This letter, which filled Colombe's heart with joy by reviving her hopes, had the unfortunate result of causing the poor children to feel a dangerous sense of security. Youth is incapable of moderate feelings: it leaps at one bound from despair to the fullest confidence; in its eyes the sky is always black with tempests or resplendently clear. Being rendered doubly confident by the provost's absence and Cellini's letter, they neglected their precautions, and thought more of their love and less of prudence. Colombe was not so guarded in her movements, and Dame Perrine saw her, but luckily mistook her for the monk's ghost. Ascanio lighted the lamp without drawing the curtains, and the light was seen by Dame Ruperta. The tales of the two gossips taken in conjunction aroused the curiosity of Jacques Aubry, and the indiscreet student, like Horace in the "École des Femmes," revealed everything to the very person to whom he should have revealed absolutely nothing. We know the result of his disclosures.
Let us now return to the Hôtel d'Etampes.
When Marmagne was asked how he had stumbled upon his valuable discovery, he assumed an air of mystery and refused to tell. The truth was too simple, and did not reflect sufficient credit upon his penetration; he preferred to let it be understood that he had arrived at the magnificent results which aroused their wonder by dint of strategy and perseverance. The duchess was radiant; she went and came, and plied the viscount with questions. So they had her at last, the little rebel who had terrified them all! Madame d'Etampes determined to go in person to the Hôtel de Nesle to make sure of her friend's good fortune. Moreover, after what had happened after the flight, or rather the abduction, of Colombe, the girl must not be left at the Petit-Nesle. The duchess would take charge of her: she would take her to the Hôtel d'Etampes, and would keep a closer watch upon her than duenna andfiancétogether had done; she would keep watch upon her as a rival, so that Colombe would surely be well guarded.
The duchess ordered her litter.
"The affair has been kept very secret," said she to the provost. "You, D'Orbec, are not the man to worry about a childish escapade of this sort? I don't see, then, what is to prevent the marriage from taking place, and our plans from being carried out."
"On the same conditions, of course, duchess?" said D'Orbec.
"To be sure, on the same conditions, my dear count. As to Benvenuto," continued the duchess, "who is guilty, either as principal or accessory, of an infamous abduction,—never fear, dear viscount, we will avenge you, while avenging ourselves."
"But I understand, madame," rejoined Marmagne, "that, the king in his artistic enthusiasm had made him a solemn promise, in case the statue of his Jupiter should be cast successfully, so that he will simply have to breathe a wish to see his wish gratified."
"Never fear, that's just where I will watch," rejoined the duchess; "I will prepare a surprise for him on that day that will be a surprise indeed. So rely upon me, and let me manage everything."
That was in truth the best thing they could do: not for a long while had the duchess seemed so eager, so animated, so charming. Her joy overflowed in spite of her. She sent the provost away in hot haste to summon his archers, and erelong that functionary, accompanied by D'Orbec and Marmagne, and preceded by a number of subordinates, arrived at the door of the Hôtel de Nesle, followed at a short distance by Madame d'Etampes, who waited upon the quay, trembling with impatience, and constantly thrusting her head out of the litter.
It was the dinner hour of the workmen, and Ascanio, Pagolo, little Jehan, and the women were the only occupants of the Grand-Nesle at the moment. Benvenuto was not expected until the evening of the following day, or the morning of the day following that. Ascanio, who received the visitors, supposed that it was a third domiciliary visit, and, as he had very positive orders from the master on that subject, he offered no resistance, but welcomed them, on the other hand, most courteously.
The provost, his friends and his retainers, went straight to the foundry.
"Open this door for us," said D'Estourville to Ascanio.
The young man's heart was oppressed with a terrible presentiment. However he might be mistaken, and as the least hesitation might awaken suspicion, he handed the provost the key without moving a muscle.
"Take that long ladder," said the provost to his archers.
They obeyed, and under Messire d'Estourville's guidance marched straight to the statue. There the provost himself put the ladder in place, and prepared to ascend, but Ascanio, pale with terror and wrath placed his foot on the first round.
"What is your purpose, messieurs?" he cried; "this statue is the master's masterpiece. It has been placed in my charge, and the first man who lays hand upon it for any purpose whatsoever is a dead man, I warn you!"
He drew from his belt a keen-edged, slender dagger, of such marvellous temper that it would cut through a gold crown at a single blow.
The provost gave a signal and his archers advanced upon Ascanio pike in hand. He made a desperate resistance and wounded two men; but he could do nothing alone against eight, leaving the provost, Marmagne, and D'Orbec out of the reckoning. He was forced to yield to superior numbers: he was thrown down, bound and gagged, and the provost started up the ladder, followed by two sergeants for fear of a surprise.
Colombe had heard and seen everything; her father found her in a swoon, for when she saw Ascanio fall she believed him to be dead.
Aroused to anger rather than anxiety by this sight, the provost threw Colombe roughly over his broad shoulders, and descended the ladder. The whole party then returned to the quay, the archers escorting Ascanio, at whom D'Orbec gazed most earnestly. Pagolo saw his comrade pass and did not stir. Little Jehan had disappeared. Scozzone alone, understanding nothing of what had taken place, tried to bar the door, crying,—
"What means this violence, messieurs? Why are you taking Ascanio away? Who is this woman?"
But at that moment the veil which covered Colombe's face fell off, and Scozzone recognized the model for the statue of Hebe.
Thereupon she stood aside, pale with jealousy, and allowed the provost and his people, as well as their prisoners, to pass without another word.
"What does this mean, and why have you abused this boy so?" demanded Madame d'Etampes, when she saw Ascanio bound, and pale and covered with blood. "Unbind him! unbind him!"
"Madame," said the provost, "this same boy resisted us desperately; he wounded two of my men; he is his master's accomplice without doubt, and it seems to me advisable to take him to some safe place."
"And furthermore," said D'Orbec in an undertone to the duchess, "he so strongly resembles the Italian page I saw at your reception, and who was present throughout our conversation, that, if he were not dressed differently, and if I had not heard him speak the language which you assured me the page could not understand, upon my honor, Madame la Duchesse, I would swear it was he!"
"You are right. Monsieur le Prévôt," said Madame d'Etampes hastily, thinking better of the order she had given to set Ascanio at liberty; "you are right, this young man may be dangerous. Make sure of his person."
"To the Châtelet with the prisoner," said the provost.
"And we," said the duchess, at whose side Colombe, still unconscious, had been placed,—"we, messieurs, will return to the Hôtel d'Etampes!"
A moment later the hoof-beats of a galloping horse rang out upon the pavement. It was little Jehan, riding off at full speed to tell Cellini what had taken place at the Hôtel de Nesle.
Ascanio, meanwhile, was committed to the Châtelet without having seen the duchess, and in ignorance of the part played by her in the event which destroyed his hopes.
Madame d'Etampes, who had been so desirous to see Colombe at close quarters ever since she had first heard of her, had her heart's desire at last: the poor child lay there before her in a swoon.
