The party went to half a dozen spreads, some of which were on a scale of public grandeur approaching that of the Gymnasium, and others of a subdued elegance befitting the more private hospitalities in the students' rooms. Mrs. Pasmer was very much interested in these rooms, whose luxurious appointments testified to the advance of riches and of the taste to apply them since she used to visit students' rooms in far-off Class Days. The deep window nooks and easy-chairs upholstered in the leather that seems sacred alike to the seats and the shelves of libraries; the aesthetic bookcases, low and topped with bric-a-brac; the etchings and prints on the walls, which the elder Mavering went up to look at with a mystifying air of understanding such things; the foils crossed over the chimney, and the mantel with its pipes, and its photographs of theatrical celebrities tilted about over it—spoke of conditions mostly foreign to Mrs. Pasmer's memories of Harvard. The photographed celebrities seemed to be chosen chiefly for their beauty, and for as much of their beauty as possible, Mrs. Pasmer perceived, with an obscure misgiving of the sort which an older generation always likes to feel concerning the younger, but with a tolerance, too, which was personal to herself; it was to be considered that the massive thought and honest amiability of Salvini's face, and the deep and spiritualized power of Booth's, varied the effect of these companies of posturing nymphs.
At many places she either met old friends with whom she clamoured over the wonder of their encounter there, or was made acquainted with new people by the Saintsburys. She kept a mother's eye on her daughter, to whom young Mavering presented everybody within hail or reach, and whom she could see, whenever she looked at her, a radiant centre of admiration. She could hear her talk sometimes, and she said to herself that really Alice was coming out; she had never heard her say so many good things before; she did not know it was in her. She was very glad then that she had let her wear that dress; it was certainly distinguished, and the girl carried it off, to her mother's amusement, with the air of a superb lady of the period from which it dated. She thought what a simple child Alice really was, all the time those other children, the Seniors, were stealing their glances of bold or timid worship at her, and doubtless thinking her a brilliant woman of the world. But there could be no mistake that she was a success.
Part of her triumph was of course due to Mrs. Saintsbury; whose chaperonage; Mrs. Pasmer could see, was everywhere of effect. But it was also largely due to the vigilant politeness of young Mavering, who seemed bent on making her have good time, and who let no chance slip him. Mrs. Pasmer felt his kindness truly; and she did not feel it the less because she knew that there was but one thing that could, at his frankly selfish age, make a young fellow wish to make a girl have a good time; except for that reason he must be bending the whole soul of egotistic youth to making some other girl have a good time. But all the same, it gave her pause when some one to whom she was introduced spoke to her of her friends the Maverings, as if they were friends of the oldest standing instead of acquaintances of very recent accident. She did not think of disclaiming the intimacy, but “Really I shall die of these Maverings,” she said to herself, “unless I find out something about them pretty soon.”
“I'm not going to take you to the Omicron spread, Mrs. Pasmer,” said young Mavering, coming up to her with such an effect of sympathetic devotion that she had to ask herself, “Are they my friends, the Maverings?” “The Saintsburys have been there already, and it is a little too common.” The tone of superiority gave Mrs. Pasmer courage. “They're good fellows; and all that, but I want you to see the best. I suppose it will get back to giving the spreads all in the fellows' rooms again. It's a good deal pleasanter, don't you think?”
“Oh yes, indeed,” assented Mrs. Pasmer, though she had really been thinking the private spreads were not nearly so amusing as the large spread she had seen at the Gymnasium. She had also wondered where all Mr. Mavering's relations and friends were, and the people who had social claims on him, that he could be giving up his Class Day in this reckless fashion to strangers. Alice would account for a good deal, but she would not account for everything. Mrs. Pasmer would have been willing to take him from others, but if he were so anomalous as to have no one to be taken from, of course it lessened his value as a trophy. These things went in and out of her mind, with a final resolution to get a full explanation from Mrs. Saintsbury, while she stood and smiled her winning assent up into the young man's handsome face.
Mrs. Saintsbury, caught sight of them, and as if suddenly reminded of a forgotten duty, rushed vividly upon him.
“Mr. Mavering, I shall not let you stay with us another minute. You must go to your room now and get ready. You ought to have a little rest.”
He broke out in his laugh. “Do you think I want to go and lie down awhile, like a lady before a party?”
“I'm sure you'd be the stronger for it,” said Mrs. Saintsbury. “But go, upon any theory. Don't you see there isn't a Senior left?”
He would not look round. “They've gone to other spreads,” he said. “But now I'll tell you: it is pretty, near time, and if you'll take me to my room, I'll go.”
“You're a spoiled boy,” said Mrs. Saintsbury.
“But I want Mrs. Pasmer to see the room of a real student—a reading man, and all that—and we'll come, to humour you.”
“Well, come upon any theory,” said young Mavering.
