CHAPTER XXI

Amber had come to the conclusion that it would be better for her to be frank with her friend Josephine in regard to thepersonnelof her fellow-guests at The Weir for the Sunday. A month had passed since Josephine had promised to keep herself disengaged for this particular Sunday, but in the meantime a good many things had happened, the most important being (as she fancied) the dinner at Ranelagh, which had given a certain amount of prominence to Mr. Win-wood and had aroused a curious prejudice against him in the estimation of Josephine. It was thus, she thought, only fair to Josephine to tell her that Mr. Winwood had also promised to go to The Weir for the Sunday, so that, if she felt that another day spent in his company would be insupportable, she might have a chance of concocting some excuse for remaining in town.

The daughter of a politician of eminence should be at no loss for a plausible excuse to extricate herself from the consequences of a promise of a month’s standing. She should have at her command—even though her father did not actually belong to the Cabinet—a sufficiency of that subtle element called (by the organs of the Opposition) tergiversation to tide her over a shoal place.

It was this thoughtfulness on the part of Amber that impelled her to let Josephine know that Mr. Winwood also had promised to go to The Weir, and she felt greatly relieved to find that her friend did not make any attempt to draw upon her imagination for an excuse to prevent her joining the party at Sir Creighton’s riverside cottage.

She wondered if Josephine’s prejudice was abating already, or if she was merely showing how polite she could be.

It was when she was trying to recover from the startling effects of the return of Pierce Winwood to the drawing-room after the departure of Lord Lull-worth, that her father came to her, saying something about Pierce Winwood.

“I am very glad you asked him here,” he said. “Yes; he was able to convince me of his identity.”

“So you remembered his father’s name after all,” said Amber.

“Yes—oh, yes. I remembered his father’s name.”

“It was the story that brought it back to you?”

“Yes—that singular story.”

“You were able to tell him the names of the people—the names that he was so anxious to find out?”

“Oh, yes; I was able to—to satisfy him on this point. By the way, he and Josephine had some chat together in the garden—I could see them from my window.”

Amber shook her head and then said:

“Poor fellow!”

“Why poor fellow, pray?” asked her father raising his eyebrows.

“I am afraid that he—that is—I’m not quite sure that I should tell you that——”

“Let me know what it is you are in doubt about, and I will give you my best advice on this doubtful and delicate point,” said he.

“If you decide that I shouldn’t have told you will you let it be as if I hadn’t told you?” she said, clasping her hands over his arm.

“Certainly I will,” he replied. “The terms are quite honourable.”

“Then I may tell you that an hour after leaving this room he returned.”

“For an umbrella—that’s what they do in plays: they always come back for the umbrella which, with the most careful inadvertency they have left behind them. But he didn’t come back to let you know that owing to the distractions of lunch, he had forgotten to mention that he loved you?”

“Worse—much worse. He came to ask me if I could tell him if Joe had given her promise to marry someone.”

“Heavens above! And did he specify the some one?”

“Oh, dear, no; he had no one—that is to say, he had every one in his mind’s eye. He could not understand how it was possible that so sweet and lovely a girl should have reached the age of twenty-four without having given her promise to marry some man.”

“It does seem a bit queer, doesn’t it? Well?”

“That’s all. I told him, of course, that Joe was quite free.”

“Of course. But that being so, where does your ‘poor fellow!’ come in. Why not ‘lucky fellow’?”

Amber shook her head more sadly than she had shaken it before.

“The pity of it! the pity of it!” she murmured. “Poor Joe!”

“Poor yourself!” laughed Sir Creighton. “You cannot be ambitious enough to wish to include all the world in your pity. Why ‘poor Josephine’?”

“She confessed to me that she hated him,” said Amber in a whisper—the whisper of an aspen—tremulous rather than sibilant.

“What, hated him? I had no idea that she cared so much as that for him already,” said her father. “Are you sure that she confessed to hating him?”

Amber’s hands dropped from his arm, but her eyes did not drop from his face.

“Do you mean—you cannot mean—that—that all may yet be well?” she cried.

“My dear girl,” said he, smiling a smile which he had provisionally patented since his daughter had made it a practice to consult him on curious points of psychology and diction and deportment. “My dear daughter, I have, as you well know, little time to devote to the study of temperament or poetry or unpractical things of that sort, but I have seen enough in the course of a busy but not wholly unobservant life, to convince me that when a young woman goes so far as to confess that she hates any particular young man, or old man, for that matter—she has gone very far in the direction of saying that she loves that particular man. I don’t say that Josephine——”

“She doesn’t. She doesn’t—at least—I don’t believe that she has thought about him one way or another. She was, however, quite polite to him today.”

