Thus during the whole day he continued his labour of useless persuasion among those in the city who had once been his friends. When the evening came, he repaired, weary but not despondent, to the earthly paradise that he was determined to regain—to the temple where he had once taught, and where he still imagined that he was again destined to preside. Here he proceeded, ignorant of the new laws, careless of discovery and danger, to ascertain by divination, as in the days of old, whether failure or success awaited him ultimately in his great design.
Meanwhile the friends whose assistance Ulpius had determined to extort were far from remaining inactive on their parts after the departure of the aspiring priest. They remembered with terror that the laws affected as severely those concealing their knowledge of a Pagan intrigue as those actually engaged in directing a Pagan conspiracy; and their anxiety for their personal safety overcoming every consideration of the dues of honour or the claims of ancient friendship, they repaired in a body to the Prefect of the city, and informed him, with all the eagerness of apprehension, of the presence of Ulpius in Alexandria, and of the culpability of the schemes that he had proposed.
A search after the devoted Pagan was immediately commenced. He was found the same night before a ruined altar, brooding over the entrails of an animal that he had just sacrificed. Further proof of his guilt could not be required. He was taken prisoner; led forth the next morning to be judged, amid the execrations of the very people who had almost adored him once; and condemned the following day to suffer the penalty of death.
At the appointed hour the populace assembled to behold the execution. To their indignation and disappointment, however, when the officers of the city appeared before the prison, it was only to inform the spectators that the performance of the fatal ceremony had been adjourned. After a mysterious delay of some weeks, they were again convened, not to witness the execution, but to receive the extraordinary announcement that the culprit's life had been spared, and that his amended sentence now condemned him to labour as a slave for life in the copper-mines of Spain.
What powerful influence induced the Prefect to risk the odium of reprieving a prisoner whose guilt was so satisfactorily ascertained as that of Ulpius never was disclosed. Some declared that the city magistrate was still at heart a Pagan, and that he consequently shrunk from authorising the death of a man who had once been the most illustrious among the professors of the ancient creed. Others reported that Ulpius had secured the leniency of his judges by acquainting them with the position of one of those secret repositories of enormous treasure supposed to exist beneath the foundations of the dismantled Temple of Serapis. But the truth of either of these rumours could never be satisfactorily proved. Nothing more was accurately discovered than that Ulpius was removed from Alexandria to the place of earthly torment set apart for him by the zealous authorities, at the dead of night; and that the sentry at the gate through which he departed heard him mutter to himself, as he was hurried onward, that his divinations had prepared him for defeat, but that the great day of Pagan restoration would yet arrive.
In the year 407, twelve years after the events above narrated, Ulpius entered the city of Rome.
He had not advanced far, before the gaiety and confusion in the streets appeared completely to bewilder him. He hastened to the nearest public garden that he could perceive, and avoiding the frequented paths, flung himself down, apparently fainting with exhaustion, at the foot of a tree.
For some time he lay on the shady resting-place which he had chosen, gasping painfully for breath, his frame ever and anon shaken to its centre by sudden spasms, and his lips quivering with an agitation which he vainly endeavoured to suppress. So changed was his aspect, that the guards who had removed him from Alexandria, wretched as was his appearance even then, would have found it impossible to recognise him now as the same man whom they had formerly abandoned to slavery in the mines of Spain. The effluvia exhaled from the copper ore in which he had been buried for twelve years had not only withered the flesh upon his bones, but had imparted to its surface a livid hue, almost death-like in its dulness. His limbs, wasted by age and distorted by suffering, bent and trembled beneath him; and his form, once so majestic in its noble proportions, was now so crooked and misshapen, that whoever beheld him could only have imagined that he must have been deformed from his birth. Of the former man no characteristic remained but the expression of the stern, mournful eyes; and these, the truthful interpreters of the indomitable mind whose emotions they seemed created to express, preserved, unaltered by suffering and unimpaired by time, the same look, partly of reflection, partly of defiance, and partly of despair, which had marked them in those past days when the temple was destroyed and the congregations of the Pagans dispersed.
But the repose at this moment demanded by his worn-out body was even yet denied to it by his untamed, unwearied mind, and, as the voice of his old delusion spoke within him again, the devoted priest rose from his solitary resting-place, and looked forth upon the great city, whose new worship he was vowed to overthrow.
'By years of patient watchfulness,' he whispered to himself, 'have I succeeded in escaping successfully from my dungeon among the mines. Yet a little more cunning, a little more endurance, a little more vigilance, and I shall still live to people, by my own exertions, the deserted temples of Rome.'
