Chapter 9

T

his monstrous city! By 2030 there was a vast network of traffic levels over what had been a street. It was an arcade, now, open at the top near the cage; but further away Larry saw where the giant buildings had flowed and mingled over it, with the viaducts, spider bridges and pedestrian levels plunging into tunnels to pierce through them.

And high overhead, where the little sky which was left still showed, Larry saw the still higher outlines of a structure which quite evidently was a huge aerial landing stage for airliners.

It was an incredible city! There were spots of enduring light around Larry now—the city lights which for months and years shone here unchanged. The cage was no longer outdoors. The street which had becomean open arcade was now wholly closed. A roof was overhead—a city roof, to shut out the inclement weather. There was artificial light and air and weather down here, and up on the roof additional space for the city's teeming activities.

Larry could see only a shadowy narrow vista, here indoors, but his imagination supplied visions of what the monstrous, incredible city must be. There was a roof, perhaps, over all Manhattan. Bridges and viaducts would span to the great steel and stone structures across the rivers, so that water must seem to be in a canyon far underground. There would be a cellar to this city, incredibly intricate with conduits of wires and drainage pipes, and on the roof rain or snow would fall unnoticed by the millions of workers. Children born here in poverty might never yet have seen the blue sky and the sunlight, or know that grass was green and lush and redolent when moist with morning dew....

Larry fancied this now to be the climax of city building here on earth; the city was a monster, now, unmanageable, threatening to destroy the humans who had created it.... He tried to envisage the world; the great nations; other cities like this one. Freight transportation would go by rail and underseas, doubtless, and all the passengers by air....

T

ina, with her knowledge of history, could sketch the events. The Yellow War—the white races against the Orientals—was over by the year 2000. The three great nations were organized in another half-century: the white, the yellow and the black.

By the year 2000, the ancient dirigibles had proven impractical, and great airliners of the plane type were encircling the earth. New motors, wing-spreads, and a myriad devices made navigation of the upper altitudes possible. At a hundred thousand feet, upon all the Great Circle routes, liners were rushing at nearly a thousand miles an hour. They would halt at intervals, to allow helicopter tenders to come up to transfer descending passengers.

Then the etheric wave-thrust principle was discovered: by 2500 A.D. man was voyaging out into space and Interplanetary travel began. This brought new problems: a rush of new millions of humans to live upon our Earth; new wars; new commerce in peace times; new ideas; new scientific knowledge....

By 2500, the city around Larry must have reached its height. It stayed there a half century; and then it began coming down. Its degeneration was slow, in the beginning. First, there might have been a hole in the arcade which was not repaired. Then others would appear, as the neglect spread. The population left. The great buildings of metal and stone, so solidly appearing to the brief lifetime of a single individual, were impermanent over the centuries.

By 2600, the gigantic ghosts had all melted down. They lay in a shadowy pile, burying the speeding cage. There was no stopping here; there was no space unoccupied in which they could stop. Larry could see only the tangled spectres of broken, rusting, rotting metal and stone.

He wondered what could have done it. A storm of nature? Or had mankind strangely turned decadent, and rushed back in a hundred years or so to savagery? It could not have been the latter, because very soon the ruins were moving away: the people were clearing the city site for something new. For fifty years it went on.

T

ina explained it. The age of steam had started the great city of New York, and others like it, into its monstrous congestion of humanactivity. There was steam for power and steam for slow transportation by railroads and surface ships. Then the conquest of the air, and the transportation of power by electricity, gradually changed things. But man was slow to realize his possibilities. Even in 1930, all the new elements existed; but the great cities grew monstrous of their own momentum. Business went to the cities because the people were there; workers flocked in because the work was there to call them.

But soon the time came when the monster city was too unwieldy. The traffic, the drainage, the water supply could not cope with conditions. Still, man struggled on. The workers were mere automatons—pallid attendants of machinery; people living in a world of beauty who never had seen it; who knew of nothing but the city arcades where the sun never shone and where amusements were as artificial as the light and air.

Then man awakened to his folly. Disease broke out in New York City in 2551, and in a month swept eight million people into death. The cities were proclaimed impractical, unsafe. And suddenly the people realized how greatly they hated the city; how strangely beautiful the world could be in the fashion God created it....

