Vague remembrances of the awful superstitions of his nation's ancient worship, hurried over the memory of the young Goth, at the first moment of his discovery of the ghost-like occupant of the hall. As he stood in fixed attention before the motionless figure, it soon began to be endowed with the same strange influence over his will, that the lonely house had already exerted. He advanced slowly towards the crouching form.
It never stirred at the noise of his approach. The pale hand still held the mantle over the compressed figure, with the same rigid immobility of grasp. Brave as he was, Hermanric shuddered as he bent down and touched the bloodless, icy fingers. At that action, as if endowed with instant vitality from contact with a living being, the figure suddenly started up.
Then, the folds of the dark mantle fell back, disclosing a face as pale in hue as the stone pillars around it; and the voice of the solitary being became audible, uttering in faint, monotonous accents, these words:—
'He has forgotten and abandoned me!—slay me if you will!—I am ready to die!'
Broken, untuned as it was, there yet lurked in that voice a tone of its old music, there beamed in that vacant and heavy eye a ray of its native gentleness. With a sudden exclamation of compassion and surprise, the Goth stepped forward, raised the trembling outcast in his arms; and, in the impulse of the moment quitting the solitary house, stood the next instant on the firm earth, and under the starry sky, once more united to the charge that he had abandoned—to Antonina whom he had lost.
He spoke to her, caressed her, entreated her pardon, assured her of his future care; but she neither answered nor recognised him. She never looked in his face, never moved in his arms, never petitioned for mercy. She gave no sign of life or being, saving that she moaned at regular intervals in piteous accents:—'He has forgotten and abandoned me!' as if that one simple expression comprised in itself, her acknowledgment of the uselessness of her life, and her dirge for her expected death.
The Goth's countenance whitened to his very lips. He began to fear that her faculties had sunk under her trials. He hurried on with her with trembling steps towards the open country, for he nourished a dreamy, intuitive hope, that the sight of those woods and fields and mountains which she had extolled to him, in her morning's entreaty for protection, might aid in restoring her suspended consciousness, if she now looked on them.
He ran forward, until he had left the suburbs at least half a mile behind him, and had reached an eminence, bounded on each side by high grass banks and clustering woods, and commanding a narrow, yet various prospect, of the valley ground beneath, and the fertile plains that extended beyond.
Here the warrior paused with his burden; and, seating himself on the bank, once more attempted to calm the girl's continued bewilderment and terror. He thought not on his sentinels, whom he had abandoned—on his absence from the suburbs, which might be perceived and punished by an unexpected visit, at his deserted quarters, from his superiors in the camp. The social influence that sways the world; the fragile idol at whose shrine pride learns to bow, and insensibility to feel; the soft, grateful influence of yielding nature yet eternal rule—the influence of woman, source alike of virtues and crimes, of earthly glories and earthly disasters—had, in this moment of anguish and expectation, silenced in him every appeal of duty, and overthrown every obstacle of selfish doubt. He now spoke to Antonina as alluringly as a woman, as gently as a child. He caressed her as warmly as a lover, as cheerfully as a brother, as kindly as a father. He—the rough, northern warrior, whose education had been of arms, and whose youthful aspirations had been taught to point towards strife and bloodshed and glory—even he was now endowed with the tender eloquence of pity and love—with untiring, skilful care—with calm, enduring patience.
Gently and unceasingly he plied his soothing task; and soon, to his joy and triumph, he beheld the approaching reward of his efforts, in the slow changes that became gradually perceptible in the girl's face and manner. She raised herself in his arms, looked up fixedly and vacantly into his face, then round upon the bright, quiet landscape, then back again more stedfastly upon her companion; and at length, trembling violently, she whispered softly and several times the young Goth's name, glancing at him anxiously and apprehensively, as if she feared and doubted while she recognised him.
'You are bearing me to my death,'—said she suddenly. 'You, who once protected me—you, who forsook me!—You are luring me into the power of the woman who thirsts for my blood!—Oh, it is horrible—horrible!'
She paused, averted her face, and shuddering violently, disengaged herself from his arms. After an interval, she continued:—
'Through the long day, and in the beginning of the cold night, I have waited in one solitary place for the death that is in store for me! I have suffered all the loneliness of my hours of expectation, without complaint; I have listened with little dread, and no grief, for the approach of my enemy who has sworn that she will shed my blood! Having none to love me, and being a stranger in the land of my own nation, I have nothing to live for! But it is a bitter misery to me to behold in you the fulfiller of my doom; to be snatched by the hand of Hermanric from the heritage of life that I have so long struggled to preserve!'
