William Crawford ascended the lane until he reached the high road; then, turning sharply to the left, he went at a more leisurely pace towards the Welford Bridge.
He kept his eyes fixed ahead, and in every action of his body there was that vital alertness which characterised him in motion and even in repose. This alertness was more noticeable now than it had been before. Frequently, when he put down his foot in walking, he seemed dissatisfied with the ground upon which it had alighted, and shifted the foot slightly, but briskly and decisively, while resting on it, and stepping out with the other leg. He touched one thigh sharply with one hand, then the other thigh with the other hand, as though to assure himself that his hands and legs were within call, should he need their services for some purpose besides that upon which they were now employed. He rapped his chest with his fist, and thrust his thumb and forefinger into his waistcoat pocket and brought forth nothing. In another man this would be called nervous excitement, but in William Crawford it did not arise from any unusual perturbation, but was the result of unutilised energy.
As he approached the bridge his pace fell to a saunter. He subdued his restlessness or manifestations of repressed activity. Nothing but his eyes showed extraordinary alertness, and they were fixed dead ahead. The houses on his left prevented his seeing the tow-path, and the humpbacked bridge prevented his seeing where the approach from the toll-house joined the main road.
On the bridge lounged a group of loungers similar to that of the evening before. When Crawford had got over the middle of the bridge, and the road began to dip westward, he approached the parapet and looked up the canal. The long straight line ran off in the distance to a vanishing point, seeming to rise as it receded, but not a soul was visible from the spot at which he stood to the point at which the path disappeared.
Red Jim sidled up to where the stranger had paused, and after drawing the back of his hand across his mouth, by way of purifying himself before speaking to a man of property, said deferentially:
"Good-evening, guv'nor."
"Good-evening," said Crawford briskly, sharply, in a tone which implied he would stand no familiarity or nonsense.
Red Jim pushed his hat over his eyes in token of acknowledging a rebuff; but he remained where he was in token of cherishing hope of a job, or anyway of money.
Crawford took a few paces further down the slope of the bridge. He did not care to speak in the hearing of all these men. Then he beckoned to Red Jim. The man came to him with alacrity.
"How long have you been here this evening?"
"Most of the evening. I'm out of work."
"You have been here half-an-hour?"
"Yes. A good bit more."
"Have you seen any one pass along the tow-path this way (pointing) in the last half-an-hour?"
"No."
"Did you see any one come along the path in that time?"
"Ay, I did."
Crawford paused a moment in thought. He laughed and said, "I have a little bet on. I betted that a man did come along the tow-path, but did not come off it at the bridge here. I was looking out of a window and saw him. My friend said it was impossible, as the man otherwise must go into the canal."
It was plain Crawford did not appear anxious about the man himself. It was only about the wager he cared.
"The man went across the canal."
"Across the canal!" cried Crawford in astonishment. "Do you mean over the bridge?"
"No."
"Then how did he get across the canal?"
"How much have you on it?" asked Red Jim. He was afraid his own interests might suffer if he gave all the information he possessed before making terms.
"Confound you! what is that to you?" cried Crawford angrily.
"Well, then, I'll tell you how he went across," said Red Jim, looking up straight over his head at the sky.
"How did he get over?" cried the other impatiently, as Jim showed no sign of speaking.
"He flew," said Jim, suddenly dropping his full prominent blue eyes on Crawford. "He flew, that's the way he got across the canal." And, thrusting his hands deep into his wide-opened trousers pockets, he began moving slowly away.
For a moment Crawford looked as if he could kill Ford. Then, with a sudden quick laugh, he said:
"Oh, I understand; I will make it worth a tanner for you."
Red Jim was back by his side in a moment. He stretched out his arm, and, pointing towards the tail of the island, said:
"Do you see that floating stage?"
"Floating stage? No. What is a floating stage?"
"Two long pieces of timber with planks across. Don't you see it at the tail of Boland's Ait?"
"Yes, I do."
"Well, that's the way he got over. That was drawn by a chain across the canal to the tow-path. He got on it and then drew it back to the Ait, do you see? So you've won your money, guv'nor."
Crawford's face grew darker and darker, as the explanation proceeded. He handed Jim the promised coin in silence, turned back upon the way he had come, and began retracing his steps at a quick rate. His eyes winked rapidly, and he muttered curses as he walked.