The jealous duchess did not once cease to gaze at her throughout the whole journey to the Hôtel d'Etampes. Her eyes, blazing with anger when she saw how beautiful she was, scrutinized each of her charms, analyzed each feature, and passed in review one after another all the elements which went to make up the perfect beauty of the pale-cheeked girl who was at last in her power and under her hand. The two women, who were inspired with the same passion and disputing possession of the same heart, were face to face at last. One all-powerful and malevolent, the other weak, but beloved; one with her splendor, the other with her youth; one with her passion, the other with her innocence. Separated by so many obstacles, they had finally come roughly in contact, and the duchess's velvet robe brushed against Colombe's simple white gown.
Though Colombe was in a swoon, Anne was not the least pale of the two. Doubtless her mute contemplation of her companion's loveliness caused her pride to despair, and destroyed her hopes; for while, in her own despite, she murmured, "They told me truly, she is lovely, very lovely!" her hand, which held Colombe's, pressed it so convulsively that the young girl was brought to her senses by the pain, and opened her great eyes, saying,—
"Oh, madame, you hurt me!"
As soon as the duchess saw that Colombe's eyes were open, she let her hand fall. But the consciousness of pain preceded the return of the faculty of thought. For some seconds after she uttered the words, she continued to gaze wonderingly at the duchess, as if she could not collect her thoughts.
"Who are you, madame," she said at last, "and whither are you taking me?" Then she suddenly drew away from her, crying,—
"Ah! you are the Duchesse d'Etampes. I remember, I remember!"
"Hush!" returned Anne imperiously. "Hush! Soon we shall be alone, and you can wonder and cry out at your ease."
These words were accompanied by a stern, haughty glance; but it was a sense of her own dignity, and not the glance, which imposed silence upon Colombe. She said not another word until they reached the Hôtel d'Etampes, where, at a sign from the duchess, she followed her to her oratory.
When the rivals were at last alone and face to face, they eyed each other for one or two minutes without speaking, but with very different expressions. Colombe was calm, for her trust in Providence and in Benvenuto sustained her. Anne was furious at her calmness, but although her fury was clearly evidenced by the contortion of her features, she did not give expression to it, for she relied upon her imperious will, and her unbounded power to crush the feeble creature before her. She was the first to break the silence.
"Well, my young friend," she said, in a tone which left no doubt as to the bitterness of the thought, although the words were soft, "you are restored to your father, at last. It is well, but allow me first of all to compliment you upon your courage; you are—bold for your age, my child."
"I have God on my side, madame," rejoined Colombe simply.
"What god do you refer to, mademoiselle? Oh, the god Mars, of course!" returned the duchess with one of those impertinent winks which she so often had occasion to resort to at court.
"I know but one God, madame; the Eternal God, merciful and protecting, who teaches charity in prosperity, and humility in grandeur. Woe to them who know not the God of whom I speak, for there will come a day when He will not know them."
"Very good, mademoiselle, very good!" said the duchess. "The situation is admirably adapted for a moral lecture, and I would congratulate you upon your happy choice of a subject if I did not prefer to think that you are trying to excuse your wantonness by impudence."
"In truth, madame," replied Colombe, without bitterness, but with a slight shrug of the shoulders, "I do not seek to excuse myself to you, because I am as yet ignorant of any right on your part to accuse me. When my father chooses to question me, I shall reply with respect and sorrow. If he reproves me I will try to justify myself; but until then, Madame la Duchesse, permit me to hold my peace."
"I understand that my voice annoys you, and you would prefer, would you not, to remain alone with your thoughts and think at leisure of the man you love?"
"No noise, however annoying it may be, can prevent me from thinking of him, madame, especially when he is unhappy."
"You dare confess that you love him?"
"That is the difference between us, madame; you love him, and dare not confess it."
"Impudent hussy!" cried the duchess, "upon my word I believe she defies me."
"Alas! no," replied Colombe softly, "I do not defy you, I reply, simply because you force me to reply. Leave me alone with my thoughts, and I will leave you alone with your schemes."
"Very good! since you drive me to it, child, since you imagine that you are strong enough to contend with me, since you confess your love, I will confess mine; but at the same time I will confess my hatred. Yes, I love Ascanio, and I hate you! After all, why should I dissemble with you, the only person to whom I may say whatever I choose? for you are the only one who, whatever you say, will not be believed. Yes, I love Ascanio."
"In that case I pity you, madame," rejoined Colombe softly, "for Ascanio loves me."
"Yes, it is true, Ascanio does love you; but by seduction if I can, by falsehood if I must, by a crime if it becomes necessary, I will steal his love away from you, mark that! I am Anne d'Heilly, Duchesse d'Etampes!"
"Ascanio, madame, will love the one who loves him best."
"In God's name hear her!" cried the duchess, exasperated by such sublime confidence. "Would not one think that her love is unique, and that no other love can be compared to it?"
"I do not say that, madame. For the reason that I love, I know that other hearts may love as I do, but I doubt if yours is one of them."
"What would you do for him? Come, let us see, you who boast of this love of yours which mine can never equal. What have you sacrificed for him thus far? an obscure life and wearisome solitude?"
"No, madame, but my peace of mind."
"You have given him preference over what? Comte d'Orbec's absurd love?"
"No, madame, but my filial obedience."
"What have you to give him? Can you make him rich, powerful, feared?"
"No, madame, but I hope to make him happy."
"Ah!" exclaimed the duchess; "it's a very different matter with me, and I do much more for him: I sacrifice a king's affection; I lay wealth, titles, and honors at his feet; I bring him a kingdom to govern."
"Yes," said Colombe with a smile, "it's true that your love gives him everything that is not love."
"Enough, enough of this insulting comparison!" cried the duchess violently, feeling that she was losing ground step by step.
Thereupon ensued a momentary pause, during which Colombe seemed to feel no embarrassment, while Madame d'Etampes succeeded in concealing hers only by revealing her anger. However, her features gradually relaxed, her faee assumed a milder expression, lightened by a gleam of real or feigned benevolence. She was the first to reopen the conflict which she did not propose should end otherwise than in a triumph.
"Let us see, Colombe," said she in a tone that was almost affectionate, "if some one should bid you sacrifice your life for him, what would you do?"
"Ah! I would give it to him blissfully!"
"And so would I!" cried the duchess with an accent which proved the violence of her passion, if not the sincerity of the sacrifice.
"But your honor," she continued, "would you sacrifice that as well as your life?"
"If by my honor you mean my reputation, yes; if by my honor you mean my virtue, no."
"What! you do not belong to him? is he not your lover?"
"He is myfiancé, madame; that is all."
"Oh, she doesn't love him!" rejoined the duchess, "she doesn't love him! She prefers her honor, a mere empty word, to him."
"If some one were to say to you, madame," retorted Colombe, angered in spite of her sweet disposition, "if some one were to say to you, 'Renounce for his sake your titles and your grandeur; abandon the king for him,—not in secret, that would be too easy,—but publicly.' If some one were to say to you, 'Anne d'Heilly, Duchesse d'Etampes, leave your palace, your luxurious surroundings, and your courtiers for his humble artist's studio'?"