His father, and Professor Saintsbury, who had been instructed by his wife not to lose sight of her, were at hand, and they crossed to that old hall which keeps its favour with the students in spite of the rivalry of the newer dormitories—it would be hard to say why.
Mrs. Pasmer willingly assented to its being much better, out of pure complaisance, though the ceilings were low and the windows small, and it did not seem to her that the Franklin stove and the aesthetic papering and painting of young Mavering's room brought it up to the level of those others that she had seen. But with her habit of saying some friendly lying thing, no matter what her impressions were, she exclaimed; “Oh, how cosy!” and glad of the word, she went about from one to another, asking, “Isn't this cosy?”
Mrs. Saintsbury said: “It's supposed to be the cell of a recluse; but it is cosy—yes.”
“It looks as if some hermit had been using it as a store-room,” said her husband; for there were odds and ends of furniture and clothes and boxes and handbags scattered about the floor.
“I forgot all about them when I asked you,” cried Mavering, laughing out his delight. “They belong to some fellows that are giving spreads in their rooms, and I let them put them in here.”
“Do you commonly let people put things in your room that they want to get rid off?” asked Mrs. Pasmer.
“Well, not when I'm expecting company.”
“He couldn't refuse even then, if they pressed the matter,” said Mrs. Saintsbury, lecturing upon him to her friend.
“I'm afraid you're too amiable altogether, Mr. Mavering. I'm sure you let people impose upon you,” said the other lady. “You have been letting us impose upon you.”
“Ah! now that proves you're all wrong, Mrs. Pasmer.”
“It proves that you know how to say things very prettily.”
“Oh, thank you. I know when I'm having a good time, and I do my best to enjoy it.” He ended with the nervous laugh which seemed habitual with him.
“He, does laugh a good deal;” thought Mrs. Pasmer, surveying him with smiling steadiness. “I suppose it tires Alice. Some of his teeth are filled at the sides. That vein in his forehead—they say that means genius.” She said to him: “I hope you know when others are having a good time too, Mr. Mavering? You ought to have that reward.”
They both looked at Alice. “Oh, I should be so happy to think you hadn't been bored with it all, Mrs. Pasmer,” he returned;—with-deep feeling.
Alice was looking at one of the sketches which were pretty plentifully pinned about the wall, and apparently seeing it and apparently listening to what Professor Saintsbury was saying; but her mother believed from a tremor of the ribbons on her hat that she was conscious of nothing but young Mavering's gaze and the sound of his voice.
“We've been delighted, simply enchanted,” said Mrs. Pasmer. And she thought; “Now if Alice were to turn round just as she stands, he could see all the best points of her face. I wonder what she really thinks of him? What is it you have there; Alice?” she asked aloud.
The girl turned her face over her shoulder so exactly in the way her mother wished that Mrs. Pasmer could scarcely repress a cry of joy. “A sketch of Mr. Mavering's.”
“Oh, how very interesting!” said Mrs. Pasmer. “Do you sketch, Mr. Mavering? But of course.” She pressed forward, and studied the sketch inattentively. “How very, very good!” she buzzed deep in her throat, while, with a glance at her daughter, she thought, “How impassive Alice is! But she behaves with great dignity. Yes. Perhaps that's best. And are you going to be an artist?” she asked of Mavering.
“Not if it can be prevented,” he answered, laughing again.
“But his laugh is very pleasant,” reflected Mrs. Pasmer. “Does Alice dislike it so much?” She repeated aloud, “If it can be prevented?”
“They think I might spoil a great lawyer in the attempt.”
“Oh, I see. And are you going to be a lawyer? But to be a great painter! And America has so few of them.” She knew quite well that she was talking nonsense, but she was aware, through her own indifference to the topic that he was not minding what she said, but was trying to bring himself into talk with Alice again. The girl persistently listened to Professor Saintsbury.
“Is she punishing him for something?” her mother asked herself. “What can it be for. Does she think he's a little too pushing? Perhaps, he is a little pushing.” She reflected, with an inward sigh, that she would know whether he was if she only knew more about him.
He did the honours of his room very simply and nicely, and he said it was pretty rough to think this was the last of it. After which he faltered, and something occurred to Mrs Saintsbury.
“Why, we're keeping you! It's time for you to dress for the Tree. John”—she reproached her husband—“how could you let us do it?”
“Far be it from me to hurry ladies out of other people's houses—especially ladies who have put themselves in charge of other people.”
“No, don't hurry,” pleaded Mavering; “there's plenty of time.”
“How much time?” asked Mrs. Saintsbury.
He looked at his watch. “Well, a good quarter of an hour.”
“And I was to have taken Mrs. Pasmer and Alice home for a little rest before the Tree!” cried Mrs Saintsbury. “And now we must go at once, or we shall get no sort of places.”
