IIILOVE AND DEATH

IIILOVE AND DEATH“A woman’s blood. Afterwards another woman’s blood. Afterwards yours, but a little later on.”Demetrios repeated these words to himself as he walked, and in spite of himself, his belief in them weighed upon him. He had never had any faith in oracles drawn from the bodies of victims or the movements of planets. These affinities seemed too problematical. But the complex lines of the hand have, in themselves, an exclusively personal horoscopic aspect which he considered with uneasiness. The fortune-teller’s prediction haunted his mind.In his turn, he examined the palm of his left hand, on which his life was summed up in secret and indelible signs.In the first place he saw, at the summit, a sort of regular crescent, the ends of which pointed towards the base of the fingers. Below this, a deep quadruple line, knotted and roseale, marked in two places by very red spots. Another line, but thinner, ran parallel to this at first, and then swerved brusquely round towards the wrist. Finally, a third line, short and clear, turned round the base of the thumb, which was entirely covered with thread-like markings. He saw all that; but, not being able to read the hidden symbol, he passed his hand over his eyes and changed the subject of his meditations.Chrysis! Chrysis! Chrysis! This name throbbed within him like a fever. Satisfy her, vanquish her, clasp her in his arms, fly with her elsewhere, to Syria, to Greece, to Rome, no matter where, provided it was a place where he had no mistress and she no lovers: that was the thing, and immediately, immediately.Of the three presents she had asked for, one was already in his possession. Remained the other two: the comb and the necklace.“The comb first,” he said to himself.Every evening at sunset, the high priest’s wife went forth and sat upon a marble seat, with her back turned to the forest and her face set to the great expanse of sea in front of her. Demetrios knew this well, for this woman, like so many others, had been in love with him, and she had told him that the day he chose to possess her it was there he would find her.It was to that spot, then, that he directed his steps. And there indeed she was; but she did not see him coming. She was sitting with her eyes shut, with her body thrown back upon the seat, and her arms hanging negligently by her sides.ill-029She was an Egyptian. Her name was Touni. She wore a light tunic of bright purple, without clasp or girdle, and without other adornments than two black stars to mark the points of her breasts. The thin tissue, ironed into pleats, terminated at the curve of the delicate knees, and little shoes of blue leather, fitting like gloves, covered her dainty round feet. Her skin was very swarthy, her lips very thick, her shoulders very small, and her fragile, supple waist seemed to bend under the weight of her full throat. She was asleep with her mouth open, dreaming peacefully.Demetrios, noiselessly, sat down on the bench, by her side.He slowly drew nearer and nearer, leaning over her, appreciating the delicate lines of her smooth, dark-skinned shoulders, slender at the summit, muscular near the armpit and joined to the bust by the shading of the bush beneath.Lower down, the long, loose slit of the purple muslin tunic was open as far as the hips. Through the gaping drapery, Demetrios slowly passed his hand, and his united finger-tips touched the curves of her left breast, damp with perspiration. Its nipple rose erect in the palm of his hand. Notwithstanding, Touni slept on.Her dream gradually changed, but did not fade. Her breath came quicker through her half open lips and she murmured a long, unintelligible sentence, as her fevered head fell back once more.With the same stealthy tenderness, Demetrios withdrew his hot hand, to let it be refreshed by the light breeze.ill-030She was asleep.... dreaming peacefully.From the vague outline of the blue garden slopes as far as the immense scintillation of the night, shuddered the eternal sea. Like unto another bosom of some fresh priestess, its undulations were swelling heavenwards, uplifted by the dreams of antiquity that still cause it to thrill in the sight of our belated glances. When the end of all things is nigh, the last living beings will try before they disappear to fathom the mysteries of the moving ocean.The moon inclined her great goblet of blood over the waters. Far away, in the purest atmosphere that had ever united heaven and earth, a slight red trail, where black veins meandered, trembled on the surface of the waves beneath the rising orb of night, as when the agitation of a caress on a rounded breast, in the dead of night, remains long after the hand that caused it has been lifted.Touni still slumbered, her head leaning backwards, her body well-nigh naked, enshrouded in tinted muslin folds.The purple glare of the moon, as yet on the horizon, came over the sea towards the sleeping woman. The fatal, vivid rays lit her up with a flame that seemed immobile. Little by little, their brilliancy mounted, encircling the Egyptian girl. Her black curls appeared one by one, and finally the Comb flashed out of the darkness: the royal Comb that Chrysis coveted. The ivory diadem was now bathed in the glory of the crimson moonbeams.It was then that the sculptor took Touni’s sweet face in both his hands, turning her features towards his own. Her eyes opened and became dilated.