Her voice had altered, as she pronounced these words, to an impressive lowness and mournfulness of tone. Its quiet, saddened accents were expressive of an almost divine resignation and sorrow; they seemed to be attuned to a mysterious and untraceable harmony with the melancholy stillness of the night-landscape. As she now stood looking up with pale, calm countenance, and gentle, tearless eyes, into the sky whose moonlight brightness shone softly over her form, the Virgin watching the approach of her angel messenger could hardly have been adorned with a more pure and simple loveliness, than now dwelt over the features of Numerian's forsaken child.
No longer master of his agitation; filled with awe, grief, and despair, as he looked on the victim of his heartless impatience; Hermanric bowed himself at the girl's feet, and, in the passionate utterance of real remorse, offered up his supplications for pardon and his assurances of protection and love. All that the reader has already learned—the bitter self-upbraidings of his evening, the sorrowful wanderings of his night, the mysterious attraction that led him to the solitary house, his joy at once more discovering his lost charge—all these confessions he now poured forth in the simple yet powerful eloquence of strong emotion and true regret.
Gradually and amazedly, as she listened to his words, Antonina awoke from her abstraction. Even the expression of his countenance and the earnestness of his manner, viewed by the intuitive penetration of her sex, wrought with kind and healing influence on her mind. She started suddenly, a bright flush flew over her colourless cheeks; she bent down, and looked earnestly and wistfully into the Goth's face. Her lips moved, but her quick convulsive breathing stifled the words that she vainly endeavoured to form.
'Yes,' continued Hermanric, rising and drawing her towards him again, 'you shall never mourn, never fear, never weep more! Though you have lost your father, and the people of your nation are as strangers to you, though you have been threatened and forsaken, you shall still be beautiful—still be happy; for I will watch you, and you shall never be harmed; I will labour for you, and you shall never want! People and kindred—fame and duty, I will abandon them all to make atonement to you!'
Its youthful freshness and hope returned to the girl's heart, as water to the long-parched spring, when the young warrior ceased. The tears stood in her eyes, but she neither sighed nor spoke. Her frame trembled all over with the excess of her astonishment and delight, as she still steadfastly looked on him and still listened intently as he proceeded:—
'Fear, then, no longer for your safety—Goisvintha, whom you dread, is far from us; she knows not that we are here; she cannot track our footsteps now, to threaten or to harm you! Remember no more how you have suffered and I have sinned! Think only how bitterly I have repented our morning's separation, and how gladly I welcome our meeting of to-night! Oh, Antonina! you are beautiful with a wondrous loveliness, you are young with a perfected and unchildlike youth, your words fall upon my ear with the music of a song of the olden time; it is like a dream of the spirits that my fathers worshipped, when I look up and behold you at my side!'
An expression of mingled confusion, pleasure, and surprise, flushed the girl's half-averted countenance as she listened to the Goth. She rose with a smile of ineffable gratitude and delight, and pointed to the prospect beyond, as she softly rejoined:—
'Let us go a little further onward, where the moonlight shines over the meadow below. My heart is bursting in this shadowy place! Let us seek the light that is yonder; it seems happy like me!'
They walked forward; and as they went, she told him again of the sorrows of her past day; of her lonely and despairing progress from his tent to the solitary house where he had found her in the night, and where she had resigned herself from the first to meet a death that had little horror for her then. There was no thought of reproach, no utterance of complaint, in this renewal of her melancholy narration. It was solely that she might luxuriate afresh in those delighting expressions of repentance and devotion, which she knew that it would call forth from the lips of Hermanric, that she now thought of addressing him once more with the tale of her grief.
As they still went onward; as she listened to the rude fervent eloquence of the language of the Goth; as she looked on the deep repose of the landscape, and the soft transparency of the night sky; her mind, ever elastic under the shock of the most violent emotions, ever ready to regain its wonted healthfulness and hope—now recovered its old tone, and re-assumed its accustomed balance. Again her memory began to store itself with its beloved remembrances, and her heart to rejoice in its artless longings and visionary thoughts. In spite of all her fears and all her sufferings, she now walked on blest in a disposition that woe had no shadow to darken long, and neglect no influence to warp; still as happy in herself; even yet as forgetful of her past, as hopeful for her future, as on that first evening when we beheld her in her father's garden, singing to the music of her lute.
Insensibly as they proceeded, they had diverged from the road, had entered a bye-path, and now stood before a gate which led to a small farm house, surrounded by its gardens and vineyards, and, like the suburbs that they had quitted, deserted by its inhabitants on the approach of the Goths. They passed through the gate, and arriving at the plot of ground in front of the house, paused for a moment to look around them.