As he spoke he emerged from the grove into the street. The joyous sunlight—a stranger to him for years—shone warmly down upon his face, as if to welcome him to liberty and the world. The sounds of gay laughter rang in his ears, as if to woo him back to the blest enjoyments and amenities of life; but Nature's influence and man's example were now silent alike to his lonely heart. Over its dreary wastes still reigned the ruthless ambition which had exiled love from his youth, and friendship from his manhood, and which was destined to end its mission of destruction by banishing tranquility from his age. Scowling fiercely at all around and above him, he sought the loneliest and shadiest streets. Solitude had now become a necessity to his heart. The 'great gulph' of his unshared aspirations had long since socially separated him for ever from his fellow-men. He thought, laboured, and suffered for himself alone.
To describe the years of unrewarded labour and unalleviated hardship endured by Ulpius in the place of his punishment; to dwell on the day that brought with it—whatever the season in the world above—the same unwearying inheritance of exertion and fatigue; to chronicle the history of night after night of broken slumber one hour, of wearying thought the next, would be to produce a picture from the mournful monotony of which the attention of the reader would recoil with disgust. It will be here sufficient to observe, that the influence of the same infatuation which had nerved him to the defence of the assaulted temple, and encouraged him to attempt his ill-planned restoration of Paganism, had preserved him through sufferings under which stronger and younger men would have sunk for ever; had prompted his determination to escape from his slavery, and had now brought him to Rome—old, forsaken, and feeble as he was—to risk new perils and suffer new afflictions for the cause to which, body and soul, he had ruthlessly devoted himself for ever.
Urged, therefore, by his miserable delusion, he had now entered a city where even his name was unknown, faithful to his frantic project of opposing himself, as a helpless, solitary man, against the people and government of an Empire. During his term of slavery, regardless of his advanced years, he had arranged a series of projects, the gradual execution of which would have demanded the advantages of a long and vigorous life. He no more desired, as in his former attempt at Alexandria, to precipitate at all hazards the success of his designs. He was now prepared to watch, wait, plot, and contrive for years on years; he was resigned to be contented with the poorest and slowest advancement—to be encouraged by the smallest prospect of ultimate triumph. Acting under this determination, he started his project by devoting all that remained of his enfeebled energies to cautiously informing himself, by every means in his power, of the private, political, and religious sentiments of all men of influence in Rome. Wherever there was a popular assemblage, he attended it to gather the scandalous gossip of the day; wherever there was a chance of overhearing a private conversation, he contrived to listen to it unobserved. About the doors of taverns and the haunts of discharged servants he lurked noiseless as a shadow, attentive alike to the careless revelations of intoxication or the scurrility of malignant slaves. Day after day passed on, and still saw him devoted to his occupation (which, servile as it was in itself, was to his eyes ennobled by its lofty end), until at the expiration of some months he found himself in possession of a vague and inaccurate fund of information, which he stored up as a priceless treasure in his mind. He next discovered the name and abode of every nobleman in Rome suspected even of the most careless attachment to the ancient form of worship. He attended Christian churches, mastered the intricacies of different sects, and estimated the importance of contending schisms; gaining this collection of heterogeneous facts under the combined disadvantages of poverty, solitude, and age; dependent for support on the poorest public charities, and for shelter on the meanest public asylums. Every conclusion that he drew from all he learned partook of the sanguine character of the fatal self-deception which had embittered his whole life. He believed that the dissensions which he saw raging in the Church would speedily effect the destruction of Christianity itself; that, when such a period should arrive, the public mind would require but the guidance of some superior intellect to return to its old religious predilections; and that to lay the foundation for effecting in such a manner the desired revolution, it was necessary for him—impossible though it might seem in his present degraded condition—to gain access to the disaffected nobles of Rome, and discover the secret of acquiring such an influence over them as would enable him to infect them with his enthusiasm, and fire them with his determination. Greater difficulties even than these had been overcome by other men. Solitary individuals had, ere this, originated revolutions. The gods would favour him; his own cunning would protect him. Yet a little more patience, a little more determination, and he might still, after all his misfortunes, be assured of success.
It was about this period that he first heard, while pursuing his investigations, of an obscure man who had suddenly arisen to undertake a reformation in the Christian Church, whose declared aim was to rescue the new worship from that very degeneracy on the fatal progress of which rested all his hopes of triumph. It was reported that this man had been for some time devoted to his reforming labours, but that the difficulties attendant on the task that he had appointed for himself had hitherto prevented him from attaining all the notoriety essential to the satisfactory prosecution of his plans. On hearing this rumour, Ulpius immediately joined the few who attended the new orator's discourses, and there heard enough to convince him that he listened to the most determined zealot for Christianity in the city of Rome. To gain this man's confidence, to frustrate every effort that he might make in his new vocation, to ruin his credit with his hearers, and to threaten his personal safety by betraying his inmost secrets to his powerful enemies in the Church, were determinations instantly adopted by the Pagan as duties demanded by the exigencies of his creed. From that moment he seized every opportunity of favourably attracting the new reformer's attention to himself, and, as the reader already knows, he was at length rewarded for his cunning and perseverance by being received into the household of the charitable and unsuspicious Numerian as a pious convert to the Christianity of the early Church.
