"Yes; he went to his trap-line, m'sieu."
For the first time Blake made a movement. He took her face boldly between his two hands, and turned it so that her staring eyes were looking straight into his own. Every fiber in his body was trembling with the thrill of his monstrous triumph. "My dear little girl, I must tell you the truth," he said. "Your husband, Jan, did not go to his trap-line three days ago. He followed Francois Breault, and killed him. And I am not John Duval. I am Corporal Blake of the Mounted Police, and I have come to get Jan, that he may be hanged by the neck until he is dead for his crime. I came for that. But I have changed my mind. I have seen you, and for you I would give even a murderer his life. Do you understand? For YOU—YOU—YOU—"
And then came the grand finale, just as he had planned it. His words had stupefied her. She made no movement, no sound—only her great eyes seemed alive. And suddenly he swept her into his arms with the wild passion of a beast. How long she lay against his breast, his arms crushing her, his hot lips on her face, she did not know.
The world had grown suddenly dark. But in that darkness she heard his voice; and what it was saying roused her at last from the deadliness of her stupor. She strained against him, and with a wild cry broke from his arms, and staggered across the cabin floor to the door of her bedroom. Blake did not pursue her. He let the darkness of that room shut her in. He had told her—and she understood.
He shrugged his shoulders as he rose to his feet. Quite calmly, in spite of the wild rush of blood through his body, he went to the cabin door, opened it, and looked out into the night. It was full of stars, and quiet.
It was quiet in that inner room, too—so quiet that one might fancy he could hear the beating of a heart. Marie had flung herself in the farthest corner, beyond the bed. And there her hand had touched something. It was cold—the chill of steel. She could almost have screamed, in the mighty reaction that swept through her like an electric shock. But her lips were dumb and her hand clutched tighter at the cold thing.
She drew it toward her inch by inch, and leveled it across the bed. It was Jan's goose-gun, loaded with buck-shot. There was a single metallic click as she drew the hammer back. In the doorway, looking at the stars, Blake did not hear.
Marie waited. She was not reasoning things now, except that in the outer room there was a serpent that she must kill. She would kill him as he came between her and the light; then she would follow over Jan's trail, overtake him somewhere, and they would flee together. Of that much she thought ahead. But chiefly her mind, her eyes, her brain, her whole being, were concentrated on the twelve-inch opening between the bedroom door and the outer room. The serpent would soon appear there. And then—
She heard the cabin door close, and Blake's footsteps approaching. Her body did not tremble now. Her forefinger was steady on the trigger. She held her breath—and waited. Blake came to the deadline and stopped. She could see one arm and a part of his shoulder. But that was not enough. Another half step—six inches—four even, and she would fire. Her heart pounded like a tiny hammer in her breast.
And then the very life in her body seemed to stand still. The cabin door had opened suddenly, and someone had entered. In that moment she would have fired, for she knew that it must be Jan who had returned. But Blake had moved. And now, with her finger on the trigger, she heard his cry of amazement:
"Sergeant Fitzgerald!"
"Yes. Put up your gun, Corporal. Have you got Jan Thoreau?"
"He—is gone."
"That is lucky for us." It was the stranger's voice, filled with a great relief. "I have traveled fast to overtake you. Matao, the half-breed, was stabbed in a quarrel soon after you left; and before he died he confessed to killing Breault. The evidence is conclusive. Ugh, but this fire is good! Anybody at home?"
"Yes," said Blake slowly. "Mrs. Thoreau—is—at home."
She stood in the doorway of a log cabin that was overgrown with woodvine and mellow with the dull red glow of the climbing bakneesh, with the warmth of the late summer sun falling upon her bare head. Cummins' shout had brought her to the door when we were still half a rifle shot down the river; a second shout, close to shore, brought her running down toward me. In that first view that I had of her, I called her beautiful. It was chiefly, I believe, because of her splendid hair. John Cummins' shout of homecoming had caught her with it undone, and she greeted us with the dark and lustrous masses of it sweeping about her shoulders and down to her hips. That is, she greeted Cummins, for he had been gone for nearly a month. I busied myself with the canoe for that first half minute or so.