The meadows had been already stripped of their grass, and the young trees of their branches by the foragers of the invading army, but here the destruction of the little property had been stayed. The house with its neat thatched roof and shutters of variegated wood, the garden with its small stock of fruit and its carefully tended beds of rare flowers, designed probably to grace the feast of a nobleman or the statue of a martyr, had presented no allurements to the rough tastes of Alaric's soldiery. Not a mark of a footstep appeared on the turf before the house door; the ivy crept in its wonted luxuriance about the pillars of the lowly porch; and as Hermanric and Antonina walked towards the fish-pond at the extremity of the garden, the few water-fowl placed there by the owners of the cottage, came swimming towards the bank, as if to welcome in their solitude the appearance of a human form.
Far from being melancholy, there was something soothing and attractive about the loneliness of the deserted farm. Its ravaged outhouses and plundered meadows, which might have appeared desolate by day, were so distanced, softened, and obscured, by the atmosphere of night, that they presented no harsh contrast to the prevailing smoothness and luxuriance of the landscape around. As Antonina beheld the brightened fields and the shadowed woods, here mingled, there succeeding each other, stretched far onward and onward until they joined the distant mountains, that eloquent voice of nature, whose audience is the human heart, and whose theme is eternal love, spoke inspiringly to her attentive senses. She stretched out her arms as she looked with steady and enraptured gaze upon the bright view before her, as if she longed to see its beauties resolved into a single and living form—into a spirit human enough to be addressed, and visible enough to be adored.
'Beautiful earth!' she murmured softly to herself, 'Thy mountains are the watch-towers of angels, thy moonlight is the shadow of God!'
Her eyes filled with bright, happy tears; she turned to Hermanric, who stood watching her, and continued:—
'Have you never thought that light, and air, and the perfume of flowers, might contain some relics of the beauties of Eden that escaped with Eve, when she wandered into the lonely world? They glowed and breathed for her, and she lived and was beautiful in them! They were united to one another, as the sunbeam is united to the earth that it warms; and could the sword of the cherubim have sundered them at once? When Eve went forth, did the closed gates shut back in the empty Paradise, all the beauty that had clung, and grown, and shone round her? Did no ray of her native light steal forth after her into the desolateness of the world? Did no print of her lost flowers remain on the bosom they must once have pressed? It cannot be! A part of her possessions of Eden must have been spared to her with a part of her life. She must have refined the void air of the earth when she entered it, with a breath of the fragrant breezes, and gleam of the truant sunshine of her lost Paradise! They must have strengthened and brightened, and must now be strengthening and brightening with the slow lapse of mortal years, until, in the time when earth itself will be an Eden, they shall be made one again with the hidden world of perfection, from which they are yet separated. So that, even now, as I look forth over the landscape, the light that I behold has in it a glow of Paradise, and this flower that I gather a breath of the fragrance that once stole over the senses of my first mother, Eve!'
Though she paused here, as if in expectation of an answer, the Goth preserved an unbroken silence. Neither by nature nor position was he capable of partaking the wild fancies and aspiring thoughts, drawn by the influences of the external world from their concealment in Antonina's heart.
The mystery of his present situation; his vague remembrance of the duties he had abandoned; the uncertainty of his future fortunes and future fate; the presence of the lonely being so inseparably connected with his past emotions and his existence to come, so strangely attractive by her sex, her age, her person, her misfortunes, and her endowments; all contributed to bewilder his faculties. Goisvintha, the army, the besieged city, the abandoned suburbs, seemed to hem him in like a circle of shadowy and threatening judgments; and in the midst of them stood the young denizen of Rome, with her eloquent countenance and her inspiring words, ready to hurry him, he knew not whither, and able to influence him, he felt not how.
Unconsciously interpreting her companion's silence into a wish to change the scene and the discourse, Antonina, after lingering over the view from the garden for a moment longer, led the way back towards the untenanted house. They removed the wooden padlock from the door of the dwelling, and guided by the brilliant moonlight, entered its principal apartment.
The homely adornments of the little room had remained undisturbed, and dimly distinguishable though they now were, gave it to the eyes of the two strangers, the same aspect of humble comfort which had probably once endeared it to its exiled occupants. As Hermanric seated himself by Antonina's side on the simple couch which made the principal piece of furniture in the place, and looked forth from the window over the same view that they had beheld in the garden, the magic stillness and novelty of the scene now began to affect his slow perceptions, as they had already influenced the finer and more sensitive faculties of the thoughtful girl. New hopes and tranquil ideas arose in his young mind, and communicated an unusual gentleness to his expression, an unusual softness to his voice, as he thus addressed his silent companion:—
'With such a home as this, with this garden, with that country beyond, with no warfare, no stern teachers, no enemy to threaten you; with companions and occupations that you loved—tell me, Antonina, would not your happiness be complete?'