“That’s rather a bad sign, isn’t it? When a girl is polite to a man whom she hates, she makes one feel that his chances with her are reduced. But of one thing you may be sure—yea, of two things you may be certain; the first is that no girl hates a man of whom she has not been thinking a great deal; the second is that no girl hates a man unless she knows that he loves her.”

“How curious! How very curious! You are sure—quite sure?”

“There are variants,” said the man of science. “But one cannot study the properties of the positive and negative currents of electricity for forty years without learning something of the elementary principles of attraction and repulsion. The air was, I think, strongly charged with electricity when the first woman was born; and that being so, don’t you think you might do worse than ask Winwood and Josephine to join us at The Weir, some of these days?”

He was smoothing her hair very gently: the action was prettily paternal but it was also strictly businesslike; for was he not the inventor of that microelectrometer which is so marvellously sensitive that it is capable of measuring the force of the current generated by the stroking of a cat. He had experimented on his daughter years ago. No penalty attached to his doing so, though had he tried his electrometer on the cat he would have laid himself open to a criminal prosecution.

She was all unconscious of the escaping ohms; she was puzzling out the hard saying that had come from her father. She was trying to see daylight through the obstructions of his phrases and the obscuration of his logic.

She shook her head—for the third time—saying: “I’m in a bit of a mist just now. I should like to think it all out.”

“As if one can get out of a mist through much thinking,” said he. “Dearest daughter of my house and heart, take my advice and think only when you cannot help thinking; but remember that woman was not made to think but to act. It is man, foolish man, who is so badly endowed of nature that he is compelled to think out things. The woman who thinks is about as womanly as the pantomine Old Mother Hubbard. Be a woman, my dear, and assert your femininity by acting—yes, acting in accordance with no principle of logic, but strictly in response to the prompting of your instinct.”

He kissed her and looked at the timepiece.

“I’ll write to Mr. Winwood,” she said somewhat helplessly and hopelessly. “Joe long ago promised to come to us at The Weir on Saturday week. But I think I must tell her if he accepts the mater’s invitation.”

“Oh, certainly; that is the least you can do: she was so polite to him to-day,” said her father from the door, smiling that registered smile of his and making his escape before she could put the question to him which that smile invariably prompted.

She felt that it was all very well for him to advise her not to think out any matter; it was not so easy, however, for her to refrain from thinking, seeing that he had led her into the perilous paths of thought long ago. He had taught her the art of thinking long ago, and yet now he could airily assure her that she was very foolish and—what was much the same thing—very unwomanly to try to think herself out of a difficult place.

Well, that showed that he was a man anyway—a man as illogical as the most sapientsavantcan be, and that is saying a good deal.

The suggestions made to her by her father had, however, considerably widened the horizon of her consideration, so to speak. That is to say, she had only been thinking how admirably Josephine had succeeded in hiding beneath a mask of politeness her ill-founded prejudice against Mr. Winwood; whereas now she was led to consider the possibility of that mask of hers concealing a good deal more. She had been pitying, first, Mr. Winwood for having been so impulsive as to fall in love with Josephine; and, secondly, Josephine for having been so impulsive as to conceive a prejudice that might interfere with her happiness in the future.

But now, it seemed that she need not have pitied either of them—if her father’s suggestions were worth anything.

And then she had given an exclamation of derision and had begun to think of other matters. She meant this exclamation to bear upon the wisdom of her father veiled (as so much wisdom may be if one is only wise) in a fine lacework of phrases. Her father’s Valenciennes phrases were much admired: they had a charming and delicate pattern of their own which perhaps some people admired more than the wisdom whose features they effectually concealed, and the design of his Point de Venise was so striking that no one was in the least curious as to whether it concealed any thought or not.

Thus it was that Sir Creighton’s daughter found it necessary to make use of a serious exclamation when she found that when she had looked for wisdom from her father he had given her a phrase—the lace cerement of wisdom.

And then she gave a more emphatic exclamation when she reflected upon the possibility of Josephine’s polite demeanour being as opaque as her father’s paradoxes. She had believed that the embroidered domino of politeness—that makes a variation from the rather flimsy trope of the lace—concealed within its folds only her friend’s dislike for the presence of Mr. Winwood; but now it had been suggested to her that there was a good deal below the billowy surface of the ornamented fabric that she had never suspected to exist there.

She said “Psha!” also “Phu!” and “Phi,” and gave vent to all those delicately modulated breathings with long-drawn sibilants which moments of staccato derision suggest to those young women who have not trained themselves to the more robust verbiage of condemnation—sounds like the stamping of Alpine heels upon a solid pavement.