Then it was that I received my introduction and for the first time touched the hand of Melisse Cummins, the Florence Nightingale of several thousand square miles of northern wilderness. I saw, then, that what I had at first taken for our own hothouse variety of beauty was a different thing entirely, a type that would have disappointed many because of its strength and firmness. Her hair was a glory, brown and soft. No woman could have criticized its loveliness. But the flush that I had seen in her face, flower-like at a short distance, was a tan that was almost a man's tan. Her eyes were of a deep blue and as clear as the sky; but in them, too, there was a strength that was not altogether feminine. There was strength in her face, strength in the poise of her firm neck, strength in every movement of her limbs and body. When she spoke, it was in a voice which, like her hair, was adorable. I had never heard a sweeter voice, and her firm mouth was all at once not only gentle and womanly, but almost girlishly pretty.
I could understand, now, why Melisse Cummins was the heroine of a hundred true tales of the wilderness, and I could understand as well why there was scarcely a cabin or an Indian hut in that ten thousand square miles of wilderness in which she had not, at one time or another, been spoken of as "L'ange Meleese." And yet, unlike that other "angel" of flesh and blood, Florence Nightingale, the story of Melisse Cummins and her work will live and die with her in that little cabin two hundred miles straight north of civilization. No, that is wrong. For the wilderness will remember. It will remember, as it has remembered Father Duchene and the Missioner of Lac Bain and the heroic days of the early voyageurs. A hundred "Meleeses" will bear her memory in name—for all who speak her name call her "Meleese," and not Melisse.
The wilderness itself may never forget, as it has never forgotten beautiful Jeanne D'Arcambal, who lived and died on the shore of the great bay more than one hundred and sixty years ago. It will never forget the great heart this woman has given to her "people" from the days of girlhood; it will not forget the thousand perils she faced to seek out the sick, the plague-stricken and the starving; in old age there will still be those who will remember the first prayers to the real God that she taught them in childhood; and children still to come, in cabin, tepee and hut, will live to bless the memory of L'ange Meleese, who made possible for them a new birthright and who in the wild places lived to the full measure and glory of the Golden Rule.
To find Meleese Cummins and her home in the wilderness, one must start at Le Pas as the last outpost of civilization and strike northward through the long Pelican Lake waterways to Reindeer Lake. Nearly forty miles up the east shore of the lake, the adventurer will come to the mouth of the Gray Loon—narrow and silent stream that winds under overhanging forests—and after that a two-hours' journey in a canoe will bring one to the Cummins' cabin.
It is set in a clearing, with the thick spruce and balsam and cedar hemming it in, and a tall ridge capped with golden birch rising behind it. In that clearing John Cummins raises a little fruit and a few vegetables during the summer months; but it is chiefly given up to three or four huge plots of scarlet moose-flowers, a garden of Labrador tea, and wild flowering plants and vines of half a dozen varieties. And where the radiant moose-flowers grow thickest, screened from the view of the cabin by a few cedars and balsams, are the rough wooden slabs that mark seven graves. Six of them are the graves of children—little ones who died deep in the wilderness and whose tiny bodies Meleese Cummins could not leave to the savage and pitiless loneliness of the forests, but whom she has brought together that they might have company in what she calls her, "Little Garden of God."
Those little graves tell the story of Meleese—the woman who, all heart and soul, has buried her own one little babe in that garden of flowers. One of the slabs marks the grave of an Indian baby, whose little dead body Meleese Cummins carried to her cabin in her own strong arms from twenty miles back in the forest, when the temperature was fifty degrees below zero. Another of them, a baby boy, a French half-breed and his wife brought down from fifty miles up the Reindeer and begged "L'ange Meleese" to let it rest with the others, where "it might not be lonely and would not be frightened by the howl of the wolves." It was a wild and half Indian mother who said that!