There was, over the next fifty years, an exodus to the rural sections. Food was produced more cheaply, largely because it was produced more abundantly. Man found his wants suddenly simplified.

And business found that concentration was unnecessary. The telephone and television made personal contacts not needed. The aircraft, the high-speed auto-trucks over modern speedways, the aeroplane-motored monorails, the rocket-trains—all these shortened distance. And, most important of all, the transportation of electrical energy from great central power companies made small industrial units practical even upon remote farms. The age of electricity came into its own. The cities were doomed....

L

arry saw, through 2600 and 2700 A.D., a new form of civilization rising around him. At first it seemed a queer combination of the old fashioned village and a strange modernism. There were, here upon Manhattan Island, metal houses, widely spaced in gardens, and electrically powered factories of unfamiliar aspect. Overhead were skeleton structures, like landing stages; and across the further distance was the fleeting, transitory wraith of a monorail air-road. Along the river banks were giant docks for surface vessels and sub-sea freighters. There was a little concentration here, but not much. Man had learned his lesson.

This was a new era. Man was striving really to play, as well as work. But the work had to be done. With the constant development of mechanical devices, there was always a new machine devised to help the operation of its fellow. And over it all was the hand of the human, until suddenly the worker found that he was no more than an attendant upon an inanimate thing which did everything more skilfully than he could do it. Thus came the idea of the Robot—something to attend, to oversee, to operate machines. In Larry's time it had already begun with a myriad devices of "automatic control." In Tina's Time-world it reached its ultimate—and diabolical—development....

At 2900, Larry saw, five hundred feet to the east, the walls of a long low laboratory rising. The other cage—which in 1777 was in Major Atwood's garden, and in 1935 was in the back yard of the Tugh house on Beckman Place—was housed now in 2930, in a room of this laboratory....

At 2905, with the vehicle slowing for its stopping, Tina gestured toward the walls of her palace, whose shadowy forms were rising close at hand. Then the palace garden grew and flourished, and Larry saw that this cage he was in was set within this garden.

"We are almost there, Larry," she said.

"Yes," he answered. An emotion gripped him. "Tina, your world—why it's so strange! But you are not strange."

"Am I not, Larry?"

He smiled at her; he felt like showing her again that the ancient custom of kissing was not wholly meaningless, but Tugh was regarding them.

"I was comparing," said Larry, "that girl Mary Atwood, from the year 1777, and you. You are so different in looks, in dress, but you're just—girls."

She laughed. "The world changes, Larry, but not human nature."

"Ready?" called Tugh. "We are here, Tina."

"Yes, Tugh. You have the dial set for the proper night and hour?"

"Of course. I make no mistake. Did I not invent these dials?"

The cage slackened through a day of sunlight; plunged into a night; and slid to its soundless, reeling halt....

Tina drew Larry to the door and opened it upon a fragrant garden, somnolently drowsing in the moonlight.

"This is my world, Larry," she said. "And here is my home."

T

ugh was with them as they left the cage. He said:

"This is the tri-night hour of the very night you left here. Princess Tina. You see, I calculated correctly."

"Where did you leave Harl and the two visitors?" she demanded.

"Here. Right here."

Across the garden Larry saw three dark forms coming forward. They were three small Robots of about Tina's stature—domestic servants of the palace. They crowded up, crying:

"Master Tugh! Princess!"

"What is it?" Tugh asked.

The hollow voices echoed with excitement as one of them said:

"Master Tugh, there has been murder here! We have dared tell no one but you or the Princess. Harl is murdered!"

Larry chanced to see Tugh's astonished face, and in the horror of the moment a feeling came to Larry that Tugh was acting unnaturally. He forgot it at once; but later he was to recall it forcibly, and to realize that the treacherous Tugh had planned this with these Robots.

"Master Tugh, Harl is murdered! Migul escaped and murdered Harl, and took the body away with him!"

Larry was stricken dumb. Tugh seized the little Robot by his metal shoulders. "Liar! What do you mean?"

Tina gasped, "Where are our visitors—the young man and the girl?"

