Chapter 11

ARCHITECTURE: CLASSIC and EARLY CHRISTIAN.Comprising the Egyptian, Assyrian, Greek, Roman, Byzantine and Early Christian. Illustrated with upwards of 200 Engravings, including the Parthenon, the Erechtheium, the Temple of Zeus at Olympia, the Colosseum, the Baths of Diocletian, &c.

ARCHITECTURE: CLASSIC and EARLY CHRISTIAN.Comprising the Egyptian, Assyrian, Greek, Roman, Byzantine and Early Christian. Illustrated with upwards of 200 Engravings, including the Parthenon, the Erechtheium, the Temple of Zeus at Olympia, the Colosseum, the Baths of Diocletian, &c.

By Professor T. ROGER SMITH and EDWARD J. POYNTER, R.A.

ARCHITECTURE: GOTHIC and RENAISSANCE.Showing the progress of Gothic Architecture in England, France, Germany, Italy, and Spain, and of Renaissance Architecture in the same Countries. Illustrated with more than 100 Engravings, including many of the principal Cathedrals, Churches, Palaces, and Domestic Buildings in England, and on the Continent.

ARCHITECTURE: GOTHIC and RENAISSANCE.Showing the progress of Gothic Architecture in England, France, Germany, Italy, and Spain, and of Renaissance Architecture in the same Countries. Illustrated with more than 100 Engravings, including many of the principal Cathedrals, Churches, Palaces, and Domestic Buildings in England, and on the Continent.

By GEORGE REDFORD, F.R.C.S.

SCULPTURE: EGYPTIAN, ASSYRIAN, GREEK and ROMAN.With 160 Illustrations, including Examples of the Works of the most celebrated Greek Sculptors, a Map of Ancient Greece, and a Chronological List of Ancient Sculptors and their Works.

SCULPTURE: EGYPTIAN, ASSYRIAN, GREEK and ROMAN.With 160 Illustrations, including Examples of the Works of the most celebrated Greek Sculptors, a Map of Ancient Greece, and a Chronological List of Ancient Sculptors and their Works.

By EDWARD J. POYNTER, R.A., and PERCY R. HEAD, B.A.

PAINTING: CLASSIC and ITALIAN.Including Painting in Egypt, Greece, Rome, and Pompeii; the Renaissance in Italy; Schools of Florence, Siena, Rome, Padua, Venice, Perugia, Ferrara, Parma, Naples and Bologna. Illustrated with 80 Engravings of many of the finest Pictures of Italy.

PAINTING: CLASSIC and ITALIAN.Including Painting in Egypt, Greece, Rome, and Pompeii; the Renaissance in Italy; Schools of Florence, Siena, Rome, Padua, Venice, Perugia, Ferrara, Parma, Naples and Bologna. Illustrated with 80 Engravings of many of the finest Pictures of Italy.

By H. J. WILMOT-BUXTON, M.A., and EDWARD J. POYNTER, R.A.

PAINTING: GERMAN, FLEMISH and DUTCH.Including an Account of the Works of Albrecht Dürer, Cranach, and Holbein; Van Eyck, Van der Weyden, and Memling; Rubens, Snyders, and Van Dyck; Rembrandt, Hals, and Jan Steen; Wynants, Ruisdael, and Hobbema; Cuyp, Potter, and Berchem; Bakhuisen, Van de Velde, Van Huysum, and many other celebrated painters.

PAINTING: GERMAN, FLEMISH and DUTCH.Including an Account of the Works of Albrecht Dürer, Cranach, and Holbein; Van Eyck, Van der Weyden, and Memling; Rubens, Snyders, and Van Dyck; Rembrandt, Hals, and Jan Steen; Wynants, Ruisdael, and Hobbema; Cuyp, Potter, and Berchem; Bakhuisen, Van de Velde, Van Huysum, and many other celebrated painters.

By H. J. WILMOT-BUXTON, M.A.

PAINTING: ENGLISH and AMERICAN.Including an account of the Earliest Paintings known in England; the works of Holbein, Antonio Moro, Lucas de Heere, Zuccaro, and Marc Garrard; the Hilliards and Olivers; Van Dyck, Lely, and Kneller; Hogarth, Reynolds, and Gainsborough; West, Romney, and Lawrence; Constable, Turner, and Wilkie; Maclise, Mulready, and Landseer, and many other celebrated painters.Nearly ready.