"I would refuse in his own interest," replied the duchess, as if it were impossible to say what was false beneath the profound, penetrating gaze of her rival.
"You would refuse?"
"Yes."
"Ah! she doesn't love him!" cried Colombe; "she prefers honors, mere chimeras, to him."
"But when I tell you that I wish to retain my position for his sake," returned the duchess, exasperated anew by this fresh triumph of her rival,—"when I tell you that I wish to retain my honors so that he may share them? All men care for them sooner or later."
"Yes," replied Colombe, smiling; "but Ascanio is not one of them."
"Hush!" cried Anne, stamping her foot in passion.
Thus had the cunning and powerful duchess signally failed to gain the upper hand over a mere girl, whom she expected to intimidate simply by raising her voice. To her questions, angry or satirical, Colombe had made answer with a modest tranquillity which disconcerted her. She realized that the blind impulsion of her hatred had led her astray, so she changed her tactics. To tell the truth, she had not reckoned upon the possession of so much beauty or so much wit by her rival, and, finding that she could not bend her, she determined to take her by surprise.
Colombe as we have seen, was not alarmed by the double explosion of Madame d'Etampes's wrath, but simply took refuge in cold and dignified silence. The duchess, however, following out the new plan she had adopted, now approached her with her most fascinating smile, and took her affectionately by the hand.
"Forgive me, my child," she said, "but I fear I lost my temper; you must not bear me ill will for it; you have the advantage of me in so many ways, that it's natural that I should be jealous. Alas! you, no doubt, like everybody else, consider me a wicked woman. But, in truth, my destiny is at fault, not I. Forgive me, therefore; because we both happen to love Ascanio is no reason why we should hate each other. And then he loves you alone, so 't is your duty to be indulgent. Let us be sisters, what say you? Let us talk frankly together, and I will try to efface from your mind the unfortunate impression which my foolish anger may have left there."
"Madame!" said Colombe, with reserve, and withdrawing her hand with an instinctive movement of repulsion; but she added at once, "Speak, I am listening."
"Oh," said Madame d'Etampes playfully, and as if she understood perfectly her companion's reserve, "have no fear, little savage, I do not ask for your friendship without a guaranty. In order that you may know what manner of woman I am, that you may know me as I know myself, I propose to tell you in two words the story of my life. My heart has little to do with my story, and we poor women, who are called great ladies, are so often slandered! Ah! envy does very wrong to speak ill of us when we are fitter subjects for compassion. For instance, what is your judgment of me, my child? Be frank. You look upon me as a lost woman, do you not?"
Colombe made a gesture indicative of the embarrassment she felt at the idea of replying to such a question.
"But if I am a lost woman, is it my fault? You in your happiness, Colombe, must not be too hard upon those who have suffered,—you who have lived hitherto in innocent solitude, and do not know what it is to be reared upon ambitious dreams: for they who are destined to that torture, like victims decked out with flowers, see only the bright side of life. There is no question of love, simply of pleading. So it was that from my earliest youth my thoughts were all bent upon fascinating the king; the beauty which God gives to woman to be exchanged for true love, I was forced to exchange for a title; they made of my charms a snare. Tell me now, Colombe, what could be the fate of a poor child, taken in hand before she has learned to know the difference between good and evil, and who is told, 'The good is evil, the evil is good'? And so, you see, although others despair of me, I do not despair of myself. Perhaps God will forgive me, for no one stood beside me to tell me of him. What was there for me to do, alone as I was, and weak and defenceless? Craft and deceit have made up my whole life from that time on. And yet I was not made to play such a hideous rôle; the proof is that I love Ascanio, and that when I found that I loved him I was happy and ashamed at the same time. Now tell me, my pure, darling child, do you understand me?"
"Yes." innocently replied Colombe, deceived by this false good faith, this lie masquerading in the guise of truth.
"Then you will have pity on me," cried the duchess; "you will let me love Ascanio from a distance, all by myself, hopelessly; and in that way I shall not be your rival, for he will not care for me; and, in return, I, who know the world and its snares, its pitfalls and deceit, will take the place of the mother you have lost. I will guide you, I will save you. Now you see that you can trust me, for you save my life. A child in whose heart the passions of a woman were sown, that in brief is my past. My present you see for yourself; it is the shame of being the declared mistress of a king. My future is my love for Ascanio,—not his for me, because, as you have said, and as I have very often told myself, Ascanio will never love me; but for the very reason that love will remain pure it will purify me. Now it is your turn, to speak, to open your heart, to tell me everything. Tell me your story, dear girl."
"My story, madame, is very brief and very simple," said Colombe; "it may all be summed up in three loves. I have loved, I love, and I shall love,—God, my father, and Ascanio. But in the past my love for Ascanio, whom I had not then met, was a dream; at present it is a cause of suffering; in the future, it is a hope."
"Very good," said the duchess, restraining her jealousy, and forcing back her tears; "but do not half confide in me, Colombe. What do you mean to do now? How can you, poor child, contend with two such powerful wills as your father's and Comte d'Orbec's? To say nothing of the king's having seen you and fallen in love with you."
"O mon Dieu!" murmured Colombe.
"But as this passion on the king's part was the work of the Duchesse d'Etampes, your rival, your friend, Anne d'Heilly will deliver you from it. So we won't disturb ourselves about the king: but your father and the count must be reckoned with. Their ambition is less easy to balk than the commonplace fancy of the king."
"Oh, do not be half kind!" cried Colombe; "save me from the others as well as from the king."
"I know but one way," said Madame d'Etampes, seeming to reflect.
"What is that?"
"You will take fright, and refuse to adopt it."
"Oh, if only courage is required, tell me what it is."
"Come here, and listen to me," said the duchess, affectionately drawing Colombe to a seat upon a stool beside her arm-chair, and passing her arm around her waist. "Don't be alarmed, I beg, at the first words I say."
"Is it very terrifying?" Colombe asked.
"Your virtue is unbending, and unspotted, my dear little one, but we live, alas! at a time and in a society where such fascinating innocence is but a danger the more, for it places you, without means of defence, at the mercy of your enemies, whom you cannot fight with the weapons they use to attack you. So make an effort, descend from the heights to which your dreams have transported you, to the lower level of reality. You said just now that you would sacrifice your reputation for Ascanio. I do not ask so much as that, but simply that you sacrifice the appearance of fidelity to him. It is pure madness for you, alone and helpless, to struggle against your destiny: for you, the daughter of a gentleman, to dream of marriage with a goldsmith's apprentice! Come, trust the advice of a sincere friend; do not resist them, but let them have their way: remain at heart the spotless fiancé, the wife of Ascanio, and give your hand to Comte d'Orbec. His ambitious schemes require that you should bear his name; but once you are Comtesse d'Orbec, you can easily overturn his detestable schemes, for you have only to raise your voice and complain. Whereas now, who would take your part in the contest? No one: even I cannot assist you against the legitimate authority of a father, while, if it were a question of foiling your husband's combinations, you would soon see me at work. Reflect upon what I say. To remain your own mistress, obey; to become independent, pretend to abandon your liberty. Strong in the thought that Ascanio is your lawful husband, and that union with any other is mere sacrilege, you may do what your heart bids you, and your conscience will be at rest, while the world, in whose eyes appearances will be preserved, will take your part."