It was of course a great relief to the girl to give way to those half tones of vituperation—those dainty slipper-taps as it were, of impatience. But after all the real relief that she experienced was in diverting her thoughts from the possible dissimulation of her father and her friend to the plain and simple language made use of by Lord Lullworth in her presence.

Lord Lullworth was, of course, a fellow with no pretensions to brain-power—with no delicate appreciation of the subtleties of language; but beyond a shadow of doubt Amber felt the greatest relief to her mind through reflecting upon his extraordinary frankness. There at any rate was a man who knew exactly what he meant and who was able to communicate to another person exactly what he meant. To be sure what he did mean was something too absurd to be entertained for a moment; still it had been clearly defined and—yes, it was not without picturesqueness and—yes, it was undeniably a relief to think about him.

Only an hour had passed since she had been lying back among her cushions, reflecting, with the help of the Florentine mirror, upon the situation of the moment. She had at that time been led, out of a feeling that Lord Lullworth should have fair play, to think of him in active and brutal contest with the other young men who had been drinking tea with her; but now she found that, even judged from a lofty standpoint, he was susceptible of being thought about with positive pleasure—well, if not absolute pleasure certainly with satisfaction, the satisfaction which comes from a sense of relief.

And then she found that really his frankness had not been unpicturesque as a pose. She began to feel that a great misapprehension existed in the minds of most people in regard to frankness. The impression undoubtedly did prevail that frankness was only candour in hob-nailed boots. She knew that the general feeling is that if candour is insolence in a white surplice, frankness is rudeness in rags. That misapprehension was allowed to exist simply because so many people who were really clever, never found that it suited them to be frank. They had given all their attention to the art of not being frank, just as some women give up all their time to their dress, neglecting their bodies, to say nothing of their souls, in order that they may appear well-dressed. She felt convinced that if a really clever man were to study frankness as an art he might be able to make a good thing out of it. At any rate it would be a novelty.

Yes, Lord Lullworth had certainly struck out a path for himself, and had made some progress—quite enough to impress her, and to cause her some remorse when she reflected upon her having thought of him as a fool.

Lord Lullworth undoubtedly had made an appreciable amount of progress when he had impelled the girl who had first thought of him only as a young fool, to give herself over to the consideration of his position as an athlete, then of his position as a relieving influence coming after the distractions of intellectuality; and, finally, of his position as an original thinker—the pioneer of a cult which might yet become a power in a society where dissimulation, flourishes.

And what marked the extent of his progress the more vividly was the fact that the result of her consideration of the young man from every successive standpoint only strengthened his place in her esteem.

Then her mother wrote the invitation to Mr. Win-wood for Saturday week and he accepted it in due course; and it was on the Wednesday next before that Saturday that Amber met Josephine on the terrace of the great historic house in Kensington, and reminded her that she had engaged herself to go up the river to The Weir from Saturday to Monday.

That was not the only engagement of which Josephine was conscious.

Still she had been able to shoot a dart of pretty badinage with a barb touched with sugar instead of gall, in the direction of Mr. Winwood at that moment; and thus Amber had gone home more amazed than ever.

But not before she had been charmed by her gracious reception at the hands of the Countess of Castlethorpe.

No young man with a mother so perfectly charming could be unworthy of consideration, she felt.

And thus Lord Lullworth took another stride along the perilous path upon which he had set his feet.

Even when he was living for two days in the retirement of his cottage on the bank of the River Thames, Sir Creighton Severn was too busy a man to find time to join the little company who set out in his launch on the Sunday to pay the visit which his daughter had promised to the new proprietor of The Gables. He was not so utterly overwhelmed with business, however, but that he could look forward to two hours of solitude and slumber during their absence. He calculated, without the aid of logarithms, that the little company would be absent for two hours, and he proposed spending twenty minutes of this space in the enjoyment of his solitary cigar on the lawn and the remaining hour and forty minutes on one of the long cane chairs in a bower over-clustered by clematis, blue and white, and hidden away from the intrusive enquiries of impressionable flies and impossible visitors.

He had no doubt that a visit to The Gables would have been very interesting—as a matter of fact he found most things in the world very interesting—but, as he remarked with a sigh that fully expressed his gratification at the thought, a busy man must make up his mind to forego a good many of those enjoyments which he most detested.

The utmost enjoyment that he could allow himself in connection with this expedition was seeing the departure of the electric launch from the little staging at the water’s edge. But this enjoyment though only lasting a few minutes, was intense while it did last. His wife understood his feelings thoroughly. It was not often that she was able when up the river to withdraw her guests in so solid a body, leaving Sir Creighton to the solitude of his bower.