It was almost twenty years ago that the romance began in the lives of John and Meleese Cummins. Meleese was then ten years old; and she still remembers as vividly as though they were but memories of yesterday the fears and wild tales of that one terrible winter when the "Red Terror"—the smallpox—swept in a pitiless plague of death throughout the northern wilderness. It was then that there came down from the north, one bitter cold day, a ragged and half-starved boy, whose mother and father had died of the plague in a little cabin fifty miles away, and who from the day he staggered into the home of Henry Janesse, became Meleese's playmate and chum. This boy was John Cummins.
When Janesse moved to Fort Churchill, where Meleese might learn more in the way of reading and writing and books than her parents could teach her, John Cummins went with her. He went with them to Nelson House, and from there to Split Lake, where Janesse died. From that time, at the age of eighteen, he became the head and support of the home. When he was twenty and Meleese eighteen, the two were married by a missioner from Nelson House. The following autumn the young wife's mother died, and that winter Meleese began her remarkable work among her "people."
In their little cabin on the Gray Loon, one will hear John Cummins say but little about himself; but there is a glow in his eyes and a flush in his cheeks as he tells of that first day he came home from a three-days journey over a long trap line to find his home cold and fireless, and a note written by Meleese telling him that she had gone with a twelve-year-old boy who had brought her word through twenty miles of forest that his mother was dying. That first "case" was more terrible for John Cummins than for his wife, for it turned out to be smallpox, and for six weeks Meleese would allow him to come no nearer than the edge of the clearing' in which the pest-ridden cabin stood. First the mother, and then the boy, she nursed back to life, locking the door against the two husbands, who built themselves a shack in the edge of the forest. Half a dozen times Meleese Cummins has gone through ordeals like that unscathed. Once it was to nurse a young Indian mother through the dread disease, and again she went into a French trapper's cabin where husband, wife and daughter were all sick with the malady. At these times, when the "call" came to Meleese from a far cabin or tepee, John Cummins would give up the duties of his trap line to accompany her, and would pitch his tent or make him a shack close by, where he could watch over her, hunt food for the afflicted people and keep up the stack of needed firewood and water.
But there were times when the "calls" came during the husband's absence, and, if they were urgent, Meleese went alone, trusting to her own splendid strength and courage. A half-breed woman came to her one day, in the dead of winter, from twenty miles across the lake. Her husband had frozen one of his feet, and the "frost malady" would kill him, she said, unless he had help. Scarcely knowing what she could do in such a case, Meleese left a note for her husband, and on snowshoes the two heroic women set off across the wind-swept and unsheltered lake, with the thermometer fifty degrees below zero. It was a terrible venture, but the two won out. When Meleese saw the frozen man, she knew that there was but one thing to do, and with all the courage of her splendid heart she amputated his foot. The torture of that terrible hour no one will ever know. But when John Cummins returned to his home and, wild with fear, followed across the lake, he scarcely recognized the Meleese who flung herself sobbing into his arms when he found her. For two weeks after that Meleese herself was sick. Thus, through the course of years, it came about that it was, indeed, a stranger in the land who had not heard her name. During the summer months Meleese's work, in place of duty, was a pleasure. With her husband she made canoe journeys for fifty miles about her home, hearing with her the teachings of cleanliness, of health and of God. She was the first to hold to her own loving breast many little children who came into their wild and desolate inheritance of life. She was the first to teach a hundred childish lips to say "Now I lay me down to sleep," and more than one woman she made to see the clear and starry way to brighter life.
