"I always find you here; you're a fixture, I take it—"
The vote-cribber interrupts the inebriate—"Better have said a patriot!"
"Well," returns the inebriate, "a patriot then; have it as you like it. I'm not over-sensitive of the distinction." The fallen man drops his head into his hands, stabbed with remorse, while the vote-cribber folds his brawny arms leisurely, paces to and fro before him, and scans him with his keen, gray eyes, after the manner of one mutely contemplating an imprisoned animal.
"You need not give yourself so much concern about me—"
"I was only thinking over in my head what a good subject to crib, a week or two before fall election, you'd be. You've a vote?"
Tom good-naturedly says he has. He always throws it for the "old Charleston" party, being sure of a release, as are some dozen caged birds, just before election.
"I have declared eternal hatred against that party; never pays its cribbers!" Mingle scornfully retorts; and having lighted his pipe, continues his pacing. "As for this jail," he mutters to himself, "I've no great respect for it; but there is a wide difference between a man who they put in here for sinning against himself, and one who only violates a law of the State, passed in opposition to popular opinion. However, you seem brightened up a few pegs, and, only let whiskey alone, you may be something yet. Keep up an acquaintance with the pump, and be civil to respectable prisoners, that's all."
This admonition of the vote-cribber had a deeper effect on the feelings of the inebriate than was indicated by his outward manner. He had committed no crime, and yet he found himself among criminals of every kind; and what was worse, they affected to look down upon him. Had he reached a state of degradation so low that even the felon loathed his presence? Was he an outcast, stripped of every means of reform—of making himself a man? Oh no! The knife of the destroyer had plunged deep—disappointment had tortured his brain—he was drawn deeper into the pool of misery by the fatal fascinations of the house of Madame Flamingo, where, shunned by society, he had sought relief—but there was yet one spark of pride lingering in his heart. That spark the vote-cribber had touched; and with that spark Tom resolved to kindle for himself a new existence. He had pledged his honor to the young theologian; he would not violate it.
The old sailor, with elated feelings, and bearing in his hands a bowl of coffee and two slices of toasted bread, is accosted by several suspicious-looking prisoners, who have assembled in the corridor for the purpose of scenting fresh air, with sundry questions concerning the state of his pupil's health.
"He has had a rough night," the sailor answers, "but is now a bit calm. In truth, he only wants a bit of good steering to get him into smooth weather again." Thus satisfying the inquirers, he hurries up stairs as the vote-cribber hurries down, and setting his offering on the window-sill, draws from his bosom the concealed flask. "There, Tom!" he says, with childlike satisfaction, holding the flask before him—"only two pulls. To-morrow reef down to one; and the day after swear a dissolution of copartnership, for this chap (he points to the whiskey) is too mighty for you."
Tom hesitates, as if questioning the quality of the drug he is about to administer.
"Only two!" interrupts the sailor. "It will reduce the ground-swell a bit." The outcast places the flask to his lips, and having drank with contorted face passes it back with a sigh, and extends his right hand. "My honor is nothing to the world, Spunyarn, but it is yet something to me; and by it I swear (here he grasps tighter the hand of the old sailor, as a tear moistens his suffused cheeks) never to touch the poison again. It has grappled me like a fierce animal I could not shake off; it has made me the scoffed of felons—I will cease to be its victim; and having gained the victory, be hereafter a friend to myself."
"God bless you—may you never want a friend, Tom—and may He give you strength to keep the resolution. That's my wish." And the old sailor shook Tom's hand fervently, in pledge of his sincerity.
IN WHICH MR. SNIVEL, COMMONLY CALLED THE ACCOMMODATION MAN, IS INTRODUCED, AND WHAT TAKES PLACE BETWEEN HIM AND MRS. SWIGGS.
Reader! have you ever witnessed how cleverly one of our mob-politicians can, through the all-soothing medium of a mint-julep, transpose himself from a mass of passion and bad English into a child of perfect equanimity? If not, perhaps you have witnessed in our halls of Congress the sudden transition through which some of our Carolina members pass from a state of stupidity to a state of pugnacity? (We refer only to those members who do their own "stumping," and as a natural consequence, get into Congress through abuse of the North, bad whiskey, and a profusion of promises to dissolve the Union.) And if you have, you may form some idea of the suddenness with which Lady Swiggs, as she delights in having her friends call her, transposes herself from the incarnation of a viper into a creature of gentleness, on hearing announced the name of Mr. Soloman Snivel.
"What!—my old friend! I wish I had words to say how glad I am to see you, Lady Swiggs!" exclaims a tall, well-proportioned and handsome-limbed man, to whose figure a fashionable claret-colored frock coat, white vest, neatly-fitting dark-brown trowsers, highly-polished boots, a cluster of diamonds set in an avalanche of corded shirt-bosom, and carelessly-tied green cravat, lend a respectability better imagined than described. A certain reckless dash about him, not common to a refined gentleman, forces us to set him down as one of those individuals who hold an uncertain position in society; and though they may now and then mingle with men of refinement, have their more legitimate sphere in a fashionable world of doubtful character.
"Why!—Mr. Snivel. Is it you?" responds the old woman, reciprocating his warm shake of the hand, and getting her hard face into a smile.
"I am so glad—But (Mr. Snivel interrupts himself) never mind that!"
"You have some important news?" hastily inquires Mrs. Swiggs, laying a bit of muslin carefully between the pages of her Milton, and returning it to the table, saying she has just been grievously provoked by one of that black-coated flock who go about the city in search of lambs. They always remind her of light-houses pointing the road to the dominions of the gentleman in black.
"Something very important!" parenthesises Soloman—"very." And he shakes his head, touches her significantly on the arm with his orange-colored glove,—he smiles insidiously.
"Pray be seated, Mr. Snivel. Rebecca!—bring Mr. Snivel the rocking-chair."
"You see, my good Madam, there's such a rumor about town this morning! (Soloman again taps her on the arm with his glove.) The cat has got out of the bag—it's all up with the St. Cecilia!—"
"Do, Rebecca, make haste with the rocking-chair!" eagerly interrupts the old woman, addressing herself to the negress, who fusses her way into the room with a great old-fashioned rocking-chair. "I am so sensitive of the character of that society," she continues with a sigh, and wipes and rubs her spectacles, gets up and views herself in the glass, frills over her cap border, and becomes very generally anxious. Mrs. Swiggs is herself again. She nervously adjusts the venerable red shawl about her shoulders, draws the newly-introduced arm-chair near her own, ("I'm not so old, but am getting a little deaf," she says), and begs her visitor will be seated.
Mr. Soloman, having paced twice or thrice up and down the little room, contemplating himself in the glass at each turn, now touching his neatly-trimmed Saxon mustache and whiskers, then frisking his fingers through his candy-colored hair, brings his dignity into the chair.
"I said it was all up with the St. Cecilia—"
"Yes!" interrupts Mrs. Swiggs, her eyes glistening like balls of fire, her lower jaw falling with the weight of anxiety, and fretting rapidly her bony hands.
Soloman suddenly pauses, says that was a glorious bottle of old Madeira with which he enjoyed her hospitality on his last visit. The flavor of it is yet fresh in his mouth.
"Thank you—thank you! Mr. Soloman. I've a few more left. But pray lose no time in disclosing to me what hath befallen the St. Cecilia."