"Migul took them!"

"Where?" Tina demanded.

"We don't know. We think very far down in the caverns of machinery. Migul said he was going to feed them to the machines!"

L

arry stood alone at an upper window of the palace gazing out at the somnolent moonlit city. It was an hour or two before dawn. Tina and Tugh had started almost at once into the underground caverns to which Tina was told Migul had fled with his two captives. They would not take Larry with them; the Robot workers in the subterranean chambers were all sullen and upon the verge of a revolt, and thesight of a strange human would have aroused them dangerously.

"It should not take long," Tina had said hastily. "I will give you a room in which to wait for me."

"And there is food and drink," Tugh suavely urged. "And most surely you need sleep. You too Princess," he suddenly added. "Let me go into the caverns alone: I can do better than you; these Robots obey me. I think I know where that rascally Migul has hidden."

"Rascally?" Larry burst out. "Is that what you call it when you've just heard that it committed murder? Tina. I won't stay: nor will I let—"

"Wait!" said Tina. "Tugh, look here—"

"The young man from 1935 is very positive what he will and what he won't," Tugh observed sardonically. He drew his cloak around his squat misshapen body, and shrugged.

"But I won't let you go," Larry finished. The palace was somnolent; the officials were asleep: none had heard of the murder. Strangely lax was the human government here. Larry had sensed this when he suggested that police or an official party be sent at once to capture Migul and rescue Mary Atwood and me.

"It could not be done," Tina exclaimed. "To organize such a party would take hours. And—"

"And the Robots," Tugh finished with a sour smile, "would openly revolt when such a party came at them! You have no idea what you suggest, young man. To avoid an open revolt—that is our chief aim. Besides, if you rushed at Migul it would frighten him; and then he would surely kill his captives, if he has not done so already."

T

hat silenced Larry. He stared at them hopelessly while they argued it out: and the three small domesticated Robots stood by, listening curiously.

"I'll go with you, Tugh." Tina decided. "Perhaps, without making any demonstration of force, we can find Migul."

Tugh bowed. "Your will is mine, Princess. I think I can find him and control him to prevent harm to his captives."

He was a good actor, that Tugh; he convinced Larry and Tina of his sincerity. His dark eyes flashed as he added, "And if I get control of him and find he's murdered Harl, we will have him no more. I'll disconnect him! Smash him! Quietly, of course, Princess."

They led Larry through a dim silent corridor of the palace, past two sleepy-faced human guards and two or three domesticated Robots. Ascending two spiral metal stairways to the upper third floor of the palace they left Larry in his room.

"By dawn or soon after we will return," said Tina "But you try and sleep; there is nothing you can do now."

"You'll be careful, Tina?" The helpless feeling upon Larry suddenly intensified. Subconsciously he was aware of the menace upon him and Tina, but he could not define it.

She pressed his hand. "I will be careful; that I promise."

She left with Tugh. At once a feeling of loneliness leaped upon Larry.

He found the apartment a low-vaulted metal room. There was the sheen of dim, blue-white illumination from hidden lights, disclosing the padded metal furniture: a couch, low and comfortable; a table set with food and drink; low chairs, strangely fashioned, and cabinets against the wall which seemed to be mechanical devices for amusement. There was a row of instrument controls which he guessed were the room temperature, ventilating and lighting mechanisms. It was an oddly futuristic room. The windows were groups of triangles—the uppersections prisms, to bend the light from the sky into the room's furthest recesses. The moonlight came through the prisms, now, and spread over the cream-colored rug and the heavy wall draperies. The leaded prism casements laid a pattern of bars on the floor. The room held a faint whisper of mechanical music.

L

arry stood at one of the windows gazing out over the drowsing city. The low metal buildings, generally of one or two levels, lay pale grey in the moonlight. Gardens and trees surrounded them. The streets were wide roadways, lined with trees. Ornamental vegetation was everywhere; even the flat-roofed house tops were set with gardens, little white pebbled paths, fountains and pergolas.

A mile or so away, a river gleamed like a silver ribbon—the Hudson. To the south were docks, low against the water, with rows of blue-white spots of light. The whole city was close to the ground, but occasionally, especially across the river, skeleton landing stages rose a hundred feet into the air.