Far up on Reindeer Lake, close to the shore, there is a towering "lob-stick tree"—which is a tall spruce or cedar lopped of all its branches to the very crest, which is trimmed in the form of a plume. A tree thus shriven and trimmed is the Cree cenotaph to one held in almost spiritual reverence, and the tree far up on Reindeer Lake is one of the half dozen or more "lob-sticks" dedicated to Meleese. Six weeks Meleese and John Cummins spent in an Indian camp at this point, and when at last the two bade their primitive friends good-bye and left for home, the little Indian children and the women followed their canoe along the edge of a stream and flung handfuls of flowers after them.
Of what Meleese Cummins and her husband know of the great outside world, or of what they do not know, it is wisest to leave unsaid. Details have often marred a picture. They are children of the wilderness, born of that wilderness, bred of it, and life of it—a beating and palpitating part of a world which few can understand. I doubt if one or the other has ever heard of a William Shakespeare or a Tennyson, for it has not been in my mind or desire to ask; but they do know the human heart as it beats and throbs in a land that is desolation and loneliness, where poetry runs not in lines and meters, but in the bloom of the wild flower, the rush of the rapid, the thunder of the waterfall and the murmuring of the wind in the spruce tops; where drama exists not in the epic lines of literature, but in the hunt cry of the wolf, the death dirges of the storms that wail down from the Barrens, and in the strange cries that rise up out of the silent forests, where for a half of each year life is that endless strife that leaves behind only those whom we term the survival of the fittest.
Madness? Perhaps. And yet if it was madness. . . .
But strange things happen up there, gentlemen. I have found it sometimes hard to define that word. There are so many kinds of madness, so many ways in which the human brain may go wrong; and so often it happens that what we call madness is both reasonable and just. It is so. Yes. A little reason is good for us, a little more makes wise men of some of us—but when our reason over-grows us and we reach too far, something breaks and we go insane.
But I will tell you the story. That is what you want to hear, and you expect that it will be prejudiced—that I will either deliberately attempt to protect and prolong a human life, or shorten and destroy it. I shall do neither, gentlemen of the Royal Mounted Police. I have a faith in you that is in its way an unbounded as my faith in God. I have looked up to you in all my life in the wilderness as the heart of chivalry and the soul of honor and fairness to all men. Pathfinders, men of iron, guardians of people and spaces of which civilization knows but little, I have taught my children of the forests to honor, obey and to trust you. And so I shall tell you the story without prejudice, with the gratitude of a missioner who has lived his life for forty years in the wilderness, gentlemen.
I am a Catholic. It is four hundred miles straight north by dog-sledge or snowshoe to my cabin, and this is the first time in nineteen years that I have been down to the edge of the big world which I remember now as little more than a dream. But up there I knew that my duty lay, just at the edge of the Big Barren. See! My hands are knotted like the snarl of a tree. The glare of your lights hurts my eyes. I traveled to-day in the middle of your street because my moccasined feet stumbled on the smoothness of your walks. People stared, and some of them laughed.
Forty years I have lived in another world. You—and especially you gentlemen who have trailed in the Patrols of the north—know what that world is. As it shapes different hands, as it trains different feet, as it gives to us different eyes, so also it has bred into my forest children hearts and souls that may be a little different, and a code of right and wrong that too frequently has had no court of law to guide it. So judge fairly, gentlemen of the Royal Mounted Police! Understand, if you can.
It was a terrible winter—that winter of Le Mort Rouge. So far down as men and children now living will remember, it will be called by my people the winter of Famine and Red Death. Starvation, gentlemen—and the smallpox. People died like—what shall I say? It is not easy to describe a thing like that. They died in tepees. They died in shacks. They died on the trail. From late December until March I said my prayers over the dead. You are wondering what all this has to do with my story; why it matters that the caribou had migrated in vast herds to the westward, and there was no food; why it matters that there were famine and plague in the great unknown land, and that people were dying and our world going through a cataclysm. My backwoods eyes can see your thought. What has all this to do with Joseph Brecht? What has it to do with Andre Beauvais? Why does this little forest priest take up so much time in telling so little? you ask. And because it has its place—because it has its meaning—I ask you for permission to tell my story in my own way. For these sufferings, this hunger and pestilence and death, had a strange and terrible effect on many human creatures that were left alive when spring came. It was like a great storm that had swept through a forest of tall trees. A storm of suffering that left heads bowed, shoulders bent, and minds gone. Yes, GONE!