"Well then—but what I say must be in confidence. (The old woman says it never shall get beyond her lips—never!) An Englishman of goodly looks, fashion, and money—and, what is more in favor with our first families, a Sir attached to his name, being of handsome person and accomplished manners, and travelling and living after the manner of a nobleman, (some of our first families are simple enough to identify a Baronet with nobility!) was foully set upon by the fairest and most marriageable belles of the St. Cecilia. If he had possessed a dozen hearts, he could have had good markets for them all. There was such a getting up of attentions! Our fashionable mothers did their very best in arraying the many accomplishments of their consignable daughters, setting forth in the most foreign but not over-refined phraseology, their extensive travels abroad—"
"Yes!" interrupts Mrs. Swiggs, nervously—"I know how they do it. It's a pardonable weakness." And she reaches out her hand and takes to her lap her inseparable Milton.
"And the many marked attentions—offers, in fact—they have received at the hands of Counts and Earls, with names so unpronounceable that they have outlived memory—"
"Perhaps I have them in my book of autographs!" interrupts the credulous old woman, making an effort to rise and proceed to an antique side-board covered with grotesque-looking papers.
Mr. Soloman urbanely touches her on the arm—begs she will keep her seat. The names only apply to things of the past. He proceeds, "Well—being a dashing fellow, as I have said—he played his game charmingly. Now he flirted with this one, and then with that one, and finally with the whole society, not excepting the very flirtable married ladies;—that is, I mean those whose husbands were simple enough to let him. Mothers were in a great flutter generally, and not a day passed but there was a dispute as to which of their daughters he would link his fortunes with and raise to that state so desirable in the eyes of our very republican first families—the State-Militant of nobility—"
"I think none the worse of 'em for that," says the old woman, twitching her wizard-like head in confirmation of her assertion. "My word for it, Mr. Soloman, to get up in the world, and to be above the common herd, is the grand ambition of our people; and our State has got the grand position it now holds before the world through the influence of this ambition."
"True!—you are right there, my dear friend. You may remember, I have always said you had the penetration of a statesman, (Mrs. Swiggs makes a curt bow, as a great gray cat springs into her lap and curls himself down on her Milton;) and, as I was going on to say of this dashing Baronet, he played our damsels about in agony, as an old sportsman does a covey of ducks, wounding more in the head than in the heart, and finally creating no end of a demand for matrimony. To-day, all the town was positive, he would marry the beautiful Miss Boggs; to-morrow it was not so certain that he would not marry the brilliant and all-accomplished Miss Noggs; and the next day he was certain of marrying the talented and very wealthy heiress, Miss Robbs. Mrs. Stepfast, highly esteemed in fashionable society, and the very best gossip-monger in the city, had confidentially spread it all over the neighborhood that Mr. Stepfast told her the young Baronet told him (and he verily believed he was head and ears in love with her!) Miss Robbs was the most lovely creature he had seen since he left Belgravia. And then he went into a perfect rhapsody of excitement while praising the poetry of her motion, the grace with which she performed the smallest offices of the drawing-room, her queenly figure, her round, alabaster arms, her smooth, tapering hands, (so chastely set off with two small diamonds, and so unlike the butchers' wives of this day, who bedazzle themselves all the day long with cheap jewelry,)—the beautiful swell of her marble bust, the sweet smile ever playing over her thoughtful face, the regularity of her Grecian features, and those great, languishing eyes, constantly flashing with the light of irresistible love. Quoth ye! according to what Mr. Stepfast told Mrs. Stepfast, the young Baronet would, with the ideal of a real poet, as was he, have gone on recounting her charms until sundown, had not Mr. Stepfast invited him to a quiet family dinner. And to confirm what Mr. Stepfast said, Miss Robbs had been seen by Mrs. Windspin looking in at Mrs. Stebbins', the fashionable dress-maker, while the young Baronet had twice been at Spears', in King Street, to select a diamond necklace of great value, which he left subject to the taste of Miss Robbs. And putting them two and them two together there was something in it!"
"I am truly glad it's nothing worse. There has been so much scandal got up by vulgar people against our St. Cecilia."
"Worse, Madam?" interpolates our hero, ere she has time to conclude her sentence, "the worst is to come yet."
"And I'm a member of the society!" Mrs. Swiggs replies with a languishing sigh, mistaking the head of the cat for her Milton, and apologizing for her error as that venerable animal, having got well squeezed, sputters and springs from her grasp, shaking his head, "elected solely on the respectability of my family."
Rather a collapsed member, by the way, Mr. Soloman thinks, contemplating her facetiously.
"Kindly proceed—proceed," she says, twitching at her cap strings, as if impatient to get the sequel.
"Well, as to that, being a member of the St. Cecilia myself, you see, and always—(I go in for a man keeping up in the world)—maintaining a high position among its most distinguished members, who, I assure you, respect me far above my real merits, (Mrs. Swiggs says we won't say anything about that now!) and honor me with all its secrets, I may, even in your presence, be permitted to say, that I never heard a member who didn't speak in high praise of you and the family of which you are so excellent a representative."
"Thank you—thank you. O thank you, Mr. Soloman!" she rejoins.
"Why, Madam, I feel all my veneration getting into my head at once when I refer to the name of Sir Sunderland Swiggs."
"But pray what came of the young Baronet?"
"Oh!—as to him, why, you see, he was what we call—it isn't a polite word, I confess—a humbug."
"A Baronet a humbug!" she exclaims, fretting her hands and commencing to rock herself in the chair.
"Well, as to that, as I was going on to say, after he had beat the bush all around among the young birds, leaving several of them wounded on the ground—you understand this sort of thing—he took to the older ones, and set them polishing up their feathers. And having set several very respectable families by the ears, and created a terrible flutter among a number of married dames—he was an adept in this sort of diplomacy, you see—it was discovered that one very distinguished Mrs. Constance, leader of fashion to the St. Cecilia, (and on that account on no very good terms with the vulgar world, that was forever getting up scandal to hurl at the society that would not permit it to soil, with its common muslin, the fragrant atmosphere of its satin and tulle), had been carrying on a villanous intrigue—yes, Madam! villanous intrigue! I said discovered: the fact was, this gallant Baronet, with one servant and no establishment, was feted and fooled for a month, until he came to the very natural and sensible conclusion, that we were all snobbs—yes, snobbs of the very worst kind. But there was no one who fawned over and flattered the vanity of this vain man more than the husband of Mrs. Constance. This poor man idolized his wife, whom he regarded as the very diamond light of purity, nor ever mistrusted that the Baronet's attentions were bestowed with any other than the best of motives. Indeed, he held it extremely condescending on the part of the Baronet to thus honor the family with his presence.
"And the Baronet, you see, with that folly so characteristic of Baronets, was so flushed with his success in this little intrigue with Madame Constance—the affair was too good for him to keep!—that he went all over town showing her letters. Such nice letters as they were—brim full of repentance, love, and appointments. The Baronet read them to Mr. Barrows, laughing mischievously, and saying what a fool the woman must be. Mr. Barrows couldn't keep it from Mrs. Barrows, Mrs. Barrows let the cat out of the bag to Mrs. Simpson, and Mrs. Simpson would let Mr. Simpson have no peace till he got on the soft side of the Baronet, and, what was not a difficult matter, got two of the letters for her to have a peep into. Mrs. Simpson having feasted her eyes on the two Mr. Simpson got of the Baronet, and being exceedingly fond of such wares as they contained, must needs—albeit, in strict confidence—whisper it to Mrs. Fountain, who was a very fashionable lady, but unfortunately had a head very like a fountain, with the exception that it ejected out double the amount it took in. Mrs. Fountain—as anybody might have known—let it get all over town. And then the vulgar herd took it up, as if it were assafœtida, only needing a little stirring up, and hurled it back at the St. Cecilia, the character of which it would damage without a pang of remorse.