As he looked round at the girl to listen to her reply, he saw that her countenance had changed. Their past expression of deep grief had again returned to her features. Her eyes were fixed on the short dagger that hung over the Goth's breast, which seemed to have suddenly aroused in her a train of melancholy and unwelcome thoughts. When she at length spoke, it was in a mournful and altered voice, and with a mingled expression of resignation and despair.
'You must leave me—we must be parted again,' said she; 'the sight of your weapons has reminded me of all that until now I had forgotten, of all that I have left in Rome, of all that you have abandoned before the city walls. Once I thought we might have escaped together from the turmoil and the danger around us, but now I know that it is better that you should depart! Alas! for my hopes and my happiness, I must be left alone once more!'
She paused for an instant, struggling to retain her self-possession, and then continued:—
'Yes, you must quit me, and return to your post before the city; for in the day of assault there will be none to care for my father but you! Until I know that he is safe, until I can see him once more, and ask him for pardon, and entreat him for love, I dare not remove from the perilous precincts of Rome! Return, then, to your duties, and your companions, and your occupations of martial renown; and do not forget Numerian when the city is assailed, nor Antonina, who is left to think on you in the solitary plains!'
She rose from her place, as if to set the example of departing; but her strength and resolution both failed her, and she sank down again on the couch, incapable of making another movement, or uttering another word.
Strong and conflicting emotions passed over the heart of the Goth. The language of the girl had quickened the remembrance of his half-forgotten duties, and strengthened the failing influence of his old predilections of education and race. Both conscience and inclination now opposed his disputing her urgent and unselfish request. For a few minutes he remained in deep reflection; then he rose and looked earnestly from the window; then back again upon Antonina and the room they occupied. At length, as if animated by a sudden determination, he again approached his companion, and thus addressed her:—
'It is right that I should return. I will do your bidding, and depart for the camp (but not till the break of day), while you, Antonina, remain in concealment and in safety here. None can come hither to disturb you. The Goths will not revisit the fields they have already stripped; the husbandman who owns this dwelling is imprisoned in the beleaguered city; the peasants from the country beyond dare not approach so near to the invading hosts; and Goisvintha, whom you dread, knows not even of the existence of such a refuge as this. Here, though lonely, you will be secure; here you can await my return, when each succeeding night gives me the opportunity of departing from the camp; and here I will warn you beforehand, if the city is devoted to an assault. Though solitary, you will not be abandoned—we shall not be parted one from the other. Often and often I shall return to look on you, and to listen to you, and to love you! You will be happier here, even in this lonely place, than in the former home that you have lost through your father's wrath!'
'Oh! I will willingly remain—I will joyfully await you!' cried the girl, raising her beaming eyes to Hermanric's face. 'I will never speak mournfully to you again; I will never remind you more of all that I have suffered, and all that I have lost! How merciful you were to me, when I first saw you in your tent—how doubly merciful you are to me here! I am proud when I look on your stature, and your strength, and your heavy weapons, and know that you are happy in remaining with me; that you will succour my father; that you will return from your glittering encampments to this farm-house, where I am left to await you! Already I have forgotten all that has happened to me of woe; already I am more joyful than ever I was in my life before! See, I am no longer weeping in sorrow! If there are any tears still on my cheeks, they are the tears of gladness that every one welcomes—tears to sing and rejoice in!'
She ceased abruptly, as if words failed to give expression to her new delight. All the gloomy emotions that had oppressed her but a short time before had now completely vanished; and the young, fresh heart, superior still to despair and woe, basked as happily again in its native atmosphere of joy as a bird in the sunlight of morning and spring.
Then, when after an interval of delay their former tranquility had returned to them, how softly and lightly the quiet hours of the remaining night flowed onward to the two watchers in the lonely house! How gladly the delighted girl disclosed her hidden thoughts, and poured forth her innocent confessions, to the dweller among other nations and the child of other impressions than her own! All the various reflections aroused in her mind by the natural objects she had secretly studied, by the mighty imagery of her Bible lore, by the gloomy histories of saints' visions and martyrs' sufferings, which she had learnt and pondered over by her father's side, were now drawn from their treasured places in her memory, and addressed to the ear of the Goth. As the child flies to the nurse with the story of its first toy; as the girl resorts to the sister with the confession of her first love; as the poet hurries to the friend with the plan of his first composition; so did Antonina seek the attention of Hermanric with the first outward revealings enjoyed by her faculties and the first acknowledgment of her emotions liberated from her heart.