“Demetrios! Demetrios! Is it you? Oh! You have come at last! You are here!” she murmured, clasping him in her arms, as her voice rang with the accents of happiness. “Is it really you, Demetrios, whose hands awake me? Is it you, son of my goddess; God of my body and my life?”Demetrios made as if to retreat. With one bound, she was close to him again.“What do you fear?” she said. “For you I am not the woman before whom all tremble, because she is surrounded by the might of the High Priest. Forget my name, Demetrios. In their lovers’ arms, women have no name. I am no longer what you think. I am nothing but a woman who loves and whose yearning for you fills her frame as far as the points of her breasts.”Demetrios did not open his lips.“Listen to me a little while longer,” she went on. “I know who enthrals you. I will not even be your mistress, nor make the least attempt to rival the queen. No, Demetrios. Do with me as you will. Take me like some little slave-wench that a man possesses for a few minutes, leaving her afterwards with a remembrance that becomes oblivion. Take me like the lowest poverty-stricken harlot who, crouching by the roadside, awaits the charity of some furtive and brutal attack of lust. After all, what am I to place myself above those women? Have the Immortals given me anything more than that with which they have endowed the most servile of all my slaves? You, at least, are Beauty incarnate, with its out spreading emanations of the Gods.”Demetrios, more steadfastly serious than before, pierced her with his glance.“Wretched creature, what do you suppose emanates from the Gods, if it be not. — ”“Love!”“Or Death!”“What mean you?” she exclaimed, starting to her feet. “Death! Yes, Death indeed! But it is so far off for me! In sixty years’ time, I’ll think of my end. Why speak to me of Death, Demetrios?”“Death this very night!” he said quietly.She laughed outright, in sheer fright.“Tonight? No, no! Who says so? Why should I die? Answer me! Speak! What means this vile mockery?”“You are condemned.”“By whom?”“By your destiny.”“How know you that?”“Because my destiny is interwoven with yours, Touni.”“Is it my fate to die now?”“It is your lot to die by my hand, on that bench.”He seized her wrist.“Demetrios!” she stammered, affrighted. “I’ll not shriek! I’ll not call for aid! Only let me speak first!” She wiped the sweat from her brow. “If death—should come from you—death will be sweet—for me. I accept it; I desire it, but hearken!”Staggering from stone to stone, she led him away in the dark night of the woods.“Since in your hands are all the gifts of the Gods,” she continued, “the first thrill of life and the final throb of agony, let both your palms, bestowing all they hold, be opened to my eyes, Demetrios. Give me the hand of Love as well as that of Death. If you do this, I die without regret.”There was no reply in the vague look he gave her, but she thought she read the “Yes” he had not uttered.Transfigured a second time, she lifted towards him a new face, where desire, born again, drove, with the strength of desperation, all terror away.ill-031“Demetrios!” she stammered, affrighted.She spoke no more, but already between her lips that were never to close again, each breath she drew sang a soft song, as if she was beginning to feel the deepest voluptuousness of love before even being gripped in the conjunction she craved.ill-032Nevertheless, she gained this supreme victory.With one movement, she tore off her light tunic and rolled it up into a ball of muslin that she threw behind her, smiling with scarce a vestige of sadness. Her young and slender body was outstretched in such great and lively felicity that it was impossible for it not to be eternal, and as her preoccupied lover, who perhaps was merely anxiously hesitating, terminated the work of Love without beginning that of Death, she suddenly exclaimed:“Ah! Kill me! Kill me, I say, Demetrios! Why do you tarry?”He rose up a little, resting on his hands; looked once more at Touni, whose great eyes peered ecstatically in his face, from beneath him, and drawing out one of the long, golden hairpins that glittered behind her ears, he drove it deliberately home under her left breast.

