36.Morf, Heinrich,7.Morgante,98.Much Ado About Nothing,170.Music,43,149,179,180,243.Mystery, in Shakespeare,148.Names, Ariosto's use,74.Naturalism, Ariosto's,76,78,79.Nature, in Ariosto,83; in Shakespeare,319.Neoplatonism,40.Nicomède,422.Nicomède,394,395.Nietzsche, Friedrich,365,379.Oberon,172.O'Brien, Florence,303.Octaves, Ariosto's,71.Oedipe,423.Olympia,72,77.Ophelia,255,314,315.Orlando,101,109; madness,81.Orlando Furioso,character and personages,80,82;critical problem,3; emotional passages,91;frivolity and seriousness,85; languid parts,89;love matter,55,56; material,50,52,66;obsolete problems,7; reading, methods of,84;relation to Ariosto's minor works,28; restraint,93;scrupulous attention of its author,30; spirit which animates,34;toning down,90.Orlando Innamorato,105.Othello,238,288,316,317.Othello,236,282,308.Othon,355.Ovid,112.Painting,43.Pandarus,181.Parrizzi, Antonio,7.Passions,349,371,372,377,390,391,392.Past, love of,36,37; nostalgia for,205.Pastiche,37.Pauline,342.Pellissier, G. J. M.,284.Pembroke theory as to Shakespeare'sSonnets,122.Pertharite,420,421.Petrarch, Francesco,41,112.Petruchio,168.Philiberta of Savoy,25.Philocleon,392.Philologism,50,78,121,132,133.Philosophy, Ariosto's,48,65; Shakespeare's,149,159,252.Picaresque romance,100.Place Royale,387,403.Platen, August,296,298.Plautus,190.Pleasure,242.Poet and artist,41,44.Poetry,276,278,305,307,351,357,404;Corneille's,408,413,425; cosmic,146;didactic,355; latent poets,426; non-lyrical,354;rationalistic,352,354.Politian, Angelo,36,99,112,113,194.Politics, in Ariosto,59; in Corneille,372;in Shakespeare,156.Polyeucte,342,343,383,402,414.Pontano, G. G.,36.Portia,179.Power, will for,365,379.Pre-philosophy, Shakespeare's,160.Promessi Sposi,84,85.Prospero,260,273.Puck,172.Pulchérie,415,416.Pulchérie,384.Pulci, Luigi,95,98,112;Morgante,98.Quickly, Mistress,220.Quixote, Don,187.Rabelais, François,76,181.Racine, Jean,341,349,358,364.Rajna, Pio,7,97.Rape of Lucrèce,191.Reason, in Corneille,349,351.Reflections of Ariosto,75.Regan,231.Religious beliefs, in Ariosto,64.Renaissance,65; Shakespeare and,158,298,325.Rhythm, in Corneille,426; of the universe,42,43.Richard II,208.Richard III,213,307.Rinaldo,101,109.Rio (Shakespearean critic),152.Rodogune,338,342,364,367.Rodolinde, Queen,420,421.Rodrigo,347.Rodrique,382.Romance, in Corneille,404; in Shakespeare,261;Shakespeare's romantic plays,185.Romances,95.Romeo and Juliet,174,288.Rümelin, Gustav,137,286,287,308.Rutland, Earl of,131.Sadoleto, Cardinal,85.Sainte-Beuve, C. A., on Corneille,429; on French tragedy,353.St. John, Ariosto's representation,77.Salvemini, Signor,96.Sannazaro, Jacopo,36.Sarcasm,231.Schack, A. F., on Corneille,339.Schiller, J. C. F. von,297; on Corneille,338,427.Schlegel, A. W., on Corneille,338,373;on Shakespeare,139.174,321,384,428.Schlegel, Frederick, on French tragedy,352.Scientific study,8.Scott, Walter,205.Sculpture,43.Seneca,191,379,396.Sentiment, Shakespearean,138,143,149.Seriousness, Ariosto's85.Sertorius,355.Shakespeare, William, analysis and eulogy of plays,280;as a German poet,319,320,323,325;Ariosto compared with,145,154,165;art of,274; biographical problem,157;biography, useless labours and conjectures,122;chronology of plays,119,121; classical,291;comedy of love,163; comparisons with certain