In the civil and satirical parley which followed, no one answered another, but young Mavering bore as full a part as the elder ladies, and only his father and Alice were silent: his guests got themselves out of his room. They met at the threshold a young fellow, short and dark and stout, in an old tennis suit. He fell back at sight of them, and took off his hat to Mrs. Saintsbury.
“Why, Mr. Boardman!”
“Don't be bashful, Boardman?” young Mavering called out. “Come in and show them how I shall look in five minutes.”
Mr. Boardman took his introductions with a sort of main-force self-possession, and then said, “You'll have to look it in less than five minutes now, Mavering. You're come for.”
“What? Are they ready?”
“We must fly,” panted Mrs. Saintsbury, without waiting for the answer, which was lost in the incoherencies of all sorts of au revoirs called after and called back.
“That is one thing,” said Mrs. Saintsbury, looking swiftly round to see that the elder Mavering was not within hearing, as she hurried ahead with Mrs. Pasmer, “that I can't stand in Dan Mavering. Why couldn't he have warned us that it was getting near the time? Why should he have gone on pretending that there was no hurry? It isn't insincerity exactly, but it isn't candour; no, it's uncandid. Oh, I suppose it's the artistic temperament—never coming straight to the point.”
“What do you mean?” asked Mrs. Pasmer eagerly.
“I'll tell you sometime.” She looked round and halted a little for Alice, who was walking detached and neglected by the preoccupation of the two elderly men. “I'm afraid you're tired,” she said to the girl.
“Oh no.”
“Of course not, on Class Day. But I hope we shall get seats. What weather!”
The sun had not been oppressive at any time during the day, though the crowded building had been close and warm, and now it lay like a painted light on the grass and paths over which they passed to the entrance of the grounds around the Tree. Holden Chapel, which enclosed the space on the right as they went in, shed back the sun from its brick-red flank, rising unrelieved in its venerable ugliness by any touch of the festive preparations; but to their left and diagonally across from them high stagings supported tiers of seats along the equally unlovely red bulks of Hollis and of Harvard. These seats, and the windows in the stories above them, were densely packed with people, mostly young girls dressed in a thousand enchanting shades and colours, and bonneted and hatted to the last effect of fashion. They were like vast terraces of flowers to the swift glance, and here and there some brilliant parasol, spread to catch the sun on the higher ranks, was like a flaunting poppy, rising to the light and lolling out above the blooms of lower stature. But the parasols were few, for the two halls flung wide curtains of shade over the greater part of the spectators, and across to the foot of the chapel, while a piece of the carpentry whose simplicity seems part of the Class Day tradition shut out the glare and the uninvited public, striving to penetrate the enclosure next the street. In front of this yellow pine wall; with its ranks of benches, stood the Class Day Tree, girded at ten or fifteen feet from the ground with a wide band of flowers.
Mrs. Pasmer and her friends found themselves so late that if some gentlemen who knew Professor Saintsbury had not given up their places they could have got no seats. But this happened, and the three ladies had harmoniously blended their hues with those of the others in that bank of bloom, and the gentlemen had somehow made away with their obstructiveness in different crouching and stooping postures at their feet, when the Junior Class filed into the green enclosure amidst the 'rahs of their friends; and sank in long ranks on the grass beside the chapel. Then the Sophomores appeared, and were received with cheers by the Juniors, with whom they joined, as soon as they were placed, in heaping ignominy upon the freshmen. The Seniors came last, grotesque in the variety of their old clothes, and a fierce uproar of 'rahs and yells met them from the students squatted upon the grass as they loosely grouped themselves in front of the Tree; the men of the younger classes formed in three rings, and began circling in different directions around them.
Mrs. Pasmer bent across Mrs. Saintsbury to her daughter: “Can you make out Mr. Mavering among them, Alice?”
“No. Hush, mamma!” pleaded the girl.
With the subsidence of the tumult in the other classes, the Seniors had broken from the stoical silence they kept through it, and were now with an equally serious clamour applauding the first of a long list of personages, beginning with the President, and ranging through their favourites in the Faculty down to Billy the Postman. The leader who invited them to this expression of good feeling exacted the full tale of nine cheers for each person he named, and before he reached the last the 'rahs came in gasps from their dry throats.
In the midst of the tumult the marshal flung his hat at the elm; then the rush upon the tree took place, and the scramble for the flowers. The first who swarmed up the trunk were promptly plucked down by the legs and flung upon the ground, as if to form a base there for the operations of the rest; who surged and built themselves up around the elm in an irregular mass. From time to time some one appeared clambering over heads and shoulders to make a desperate lunge and snatch at the flowers, and then fall back into the fluctuant heap again. Yells, cries, and clappings of hands came from the other students, and the spectators in the seats, involuntarily dying away almost to silence as some stronger or wilfuler aspirant held his own on the heads and shoulders of the others, or was stayed there by his friends among them till he could make sure of a handful of the flowers. A rush was made upon him when he reached the ground; if he could keep his flowers from the hands that snatched at them, he staggered away with the fragments. The wreath began to show wide patches of the bark under it; the surging and struggling crowd below grew less dense; here and there one struggled out of it and walked slowly about, panting pitiably.