Her guests pitied him. Some of the more sapient ones shook their heads and talked about burning the candle at both ends.

She only smiled in response and said that it did not matter when the candle was an electric one.

And so the launch made its noiseless way towards the lock at Hurley.

The cottage known as The Weir was quite a small place—it could only accommodate six or seven visitors at once in addition to Sir Creighton’s family, and the usual maids which the visitors brought with them; it was just the snug little nook that would suit any one who did not want to keep more than two gardeners and half a dozen servants. The woods of Clievedon were behind it, and the waters of the weir at Marlow whispered a perpetual “Hush” in the ears of all the household. Sometimes, however, the sound was sufficiently loud to drown the silly bleatings of the phonographs on the excursion steamers on the other side.

The fellow-guests of Josephine and Pierce on this particular Sunday were only two—a man and his wife who were entering on the third month of married life and living as if they were utterly regardless of the likelihood that they had forty years or so ahead of them. They sat far astern, not exactly side by side, but within easy reach of each other’s hands. They thought it well to be prepared for any emergency. And they were.

The Gables was scarcely a mile beyond Hurley. It had now and again peeped into the pages of English history during the two hundred years of its existence. It was only because it had not let very readily since the death of its late owner that the agents had thought it advisable to apply the Nell Gwyn myth to it. The imagination of the house agent is bounded on every side by Nell Gwyn. He has not the least notion who Nell Gwyn was and he doesn’t greatly care; but he knows that as a jog to the dilatory purchaser there is no name so potent in a catalogue, whether the “item” refers to a public-house or a rectory.

Nell Gwyn had been dead for several years before The Gables was built. It was quite another actress who had found it a convenient place of rest for a season, but even in respect of the date of her residence beneath its roof some doubt exists; for at the very period assigned to her occupancy of the house, it is known that it was in the possession of a Royal Personage, which, of course, proves that a confusing error has crept into the dates.

But it is certain that an historic duel once took place on the lawn—a duel in which a distinguished nobleman ran his dearest friend through the vitals, and subsequently was himself stabbed by the husband of the lady with whom his former antagonist was in love.

The duel took place with swords on the lawn; but the successive owners of the house have pointed out for generations the marks of the bullet on the painted wainscot of one of the drawing-rooms; and the mahogany Hepplewhite chair a portion of the carving of which was injured by the same missile. No one has yet ventured to explain how it was that the bullet in a duel fought with swords killed a man who was run through the body and then injured the carving of a chair made of a wood that was not introduced into England until forty years later, and by an artist who was not born at the time.

Still there are the bullet marks and they were pointed out with pride by the new owner of the house to his guests who had joined his house party this evening.

And the girls, who knew all about the house, laughed quite pleasantly, and the young man from Australia said that servants were very careless, which was an absurd remark to make when talking about historic deeds and the eccentricities of bullets.

Lady Severn said that the room wanted badly to be dusted, and this was quite true, as every member of the house-party—they were three in number: namely, Galmyn, Bateman and another—was ready to testify.

The historic house was not seen to the greatest advantage at that time; but so far as one could gather, the pride of the new owner in possessing it, was quite as great as if the place were habitable. It was far from habitable, a casual observer might have been led to believe. After crossing the high grass on the lawn—the proprietor explained apologetically that he had been offered fifteen shillings for the hay crop but he meant to hold out for a pound—the visitors skirted the enormously overgrown shrubs and the unclipped yew hedges, until they found themselves stumbling over the hillocks of what had once been a rose-garden, now given over to the riotous luxuriance of the flaming dandelion and the tangled masses of the blue periwinkle, and the persistent nasturtium. The whole place resembled nothing so closely as a neglected graveyard.

Guy Overton and his house-party trooped out to meet them, from the big entrance-hall; and it was plain that the little party had been playing billiards, for one of them appeared in the porch with a cue still in his hand, and they all seemed warm and dusty, having hastily struggled back into their coats, as garden snails retire to their shells when surprised.

“Is it possible that you have been playing billiards indoors such a lovely afternoon as this?” cried Amber in grave surprise.

“Oh, no; not billiards, only pool,” said Guy.

“You should be ashamed of yourselves,” said Amber.

“How could they do it when so charming a garden is smiling at them here?” asked Pierce.

“Well, to tell you the truth, we have had only a poor kind of game,” said Guy, with an exculpatory inflection. “In fact, I don’t think it could be called a game at all.”

“There is the less excuse for you then, spending your time over it,” said Amber.

“When all nature calls to you rapturously from the cemetery outside,” added Pierce.

“Oh, that’s all my aunt!” cried Guy impatient of sarcasm. “The garden is a bit depressing just now, but sooner than take fifteen bob for the hay crop, I’d give it away.”