The scene, at this hour just before dawn, was somnolent and peaceful. It was a strange New York, so different from the sleepless city of Larry's time! There were a few moving lights in the streets, but not many; they seemed to be lights carried by pedestrians. Off by the docks, at the river surface, rows of colored lights were slowly creeping northward: a sub-sea freighter arriving from Eurasia. And as Larry watched, from the southern sky a line of light materialized into an airliner which swept with a low humming throb over the city and alighted upon a distant stage.

L

arry's attention went again to the Hudson river. At the nearest point to him there was a huge dam blocking it. North of the dam the river surface was at least two hundred feet higher than to the south. It lay above the dam like a placid canal, with low palisades its western bank and a high dyke built up along the eastern city side. The water went in spillways through the dam, forming again into the old natural river below it and flowing with it to the south.

The dam was not over a mile or so from Larry's window; in his time it might have been the western end of Christopher Street. The moonlight shone on the massive metal of it: the water spilled through it in a dozen shining cascades. There was a low black metal structure perched halfway up the lower side of the dam, a few bluish lights showing through its windows. Though Larry did not know it then, this was the New York Power House. Great transformers were here, operated by turbines in the dam. The main power came over cables from Niagara: was transformed and altered here and sent into the air as radio-power for all the New York District.[3]

Larry crossed his room to gaze through north and eastward windows. He saw now that the grounds of this three-story building of Tina's palace were surrounded by a ten-foot metal wall, along whose top were wires suggesting that it was electrified for defense. The garden lay just beneath Larry's north window. Through the tree branches the garden paths, beds of flowers and the fountains were visible. One-story palace wings partially enclosed the garden space, and outside was the electrified wall. The Time-traveling cage stood faintly shining in the dimness of the garden under the spreading foliage.

T

o the east, beyond the palace wall, there was an open garden of verdure crossed by a roadway. The nearest building was five hundred feet away. There was a small, barred gate in the palace walls beyond it. The road led to this other building—a squat, single-storied metal structure. This was a Government laboratory, operated by and in charge of Robots. It was almost square: two or three hundred feet in length and no more than thirty feet high, with a flat roof in the center of which was perched a little metal conning tower surmounted by a sending aerial. As Larry stood there, the broadcast magnified voice of a Robot droned out over the quiet city:

"Trinight plus two hours. All is well."

Strange mechanical voice with a formula half ancient, half super-modern!

It was in this metal laboratory, Larry knew, that the other Time-traveling cage was located. And beneath it was the entrance to the great caverns where the Robots worked attending inert machinery to carry on the industry of this region. The night was very silent, but now Larry was conscious of a faraway throb—a humming, throbbing vibration from under the ground: the blended hum of a myriad muffled noises. Work was going on down there; manifold mechanical activities. All was mechanical: while the humans who had devised the mechanisms slept under the trees in the moonlight of the surface city.

T

ina had gone with Tugh down into those caverns, to locate Migul, to find Mary Atwood and me.... The oppression, the sense of being a stranger alone here in this world, grew upon Larry. He left the windows and began pacing the room. Tina should soon return. Or had disaster come upon us all?...

Larry's thoughts were frightening. If Tina did not return, what would he do? He could not operate the Time-cage. He would go to the officials of the palace; he thought cynically of the extraordinary changes time had brought to New York City, to all the world. These humans now must be very fatuous. To the mechanisms they had relegated all the work, all industrial activity. Inevitably, through the generations, decadence must have come. Mankind would be no longer efficient; that was an attribute of the machines. Larry told himself that these officials, knowing of impending trouble with the Robots, were fatuously trustful that the storm would pass without breaking. They were, indeed, as we very soon learned.

Larry ate a little of the food which was in the room, then lay down on the couch. He did not intend to sleep, but merely to wait until after dawn; and if Tina had not returned by then he would do something drastic about it. But what? He lay absorbed by his gloomy thoughts....

But they were not all gloomy. Some were about Tina—so very human, and yet so strange a little Princess.

L

arry was awakened by a hand upon his shoulder. He struggled to consciousness, and heard his name being called.

