped forward to catch her, but she recovered, drawing on some inner source of strength to finish:
"... This will all come to pass, as I tell you!Banish your idle fears ...For he will return, I know it!"
"... This will all come to pass, as I tell you!
Banish your idle fears ...
For he will return, I know it!"
As Maria finished, she tore herself away from the microphone. Her lips were trembling; her eyes were wide, like those of a woman in shock. She half-ran out of the barn, stopped—confused—in the bright sunlight, and then ran on down the path toward the Inn.
Until late afternoon, Maria would see no one. Then she agreed to see Willy for a few moments.
When the old maestro left her room, he looked deeply troubled.
"I don't know ..." he told Walther, shaking his head. "I don't know what this has done to her."
"What did she say?"
"Right now, she says she will never sing again. She's going to her home in Italy this evening."
"Can we do anything?"
"Looks like we've already done more than we should. Mixing two cultures in one artist is dangerous chemistry!"
Up to this moment, Walther had deliberately avoided any decision about Maria. She had been a continuing and delightful challenge, especially since Tahiti, but beyond that he had not allowed his thoughts to go. Now there was a responsibility he could no longer evade. He had watched the dual personality that was Maria being shattered under the impact of Puccini's music. How would the pieces fit together again? Should he stand by and watch? Or should he try to help? And if he could help her, how would it all end? The gulf between two cultures could be wider than the mathematics of space between two galaxies, or the bridging power of sex.
Against Willy's advice, Walther decided to catch the same stratoway with Maria, and take his chances on what might happen.
But a phone call from Uniport abruptly changed his plans. It was from their underworld contact, who informed Willy that the "Board of Directors" was meeting that evening; if Walther wanted to attend, he would have to take the next stratoway to Uniport. Someone would meet him at the station.
Uniport or Italy? Willy intervened to make the decision easier.
"This will be your only chance to get into the vaults," he counseled. "Besides, Maria must think some things through for herself."
His emotions in turmoil, Walther boarded the next stratoway for Uniport. As North Wales and England blurred into the ocean beneath him, he had the feeling that he would never see the River Dee country again.
A tall, thin young man, with eyes as colorless as waxpaper, met him at the Uniport station and hurried him into a monorail car. Walther tentatively began a question, but the young man stopped him with an opaque stare.
Four times they changed monorail cars, ending up eventually at a freight terminal, where an older man met them and pointed silently to one of the freight cars. Inside, Walther saw a strange assortment of smiling servo-robots and grim-faced humans sitting around on empty packing cases. The cases were already marked for shipment and trans-shipment throughout the galaxy.
After quick, sharp glances of appraisal, no one paid any attention to him. He sat down beside one of the servo-robots and forced himself to wait as patiently as possible. For a half hour nothing happened. The servo-robots remained motionless; the humans chain-smoked until the air in the freight car was an acrid grey smog. Nearly every human switched constantly and nervously from his tiny TV set to his watch-radio. One of the men brought out a bottle, but quickly put it away after a staccato command from the greying, square-jawed man who seemed to be in charge.
At 6 o'clock, without warning, the freight car vibrated slightly and began to move. The servo-robots stood up attentively; the humans snuffed out their cigarettes. Peering through one of the small windows, Walther saw that twilight was merging into night.
It was completely dark when the car stopped at a loading platform behind the steel-grey building that towered above the Uniport cultural vaults. A servo-robot guard stepped forward challengingly.
At a gesture from the leader, one of the servo-robots within the car marched out on the platform and presented a punched bill of lading. As the guard fed the document into its tabulator, the other stepped closer and lightly brushed against it. The guard stiffened, as though from a severe shock. There was a sound like that of a racing motor suddenly thrown out of gear. Then a click, and silence. The servo-robot guard unhinged itself at the knees and collapsed on the platform.
Another signal from the leader, and out of the car scurried the humans and servo-robots. They ran across the platform toward the shadow of the building. Here, two of the men, who Walther guessed to be the experts imported to Earth for this job, traced a circle around the door with an instrument that resembled a small camera. Evidently this was to cut off the alarm system, for almost immediately they relaxed and went on to open the door without any attempt at caution.
Proceeding in single file, lighting their way with powerful flashlights, they passed in similar manner through a series of inner doors to an elevator leading down into the vaults. A servo-robot took over its operation, and they shot downward. At each level, the leader stepped off the elevator to look around. At the sixth level, he nodded and they followed him into the vault.