"Madame! madame!" murmured Colombe, rising and straightening herself against the duchess's arm, as she sought to detain her, "I am not sure that I understand you aright, but it seems to me that you are advising me to do an infamous thing!"
"What do you say?" cried the duchess.
"I say that virtue is not so subtle as all that, madame; I say that your sophistries make me blush for you; I say that beneath the cloak of friendship with which you conceal your hatred, I see the net you have spread for me. You wish to dishonor me in Ascanio's eyes, do you not, because you know that Ascanio will never love or will cease to love the woman he despises?"
"Well, yes!" said the duchess, bursting forth at last; "I am weary of wearing a mask. Ah! you will not fall into the net I have spread, you say? Very good, then you will fall into the abyss I will push you into. Hear this: Whether you will or no, you shall marry D'Orbec!"
"In that case the force put upon me will be my excuse, and by yielding, if I do yield, I shall not have profaned my heart's religion."
"Pray, do you mean to resist?"
"By every means in the power of a poor girl. I warn you that I will say No! to the end. You may put my hand in that man's, I will say No! You may drag me before the altar, I will say No! You may force me to kneel at the priest's feet, and to the priest's face I will say No!"
"What matters it? Ascanio will believe that you have consented to the marriage that is forced upon you."
"For that reason I hope I may not have to submit to it, madame."
"Upon whom do you rely to come to your assistance?"
"Upon God above, and upon a man on earth."
"But the man is a prisoner."
"The man is free, madame."
"Why, who is the man, I pray to know?"
"Benvenuto Cellini."
The duchess ground her teeth when she heard the name of the man she considered her deadliest foe. But as she was on the point of repeating the name, accompanied by some terrible imprecation, a page raised the portière and announced the king.
At that announcement she darted from the room to meet François I. with a smile upon her lips, and led him to her own apartments, motioning to her people to keep watch upon Colombe.
An hour after the imprisonment of Ascanio and the abduction of Colombe, Benvenuto Cellini rode along the Quai des Augustins at a footpace. He had just parted from the king and the court, whom he had amused throughout the journey by innumerable tales, told as he only could tell them, mingled with anecdotes of his own adventures. But when he was once more alone he became thoughtful and abstracted; the frivolous talker gave place to the profound dreamer. While his hand shook the rein, his brain was busily at work; he dreamed of the casting of his Jupiter, upon which depended his dear Ascanio's happiness as well as his artistic fame; the bronze was fermenting in his brain before being melted in the furnace. Outwardly he was calm.
When he reached the door of the Hôtel de Nesle he stopped for a moment, amazed not to hear the sound of hammering; the blackened walls of the château were mute and gloomy, as if no living thing were within. Twice the master rapped without obtaining a reply; at the third summons Scozzone opened the door.
"Ah, there you are, master!" she cried when she saw that it was Benvenuto. "Alas! why did you not return two hours earlier?"
"What has happened, in God's name?" demanded Cellini.
"The provost, Comte d'Orbec, and the Duchesse d'Etampes have been here."
"Well?"
"They made a search."
"And then?"
"They found Colombe in the head of the statue of Mars."
"Impossible!"
"The Duchesse d'Etampes carried Colombe home with her, and the provost ordered Ascanio to be taken to the Châtelet."
"Ah! we have been betrayed!" cried Benvenuto striking his hand against his forehead and stamping upon the ground. As his first thought on every occasion was of vengeance, he left his horse to find his own way to the stable, and darted into the studio.
"Come hither, all of you," he cried,—"all!"
Thereupon each one had to undergo an examination in due form, but they were all equally ignorant, not only of Colombe's hiding place, but of the means by which her enemies had succeeded in discovering it. There was not a single one, including Pagolo, upon whom the master's suspicion fell first of all, who did not exculpate himself in a way that left no doubt in Benvenuto's mind. It is needless to say that he did not for an instant suspect Hermann, and Simon-le-Gaucher for no more than an instant.
When he became convinced that he could learn nothing in that direction, Benvenuto, with the rapidity of decision which was usual with him, made up his mind what course to pursue; and having made sure that his sword was at his side and that his dagger moved easily in its sheath, he ordered everybody to remain at home in order to be at hand in case of need. He then left the studio, and hurried across the courtyard into the street.
His features, his gait, and his every movement, bore the stamp of intense excitement. A thousand thoughts, a thousand schemes, a thousand painful reflections, were jostling one another confusedly in his head. Ascanio failed him at the moment when his presence was most essential, for all his apprentices, with the most intelligent of them all at their head, were none too many for the casting of his Jupiter. Colombe was abducted; and Colombe in the midst of her foes might lose heart. The serene, sublime confidence which served the poor child as a bulwark against evil thoughts and perverse designs would perhaps grow weaker, or abandon her altogether, in such a maze of plots and threats. With all the rest, he remembered that one day he had spoken to Ascanio of the possibility of some cruel vengeance on the part of the Duchesse d'Etampes, whereupon Ascanio replied with a smile,—
"She will not dare to ruin me, for with a word I could ruin her."
Benvenuto sought to learn the secret, but Ascanio would make no other reply to his questions than this:—
"To-day it would be treachery, master. Wait until the day comes when it will be only a legitimate means of defence."
Benvenuto understood the delicacy which closed his mouth, and waited. How it was necessary that he should see Ascanio, and his first endeavors should be directed to that end.
With Benvenuto the wish led at once to the decision necessarily to gratify it. He had hardly said to himself that he must see Ascanio, before he was knocking at the door of the Châtelet. The wicket opened, and one of the provost's people asked Cellini who he was. Another man was standing behind him in the shadow.
"My name is Benvenuto Cellini," replied the goldsmith.
"What do you wish?"
"To see a prisoner who is confined herein."
"What is his name?"
"Ascanio."
"Ascanio is in secret and can see no one."
"Why is he in secret?"
"Because he is charged with a crime punishable with death."
"An additional reason why I should see him," cried Benvenuto.
"Your logic is most extraordinary, Signor Cellini," said the man who was standing in the background, in a jeering tone, "and doesn't pass current at the Châtelet."
"Who laughs when I proffer a request? Who jeers when I implore a favor?" cried Benvenuto.
"I," said the voice,—"I, Robert d'Estourville, Provost of Paris. To each his turn, Signor Cellini. Every contest consists of a game and revenge. You won the first bout, and the second is mine. You illegally took my property, I legally take your apprentice. You refused to return the one to me, so never fear, I will not return the other to you. You are gallant and enterprising; you have an army of devoted retainers. Come on, my stormer of citadels! Come on, my scaler of walls! Come on, my burster in of doors! Come and take the Châtelet! I am waiting for you."
With that the wicket was closed.
Benvenuto, with a roar, darted at the massive iron door, but could make no impression upon it with the united efforts of his feet and hands.