"Can it be--can it possibly be that Philip Ray is my next-door neighbour? Incredible! And yet that was Philip Ray, as sure as I am alive, and he went to this island! Can this Robinson Crusoe be Philip Ray? If so, I cannot keep on here. I must find some other place for my--business. This is not exactly Camberwell, and I heard Ray lives in Camberwell; but this is very near it--very near Camberwell!"
When he reached Crawford Street he diminished his speed. It was plain he did not want to seem in a hurry. As soon as he gained the house he ascended the stairs at once to his own room. He closed the door, and began walking up and down, hastily muttering unconnected words. After a while he went to the window and looked out on Boland's Ait with an expression in which hatred and fear were blended.
The buildings on the island consisted of an old sawmill, from which the machinery had been removed, now falling into ruin; a couple of dilapidated sheds, with tarred wooden roofs; a yard in which once the timber had been piled in stacks higher than the engine-house itself; and a small four-roomed house, formerly used as the dwelling-place of the foreman. These buildings and the wall of the yard rose between Crawford and the tow-path. The island itself was on a level with the ground on which Crawford's House stood; and William Crawford's sitting-room, being on the first floor, did not overpeer even the wall of the yard: hence the view of the tow-path was cut off except at the head and the tail of Boland's Ait.
William Crawford bit his under lip and gnawed the knuckle of his left forefinger, and plucked at his shaven cheek and upper lip as though at whiskers and moustache. At last he dropped his hand, and remained motionless, as though an idea had struck him and he was considering it. Suddenly he raised his head like one who has made up his mind, and walked with a quick step to the door, and, opening it, went out on the landing. He leaned over the balustrade and called out:
"Mrs. Grainger, will you come up, please? I want to speak to you for a minute."
Mrs. Grainger hastened from the kitchen. She had the sleeves of her washed-out lilac cotton dress rolled up above her arms, and an enormous apron, once white, now mottled and piebald with innumerable marks and stains.
"Will you sit down a moment?" Crawford said, pointing to a chair. He walked up and down the room during the interview.
Mrs. Grainger sat down and threw her apron over to her left side, by way of qualifying herself for the honour of a seat in Mr. Crawford's room and in Mr. Crawford's presence.
"Miss Layard told me last evening some interesting facts you mentioned to her about a--gentleman who lives on this island here in the canal."
"Yes, sir. A Mr. Bramwell, who lives all alone on Boland's Ait."
"Exactly. Do you know anything about him? The case is so remarkable, I am interested in it merely out of curiosity."
"I know, sir; and he is a curiosity, certainly," said Mrs. Grainger, settling herself firmly on her chair, and arranging her mind as well as her body for a good long chat, for every minute devoted to which she would be receiving her pay.
Crawford caught the import of her gesture and said sharply:
"I do not wish to keep you long, Mrs. Grainger; I have only a few questions to ask, and then you may leave me."
"Yes, sir," said the charwoman, instantly sitting upright and on her dignity.
"Have you ever seen this strange man?"
"Only twice."
"Would you know him again if you saw him?"
"O, yes, sir, I should know him anywhere."
"Tell me what he is like."
"Quite the gentleman, sir, he looks, but seems to be poor, or he wouldn't live in such a place all by himself and wear such poor clothes."
"His clothes are poor, then?"
"Very. But not so much poor as worn shabby, sir."
"Ah," said Crawford thoughtfully. (He had not been near enough to that man on the tow-path to tell whether his clothes were greatly the worse of wear or not.) "Is he dark or light?"
"Dark. Very dark. His hair is jet-black, sir. I was as close to him on Welford Road as I am to you now."
Philip Ray was dark. "Did you notice anything remarkable about him?"
"Well, as I said, he is very dark, and he has no colour in his cheek."
"H'm!" said Crawford in a dissatisfied tone. Ray had no colour in his cheek. "Did you remark anything peculiar in his walk?" No one could fail to observe the way in which Ray swung his hands.
"No, I did not."
Crawford drew up in front of the woman, and stood gnawing his knuckle for a few seconds. Then he resumed his pacing up and down.
"Was the gentleman walking fast at the time?"
"No."
Philip Ray, when alone, always went at an unusually rapid pace. He was a man quick in everything: quick in speech, in the movements of his limbs, quickest of all and most enduring also in his love and--anger.