“Oh, I wonder they don't kill each other!” cried Mrs. Pasmer. “Isn't it terrible?” She would not have missed it on any account; but she liked to get all she could out of her emotions.
“They never get hurt,” said Mrs. Saintsbury. “Oh, look! There's Dan Mavering!”
The crowd at the foot of the tree had closed densely, and a wilder roar went up from all the students. A tall, slim young fellow, lifted on the shoulders of the mass below, and staying himself with one hand against the tree, rapidly stripped away the remnants of the wreath, and flung them into the crowd under him. A single tuft remained; the crowd was melting away under him in a scramble for the fallen flowers; he made a crooked leap, caught the tuft, and tumbled with it headlong.
“Oh!” breathed the ladies on the Benches, with a general suspiration lost in the 'rahs and clappings, as Mavering reappeared with the bunch of flowers in his hand. He looked dizzily about, as if not sure, of his course; then his face, flushed and heated, with the hair pulled over the eyes, brightened with recognition, and he advanced upon Mrs. Saintsbury's party with rapid paces, each of which Mrs. Pasmer commentated with inward conjecture.
“Is he bringing the flowers to Alice? Isn't it altogether too conspicuous? Has he really the right to do it? What will people think? Will he give them to me for her, or will he hand them directly to her? Which should I prefer him to do? I wonder if I know?”
When she looked up with the air of surprise mixed with deprecation and ironical disclaimer which she had prepared while these things were passing through her mind, young Mavering had reached them, and had paused in a moment's hesitation before his father. With a bow of affectionate burlesque, from which he lifted his face to break into laughter at the look in all their eyes, he handed the tattered nosegay to his father.
“Oh, how delightful! how delicate! how perfect!” Mrs. Pasmer confided to herself.
“I think this must be for you, Mrs. Pasmer,” said the elder Mavering, offering her the bouquet, with a grave smile at his son's whim.
“Oh no, indeed!” said Mrs. Pasmer. “For Mrs. Saintsbury, of course.”
She gave it to her, and Mrs. Saintsbury at once transferred it to Miss Pasmer.
“They wished me to pass this to you, Alice;” and at this consummation Dan Mavering broke into another happy laugh.
“Mrs. Saintsbury, you always do the right thing at once,” he cried.
“That's more than I can say of you, Mr. Mavering,” she retorted.
“Oh, thank you, Mr. Mavering!” said the girl, receiving the flowers. It was as if she had been too intent upon them and him to have noticed the little comedy that had conveyed them to her.
As soon after Class Day as Mrs. Pasmer's complaisant sense of the decencies would let her, she went out from Boston to call on Mrs. Saintsbury in Cambridge, and thank her for her kindness to Alice and herself. “She will know well enough what I come for,” she said to herself, and she felt it the more important to ignore Mrs. Saintsbury's penetration by every polite futility; this was due to them both: and she did not go till the second day after.
Mrs. Saintsbury came down into the darkened, syringa-scented library to find her, and give her a fan.
“You still live, Jenny,” she said, kissing her gaily.
They called each other by their girl names, as is rather the custom in Boston with ladies who are in the same set, whether they are great friends or not. In the more changeful society of Cambridge, where so many new people are constantly coming and going in connection with the college, it is not so much the custom; but Mrs. Saintsbury was Boston born, as well as Mrs. Pasmer, and was Cantabrigian by marriage—though this is not saying that she was not also thoroughly so by convincement and usage she now rarely went into Boston society.
“Yes, Etta—just. But I wasn't sure of it,” said Mrs. Pasmer, “when I woke yesterday. I was a mere aching jelly!”
“And Alice?”
“Oh; I don't think she had any physical consciousness. She was a mere rapturous memory!”
“She did have a good time, didn't she?” said Mrs. Saintsbury, in a generous retrospect. “I think she was on her feet every moment in the evening. It kept me from getting tired, to watch her.”
“I was afraid you'd be quite worn out. I'd no idea it was so late. It must have been nearly half past seven before we got away from the Beck Hall spread, and then by the time we had walked round the college grounds—how extremely pretty the lanterns were, and how charming the whole effect was!—it must have been nine before the dancing began. Well, we owe it all to you, Etta.”
“I don't know what you mean by owing. I'm always glad of an excuse for Class Day. And it was Dan Mavering who really managed the affair.”