"Larry! Wake up, Larry!"

Tina was bending over him, and it was late afternoon! The day for which he had been waiting had come and gone; the sun was dropping low in the west behind the shining river; the dam showed frowning, with the Power House clinging to its side like an eagle's eyrie.

Tina sat on Larry's couch and explainedwhat she had done. Tugh and she had gone to the nearby laboratory building. The Robots were sullen, but still obedient, and had admitted them. The other Time-traveling cage was there, lying quiescent in its place, but it was unoccupied.

None of the Robots would admit having seen Migul; nor the arrival of the cage; nor the strangers from the past. Then Tugh and Tina had started down into the subterranean caverns. But it was obviously very dangerous; the Robots at work down there were hostile to their Princess; so Tugh had gone on alone.

"He says he can control the Robots," Tina explained, "and Larry, it seems that he can. He went on and I came back."

"Where is he now? Why didn't you wake me up?"

"You needed the sleep," she said smilingly; "and there was nothing you could do. Tugh is not yet come. He must have gone a long distance; must surely have learned where Migul is hiding. He should be back any time."

T

ina had seen the Government Council. The city was proceeding normally. There was no difficulty with Robots anywhere save here in New York, and the council felt that the affair would come to nothing.

"The Council told me," said Tina indignantly, "that much of the menace was the exaggeration of my own fancy, and that Tugh has the Robots well controlled. They place much trust in Tugh; I wish I could."

"You told them about me?"

"Yes, of course; and about George Rankin, and Mary Atwood. And the loss of Harl: he is missing, not proven murdered, as they very well pointed out to me. They have named a time to-morrow to give you audience, and told me to keep you out of sight in the meanwhile. They blame this Time-traveling for the Robots' insurgent ideas. Strangers excite the thinking mechanisms."

"You think my friends will be rescued?" demanded Larry.

She regarded him soberly. "I hope so—oh, I do! I fear for them as much as you do, Larry. I know you think I take it lightly, but—"

"Not that," Larry protested. "Only—"

"I have not known what to do. The officials refuse any open aggression against the Robots, because it would precipitate exactly what we fear—which is nearly a fact: it would. But there is one thing I have to do. I have been expecting Tugh to return every moment, and this I do not want him to know about. There's a mystery concerning Harl, and no one else knows of it but myself. I want you with me, Larry: I do not want to go alone; I—for the first time in my life, Larry—I think I am afraid!"

S

he huddled against him and he put his arm about her. And Larry's true situation came to him, then. He was alone in this strange Time-world, with only this girl for a companion. She was but a frightened, almost helpless girl, for all she bore the title of traditional Princess, and she was surrounded by inefficient, fatuous officials—among them Tugh, who was a scoundrel, undoubtedly. Larry suddenly recalled Tugh's look, when, in the garden, the domestic Robots had told the story of Harl's murder; and like a light breaking on him, he was now wholly aware of Tugh's duplicity. He was convinced he would have to act for himself, with only this girl Tina to help him.

"Mystery?" he said. "What mystery is there about Harl?"

She told him now that Harl had once, a year ago, taken her aside and made her promise that if anything happened to him—in the event of his death or disappearance—she wouldgo to his private work-room, where, in a secret place which he described, she would find a confession.

"A confession of his?" Larry demanded.

"Yes; he said so. And he would say no more than that. It is something of which he was ashamed, or guilty, which he wanted me to know. He loved me, Larry. I realized it, though he never said so. And I'm going now to his room, to see what it was he wanted me to know. I would have gone alone, earlier; but I got suddenly frightened; I want you with me."

They were unarmed. Larry cursed the fact, but Tina had no way of getting a weapon without causing official comment. Larry started for the window where the city stretched, more active now, under the red and gold glow of a setting sun. Lights were winking on; the dusk of twilight was at hand.

"Come now," said Tina, "before Tugh returns."

"Where is Harl's room?"

"Down under the palace in the sub-cellar. The corridors are deserted at this hour, and no one will see us."