"Is he a tall man?"
"No."
"What!" cried he in astonishment, drawing up again in front of the charwoman, now somewhat cowed by Crawford's abrupt, and vigorous, and abstracted manner. "Don't you call six feet a tall man? Have you lived among Patagonians all your life?"
"No, sir; I can't say I ever lived with any people of that name," she said, bridling a little. She did not understand being spoken to by any one in that peremptory and belittling way, and if all came to all it wasn't the rich Mr. Crawford who paid her and supplied the food she had eaten, but poor Mr. Layard, who gave himself no airs, but was always a pleasant gentleman, though he was not in the counting-house of the great Welford Gas Company, but in the works, where her own husband was employed.
"Why, don't you consider a man four inches taller than I a tall man?" cried Crawford, drawing brows down over his quick furtive eyes, and looking at the woman as if he was reproaching her with having committed a heinous crime.
"Four inches taller than you!" said the woman with scornful asperity. "I never said he was four inches taller than you, sir. He isn't four inches taller than you, Mr. Crawford."
"He is."
"Excuse me, sir; if you tell me so, of course I have nothing more to say," said Mrs. Grainger, rising with severity and dignity. "The gentleman that lives on Poland's Ait is ashorterman than you, sir."
"Are you sure?" said Crawford, standing for the third time in front of the woman.
"Quite certain."
"Shorterthan I?" said he, in a tone of abstraction, as he gnawed his knuckles, unconscious of her presence--"shorterthan I?" he repeated, lost in thought. "Then he can't be Philip Ray," he cried in a tone of relief. The words were uttered, not for Mrs. Grainger's hearing, but for his own. He wanted to have this pleasant assurance in his ear as well as in his mind.
"I never said he was, sir; I said he was Mr. Bramwell--Mr. Francis Bramwell," said Mrs. Grainger, making a mock courtesy and moving towards the door.
With a start Crawford awoke from his abstraction to the fact of her presence. "Bless my soul! but of course you didn't! Of course you didn't! You never said anything of the kind! You never said anything of any kind! Ha, ha, ha, ha!" He laughed his short and not pleasant laugh, and held the door open for Mrs. Grainger.
When she was gone he walked up and down the room for some time in deep cogitation. Then he went to the window and looked out on the scene, now darkening for the short night. His eyes rested on Boland's Ait, and he muttered below his breath:
"Whoever my next-door neighbour may be, it is not Philip Ray, and I am not afraid of any one else on earth. But who is this Francis Bramwell that Philip Ray visits? Who can he be?" Crawford paused awhile, and then said impatiently as he turned away from the window, "Bah, what do I care who it is? I fear no one but Philip Ray."
On the evening that Crawford arrived for the first time at the house called after his name, and saw the man he recognised as Philip Ray hastening along the tow-path, the man of whom he expressed such fear was almost breathless when, having passed the head of the Ait, he was hidden from view. As soon as he got near the tail of the island he suddenly stopped, bent down, and seizing a small chain made fast to an iron ring below the level of the tow-path and close to the water, drew heavily upon it, hand over hand. Gradually a long low black floating mass began to detach itself from the island, and, like some huge snake or saurian, stretch itself out across the turbid waters, now darkening in the shadows of eve. This was the floating stage of which Red Jim had told Crawford.
When the stage touched the bank Philip Ray stepped on it, walked to the other end, stooped down to the water, and, catching another chain, drew the stage back. Then he stepped ashore on Boland's Ait.
He paused a moment to gather breath and wipe his forehead, for in his wild haste he had run half the way from Camberwell. With rapid steps and arms swinging he strode to the door of what had once been the foreman's cottage, and knocked hastily. Then he made a great effort, and forced himself into an appearance of calm.
There was the sound of some one rising inside. The door swung open, and a man of thirty slightly under the middle height stood facing the failing light of day.
"Philip," he said. "Philip, I did not expect to see you so soon again. Come in."
On a table littered with papers a reading-lamp was already burning, for even at the brightest hour the light in the small oblong room was not good. By the table stood a Windsor armchair; another stood against the wall furthest from the door. There was a tier of plain bookshelves full of books against one of the walls, a few heavy boxes against another, and absolutely nothing else in the place. The cottage stood at the head of the island, and the one window of the occupant's study looked up the canal in the direction of Camberwell.