“He was very kind,” said Mrs. Pasmer, with a feeling which was chiefly gratitude to her friend for bringing in his name so soon. Now that it had been spoken, she felt it decorous to throw aside the outer integument of pretense, which if it could have been entirely exfoliated would have caused Mrs. Pasmer morally to disappear, like an onion stripped of its successive laminae.
“What did you mean,” she asked, leaning forward, with, her face averted, “about his having the artistic temperament? Is he going to be an artist? I should hope not.” She remembered without shame that she had strongly urged him to consider how much better it would be to be a painter than a lawyer, in the dearth of great American painters.
“He could be a painter if he liked—up to a certain point,” said Mrs. Saintsbury. “Or he could be any one of half-a-dozen other things—his last craze was journalism; but you know what I mean by the artistic temperament: it's that inability to be explicit; that habit of leaving things vague and undefined, and hoping they'll somehow come out as you want them of themselves; that way of taking the line of beauty to get at what you wish to do or say, and of being very finicking about little things and lag about essentials. That's what I mean by the artistic temperament.”
“Yes; that's terrible,” sighed Mrs. Pasmer, with the abstractly severe yet personally pitying perception of one whose every word and act was sincere and direct. “I know just what you mean. But how does it apply to Mr. Mavering?”
“It doesn't, exactly,” returned her friend. “And I'm always ashamed when I say, or even think, anything against Dan Mavering. He's sweetness itself. We've known him ever since he came to Harvard, and I must say that a more constant and lovely follow I never saw. It wasn't merely when he was a Freshman, and he had that home feeling hanging about him still that makes all the Freshmen so appreciative of anything you do for them; but all through the Sophomore and Junior years, when they're so taken up with their athletics and their societies and their college life generally that they haven't a moment for people that have been kind to them, he was just as faithful as ever.”
“How nice!” cried Mrs. Pasmer.
“Yes, indeed! And all the allurements of Boston society haven't taken him from us altogether. You can't imagine how much this means till you've been at home a while and seen how the students are petted and spoiled nowadays in the young society.”
“Oh, I've heard of it,” said Mrs. Pasmer. “And is it his versatility and brilliancy, or his amiability, that makes him such a universal favourite?”
“Universal favourite? I don't know that he's that.”
“Well, popular, then.”
“Oh, he's certainly very much liked. But, Jenny, there are no universal favourites in Harvard now, if there ever were: the classes are altogether too big. And it wouldn't be ability, and it wouldn't be amiability alone, that would give a man any sort of leadership.”
“What in the world would it be?”
“That question, more than anything else, shows how long you've been away, Jenny. It would be family—family, with a judicious mixture of the others, and with money.”
“Is it possible? But of course—I remember! Only at their age one thinks of students as being all hail-fellow-well-met with each other—”
“Yes; it's hard to realise how conventional they are—how very much worldlier than the world—till one sees it as one does in Cambridge. They pique themselves on it. And Mr. Saintsbury”—she was one of those women whom everything reminds of their husbands “says that it isn't a bad thing altogether. He says that Harvard is just like the world; and even if it's a little more so, these boys have got to live in the world, and they had better know what it is. You may not approve of the Harvard spirit, and Mr. Saintsbury doesn't sympathise with it; he only says it's the world's spirit. Harvard men—the swells—are far more exclusive than Oxford men. A student, 'comme il faut', wouldn't at all like to be supposed to know another student whom we valued for his brilliancy, unless he was popular and well known in college.”
“Dear me!” cried Mrs. Pasmer. “But of course! It's perfectly natural, with young people. And it's well enough that they should begin to understand how things really are in the world early; it will save them from a great many disappointments.”
“I assure you we have very little to teach Harvard men in those matters. They could give any of us points. Those who are of good family and station know how to protect themselves by reserves that the others wouldn't dare to transgress. But a merely rich man couldn't rise in their set any more than a merely gifted man. He could get on to a certain point by toadying, and some do; but he would never get to be popular, like Dan Mavering.”
“And what makes him popular?—to go back to the point we started from,” said Mrs. Pasmer.
“Ah, that's hard to say. It's—quality, I suppose. I don't mean social quality, exactly; but personal charm. He never had a mean thought; of course we're all full of mean thoughts, and Dan is too; but his first impulse is always generous and sweet, and at his age people act a great deal from impulse. I don't suppose he ever met a human being without wanting to make him like him, and trying to do it.”
“Yes, he certainly makes you like him,” sighed Mrs. Pasmer. “But I understand that he can't make people like him without family or money; and I don't understand that he's one of those 'nouveaux riches' who are giving Harvard such a reputation for extravagance nowadays.”
There was an inquiring note in Mrs. Pasmer's voice; and in the syringa-scented obscurity, which protected the ladies from the expression of each other's faces, Mrs. Saintsbury gave a little laugh of intelligence, to which Mrs. Pasmer responded by a murmur of humorous enjoyment at being understood.
