"I can't see a thing, Doctor," said Carnes in a muffled voice.
"The objects at which you are looking absorb rather than reflect ultra-violet light," said the doctor. "This is a sort of a fluoroscope arrangement, and it isn't perfect at all. However, when the monster comes along, I am pretty sure that you will be able to see it. You may see a little more as your eyes get accustomed to it."
"I can see very dimly," announced the lieutenant in a moment.
Dimly the walls of the cave and the platform before them began to take vague shape. The three stared intently down the beam of ultra-violet light which the doctor directed down the passageway leading deeper into the cave.
"Good Lord!" ejaculated Carnes suddenly.
Slowly into the field of vision came the hideous figure they had seen on the film. As it moved forward a rustling, slithering sound could be heard, even over the bellowing of the steer and the hum of the apparatus. The odor of musk became evident.
Along the floor toward them the thing slid. Presently it reared up on its hind legs and its enormous bulk became evident. It turned somewhat sideways and the correctness of Dr. Bird's hypothesis as to its peculiar shape was proved. All of the bulk of the creature was in two dimensions. Forward it moved, and the horrible human hands stretched forward, while the mouth split in a wide, toothless grin. Nearer the doomed steer the creature approached, and then the reaching hands closed on the animal.
There was a blinding flash, and the monster was hurled backward as though struck by a thunderbolt, while a horrible smell of musk and burned flesh filled the air.
"After it! Quick!" cried the doctor as he sprang forward.
Before he could reach the prostrate creature it moved and then, slowly at first, but with rapidly gaining speed, it slithered over the floor in retreat. Dr. Bird's hand swung through an arc, and there was a deafening crash as a hand-grenade exploded on the back of the fleeing monster.
An unearthly scream came from the creature, and its motion changed from a steady forward glide to a series of convulsive jerks. Leffingwell and Carnes threw grenades, but they went wide of their mark, and the monster began to again increase its speed. Another volley of grenades was thrown and one hit scored, which slowed the monster somewhat but did not arrest the steady forward movement.
"Any more bombs?" demanded the doctor.
"Damn!" he cried as he received negative answers. "The current wasn't strong enough. It's going to get away."
Carnes jerked his automatic from under his armpit and poured a stream of bullets into the fleeing monster. Slower and slower the motion of the creature became, and its movements again became jerky and convulsive.
"Keep it in sight!" cried the doctor. "We may get it yet!"
Cautiously the three men followed the retreating horror, Leffingwell pushing before him the platform holding the ultra-violet ray apparatus. The chase led them over familiar ground.
"There is the crack!" cried the lieutenant.
"Too late!" replied the doctor.
He rushed forward and seized the lower limb of the monster and tried with all his strength to arrest its flight, but despite all that he could do it slid sideways through the crack in the wall and disappeared. A final backward kick of its leg threw the doctor twenty feet against the far wall of the cave.
"Are you hurt, Doctor?" cried Carnes.
"No, I'm all right. Put on your masks and start the gas! Quick! That may stop it before it gets in far!"
The three adjusted gas masks and thrust the mouths of two gas cylinders which were on the light truck into the crack, and opened the valves. The hissing of the gas was accompanied by a thrashing, writhing sound from the bowels of the earth for a few minutes, but the sound retreated and finally died away into an utter silence.
"And that's that!" cried the doctor half an hour later as they took off their gas masks outside the cave. "It got away from us. Carnes, how soon can we get a train back to Washington?"
"What kind of a report are you going to make to the Bureau, Doctor?" asked Carnes as they sat in the smoker of a southern train, headed for the capital.
"I'm not going to put in any report, Carnes," replied the doctor. "I haven't got the creature or any part of it to show, and no one would believe me. I am going to maintain a discreet silence about the whole matter."
"But you have your photograph to show, Doctor, and you have my evidence and Lieutenant Leffingwell's."
"The photograph might have been faked and I might have doped both of you. In any case, your words are no better than mine. No, indeed, Carnes, when I failed to make the current strong enough to kill it outright I made the first of the moves which bind me to silence, although I thought that two hundred thousand volts would be enough.
"The second failure I made was when I missed him with my second grenade, although I doubt if all six would have stopped him. My third failure was when we failed to get a sufficient concentration of cyanide gas into that hole in a hurry. The thing is so badly crippled that it will die, but it may take hours, or even days, for it to do so. It has already made its way so far into the earth that we couldn't reach it by blasting without danger of bringing the whole place down on our heads. Even if we could blast our way into the place it came from I wouldn't dare open a path which would allow Lord only knows what terrible monsters to invade the earth. When the soldiers have finished stopping that crack with ten feet of solid masonry, I think the barrier will hold, even against that critter's papa and mamma and all its relatives. Then Mammoth Cave will be safe for visitors again. That latter fact is the only report which I will make."
"It is a dandy story to go to waste," said Carnes soberly.
"Tell it then, if you wish, and get laughed at for your pains. No, Carnes, you must learn one thing. A man like Bolton, for instance, will implicitly believe that a four leaf clover in his watch-charm will bring him good luck, and that carrying a buckeye keeps rheumatism away from him; but tell him a bit of sober fact like this, attested by three reliable witnesses and a good photograph, and you'll just get laughed at for your pains. I'm going to keep my mouth shut."
"So be it, then!" replied Carnes with a sigh.
Red Sensua's knife came up dripping—and the two adventurers knew that chaos and bloody revolution had been unleashed in that shadowy kingdom of the fourth dimension.
When I was some fifteen years old, I once made the remark, "Why, that's impossible."
The man to whom I spoke was a scientist. He replied gently, "My boy, when you are grown older and wiser you will realize that nothing is impossible."
Somehow, that statement stayed with me. In our swift-moving wonderful world I have seen it proven many times. They once thought it impossible to tell what lay across the broad, unknown Atlantic Ocean. They thought the vault of the heavens revolved around the earth. It was impossible for it to do anything else, because they could see it revolve. It was impossible, too, for anything to be alive and yet be so small that one might not see it. But the microscope proved the contrary. Or again, to talk beyond the normal range of the human voice was impossible, until the telephone came to show how simply and easily it might be done.