"At work, as usual," said Ray, pointing to the papers on the table as he shut the door.
"My work is both my work and my play, my meat and my rest. Sit down, Philip. Has anything unusual happened? I did not expect to see you until Sunday," said the solitary man, dropping into his chair, resting his elbows on the arms of it and leaning forward.
"I am out of breath. I ran most of the way," said Ray, avoiding the question.
"Ran!" cried the other in faint surprise. "Your walking is like another man's running. Your running must be terrific. I never saw you run. What made you run this evening?" He smiled very slightly as he spoke of Ray's walking and running.
"I am out of breath," said the other, again shirking the question. "Give me a minute."
It was not to gain breath Philip Ray paused, but to put in shape what he had to say. He had come from Camberwell at the top of his speed because he was burning with intelligence which had just reached him. He had been so excited by the news that he had never paused to think of the form in which he should communicate it, and now he was in great perplexity and doubt.
Francis Bramwell threw himself back in his chair in token of giving the required respite. He was a pale broad-browed man, with large, grave, unfathomable, hazel eyes His hair and moustache were dark brown; his cheeks and chin, clean-shaven.
Ray fidgeted a good deal in his chair, and acted very badly the man who was out of breath.
"You must have run desperately hard," said Bramwell, at length, in a tone half sympathy, half banter.
"Never harder in all my life," said the other, placing his hand on his side, as though still suffering from the effects of his unusual speed.
After a while he sat up and said, "I was pretty tired to begin with. I had been wandering about all the afternoon, and when I found myself near home I made up my mind not to budge again for the night. I found a letter waiting for me, and I have come over about that letter." He ceased to speak, and suppressed the excitement which was shaking him.
"A letter!" said Bramwell, observing for the first time that something very unusual lay behind the manner of the other. "It must have been a letter of great importance to bring you out again, and at such a rate, too." He looked half apprehensively at his visitor.
"It was a letter of importance."
A spasm of pain shot over the face of Bramwell, and his brows fell. "A letter of importance that concerned me?" he asked in a faint voice.
"Well," after a pause, "partly."
Bramwell's lips grew white, and opened. He scarcely breathed his next question: "Fromher?"
"O, no!" answered Ray quickly.
"About her?"
"No."
Bramwell fell back in his chair with a sigh of relief. "I thought the letter was about her. I thought you were preparing me to hear of her death," said he tremulously, huskily.
"I am sorry to say you were wrong. That would be the best news we could hear of her," said Ray bitterly.
"Yes, the very best. What does the letter tell you that affects me?"
"It is abouthim," answered Ray, with fierce and angry emphasis on the pronoun.
"What does the letter say?"
"That he is in England."
"Ah! Where?"
"In Richmond."
"So near!"
"Who saw him?"
"Lambton."
"Beyond all chance of mistake?"
"Beyond all chance of mistake, although he has shaved off his whiskers and moustache. Lambton saw him on the railway platform, and recognised him at once. Lambton had no time to make any inquiries, as his train was just about to move when he recognised the villain standing alone. ButIhave plenty of time for inquiries, and shall not miss one. I'll shoot him as I would a rabid dog."
"The atrocious scoundrel!"
"When I read the letter I only waited to put this in my pocket."
He took out a revolver and laid it on the table.
Then for a while both men sat staring at one another across the table, on which lay the weapon. At length Bramwell rose and began pacing up and down the room with quick, feverish steps. Ray had not seen him so excited for years--not since his own sister Kate, the solitary man's wife, had run away, taking her baby, with that villain John Ainsworth, whom Edward Lambton had seen at Richmond. After the first fierce agony of the wound, the husband had declined to speak of her flight or of her to his brother-in-law. He plunged headlong into gambling for a time until all his ample means were dissipated, unless Boland's Ait are enough to keep body and soul together. Then his grief took another turn. He was lost to all his former friends for months, and at last took up his residence, under an assumed name--Francis Bramwell instead of Frank Mellor--on Boland's Ait, in the South London Canal. To not a living soul did he disclose his real name or his place of habitation but to Philip Ray, the brother of his guilty wife, and the sworn avenger of her shame and his dishonour.
Ray watched Bramwell with flashing, uneasy eyes. By a desperate effort he was calming his own tumultuous passions.
At last Bramwell wound his arms round his head, as though to shut out some intolerable sight, to close his ears to some maddening sounds, to shield his head from deadly, infamous blows.