This was the book vault. Tier upon tier, the stacks of books reached in every direction as far as a flashlight beam could probe.
Motioning Walther to follow him, the leader took a piece of chalk and began marking off groups of books. The men rounded up library carts for the servo-robots, who swiftly fell to loading the carts and trundling them back to the elevator.
Walther soon moved ahead of the leader and began marking the books himself. They had started in the M-sections. With mounting excitement, Walther chalked off Machiavelli, Mann, Markham, Masefield, Maugham, Maupassant, Melville, Millay, Moliere....
Leaping to the next tier, he raced through the stacks marking the works of Nathan and Newton, O'Neill ... Ovid.... Then on to Parker, Pater, Pepys, Plato, Poe.... Racine, Rousseau.... Sandburg ... Santayana....
What an astounding haul this would be! The masterpieces of the ages, to be whisked across space, from star system to star system, until at last they reached his homeland, where they would grow and multiply a million-fold, generation into generation, down through the millenniums of universal time.
Back to the A-sections! Adams, Aeschylus, Anderson, Aristotle....
On to the B-sections! Bacon ... Balzac ... Benet ... Bronte ... Byron....
It was like drinking a heady burgundy. Each new title whetted his taste for more.
Inevitably, the very magnitude of the thing began to have its sobering effect. Was it actually possible to get so much material out of the vaults? Off the Earth?
The leader caught up with him in the K-sections and motioned him not to mark off any more books. They'd have a hard time getting those Walther had already chalked.
Walther rode up with the next elevator load. On the way down, he indicated to the servo-robot that he wanted to go all the way to the bottom level. There he stepped out of the elevator and stood in the darkness for a moment to steady himself from the excitement of marking so many books.
Then he swept his flashlight beam slowly around the vault.
It was like turning on a light in a tomb that had been sealed for centuries. Certainly this tomb had been sealed, to all except the Digesters and the servo-robot attendants.
The vault was at least two hundred feet high. Walther could only guess at the other dimensions, and the extent of the corridors that fanned out like the spokes of a wheel. Sculptured figures from all the ages of Earth loomed out of the shadows with a quality of arrested life that might at any moment move again.
The figures of the Pharaohs were here, the chiseled perfection of Athens and Rome, the genius of the Renaissance and the primitive gods of the Aztecs. The armless Venus gazed down dispassionately on the bowed back of the Discus Thrower, while Rodin's Thinker stared in eternal contemplation at the belly of Buddha.
And then Walther looked upward.
High overhead, reassembled on a great oblong span of artificial ceiling suspended from the top of the vault, were the nine immortal panels from the Sistine Chapel. Tracing his beam of light through scene by scene of Michaelangelo's creation of the world, lingering among the connective figures of the prophets and sibyls, the lunettes and triangles, Walther lost all sense of time.
When his back and neck muscles could stand the strain no longer, he wandered deeper into the dim recesses of the vault, following corridor after corridor, entranced. He was like a condemned man watching his last sunrise and trying to absorb it all, knowing he would not come this way again.
Walther did not realize how far he had wandered until he came at last to the end of a corridor and glanced at his watch.
Ten o'clock!
He'd been gone from the group for nearly three hours, and the entire raid had been timed for two hours.
He started running for the elevator. Corridor led into corridor, gallery into gallery. It took him twenty minutes to find his way back to the main vault, another five minutes to locate the right elevator. He pressed the button and listened. There was no sound within the shaft.
He shouted, and there was only the echo of his own voice reverberating through the ages around him.
Fighting down a flutter of panic, Walther turned off his light and leaned against the elevator door to organize his thoughts.
He was sure the others had left on time to make shipment schedules at the Uniport landing. They might have delayed long enough to make a cursory search for him, but his safety was no part of their commitment. They had successfully raided the vaults, which was all they had contracted to do. Before morning, most of them undoubtedly would have embarked on inter-planetary cruises.
Walther's first decision was to try the other elevators on the off-chance that one had been left in operating gear.
None had.
Next, he set off to look for a stair well, fire ladder or other method of exit. It took him three hours to cover the entire vault and its corridors. No doubt of it, the elevators were the only means of entering and leaving.
It was now one o'clock. In eight hours the upper level doors would open to the Digesters. No particular effort had been made to camouflage the gaps in the stacks. His one chance was to reach the street level before anyone noticed the missing books. Meanwhile, he could do nothing except spend the night as comfortably as possible. He spread his coat on the marble floor behind the squat statue of a Malayan goddess.