I never forgot that physician's remark. And it was repeated to me some ten years later by my friend, Captain Derek Mason, on that memorable June night of 1929.
My name is Charles Wilson. I was twenty-five that June of 1929. Although I had lived all of my adult life in New York City, I had no relatives there and few friends.
I had known Captain Mason for several years. Like myself, he seemed one who walked alone in life. He was an English gentleman, perhaps thirty years old. He had been stationed in the Bermudas, I understood, though he seldom spoke of it.
I always felt that I had never seen so attractive a figure of a man as this Derek Mason. An English aristocrat, he was, straight and tall and dark, and rather rakish, with a military swagger. He affected a small, black mustache. A handsome, debonair fellow, with an easy grace of manner: a modern d'Artagnan. In an earlier, less civilized age, he would have been expert with sword and stick, I could not doubt. A man who could capture the hearts of women with a look. He had always been to me a romantic figure, and a mystery that seemed to shroud him made him no less so.
A friendship had sprung up between Derek Mason and me, perhaps because we were such opposite types! I am an American, of medium height, and medium build. Ruddy, with sandy hair. Derek Mason was as meticulous of his clothes, his swagger uniforms, as the most perfect Beau Brummel. Not so myself. I am careless of dress and speech.
I had not seen Derek Mason for at least a month when, one June afternoon, a note came from him. I went to his apartment at eight o'clock the same evening. Even about his home there seemed a mystery. He lived alone with one man servant. He had taken quarters in a high-class bachelor apartment building near lower Fifth Avenue, at the edge of Greenwich Village.
All of which no doubt was rational enough, but in this building he had chosen the lower apartment at the ground-floor level. It adjoined the cellar. It was built for the janitor, but Derek had taken it and fixed it up in luxurious fashion. Near it, in a corner of the cellar, he had boarded off a square space into a room. I understood vaguely that it was a chemical laboratory. He had never discussed it, nor had I ever been shown inside it. Unusual, mysterious enough, and that a captain of the British military should be an experimental scientist was even more unusual. Yet I had always believed that for a year or two Derek had been engaged in some sort of chemical or physical experiment. With all his military swagger he had the precise, careful mode of thought characteristic of the man of scientific mind.
I recall that when I got his note with its few sentences bidding me come to see him, I had a premonition that it marked the beginning of something strange. As though the portals of a mystery were opening to me!
Nothing is impossible! Nevertheless I record these events into which I was plunged that June evening with a very natural reluctance. I expect no credibility. If this were the year 2000, my narrative doubtless would be tame enough. Yet in 1929 it can only be called a fantasy. Let it go at that. The fantasy of to-day is the sober truth of to-morrow. And by the day after, it is a mere platitude. Our world moves swiftly.
Derek received me in his living-room. He admitted me himself. He told me that his man servant was out. It was a small room, with leather-covered easy chairs, rugs on its hardwood floor, and sober brown portieres at its door and windows. A brown parchment shade shrouded the electrolier on the table. It was the only light in the room. It cast its mellow sheen upon Derek's lean graceful figure as he flung himself down and produced cigarettes.
He said, "Charlie, I want a little talk with you. I've something to tell you—something to offer you."
He held his lighter out to me, with its tiny blue alcohol flame under my cigarette. And I saw that his hand was trembling.
"But I don't understand what you mean," I protested.
He retorted, "I'm suggesting that you might be tired of being a clerk in a brokerage office. Tired of this humdrum world that we call civilization. Tired of Wall Street."
"I am, Derek. Heavens, that's true enough."
His eyes held me. He was smiling half whimsically: his voice was only half serious. Yet I could see, in the smoldering depths of those luminous dark eyes, a deadly seriousness that belied his smiling lips and his gay tone.
He interrupted me with, "And I offer you a chance for deeds of high adventuring. The romance of danger, of pitting your wits against villainy to make right triumph over wrong, and to win for yourself power and riches—and perhaps a fair lady...."
"Derek, you talk like a swashbuckler of the middle ages."
I thought he would grin, but he turned suddenly solemn.
"I'm offering to make you henchman to a king, Charlie."
"King of what? Where?"
He spread his lean brown hands with a gesture. He shrugged. "What matter? If you seek adventure, you can find it—somewhere. If you feel the lure of romance—it will come to you."
I said, "Henchman to a king?"
But still he would not smile. "Yes. If I were king. I'm serious. Absolutely. In all this world there is no one who cares a damn about me. Not in this world, but...."
He checked himself. He went on, "You are the same. You have no relatives?"
"No. None that ever think of me."
"Nor a sweetheart. Or have you?"
"No," I smiled. "Not yet. Maybe never."
"But you are too interested in Wall Street to leave it for the open road?" He was sarcastic now. "Or do you fear deeds of daring? Do you want to right a great wrong? Rescue an oppressed people, overturn the tyranny of an evil monarch, and put your friend and the girl he loves upon the throne? Or do you want to go down to work as usual in the subway to-morrow morning? Are you afraid that in this process of becoming henchman to a king you may perchance get killed?"
I matched his caustic tone. "Let's hear it, Derek."
Incredible! Impossible! I did not say it, though my thoughts were written on my face, no doubt.
Derek said quietly, "Difficult to believe, Charlie? Yes! But it happens to be true. The girl I love is not of this world, but she lives nevertheless. I have seen her, talked with her. A slim little thing—beautiful...."
He sat staring. "This is nothing supernatural, Charlie. Only the ignorant savages of our past called the unknown—the unusual—supernatural. We know better now."
I said, "This girl—"
He gestured. "As I told you, I have for years been working on the theory that there is another world, existing here in this same space with us. The Fourth Dimension! Call it that it you like. I have found it, proved its existence! And this girl—her name is Hope—lives in it. Let me tell you about her and her people. Shall I?"