"Bear with me, Philip!" he cried huskily, at length. "Bear with me, my dear friend. I am half mad--whole mad for the moment. Bear with me! God knows, I have cause to be mad."
He was staggering and stumbling about the room, avoiding by instinct the table on which the lamp burned.
Ray said nothing, but set his teeth and breathed hard between them.
"I did not think," went on Bramwell, unwinding his arms and placing his hands before his face, as he went on unsteadily to and fro, "that anything could break me down as this has done. I thought I had conquered all weakness in the matter. I cannot talk quite steadily yet. Bear with me awhile, Philip!"
The younger man hissed an imprecation between his set teeth.
Bramwell took down his hands from his face and tore the collar of his shirt open.
"What you told me," he resumed in a gentler voice, a voice still shaken by his former passion of wrath, as the sea trembles after the wind has died away, "brought it all back upon me again. How I worshipped her! How I did all in my power to make her love me! How I hoped in time she would forget her young fancy for him! I thought if she married me I could not fail to win her love, and then when the child was born I felt secure. But the spell of his evil fascination was too strong for her feeble will, and--and--and he had only to appear and beckon to her to make her leave me for ever; and to go withhim--with such a man as John Ainsworth! O God!"
Ray drew a long breath, brought his lips firmly together, but uttered no word. His eyes were blazing, and his hands clutched with powerful strenuousness the elbows of his chair.
"I am calmer now," resumed Bramwell.
"I am not," breathed Ray, in a whisper of such fierceness and significance that the other man arrested his steps and regarded the speaker in a dazed way, like one awakening from sleep in unfamiliar surroundings.
"I am not calmer now," went on Ray, in the same whisper of awful menace, "unless it is calmer to be more than ever resolved upon revenge."
"Philip----"
"Stop! I must have my say. You have had yours. Have I no wrongs or sorrow? Am I not a partner in this shame thrust upon us?"
"But----"
"Frank, I will speak. You said a while ago, 'Bear with me.' Bear you now with me."
Bramwell made a gesture that he would hear him out.
"In the first wild burst of your anger you would have strangled this miscreant if you could have reached his throat with your thumbs--would you not?"
He was now speaking in his full voice, in tones charged with intense passion.
"I was mad then."
"No doubt; and I am mad still--now. I have never ceased to be mad, if fidelity to my oath of vengeance is madness. You know I loved her as the apple of my eye, and guarded her as the priceless treasure of my life; for we were alone--she was alone in the world only for me. Him I knew and loathed. I knew of his gambling, his dishonourableness, his profligacy. I knew she was weak and flighty, vain and headlong, open to the wiles of a flatterer, and I shuddered when I found she had even met him once, and I forbade her ever to meet him again. She promised, and although my mind was not at rest, it was quieted somewhat. Then you came. I knew you were the best and loyalest and finest-souled man of them all. Let me speak. Bear with me a little while."
"My life is over. Let me be in such peace as I may find." Bramwell walked slowly up and down the room with his head bowed and his eyes cast on the floor.
"And why is your life over--at thirty? Because of him and his ways of devilish malice; he cared for her really nothing at all. When he came the second time, a year after the marriage, he set his soul upon ruining you and her. He thought of nothing else. Do not stop me. I will go on. I will have it out for once. You would never listen to me before. Now you shall--you shall!"
He was speaking in a loud and vehement voice, and swinging his arms wildly round him as he sat forward on his chair.
"Go on."
"Well, I liked you best of all; you had everything in your favour: position, money, abilities, even years. You were younger than the scoundrel, and quite as good-looking. You had not his lying smooth tongue for women, or his fine sentiment for their silly ears. I thought all would be well if she married you. She did, and all went well for a year, until he came back, and then all went wrong, and she stole away out of your house, taking your child with her."
"I know--I know; but spare me. I have only just said most of this myself."
"No doubt; but I must say what is in my heart--what has been in my heart for years. Well, we know he deserted her after a few months. He left her and her child to starve in America, the cowardly ruffian! What I have had in my mind to say for years, Frank, is that of all the men in this world, I love and esteem you most; that I love and esteem you more than all the other men in this world put together, and that it drives me mad to think shame and sorrow should have come upon you through my blood."
"Do not speak of her, Philip. What has been done cannot be undone."