Once installed under Numerian's roof, the treacherous Pagan saw in the Christian's daughter an instrument admirably adapted, in his unscrupulous hands, for forwarding his wild project of obtaining the ear of a Roman of power and station who was disaffected to the established worship. Among the patricians of whose anti-Christian predilections report had informed him, was Numerian's neighbour, Vetranio the senator. To such a man, renowned for his life of luxury, a girl so beautiful as Antonina would be a bribe rich enough to enable him to extort any promise required as a reward for betraying her while under the protection of her father's house. In addition to this advantage to be drawn from her ruin, was the certainty that her loss would so affect Numerian as to render him, for a time at least, incapable of pursuing his labours in the cause of Christianity. Fixed then in his detestable purpose, the ruthless priest patiently awaited the opportunity of commencing his machinations. Nor did he watch in vain. The victim innocently fell into the very trap that he had prepared for her when she first listened to the music of Vetranio's lute, and permitted her treacherous guardian to become the friend who concealed her disobedience from her father's ear. After that first fatal step every day brought the projects of Ulpius nearer to success. The long-sought interview with the senator was at length obtained; the engagement imperatively demanded on the one side was, as we have already related, carelessly accepted on the other; the day that was to bring success to the schemes of the betrayer, and degradation to the honour of the betrayed, was appointed; and once more the cold heart of the fanatic warmed to the touch of joy. No doubts upon the validity of his engagement with Vetranio ever entered his mind. He never imagined that powerful senator could with perfect impunity deny him the impracticable assistance he had demanded as his reward, and thrust him as an ignorant madman from his palace gates. Firmly and sincerely he believed that Vetranio was so satisfied with his readiness in pandering to his profligate designs, and so dazzled by the prospect of the glory which would attend success in the great enterprise, that he would gladly hold to the performance of his promise whenever it should be required of him. In the meantime the work was begun. Numerian was already, through his agency, watched by the spies of a jealous and unscrupulous Church. Feuds, schisms, treacheries, and dissensions marched bravely onward through the Christian ranks. All things combined to make it certain that the time was near at hand when, through his exertions and the friendly senator's help, the restoration of Paganism might be assured.
With the widest diversity of pursuit and difference of design, there was still a strange and mysterious analogy between the temporary positions of Ulpius and Numerian. One was prepared to be a martyr for the temple; the other to be a martyr for the Church. Both were enthusiasts in an unwelcome cause; both had suffered more than a life's wonted share of affliction; and both were old, passing irretrievably from their fading present on earth to the eternal future awaiting them in the unknown spheres beyond.
But here—with their position—the comparison between them ends. The Christian's principle of action, drawn from the Divinity he served, was love; the Pagan's, born of the superstition that was destroying him, was hate. The one laboured for mankind; the other for himself. And thus the aspirations of Numerian, founded on the general good, nourished by offices of kindness, and nobly directed to a generous end, might lead him into indiscretion, but could never degrade him into crime—might trouble the serenity of his life, but could never deprive him of the consolation of hope. While, on the contrary, the ambition of Ulpius, originating in revenge and directed to destruction, exacted cruelty from his heart and duplicity from his mind; and, as the reward for his service, mocked him alternately throughout his whole life with delusion and despair.
It is now time to resume our chronicle of the eventful night which marked the destruction of Antonina's lute and the conspiracy against Antonina's honour.
The gates of Vetranio's palace were closed, and the noises in it were all hushed; the banquet was over, the triumph of the Nightingale Sauce had been achieved, and the daybreak was already glimmering in the eastern sky, when the senator's favoured servant, the freedman Carrio, drew back the shutter of the porter's lodge, where he had been dozing since the conclusion of the feast, and looked out lazily into the street. The dull, faint light of dawn was now strengthening slowly over the lonely roadway and on the walls of the lofty houses. Of the groups of idlers of the lowest class who had assembled during the evening in the street to snuff the fragrant odours which steamed afar from Vetranio's kitchens, not one remained; men, women, and children had long since departed to seek shelter wherever they could find it, and to fatten their lean bodies on what had been charitable bestowed on them of the coarser relics of the banquet. The mysterious solitude and tranquility of daybreak in a great city prevailed over all things. Nothing impressed, however, by the peculiar and solemn attraction of the scene at this moment, the freedman apostrophised the fresh morning air, as it blew over him, in strong terms of disgust, and even ventured in lowered tones to rail against his master's uncomfortable fancy for being awakened after a feast at the approach of dawn. Far too well aware, nevertheless, of the necessity of yielding the most implicit obedience to the commands he had received to resign himself any longer to the pleasant temptations of repose, Carrio, after yawning, rubbing his eyes, and indulging for a few moments more in the luxury of complaint, set forth in earnest to follow the corridors leading to the interior of the palace, and to awaken Vetranio without further delay.