T

hey left Larry's room and traversed a dim corridor on whose padded floor their footsteps were soundless. Through distant arcades, voices sounded; there was music in several of the rooms; it struck Larry that this was a place of diversion for humans with no work to do. Tina avoided the occupied rooms. Domestic Robots were occasionally distantly visible, but Tina and Larry encountered none.

They descended a spiral stairway and passed down a corridor from the main building to a cross wing. Through a window Larry saw that they were at the ground level. The garden was outside; there was a glimpse of the Time-cage standing there.

Another stairway, then another, they descended beneath the ground. The corridor down here seemed more like a tunnel. There was a cave-like open space, with several tunnels leading from it in different directions. This once had been part of the sub-cellar of the gigantic New York City—these tunnels ramifying into underground chambers, most of which had now fallen into disuse. But few had been preserved through the centuries, and they now were the caverns of the Robots.

Tina indicated a tunnel extending eastward, a passage leading to a room beneath the Robot laboratory. Tugh and Tina had used it that morning. Gazing down its blue-lit length Larry saw, fifty feet or so away, that there was a metal-grid barrier which must be part of the electrical fortifications of the palace. A human guard was sitting there at a tiny gate-way, a hood-light above him, illumining his black and white garbed figure.

Tina called softly. "All well, Alent? Tugh has not passed back?"

"No, Princess," he answered, standing erect. The voices echoed through the confined space with a muffled blur.

"Let no one pass but humans, Alent."

"That is my order," he said. He had not noticed Larry, whom Tina had pushed into a shadow against the wall. The Princess waved at the guard and turned away, whispering to Larry:

"Come!"

There were rooms opening off this corridor—decrepit dungeons, most of them seemed to Larry. He had tried to keep his sense of direction, and figured they were now under the palace garden. Tina stopped abruptly. There were no lights here, only the glow from one at a distance. To Larry it was an eery business.

"What is it?" he whispered.

"Wait! I thought I heard something."

In the dead, heavy silence Larry found that there was much to hear.

Voices very dim from the palace overhead; infinitely faint music; the clammy sodden drip of moisture from the tunnel roof. And, permeating everything, the faint hum of machinery.

Tina touched him in the gloom. "It's nothing, I guess. Though I thought I heard a man's voice."

"Overhead?"

"No; down here."

T

here was a dark, arched door near at hand. Tina entered it and fumbled for a switch, and in the soft light that came Larry saw an unoccupied apartment very similar to the one he had had upstairs, save that this was much smaller.

"Harl's room," said Tina. She prowled along the wall where audible book-cylinders[4]stood in racks, searching for a title. Presently she found a hidden switch, pressed it, and a small section of the case swung out, revealing a concealed compartment. Larry saw her fingers trembling as she drew out a small brass cylinder.

"This must be it, Larry," she said.

They took it to a table which held a shaded light. Within the cylinder was a scroll of writing. Tina unrolled it and held it under the light, while Larry stood breathless, watching her.

"Is it what you wanted?" Larry murmured.

"Yes. Poor Harl!"

She read aloud to Larry the gist of it in the few closing paragraphs.

"... and so I want to confess to you that I have been taking credit for that which is not mine. I wish I had the courage to tell you personally; someday I think I shall. I did not help Tugh invent our Time-traveling cages. I was in the palace garden one night some years ago when the cage appeared. Tugh is a man from a future Time-world; just what date ahead of now, I do not know, for he has never been willing to tell me. He captured me. I promised him I would say nothing, but help him pretend that we had invented the cage he had brought with him from the future. Tugh told me he invented them. It was later that he brought the other cage here."I was an obscure young man here a few years ago. I loved you even then, Tina: I think you have guessed that. I yielded to the temptation—and took the credit with Tugh."I do love you, though I think I shall never have the courage to tell you so.

"... and so I want to confess to you that I have been taking credit for that which is not mine. I wish I had the courage to tell you personally; someday I think I shall. I did not help Tugh invent our Time-traveling cages. I was in the palace garden one night some years ago when the cage appeared. Tugh is a man from a future Time-world; just what date ahead of now, I do not know, for he has never been willing to tell me. He captured me. I promised him I would say nothing, but help him pretend that we had invented the cage he had brought with him from the future. Tugh told me he invented them. It was later that he brought the other cage here.