“Oh no! He isn't one of those. But the Maverings have plenty of money,” said Mrs. Saintsbury, “and Dan's been very free with it, though not lavish. And he came here with a reputation for popularity from a very good school, and that always goes a very great way in college.”
“Yes?” said Mrs. Pasmer, feeling herself getting hopelessly adrift in these unknown waters; but reposing a pious confidence in her pilot.
“Yes; if a sufficient number of his class said he was the best fellow in the world, he would be pretty sure to be chosen one of the First Ten in the 'Dickey'.”
“What mysteries!” gasped Mrs. Pasmer, disposed to make fun of them, but a little overawed all the same. “What in the world is the 'Dickey'?”
“It's the society that the Freshmen are the most eager to get into. They're chosen, ten at a time, by the old members, and to be one of the first ten—the only Freshmen chosen—is something quite ineffable.”
“I see.” Mrs. Pasmer fanned herself, after taking a long breath. “And when he had got into the———”
“Then it would depend upon himself, how he spent his money, and all that, and what sort of society success he was in Boston. That has a great deal to do with it from the first. Then another thing is caution—discreetness; not saying anything censorious or critical of other men, no matter what they do. And Dan Mavering is the perfection of prudence, because he's the perfection of good-nature.”
Mrs. Pasmer had apparently got all of these facts that she could digest. “And who are the Maverings?”
“Why, it's an old Boston name—”
“It's too old, isn't it? Like Pasmer. There are no Maverings in Boston that I ever heard of.”
“No; the name's quite died out just here, I believe: but it's old, and it bids fair to be replated at Ponkwasset Falls.”
“At Ponk—”
“That's where they have their mills, or factories, or shops, or whatever institution they make wall-paper in.”
“Wall-paper!” cried Mrs. Pasmer, austerely. After a moment she asked: “And is wall-paper the 'thing' now? I mean—” She tried to think of some way of modifying the commonness of her phrase, but did not. After all, it expressed her meaning.
“It isn't the extreme of fashion, of course. But it's manufacturing, and it isn't disgraceful. And the Mavering papers are very pretty, and you can live with them without becoming anaemic, or having your face twitch.”
“Face twitch?” echoed Mrs. Pasmer.
“Yes; arsenical poisoning.”
“Oh! Conscientious as well as aesthetic. I see. And does Mr. Mavering put his artistic temperament into them?”
“His father does. He's a very interesting man. He has the best taste in certain things—he knows more about etchings, I suppose, than any one else in Boston.”
“Is it possible! And does he live at Ponkwasset Falls? It's in Rhode Island, isn't it?”
“New Hampshire. Yes; the whole family live there.”
“The whole family? Are there many of them? I'd fancied, somehow, that Mr. Mavering was the only——Do tell me about them, Etta,” said Mrs. Pasmer, leaning back in her chair, and fanning herself with an effect of impartial interest, to which the dim light of the room lent itself.
“He's the only son. But there are daughters, of course—very cultivated girls.”
“And is he—is the elder Mr. Mavering a—I don't know what made me think so—a widower?”
“Well, no—not exactly.”
“Not exactly! He's not a grass-widower, I hope?”
“No, indeed. But his wife's a helpless invalid, and always has been. He's perfectly devoted to her; and he hurried home yesterday, though he wanted very much to stay for Commencement. He's never away from her longer than he can help. She's bedridden; and you can see from the moment you enter it that it's a man's house. Daughters can't change that, you know.”
“Have you been there?” asked Mrs. Pasmer, surprised that she was getting so much information, but eager for more. “Why, how long have you known them, Etta?”
“Only since Dan came to Harvard. Mr. Saintsbury took a fancy to him from the start, and the boy was so fond of him that they were always insisting upon a visit; and last summer we stopped there on our way to the mountains.”
“And the sisters—do they stay there the whole year round? Are they countrified?”
“One doesn't live in the country without being countrified,” said Mrs. Saintsbury. “They're rather quiet girls, though they've been about a good deal—to Europe with friends, and to New York in the winter. They're older than Dan; they're more like their father. Are you afraid of that draught at the windows?”
“Oh no; it's delicious. And he's like the mother?”
“Yes.”
“Then it's the father who has the artistic taste—he gets that from him; and the mother who has the—”
“Temperament—yes.”
“How extremely interesting! And so he's going to be a lawyer. Why lawyer, if he's got the talent and the temperament of an artist? Does his father wish him to be a lawyer?”
“His father wishes him to be a wall-paper maker.”
“And the young man compromises on the law. I see,” said Mrs. Pasmer. “And you say he's been going into Boston a great deal? Where does he go?”
The ladies entered into this social inquiry with a zest which it would be hard to make the reader share, or perhaps to feel the importance of. It is enough that it ended in the social vindication of Dan Mavering. It would not have been enough for Mrs Pasmer that he was accepted in the best Cambridge houses; she knew of old how people were accepted in Cambridge for their intellectual brilliancy or solidity, their personal worth, and all sorts of things, without consideration of the mystical something which gives vogue in Boston.