He had not advanced more than a few steps when a proclamation, written in letters of gold on a blue-coloured board, and hung against the wall at his side, attracted his attention. This public notice, which delayed his progress at the very outset, and which was intended for the special edification of all the inhabitants of Rome, was thus expressed:—
'ON THIS DAY, AND FOR TEN DAYS FOLLOWING, THE AFFAIRS OF OUR PATRON OBLIGE HIM TO BE ABSENT FROM ROME.'
Here the proclamation ended, without descending to particulars. It had been put forth, in accordance with the easy fashion of the age, to answer at once all applications at Vetranio's palace during the senator's absence. Although the colouring of the board, the writing of the letters, and the composition of the sentence were the work of his own ingenuity, the worthy Carrio could not prevail upon himself to pass the proclamation without contemplating its magnificence anew. For some time he stood regarding it with the same expression of lofty and complacent approbation which we see in these modern days illuminating the countenance of a connoisseur before one of his own old pictures which he has bought as a great bargain, or dawning over the bland features of a linen-draper as he surveys from the pavement his morning's arrangement of the window of the shop. All things, however, have their limits, even a man's approval of an effort of his own skill. Accordingly, after a prolonged review of the proclamation, some faint ideas of the necessity of immediately obeying his master's commands revived in the mind of the judicious Carrio, and counselled him to turn his steps at once in the direction of the palace sleeping apartments.
Greatly wondering what new caprice had induced the senator to contemplate leaving Rome at the dawn of day—for Vetranio had divulged to no one the object of his departure—the freedman cautiously entered his master's bed-chamber. He drew aside the ample silken curtains suspended around and over the sleeping couch, from the hands of Graces and Cupids sculptured in marble; but the statues surrounded an empty bed. Vetranio was not there. Carrio next entered the bathroom; the perfumed water was steaming in its long marble basin, and the soft wrapping-cloths lay ready for use; the attendant slave, with his instruments of ablution, waited, half asleep, in his accustomed place; but here also no signs of the master's presence appeared. Somewhat perplexed, the freedman examined several other apartments. He found guests, dancing girls, parasites, poets, painters—a motley crew—occupying every kind of dormitory, and all peacefully engaged in sleeping off the effects of the wine they had drunk at the banquet; but the great object of his search still eluded him as before. At last it occurred to him that the senator, in an excess of convivial enthusiasm and jovial hospitality, might yet be detaining some favoured guest at the table of the feast.
Pausing, therefore, at some carved doors which stood ajar at one extremity of a spacious hall, he pushed them open, and hurriedly entered the banqueting-room beyond.
A soft, dim, luxurious light reigned over this apartment, which now presented, as far as the eye could discern, an aspect of confusion that was at once graceful and picturesque. Of the various lamps, of every variety of pattern, hanging from the ceiling, but few remained alight. From those, however, which were still unextinguished there shone a mild brightness, admirably adapted to display the objects immediately around them. The golden garlands and the alabaster pots of sweet ointment which had been suspended before the guests during the banquet, still hung from the painted ceiling. On the massive table, composed partly of ebony and partly of silver, yet lay, in the wildest confusion, fragments of gastronomic delicacies, grotesque dinner services, vases of flowers, musical instruments, and crystal dice; while towering over all rose the glittering dish which had contained the nightingales consumed by the feasters, with the four golden Cupids which had spouted over them that illustrious invention—the Nightingale Sauce. Around the couches, of violet and rose colour, ranged along the table, the perfumed and gaily-tinted powders that had been strewn in patterns over the marble floor were perceptible for a few yards; but beyond this point nothing more was plainly distinguishable. The eye roved down the sides of the glorious chamber, catching dim glimpses of gorgeous draperies, crowded statues, and marble columns, but discerning nothing accurately, until it reached the half-opened windows, and rested upon the fresh dewy verdure now faintly visible in the shady gardens without. There—waving in the morning breezes, charged on every leaf with their burden of pure and welcome moisture—rose the lofty pine-trees, basking in the recurrence of the new day's beautiful and undying youth, and rising in reproving contrast before the exhausted allurements of luxury and the perverted creations of art which burdened the tables of the hall within.
After a hasty survey of the apartment, the freedman appeared to be on the point of quitting it in despair, when the noise of a falling dish, followed by several partly suppressed and wholly confused exclamations of affright, caught his ear. He once more approached the banqueting-table, retrimmed a lamp that hung near him, and taking it in his hand, passed to the side of the room whence the disturbance proceeded. A hideous little negro, staring in ludicrous terror at a silver oven, half filled with bread, which had just fallen beside him, was the first object he discovered. A few paces beyond the negro reposed a beautiful boy, crowned with vine leaves and ivy, still sleeping by the side of his lyre; and farther yet, stretched in an uneasy slumber on a silken couch, lay the identical object of the freedman's search—the illustrious author of the Nightingale Sauce.