The longer the Goth listened to her, the more perfect became the enchantment of her words, half struggling into poetry, and her voice half gliding into music. As her low, still, varying tones wound smoothly into his ear, his thoughts suddenly and intuitively reverted to her formerly expressed remembrances of her lost lute, inciting him to ask her, with new interest and animation, of the manner of her acquisition of that knowledge of song, which she had already assured him that she possessed.
'I have learned many odes of many poets,' said she, quickly and confusedly avoiding the mention of Vetranio, which a direct answer to Hermanric's question must have produced, 'but I remember none perfectly, save those whose theme is of spirits and of other worlds, and of the invisible beauty that we think of but cannot see. Of the few that I know of these, there is one that I first learned and loved most. I will sing it, that you may be assured I will not fail to you in my promised art.'
She hesitated for a moment. Sorrowful remembrances of the events that had followed the utterance of the last notes she sang in her father's garden, swelled within her, and held her speechless. Soon, however, after a short interval of silence, she recovered her self-possession, and began to sing, in low tremulous tones, that harmonised well with the character of the words and the strain of the melody which she had chosen.
I.
The skies were its birth-place—the TEAR was the childOf the dark maiden SORROW, by young JOY beguil'd;It was born in convulsion; 'twas nurtur'd in woe;And the world was yet young when it wander'd below.
II.
No angel-bright guardians watch'd over its birth,Ere yet it was suffer'd to roam upon earth;No spirits of gladness its soft form caress'd;SIGHS mourned round its cradle, and hush'd it to rest.
III.
Though JOY might endeavour, with kisses and wiles,To lure it away to his household of smiles:From the daylight he lived in it turn'd in affright,To nestle with SORROW in climates of night.
IV.
When it came upon earth, 'twas to choose a career,The brightest and best that is left to a TEAR;To hallow delight, and bestow the reliefDenied by despair to the fulness of grief.
V.
Few repell'd it—some bless'd it—wherever it came;Whether soft'ning their sorrow, or soothing their shame;And the joyful themselves, though its name they might fear,Oft welcom'd the calming approach of the TEAR!
VI.
Years on years have worn onward, as—watch'd from above—Speeds that meek spirit yet on its labour of love;Still the exile of Heav'n, it ne'er shall away,Every heart has a home for it, roam where it may!
For the first few minutes after she had concluded the ode, Hermanric was hardly conscious that she had ceased; and when at length she looked up at him, her mute petition for approval had an eloquence which would have been marred to the Goth at that moment, by the utterance of single word. A rapture, an inspiration, a new life moved within him. The hour and the scene completed what the magic of the song had begun. His expression now glowed with a southern warmth; his words assumed a Roman fervour. Gradually, as they discoursed, the voice of the girl was less frequently audible. A change was passing over her spirit; from the teacher, she was now becoming the pupil.
As she still listened to the Goth, as she felt the birth of new feelings within her while he spoke, her cheeks glowed, her features lightened up, her very form seemed to freshen and expand. No intruding thought or awakening remembrance disturbed her rapt attention. No cold doubt, no gloomy hesitation, appeared in her companion's words. The one listened, the other spoke, with the whole heart, the undivided soul. While a world-wide revolution was concentrating its hurricane forces around them; while the city of an Empire tottered already to its tremendous fall; while Goisvintha plotted new revenge; while Ulpius toiled for his revolution of bloodshed and ruin; while all these dark materials of public misery and private strife seethed and strengthened around them, they could as completely forget the stormy outward world, in themselves; they could think as serenely of tranquil love; the kiss could be given as passionately and returned as tenderly, as if the lot of their existence had been cast in the pastoral days of the shepherd poets, and the future of their duties and enjoyments was securely awaiting them in a land of eternal peace!
The end of November is approaching. Nearly a month has elapsed since the occurrence of the events mentioned in the last chapter, yet still the Gothic lines stretch round the city walls. Rome, that we left haughty and luxurious even while ruin threatened her at her gates, has now suffered a terrible and warning change. As we approach her again, woe, horror, and desolation have already gone forth to shadow her lofty palaces and to darken her brilliant streets.