"No; but the shame which has come upon you through my blood can be washed out in his, and by----, it shall! and here I swear it afresh."
With a sudden movement forward he flung himself on his knees and threw his open right hand up, calling Heaven to witness his oath.
Bramwell paused in his walk. The two men remained motionless for a moment. Suddenly Bramwell started. There was a loud knocking at the door.
Ray rose to his feet and bent forward.
"I did not know you expected any visitor," said he in a tone of strong irritation.
"I do not expect any visitor. I never have any visitor but you," said Bramwell, looking round him in perplexity, as though in search of an explanation of the sound. He was beginning to think that his ears must have deceived him, and that the knock had not been at the door. "Did you," he asked, "draw back the stage when you got here?"
"Yes, but I did not fasten it. Any one on the tow-path might have pulled it across again. I hope no one has been eavesdropping."
"Eavesdropping! No. Who would care to eavesdrop atmydoor?"
"HE!"
"Philip, you are mad? If you trifle with your reason in this way you will hurt it permanently. I do not believe there was any knock at all. It may have been a stone thrown by some boy from the tow-path."
"Well, open the door and see. There can be no harm in doing that."
Ray stretched out his hand to recover the revolver which he had placed on the table. Bramwell snatched it up, saying:
"What folly, Philip! I will have no nonsense with such tools as this. We are in England--not the West of America." He dropped the revolver into the pocket of his jacket.
The minds of both men had been so concentrated on the idea of John Ainsworth during this interview that neither would have felt much surprise to find him on the threshold. Bramwell had repudiated Ray's suggestion that Ainsworth was there, but in his heart he was not sure of his own assertion. Nothing on earth could be more monstrously improbable than that Ainsworth would come and knock atthatdoor; but then neither of the men in the room was in full possession of his reasoning powers. While Bramwell had lived on Boland's Ait no caller but Philip Ray had ever knocked at that door before, and now--now there came a knock while Philip Ray was sitting in the room, and as they had heard of Ainsworth's presence in England, and at the very moment Philip Ray was swearing to take that reprobate's life. Reason said it was absurd to suppose Ainsworth could be there. Imagination said he might; and if he were found there while Philip was in this fury, what direful things might not happen? Now that Bramwell had the revolver in his possession he felt more assured.
He moved to the door, opened it, and looked out.
No figure rose between him and the deep dusk of night. The light from the lamp on the table passed out through the doorway, and shone upon the wall of the old engine-house opposite.
"There is no one. It must have been a stone," said Bramwell, relieved, and drawing back.
"A stone cannot hit twice. There were two knocks. I heard two quite distinctly. Go out and look around. Or stay, I'll go. Give me back my revolver."
"No, no. Stay where you are. I will see."
He was in the act of stepping forth, when, looking down, he suddenly perceived the figure of a little child in the doorway. With a cry, "What is this?" he sprang back into the middle of the room.
Ray shouted, "Is the villain there? I told you it was Ainsworth!"
Ray was about to pass Bramwell at a bound, when the latter seized him and held him back, and, pointing to the child in the doorway, whispered, "Look!"
Ray peered into the gloom, and then came forward a pace warily, as though suspecting danger. "A child!" he cried in a whisper. "A little child! How did he come here? Do you know anything of him?"
"No." Bramwell shuddered and drew back until he could reach the support of the table, on which he rested his hand.
Ray advanced still further, and, bending his tall thin figure, asked in a muffled voice, "Who are you, my little man? and what have you got in your hand?" The child held something white in a hand which he extended to Ray.
The child did not answer, but crossed the threshold into the full light of the lamp, still offering the white object, which now could be seen to be a letter.
"What is your name, my little man?" repeated Ray, with a look of something like awe on his face.
"Don't!" whispered Bramwell, backing until he reached his chair. "Don't! Can't you see his name?"
"No. I am not able to make out what is on the paper at the distance. Give me the paper, my little lad."
Bramwell knew what the name of the child was, and Ray had a tumultuous and superstitious feeling that the coming of this child across the water in the night to the lonely islet and this solitary man had some portentous significance.
Ray took the letter from the child, and read the superscription with dull sight. Then he said, turning to Bramwell, "This does not explain how you know his name. There is nothing on this but,
'Francis Bramwell, Esq.
Boland's Ait,
South London Canal.'