Immediately above the sleeping senator hung his portrait, in which he was modestly represented as rising by the assistance of Minerva to the top of Parnassus, the nine Muses standing round him rejoicing. At his feet reposed a magnificent white cat, whose head rested in all the luxurious laziness of satiety on the edge of a golden saucer half filled with dormice stewed in milk. The most indubitable evidences of the night's debauch appeared in Vetranio's disordered dress and flushed countenance as the freedman regarded him. For some minutes the worthy Carrio stood uncertain whether to awaken his master or not, deciding finally, however, on obeying the commands he had received, and disturbing the slumbers of the wearied voluptuary before him. To effect this purpose, it was necessary to call in the aid of the singing-boy; for, by a refinement of luxury, Vetranio had forbidden his attendants to awaken him by any other method than the agency of musical sounds.
With some difficulty the boy was sufficiently aroused to comprehend the service that was required of him. For a short time the notes of the lyre sounded in vain. At last, when the melody took a louder and more martial character, the sleeping patrician slowly opened his eyes and stared vacantly around him.
'My respected patron,' said the polite Carrio in apologetic tones, 'commanded that I should awaken him with the dawn; the daybreak has already appeared.'
When the freedman had ceased speaking, Vetranio sat up on the couch, called for a basin of water, dipped his fingers in the refreshing liquid, dried them abstractedly on the long silky curls of the singing-boy who stood beside him, gazed about him once more, repeated interrogatively the word 'daybreak', and sunk gently back upon his couch. We are grieved to confess it—but the author of the Nightingale Sauce was moderately inebriated.
A short pause followed, during which the freedman and the singing-boy stared upon each other in mutual perplexity. At length the one resumed his address of apology, and the other resumed his efforts on the lyre. Once more, after an interval, the eyes of Vetranio lazily unclosed, and this time he began to speak; but his thoughts—if thoughts they could be called—were as yet wholly occupied by the 'table-talk' at the past night's banquet.
'The ancient Egyptians—oh, sprightly and enchanting Camilla—were a wise nation!' murmured the senator drowsily. 'I am myself descended from the ancient Egyptians; and, therefore, I hold in high veneration that cat in your lap, and all cats besides. Herodotus—an historian whose works I feel a certain gratification in publicly mentioning as good—informs us, that when a cat died in the dwelling of an ancient Egyptian, the owner shaved his eyebrows as a mark of grief, embalmed the defunct animal in a consecrated house, and carried it to be interred in a considerable city of Lower Egypt, called 'Bubastis'—an Egyptian word which I have discovered to mean The Sepulchre of all the Cats; whence it is scarcely erroneous to infer—'
At this point the speaker's power of recollection and articulation suddenly failed him, and Carrio—who had listened with perfect gravity to his master's oration upon cats—took immediate advantage of the opportunity now afforded him to speak again.
'The equipage which my patron was pleased to command to carry him to Aricia,' said he, with a strong emphasis on the last word, 'now stands in readiness at the private gate of the palace gardens.'
As he heard the word 'Aricia', the senator's powers of recollection and perception seemed suddenly to return to him. Among that high order of drinkers who can imbibe to the point of perfect enjoyment, and stop short scientifically before the point of perfect oblivion, Vetranio occupied an exalted rank. The wine he had swallowed during the night had disordered his memory and slightly troubled his self-possession, but had not deprived him of his understanding. There was nothing plebeian even in his debauchery; there was an art and a refinement in his very excesses.
'Aricia—Aricia!' he repeated to himself, 'ah! the villa that Julia lent to me at Ravenna! The pleasures of the table must have obscured for a moment the image of my beautiful pupil of other days, which now revives before me again as Love resumes the dominion that Bacchus usurped! My excellent Carrio,' he continued, speaking to the freedman, 'you have done perfectly right in awakening me; delay not a moment more in ordering my bath to be prepared, or my man-monster Ulpius, the king of conspirators and high priest of all that is mysterious, will wait for me in vain! And you, Glyco,' he pursued, when Carrio had departed, addressing the singing-boy, 'array yourself for a journey, and wait with my equipage at the garden-gate. I shall require you to accompany me in my expedition to Aricia. But first, oh! gifted and valued songster, let me reward you for the harmonious symphony that has just awakened me. Of what rank of my musicians are you at present, Glyco?'
'Of the fifth,' replied the boy.
'Were you bought, or born in my house?' asked Vetranio.
'Neither; but bequeathed to you by Geta's testament,' rejoined the gratified Glyco.
'I advance you,' continued Vetranio, 'to the privileges and the pay of the first rank of my musicians; and I give you, as a proof of my continued favour, this ring. In return for these obligations, I desire to keep secret whatever concerns my approaching expedition; to employ your softest music in soothing the ear of a young girl who will accompany us—in calming her terrors if she is afraid, in drying her tears if she weeps; and finally, to exercise your voice and your lute incessantly in uniting the name 'Antonina' to the sweetest harmonies of sound that your imagination can suggest.'
