Copyright, 1912BYFrederick Warne & Co.
Copyright, 1912
BY
Frederick Warne & Co.
FOREWORD
FOREWORD
WILHELM KUHNERT is the greatest animal-painter of our day. There has never been a more excellent colourist or more skilful draughtsman of shape and action; and there is none with a more masterly touch or more unmistakable individuality. There is no misunderstanding his intention. The lifelike likeness of the animal set in its local atmosphere is his predominating endeavour. His range is of the widest, and his subjects all come alike to him; he has no preference for any particular group or family, but draws them all, vertebrate and invertebrate, with power, truth, and sympathy.
With a knowledge of the very soul of the animal such as few possess, his pictures are replete with insight into character and its vivid expression, and fascinate even those who may not adequately appreciate their wonderful accuracy. “We who have travelled,” as Mr. G. J. Millais remarks, “do not need to be told that his studies from nature are correct. His lions, elephants, zebras, and antelopes are so real that we feel we are gazing at them on the plains of East Africa. The landscapes are simple but intense; sunlight is there, and the trees and grass are just those that grow in the habitat of these species. Kuhnert has, as it were, got inside the very skin of African life, and draws you insensibly within the charmed circle.”
In a gallery his works at once arrest attention by their vigorous realism. There is life within the frame of whatever he paints. He is the Frans Hals of animal portraiture.
He was born at Oppeln in Silesia on the 28th of September 1865, and during his student days at the Academy of Berlin, was influentially advised to devote himself to animal painting, for which he had evidently a special gift. He began, however, as a portrait painter, and from his pictures, particularly those ofAfrican life, it is clear that in that branch of art he would have distinguished himself; but fortunately, he could not withstand his inclination. From a painter of portraits of men and women he developed into a portrait-painter of animals, finding his subjects alive by the countryside and in menageries and zoological gardens, and then seeking them farther afield in Africa and Southern Asia, where he worked assiduously in forest and jungle. Fifty of his characteristic studies are included in this book, and in them, as in all, the blending of the animal with the surroundings is remarkable, and the faithfulness with which the landscape, painted on the spot, has been rendered is apparent at a glance.
Search as we will we shall find nothing truer to nature than such triumphs of art as the Polar Bear amid the Arctic ice, the hairy Tigers by the snowy mountain lake, the slender Flamingoes in the evening landscape, the Silver Gull sweeping above the ocean waves, the Black Swans as an idyll of the pool, the Capercaillie posturing in the morning light, and many other masterpieces herein.
This collection, like that of the Kuhnert Exhibition at the Fine Art Society’s Gallery in Bond Street, is arranged purely on artistic lines; no attempt has been made to classify the subjects in zoological order. It is an album of animal portraiture as fully representative of the artist as possible. The pictures have been photographically reproduced in colours from the oil paintings, and the imitation is so exact that little of the charm of the originals has been lost.