“That would be an extreme measure indeed,” said Pierce. “Take my advice, Guy; let it continue increasing in luxuriance until the winter and then sell it when the hay is getting scarce.”

“Welcome to The Gables!” cried Guy hospitably as the party passed through the porch into the hall. “Welcome all! I hope this may be the first of many pleasant visits to my humble home.”

“How nicely said,” cried Lady Severn. “I am sure that we all share your kind hopes, Mr. Overton.”

The hall was a spacious apartment with a transparent dome roof and mullioned windows. Here and there on the walls hung trophies of the chase, done in plaster of Paris, beautifully tinted (an idea due to the house agent) and some excellent specimens of drapers’ Japanese. The floor was beautifully inlaid as one could see where the borders remained free from the earthy layer that had been transferred from the garden by the boots of (it seemed) half a century.

Cobwebs hung from the beams of the roof like the tattered regimental colours in a church, and here and there a piece of plaster had disappeared from above the panels of the walls. The remaining breadths of plaster bore countless round marks on its surface, suggesting that some man had designed a new and curious scheme of decoration, but had failed to realise his aims.

It was while Josephine and Pierce were examining these singular impressions on the wall that Guy explained their origin.

“The fact is,” he said, “we played a billiard or two last night, and as the tables hadn’t been used for five or six years, there was no chalk, but Galmyn, not to be beat, hit upon the notion of rubbing the tips of our cues against the plaster of the walls. The idea worked remarkably well.”

“It was worthy of the imagination, of a poet,” said Pierce, feeling the cushions of the table and laughing. “You must have had a joyous time over this table,” he added. “The cushions are clearly made of chilled steel.”

“They are a bit hard, aren’t they?” said Guy. “Yes, we found that they hadn’t much spring left in them.”

“Spring?” cried Mr. Galmyn. “Spring? No, there’s more that suggests winter than spring about them.”

“They’ll be all right when they are played on for some time,” said Guy.

“Oh, yes; in a year or two they’ll be like butter,” said Pierce encouragingly. “Your light wasn’t particularly good I should say?”

He pointed to a splash of wax about the size of a crown piece on the edge of one of the pockets.

“That chap is a regular Sherlock Holmes,” cried Guy. “He has found out that we played by the light of candles last night.”

On the shelf of the mantelpiece stood a pair of silver candelabra with remnants of candle still in the sockets, but a good bit out of the upright. Splashes of wax decorated the path from the billiard-table to the fireplace, suggesting the white stones alongside a carriage drive.

“Only one cue had a tip,” said Guy. “That made playing a bit tiresome: you see we had to pass it on for every stroke. We had best go on to the drawing-room. The ceiling is said to have been painted by Angelica Kauffmann—whoever she was.”

“I never saw a painted ceiling that poor Miss Angel hadn’t something to say to,” whispered Josephine as the party trooped through the open door.

It was as Lady Severn had said: the drawing-room stood sadly in need of dusting.

So, for that matter, did every other room, to say nothing of the stairs which were carpetless. The house was not quite a wreck; but one felt oneself instinctively quoting lines from Tennyson’s “Mariana” as one stood—it was scarcely safe to sit—in any of the rooms. There were bald patches upon some of the walls that had some time—long ago—been painted; but as a sort of compensation for this deficiency, as a member of the party remarked when it was pointed out to him there were several patches on the wall that were not bald but quite the contrary; for indeed the mildew had been at work increasing the forlorn appearance of the place.

But the new proprietor was very proud of everything—of the patches on the wall that marked where the plaster had become dislodged—of the hirsute patches that had been subject to the damp—of the bullet marks that he considered the visible signs of the duel fought with swords—nay, even of the rat that went scurrying across a room which he called the library, the moment the door was opened. Oh, there were plenty of rats, he declared—some fine fat healthy animals; he talked of them as though they were part of the live stock of the estate.

And in the drawing-room, after a depressing ramble through the dreary house, tea was served by a couple of elderly women (local) and it was certainly not deficient in strength. Neither was the cake (local) nor the china. Young Mr. Overton was already making a heroic attempt to introduce a scheme of economy that should tend to lessen the dead weight of the expense to which he had been put in purchasing the historic house.

Some members of the party wished that he had gone a little further in the same direction and had refrained from forcing hisrecherchéentertainment upon them. They swallowed a portion of the black tea, however, and congratulating him upon the appearance of everything—for any one who was fond of developing a property, as he assured them he was, the state of the house and grounds left nothing to be desired—wondered secretly why he should have asked them to visit such a scene of desolation.