Pronouncing these words with an easy and benevolent smile, and looking round complacently on the display of luxurious confusion about him, Vetranio retired to the bath that was to prepare him for his approaching triumph.
Meanwhile a scene of a very different nature was proceeding without, at Numerian's garden-gate. Here were no singing-boys, no freedmen, no profusion of rich treasures—here appeared only the solitary and deformed figure of Ulpius, half hidden among surrounding trees, while he waited at his appointed post. As time wore on, and still Vetranio did not appear, the Pagan's self-possession began to desert him. He moved restlessly backwards and forwards over the soft dewy grass, sometimes in low tones calling upon his gods to hasten the tardy footsteps of the libertine patrician, who was to be made the instrument of restoring to the temples the worship of other days—sometimes cursing the reckless delay of the senator, or exulting in the treachery by which he madly believed his ambition was at last to be fulfilled; but still, whatever his words or thoughts, wrought up to the same pitch of fierce, fanatic enthusiasm which had strengthened him for the defence of his idols at Alexandria, and had nerved him against the torment and misery of years in his slavery in the copper mines of Spain.
The precious moments were speeding irrevocably onwards. His impatience was rapidly changing to rage and despair as he strained his eyes for the last time in the direction of the palace gardens, and now at length discerned a white robe among the distant trees. Vetranio was rapidly approaching him.
Restored by his bath, no effect of the night's festivity but its exhilaration remained in the senator's brain. But for a slight uncertainty in his gait, and an unusual vacancy in his smile, the elegant gastronome might now have appeared to the closest observer guiltless of the influence of intoxicating drinks. He advanced, radiant with exultation, prepared for conquest, to the place where Ulpius awaited him, and was about to address the Pagan with that satirical familiarity so fashionable among the nobles of Rome in their communications with the people, when the object of his intended pleasantries sternly interrupted him, saying, in tones more of command than of advice, 'Be silent! If you would succeed in your purpose, follow me without uttering a word!'
There was something so fierce and determined in the tones of the old man's voice—low, tremulous, and husky though they were—as he uttered those words, that the bold, confident senator instinctively held his peace as he followed his stern guide into Numerian's house. Avoiding the regular entrance, which at that early hour of the morning was necessarily closed, Ulpius conducted the patrician through a small wicket into the subterranean apartment, or rather outhouse, which was his customary, though comfortless, retreat in his leisure hours, and which was hardly ever entered by the other members of the Christian's household.
From the low, arched brick ceiling of this place hung an earthenware lamp, whose light, small and tremulous, left all the corners of the apartment in perfect obscurity. The thick buttresses that projected inwards from the walls, made visible by their prominence, displayed on their surfaces rude representations of idols and temples drawn in chalk, and covered with strange, mysterious hieroglyphics. On a block of stone which served as a table lay some fragments of small statues, which Vetranio recognised as having belonged to the old, accredited representations of Pagan idols. Over the sides of the table itself were scrawled in Latin characters these two words, 'Serapis', 'Macrinus'; and about its base lay some pieces of torn, soiled linen, which still retained enough of their former character, both in shape, size, and colour, to convince Vetranio that they had once served as the vestments of a Pagan priest. Further than this the senator's observation did not carry him, for the close, almost mephitic atmosphere of the place already began to affect him unfavourably. He felt a suffocating sensation in his throat and a dizziness in his head. The restorative influence of his recent bath declined rapidly. The fumes of the wine he had drunk in the night, far from having been, as he imagined, permanently dispersed, again mounted to his head. He was obliged to lean against the stone table to preserved his equilibrium as he faintly desired the Pagan to shorten their sojourn in his miserable retreat.
Without even noticing the request, Ulpius hurriedly proceeded to erase the drawings on the buttresses and the inscriptions on the table. Then collecting the fragments of statues and the pieces of linen, he deposited them in a hiding-place in the corner of the apartment. This done, he returned to the stone against which Vetranio supported himself, and for a few minutes silently regarded the senator with a firm, earnest, and penetrating gaze.