"Come on, my friend, come on, strike, strike!" cried the provost from the other side of the door; "you will only succeed in making a noise, and if you make too much, beware the watch, beware the archers! Ah! the Châtelet isn't like the Hôtel de Nesle, you'll find; it belongs to our lord the king, and we shall see if you are more powerful in France than the king."
Benvenuto cast his eyes about and saw upon the quay an uprooted mile-stone which two ordinary men would have found difficulty in lifting. He walked to where it lay picked it up and put it on his shoulder as easily as a child could do the same with a pebble. He had taken but a step or two, however, when he reflected that, when the door was broken in, he should find the guard waiting for him, and the result would be that he should himself be imprisoned,—imprisoned when Ascanio's liberty was dependent upon his own. He therefore dropped the stone, which was driven some inches into the ground by its own weight.
Doubtless the provost was watching him from some invisible loophole, for he heard a burst of laughter.
Benvenuto hurried away at full speed, lest he should yield to the desire to dash his head against the accursed door.
He went directly to the Hôtel d'Etampes.
All was not lost, if, failing to see Ascanio, he could see Colombe. Perhaps Ascanio, in the overflowing of his heart, had confided to his beloved the secret he had refused to confide to his master.
All went well at first. The gateway of the mansion was open; he crossed the courtyard and entered the reception-room, where stood a tall footman with lace on all the seams of his livery,—a sort of colossus four feet wide and six high.
"Who are you?" he demanded, eying the goldsmith from head to foot.
At another time Benvenuto would have answered his insolent stare by one of his customary violent outbursts, but it was essential that he should see Colombe. Ascanio's welfare was at stake: so he restrained himself.
"I am Benvenuto Cellini, the Florentine goldsmith," he replied.
"What do you wish?"
"To see Mademoiselle Colombe."
"Mademoiselle Colombe is not visible."
"Why is she not visible?"
"Because her father, Messire d'Estourville, Provost of Paris, gave her in charge to Madame d'Etampes, and requested her to keep an eye upon her."
"But I am a friend."
"An additional reason for suspecting you."
"I tell you that I must see her," said Benvenuto, beginning to get warm.
"And I tell you that you shall not see her," retorted the servant.
"Is Madame d'Etampes visible?"
"No more than Mademoiselle Colombe."
"Not even to me, her jeweller?"
"Less to you than to any other person."
"Do you mean that orders have been given not to admit me?"
"Just so," replied the servant; "you have put your finger on the spot."
"Do you know that I am a strange man, my friend," said Benvenuto, with the terrible laugh which ordinarily preceded his outbursts of wrath; "and that the place I am forbidden to enter is the place I am accustomed to enter?"
"How will you do it, eh? You amuse me."
"When there is a door, and a blackguard like you in front of it, for instance—"
"Well?" said the valet.
"Well!" retorted Benvenuto, suiting the action to the word, "I overturn the blackguard, and break in the door."
And with a blow of his fist he laid the valet sprawling on the floor, and burst in the door with a blow of his foot.
"Help!" cried the servant; "help!"
But the poor devil's cry of distress was not needed; as Benvenuto passed into the reception-room he found himself confronted by six others, evidently stationed there to receive him. He at once divined that Madame d'Etampes had been informed of his return, and had taken measures accordingly.
Under any other circumstances, armed as he was with dagger and sword, Benvenuto would have fallen upon them, and would probably have given a good account of himself, but such an act of violence in the abode of the king's mistress might have deplorable results. For the second time, contrary to his custom, common sense carried the day over wrath, and, being certain that he could at all events have audience of the king, to whose presence, as we know, he had the privilege of being admitted at any hour, he replaced his sword, already half drawn, in its scabbard, retraced his steps, pausing at every movement in his rear, like a lion in retreat, walked slowly across the courtyard, and bent his steps toward the Louvre.
Benvenuto once more assumed a calm demeanor, and walked with measured step, but his tranquillity was only apparent. Great drops of perspiration were rolling down his cheeks, and his wrath was rising mountain high within his breast, his superhuman efforts to master it making him suffer the more. Indeed, nothing could be more utterly antipathetic to his impulsive nature than delay, than the wretched obstacle of a closed door, or the vulgar insolence of a lackey. Strong men who command their thoughts are never so near despair as when they come in collision with some material obstacle and struggle to no purpose to surmount it. Benvenuto would have given ten years of his life to have some man jostle him, and as he walked along he raised his head from time to time and gazed threateningly at those who passed, as if he would say:—
"Isn't there some unfortunate wretch among you who is tired of life? If so, let him apply to me, I'm his man!"
A quarter of an hour later he reached the Louvre and went at once to the apartment set apart for the pages, requesting immediate speech of his Majesty. It was his purpose to tell François the whole story, and make an appeal to his loyalty, and, if he could not obtain Ascanio's release, to solicit permission to see him. As he came through the streets he considered what language he would use to the king, and as he had some pretensions to eloquence he was well content with the little speech he had prepared. The excitement, the terrible news he had learned so suddenly, the insults heaped upon him, the obstacles he could not overcome, all these had combined to set the blood on fire in the irascible artist's veins: his temples throbbed, his heart beat quickly, his hands shook. He did not himself know the extent of the feverish agitation which multiplied the energy of his body and his heart. A whole day is sometimes concentrated in one minute.
In such a frame of mind was Benvenuto when he appealed to a page for admission to the king's apartments.
"The king is not visible," was the young man's reply.
"Do you not recognize me?" asked Benvenuto in surprise.
"Perfectly."
"I am Benvenuto Cellini, and his Majesty is always visible to me."
"It is precisely because you are Benvenuto Cellini," returned the page, "that you cannot enter."
Benvenuto was thunderstruck.
"Ah! is it you, M. de Termes?" continued the page, addressing a courtier who arrived just behind the goldsmith. "Pass in, pass in, Comte de la Paye; pass in, Marquis des Prés."
"And what of me! what of me, pray?" cried Benvenuto, turning white with anger.
"You? The king, when he returned ten minutes since, said, 'If that insolent Florentine makes his appearance, let him know that I do not choose to receive him, and advise him to be submissive unless he desires to make a comparison between the Castle of San Angelo and the Châtelet."
"Help me, patience! Oh help me!" muttered Benvenuto in a hollow voice: "Vrai Dieu! I am not accustomed to being made to wait by kings. The Vatican's no less a place than the Louvre, and Leo X. is no less great a man than François I., and yet I was not kept waiting at the door of the Vatican, nor at that of Leo X. But I understand; it's like this: the king was with Madame d'Etampes,—yes, the king has just come from his mistress and has been put on his guard by her against me. Yes, that's the way it is: patience for Ascanio! patience for Colombe!"
Notwithstanding his praiseworthy resolution to be patient, however, Benvenuto was obliged to lean against a pillar for support: his heart was swollen to bursting, and his legs trembled under him. This last insult not only wounded him in his pride, but in his friendship. His soul was filled with bitterness and despair, and his clenched hands, his frown, and his tightly closed lips bore witness to the violence of his suffering.