"Then the thing got to Constance's ears; and getting into a terrible passion, poor Constance swore nothing would satisfy him but the Baronet's life. But the Baronet—"
"A sorry Baronet was he—not a bit like my dear ancestor, Sir Sunderland," Mrs. Swiggs interposes.
"Not a bit, Madam," bows our hero. "Like a sensible gentleman, as I was about to say, finding it getting too hot for him, packed up his alls, and in the company of his unpaid servant, left for parts westward of this. I had a suspicion the fellow was not what he should be; and I made it known to my select friends of the St. Cecilia, who generally pooh-poohed me. A nobleman, they said, should receive every attention. And to show that he wasn't what he should be, when he got to Augusta his servant sued him for his wages; and having nothing but his chivalry, which the servant very sensibly declined to accept for payment, he came out like a man, and declared himself nothing but a poor player.
"But this neither satisfied Constance nor stayed the drifting current of slander—"
"Oh! I am so glad it was no worse," Mrs. Swiggs interrupts again.
"True!" Mr. Soloman responds, laughing heartily, as he taps her on the arm. "It might have been worse, though. Well, I am, as you know, always ready to do a bit of a good turn for a friend in need, and pitying poor Constance as I did, I suggested a committee of four most respectable gentlemen, and myself, to investigate the matter. The thing struck Constance favorably, you see. So we got ourselves together, agreed to consider ourselves a Congress, talked over the affairs of the nation, carried a vote to dissolve the Union, drank sundry bottles of Champagne, (I longed for a taste of your old Madeira, Mrs. Swiggs,) and brought in a verdict that pleased Mrs. Constance wonderfully—and so it ought. We were, after the most careful examination, satisfied that the reports prejudicial to the character and standing of Mrs. Constance had no foundation in truth, being the base fabrications of evil-minded persons, who sought, while injuring an innocent lady, to damage the reputation of the St. Cecilia Society. Mr. Constance was highly pleased with the finding; and finally it proved the sovereign balm that healed all their wounds. Of course, the Knight, having departed, was spared his blood."
Here Mr. Soloman makes a pause. Mrs. Swiggs, with a sigh, says, "Is that all?"
"Quite enough for once, my good Madam," Mr. Soloman bows in return.
"Oh! I am so glad the St. Cecilia is yet spared to us. You said, you know, it was all up with it—"
"Up? up?—so it is! That is, it won't break it up, you know. Why—oh, I see where the mistake is—it isn't all over, you know, seeing how the society can live through a score of nine-months scandals. But the thing's in every vulgar fellow's lips—that is the worst of it."
Mrs. Swiggs relishes this bit of gossip as if it were a dainty morsel; and calling Rebecca, she commands her to forthwith proceed into the cellar and bring a bottle of the old Madeira—she has only five left—for Mr. Soloman. And to Mr. Soloman's great delight, the old negress hastily obeys the summons; brings forth a mass of cobweb and dust, from which a venerable black bottle is disinterred, uncorked, and presented to the guest, who drinks the health of Mrs. Swiggs in sundry well-filled glasses, which he declares choice, adding, that it always reminds him of the age and dignity of the family. Like the State, dignity is Mrs. Swiggs' weakness—her besetting sin. Mr. Soloman, having found the key to this vain woman's generosity, turns it when it suits his own convenience.
"By-the-bye," he suddenly exclaims, "you've got Tom locked up again."
"As safe as he ever was, I warrant ye!" Mrs. Swiggs replies, resuming her Milton and rocking-chair.
"Upon my faith I agree with you. Never let him get out, for he is sure to disgrace the family when he does—"
"I've said he shall rot there, and he shall rot! He never shall get out to disgrace the family—no, not if I live to be as gray as Methuselah, I warrant you!" And Mr. Soloman, having made his compliments to the sixth glass, draws from his breast pocket a legal-looking paper, which he passes to Mrs. Swiggs, as she ejaculates, "Oh! I am glad you thought of that."
Mr. Soloman, watching intently the changes of her face, says, "You will observe, Madam, I have mentioned the cripples. There are five of them. We are good friends, you see; and it is always better to be precise in those things. It preserves friendship. This is merely a bit of a good turn I do for you." Mr. Soloman bows, makes an approving motion with his hands, and lays at her disposal on the table, a small roll of bills. "You will find two hundred dollars there," he adds, modulating his voice. "You will find it all right; I got it for you of Keepum. We do a little in that way; he is very exact, you see—"
"Honor is the best security between people of our standing," she rejoins, taking up a pen and signing the instrument, which her guest deposits snugly in his pocket, and takes his departure for the house of Madame Flamingo.
CONTAINING SUNDRY MATTERS APPERTAINING TO THIS HISTORY.
If, generous reader, you had lived in Charleston, we would take it for granted that you need no further enlightening on any of our very select societies, especially the St. Cecilia; but you may not have enjoyed a residence so distinguished, rendering unnecessary a few explanatory remarks. You must know that we not only esteem ourselves the quintessence of refinement, as we have an undisputed right to do, but regard the world outside as exceedingly stupid in not knowing as much of us as we profess to know of ourselves. Abroad, we wonder we are not at once recognized as Carolinians; at home, we let the vulgar world know who we are. Indeed, we regard the outside world—of these States we mean—very much in that light which the Greeks of old were wont to view the Romans in. Did we but stop here, the weakness might be pardonable. But we lay claim to Grecian refinement of manners, while pluming all our mob-politicians Roman orators. There is a profanity about this we confess not to like; not that danger can befall it, but because it hath about it that which reminds us of the oyster found in the shell of gold. Condescending, then, to believe there exists outside of our State a few persons silly enough to read books, we will take it for granted, reader, that you are one of them, straightway proceeding with you to the St. Cecilia.
You have been a fashionable traveller in Europe? You say—yes! rummaged all the feudal castles of England, sought out the resting places of her kings, heard some one say "that is poet's corner," as we passed into Westminster Abbey, thought they couldn't be much to have such a corner,—"went to look" where Byron was buried, moistened the marble with a tear ere we were conscious of it, and saw open to us the gulf of death as we contemplated how greedy graveyard worms were banqueting on his greatness. A world of strange fancies came over us as we mused on England's poets. And we dined with several Dukes and a great many more Earls, declining no end of invitations of commoners. Very well! we reply, adding a sigh. And on your return to your home, that you may not be behind the fashion, you compare disparagingly everything that meets your eye. Nothing comes up to what you saw in Europe. A servant doesn't know how to be a servant here; and were we to see the opera at Covent Garden, we would be sure to stare our eyes out. It is become habitual to introduce your conversation with, "when I was in Europe." And you know you never write a letter that you don't in some way bring in the distinguished persons you met abroad. There is something (no matter what it is) that forcibly reminds you of what occurred at the table of my Lady Clarendon, with whom you twice had the pleasure and rare honor of dining. And by implication, you always give us a sort of lavender-water description of the very excellent persons you met there, and what they were kind enough to say of America, and how they complimented you, and made you the centre and all-absorbing object of attraction—in a word, a truly wonderful person. And you will not fail, now that it is become fashionable, to extol with fulsome breath the greatness of every European despot it hath been your good fortune to get a bow from. And you are just vain enough to forever keep this before your up-country cousins. You say, too, that you have looked in at Almacks. Almacks! alas! departed greatness. With the rise of the Casino hath it lain its aristocratic head in the dust.