If Amber was among those who marvelled what his motive could be, her doubts were dispelled when she found herself alone with him at one of the drawingroom windows: the other members of the party had made their escape to the field of grass called by a daring figure of speech, a lawn; but she had allowed herself to be persuaded to sample, so to speak, a view from a side window. She admitted that the silver of the river gleaming between the yew hedges was very effective, and felt convinced that it would be improved by a judicious trimming of the shrubs.

“And you like the old place?” said he. “It has surprised you, hasn’t it?”

“Surprised me?—well,—oh, yes, it certainly surprised me,” she replied. “You are looking forward to a delightful time with it, are you not? I suppose it wouldn’t have had the same attraction for you if it had been in any better condition?”

“Amber,” he said in a whisper which had something of shyness lingering in its tremulous emotion. “Amber, I lay it all at your feet.”

She allowed him to catch her hand—she was too puzzled to keep it from him. Was this his way of saying good-bye, she wondered.

“I lay everything here at your feet; if you like it, it is all yours,” he cried.

“Don’t be a goose, Guy,” she said snatching her hand away. “What on earth would I do with such a place as this?”

“Come to it—be the chatelaine of my castle, reign here, Amber, as you do in my heart. I got the place cheap; but I shall spend money on it—by degrees—to make it worthy of your acceptance, Amber, my own—my——”

At this point a rat put in an appearance at the side of the door and rushed out through the open window.

“Was it for this you asked me to come here?” cried Amber, bravely ignoring what other girls might have regarded as a legitimate interruption of the scene. “Yes, you asked me to come here in order to make your absurd proposal to me. You should be ashamed of yourself, when you knew so well that I thought of our friendship as wholly disinterested. If I had, for one moment——”

“I thought you saw it coming,” said he hanging his head.

“What coming?”

“This.”

“You have given me a blow, Guy—I thought that you were a sincere friend.”

“So I was—I am. But I can’t help loving you all the same. Great Queen of Sheba, you don’t fancy that what you call Platonic friendship can go on beyond a certain point. It’s all very well for a beginning; it makes a good enough basis for a start—but, hang it all, you don’t think that a chap with any self-respect would be content—when there’s a pretty girl like you—the prettiest and the dearest girl that ever lived—— Who the mischief is bawling out there?”

“They are calling to me from the launch,” said Amber. “It is just as well. Guy, I am not angry—only disappointed. You have disappointed me. I thought that you at least—they are getting impatient. I must go.”

She hastened away to the open window and he followed her with a face of melancholy so congenial with the prevailing note of the house that an artist would have been delighted to include him in a picture of “The Gables from the River.”

She ran through the long grass and reached the launch so breathless that she could with difficulty explain that she had been watching a rat.

Every one in the boat knew that Guy had been asking her to marry him. Chaps only have that hangdog expression, worn with some distinction by Guy Overton, when they have been proposing to girls, the two-month husband explained to his wife.

A girl only shakes hands with a man so cordially as Amber had shaken hands with Guy, when she has just refused to marry him, Josephine knew.

And the boatman shifted the lever.

There was a field of wheat not so far from The Weir. It was approached by a stile from the roadway and a narrow path went through it to the Clieve-don Woods as evenly as a canal divides a landscape. At the further end there was another stile and a bank of low trees, with a hollow and a slope overgrown with green grass and a myriad of wild flowers beloved by bees. A grass meadow with a little stream creeping through it, and here and there a tuft of rushes; behind all the long high ridge of the woods—these are the details of which one becomes aware when one has begun to recover from the vast wonder of the field of wheat.

Josephine was not wearing a hat. She had merely picked up a crimson sunshade after breakfast on the Monday, and had gone alone strolling through the garden, a magazine under her arm. She had given her maid instructions to be ready to start for town after lunch—the other guests, with the exception of Pierce Winwood, had already taken their departure, and Pierce Winwood had gone to Marlow with Lady Severn and Amber. That was how Josephine came to be alone, and to be glad to be alone. She had become aware of the fact that she had something to think about, and she hoped that half an hour on the green shorn breadths of grass with the river at her feet and the whisper of the weir in her ears would be a relief to her.

She strolled down the lawn to the river, but a steamer with people aboard drinking out of bottles and playing on banjos, when the sexes had duly exchanged hats, was hooting for the lock-keeper, so she turned away to the upper part of the garden. She found that she had more to think about than the garden would contain, so she passed out by the little gate to the silent road and stood for a moment looking along its dusty curve to where it got lost in the dimness of overshadowing trees, and then, in the other direction, where it twisted round by the boathouse at the bridge. She began to walk in this direction, slowly and listlessly, and when she came to the stile leading to the wheatfield, she mounted it, and remained for some time on the topmost step gazing along the surface of that yellow flaming plain lost in the marvel of it, when there came a wind too light for her to feel upon her face, and fanned the moveless breadth of flame into a thousand flickers, and the whole wide field of a hundred acres became quickly alive, and full of the whisperings of newly acquired vitality.