A dark suspicion that he had betrayed himself into the hands of a villain, who was then plotting some atrocious project connected with his safety or honour, began to rise on the senator's bewildered brain as he unwillingly submitted to the penetrating examination of the Pagan's glance. At that moment, however, the withered lips of the old man slowly parted, and he began to speak. Whether as he looked on Vetranio's disturbed countenance, and marked his unsteady gait, the heart of Ulpius, for the first time since his introduction to the senator, misgave him when he thought of their monstrous engagement; or whether the near approach of the moment that was henceforth, as he wildly imagined, to fix Vetranio as his assistant and ally, so powerfully affected his mind that it instinctively sought to vent its agitation through the natural medium of words, it is useless to inquire. Whatever his motives for speech, the impressive earnestness of his manner gave evidence of the depth and intensity of his emotions as he addressed the senator thus:—
'I have submitted to servitude in a Christian's house, I have suffered the contamination of a Christian's prayers, to gain the use of your power and station when the time to employ them should arrive. The hour has now come when my part of the conditions of our engagement is to be performed; the hour will yet come when your part shall be exacted from you in turn! Do you wonder at what I have done and what I will do? Do you marvel that a household drudge should speak thus to a nobleman of Rome? Are you astonished that I risk so much as to venture on enlisting you—by the sacrifice of the girl who now slumbers above—in the cause whose end is the restoration of our fathers' gods, and in whose service I have suffered and grown old? Listen, and you shall hear from what I have fallen—you shall know what I once was!'
'I adjure you by all the gods and goddesses of our ancient worship, let me hear you where I can breathe—in the garden, on the housetop, anywhere but in this dungeon!' murmured the senator in entreating accents.
'My birth, my parents, my education, my ancient abode—these I will not disclose,' interrupted the Pagan, raising one arm authoritatively, as if to obstruct Vetranio from approaching the door. 'I have sworn by my gods, that until the day of restitution these secrets of my past life shall remain unrevealed to strangers' ears. Unknown I entered Rome, and unknown I will labour in Rome until the projects I have lived for are crowned with success! It is enough that I confess to you that with those sacred images whose fragments you have just beheld, I was once lodged; that those sacred vestments whose remains you discerned at your feet, I once wore. To attain the glories of the priesthood there was nothing that I did not resign, to preserve them there was nothing I did not perform, to recover them there is nothing that I will not attempt! I was once illustrious, prosperous, beloved; of my glory, my happiness, my popularity, the Christians have robbed me, and I will yet live to requite it heavily at their hands! I had a guardian who loved me in my youth; the Christians murdered him! A temple was under the rule of my manhood; the Christians destroyed it! The people of a whole nation once listened to my voice; the Christians have dispersed them! The wise, the great, the beautiful, the good, were once devoted to me; the Christians have made me a stranger at their doors, and outcast of their affections and thoughts! For all this shall I take no vengeance? Shall I not plot to rebuild my ruined temple, and win back, in my age, the honours that adorned me in my youth?'
'Assuredly!—at once—without delay!' stammered Vetranio, returning the stern and inquiring gaze of the Pagan with a bewildered, uneasy stare.
'To mount over the bodies of the Christian slain,' continued the old man, his sinister eyes dilating in anticipated triumph as he whispered close at the senator's ear, 'to rebuild the altars that the Christians have overthrown, is the ambition that has made light to me the sufferings of my whole life. I have battled, and it has sustained me in the midst of carnage; I have wandered, and it has been my home in the desert; I have failed, and it has supported me; I have been threatened with death, and it has preserved me from fear; I have been cast into slavery, and it has made my fetters light. You see me now, old, degraded, lonely—believe that I long neither for wife, children, tranquility, nor possessions; that I desire no companion but my cherished and exalted purpose! Remember, then, in the hour of performance the promise you have now made to aid me in the achievement of that purpose! Remember that you are a Pagan yourself! Feast, laugh, carouse with your compeers; be still the airy jester, the gay companion; but never forget the end to which you are vowed—the destiny of glory that the restoration of our deities has in store for us both!'
He ceased. Though his voice, while he spoke, never rose beyond a hoarse, monotonous, half-whispering tone, all the ferocity of his abused and degraded nature was for the instant thoroughly aroused by his recapitulation of his wrongs. Had Vetranio at this moment shown any symptoms of indecision, or spoken any words of discouragement, he would have murdered him on the spot where they stood. Every feature in the Pagan's seared and livid countenance expressed the stormy emotions that were rushing over his heart as he now confronted his bewildered yet attentive listener. His firm, menacing position; his poor and scanty garments; his wild, shaggy hair; his crooked, distorted form; his stern, solemn, unwavering gaze—opposed as they were (under the fitful illumination of the expiring lamp and the advancing daylight) to the unsteady gait, the vacant countenance, the rich robes, the youthful grace of form and delicacy of feature of the object of his steady contemplation, made so wild and strange a contrast between his patrician ally and himself that they scarcely looked like beings of the same race. Nothing could be more immense than the difference, more wild than the incongruity between them. It was sickness hand-in-hand with health; pain marshalled face to face with enjoyment; darkness ranged in monstrous discordance by the very side of light.
The next instant—just as the astonished senator was endeavouring to frame a suitable answer to the solemn adjuration that had been addressed to him—Ulpius seized his arm, and opening a door at the inner extremity of the apartment, led him up some stairs that conducted to the interior of the house.