painters,147;conceptions,149,151; conflict,155; Corneille and,404;distinction oflesserandgreaterShakespeare,221;dualism,155,287,288; English indifference to, in former times,322;errors and defects,289,295; ethics,155;excellence long disputed,284; Fate,155;fidelity to Nature,319; French judgments on his art,284;goodness and God,143,154,162; historical plays,293;historicity,156,159; ideal development and chronological series,266;idealism,139; interest in practical action, and his historical plays,200;justice and indulgence as motives in his plays,258;life of his time,158; literary education,325;literature of his time and his literary plays,188,192;mass of work devoted to,333; mental presuppositions,152,157,160;models,130; moderation,292; motives and development of his poetry,163;mystery,148; order of plays,266; ourselves and,328;philosophy,149,159,252; political faith,156;practical personality and poetical personality,117;pre-philosophy,160; reading, Shakespeare's course of,136,157;religion,152; Renaissance and,158,298,325; romance,261;romance as a motive and the romantic plays,185;sense of life,141,147; sentiment,138,143,149;society of the time,135;Sonnets,192;Sonnets,theories about,122; soul of his poetry,306;strife, conflict, war,147,148; taste,291;theatrical representation,330; universality,138,150;useless conjectures about plays,123; useless philology,121.Shakespearean criticism,300; criticism by images,302;exclamatory criticism,301; French and Italian,321,324;German school,306,320,322; objectivistic,312;philological,303; present age,333; rhetorical,305.Shylock,216.Sleep,227.Sonata form,277.Sonnets,Shakespeare's,122,192.Sources,50.Southampton, Earl of,122,131.Southampton theory as to Shakespeare'sSonnets,122.Stanley, William,132.State,391.Steinweg (philologist),428,429.Stoveisus,375,418.Stories of knightly romance,62.Strife,38,39; in Shakespeare,146,147.Sturm und Drang,320.Styles of writing,305; Ariosto's style,69.Sulzer, J. G.,10,86.Suréna,411.Suréna,413.Swinburne, A. C, on Shakespeare,270,301.System,359,360,361.Taine, H. A.,135;357; on Shakespeare,142.Taming of the Shrew,168.Tasso, Torquato,90,98,114,199.Tears,418.Technique,275.Tempest,184,260,307.Theseus,423.Timon of Athens,294.Titania,172.Titus Andronicus,190.Tolomei, Claudio,32.Tolstoi, Leo, on Shakespeare,139,285.Toning down, in Ariosto,90.Tornabuoni, Lucrezia,99.Tragedy, Corneille's mechanism,390,397;French rationalistic,352; of character,360;of good and evil, in Shakespeare,221; of the will,241.Trammels,404.Troilus and Cressida,180,295.Twelfth Night,169,190.Two Gentlemen of Verona,167.Ulrici, Hermann,156,307,310.Unity,39.Universal, in Shakespeare,138,150.Universe, rhythm of,42,43.Unreality,196.Vauvenargues, L. de C.,340,427.Venus and Adonis,191,194.Verdi, Giuseppe,330.Vico, Giambattista,290.Virtue, in Shakespeare,162.Vischer, F. T. von,10,43,139,307.Voltaire, J. F. M. A., on Corneille,340,346,355,358,385,398; on Shakespeare,284,321.Voluptuousness,241.War, in Shakespeare,148.Will,425; deliberative,366,369,378,389,390,423;pure,364; rational, in Corneille,349,351;resolute,413; sophistry of,226; tragedy of,241;"will for power,"365,379.Winckelmann, J. J.,43.Winter's Tale,198,199,294.Wisdom of life, in Ariosto,15.Wölfflin, Heinrich,49.Woman, as object of Ariosto's love,20; love and politics,356.Zerbino,58,91.