My heart was pounding so that it almost smothered me. "Yes, Derek."
"She lives here, in this Space we call New York City. She and her people use this same Space at the same time that we use it. A different world from ours, existing here now with us! Unseen by us. And we are unseen by them!
"A different form of matter, Charlie. As tangible to the people of the other realm as we are to our own world. Humans like ourselves."
He paused, but I could find no words to fill the gap. And presently he went on:
"Hope's world, co-existing here with us, is dependent upon us. They speak what we call English. They shadow us."
I murmured, "Phantoms of reality."
"Yes. A world very like ours. But primitive, where ours is civilized."
He paused again. His eyes were staring past me as though he could see through the walls of the cellar room into great reaches of the unknown. What a strange mixture was this Derek Mason! What a strange compound of the cold reality of the scientist and the fancy of the romantic dreamer! Yet I wonder if that is not what science is. There is no romantic lover gawping at the moon who could have more romance in his soul, or see in the moonlit eyes of his loved one more romance than the scientist finds in the wonders of his laboratory.
Derek went on slowly:
"A primitive world, primitive nation, primitive passions! As I see it now, Charlie—as I know it to be—it seems as though perhaps Hope's world is merely a replica of ours, stripped to the primitive. As though it might be the naked soul of our modern New York, ourselves as we really are, not as we pretend to be."
He roused himself from his reverie.
"Hope's nation is ruled by a king. An emperor, if you like. A monarch, beset with the evils of luxury and ease, and wine and women. He is surrounded by his nobles, the idle aristocracy, by virtue of their birth proclaiming themselves of too fine a clay to work. The crimson nobles, they are called. Because they affect crimson cloaks, and their beautiful women, voluptuous, sex-mad, are wont to bedeck themselves in veils and robes of crimson.
"And there are workers, toilers they call them. Oppressed, down-trodden toilers, with hate for the nobles and the king smoldering within them. In France there was such a condition, and the bloody revolution came of it. It exists here now. Hope was born in the ranks of these toilers, but has risen by her grace and beauty to a position in the court of this graceless monarch."
He leaped from his chair and began pacing the room. I sat silent, staring at him. So strange a thing! Impossible? I could not say that. I could only say, incredible to me. And as I framed the thought I knew its incredibility was the very measure of my limited intelligence, my lack of knowledge. The vast unknown of nature, so vast that everything which was real to me, understandable to me, was a mere drop in the ocean of the existing unknown.
"Don't you understand me now?" Derek added vehemently. "I'm not talking fantasy. Cold reality! I've found a way to transport myself—and you—into this different state of matter, into this other world! I've already made a test. I went there and stayed just for a few moments, a night or so ago."
It made my heart leap wildly. He went on:—
"There is chaos there. Smoldering revolution which at any time—to-night perhaps—may burst into conflagration and destroy this wanton ruling class." He laughed harshly. "In Hope's world the workers are a primitive, ignorant people. Superstitious. Like the peons of Mexico, they're all primed and ready to shout for any leader who sets himself up. My chance—our chance—"
He suddenly stopped his pacing and stood before me. "Don't you feel the lure of it? The open road? 'The road is straight before me and the Red Gods call for me!' I'm going, Charlie. Going to-night—and I want you to go with me! Will you?"
Would I go? The thing leaped like a menacing shadow risen solidly to confront me. Would I go?
Suddenly there was before me the face of a girl. White. Apprehensive. It seemed almost pleading. A face beautiful, with a mouth of parted red lips. A face framed in long, pale-golden hair with big staring blue eyes. Wistful eyes, wan with starlight—eyes that seemed to plead.
I thought, "Why, this is madness!" I was not seeing this face with my eyes. There was nothing, no one here in the room with me but Derek. I knew it. The shadows about us were empty. I was conjuring the face only from Derek's words, making real that which existed only in my imagination.
Yet I knew that in another realm, with my thoughts now bridging the gap, the girl was real. Would I go into the unknown?
The quest of the unknown. The gauntlet of the unknown flung down now before me, as it was flung down before the ancient explorers who picked up its challenge and mounted the swaying decks of their little galleons and said, "We'll go and see what lies off there in the unknown."
That same lure was on me now. I heard my voice saying, "Why yes, I guess I'll go, Derek."
We stood in the boarded room which was Derek's laboratory. Our preparations had been simple: Derek had made them all in advance. There was little left to do. The laboratory was a small room of board walls, board ceiling and floor. Windowless, with a single door opening into the cellar of the apartment house.
Derek had locked the door after us as we entered. He said, "I have sent my man servant away for a week. The people in the house here think I have gone away on a vacation. No one will miss us, Charlie—not for a time, anyway."
No one would miss me, save my employers, and to them I would no doubt be small loss.
We had put out the light in Derek's apartment and locked it carefully after us. This journey! I own that I was trembling, and frightened. Yet a strange eagerness was on me.
The cellar room was comfortably furnished. Rugs were on its floor. Whatever apparatus of a research laboratory had been here was removed now. But the evidence of it remained—Derek's long search for this secret which now he was about to use. A row of board shelves at one side of the room showed where bottles and chemical apparatus had stood. A box of electrical tools and odds and ends of wire still lay discarded in a corner of the room. There was a tank of running water, and gas connections, where no doubt bunsen burners had been.
Derek produced his apparatus. I sat on a small low couch against the wall and watched him as he stripped himself of his clothes. Around his waist he adjusted a wide, flat, wire-woven belt. A small box was fastened to it in the middle of the back—a wide, flat thing of metal, a quarter of an inch thick, and curved to fit his body. It was a storage battery of the vibratory current he was using. From the battery, tiny threads of wire ran up his back to a wire necklace flat against his throat. Other wires extended down his arms to the wrists. Still others down his legs to the ankles. A flat electrode was connected to the top of his head like a helmet. I was reminded as he stood there, of medical charts of the human body with the arterial system outlined. But when he dressed again and put on his jaunty captain's uniform, only the electrode clamped to his head and the thin wires dangling from it in the back were visible to disclose that there was anything unusual about him.