Well!—the St. Cecilia you must know (its counterparts are to be found in all our great cities) is a miniature Almacks—a sort of leach-cloth, through which certain very respectable individuals must pass ere they can become the elite of our fashionable world. To become a member of the St. Cecilia—to enjoy its recherché assemblies—to luxuriate in the delicate perfumes of its votaries, is the besetting sin of a great many otherwise very sensible people. And to avenge their disappointment at not being admitted to its precious precincts, they are sure to be found in the front rank of scandal-mongers when anything in their line is up with a member. And it is seldom something is not up, for the society would seem to live and get lusty in an atmosphere of perpetual scandal. Any amount of duels have come of it; it hath made rich no end of milliners; it hath made bankrupt husbands by the dozen; it hath been the theatre of several distinguished romances; it hath witnessed the first throbbings of sundry hearts, since made happy in wedlock; it hath been theshibolathof sins that shall be nameless here. The reigning belles are all members (provided they belong to our first families) of the St. Cecilia, as is also the prettiest and most popular unmarried parson. And the parson being excellent material for scandal, Mother Rumor is sure to have a dash at him. Nor does this very busy old lady seem over-delicate about which of the belles she associates with the parson, so long as the scandal be fashionable enough to afford her a good traffic.
There is continually coming along some unknown but very distinguished foreigner, whom the society adopts as its own, flutters over, and smothers with attentions, and drops only when it is discovered he is an escaped convict. This, in deference to the reputation of the St. Cecilia, we acknowledge has only happened twice. It has been said with much truth that the St. Cecilia's worst sin, like the sins of its sister societies of New York, is a passion for smothering with the satin and Honiton of its assemblies a certain supercilious species of snobby Englishmen, who come over here, as they have it (gun and fishing-rod in hand), merely to get right into the woods where they can have plenty of bear-hunting, confidently believing New York a forest inhabited by such animals. As for our squaws, as Mr. Tom Toddleworth would say, (we shall speak more at length of Tom!) why! they have no very bad opinion of them, seeing that they belong to a race of semi-barbarians, whose sayings they delight to note down. Having no society at home, this species of gentry the more readily find themselves in high favor with ours. They are always Oxonians, as the sons of green grocers and fishmongers are sure to be when they come over here (so Mr. Toddleworth has it, and he is good authority), and we being an exceedingly impressible people, they kindly condescend to instruct us in all the high arts, now and then correcting our very bad English. They are clever fellows generally, being sure to get on the kind side of credulous mothers with very impressible-headed daughters.
There was, however, always a distinguished member of the St. Cecilia society who let out all that took place at its assemblies. The vulgar always knew what General danced with the lovely Miss A., and how they looked, and what they said to each other; how many jewels Miss A. wore, and the material her dress was made of; they knew who polkaed with the accomplished Miss B., and how like a duchess she bore herself; they had the exact name of the colonel who dashed along so like a knight with the graceful and much-admired Mrs. D., whose husband was abroad serving his country; what gallant captain of dragoons (captains of infantry were looked upon as not what they might be) promenaded so imperiously with the vivacious Miss E.; and what distinguished foreigner sat all night in the corner holding a suspicious and very improper conversation with Miss F., whose skirts never were free of scandal, and who had twice got the pretty parson into difficulty with his church. Hence there was a perpetual outgoing of scandal on the one side, and pelting of dirt on the other.
When Mr. Soloman sought the presence of Mrs. Swiggs and told her it was all up with the St. Cecilia, and when that august member of the society was so happily disappointed by his concluding with leaving it an undamaged reputation, the whole story was not let out. In truth the society was at that moment in a state of indignation, and its reputation as well-nigh the last stage of disgrace as it were possible to bring it without being entirely absorbed. The Baronet, who enjoyed a good joke, and was not over-scrupulous in measuring the latitude of our credulity, had, it seems, in addition to the little affair with Mrs. Constance, been imprudent enough to introduce at one of the assemblies of the St. Cecilia, a lady of exceedingly fair but frail import: this loveliest of creatures—this angel of fallen fame—this jewel, so much sought after in her own casket—this child of gentleness and beauty, before whom a dozen gallant knights were paying homage, and claiming her hand for the next waltz, turned out to be none other than the Anna Bonard we have described at the house of Madame Flamingo. The discovery sent the whole assembly into a fainting fit, and caused such a fluttering in the camp of fashion. Reader! you may rest assured back-doors and smelling-bottles were in great demand.
The Baronet had introduced her as his cousin; just arrived, he said, in the care of her father—the cousin whose beauty he had so often referred to. So complete was her toilet and disguise, that none but the most intimate associate could have detected the fraud. Do you ask us who was the betrayer, reader? We answer,—
One whose highest ambition did seem that of getting her from her paramour, George Mullholland. It was Judge Sleepyhorn. Reader! you will remember him—the venerable, snowy-haired man, sitting on the lounge at the house of Madame Flamingo, and on whom George Mullholland swore to have revenge. The judge of a criminal court, the admonisher of the erring, the sentencer of felons, thehabitueof the house of Madame Flamingo—no libertine in disguise could be more scrupulous of his standing in society, or so sensitive of the opinion held of him by the virtuous fair, than was this daylight guardian of public morals.
The Baronet got himself nicely out of the affair, and Mr. Soloman Snivel, commonly called Mr. Soloman, the accommodation man, is at the house of Madame Flamingo, endeavoring to effect a reconciliation between the Judge and George Mullholland.
IN WHICH IS SEEN A COMMINGLING OF CITIZENS.
Night has thrown her mantle over the city. There is a great gathering of denizens at the house of Madame Flamingo. She has abal-masqueto-night. Her door is beset with richly-caparisoned equipages. The town is on tip-toe to be there; we reluctantly follow it. An hundred gaudily-decorated drinking saloon are filled with gaudier-dressed men. In loudest accent rings the question—"Do you go to Madame Flamingo's to-night?" Gentlemen of the genteel world, in shining broadcloth, touch glasses and answer—"yes!" It is a wonderful city—this of ours. Vice knows no restraint, poverty hath no friends here. We bow before the shrine of midnight revelry; we bring licentiousness to our homes, but we turn a deaf ear to the cries of poverty, and we gloat over the sale of men.
The sickly gas-light throws a sicklier glare over the narrow, unpaved streets. The city is on a frolic, a thing not uncommon with it. Lithe and portly-figured men, bearing dominos in their hands, saunter along the sidewalk, now dangling ponderous watch-chains, then flaunting highly-perfumed cambrics—all puffing the fumes of choice cigars. If accosted by a grave wayfarer—they are going to the opera! They are dressed in the style of opera-goers. And the road to the opera seems the same as that leading to the house of the old hostess. A gaily-equipped carriage approaches. We hear the loud, coarse laughing of those it so buoyantly bears, then there comes full to view the glare of yellow silks and red satins, and doubtful jewels—worn by denizens from whose faded brows the laurel wreath hath fallen. How shrunken with the sorrow of their wretched lives, and yet how sportive they seem! The pale gas-light throws a spectre-like hue over their paler features; the artificial crimson with which they would adorn the withered cheek refuses to lend a charm to features wan and ghastly. The very air is sickly with the odor of their cosmetics. And with flaunting cambrics they bend over carriage sides, salute each and every pedestrian, and receive in return answers unsuited to refined ears. They pass into the dim vista, but we see with the aid of that flickering gas, the shadow of that polluting hand which hastens life into death.