However, in a moment or two he recovered himself, tossed back the hair which was falling over his brow, and left the palace with firm and resolute step. All who were present watched him with something very like respect as he walked away.
Benvenuto's apparent tranquillity was due to the marvellous power he possessed over himself, for he was in reality more confused and desperate than a stag at bay. He wandered through the streets for some time, heedless as to where he might be, hearing nothing but the buzzing of the blood in his ears, and vaguely wondering, as one does in intoxication, whether he was awake or asleep. It was the third time he had been shown the door within an hour. It was the third time that doors had been shut in his face,—in his face, Benvenuto's, the favorite of princes, popes, and kings, before whom all doors were thrown open to their fullest extent when his footsteps were heard approaching! And yet, notwithstanding this threefold affront, he had not the right to give way to his anger; he must dissemble, and hide his humiliation until he had rescued Colombe and Ascanio. The throng through which he passed, thoughtless or full of business, seemed to him to read upon his brow the story of the repeated insults he had undergone. It was perhaps the only moment in his whole life when his great heart lost faith in itself. But after ten or fifteen minutes of this aimless, blind wandering, his will reasserted itself, and he raised his head: his depression left him, and the fever returned.
"Go to!" he cried aloud, to such a degree did his mind dominate his body; "go to! in vain do they crowd the man, they cannot throw down the artist! Come, sculptor, and make them repent of their base deeds when they admire thy handiwork! Come, Jupiter, and prove that thou art still, not the king of the gods alone, but the master of mankind!"
As he spoke, Benvenuto, acting upon an impulse stronger than himself, bent his step toward the Tournelles, that former royal residence, where the old constable, Anne de Montmorency, still dwelt.
The effervescent artist was required to await his turn for an hour before he was admitted to the presence of the warrior minister of François I., who was besieged by a mob of courtiers and petitioners. At last he was introduced.
Anne de Montmorency was a man of great height, little if any bent by age, cold, stiff, and spare, with a piercing glance and an abrupt manner of speaking; he was forever scolding, and no one ever saw him in good humor. He would have looked upon it as a humiliation to be surprised with a laugh upon his face. How had this morose old man succeeded in making himself agreeable to the amiable and gracious prince, who then governed France? It is something that can be explained in no other way than by the law of contrasts. François I. had a way of sending away satisfied those whose petitions he refused; the constable, on the other hand, arranged matters in such a way that those whom he gratified went away in a rage. He was only moderately endowed in the way of genius, but he won the king's confidence by his military inflexibility and his dictatorial gravity.
When Benvenuto entered, Montmorency was, as usual, striding back and forth in his apartment. He nodded in response to the goldsmith's salutation; then paused in his walk, and, fixing his piercing gaze upon him, inquired,—
"Who are you?"
"Benvenuto Cellini."
"Your profession?
"Goldsmith to the king," replied the artist, wondering to find that his first reply did not make the second question unnecessary.
"Ah! yes, yes," growled the constable. "I recognize you. Well, what do you want, what have you to ask, my friend? That I give you an order? If you have counted on that, your time is thrown away, I give you warning. Upon my word, I have no patience with this mania for art which is raging so everywhere to-day. One would say it was an epidemic that has attacked every one except myself. No, sculpture doesn't interest me in the very least, Master Goldsmith, do you hear? So apply to others, and good night."
Benvenuto made a gesture, but before he could speak, the constable continued:—
"Mon Dieu! don't let that discourage you. You will find plenty of courtiers who like to ape the king, and noodles who pose as connoisseurs. As for me, hark ye? I stick to my trade, which is to wage war, and I tell you frankly that I much prefer a good, healthy peasant-woman, who gives me a child, that is to say, a soldier, every ten months, than a wretched sculptor, who wastes his time turning out a crowd of men of bronze who are good for nothing but to raise the price of cannon."
"Monseigneur," said Benvenuto, who had listened to this long heretical harangue with a degree of patience which amazed himself, "I am not here to speak upon artistic subjects, but upon a matter of honor."
"Ah! that's a different matter. What do you desire of me? Tell me quickly."
"Do you remember, monseigneur, that his Majesty once said to me in your presence that, on the day when I should bring him the statue of Jupiter cast in bronze, he would grant whatever favor I might ask, and that he bade you, monseigneur, and Chancelier Poyet remind him of his promise in the event of his forgetting it?"
"I remember. What then?"
"The moment is at hand, monseigneur, when I shall implore you to provide a memory for the king. Will you do it?"
"Is that what you come here to ask me, monsieur?" cried the constable; "have you intruded upon me to beg me to do something I am bound to do?"
"Monseigneur!"
"You're an impertinent fellow, Master Goldsmith. Understand that the Connétable Anne de Montmorency does not need to be reminded to be an honorable man. The king bade me remember for him, and that is a precaution he might well take more frequently, with all due respect; I shall do as he bade me, even though the reminder be annoying to him. Adieu, Master Cellini, and make room for others."
With that the constable turned his back on Benvenuto, and gave the signal for another petitioner to be introduced.
Benvenuto saluted the constable, whose somewhat brutal frankness was not displeasing to him, and took his leave. Still agitated, and impelled by the same feverish excitement and the same burning thoughts, he betook himself to the abode of Chancelier Poyet, near Porte Saint-Antoine, only a short distance away.
Chancelier Poyet formed a most striking and complete contrast, moral and physical, to Anne de Montmorency, who was always crabbed and always incased in armor from head to foot. He was polished, shrewd, crafty, buried in his furs, lost, so to speak, in the ermine. Naught could be seen of him save a bald head surrounded by a grizzly fringe of hair, intelligent, restless eyes, thin lips, and a white hand. He was quite as honest perhaps as the constable, but much less outspoken.
There again Benvenuto was forced to wait for half an hour. But his friends would not have recognized him; he had accustomed himself to waiting.
"Monseigneur," he said, when he was at last ushered into the chancellor's presence, "I have come to remind you of a promise the king made me in your presence, and constituted you not only the witness thereof but the guarantor."
"I know what you refer to, Messire Benvenuto," said Poyet, "and I am ready, if you wish, to bring his Majesty's promise to his mind; but it is my duty to inform you that, from a legal standpoint, you have no claim upon him, for an undertaking indefinite in form, and left to your discretion, cannot be enforced before the courts, and never affords a cause of action; wherefore, if the king satisfies your demand, he will do so purely as a matter of generosity and good faith."
"That is as I understand it, monseigneur," said Benvenuto, "and I simply have to request you when the occasion arises to fulfil the duty his Majesty intrusted to you, leaving the rest to his good will."
"Very well," said Poyet, "I am at your service, my dear monsieur, to that extent."
Benvenuto thereupon took his leave of the chancellor, with his mind more at ease, but his blood was still boiling, and his hands were trembling with fever. His thoughts, excited by the annoyance and irritation and insults to which he had been subjected, burst forth at last in full freedom, after their long restraint. Space and time no longer existed for the mind which they overflowed, and as Benvenuto strode along toward his home he saw in a sort of luminous dream Del Moro's house, Stefana, the Castle of San Angelo, and Colombe's garden. At the same time, he felt that his strength became more than human, and he seemed to be living in another world.