“How superb Alice was!” Mrs. Saintsbury broke off abruptly. “She has such a beautiful manner. Such repose.”
“Repose! Yes,” said her mother, thoughtfully. “But she's very intense. And I don't see where she gets it. Her father has repose enough, but he has no intensity; and I'm all intensity, and no repose. But I'm no more like my mother than Alice is like me.”
“I think she has the Hibbins face,” said Mrs. Saintsbury.
“Oh! she's got the Hibbins face,” said Mrs Pasmer, with a disdain of tone which she did not at all feel; the tone was mere absent-mindedness.
She was about to revert to the question of Mavering's family, when the door-bell rang, and another visitor interrupted her talk with Mrs. Saintsbury.
Mrs. Pasmer's husband looked a great deal older than herself, and, by operation of a well-known law of compensation, he was lean and silent, while she was plump and voluble. He had thick eyebrows, which remained black after his hair and beard had become white, and which gave him an aspect of fierceness, expressive of nothing in his character. It was from him that their daughter got her height, and, as Mrs. Pasmer freely owned, her distinction.
Soon after their marriage the Pasmers had gone to live in Paris, where they remained faithful to the fortunes of the Second Empire till its fall, with intervals of return to their own country of a year or two years at a time. After the fall of the Empire they made their sojourn in England, where they lived upon the edges and surfaces of things, as Americans must in Europe everywhere, but had more permanency of feeling than they had known in France, and something like a real social status. At one time it seemed as if they might end their days there; but that which makes Americans different from all other peoples, and which finally claims their allegiance for their own land, made them wish to come back to America, and to come back to Boston. After all, their place in England was strictly inferior, and must be. They knew titles, and consorted with them, but they had none themselves, and the English constancy which kept their friends faithful to them after they had become an old story, was correlated with the English honesty which never permitted them to mistake themselves for even the lowest of the nobility. They went out last, and they did not come in first, ever.
The invitations, upon these conditions, might have gone on indefinitely, but they did not imply a future for the young girl in whom the interests of her parents centred. After being so long a little girl, she had become a great girl, and then all at once she had become a young lady. They had to ask themselves, the mother definitely and the father formlessly, whether they wished their daughter to marry an Englishman, and their hearts answered them, like true Republican hearts, Not an untitled Englishman, while they saw no prospect of her getting any other. Mrs. Pasmer philosophised the case with a clearness and a courage which gave her husband a series of twinges analogous to the toothache, for a man naturally shrinks from such bold realisations. She said Alice had the beauty of a beauty, and she had the distinction of a beauty, but she had not the principles of a beauty; there was no use pretending that she had. For this reason the Prince of Wales's set, so accessible to American loveliness with the courage of its convictions, was beyond her; and the question was whether there was money enough for a younger son, or whether, if there was, a younger son was worth it.
However this might be, there was no question but there was now less money than there had been, and a great deal less. The investments had not turned out as they promised; not only had dividends been passed, but there had been permanent shrinkages. What was once an amiable competency from the pooling of their joint resources had dwindled to a sum that needed a careful eye both to the income and the outgo. Alice's becoming a young lady had increased their expenses by the suddenly mounting cost of her dresses, and of the dresses which her mother must now buy for the different role she had to sustain in society. They began to ask themselves what it was for, and to question whether, if she could not marry a noble Englishman, Alice had not better marry a good American.
Even with Mrs. Pasmer this question was tacit, and it need not be explained to any one who knows our life that in her most worldly dreams she intended at the bottom of her heart that her daughter should marry for love. It is the rule that Americans marry for love, and the very rare exception that they marry for anything else; and if our divorce courts are so busy in spite of this fact, it is perhaps because the Americans also unmarry for love, or perhaps because love is not so sufficient in matters of the heart as has been represented in the literature of people who have not been able to give it so fair a trial. But whether it is all in all in marriage, or only a very marked essential, it is certain that Mrs. Pasmer expected her daughter's marriage to involve it. She would have shrunk from intimating anything else to her as from a gross indecency; and she could not possibly, by any finest insinuation, have made her a partner in her design for her happiness. That, so far as Alice was concerned, was a thing which was to fall to her as from heaven; for this also is part of the American plan. We are the children of the poets, the devotees of the romancers, so far as that goes; and however material and practical we are in other things, in this we are a republic of shepherds and shepherdesses, and we live in a golden age; which if it sometimes seems an age of inconvertible paper, is certainly so through no want of faith in us.