Old Mr. McArthur, who sits smoking his long pipe in the door of his crazy-looking curiosity shop, (he has just parted company with the young theologian, having assured him he would find a place to stow Tom Swiggs in,) wonders where the fashionable world of Charleston can be going? It is going to the house of the Flamingo. The St. Cecilia were to have had a ball to-night; scandal and the greater attractions here have closed its doors.
A long line of carriages files past the door of the old hostess. An incessant tripping of feet, delicately encased in bright-colored slippers; an ominous fluttering of gaudy silks and satins; an inciting glare of borrowed jewelry, mingling with second-hand lace; an heterogeneous gleaming of bare, brawny arms, and distended busts, all lend a sort of barbaric splendor to that mysterious group floating, as it were, into a hall in one blaze of light. A soft carpet, overlain with brown linen, is spread from the curbstone into the hall. Two well-developed policemen guard the entrance, take tickets of those who pass in, and then exchange smiles of recognition with venerable looking gentlemen in masks. The hostess, a clever "business man" in her way, has made the admission fee one dollar. Having paid the authorities ten dollars, and honored every Alderman with a complimentary ticket, who has a better right? No one has a nicer regard for the Board of Aldermen than Madame Flamingo; no one can reciprocate this regard more condescendingly than the honorable Board of Aldermen do. Having got herself arrayed in a dress of sky-blue satin, that ever and anon streams, cloud-like, behind her, and a lace cap of approved fashion, with pink strings nicely bordered in gimp, and a rich Honiton cape, jauntily thrown over her shoulders, and secured under the chin with a great cluster of blazing diamonds, and rows of unpolished pearls at her wrists, which are immersed in crimped ruffles, she doddles up and down the hall in a state of general excitement. A corpulent colored man, dressed in the garb of a beadle,—a large staff in his right hand, a cocked hat on his head, and broad white stripes down his flowing coat, stands midway between the parlor doors. He is fussy enough, and stupid enough, for a Paddington beadle. Now Madame Flamingo looks scornfully at him, scolds him, pushes him aside; he is only a slave she purchased for the purpose; she commands that he gracefully touch his hat (she snatches it from his head, and having elevated it over her own, performs the delicate motion she would have him imitate) to every visitor. The least neglect of duty will incur (she tells him in language he cannot mistake) the penalty of thirty-nine well laid on in the morning. In another minute her fat, chubby-face glows with smiles, her whole soul seems lighted up with childlike enthusiasm; she has a warm welcome for each new comer, retorts saliently upon her old friends, and says—"you know how welcome you all are!" Then she curtsies with such becoming grace. "The house, you know, gentlemen, is a commonwealth to-night." Ah! she recognizes the tall, comely figure of Mr. Soloman, the accommodation man. He did not spring from among the bevy of coat-takers, and hood-retainers, at the extreme end of the great hall, nor from among the heap of promiscuous garments piled in one corner; and yet he is here, looking as if some magic process had brought him from a mysterious labyrinth. "Couldn't get along without me, you see. It's an ambition with me to befriend everybody. If I can do a bit of a good turn for a friend, so much the better!" And he grasps the old hostess by the hand with a self-satisfaction he rather improves by tapping her encouragingly on the shoulder. "You'll make a right good thing of this!—a clear thousand, eh?"
"The fates have so ordained it," smiles naively the old woman.
"Of course the fates could not ordain otherwise—"
"As to that, Mr. Soloman, I sometimes think the gods are with me, and then again I think they are against me. The witches—they have done my fortune a dozen times or more—always predict evil (I consult them whenever a sad fit comes over me), but witches are not to be depended upon! I am sure I think what a fool I am for consulting them at all." She espies, for her trade of sin hath made keen her eye, the venerable figure of Judge Sleepyhorn advancing up the hall, masked. "Couldn't get along without you," she lisps, tripping towards him, and greeting him with the familiarity of an intimate friend. "I'm rather aristocratic, you'll say!—and I confess I am, though a democrat in principle!" And Madame Flamingo confirms what she says with two very dignified nods. As the Judge passes silently in she pats him encouragingly on the back, saying,—"There ain't no one in this house what'll hurt a hair on your head." The Judge heeds not what she says.
"My honor for it, Madame, but I think your guests highly favored, altogether! Fine weather, and the prospect of abal-masqueof Pompeian splendor. The old Judge, eh?"
"The gods smile—the gods smile, Mr. Soloman!" interrupts the hostess, bowing and swaying her head in rapid succession.
"The gods have their eye on him to-night—he's a marked man! A jolly old cove of a Judge, he is! Cares no more about rules and precedents, on the bench, than he does for the rights and precedents some persons profess to have in this house. A high old blade to administer justice, eh?"
"But, you see, Mr. Soloman," the hostess interrupts, a gracious bow keeping time with the motion of her hand, "he is such an aristocratic prop in the character of my house."
"I rather like that, I confess, Madame. You have grown rich off the aristocracy. Now, don't get into a state of excitement!" says Mr. Soloman, fingering his long Saxon beard, and eyeing her mischievously. She sees a bevy of richly-dressed persons advancing up the hall in high glee. Indeed her house is rapidly filling to the fourth story. And yet they come! she says. "The gods are in for a time. I love to make the gods happy."
Mr. Soloman has lain his hand upon her arm retentively.
"It is not that the aristocracy and such good persons as the Judge spend so much here. But they giveeclatto the house, andeclatis money. That's it, sir! Gold is the deity ofourpantheon! Bless you (the hostess evinces the enthusiasm of a politician), what better evidence of the reputation of my house than is before you, do you want? I've shut up the great Italian opera, with its three squalling prima donnas, which in turn has shut up the poor, sillyEmpresarioas they call him; and the St. Cecilia I have just used up. I'm a team in my way, you see;—run all these fashionable oppositions right into bankruptcy." Never were words spoken with more truth. Want of patronage found all places of rational amusement closed. Societies for intellectual improvement, one after another, died of poverty. Fashionable lectures had attendance only when fashionable lecturers came from the North; and the Northman was sure to regard our taste through the standard of what he saw before him.
The house of the hostess triumphs, and is corpulent of wealth and splendor. To-morrow she will feed with the rich crumbs that fall from her table the starving poor. And although she holds poor virtue in utter contempt, feeding the poor she regards a large score on the passport to a better world. A great marble stairway winds its way upward at the farther end of the hall, and near it are two small balconies, one on each side, presenting barricades of millinery surmounted with the picturesque faces of some two dozen denizens, who keep up an incessant gabbling, interspersed here and there with jeers directed at Mr. Soloman. "Who is he seeking to accommodate to-night?" they inquire, laughing merrily.
The house is full, the hostess has not space for one friend more; she commands the policemen to close doors. An Alderman is the only exception to herfiat. "You see," she says, addressing herself to a courtly individual who has just saluted her with urbane deportment, "I must preserve theotium cum dignitateof my (did I get it right?) standing in society. I don't always get these Latin sayings right. Our Congressmen don't. And, you see, like them, I ain't a Latin scholar, and may be excused for any little slips. Politics and larnin' don't get along well together. Speaking of politics, I confess I rather belong to the Commander and Quabblebum school—I do!"