She felt that she had never seen anything so beautiful before. She leaped down from the topmost step to the path, with all the delight of the swimmer springing into the sea. The waving mass closed on her head for a moment but when she recovered herself she was head and shoulders above the grain. She strolled along the flat track by the side of the little bank, with blue wild flowers on one hand and flaring poppies on the other, breathing of the fresh warm sunlight that seemed to be enclosed between the green bank and the serried lines of the ripe grain.

And then, where a space had been cleared by the reaping-machine, and the bundles of grain lay at regular intervals along the ground, there arose from under her very feet a flock of blue and white wood pigeons, and flew for a few dozen yards ahead, then fell in an exquisite curve, the sunlight gleaming for a moment upon every white feather in succession until all had dropped at the brink of the field.

When she reached the farther stile with the woods at her back she seated herself, feeling that she never wished to get back to the world again,—that she had at last reached a spot where all the joy of life was to be had. There was nothing better than this in all the world—this breathing of warm air, this listening to the hum of insects, this watching of the myriad butterflies, fluttering, and flitting and poising over everything that was sweet smelling on the bank and in the grass, this gazing on the rippling flames that burned yellow into the distance where no ripple stirred. The beauty and the quietness of it all! The satisfied sense of waiting without emotion for the heat of the noontide, of waiting, without longing, for the poppy sunset—for the sounds of the evening, the cooing of the wood pigeons, the cawing of the rooks, with now and again the rich contralto of a blackbird’s note.

And then the warm silence of a night powdered with stars, as the soft blue of the sky became dark, but without ceasing to be blue! Oh that summer night!

The thought of it all as she could imagine it, meant rest.

That was what every one needed—rest; and she felt that she had wandered away from man and into the very heart of the peace of God.

The thought that she had a thought which was not one suggested by the landscape irritated her. She felt that she had a good reason for being irritated with Ernest Clifton who was responsible for her failure to continue in this dream of perfect repose. She felt irritated with him just as one is with a servant who blunders into the room where one is in a sleep of divine tranquillity.

During the ten days that had passed since he had surprised her—for a few moments—by giving her the release for which she had asked him, only to impose upon her a much stronger obligation, she had been thinking over his trickery—the word had been forced upon her; she felt quite shocked at its persistent intrusion but that made no difference: the word had come and the word remained with her until she was accustomed to it.

But it was not until now that she asked herself the question:

“How could I ever have fancied that I loved the man who could thus juggle with me?”

She knew that what she had told him on that Sunday at Ranelagh was quite true: she had been greatly troubled for some months at the thought that she was guilty of deception—a certain amount of deception—in respect of her engagement to him. The deception of her father and mother had become at last unendurable to her. She began to despise herself for it all and to feel humiliated every time she was by the side of Ernest Clifton when the eyes of people were watching her. She had to act as if he was nothing to her, and this dissimulation had become unendurable, so that she had sought for the opportunity of telling him that he must release her.

She thought that she cared for him even then—she thought that the first step apart from him was taken by her when she perceived that he did not believe what she had said to him at that time. She knew that he did not believe that it pained her to deceive her father and mother—she knew that he was thinking “Who is the other man?” and then she was conscious of taking the first step apart from him.

But it was not a mere step that she had taken away from him on that evening on the Italian terrace of the Kensington garden when she had recovered from her surprise at his generosity only to discover that he had tricked her—that he had substituted a new bondage for the old from which he had released her—it was not a mere step: she became conscious of the fact that he and she were miles asunder—that she detested him so much that she could scarcely realise that she had ever cared a jot for him. And now——

Well now she was irritated that the thought that she had yet to free herself entirely from him, came upon her shattering with a note of discord her crystal dream of peace.

She would write to him—no, she would see him face to face before another day had passed, and tell him that she perceived how he had juggled with her, and that she declined to be bound to him by any tie. It was a comfort to her to reflect that she had need only to tell him to go to her father and ask his consent to her promising to marry him, and her separation from him would be complete, for she knew something of the ambition of her father, and that he had other views respecting her future than to marry her to a man who though perhaps possessing some power as the wire puller—the stage manager, as it were—of a political party, was far from being a match for the daughter of a man who hoped for a peerage. Mr. Clifton himself had been well aware of this fact, or he would not have imposed upon her that bondage of secrecy which had become so irksome to her.