“A woman’s blood. Afterwards another woman’s blood. Afterwards yours, but a little later on.”

Demetrios repeated these words to himself as he walked, and in spite of himself, his belief in them weighed upon him. He had never had any faith in oracles drawn from the bodies of victims or the movements of planets. These affinities seemed too problematical. But the complex lines of the hand have, in themselves, an exclusively personal horoscopic aspect which he considered with uneasiness. The fortune-teller’s prediction haunted his mind.

In his turn, he examined the palm of his left hand, on which his life was summed up in secret and indelible signs.

In the first place he saw, at the summit, a sort of regular crescent, the ends of which pointed towards the base of the fingers. Below this, a deep quadruple line, knotted and roseale, marked in two places by very red spots. Another line, but thinner, ran parallel to this at first, and then swerved brusquely round towards the wrist. Finally, a third line, short and clear, turned round the base of the thumb, which was entirely covered with thread-like markings. He saw all that; but, not being able to read the hidden symbol, he passed his hand over his eyes and changed the subject of his meditations.

Chrysis! Chrysis! Chrysis! This name throbbed within him like a fever. Satisfy her, vanquish her, clasp her in his arms, fly with her elsewhere, to Syria, to Greece, to Rome, no matter where, provided it was a place where he had no mistress and she no lovers: that was the thing, and immediately, immediately.

Of the three presents she had asked for, one was already in his possession. Remained the other two: the comb and the necklace.

“The comb first,” he said to himself.

Every evening at sunset, the high priest’s wife went forth and sat upon a marble seat, with her back turned to the forest and her face set to the great expanse of sea in front of her. Demetrios knew this well, for this woman, like so many others, had been in love with him, and she had told him that the day he chose to possess her it was there he would find her.

It was to that spot, then, that he directed his steps. And there indeed she was; but she did not see him coming. She was sitting with her eyes shut, with her body thrown back upon the seat, and her arms hanging negligently by her sides.

ill-029

She was an Egyptian. Her name was Touni. She wore a light tunic of bright purple, without clasp or girdle, and without other adornments than two black stars to mark the points of her breasts. The thin tissue, ironed into pleats, terminated at the curve of the delicate knees, and little shoes of blue leather, fitting like gloves, covered her dainty round feet. Her skin was very swarthy, her lips very thick, her shoulders very small, and her fragile, supple waist seemed to bend under the weight of her full throat. She was asleep with her mouth open, dreaming peacefully.

Demetrios, noiselessly, sat down on the bench, by her side.

He slowly drew nearer and nearer, leaning over her, appreciating the delicate lines of her smooth, dark-skinned shoulders, slender at the summit, muscular near the armpit and joined to the bust by the shading of the bush beneath.

Lower down, the long, loose slit of the purple muslin tunic was open as far as the hips. Through the gaping drapery, Demetrios slowly passed his hand, and his united finger-tips touched the curves of her left breast, damp with perspiration. Its nipple rose erect in the palm of his hand. Notwithstanding, Touni slept on.

Her dream gradually changed, but did not fade. Her breath came quicker through her half open lips and she murmured a long, unintelligible sentence, as her fevered head fell back once more.

With the same stealthy tenderness, Demetrios withdrew his hot hand, to let it be refreshed by the light breeze.

ill-030

She was asleep.... dreaming peacefully.

From the vague outline of the blue garden slopes as far as the immense scintillation of the night, shuddered the eternal sea. Like unto another bosom of some fresh priestess, its undulations were swelling heavenwards, uplifted by the dreams of antiquity that still cause it to thrill in the sight of our belated glances. When the end of all things is nigh, the last living beings will try before they disappear to fathom the mysteries of the moving ocean.

The moon inclined her great goblet of blood over the waters. Far away, in the purest atmosphere that had ever united heaven and earth, a slight red trail, where black veins meandered, trembled on the surface of the waves beneath the rising orb of night, as when the agitation of a caress on a rounded breast, in the dead of night, remains long after the hand that caused it has been lifted.

Touni still slumbered, her head leaning backwards, her body well-nigh naked, enshrouded in tinted muslin folds.