At this moment (a tuning of instruments is heard in the dancing-hall) the tall figure of the accommodation man is seen, in company of the venerable Judge, passing hurriedly into a room on the right of the winding stairs before described. "Judge!" he exclaims, closing the door quickly after him, "you will be discovered and exposed. I am not surprised at your passion for her, nor the means by which you seek to destroy the relations existing between her and George Mullholland. It is an evidence of taste in you. But she is proud to a fault, and, this I say in friendship, you so wounded her feelings, when you betrayed her to the St. Cecilia, that she has sworn to have revenge on you. George Mullholland, too, has sworn to have your life.
"I tell you what it is, Judge, (the accommodation man assumes the air of a bank director,) I have just conceived—you will admit I have an inventive mind!—a plot that will carry you clean through the whole affair. Your ambition is divided between a passion for this charming creature and the good opinion of better society. The resolution to retain the good opinion of society is doing noble battle in your heart; but it is the weaker vessel, and it always will be so with a man of your mould, inasmuch as such resolutions are backed up by the less fierce elements of our nature. Put this down as an established principle. Well, then, I will take upon myself the betrayal. I will plead you ignorant of the charge, procure her forgiveness, and reconcile the matter with this Mullholland. It's worth an hundred or more, eh?"
The venerable man smiles, shakes his head as if heedless of the admonition, and again covers his face with his domino.
The accommodation man, calling him by his judicial title, says he will yet repent the refusal!
It is ten o'clock. The gentleman slightly colored, who represents a fussy beadle, makes a flourish with his great staff. The doors of the dancing hall are thrown open. Like the rushing of the gulf stream there floods in a motley procession of painted females and masked men—the former in dresses as varied in hue as the fires of remorse burning out their unuttered thoughts. Two and two they jeer and crowd their way along into the spacious hall, the walls of which are frescoed in extravagant mythological designs, the roof painted in fret work, and the cornices interspersed with seraphs in stucco and gilt. The lights of two massive chandeliers throw a bewitching refulgence over a scene at once picturesque and mysterious; and from four tall mirrors secured between the windows, is reflected the forms and movements of the masquers.
Reader! you have nothing in this democratic country with which to successfully compare it. And to seek a comparison in the old world, where vice, as in this city of chivalry, hath a license, serves not our office.
Madame Flamingo, flanked right and left by twelve colored gentlemen, who, their collars decorated with white and pink rosettes, officiate as masters of ceremony, and form a crescent in front of the thronging procession, steps gradually backward, curtsying and bowing, and spreading her hands to her guests, after the manner of my Lord Chamberlain.
Eight colored musicians, (everything is colored here,) perched on a raised platform covered with maroon-colored plush, at the signal of a lusty-tongued call-master, strike up a march, to which the motley throng attempt to keep time. It is martial enough; and discordant enough for anything but keeping time to.
The plush-covered benches filing along the sides and ends of the hall are eagerly sought after and occupied by a strange mixture of lookers on in Vienna. Here the hoary-headed father sits beside a newly-initiated youth who is receiving his first lesson of dissipation. There the grave and chivalric planter sports with the nice young man, who is cultivating a beard and his way into the by-ways. A little further on the suspicious looking gambler sits freely conversing with the man whom a degrading public opinion has raised to the dignity of the judicial bench. Yonder is seen the man who has eaten his way into fashionable society, (and by fashionable society very much caressed in return,) the bosom companion of the man whose crimes have made him an outcast.
Generous reader! contemplate this grotesque assembly; study the object Madame Flamingo has in gathering it to her fold. Does it not present the accessories to wrong doing? Does it not show that the wrong-doer and the criminally inclined, too often receive encouragement by the example of those whoso duty it is to protect society? The spread of crime, alas! for the profession, is too often regarded by the lawyer as rather a desirable means of increasing his trade.
Quadrille follows quadrille, the waltz succeeds the schottish, the scene presents one bewildering maze of flaunting gossamers and girating bodies, now floating sylph-like into the foreground, then whirling seductively into the shadowy vista, where the joyous laugh dies out in the din of voices. The excitement has seized upon the head and heart of the young,—the child who stood trembling between the first and second downward step finds her reeling brain a captive in this snare set to seal her ruin.
Now the music ceases, the lusty-tongued call-master stands surveying what he is pleased to call the oriental splendor of this grotesque assembly. He doesn't know who wouldn't patronize such a house! It suddenly forms in platoon, and marshalled by slightly-colored masters of ceremony, promenades in an oblong figure.
Here, leaning modestly on the arm of a tall figure in military uniform, and advancing slowly up the hall, is a girl of some sixteen summers. Her finely-rounded form is in harmony with the ravishing vivacity of her face, which is beautifully oval. Seen by the glaring gas-light her complexion is singularly clear and pale. But that freshness which had gained her many an admirer, and which gave such a charm to the roundness of early youth, we look for in vain. And yet there is a softness and delicacy about her well-cut and womanly features—a childlike sweetness in her smile—a glow of thoughtfulness in those great, flashing black eyes—an expression of melancholy in which at short intervals we read her thoughts—an incessant playing of those long dark eyelashes, that clothes her charms with an irresistible, a soul-inspiring seductiveness. Her dress, of moire antique, is chasteness itself; her bust exquisite symmetry; it heaves as softly as if touched by some gentle zephyr. From an Haidean brow falls and floats undulating over her marble-like shoulders, the massive folds of her glossy black hair. Nature had indeed been lavish of her gifts on this fair creature, to whose charms no painter could give a touch more fascinating. This girl, whose elastic step and erect carriage contrasts strangely with the languid forms about her, is Anna Bonard, the neglected, the betrayed. There passes and repasses her, now contemplating her with a curious stare, then muttering inaudibly, a man of portly figure, in mask and cowl. He touches with a delicate hand his watch-guard, we see two sharp, lecherous eyes peering through the domino; he folds his arms and pauses a few seconds, as if to survey the metal of her companion, then crosses and recrosses her path. Presently his singular demeanor attracts her attention, a curl of sarcasm is seen on her lip, her brow darkens, her dark orbs flash as of fire,—all the heart-burnings of a soul stung with shame are seen to quicken and make ghastly those features that but a moment before shone lambent as summer lightning. He pauses as with a look of withering scorn she scans him from head to foot, raises covertly her left hand, tossing carelessly her glossy hair on her shoulder, and with lightning quickness snatches with her right the domino from his face. "Hypocrite!" she exclaims, dashing it to the ground, and with her foot placed defiantly upon the domino, assumes a tragic attitude, her right arm extended, and the forefinger of her hand pointing in his face, "Ah!" she continues, in biting accents, "it is against the perfidy of such as you. I have struggled. Your false face, like your heart, needed a disguise. But I have dragged it away, that you may be judged as you are. This is my satisfaction for your betrayal. Oh that I could have deeper revenge!" She has unmasked Judge Sleepyhorn, who stands before the anxious gaze of an hundred night revellers, pressing eagerly to the scene of confusion. Madame Flamingo's house, as you may judge, is much out in its dignity, and in a general uproar. There was something touching—something that the graver head might ponder over, in the words of this unfortunate girl—"I have struggled!" A heedless and gold-getting world seldom enters upon the mystery of its meaning. But it hath a meaning deep and powerful in its appeal to society—one that might serve the good of a commonwealth did society stoop and take it by the hand.