Surprisingly, he did doze off toward morning. He awoke shortly after eight o'clock, and began to punch the elevator button every five minutes. Finally, at three minutes to nine, a faint hum responded within the shaft. He retreated hastily into the nearest corridor, and waited another ten minutes before bringing the elevator down to his level. Then he entered it, pressed the street-level control and shot upward.
He lit a cigarette, and was prepared to step out nonchalantly as soon as the door opened.
His exit was nonchalant enough, but the servo-robot guard in front of the elevator held out its tabulator slot and said.
"Crdpls."
Walther was shaken, but did not freeze up. He fumbled in his pocket for a slip of paper and tried to cram it into the tabulator. A red light flashed on the servo-robot's chest; a buzzer sounded.
Thirty yards beyond, Walther saw the front desk and the door open to the street. He acted with the impulse. A sidestep took him around the servo-robot, and then he was racing toward the door.
Three steps later, a vise-like grip clamped around his shoulders and swept him off his feet. Twisting, he saw that the servo-robot's arm had elongated, and that the fingers had stretched to encircle his body. He kicked hard at the arm, and that was his last conscious act.
The next time Walther opened his eyes, his head throbbed so violently he closed them again. When the spinning stopped, he tried once more.
Around him he saw four metallic walls, and overhead a ceiling of similar material. Except for a ventilator grid, and the outlines of two doors, there were no breaks in the wall and no decorations. He was lying on a low, narrow cot, and was still fully dressed.
He felt his head. There was a large lump above his right temple, where he might have struck the floor. But he was still too groggy for much speculation. He closed his eyes to ease the throbbing, and fell into an uneasy sleep.
The creaking of the door must have roused him, for it was closing as he focussed on it. A tray of food was within arm's reach. A smaller door behind his bed had been opened; it led to a tiny washroom.
After freshening up and trying the food, Walther felt much better. He was a strong-nerved young man, not accustomed to worry, and he tried to weigh the facts for and against him. If the shipments had gone off without a hitch, things might not be so bad. He'd been found leaving the vaults, but no one would suppose that he'd have stayed around after somehow disposing of the books. They might suspect him, but it would be hard to disprove his story that he'd taken the elevator by mistake the day before and been trapped overnight. Anyway, as a visitor from another galaxy, he was entitled to certain consideration.
He felt even better when the door opened late in the afternoon to admit Willy Fritsh and a tight-lipped man of about forty.
"Your lawyer," said Willy. He looked and sounded grim.
After completing introductions, Willy told him that he was indeed accused of the theft, and would be arraigned in the morning.
"They can't prove it," Walther answered calmly.
"They think they can. Our Digester friend—remember our Bohemian evening?—has come forward to accuse you. He'll testify about the offer we made him."
"We? Will he accuse you, too?"
"Not exactly. I'm supposed to be an innocent bystander. A friend who was used!"
In spite of the circumstances, a hint of the old sparkle returned to Willy's eyes and he smiled faintly.
"What can they do about it?" Walther demanded. After all, he was a Von Koenigsburg.
Willy's smile vanished.
"Our legal friend here says ten years would be a light sentence."
They discussed the case for an hour, while the lawyer took meticulous notes. Then, through Willy, the attorney began questioning Walther about his financial status. Even in the language of consonants, his voice was suave.
The lawyer's precise little symbols wavered as Walther briefly outlined his family circumstances, but a servo-robot opened the door before further questions could be asked.
Willy started to shake hands with Walther, then impulsively put his arms around him. There were tears in the corners of his blue eyes. He tried to say something, but gave it up and hurried out the door behind the attorney.
"Wait." Walther called after him. "Have you heard anything from Maria?"
Willy sadly shook his head.
"No. Nothing."
Walther had scarcely finished breakfast next morning when a servo-robot came to take him to court. The robot linked thumb and forefinger around Walther's wrist with the grip of a handcuff.
There were no spectators in the courtroom; perhaps, Walther thought glumly, because it was a free attraction that would interfere with the consumption of happy time entertainment. Willy joined him at the defendants table.
"Still the loyal, misguided friend," Willy murmured. "I volunteered to be your interpreter."
The Judge was a human, but all clerks and bailiffs were servo-robots. As soon as the court was gaveled into session, the Prosecutor presented a twenty-second digest of the case against Walther, and called the little Digester as a substantiating witness.