He was still laboring under this intense exaltation of feeling when he entered the Hôtel de Nesle. All the apprentices were awaiting his return, in accordance with his commands.
"How for the casting of the Jupiter, my children!" he cried from the doorway, and darted into the studio.
"Good morning, master," said Jacques Aubry, who had come in behind Cellini, singing joyously as his wont was. "You neither saw nor heard me, did you? For five minutes I have been following you along the quay, calling you; you walked so fast that I am quite out of breath. In God's name, what's the matter with you all? You are as sober as judges."
"To the casting!" continued Benvenuto, without answering Aubry, although he had seen him out of the corner of his eye, and listened to him with one ear. "To the casting! Everything depends upon that. Merciful God, shall we be successful? Ah! my friend," he continued, abruptly, addressing Aubry,—"ah, my dear Jacques, what sad news awaited me on my return, and what a cruel advantage they took of my absence!"
"What is the matter, master?" cried Aubry, really disturbed by Cellini's excitement and the dejection of the apprentices.
"Above all things, boys, throw in plenty of dry spruce. You know that I have been laying in a stock of it for six months. The matter, my good Jacques, is that Ascanio is under lock and key at the Châtelet; and that Colombe, the provost's daughter, that lovely girl whom Ascanio loves, as you know, is in the hands of the Duchesse d'Etampes, her enemy: they found her in the statue of Mars where I had hidden her. But we will rescue them. Well, well, where are you going, Hermann? the wood's in the yard, not in the cellar."
"Ascanio arrested!" cried Aubry; "Colombe carried off!"
"Yes, yes, some villanous spy must have watched them, poor children, and surprised a secret which I had kept even from you, dear Jacques. But if I discover the knave!—To the casting, boys, to the casting!—That isn't all. The king refuses to see me, whom he called his friend. So much for the friendship of men: to be sure kings are not men, but kings. The result was that I went to the Louvre to no purpose; I could not get speech of him. Ah! but my statue shall speak for me. Prepare the mould, my friends, and let us not lose a moment. That woman insulting poor Colombe! that infamous provost jeering at me! that jailer torturing Ascanio! Oh, I have had some fearful visions to-day, dear Jacques! I would give ten years of my life to the man who could gain admission to the prisoner, speak to him, and learn the secret by means of which I may subdue that arrogant duchess: for Ascanio knows a secret which possesses that power, Jacques, and refused to divulge it to me, noble heart! But no matter: have no fear for thy child, Stefana; I will defend him to my latest breath, and I will save him! Yes, I will save him! Ah! where is the vile traitor who betrayed us, that I may strangle him with my own hands! Let me live but three days, Stefana, for it seems to me that the fire which consumes me is burning my life away. Oh if I should die before my Jupiter is finished! To the casting, children! to the casting!"
At Benvenuto's first words Jacques Aubry became pale as death, for he suspected that he was the cause of it all. As the master proceeded, his suspicion was changed to certainty. Thereupon some plan doubtless suggested itself to him, for he stole silently away while Cellini hurried away to the foundry, followed by his workmen, and shouting like a madman,—
"To the casting, children! to the casting!"
Poor Jacques Aubry was in a frame of mind bordering on despair when he left the Grand-Nesle; there could be no doubt that it was he who, involuntarily to be sure, had betrayed Ascanio's secret. But who was the man who had betrayed him? Surely not that gallant nobleman whose name he did not know: ah, no! he was a gentleman. It must have been that knave of a Henriot, unless it was Robin, or Chariot, or Guillaume. To tell the truth, poor Aubry rather lost himself in his conjectures; for the fact was that he had intrusted the secret to a dozen or more intimate friends, among whom it was no easy matter to find the culprit. But no matter! the first, the real traitor was himself, Jacques Aubry,—the infamous spy so roundly denounced by Benvenuto was himself. Instead of locking away in his heart his friend's secret which he had surprised, he had spread it broadcast in a score of places, and had brought disaster upon his brother Ascanio with his infernal tongue. Jacques tore his hair; Jacques beat himself with his fists; Jacques heaped mortal insults upon himself, and could find no invectives sufficiently bitter to qualify his conduct as it deserved.
His remorse became so keen, and threw him into such a state of exasperation with himself, that, for the first time in his life perhaps, Jacques Aubry indulged in reflection. After all, when his head should be bald, his chest black and blue, and his conscience torn to rags, Ascanio would be no nearer freedom. At any cost, he must repair the evil he had done, instead of wasting his time in despairing.
Honest Jacques had retained these words of Benvenuto: "I would give ten years of my life to the man who would gain admission to the prisoner, speak to him, and learn the secret by means of which I may subdue that arrogant duchess." And, as we have said, he began to reflect, contrary to his wont. The result of his reflections was that he must gain admission to the Châtelet. Once there, he would find a way to reach Ascanio.
But Benvenuto had sought in vain to gain admission as a visitor; and surely Jacques Aubry could never be so audacious as to think of attempting a thing in which the master had failed. However, although it might be impossible to effect an entrance as a visitor, it certainly should be much easier, at least so the student thought, to be admitted as a prisoner. He determined, therefore, to enter the Châtelet in that character; then, when he had seen Ascanio, and Ascanio had told him all, so that he had no further business at the Châtelet, he would take his leave, rich in the possession of the precious secret, and would go to Benvenuto, not to demand the ten years of his life that he offered, but to confess his crime, and implore forgiveness.
Delighted with the fecundity of his imagination, and proud of his unexampled devotion, he bent his steps toward the Châtelet.
"Let us see," he ruminated, as he walked with deliberate step toward the prison where all his hopes were centred,—"let us see, in order to avoid any more idiotic mistakes, how matters stand,—no easy task, considering that the whole business seems to me as tangled as Gervaise's skein when she gives it to me to hold, and I try to kiss her. Let's begin at the beginning. Ascanio loved Colombe, the provost's daughter: so far, so good. As the provost proposed to marry her to Comte d'Orbec, Ascanio carried her off: very good. Not knowing what to do with the sweet child when he had abducted her, he hid her in the head of the statue of Mars: best of all. Faith, it was a wonderfully ingenious hiding place, and nothing less than a beast—but let us pass over that: I shall find myself again later. Thereupon it would seem that the provost, acting upon my information, got his daughter into his clutches once more, and imprisoned Ascanio. Triple brute that I am! But here is where the skein begins to be tangled. What interest has the Duchesse d'Etampes in all this? She detests Colombe, whom everybody else loves. Why? Ah! I know. I remember certain jocose remarks of the apprentices, Ascanio's embarrassment when the duchess was mentioned,—Madame d'Etampes has her eye on Ascanio, and naturally abominates her rival. Jacques, my friend, you are a miserable wretch, but you are a clever dog all the same. Ah, yes! but now how does it happen that Ascanio has in his hands the means of ruining the duchess? Why does the king appear at intervals in the affair, with one Stefana? Why did Benvenuto constantly invoke Jupiter, rather a heathenish invocation for a Catholic? Deuce take me if I can see through all that. But it isn't absolutely necessary that I should understand. Light is to be found in Ascanio's cell; therefore the most essential thing is to get myself cast into the cell with him. I will manage the rest afterward."