He said smilingly, "Don't stare at me like that."
I took a grip on myself. This thing was frightening, now that I actually was embarked on it. Derek had explained to me briefly the workings of his apparatus. A vibratory electronic current, for which as yet he had no name, was stored in the small battery. He had said:
"There's nothing incomprehensible about this, Charlie. It's merely a changing of the vibration rate of the basic substance out of which our bodies are made. Vibration is the governing factor of all states of matter. In its essence what we call substance is wholly intangible. That is already proven. A vortex! A whirlpool of nothingness! It creates a pseudo-substance which is the only material in the universe. And from this, by vibration, is built the complicated structure of things as we see and feel them to be, all dependent upon vibration. Everything is altered, directly as the vibratory rate is changed. From the most tenuous gas, to fluids to solids—throughout all the different states of matter the only fundamental difference is the rate of vibration."
I understood the basic principle of this that he was explaining—that now when this electronic current which he had captured and controlled was applied to our physical body, the vibration rate of every smallest and most minute particle of our physical being was altered. There is so little in the vast scale of natural phenomena of which our human senses are cognisant! Our eyes see the colors of the spectrum, from red to violet. But a vast invisible world of color lies below the red of the rainbow! Physicists call it the infra-red. And beyond the violet, another realm—the ultra-violet. With sound it is the same. Our audible range of sound is very small. There are sounds with too slow a vibratory rate for us to hear, and others too rapid. The differing vibratory rate from most tenuous gas to most substantial solid is all that we can perceive in this physical world of ours. Yet of the whole, it is so very little! This other realm to which we were now going lay in the higher, more rapid vibratory scale. To us, by comparison, a more tenuous world, a shadow realm.
I listened to Derek's words, but my mind was on the practicality of what lay ahead. An explorer, standing upon his ship, may watch his men bending the sails, raising the anchor, but his mind flings out to the journey's end....
We were soon ready. Derek wore his jaunty uniform, I wore my ordinary business suit. A magnetic field would be about us, so that in the transition anything in fairly close contact with our bodies was affected by the current.
Derek said, "I will go first, Charlie."
"But, Derek—" A fear, greater than the trembling I had felt before, leaped at me. Left here alone, with no one on whom to depend!
He spoke with careful casualness, but his eyes were burning me. "Just sit there, and watch. When I am gone, turn on the current as I showed you and come after me. I'll wait for you."
"Where?" I stammered.
He smiled faintly. "Here. Right here. I'm not going away! Not going to move. I'll be here on the couch waiting for you."
Terrifying words! He had lowered the couch, bending out its short legs until the frame of it rested on the board floor. He drew a chair up before it and seated me. He sat down on the couch.
He said, "Oh, one other thing. Just before you start, put out the light. We can't tell how long it will be before we return."
Terrifying words!
His right hand was on his left wrist where the tiny switch was placed. He smiled again. "Good luck to us, Charlie!"
Good luck to us! The open road, the unknown!
I sat there staring. He was partly in shadow. The room was very silent. Derek lay propped up on one elbow. His hand threw the tiny switch.
There was a breathless moment. Derek's face was set and white, but no whiter than my own, I was sure. His eyes were fixed on me. I saw him suddenly quiver and twitch a little.
I murmured, "Derek—"
At once he spoke, to reassure me. "I'm all right, Charlie. That was just the first feel of it."
There was a faint quivering throb in the room, like a tiny distant dynamo throbbing. The current was surging over Derek; his legs twitched.
A moment. The faint throbbing intensified. No louder, but rapid, infinitely more rapid. A tiny throb, an aerial whine, faint as the whirring wings of a humming bird. It went up the scale, ascending in pitch, until presently it was screaming with an aerial microscopic voice.
But there seemed no change in Derek. His uniform was glowing a trifle, that was all. His face was composed now; he smiled, but did not speak. His eyes roved away from me, as though now he were seeing things that I could not see.
Another moment. No change.
Why, what was this? I blinked, gasped. There was a change! My gaze was fastened upon Derek's white face. White? It was more than white now! A silver sheen seemed to be coming to his skin!
I think no more than a minute had passed. His face was glowing, shimmering. A transparent look was coming to it, a thinness, a sudden unsubstantiality! He dropped his elbow and lay on the couch, stretched at full length at my feet. His eyes were staring.
And suddenly I realized that the face that held those staring eyes was erased! A shimmering apparition of Derek was stretched here before me. I could see through it now! Beneath the shimmering, blurred outlines of his body I could see the solid folds of the couch cover. A ghost of Derek here. An apparition—fading—dissipating!
A gossamer outline of him, imponderable, intangible.
I leaped to my feet, staring down over him.
"Derek!"
The shape of him did not move. Every instant it was more vaporous, more unreal.
I thought, "He's gone!"
No! He was still there. A white mist of his form on the couch. Melting, dissipating in the light like a fog before sunshine. A wisp of it left, like a breath, and then there was nothing.
I sat on the couch. I had put out the light. Around me the room was black. My fingers found the small switch at my wrist. I pressed it across its tiny arc.
The first shock was slight, but infinitely strange. A shuddering, twitching sensation ran all over me. It made my head reel, swept a wave of nausea over me, a giddiness, a feeling that I was falling through darkness. I lay on the couch, bracing myself. The current was whining up its tiny scale. I could feel it now. A tiny throbbing, communicating itself to my physical being.
And then in a moment I realized that my body was throbbing. The vibration of the current was communicating itself to the most minute cells of my body. An indescribable tiny quivering within me. Strange, frightening, sickening at first. But the sickness passed, and in a moment I found it almost pleasant.
I could see nothing. The room was wholly dark. I lay on my side on the couch, my eyes staring into the blackness around me. I could hear the humming of the current, and then it seemed to fade. Abruptly I felt a sense of lightness. My body, lying on the couch, pressed less heavily.