"I was an obscure young man here a few years ago. I loved you even then, Tina: I think you have guessed that. I yielded to the temptation—and took the credit with Tugh.

"I do love you, though I think I shall never have the courage to tell you so.

Harl."

T

ina rolled up the paper. "Poor Harl! So all the praise we gave him for his invention was undeserved!"

But Larry's thoughts were on Tugh. So the fellow was not of this era at all! He had come from a Time still further in the future!

A step sounded in the doorway behind them. They swung around to find Tugh standing there, with his thick misshapen figured huddled in the black cloak.

"Tugh!"

"Yes, Princess, no less than Tugh. Alent told me as I came through that you were down here. I saw your light, here in Harl's room and came."

"Did you find Migul and his captives—the girl from 1777 and the man of 1935?"

"No, Princess, Migul has fled with them," was the cripple's answer. He advanced into the room and pushed back his black hood. The blue light shone on his massive-jawed face witha lurid sheen. Larry stood back and watched him. It was the first time that he had had opportunity of observing Tugh closely. The cripple was smiling sardonically.

"I have no fear for the prisoners," he added in his suave, silky fashion. "That crazy mechanism would not dare harm them. But it has fled with them into some far-distant recess of the caverns. I could not find them."

"Did you try?" Larry demanded abruptly.

Tugh swung on him. "Yes, young sir, I tried." It seemed that Tugh's black eyes narrowed; his heavy jaw clicked as he snapped it shut. The smile on his face faded, but his voice remained imperturbable as he added:

"You are aggressive, young Larry—but to no purpose.... Princess, I like not the attitude of the Robots. Beyond question some of them must have seen Migul, but they would not tell me so. I still think I can control them, though. I hope so."

L

arry could think of nothing to say. It seemed to him childish that he should stand listening to a scoundrel tricking this girl Tina. A dozen wild schemes of what he might do to try and rescue Mary Atwood and me revolved in his mind, but they all seemed wholly impractical.

"The Robots are working badly," Tugh went on. "In the north district one of the great foundries where they are casting the plates for the new Inter-Allied airliner has ceased operations. The Robot workmen were sullen, inefficient, neglectful. The inert machinery was ill cared for, and it went out of order. I was there, Princess, for an hour or more to-day. They have started up again now; it was fundamentally no more than a burned bearing which a Robot failed to oil properly."

"Is that what you call searching for Migul?" Larry burst out. "Tina, see here—isn't there something we can do?" Larry found himself ignoring Tugh. "I'm not going to stand around! Can't we send a squad of police after Migul?—go with them—actually make an effort to find them? This man Tugh certainly has not tried!"

"Have I not?" Tugh's cloak parted as he swung on Larry. His bent legs were twitching with his anger; his voice was a harsh rasp. "I like not your insolence. I am doing all that can be done."

L

arry held his ground as Tugh fronted him. He had a wild thought that Tugh had a weapon under his cloak.

"Perhaps you are," said Larry. "But to me it seems—"

Tugh turned away. His gaze went to the cylinder which Tina was still clutching. His sardonic smile returned.

"So Harl made a confession, Princess?"

"That," she said, "is none—"

"Of my affair? Oh, but it is. I was here in the archway and I heard you read it. A very nice young man, was Harl. I hope Migul has not murdered him."

"You come from future Time?" Tina began.

"Yes, Princess! I must admit it now. I invented the cages."

Larry murmured to himself, "You stole them, probably."

"But my Government and I had a quarrel, so I decided to leave my own Time-world and come back to yours—permanently. I hope you will keep the secret. I have been here so long. Princess, I am really one of you now. At heart, certainly."

"From when did you come?" she demanded.

H

e bowed slightly. "I think that may remain my own affair, Tina. It is through no fault of mine I am outlawed. I shall never return." He added earnestly, "Do not you think we waste time? I am agreedwith young Larry that something drastic must be done about Migul. Have you seen the Council about it to-day?"

"Yes. They want you to come to them at once."

"I shall. But the Council easily may decide upon something too rash." He lowered his voice, and on his face Larry saw a strange, unfathomable look. "Princess, at any moment there may be a Robot uprising. Is the Power House well guarded by humans?"