Over Pomp that spurned it, over Pleasure that defied it, over Plenty that scared it in its secret rounds, the spectre Hunger has now risen triumphant at last. Day by day has the city's insufficient allowance of food been more and more sparingly doled out; higher and higher has risen the value of the coarsest and simplest provision; the hoarded supplies that pity and charity have already bestowed to cheer the sinking people have reached their utmost limits. For the rich, there is still corn in the city—treasure of food to be bartered for treasure of gold. For the poor, man's natural nourishment exists no more; the season of famine's loathsome feasts, the first days of the sacrifice of choice to necessity have darkly and irretrievably begun.
It is morning. A sad and noiseless throng is advancing over the cold flagstones of the great square before the Basilica of St. John Lateran. The members of the assembly speak in whispers. The weak are tearful—the strong are gloomy—they all move with slow and languid gait, and hold in their arms their dogs or other domestic animals. On the outskirts of the crowd march the enfeebled guards of the city, grasping in their rough hands rare favourite birds of gaudy plumage and melodious note, and followed by children and young girls vainly and piteously entreating that their favourites may be restored.
This strange procession pauses, at length, before a mighty caldron slung over a great fire in the middle of the square, round which stand the city butchers with bare knives, and the trustiest men of the Roman legions with threatening weapons. A proclamation is then repeated, commanding the populace who have no money left to purchase food, to bring up their domestic animals to be boiled together over the public furnace, for the sake of contributing to the public support.
The next minute, in pursuance of this edict, the dumb favourites of the crowd passed from the owner's caressing hand into the butcher's ready grasp. The faint cries of the animals, starved like their masters, mingled for a few moments with the sobs and lamentations of the women and children, to whom the greater part of them belonged. For, in this the first stage of their calamities, that severity of hunger which extinguishes pity and estranges grief was unknown to the populace; and though fast losing spirit, they had not yet sunk to the depths of ferocious despair which even now were invisibly opening between them. A thousand pangs were felt, a thousand humble tragedies were acted, in the brief moments of separation between guardian and charge. The child snatched its last kiss of the bird that had sung over its bed; the dog looked its last entreaty for protection from the mistress who had once never met it without a caress. Then came the short interval of agony and death, then the steam rose fiercely from the greedy caldron, and then the people for a time dispersed; the sorrowful to linger near the confines of the fire, and the hungry to calm their impatience by a visit to the neighbouring church.
The marble aisles of the noble basilica held a gloomy congregation. Three small candles were alone lighted on the high altar. No sweet voices sang melodious anthems or exulting hymns. The monks, in hoarse tones and monotonous harmonics, chanted the penitential psalms. Here and there knelt a figure clothed in mourning robes, and absorbed in secret prayer; but over the majority of the assembly either blank despondency or sullen inattention universally prevailed.
As the last dull notes of the last psalm died away among the lofty recesses of the church, a procession of pious Christians appeared at the door and advanced slowly to the altar. It was composed both of men and women barefooted, clothed in black garments, and with ashes scattered over their dishevelled hair. Tears flowed from their eyes, and they beat their breasts as they bowed their foreheads on the marble pavement of the altar steps.
This humble public expression of penitence under the calamity that had now fallen on the city was, however, confined only to its few really religious inhabitants, and commanded neither sympathy nor attention from the heartless and obstinate population of Rome. Some still cherished the delusive hope of assistance from the court at Ravenna; others believed that the Goths would ere long impatiently abandon their protracted blockade, to stretch their ravages over the rich and unprotected fields of Southern Italy. But the same blind confidence in the lost terrors of the Roman name, the same fierce and reckless determination to defy the Goths to the very last, sustained the sinking courage and suppressed the despondent emotions of the great mass of the suffering people, from the beggar who prowled for garbage, to the patrician who sighed over his new and unwelcome nourishment of simple bread.
While the penitents who formed the procession above described were yet engaged in the performance of their unnoticed and unshared duties of penance and prayer, a priest ascended the great pulpit of the basilica, to attempt the ungrateful task of preaching patience and piety to the hungry multitude at his feet.
He began his sermon by retracing the principal occurrences in Rome since the beginning of the Gothic blockade. He touched cautiously upon the first event that stained the annals of the besieged city—the execution of the widow of the Roman general Stilicho, on the unauthorised suspicion that she had held treasonable communication with Alaric and the invading army; he noticed lengthily the promises of assistance transmitted from Ravenna, after the perpetration of that ill-omened act. He spoke admiringly of the skill displayed by the government in making the necessary and immediate reductions in the daily supplies of food; he lamented the terrible scarcity which followed, too inevitably, those seasonable reductions. He pronounced an eloquent eulogium on the noble charity of Laeta, the widow of the Emperor Gratian, who, with her mother, devoted the store of provisions obtained by their imperial revenues to succouring, at that important juncture, the starving and desponding poor: he admitted the new scarcity, consequent on the dissipation of Laeta's stores; deplored the present necessity of sacrificing the domestic animals of the citizens; condemned the enormous prices now demanded for the last remnants of wholesome food that were garnered up; announced it as the firm persuasion of every one that a few days more would bring help from Ravenna; and ended his address by informing his auditory that, as they had suffered so much already, they could patiently suffer a little more, and that if, after this, they were so ill-fated as to sink under their calamities, they would feel it a noble consolation to die in the cause of Catholic and Apostolic Rome, and would assuredly be canonised as saints and martyrs by the next generation of the pious in the first interval of fertile and restoring peace.