Walther didn't need any translation to understand what the witness was saying. Shifting unhappily in his chair, and avoiding Willy's eyes, the little Digester answered preliminary questions in a scarcely audible voice. But when he pointed his finger at Walther, his voice became shrill and he reddened to the top of his bald head.
"Now he'll be afraid to attend one of our meetings," Willy murmured. "That's what he's really blaming you for."
When the Digester left the stand, a portly man, with a perpetual tick in his left cheek, arose to address the court. He was at the Prosecutor's table, and until this moment had seemed to take very little interest in the proceedings. But now he spoke in a steel-edged voice that was in surprising contrast to his slow, heavy movements.
"He's speaking as a friend of the court," Willy whispered. "His office is legal representative of the Happy Time cartel in Uniport. He's telling the court what a terrible offense you committed—but is willing—in the public interest not to press charges if you'll return the books at once. Otherwise, he demands you be held for trial without bail."
Walther's lawyer conferred briefly with Willy. The Judge and Prosecutor also conferred, and both spoke with obvious deference to the Happy Time attorney.
With a bow to all three, Walther's lawyer addressed the court. His smooth voice rippled lightly over the harsh consonants, and his thin lips parted often in a swift, mirthless smile. He spoke for almost a minute, and the Judge began to toy with his gavel, watching the Happy Time attorney for a cue to his feelings. The attorney had slumped back in his chair, eyes drooping. But the tick in his cheek worked furiously.
Then Walther's lawyer turned toward the Happy Time lawyer and paused dramatically.
"He's talking about your family," Willy whispered again. "I think he's exaggerating a bit, but he says they own an entire planet twice the size of Earth."
When the lawyer continued, the smoothness was gone from his voice. His words came hard, crisp, brief. The elderly Judge sagged back in his chair, the Prosecutor blinked and the Happy Time attorney allowed his eyes to close completely.
"I hope you approve," Willy said in a shaky whisper. "You've just offered to deposit a hundred million credits with the Happy Time cartel as assurance the books will be returned."
"What?—I don't even admit taking them!"
"Neither does your lawyer. But, as he puts it, if anyone acting in your behalf, but without your direct knowledge, should have seized these books and shipped them off the Earth, you will assume responsibility for their return. Otherwise, they may be turned loose among the people of Earth to plant seeds of future trouble."
Walther's lawyer emphasized one brief phrase, and sat down. Even Walther recognized the words: One hundred million credits.
The Happy Time attorney slowly opened his eyes and heaved himself to his feet. He spread out both pudgy hands to the Judge, and shrugged his bulking shoulders. He spoke briefly, and the steel-edge was gone from his voice.
"He suggests that the court in its wisdom, temper justice with mercy." Willy translated excitedly.
After this it was a matter of detail, with the Prosecutor insisting only that Walther be kept in custody and deported immediately after the deposit had been arranged.
The strain of the whole affair had been too much for Willy, but as the smiling servo-robot led Walther out of the courtroom, he called after him:
"I'll be at the landing!"
Walther knew he should be happy. He had found what he wanted on Earth. Not in the way he had hoped, but the final reckoning was the same. Still, there was an emptiness to it all, an emptiness and an aching.
When he cleared customs, and was released by his servo-robot guard, Walther saw Willy Fritsh waiting beside the Cyngus III shuttleship. A half dozen of his musicians were with him.
Willy said with simple directness:
"If you want us, we'd like to go with you."
Of all the things that had happened to him in the last twenty-four hours, this took Walther most completely by surprise. He stared, speechless, from Willy to the musicians, most of them older men.
"These few came to me," Willy said. "They don't want to go back to our own music—Neither do I!" His voice broke, and he continued, pleading: "We can help bring your dream to life in the few years left to us."
Walther enveloped the old maestro in a bear-hug that crushed the breath out of him.
"Want you?" he cried. "Now, who's a fool?"
"You are," gasped Willy, "if you thought I'd leave part of my heart behind!"
Walther looked around quickly.
At the top of the shuttleship ramp stood a young woman with half a smile and half a question on her lips. There was doubt in that smile, and fear. There was loneliness and wonder, and hope. It was a promise and a warning of all that lay ahead for them, out there beyond the stars.
Humbly, more knowing that he had yet been in his short life, Walther held out his hands and walked up the ramp toward her—toward a dream that was over, and a reality that could be more bitter, more sweet, than any dream.