I gripped my arm. I was solid, substantial as before. I touched the couch. It was the couch which was changing, not I! The couch cover queerly seemed to melt under my hand!
The sense of my own lightness grew upon me. A lightness, a freedom, pressed me, as though chains and shackles which all my life had encompassed me were falling away. A wild, queer freedom.
I wondered where Derek was. Had I arrived in the other realm? Was he here? I had no idea how much time had passed: a minute or two, perhaps.
Or was I still in Derek's laboratory? The darkness was as solid, impenetrable as ever. No, not quite dark! I saw something now. A glowing, misty outline around me. Then I saw that it was not the new, unknown realm, but still Derek's room. A shadowy, spectral room, and the light, which dimly illumined it, was from outside.
I lay puzzling, my own situation forgotten for the moment. The light came from overhead, in another room of the apartment house. I stared. Around me now was a dim vista of distance, and vague, blurred, misty outlines of the apartment building above me. The shadowy world I had left now lay bare. There was a moment when I thought I could see far away across a spectral city street. The shadows of the great city were around me. They glowed, and then were gone.
A hand gripped my arm in a solid grip. Derek's voice sounded.
"Are you all right?"
"Yes," I murmured. The couch had faded. I was conscious that I had floated or drifted down a few inches, to a new level. The level of the cellar floor beneath the couch. Cellar floor! It was not that now. Yet there was something solid here, a solid ground, and I was lying upon it, with Derek sitting beside me.
I murmured again, "Yes, I'm all right."
My groping hand felt the ground. It was soil, with a growth of vegetation like a grass sward on it. Were we outdoors? It suddenly seemed so. I could feel soft, warm air on my face and had a sense of open distance around me. A light was growing, a vague, diffused light, as though day were swiftly coming upon us.
I felt Derek fumbling at my wrist. "That's all, Charlie."
There was a slight shock. Derek was pulling me up beside him. I found myself on my feet, with light around me. I stood wavering, gripping Derek. It was as though I had closed my eyes, and now they were suddenly open. I was aware of daylight, color, and movement. A world of normality here, normal to me now because I was part of it. The realm of the unknown!
I think I was first conscious of a queer calmness which had settled upon me, as though now I had withdrawn contact with the turmoil of our world! Something was gone, and in its place came a calmness. But that was a mere transition. It had passed in a moment. I stood trembling with eagerness, as I know Derek was trembling.
A radiant effulgence of light was around us, clarifying, growing. There was ground beneath our feet, and sky overhead. A rational landscape, strangely familiar. A physical world like my own, but, it seemed, with a new glory upon it. Nature, calmly serene.
I had thought we were standing in daylight. I saw now it was bright starlight. An evening, such as the evening we had just left in our own world. The starlight showed everything clearly. I could see a fair distance.
We stood at the top of a slight rise. I saw gentle, slightly undulating country. A brook nearby wound through a grove of trees and lost itself. Suddenly, with a shock, I realized how familiar this was! We stood facing what in New York City we call West. The contour of this land was familiar enough for me to identify it. A mile or so ahead lay a river; it shimmered in its valley, with cliffs on its further side. Near at hand the open country was dotted with trees and checkered with round patches of cultivated fields. And there were occasional habitations, low, oval houses of green thatch.
The faint flush of a recent sunset lay upon the landscape, mingled with the starlight. A road—a white ribbon in the starlight—wound over the countryside toward the river. Animals, strange of aspect, were slowly dragging carts. There were distant figures working in the fields.
A city lay ahead of us, set along this nearer bank of the river. A city! It seemed a primitive village. All was primitive, as though here might be some lost Indian tribe of our early ages. The people were picturesque, the field workers garbed in vivid colors. The flat little carts, slow moving, with broad-horned oxen.
This quiet village, drowsing beside the calm-flowing river, seemed all very normal. I could fancy that it was just after sundown of a quiet workday. There was a faint flush of pink upon everything: the glory of the sun just set. And as though to further my fancy, in the village by the river, like an angelus, a faint-toned bell was chiming.
We stood for a moment gazing silently. I felt wholly normal. A warm, pleasant wind fanned my hot face. The sense of lightness was gone. This was normality to me.
Derek murmured, "Hope was to meet me here."
And then we both saw her. She was coming toward us along the road. A slight, girlish figure, clothed in queerly vivid garments: a short jacket of blue cloth with wide-flowing sleeves, knee-length pantaloons of red, with tassels dangling from them, and a wide red sash about her waist. Pale golden hair was piled in a coil upon her head....
She was coming toward us along the edge of the road, from the direction of the city. She was only a few hundred feet from us when we first saw her, coming swiftly, furtively it seemed. A low pike fence bordered the road. She seemed to be shielding herself in the shadows beside it.
We stood waiting in the starlight. The nearest figures in the field and on the road were too far away to notice us. The girl advanced. Her white arm went up in a gesture, and Derek answered. She left the road, crossing the field toward us. As she came closer, I saw how very beautiful she was. A girl of eighteen, perhaps, a fantastic little figure with her vivid garments. The starlight illumined her white face, anxious, apprehensive, but eager.
"Derek!"
He said, "Hope, I came...."
I stood silently watching. Derek's arms went out, and the girl, with a little cry, came running forward and threw herself into them.
"Am I in time, Hope?"
"Yes, but the festival is to-night. In an hour or two now. Oh Derek, if the king holds this festival, the toilers will revolt. They won't stand it—"
"To-night! It mustn't be held to-night! It doesn't give me time, time to plan."
I stood listening to their vehement, half-whispered words. For a moment or two, absorbed, they ignored me.
"The king will make his choice to-night, Derek. He has announced it. Blanca or Sensua for his queen. And if he chooses the Crimson Sensua—" She stammered, then she went on:
"If he does—there will be bloodshed. The toilers are waiting, just to learn his choice."
Derek exclaimed, "But to-night is too soon! I've got to plan. Hope, where does Rohbar stand in this?"