They passed the hall, on the floor of which still lay the fragments of the broken lute, dimly distinguishable in the soft light of daybreak; and ascending another staircase, paused at a little door at the top, which Ulpius cautiously opened, and in a moment afterwards Vetranio was admitted into Antonina's bed-chamber.
The room was of no great extent; its scanty furniture was of the most ordinary description; no ornaments glittered on its walls; no frescoes adorned its ceiling; and yet there was a simple elegance in its appearance, an unobtrusive propriety in its minutest details, which made it at once interesting and attractive to the eye. From the white curtains at the window to the vase of flowers standing by the bedside, the same natural refinement of taste appeared in the arrangement of all that the apartment contained. No sound broke the deep silence of the place, save the low, soft breathing, occasionally interrupted by a long, trembling sigh, of its sleeping occupant. The sole light in the room consisted of a little lamp, so placed in the middle of the flowers round the sides of the vase that no extended or steady illumination was cast upon any object. There was something in the decent propriety of all that was visible in the bed-chamber; in the soft obscurity of its atmosphere; in the gentle and musical sound that alone interrupted its magical stillness, impressive enough, it might have been imagined, to have awakened some hesitation in the bosom of the boldest libertine ere he deliberately proceeded to intrude on the unprotected slumbers of its occupant. No such feeling of indecision, however, troubled the thoughts of Vetranio as he cast a rapid glance round the apartment which he had ventured so treacherously to invade. The fumes of the wine he had imbibed at the banquet had been so thoroughly resuscitated by the oppressive atmosphere of the subterranean retreat he had just quitted, as to have left him nothing of his more refined nature. All that was honourable or intellectual in his character had now completely ceded to all that was base and animal. He looked round, and perceiving that Ulpius had silently quitted him, softly closed the door. Then advancing to the bedside with the utmost caution compatible with the involuntary unsteadiness of an intoxicated man, he took the lamp from the vase in which it was half concealed, and earnestly surveyed by its light the figure of the sleeping girl.
The head of Antonina was thrown back and rested rather over than on her pillow. Her light linen dress had become so disordered during the night that it displayed her throat and part of her bosom, in all the dawning beauties of their youthful formation, to the gaze of the licentious Roman. One hand half supported her head, and was almost entirely hidden in the locks of her long black hair, which had escaped from the white cincture intended to confine it, and now streamed over the pillow in dazzling contrast to the light bed-furniture around it. The other hand held tightly clasped to her bosom the precious fragment of her broken lute. The deep repose expressed in her position had not thoroughly communicated itself to her face. Now and then her slightly parted lips moved and trembled, and ever and anon a change, so faint and fugitive that it was hardly perceptible, appeared in her complexion, breathing on the soft olive that was its natural hue, the light rosy flush which the emotions of the past night had impressed on it ere she slept. Her position, in its voluptuous negligence, seemed the very type of Oriental loveliness; while her face, calm and sorrowful in its expression, displayed the more refined and sober graces of the European model. And thus these two characteristics of two different orders of beauty, appearing conjointly under one form, produced a whole so various and yet so harmonious, so impressive and yet so attractive, that the senator, as he bent over the couch, though the warm, soft breath of the young girl played on his cheeks and waved the tips of his perfumed locks, could hardly imagine that the scene before him was more than a bright, delusive dream.
While Vetranio was yet absorbed in admiration of her charms, Antonina's form slightly moved, as if agitated by the influence of a passing dream. The change thus accomplished in her position broke the spell that its former stillness and beauty had unconsciously wrought to restrain the unhallowed ardour of the profligate Roman. He now passed his arm round her warm, slender figure, and gently raising her till her head rested on his shoulder as he sat by the bed, imprinted kiss after kiss on the pure lips that sleep had innocently abandoned to him.
As he had foreseen, Antonina instantly awoke, but, to his unmeasured astonishment, neither started nor shrieked. The moment she had opened her eyes she had recognised the person of Vetranio; and that overwhelming terror which suspends in its victims the use of every faculty, whether of the body or the mind, had immediately possessed itself of her heart. Too innocent to imagine the real motive that prompted the senator's intrusion on her slumbers, where others of her sex would have foreboded dishonour, she feared death. All her father's vague denunciations against the enormities of the nobles of Rome rushed in an instant over her mind, and her childish imagination pictured Vetranio as armed with some terrible and mysterious vengeance to be wreaked on her for having avoided all communication with him as soon as she had gained possession of her lute. Prostrate beneath the petrifying influence of her fears, motionless and powerless before him as its prey before the serpent, she made no effort to move or speak; but looked up steadfastly into the senator's face, her large eyes fixed and dilated in a gaze of overpowering terror.
Intoxicated though he was, the affrighted expression of the poor girl's pale, rigid countenance did not escape Vetranio's notice; and he taxed his bewildered brain for such soothing and reassuring expressions as would enable him to introduce his profligate proposals with some chance that they would be listened to and understood.