What is your name? Tell me your name, my little man."
"Frank," said the child in a frightened voice.
"Yes. What else?"
"Mellor."
"What!" shouted Ray, catching up the boy from the floor and holding the little face close to the lamp.
"Did not you see his name on his face? Look! Is it not her face? Philip, I am suffocating!"
Ray gazed at the child long and eagerly. Bramwell, swaying to and fro by his chair, kept his eyes on the rosy face of the boy. The boy blinked at the light, and looked from one man to the other with wide-open, unconcerned eyes. At length Ray put the little fellow on the floor. The boy went to the table and began looking at the papers spread upon it. From his self possessed, unabashed manner, it was plain he was well accustomed to strangers.
"Who brought you here?" asked Ray again. The other man seemed bereft of voice and motion, save the long swaying motion, which he mechanically tried to steady by laying hold of the arm of the chair.
"A man," answered the child, running his chubby young fingers through some papers.
"Where did you come from?"
"Mother," answered the child.
"Who is mother?"
The boy looked round in smiling surprise.
"Motherismother," and he laughed at the notion of grown-up people not knowing so simple a thing as that his mother was mother. He was thoroughly at his ease--quite a person of the world.
"You had better open the letter," said Ray, holding it out to Bramwell. "I did not recognise the writing. It is not like what I remember, and it is in pencil."
Bramwell took the letter. His face worked convulsively as he examined it. "I should not recognise the writing either, and yet it could be no other than hers, once you think of her and look at it." He turned the unopened envelope round and round in his hand. "What is the good of opening this, Philip? It will make no difference in me. I shall never look at her of my own free-will again."
"How can you judge the good of opening it unless you know what it contains? You cannot send it back by this messenger. My little lad," he said, turning to the child, who was still moving his dimpled fingers through the confused mass of papers on the table, "where is the man that brought you here?"
"Gone away," answered the child, without suspending his occupation.
"He left you at the door and knocked and went away?"
The boy nodded.
"He brought you across the water and set you down and knocked, and went back across the water?"
"Went back across the water," repeated the boy.
"What did he do then?"
"Ran off."
"You see, Frank," said Ray to the other man, "you cannot send back the letter by the messenger who brought it."
"Shall I throw it into the canal? I made up my mind never to know anything about her again in this life," said Bramwell.
Ray put his hand on the child's head and said, "Where did you leave your mother?"
"At home."
"Where?"
"A long way."
"Do you know where?"
"Yes; in bed."
Bramwell tore open the envelope, read the letter, handed it to Ray, and flung himself into his chair. The note, written in pencil like the address on the cover, ran:
"May 28.
"Frank,--I have found out where you are after long search. I ask nothing for myself--not even forgiveness. But our child, your little son, will be alone and penniless when I die, which the doctor tells me must be before morning. I have enough money to pay all expenses. It is not his money, but money made by myself--by my singing. You may remember my voice was good. I shall be dead before morning, the doctor tells me. There will be money enough for my funeral, but none for my child. He is very young--I forget exactly how old, for my head is burning hot, and my brain on fire. He is called after you, for you used to be kind to me when I was at Beechley before I was married to Frank Mellor. You remember him? This is a question you can never answer, because I hear in my ears that I shall die before morning. The money for my funeral is in my box. I am writing this bit by bit, for my head is on fire, and now and then I cannot even see the paper, but only a pool of flame, with little Frank--my baby Frank--on the brim, just falling in, and I cannot save him. I am writing my will. This is my will. I think I have nothing more to say. I wish I could remember all I have said, but I am not able; and I cannot read, for when I try, the paper fills with fire. It is easier to write than to read.... I am better now. My head is cooler. It may not be cool again between this and morning, and then it will be cold for ever. [I have money enough for myself when I am dead.] Take my boy, take our child. Take my only little one--all that is left to me. I do not ask you to forgive me. Curse me in my grave, but take the child. You are a good man, and fear and love God. My child is growing dim before my dying eyes. I could not leave him behind when I fled your house. I cannot leave him behind now, and yet I must go without him. I know you are bound in law to provide for him. That is not what I mean. Take him to your heart as you took me once. I love him ten thousand times more than I ever loved myself, or ever loved you. I can give you nothing more, for I am not fit to bless you. The pool of flame again! But I have said all.
"Kate."