As he thus communed with himself he reached his destination, and struck a violent blow upon the great door of the Châtelet. The wicket opened, and a harsh voice demanded to know his business: it was the jailer's.
"I wish for a cell in your prison," replied Aubry in a hollow voice.
"A cell!" exclaimed the astonished jailer.
"Yes, a cell: the blackest and deepest; even that will be better than I deserve."
"Why so?"
"Because I am a great criminal."
"What crime have you committed?"
"Ah! indeed, what crime have I committed?" Jacques asked himself, for he had not thought of preparing a crime suited to the occasion. As a fertile, lively imagination was not his most prominent characteristic, notwithstanding the compliments he had addressed to himself just before, he repeated, stupidly,—
"What crime?"
"Yes, what crime?"
"Guess," said Jacques. "This fellow ought to know more about crimes than I do," he added to himself, "so I will let him give me a list, and then make my selection."
"Have you murdered anybody?" asked the jailer.
"Great God! what do you take me for, my friend?" cried the student, whose conscience rose in revolt at the thought of being taken for a murderer.
"Have you stolen anything?" continued the jailer.
"Stolen? the idea!"
"What in Heaven's name have you done then?" cried the jailer testily. "To give yourself up as a criminal isn't all that is necessary: you must say what crime you've committed."
"But I tell you that I'm a villain, a vile wretch, and that I deserve the wheel or the gallows!"
"The crime? the crime?" the jailer repeated.
"The crime? Well! I have betrayed my friend."
"That's no crime," said the jailer. "Good night." And he closed the wicket.
"That's not a crime, you say? that's not a crime? What is it then, pray?"
And Jacques grasped the knocker with both hands, and knocked with all his strength.
"What's the matter? what's the matter?" said a different voice from within the Châtelet.
"It's a madman, who wants to be admitted into the prison," replied the jailer.
"If he's a madman, his place is not at the Châtelet, but at the asylum."
"At the asylum!" cried Aubry, scampering away as fast as his legs would carry him, "at the asylum! Peste! that's not what I want. I want to get into the Châtelet, not the asylum! Besides, paupers and beggars are sent to the asylum, and not people who have twenty Paris sous in their pocket as I have. The asylum! Why, that wretched jailer claims that to betray one's friend is no crime! So it seems that, in order to have the honor of being committed to prison one must have murdered or stolen. But now I think of it,—why might I not have led some young girl astray? There's nothing dishonorable about that. Very good, but what girl? Gervaise?"
Despite his preoccupation, the student roared with laughter.
"But, after all," he said, "though it isn't so, it might have been. Good! good! I have discovered my crime: I seduced Gervaise!"
On the instant he set off for the young working-girl's home, ran up the sixty stairs which led to her lodgings, and burst into the room where the lovely grisette in a coquettishnégligéwas ironing her linen.
"Ah!" exclaimed Gervaise, with a fascinating little shriek; "ah! monsieur, you frightened me!"
"Gervaise, my dear Gervaise," cried Aubry, rushing toward her with open arms: "you must save my life, my child."
"One moment, one moment," said Gervaise, using the hot flat-iron as a shield; "what do you want, master gadabout? for three days I haven't seen you."
"I have done wrong, Gervaise, I am an unfortunate wretch. But a sure proof that I love you is that I run to you in my distress. I repeat it, Gervaise, you must save my life."
"Yes. I understand, you have been getting tipsy in some wine shop, and have had a dispute with some one. The archers are after you to put you in prison, and you come to poor Gervaise to give you shelter. Go to prison, monsieur, go to prison, and leave me in peace."
"That is just what I ask and all I ask, my little Gervaise,—to go to prison. But the villains refuse to commit me."
"O mon Dieu! Jacques," said the young woman compassionately, "have you gone mad?"
"There you are! they say that I am mad, and propose to send me to the asylum, while the Châtelet is where I want to go."
"You want to go to the Châtelet? What for, Aubry? The Châtelet's a frightful prison; they say that when one gets in there, it's impossible to say when one will come out."
"I must get in there, however, I must!" cried the student. "There is no other way to save him."
"To save whom?"
"Ascanio."
"Ascanio? what, that handsome young fellow, your Benvenuto's pupil?"
"Himself, Gervaise. He is in the Châtelet, and he's there by my fault."
"Great God!"
"So that I must join him there," said Jacques, "and save him."
"Why is he in the Châtelet?"
"Because he loved the provost's daughter, and seduced her."
"Poor boy! Why, do they imprison men for that?"
"Yes, Gervaise. How you see it was like this: he had her in hiding. I discovered the hiding place, and, like an idiot, like an infamous villain, I told the whole story to everybody."
"Except me!" cried Gervaise. "That was just like you!"
"Didn't I tell it to you, Gervaise?"
"You didn't mention it. You're a great babbler with others, but not with me. When you come here it's to kiss me, to drink, or to sleep,—never to talk. Understand, monsieur, that a woman loves to talk."
"Well, what are we doing at this moment, my little Gervaise?" said Jacques. "We are talking, I should say."
"Yes, because you need me."
"It is true that you could do me a great service."
"What is it?"
"You could say that I seduced you."
"Why, of course you seduced me, you wretch."
"I!" cried Jacques in amazement. "I seduced you, Gervaise?"
"Alas! yes, that is the word: seduced, monsieur, shamelessly seduced by your fine words, by your false promises."
"By my fine words and false promises?"
"Yes. Didn't you tell me I was the prettiest girl in the whole quarter of Saint-Germain des Prés?"
"I tell you that now."
"Didn't you say that, if I didn't love you, you should die of love?"
"Do you think I said that? It's strange I don't remember it."
"While, on the contrary, if I did love you, you would marry me."
"Gervaise, I didn't say that. Never!"
"You did say it, monsieur."
"Never, never, never, Gervaise. My father made me take an oath like Hannibal's to Hamilcar."
"What was that?"
"He made me swear to die a bachelor, like himself."
"Oh!" cried Gervaise, summoning tears to the assistance of her words with a woman's marvellous power of weeping to order, "oh! you're like all the rest. Promises cost nothing, and when the poor girl is seduced they forget what they promised. I will take my turn at swearing now, and swear that I will never be caught again."
"And you will do well, Gervaise," said the student.
"When one thinks," cried the grisette, "that there are laws for robbers and cut-purses, and none for the scoundrels who ruin poor girls!"
"But there are, Gervaise."
"There are?"
"Why, of course. Didn't I tell you that they sent poor Ascanio to the Châtelet for seducing Colombe."
"They did well, too," said Gervaise, to whom the loss of her honor had never presented itself so forcibly until she was fully convinced that Jacques Aubry was determined not to give her his name by way of compensation. "Yes, they did well, and I wish you were in the Châtelet with him!"
"Mon Dieu! that's all I ask," cried the student; "and as I told you, my little Gervaise, I rely upon you to put me there."