Strange intrigue! I pieced it together now, from their words, and from what presently they briefly told me. A festival was about to be held, an orgy of feasting and merrymaking, of music and dancing. And during it, this young King Leonto was to choose his queen. There were two possibilities. The Crimson Sensua, a profligate, debauched woman who, as queen, would further oppress the workers. And Blanca, a white beauty, risen from the toilers to be a favorite at the Court. Hope was her handmaiden.
If Blanca were chosen, the toilers would be appeased. She was one of them. She would lead this king from his profligate ways, would win from him justice for the workers.
But Derek and Hope both knew that the pure and gentle Blanca would never be the king's choice. And to-night the toilers would definitely know it, and the smoldering revolt would burst into flame.
And there was this Rohbar. Derek said, "He is the king's henchman, Charlie."
I stood here in the starlight, listening to them. This strange primitive realm. There were no modern weapons here. We had brought none. The current used in our transition would have exploded the cartridges of a revolver. I had a dirk which Hope now gave me, and that was all.
Primitive intrigue. I envisaged this chaotic nation, with its toilers ignorant as the oppressed Mexican peons at their worst. Striving to better themselves, yet, not knowing how. Ready to shout for any leader who might with vainglorious words set himself up as a patriot.
This Rohbar, perhaps, was planning to do just that.
And so was Derek! He said, "Hope, if you could persuade the king to postpone the festival—if Blanca would help persuade him—just until to-morrow night...."
"I can try, Derek. But the festival is planned for an hour or two from now."
"Where is the king?"
"In his palace, near the festival gardens."
She gestured to the south. My mind went back to New York City. This hillock, where we were standing in the starlight beside a tree, was in my world about Fifth Avenue and Sixteenth Street. The king's palace—the festival gardens—stood down at the Battery, where the rivers met in the broad water of the harbor.
Derek was saying, "We haven't much time: can you get us to the palace?"
"Yes. I have a cart down there on the road."
"And the cloaks for Charlie and me?"
"Yes."
"Good!" said Derek. "We'll go with you. It's a long chance; he probably won't postpone it. If he does not, we'll be among the audience. And when he chooses the Red Sensua—"
She shuddered, "Oh, Derek—" And I thought I heard her whisper, "Oh, Alexandre—" and I saw his finger go to his lips.
His arm went around her. She huddled, small as a child against his tall, muscular body.
He said gently, "Don't be afraid, little Hope."
His face was grim, his eyes were gleaming. I saw him suddenly as an instinctive military adventurer. An anachronism in our modern New York City. Born in a wrong age. But here in this primitive realm he was at home.
I plucked at him. "How can you—how can we dare plunge into this thing? Hidden with cloaks, yes. But you talk of leading these toilers."
He cast Hope away and confronted me. "I can do it! You'll see, Charlie." He was very strangely smiling. "You'll see. But I don't want to come into the open right away. Not to-night. But if we can only postpone this accursed festival."
We had been talking perhaps five minutes. We were ready now to start away. Derek said:
"Whatever comes, Charlie, I want you to take care of Hope. Guard her for me, will you?"
I said, "Yes, I will try to."
Hope smiled as she held out her hand to me. "I will not be afraid, with Derek's friend."
Her English was of different intonation from our own, but it was her native language, I could not doubt.
I took her cold, slightly trembling hand. "Thank you, Hope."
Her eyes were misty with starlight. Tender eyes, but the tenderness was not for me.
"Yes," I repeated. "You can depend upon me, Derek."
We left the hillock. A food-laden cart came along the road. The driver, a boy vivid in jacket and wide trousers of red and blue, bravely worn but tattered, ran alongside guiding the oxen. When they had passed we followed, and presently we came to the cloaks Hope had hidden. Derek and I donned them. They were long crimson cloaks with hoods.
Hope said, "Many are gathering for the festival shrouded like that. You will not be noticed now."
Further along the road we reached a little eminence. I saw the river ahead of us, and a river behind us. And a few miles to the south, an open spread of water where the rivers joined. Familiar contours! The Hudson River! The East River. And down at the end of the island, New York Harbor.
Hope gestured that way. "The king's palace is there."
We were soon passing occasional houses, primitive thatched dwellings. I saw inside one. Workers were seated over their frugal evening meal. Always the same vivid garments, jaunty but tattered. We passed one old fellow in a field, working late in the starlight. A man bent with age, but still a tiller of the soil. Hope waved to him and he responded, but the look he gave us as we hurried by shrouded in our crimson cloaks was sullenly hostile.
We came to an open cart. It stood by the roadside. An ox with shaggy coat and spreading horns was fastened to the fence. It was a small cart with small rollers like wheels. Seats were in it and a vivid canopy over it. We climbed in and rumbled away.
And this starlit road in our own world was Broadway! We were presently passing close to the river's edge. This quiet, peaceful, starlit river! Why, in our world it was massed with docks! Great ocean liners, huge funneled, with storied decks lay here! Under this river, tunnels with endless passing vehicles! Tubes, with speeding trains crowded with people!
The reality here was so different! Behind us what seemed an upper city was strung along the river. Ahead of us also there were streets and houses, the city of the workers. A bell was tolling. Along all the roads now we could see the moving yellow spots of lights on the holiday carts headed for the festival. And there were spots of yellow torchlight from boats on the river.
We soon were entering the city streets. Narrow dirt streets they were, with primitive shacks to the sides. Women came to the doorways to stare at our little cart rumbling hastily past. I was conscious of my crimson cloak, and conscious of the sullen glances of hate which were flung at it from every side, here in this squalid, forlorn section where the workers lived.
Along every street now the carts were passing, converging to the south. They were filled, most of them, with young men and girls, all in gaudy costumes. Some of them, like ourselves, were shrouded in crimson cloaks. The carts occasionally were piled with flowers. As one larger than us, and moving faster rumbled by, a girl in it stood up and pelted me with blossoms. She wore a crimson robe, but it had fallen from her shoulders. I caught a glimpse of her face, framed in flowing dark hair, and of eyes with laughter in them, mocking me, alluring.