Flowing as was the eloquence of this oration, it yet possessed not the power of inducing one among those whom it addressed to forget the sensation of his present suffering, and to fix his attention on the vision of future advantage, spread before all listeners by the fluent priest. With the same murmurs of querulous complaint, and the same expressions of impotent hatred and defiance of the Goths which had fallen from them as they entered the church, the populace now departed from it, to receive from the city officers the stinted allowance of repugnant food, prepared for their hunger from the caldron in the public square.
And see, already from other haunts in the neighbouring quarter of Rome their fellow-citizens press onward at the given signal, to meet them round the caldron's sides! The languid sentinel, released from duty, turns his gaze from the sickening prospect of the Gothic camp, and hastens to share the public meal; the baker starts from sleeping on his empty counter, the beggar rises from his kennel in the butcher's vacant out-house, the slave deserts his place by the smouldering kitchen-fire—all hurry to swell the numbers of the guests that are bidden to the wretched feast. Rapidly and confusedly, the congregation in the basilica pours through its lofty gates; the priests and penitents retire from the altar's foot, and in the great church, so crowded but a few moments before, there now only remains the figure of a solitary man.
Since the commencement of the service, neither addressed nor observed, this lonely being has faltered round the circle of the congregation, gazing long and wistfully over the faces that met his view. Now that the sermon is ended, and the last lingerer has quitted the church, he turns from the spot whence he has anxiously watched the different members of the departing throng, and feebly crouches down on his knees at the base of a pillar that is near him. His eyes are hollow, and his cheeks are wan; his thin grey hairs are few and fading on his aged head. He makes no effort to follow the crowd and partake their sustenance; no one is left behind to urge, no one returns to lead him to the public meal. Though weak and old, he is perfectly forsaken in his loneliness, perfectly unsolaced in his grief; his friends have lost all trace of him; his enemies have ceased to fear or to hate him now. As he crouches by the pillar alone, he covers his forehead with his pale, palsied hands, his dim eyes fill with bitter tears, and such expressions as these are ever and anon faintly audible in the intervals of his heavy sighs: 'Day after day! Day after day! And my lost one is not found! my loved and wronged one is not restored! Antonina! Antonina!'
Some days after the public distribution of food in the square of St. John Lateran, Vetranio's favourite freedman might have been observed pursuing his way homeward, sadly and slowly, to his master's palace.
It was not without cause that the pace of the intelligent Carrio was funereal and his expression disconsolate. Even during the short period that had elapsed since the scene in the basilica already described, the condition of the city had altered fearfully for the worse. The famine advanced with giant strides; every succeeding hour endued it with new vigour, every effort to repel it served but to increase its spreading and overwhelming influence. One after another the pleasures and pursuits of the city declined beneath the dismal oppression of the universal ill, until the public spirit in Rome became moved alike in all classes by one gloomy inspiration—a despairing defiance of the famine and the Goths.
The freedman entered his master's palace neither saluted nor welcomed by the once obsequious slaves in the outer lodge. Neither harps nor singing-boys, neither woman's ringing laughter nor man's bacchanalian glee, now woke the echoes in the lonely halls. The pulse of pleasure seemed to have throbbed its last in the joyless being of Vetranio's altered household.
Hastening his steps as he entered the mansion, Carrio passed into the chamber where the senator awaited him.
On two couches, separated by a small table, reclined the lord of the palace and his pupil and companion at Ravenna, the once sprightly Camilla. Vetranio's open brow had contracted a clouded and severe expression, and he neither regarded nor addressed his visitor, who, on her part, remained as silent and as melancholy as himself. Every trace of the former characteristics of the gay, elegant voluptuary and the lively, prattling girl seemed to have completely vanished. On the table between them stood a large bottle containing Falernian wine, and a vase filled with a little watery soup, in the middle of which floated a small dough cake, sparingly sprinkled with common herbs. As for the usual accompaniments of Vetranio's luxurious privacy, they were nowhere to be seen. Poems, pictures, trinkets, lutes, all were absent. Even the 'inestimable kitten of the breed most worshipped by the ancient Egyptians' appeared no more. It had been stolen, cooked, and eaten by a runaway slave, who had already bartered its ruby collar for a lean parrot and the unroasted half of the carcase of a dog.