Though the Pasmers said that they ought to go home for Alice's sake, they both understood that they were going home experimentally, and not with the intention of laying their bones in their native soil, unless they liked it, or found they could afford it. Mrs. Pasmer had no illusions in regard to it. She had learned from her former visits home that it was frightfully expensive; and, during the fifteen years which they had spent chiefly abroad, she had observed the decay of that distinction which formerly attended returning sojourners from Europe. She had seen them cease gradually from the romantic reverence which once clothed them, and decline through a gathering indifference into something like slight and compassion, as people who have not been able to make their place or hold their own at home; and she had taught herself so well how to pocket the superiority natural to the Europeanised American before arriving at consciousness of this disesteem, that she paid a ready tribute to people who had always stayed at home.
In fact Mrs. Pasmer was a flatterer, and it cannot be claimed for her that she flattered adroitly always. But adroitness in flattery is not necessary for its successful use. There is no morsel of it too gross for the condor gullet and the ostrich stomach of human vanity; there is no society in which it does not give the utterer instant honour and acceptance in greater or less degree. Mrs. Pasmer, who was very good-natured, employed it because she liked it herself, and knowing how absolutely worthless it was from her own tongue, prized it from others. She could have rested perfectly safe without it in her social position, which she found unchanged by years of absence. She had not been a Hibbins for nothing, and she was not a Pasmer for nothing, though why she should have been either for something it would not be easy to say.
But while confessing the foibles of Mrs. Pasmer, it would not be fair to omit from the tale of her many virtues the final conscientiousness of her openly involuted character. Not to mention other things, she instituted and practised economies as alien to her nature as to her husband's, and in their narrowing affairs she kept him out of debt. She was prudent; she was alert; and while presenting to the world all the outward effect of a butterfly, she possessed some of the best qualities of the bee.
With his senatorial presence, his distinction of person and manner, Mr. Pasmer was inveterately selfish in that province of small personal things where his wife left him unmolested. In what related to his own comfort and convenience he was undisputed lord of himself. It was she who ordered their comings and goings, and decided in which hemisphere they should sojourn from time to time, and in what city, street, and house, but always with the understanding that the kitchen and all the domestic appointments were to her husband's mind. He was sensitive to degrees of heat and cold, and luxurious in the matter of lighting, and he had a fine nose for plumbing. If he had not occupied himself so much with these details, he was the sort of man to have thought Mrs. Pasmer, with her buzz of activities and pretences, rather a tedious little woman. He had some delicate tastes, if not refined interests, and was expensively fond of certain sorts of bric-a-brac: he spent a great deal of time in packing and unpacking it, and he had cases stored in Rome and London and Paris; it had been one of his motives in consenting to come home that he might get them out, and set up the various objects of bronze and porcelain in cabinets. He had no vices, unless absolute idleness ensuing uninterruptedly upon a remotely demonstrated unfitness for business can be called a vice. Like other people who have always been idle, he did not consider his idleness a vice. He rather plumed himself upon it, for the man who has done nothing all his life naturally looks down upon people who have done or are doing something. In Europe he had not all the advantage of this superiority which such a man has here; he was often thrown with other idle people, who had been useless for so many generations that they had almost ceased to have any consciousness of it. In their presence Pasmer felt that his uselessness had not that passive elegance which only ancestral uselessness can give; that it was positive, and to that degree vulgar.
A life like this was not one which would probably involve great passions or affections, and it would be hard to describe exactly the feeling with which he regarded his daughter. He liked her, of course, and he had naturally expected certain things of her, as a ladylike intelligence, behaviour, and appearance; but he had never shown any great tenderness for her, or even pride in her. She had never given him any displeasure, however, and he had not shared his wife's question of mind at a temporary phase of Alice's development when she showed a decided inclination for a religious life. He had apparently not observed that the girl had a pensive temperament in spite of the effect of worldly splendour which her mother contrived for her, and that this pensiveness occasionally deepened to gloom. He had certainly never seen that in a way of her own she was very romantic. Mrs. Pasmer had seen it, with amusement sometimes, and sometimes with anxiety, but always with the courage to believe that she could cope with it when it was necessary.
Whenever it was necessary she had all the moral courage she wanted; it seemed as if she could have it or not as she liked; and in coming home she had taken a flat instead of a house, though she had not talked with her friends three minutes without perceiving that the moment when flats had promised to assert their social equality with houses in Boston was past for ever. There were, of course, cases in which there could be no question of them; but for the most part they were plainly regarded as makeshifts, the resorts of people of small means, or the defiances or errors of people who had lived too much abroad. They stamped their occupants as of transitory and fluctuant character; good people might live in them, and did, as good people sometimes boarded; but they could not be regarded as forming a social base, except in rare instances. They presented peculiar difficulties in calling, and for any sort of entertainment they were too—not public, perhaps, but—evident.
In spite of these objections Mrs. Pasmer took a flat in the Cavendish, and she took it furnished from people who were going abroad for a year.