Yes, she would tell him that unless her father gave his consent, she would consider herself bound in no way to him—not even by that subtle silken cord of mutual faith, “mutual confidence holds us together,” was the phrase that he had employed.

She laughed at the thought of it.

“Does it—does it?” she thought, through her laugh. “Well, perhaps—but——”

And then she started, hearing through the hum of the wild bees about the sweet briar of the grassy bank, the sound of a step on the track leading from the stile through the woods. She started and then her face flamed like the poppies at her feet, though she must have seen in a moment that the man who had vaulted over the rails of the stile was no stranger but only Pierce Winwood.

And then he too started and his face—but his face being already the colour of a copper-beech was not susceptible of any poppy tint, although there is an inward blushing, just as there is an inward bleeding—far more fatal than the other.

Then they both laughed, with their heads thrown back, after the manner of people who give themselves over to a laugh.

It seemed that she was under the impression that an apology for her presence there was necessary, for there was more than an explanatory note in her voice while she said:

“I had no idea that—why, I thought that you had gone to Marlow—I was in the garden but there was a horribly crowded steamer with a terrible Hampsteading crowd aboard and a whistle. I came out on the road and was amazed to find that I had never heard that a wheatfield is the most beautiful thing in the world. How is it that the people here have been talking on any other subject during the past few days? What else is there worth talking about in comparison with this?”

She made a motion with her sunshade to include all the landscape. He did not look at the landscape: he was too busy looking at her.

“I wondered what it could be compared to,” she resumed with great rapidity. She did not show her disappointment at his disregard of the glory of mellow growth which he had taken the trouble to indicate. “Oh, what is worthy of being mentioned in the same breath as this?... But how did you come here from that direction?”

“I crossed the river by the bridge and took a stroll through the woods,” said he. “I was not sure that I should find a path through this field, but when I saw the stile I had hopes.”

“That is how people come upon the best things that life has in store for them—by the merest fluke,” said she, and she made a movement as if she understood that they were to walk together to The Weir.

“Don’t let us go away for another minute,” said he, without moving.

She turned her head only, with the sunshade over it. An enquiry was on her face.

“Don’t go away,” he repeated. “I was going to put those words of yours to the test.”

“What words? Did I say anything? Oh, the beauty of the wheatfield? I will not have it analysed by any canon of criticism. If you say that it is too yellow I shall never speak to you again.”

“I will not say that, and yet perhaps you will never speak to me again.”

The smile faded away from her face at the tone of his voice.

“I will listen to you,” she said resolutely.

He looked into her face for a few moments and then he took a step or two away from her, actually turning round to do so. His eyes were fixed on the ground.

“You said that people come upon the best things in life as—as I came here—to you, and I am going to find out whether I have come upon the best or the worst thing that life has to offer me, for I am going to tell you that I love you and to ask you if you can give me any hope that you will one day think of me as loving you.”

He was now standing face to face with her. He spoke in a low voice but not in even tones, until she gave a little cry—it sounded like a sob—when he was half way through his sentences, making a motion of protest with one hand; then his voice became quite steady—steady almost to a point of coldness.

She did not answer him at once. But there came a silence, through which they could both hear the hum of the wild bees on the green bank.

Two sulphur butterflies danced above them in the air.

She watched the butterflies, and then glanced at the bank.

“There is sweet briar about here I am sure,” she said, as if they had been discussing the herbarium.

He thought he appreciated her mood of the moment.

“Yes,” he said; “I think there must be sweet briar somewhere.”

He did not stir hand or foot. His hands were in the pocket of his jacket.

She took a few steps to the bank; then her sunshade slipped from her shoulder and fell awkwardly on the ground behind her; for she had no hand to hold it; she was holding both her hands to her face sobbing in them.

He made no move. He did not even recover her sunshade, sprawling there a mighty crimson thing among the crimson poppies and the pink. He could not understand her tears; he only felt that she could not be indifferent to him. There are only two sorts of tears; they never come from indifference.

And then she seated herself on the bank and wiped her tears away with her handkerchief. He saw how the sunlight was snared among the strands of her hair. He had never known that it had that reddish gold tinge among its masses of rich brown. It maddened him with its beauty; but still he could not move. He had a feeling that it would be fatal for him to make the least movement.

He had ample time to admire this newly-discovered charm of her hair, for she did not look at him nor did she speak until several minutes had passed.

Then she tossed from her the handkerchief that she had rolled into a round mass, as a child flings its ball away, and the recklessness that the act suggested was prolonged in her voice, as she said:

“What a fool I am! Why should I cry because I know that you love me when I too know that I love you, and that whatever happens I shall marry you—you—you—and not the man whom I promised to marry? What a fool!”


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