We came at last to the end of the island. There seemed to be a thousand or more people arriving, or here already. The tip of the island had an esplanade with a broad canopy behind it. Burning torches of wood gave flames of yellow, red and blue fire. A throng of gay young people promenaded the walk, watching the arriving boats.
And here, behind the walk at the water's edge, was a garden of trees and lawn, shrubs and beds of tall vivid flowers. Nooks were here to shelter lovers, pools of water glinted red and green with the reflected torchlight. In one of the pools I saw a group of girls bathing, sportive as dolphins.
To one side at a little distance up the river, banked against the water, was a broad, low building: the palace of the king. About it were broad gardens, with shrubs and flowers. The whole was surrounded by a high metal fence, spiked on top.
The main gate was near at hand; we left our cart. Close to the gate was a guard standing alert, a jaunty fellow in leather pantaloons and leather jacket, with a spiked helmet, and in his hand a huge, sharp-pointed lance. The gardens of the palace, what we could see of them, seemed empty—none but the favored few might enter here. But as I climbed from the cart, I got the impression that just inside the fence a figure was lurking. It started away as we approached the gate. The guard had not seen it—the drab figure of a man in what seemed to be dripping garments, as though perhaps he had swum in from the water.
And Derek saw him. He muttered, "They are everywhere."
Hope led us to the gate. The guard recognized her. At her imperious gesture he stood aside. We passed within. I saw the palace now as a long winged structure of timber and stone, with a high tower at the end of one wing. The building fronted the river, but here on the garden side there was a broad doorway up an incline, twenty feet up and over a small bridge, spanning what seemed a dry moat. Beyond it, a small platform, then an oval archway, the main entrance to the building.
Derek and I, shrouded in our crimson cloaks with hoods covering us to the eyes, followed Hope into the palace.
The long room was bathed in colored lights. There was an ornate tiled floor. Barbaric draperies of heavy fabric shrouded the archways and windows. It was a totally barbaric apartment. It might have been the audience chamber of some fabled Eastern Prince of our early ages. Yet not quite that either. There was a primitive modernity here. I could not define it, could not tell why I felt this strangeness. Perhaps it was the aspect of the people. The room was crowded with men and gay laughing girls in fancy dress costumes. Half of them at least were shrouded in crimson cloaks, but most of the hoods were back. They moved about, laughing and talking, evidently waiting for the time to come for them to go to the festival. We pushed our way through them.
Derek murmured, "Keep your hood up, Charlie."
A girl plucked at me. "Handsome man, let me see." She thrust her painted lips up to mine as though daring me to kiss them. Hope shoved her away. Her parted cloak showed her white, beautiful body with the dark tresses of her hair shrouding it. Exotically lovely she was, with primitive, unrestrained passions—typical of the land in which she lived.
"This way," whispered Hope. "Keep close together. Do not speak!"
We moved forward and stood quietly against the wall of the room, where great curtains hid us partly from view. Under a canopy, at a table on a raised platform near one end of the apartment, sat the youthful monarch. I saw him as a man of perhaps thirty. He was in holiday garb, robed in silken hose of red and white, a strangely fashioned doublet, and a close-fitting shirt. Bare-headed, with thick black hair, long to the base of his neck.
He sat at the table with a calm dignity. But he relaxed here in the presence of his favored courtiers. He was evidently in a high good humor this night, giving directions for the staging of the spectacle, despatching messengers. I stood gazing at him. A very kingly fellow this. There was about him, that strange mingled look of barbarism and modernity.
Hope approached him and knelt. Derek and I could hear their voices, although the babble of the crowd went on.
"My little Hope, what is it? Stand up, child."
She said, "Your Highness, a message from Blanca."
He laughed. "Say no more! I know it already! She does not want this festival. The workers,"—what a world of sardonic contempt he put into that one word!—"the workers will be offended because we take pleasure to-night. Bah!" But he was still laughing. "Say no more, little Hope. Tell Blanca to dance and sing her best this night. I am making my choice. Did you know that?"
Hope was silent. He repeated, "Did you know that?"
"Yes, Your Highness," she murmured.
"I choose our queen to-night, child. Blanca or Sensua." He sighed. "Both are very beautiful. Do you know which one I am going to choose?"
"No," she said.
"Nor do I, little Hope. Nor do I."
He dismissed her. "Go now. Don't bother me."
She parted her lips as though to make another protest, but his eyes suddenly flashed.
"I would not have you annoy me again. Do you understand?"
She turned away, back toward where Derek and I were lurking. The chattering crowd in the room had paid no attention to Hope, but before she could reach us a man detached himself from a nearby group and accosted her. A commanding figure, he was, I think, quite the largest man in the room. An inch or two taller than Derek, at the least. He wore his red cloak with the hood thrown back upon his wide heavy shoulders. A bullet-head with close-clipped black hair. A man of about the king's age, he had a face of heavy features, and flashing dark eyes. A scoundrel adventurer, this king's henchman.
Hope said, "What is it, Rohbar?"
"You will join our party, little Hope?" He laid a heavy hand on her white arm. His face was turned toward me. I could not miss the gleaming look in his eyes as he regarded her.
"No," she said.
It seemed that he twitched at her, but she broke away from him.
Anger crossed his face, but the desirous look in his eyes remained.
"You are very bold, Hope, to spurn me like this." He had lowered his voice as though fearful that the king might hear him.
"Let me alone!" she said.
She darted away from him, but before she joined us she stood waiting until he turned away.
"No use," Hope whispered. "There is nothing we can do here. You heard what the king said—and the festival is already begun."
Derek stood a moment, lost in thought. He was gazing across the room to where Rohbar was standing with a group of girls. He said at last:
"Come on, Charlie. We'll watch this festival. This damn fool king will choose the Red Sensua." He shrugged. "There will be chaos...."
