correspondence with impressionism,32Stage scenes, pictures of,222Still-life, its place in art,85,214;beauty in,214;its varieties,215;in decoration,218;custom of the Japanese in,217Stories, pictures illustrating, their place in art,85,221;painter of, subordinate to the writer,221Sublime, The, Longinus on,73;painters who have achieved,229Supreme Being, final ideal of human form can only apply to,88"Symbolic" period of painting, Hegel's,277Symbolical painting, when secondary art,227Symonds, J. A., on evolution in art,271;on the Venetian artists,350TTaine, H., on music as a non-imitative art,294Tanagra figures, quality of grace in,162Temperament, influence of, on the work of artists,16Titian, as a portrait painter,144;the dignified pose in his figures,148;the pose a test of his portraiture,335;his impressionist landscape,288;his coloring,231;some doubtful attributions to,336Titles of pictures, may assist in providing illusion of motion,257;may add interest to a work,352Tolstoy, Leo, on the meaning of "art,"275;on popular appreciation of art,307Tragedy, only section of drama which the painter may properly use,221Translations of poetry, varying values of,297Trees in art, the slender trees of Raphael,345;of other artists,345Turner, J. M. W., secret of his success,16Twilight scenes, their place in art,208Types, importance of, in nature and art,55UUgliness in art, may be used in poetry, but not in painting,342;Rodin on,317;Lessing on,341;Waldstein on,318Uncivilized races, their understanding of beauty,333VVan Dyck, A.,30;his portraiture,150Velasquez, his place in art,44;his simplicity in design,152;his limited imagination,155;his execution,153;compared with the idealists,43;his perfect balance,43;claimed as an impressionist,41,290Venus, her representation in art,110;Anadyomene,114et seq.;reposing,116;at her toilet,118;of Phidias,111;of Praxiteles,111et seq.;of Apelles,113;of Raphael,114;of Michelangelo,117;de' Medici,119;of Titian,115;of other artists,115et seq.Verestchagin, V., his war pictures,184Vinci, Lionardo da (seeLionardo)Virgin, The (seeMadonna, The)Virtue and Vice, pictures representing,178Vulcan, representation in painting,132WWaldstein, C., on ugliness in sculpture,318Watts-Dunton, T., his definition of poetry,296Whistler, J. McN., his nocturnes,349Wings, use of, in suspended figures,262Women in portraiture, during the Renaissance,159;by Moro,159;by Van Dyck,159;by the eighteenth century British artists,161;Reynolds preeminent in painting of,160ZZeus (seeJupiter)