So sudden was the motion with which this girl snatched the mask from the face of the Judge, (he stood as if appalled,) that, ere he had gained his self-possession, she drew from her girdle a pearl-hilted stiletto, and in attempting to ward off the dreadful lunge, he struck it from her hand, and into her own bosom. The weapon fell gory to the floor—the blood trickled down her bodice—a cry of "murder" resounded through the hall! The administrator of justice rushed out of the door as the unhappy girl swooned in the arms of her partner. A scene so confused and wild that it bewilders the brain, now ensued. Madame Flamingo calls loudly for Mr. Soloman; and as the reputation of her house is uppermost in her thoughts, she atones for its imperiled condition by fainting in the arms of a grave old gentleman, who was beating a hasty retreat, and whose respectability she may compromise through this uncalled-for act.
A young man of slender form, and pale, sandy features, makes his way through the crowd, clasps Anna affectionately in his arms, imprints a kiss on her pallid brow, and bears her out of the hall.
By the aid of hartshorn and a few dashes of cold water, the old hostess is pleased to come to, as we say, and set about putting her house in order. Mr. Soloman, to the great joy of those who did not deem it prudent to make their escape, steps in to negotiate for the peace of the house and the restoration of order. "It is all the result of a mistake," he says laughingly, and good-naturedly, patting every one he meets on the shoulder. "A little bit of jealousy on the part of the girl. It all had its origin in an error that can be easily rectified. In a word, there's much ado about nothing in the whole of it. Little affairs of this kind are incident to fashionable society all over the world! The lady being only scratched, is more frightened than hurt. Nobody is killed; and if there were, why killings are become so fashionable, that if the killed be not a gentleman, nobody thinks anything of it," he continues. And Mr. Soloman being an excellent diplomatist, does, with the aid of the hostess, her twelve masters of ceremony, her beadle, and two policemen, forthwith bring the house to a more orderly condition. But night has rolled into the page of the past, the gray dawn of morning is peeping in at the half-closed windows, the lights burning in the chandeliers shed a pale glow over the wearied features of those who drag, as it were, their languid bodies to the stifled music of unwilling slaves. And while daylight seems modestly contending with the vulgar glare within, there appears among the pale revellers a paler ghost, who, having stalked thrice up and down the hall, preserving the frigidity and ghostliness of the tomb, answering not the questions that are put to him, and otherwise deporting himself as becometh a ghost of good metal, is being taken for a demon of wicked import. Now he pauses at the end of the hall, faces with spectre-like stare the alarmed group at the opposite end, rests his left elbow on his scythe-staff, and having set his glass on the floor, points to its running sands warningly with his right forefinger. Not a muscle does he move. "Truly a ghost!" exclaims one. "A ghost would have vanished before this," whispers another. "Speak to him," a third responds, as the musicians are seen to pale and leave their benches. Madame Flamingo, pale and weary, is first to rush for the door, shrieking as his ghostship turns his grim face upon her. Shriek follows shriek, the lights are put out, the gray dawn plays upon and makes doubly frightful the spectre. A Pandemonium of shriekings and beseechings is succeeded by a stillness as of the tomb. Our ghost is victor.
WHAT TAKES PLACE BETWEEN GEORGE MULLHOLLAND AND MR. SNIVEL.
The man who kissed and bore away the prostrate girl was George Mullholland.
"Oh! George—George!" she whispers imploringly, as her eyes meet his; and turning upon the couch of her chamber, where he hath lain her, awakes to consciousness, and finds him watching over her with a lover's solicitude. "I was not cold because I loved you less—oh no! It was to propitiate my ambition—to be free of the bondage of this house—to purge myself of the past—to better my future!" And she lays her pale, nervous hand gently on his arm—then grasps his hand and presses it fervently to her lips.
Though placed beyond the pale of society—though envied by one extreme and shunned by the other—she finds George her only true friend. He parts and smooths gently over her polished shoulders her dishevelled hair; he watches over her with the tenderness of a brother; he quenches and wipes away the blood oozing from her wounded breast; he kisses and kisses her flushed cheek, and bathes her Ion-like brow. He forgives all. His heart would speak if his tongue had words to represent it. He would the past were buried—the thought of having wronged him forgotten. She recognizes in his solicitude for her the sincerity of his heart. It touches like sweet music the tenderest chords of her own; and like gushing fountains her great black eyes fill with tears. She buries her face in her hands, crying, "Never, never, George, (I swear it before the God I have wronged, but whose forgiveness I still pray,) will I again forget my obligation to you! I care not how high in station he who seeks me maybe. Ambitious!—I was misled. His money lured me away, but he betrayed me in the face of his promises. Henceforth I have nothing for this deceptive world; I receive of it nothing but betrayal—"
"The world wants nothing more of either of us," interrupts George.
More wounded in her feelings than in her flesh, she sobs and wrings her hands like one in despair.
"You have ambition. I am too poor to serve your ambition!"
That word, too "poor," is more than her already distracted brain can bear up under. It brings back the terrible picture of their past history; it goads and agonizes her very soul. She throws her arms frantically about his neck; presses him to her bosom; kisses him with the fervor of a child. Having pledged his forgiveness with a kiss, and sealed it by calling in a witness too often profaned on such occasions, George calms her feelings as best he can; then he smooths with a gentle hand the folds of her uplifted dress, and with them curtains the satin slippers that so delicately encase her small feet. This done, he spreads over her the richly-lined India morning-gown presented to her a few days ago by the Judge, who, as she says, so wantonly betrayed her, and on whom she sought revenge. Like a Delian maid, surrounded with Oriental luxury, and reclining on satin and velvet, she flings her flowing hair over her shoulders, nestles her weary head in the embroidered cushion, and with the hand of her only true friend firmly grasped in her own, soothes away into a calm sleep—that sovereign but too transient balm for sorrowing hearts.
Our scene changes. The ghost hath taken himself to the graveyard; the morning dawns soft and sunny on what we harmlessly style the sunny city of the sunny South. Madame Flamingo hath resolved to nail another horse-shoe over her door. She will propitiate (so she hath it) the god of ghosts.
George Mullholland, having neither visible means of gaining a livelihood nor a settled home, may be seen in a solitary box at Baker's, (a coffee-house at the corner of Meeting and Market streets,) eating an humble breakfast. About him there is a forlornness that the quick eye never fails to discover in the manners of the homeless man. "Cleverly done," he says, laying down theMercurynewspaper, in which it is set forth that "the St. Cecilia, in consequence of an affliction in the family of one of its principal members, postponed its assembly last night. The theatre, in consequence of a misunderstanding between the manager and his people, was also closed. The lecture on comparative anatomy, by Professor Bones, which was to have been delivered at Hibernian Hall, is, in consequence of the indisposition of the learned Professor, put off to Tuesday evening next, when he will have, as he deserves, an overflowing house. Tickets, as before, may be had at all the music and bookstores." The said facetious journal was silent on the superior attractions at the house of the old hostess; nor did it deem it prudent to let drop a word on the misunderstanding between the patrons of the drama and the said theatrical manager, inasmuch as it was one of those that are sure to give rise to a very serious misunderstanding between that functionary and his poor people.
In another column the short but potent line met his eye: "An overflowing and exceedingly fashionable house greeted the Negro Minstrels last night. First-rate talent never goes begging in our city." George sips his coffee and smiles. Wonderfully clever these editors are, he thinks. They have nice apologies for public taste always on hand; set the country by the ears now and then; and amuse themselves with carrying on the most prudent description of wars.