The purple glare of the moon, as yet on the horizon, came over the sea towards the sleeping woman. The fatal, vivid rays lit her up with a flame that seemed immobile. Little by little, their brilliancy mounted, encircling the Egyptian girl. Her black curls appeared one by one, and finally the Comb flashed out of the darkness: the royal Comb that Chrysis coveted. The ivory diadem was now bathed in the glory of the crimson moonbeams.

It was then that the sculptor took Touni’s sweet face in both his hands, turning her features towards his own. Her eyes opened and became dilated.

“Demetrios! Demetrios! Is it you? Oh! You have come at last! You are here!” she murmured, clasping him in her arms, as her voice rang with the accents of happiness. “Is it really you, Demetrios, whose hands awake me? Is it you, son of my goddess; God of my body and my life?”

Demetrios made as if to retreat. With one bound, she was close to him again.

“What do you fear?” she said. “For you I am not the woman before whom all tremble, because she is surrounded by the might of the High Priest. Forget my name, Demetrios. In their lovers’ arms, women have no name. I am no longer what you think. I am nothing but a woman who loves and whose yearning for you fills her frame as far as the points of her breasts.”

Demetrios did not open his lips.

“Listen to me a little while longer,” she went on. “I know who enthrals you. I will not even be your mistress, nor make the least attempt to rival the queen. No, Demetrios. Do with me as you will. Take me like some little slave-wench that a man possesses for a few minutes, leaving her afterwards with a remembrance that becomes oblivion. Take me like the lowest poverty-stricken harlot who, crouching by the roadside, awaits the charity of some furtive and brutal attack of lust. After all, what am I to place myself above those women? Have the Immortals given me anything more than that with which they have endowed the most servile of all my slaves? You, at least, are Beauty incarnate, with its out spreading emanations of the Gods.”

Demetrios, more steadfastly serious than before, pierced her with his glance.

“Wretched creature, what do you suppose emanates from the Gods, if it be not. — ”

“Love!”

“Or Death!”

“What mean you?” she exclaimed, starting to her feet. “Death! Yes, Death indeed! But it is so far off for me! In sixty years’ time, I’ll think of my end. Why speak to me of Death, Demetrios?”

“Death this very night!” he said quietly.

She laughed outright, in sheer fright.

“Tonight? No, no! Who says so? Why should I die? Answer me! Speak! What means this vile mockery?”

“You are condemned.”

“By whom?”

“By your destiny.”

“How know you that?”

“Because my destiny is interwoven with yours, Touni.”

“Is it my fate to die now?”

“It is your lot to die by my hand, on that bench.”

He seized her wrist.

“Demetrios!” she stammered, affrighted. “I’ll not shriek! I’ll not call for aid! Only let me speak first!” She wiped the sweat from her brow. “If death—should come from you—death will be sweet—for me. I accept it; I desire it, but hearken!”

Staggering from stone to stone, she led him away in the dark night of the woods.

“Since in your hands are all the gifts of the Gods,” she continued, “the first thrill of life and the final throb of agony, let both your palms, bestowing all they hold, be opened to my eyes, Demetrios. Give me the hand of Love as well as that of Death. If you do this, I die without regret.”

There was no reply in the vague look he gave her, but she thought she read the “Yes” he had not uttered.

Transfigured a second time, she lifted towards him a new face, where desire, born again, drove, with the strength of desperation, all terror away.

ill-031

“Demetrios!” she stammered, affrighted.

She spoke no more, but already between her lips that were never to close again, each breath she drew sang a soft song, as if she was beginning to feel the deepest voluptuousness of love before even being gripped in the conjunction she craved.

ill-032

Nevertheless, she gained this supreme victory.

With one movement, she tore off her light tunic and rolled it up into a ball of muslin that she threw behind her, smiling with scarce a vestige of sadness. Her young and slender body was outstretched in such great and lively felicity that it was impossible for it not to be eternal, and as her preoccupied lover, who perhaps was merely anxiously hesitating, terminated the work of Love without beginning that of Death, she suddenly exclaimed:

“Ah! Kill me! Kill me, I say, Demetrios! Why do you tarry?”

He rose up a little, resting on his hands; looked once more at Touni, whose great eyes peered ecstatically in his face, from beneath him, and drawing out one of the long, golden hairpins that glittered behind her ears, he drove it deliberately home under her left breast.


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