'I lament to confess it, O estimable patron, but my mission has failed,' observed Carrio, producing from his cloak several bags of money and boxes of jewels, which he carefully deposited on the table. 'The Prefect has himself assisted in searching the public and private granaries, and has arrived at the conclusion that not a handful of corn is left in the city. I offered publicly in the market-place five thousand sestertii for a living cock and hen, but was told that the race had long since been exterminated, and that, as money would no longer buy food, money was no longer desired by the poorest beggar in Rome. There is no more even of the hay I yesterday purchased to be obtained for the most extravagant bribes. Those still possessing the smallest supplies of provision guard and hide them with the most jealous care. I have done nothing but obtain for the consumption of the few slaves who yet remain faithful in the house this small store of dogs' hides, reserved from the public distribution of some days since in the square of the Basilica of St. John.'
And the freedman, with an air of mingled triumph and disgust, produced as he spoke his provision of dirty skins.
'What supplies have we still left in our possession?' demanded Vetranio, after drinking a deep draught of the Falernian, and motioning his servant to place his treasured burden out of sight.
'I have hidden in a secure receptacle, for I know not how soon hunger may drive the slaves to disobedience,' rejoined Carrio, 'seven bags of hay, three baskets stocked with salted horse-flesh, a sweetmeat-box filled with oats, and another with dried parsley; the rare Indian singing birds are still preserved inviolate in their aviary; there is a great store of spices, and some bottles of the Nightingale Sauce yet remain.'
'What is the present aspect of the city?' interrupted Vetranio impatiently.
'Rome is as gloomy as a subterranean sepulchre,' replied Carrio, with a shudder. 'The people congregate in speechless and hungry mobs at the doors of their houses and the corners of the streets, the sentinels at the ramparts totter on their posts, women and children are sleeping exhausted on the very pavements of the churches, the theatres are emptied of actors and audience alike, the baths resound with cries for food and curses on the Goths, thefts are already committed in the open and unguarded shops, and the barbarians remain fixed in their encampments, unapproached by our promised legions from Ravenna, neither assaulting us in our weakness, nor preparing to raise the blockade! Our situation grows more and more perilous. I have great hopes in our store of provisions; but—'
'Cast your hopes to the court at Ravenna, and your beasts' provender to the howling mob!' cried Vetranio with sudden energy. 'It is now too late to yield; if the next few days bring us no assistance, the city will be a human shambles! And think you that I, who have already lost in this public suspension of social joys my pleasures, my employments, and my companions, will wait serenely for the lingering and ignoble death that must then threaten us all? No, it shall never be said that I died starving with the herd, like a slave that his master deserts! Though the plates in my banqueting hall must now be empty, my vases and wine-cups shall yet sparkle for my guests! There is still wine in the cellar, and spices and perfumes remain in the larder stores! I will invite my friends to a last feast; a saturnalia in a city of famine; a banquet of death, spread by the jovial labours of Silenus and his fauns! Though the Parcae have woven for me the destiny of a dog, it is the hand of Bacchus that shall sever the fatal thread!'
His cheeks were flushed, his eyes sparkled; all the mad energy of his determination appeared in his face as he spoke. He was no longer the light, amiable, smooth-tongued trifler, but a moody, reckless, desperate man, careless of every obligation and pursuit which had hitherto influenced the easy surface of his patrician life. The startled Camilla, who had as yet preserved a melancholy silence, ran towards him with affrighted looks and undissembled tears. Carrio stared in vacant astonishment on his master's disordered countenance; and, forgetting his bundle of dogskins, suffered them to drop unheeded on the floor. A momentary silence followed, which was suddenly interrupted by the abrupt entrance of a fourth person, pale, trembling and breathless, who was no other than Vetranio's former visitor, the Prefect Pompeianus.
'I bid you welcome to my approaching feast of brimming wine-cups and empty dishes!' cried Vetranio, pouring the sparkling Falernian into his empty glass. 'The last banquet given in Rome, ere the city is annihilated, will be mine! The Goths and the famine shall have no part in my death! Pleasure shall preside at my last moments, as it has presided at my whole life! I will die like Sardanapalus, with my loves and my treasures around me, and the last of my guests who remains proof against our festivity shall set fire to my palace, as the kingly Assyrian set fire to his!'