We shoved our way from the room, went out of the main doorway and hurried through the gardens of the palace. The red-cloaked figures were leaving the building now for the festival grounds. We waited for a group of them to pass so that we might walk alone. As we neared the gate, passing through the shadows of high flowered shrubs, a vague feeling that we were being followed shot through me. In a moment there was so much to see that I forgot it, but I held my hand on my dirk and moved closer to Hope.
We reached the entrance to the canopy. A group of girls, red-cloaked, were just coming out. They rushed past us. They ran, discarding their cloaks. Their white bodies gleamed under the colored lights as they rushed to the pool and dove.
We were just in time. Hope whispered, "The king will be here any moment."
Beneath the canopy was a broad arena of seats. A platform, like a stage, was at one end. It was brilliantly illuminated with colored torches held aloft by girls in flowing robes, each standing like a statue with her light held high. The place was crowded. In the gloom of the darkened auditorium we found seats off to one side, near the open edge of the canopy. We sat, with Hope between us.
Derek whispered, "Shakespeare might have staged a play in a fashion like this."
A primitive theatrical performance. There was no curtain for interlude between what might have been the acts of a vaudeville. The torch girls, like pages, ranged themselves in a line across the front of the stage. They were standing there as we took our seats. The vivid glare of their torches concealed the stage behind them.
There was a few moments wait, then, amid hushed silence, the king with his retinue came in. He sat in a canopied box off to one side. When he was seated, he raised his arm and the buzz of conversation in the audience began again.
Presently the page girls moved aside from the stage. The buzz of the audience was stilted. The performance, destined to end so soon in tragedy, now began.
Hope murmured. "The three-part music comes first. There will first be the spiritual."
An orchestra was seated on the stage in a semi-circle. It was composed of men and women musicians, and there seemed to be over a hundred of them. They sat in three groups; the center group was about to play. In a solemn hush the leaderless choirs, with all its players garbed in white, began its first faint note. I craned to get a clear view of the stage. This white choir seemed almost all wood-wind. There were tiny pipes in little series such as Pan might have used. Flutes, and flageolets; and round-bellied little instruments of clay, like ocarinas. And pitch-pipes, long and slender as a marsh reed.
In a moment I was lost in the music. It began softly, with single muted notes from a single instrument, echoed by the others, running about the choir like a will-o'-the-wisp. It was faint, as though very far away, made more sweet by distance. And then it swelled, came nearer.
I had never heard such music as this. Primitive! It was not that. Nor barbaric! Nothing like the music of our ancient world. Nor was it what I might conceive to be the music of our future. A thing apart, unworldly, ethereal. It swept me, carried me off; it was an exaltation of the spirit lifting me. It was triumphant now. It surged, but there was in its rhythm, the beat of its every instrument, nothing but the soul of purity. And then it shimmered into distance again, faint and exquisite music of a dream. Crooning, pleading, the speech of whispering angels.
It ceased. There was a storm of applause.
I breathed again. Why, this was what music might be in our world but was not. I thought of our blaring jazz.
Hope said, "Now they play the physical music. Then Sensua will dance with Blanca. We will see then which one the king chooses."
On the stage all the torches were extinguished save those which were red. The arena was darker than before. The stage was bathed with a deep crimson. Music of the physical senses! It was, indeed, no more like the other choir than is the body to the spirit.
There were stringed instruments playing now; deep-toned, singing zithers, and instruments of rounded, swelling bodies, like great viols with sensuous, throbbing voices. Music with a swift rhythm, marked by the thump of hollow gourds. It rose with its voluptuous swell into a paean of abandonment, and upon the tide of it, the crimson Sensua flung herself upon the stage. She stood motionless for a moment that all might regard her. The crimson torchlight bathed her, stained crimson the white flush of her limbs, her heavy shoulders, her full, rounded throat.
A woman in her late twenties. Voluptuous of figure, with crimson veils half-hiding, half-revealing it. A face of coarse, sensuous beauty. A face wholly evil, and it seemed to me wholly debauched. Dark eyes with beaded lashes. Heavy lips painted scarlet. A pagan woman of the streets. One might have encountered such a woman swaggering in some ancient street of some ancient city, flaunting the finery given her by a rich and profligate eastern prince.
She stood a moment with smoldering, passion-filled eyes, gazing from beneath her lowered lids. Her glance went to the king's canopy, and flashed a look of confidence, of triumph. The king answered it with a smile. He leaned forward over his railing, watching her intently.
With the surge of the music she moved into her dance. Slowly she began, quite slowly. A posturing and swaying of hips like a nautch girl. She made the rounds of the musicians, leering at them. She stood in the whirl of the music, almost ignoring it, stood at the front of the stage with a gaze of slumberous, insolent passion flung at the king. A knife was in her hand now. She held it aloft. The red torchlight caught its naked blade. With shuddering fancy I seemed to see it dripping crimson. She frowned, and struck it at a phantom lover. She backed away. She stooped and knelt. She knelt and seemed with her empty arms to be caressing a murdered lover's head. She kissed him, rained upon his dead lips her macabre kisses.
And then she was up on her bare feet, again circling the stage. Her anklets clanked as she moved with the tread of a tigress. The musicians shrank from her waving blade.
A girl in white veils was suddenly disclosed standing at the back of the stage.
Derek whispered, "Is that Blanca?"
"Yes," whispered Hope.
Blanca stood watching her rival. The crimson Sensua passed her, took her suddenly by the wrist, drew her forward. For an instant I thought it might have been rehearsed. I saw Blanca as a slim, gentle girl in white, with a white head-dress. A dancer who could symbolize purity, now in the grip of red passion.
An instant, and then horror struck us. And I could feel it surge over the audience. A gasp of horror. The frightened girl in white tried to escape. The musicians wavered and broke. I stared, stricken, with freezing blood. Upon the stage the knife went swiftly up; it came down; then up again. The red Sensua stood gloating. The knife she waved aloft was truly dripping crimson now.
With a choked, gasping scream the white girl of the toilers crumpled and fell.... She lay motionless, at the feet of the crimson murderess.