"Yes," she said.

"No Robots in or about it? Tina, I do not want to frighten you, but I think our first efforts should be for defense. The Council acts slowly and stubbornly. What I advise them to do may be done, and may not. I was thinking. If we could get to the Power House—Do you realize, Tina, that if the Robots should suddenly break into rebellion, they would attack first of all the Power House?[5]It was my idea—"

Tugh suddenly broke off, and all stood listening. There was a commotion overhead in the palace. They heard the thud of running footsteps; human voices raised to shouts; and, outside the palace, other voices. A ventilating shaft nearby brought them down plainly. There were the guttural, hollow voices of shouting Robots, the clank of their metal bodies; the ring of steel, as though with sword-blades they were thumping their metal thighs.

A Robot mob was gathered close outside the palace walls. The revolt of the Robots had come!

S

it quiet, George Rankin. And you, Mistress Mary; you will both be quite safe with Migul if you are docile."

Tugh stood before us. We were in a dim recess of a great cavern with the throb of whirring machinery around us. It was the same day which I have just described; Larry was at this moment asleep in the palace room. Tugh and Tina had come searching for Migul; and Tugh had contrived to send Tina back. Then he had come directly to us, finding us readily since we were hidden where he had told Migul to hide us.

This cavern was directly beneath the Robot laboratory in which the Time-traveling cage was placed. A small spiral stairway led downward some two levels, opening into a great, luridly lighted room. Huge inert machines stood about. Great wheels were flashing as they revolved, turning the dynamos to generate the several types of current used by the city's underground industrial activities.

It was a tremendous subterranean room. I saw only one small section of it; down the blue-lit aisles the rows of machines may have stretched for half a mile or more. The low hum of them was an incessant pound against my senses. The great inert mechanisms had tiny lights upon them which gleamed like eyes. The illumined gauge-faces—each of them I passed seemed staring at me. The brass jackets were polished until theyshone with the sheen of the overhead tube lights; the giant wheels flashed smoothly upon oiled bearings. They were in every fashion of shape and size, these inert machines. Some towered toward the metal-beamed ceiling, with great swaying pendulums that ticked like a giant clock. Some clanked with eccentric cams—a jarring rhythm as though the heart of the thing were limping with its beat. Others had a ragged, frightened pulse; others stood placid, outwardly motionless under smooth, polished cases, but humming inside with a myriad blended sounds.

I

nert machines. Yet some were capable of locomotion. There was a small truck on wheels which were set in universal joints. Of its own power—radio controlled perhaps, so that it seemed acting of its own volition—it rolled up and down one of the aisles, stopping at set intervals and allowing a metal arm lever in it to blow out a tiny jet of oil. One of the attending Robots encountered it in an aisle, and the cart swung automatically aside. The Robot spoke to the cart; ordered it away; and the tone of his order, registering upon some sensitive mechanism, whirled the cart around and sent it rolling to another aisle section.

The strange perfection of machinery! I realized there was no line sharply to be drawn between the inert machine and the sentient, thinking Robots. That cart, for instance, was almost a connecting link.

There were also Robots here of many different types. Some of them were eight or ten feet in stature, in the fashion of a man: Migul was of this design. Others were small, with bulging foreheads and bulging chest plates: Larry saw this type as domestics in the palace. Still others were little pot-bellied things with bent legs and long thin arms set crescent-shape. I saw one of these peer into a huge chassis of a machine, and reach in with his curved arm to make an interior adjustment....

Migul had brought Mary Atwood and me in the larger cage, from that burned forest of the year 762, where with the disintegrating ray-gun Tugh had killed Harl. The body of Harl in a moment had melted into putrescence, and dried, leaving only the skeleton within the clothes. The white-ray, Tugh had called his weapon. We were destined very shortly to have many dealings with it.

Tugh had given Migul its orders. Then Tugh took Harl's smaller cage and flashed away to meet Tina and Larry in 1777, as I have already described.

And Migul brought us here to 2930. As we descended the spiral staircase and came into the cavern, it stood with us for a moment.

"That's wonderful," the Robot said proudly. "I am part of it. We are machinery almost human."


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