His own isolated condition, however, is uppermost in his mind. Poverty and wretchedness stare him in the face on one side; chivalry, on the other, has no bows for him while daylight lasts. Instinct whispers in his ear—where one exists the other is sure to be.
To the end that this young man will perform a somewhat important part in the by-ways of this history, some further description of him may be necessary. George Mullholland stands some five feet nine, is wiry-limbed, and slender and erect of person. Of light complexion, his features, are sharp and irregular, his face narrow and freckled, his forehead small and retreating, his hair sandy and short-cropped. Add to these two small, dull, gray eyes, and you have features not easily described. Nevertheless, there are moments when his countenance wears an expression of mildness—one in which the quick eye may read a character more inoffensive than intrusive. A swallow-tail blue coat, of ample skirts, and brass buttons; a bright-colored waistcoat, opening an avalanche of shirt-bosom, blossoming with cheap jewelry; a broad, rolling shirt-collar, tied carelessly with a blue ribbon; a steeple-crowned hat, set on the side of his head with a challenging air; and a pair of broadly-striped and puckered trowsers, reaching well over a small-toed and highly-glazed boot, constitutes his dress. For the exact set of those two last-named articles of his wardrobe he maintains a scrupulous regard. We are compelled to acknowledge George an importation from New York, where he would be the more readily recognized by that vulgar epithet, too frequently used by the self-styled refined—"a swell."
Life with George is a mere drift of uncertainty. As for aims and ends, why he sees the safer thing in having nothing to do with them. Mr. Tom Toddleworth once advised this course, and Tom was esteemed good authority in such matters. Like many others, his character is made up of those yielding qualities which the teachings of good men may elevate to usefulness, or bad men corrupt by their examples. There is a stage in the early youth of such persons when we find their minds singularly susceptible, and ready to give rapid growth to all the vices of depraved men; while they are equally apt in receiving good, if good men but take the trouble to care for them, and inculcate lessons of morality.
Not having a recognized home, we may add, in resuming our story, that George makes Baker's his accustomed haunt during the day, as do also numerous others of his class—a class recognized and made use of by men in the higher walks of life only at night.
"Ah! ha, ha! into a tight place this time, George," laughs out Mr. Soloman, the accommodation man, as he hastens into the room, seats himself in the box with George, and seizes his hand with the earnestness of a true friend. Mr. Soloman can deport himself on all occasions with becoming good nature. "It's got out, you see."
"What has got out?" interrupts George, maintaining a careless indifference.
"Come now! none of that, old fellow."
"If I understood you—"
"That affair last night," pursues Mr. Soloman, his delicate fingers wandering into his more delicately-combed beard. "It'll go hard with you. He's a stubborn old cove, that Sleepyhorn; administers the law as Cæsar was wont to. Yesterday he sent seven to the whipping-post; to-day he hangs two 'niggers' and a white man. There is a consolation in getting rid of the white. I say this because no one loses a dollar by it."
George, continuing to masticate his bread, says it has nothing to do with him. He may hang the town.
"If I can do you a bit of a good turn, why here's your man. But you must not talk that way—you must not, George, I assure you!" Mr. Soloman assumes great seriousness of countenance, and again, in a friendly way, takes George by the hand. "That poignard, George, was yours. It was picked up by myself when it fell from your hand—"
"My hand! my hand!" George quietly interposes, his countenance paling, and his eyes wandering in excitement.
"Now don't attempt to disguise the matter, you know! Come out on the square—own up! Jealousy plays the devil with one now and then. I know—I have had a touch of it; had many a little love affair in my time—"
George again interrupts by inquiring to what he is coming.
"To the attempt (the accommodation man assumes an air of sternness) you made last night on the life of that unhappy girl. It is needless," he adds, "to plead ignorance. The Judge has the poignard; and what's more, there are four witnesses ready to testify. It'll go hard with you, my boy." He shakes his head warningly.
"I swear before God and man I am as innocent as ignorant of the charge. The poignard I confess is mine; but I had no part in the act of last night, save to carry the prostrate girl—the girl I dearly love—away. This I can prove by her own lips."
Mr. Soloman, with an air of legal profundity, says: "This is all very well in its way, George, but it won't stand in law. The law is what you have got to get at. And when you have got at it, you must get round it; and then you must twist it and work it every which way—only be careful not to turn its points against yourself; that, you know, is the way we lawyers do the thing. You'll think we're a sharp lot; and we have to be sharp, as times are."
"It is not surprising," replies George, as if waking from a fit of abstraction, "that she should have sought revenge of one who so basely betrayed her at the St. Cecilia—"
"There, there!" Mr. Soloman interrupts, changing entirely the expression of his countenance, "the whole thing is out! I said there was an unexplained mystery somewhere. It was not the Judge, but me who betrayed her to the assembly. Bless you, (he smiles, and crooking his finger, beckons a servant, whom he orders to bring a julep,) I was bound to do it, being the guardian of the Society's dignity, which office I have held for years. But you don't mean to have it that the girl attempted—(he suddenly corrects himself)—Ah, that won't do, George. Present my compliments to Anna—I wouldn't for the world do aught to hurt her feelings, you know that—and say I am ready to get on my knees to her to confess myself a penitent for having injured her feelings. Yes, I am ready to do anything that will procure her forgiveness. I plead guilty. But she must in return forgive the Judge. He is hard in law matters—that is, we of the law consider him so—now and then; but laying that aside, he is one of the best old fellows in the world, loves Anna to distraction; nor has he the worst opinion in the world of you, George. Fact is, I have several times heard him refer to you in terms of praise. As I said before, being the man to do you a bit of a good turn, take my advice as a friend. The Judge has got you in his grasp, according to every established principle of law; and having four good and competent witnesses, (You have no voice in law, and Anna's won't stand before a jury,) will send you up for a twelve-months' residence in Mount Rascal."
It will be almost needless here to add, that Mr. Soloman had, in an interview with the Judge, arranged, in consideration of a goodly fee, to assume the responsibility of the betrayal at the St. Cecilia; and also to bring about a reconciliation between him and the girl he so passionately sought.
Keep out of the way a few days, and everything will blow over and come right. I will procure you the Judge's friendship—yes, his money, if you want. More than that, I will acknowledge my guilt to Anna; and being as generous of heart as she is beautiful, she will, having discovered the mistake, forgive me and make amends to the Judge for her foolish act.
It is almost superfluous to add, that the apparent sincerity with which the accommodation man pleaded, had its effect on the weak-minded man. He loved dearly the girl, but poverty hung like a leaden cloud over him. Poverty stripped him of the means of gratifying her ambition; poverty held him fast locked in its blighting chains; poverty forbid his rescuing her from the condition necessity had imposed upon her; poverty was goading him into crime; and through crime only did he see the means of securing to himself the cherished object of his love.
"I am not dead to your friendship, but I am too sad at heart to make any pledge that involves Anna, at this moment. We met in wretchedness, came up in neglect and crime, sealed our love with the hard seal of suffering. Oh! what a history of misery my heart could unfold, if it had but a tongue!" George replies, in subdued accents, as a tear courses down his cheek.
Extending his hand, with an air of encouragement, Mr. Soloman says nothing in the world would so much interest him as a history of the relations existing between George and Anna. Their tastes, aims, and very natures, are different. To him their connection is clothed in mystery.