PAINTING: ENGLISH and AMERICAN.Including an account of the Earliest Paintings known in England; the works of Holbein, Antonio Moro, Lucas de Heere, Zuccaro, and Marc Garrard; the Hilliards and Olivers; Van Dyck, Lely, and Kneller; Hogarth, Reynolds, and Gainsborough; West, Romney, and Lawrence; Constable, Turner, and Wilkie; Maclise, Mulready, and Landseer, and many other celebrated painters.

Nearly ready.

By GERARD SMITH, Exeter Coll. Oxford.

PAINTING: SPANISH and FRENCH.Including the Works of Ribera, Zurbaran, Velazquez, and Murillo; Poussin, Claude Lorrain, Le Sueur, Watteau, Chardin, Greuze, David, and Prud’hon; Ingres, Vernet, Delaroche, and Delacroix; Corot, Diaz, and Millet; Courbet, Regnault, Troyon, and many other celebrated artists.In preparation.

PAINTING: SPANISH and FRENCH.Including the Works of Ribera, Zurbaran, Velazquez, and Murillo; Poussin, Claude Lorrain, Le Sueur, Watteau, Chardin, Greuze, David, and Prud’hon; Ingres, Vernet, Delaroche, and Delacroix; Corot, Diaz, and Millet; Courbet, Regnault, Troyon, and many other celebrated artists.

In preparation.

Transcriber's NoteArchaic spelling has been preserved as printed, for example, Egean instead of Ægean.Minor punctuation errors have been repaired.The following amendments have been made:Page67, footnote—X. amended to XI.—"See Chap.XI.for an illustration of a Christian Basilica."Page101—Theseium amended to Theseum—"Temple of Theseus (Theseum), at Athens, 465B.C."Page211—Isodoros amended to Isidoros—"... Anthemius of Thralles, and Isidoros of Miletus, ..."Page270—114 amended to 116—"Agora,116"Page270—148 amended to 143—"Amphitheatre at Sutri,143"Page270—205 amended to 206—"Basilica-church at Rome (S. Paul without the walls),206"Discrepancies between items in the List of Illustrations and actual captions have been preserved as printed.Figure115—Guilloche is missing from the List of Illustrations in the original text. This omission has been preserved in this e-text.Figures116and117were out of sequence on page136(with Figures105-110). They have been moved to their proper place in the sequence of Figures. Other illustrations have been moved where necessary so that they are not in the middle of a paragraph. Omitted page numbers relate to full page illustrations or blank pages in the original.The advertising material has been moved to the end of the book.

Transcriber's Note

Archaic spelling has been preserved as printed, for example, Egean instead of Ægean.

Minor punctuation errors have been repaired.

The following amendments have been made:

Page67, footnote—X. amended to XI.—"See Chap.XI.for an illustration of a Christian Basilica."Page101—Theseium amended to Theseum—"Temple of Theseus (Theseum), at Athens, 465B.C."Page211—Isodoros amended to Isidoros—"... Anthemius of Thralles, and Isidoros of Miletus, ..."Page270—114 amended to 116—"Agora,116"Page270—148 amended to 143—"Amphitheatre at Sutri,143"Page270—205 amended to 206—"Basilica-church at Rome (S. Paul without the walls),206"

Page67, footnote—X. amended to XI.—"See Chap.XI.for an illustration of a Christian Basilica."

Page101—Theseium amended to Theseum—"Temple of Theseus (Theseum), at Athens, 465B.C."

Page211—Isodoros amended to Isidoros—"... Anthemius of Thralles, and Isidoros of Miletus, ..."

Page270—114 amended to 116—"Agora,116"

Page270—148 amended to 143—"Amphitheatre at Sutri,143"

Page270—205 amended to 206—"Basilica-church at Rome (S. Paul without the walls),206"

Discrepancies between items in the List of Illustrations and actual captions have been preserved as printed.

Figure115—Guilloche is missing from the List of Illustrations in the original text. This omission has been preserved in this e-text.

Figures116and117were out of sequence on page136(with Figures105-110). They have been moved to their proper place in the sequence of Figures. Other illustrations have been moved where necessary so that they are not in the middle of a paragraph. Omitted page numbers relate to full page illustrations or blank pages in the original.

The advertising material has been moved to the end of the book.


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