Since that winter of Le Mort Rouge I know of eyes into which the life of laughter will never come again; I know of strong men who became as little children; I have seen faces that were fair with youth shrivel into age—and my people call it noot' akutawin keskwawin—the cold and hungry madness. May God help Andre Beauvais!
I will tell the story now.
It was in June. The last of the mush-snows had gone early, nearly a fortnight before, and the waters were free from ice, when word was brought to me that Father Boget was dying at Old Fort Reliance. Father Boget was twenty years older than I, and I called him mon pere. He was a father to me in our earlier years. I made haste to reach him that I might hold his hand before he died, if that was possible. And you, Sergeant McVeigh, who have spent years in that country of the Great Slave, know what a race with death from Christie Bay to Old Fort Reliance would be. To follow the broken and twisted waters of the Great Slave would mean two hundred miles, while to cut straight across the land by smaller streams and lakelets meant less than seventy. But on your maps that space of seventy miles is a blank. You have in it no streams and no larger waters. You know little of it. But I can tell you, for I have been though it. It is a Lost Hell. It is a vast country in which berry bushes grow abundantly, but on which there are no berries, where there are forests and swamps, but not a living creature to inhabit them; a country of water in which there are no fish, of air in which there are no birds, of plants without flowers—a reeking, stinking country of brimstone, a hell. In your Blue Books you have called it the Sulphur Country. And this country, as you draw a line from Christie Bay to Old Fort Reliance, is straight between. Mon pere was dying, and my time was short. I decided to venture it—cut across that Sulphur Country, and I sought for a man to accompany me. I could find none. To the Indian it was the land of Wetikoo—the Devil Country; to the Breeds it was filled with horror. Forty miles distant there was a man I knew would go, a white man. But to reach him would lose me three days, and I was about to set out alone when the stranger came. He was, indeed, a strange man. When he came to what I called my chateau, from nowhere, going nowhere, I hardly knew whether to call him young or old. But I made my guess. That terrible winter had branded him. When I asked him his name, he said:
"I am a wanderer, and in wandering I have lost my name. Call me M'sieu."
I found this was a long speech for him, that his tongue was tied by a horrible silence. When I told him where I was going, and described the country I was going through, and that I wanted a man, he merely nodded that he would accompany me.
We started in a canoe, and I placed him ahead of me so that I could make out, if I could, something of what he was. His hair was dark. His beard was dark. His eyes were sunken but strangely clear. They puzzled me. They were always questing. Always seeking. And always expecting, it seemed to me. A man of unfathomable mystery, of unutterable tragedy, of a silence that was almost inhuman. Was he mad? I ask you, gentlemen—was he mad? And I leave the answer to you. To me he was good. When I told him what mon pere had been to me, and that I wanted to reach him before he died, he spoke no word of hope or sympathy—but worked until his muscles cracked. We ate together, we drank together, we slept side by side—and it was like eating and drinking and sleeping with a sphinx which some strange miracle had endowed with life.
The second day we entered the Sulphur Country. The stink of it was in our nostrils that second night we camped. The moon rose, and we saw it as if through the fumes of a yellow smoke. Far behind us we heard a wolf howl, and it was the last sound of life. With the dawn we went on. We passed through broad, low morasses out of which rose the sulphurous fogs. In many places the water we touched with our hands was hot; in other places the forests we paddled through were so dense they were almost tropical. And lifeless. Still, with the stillness of death for thousands and perhaps tens of thousands of years. The food we ate seemed saturated with the vileness of sulphur; it seeped into our water-bags; it turned us to the color of saffron; it was terrible, frightening, inconceivable. And still we went on by compass, and M'sieu showed no fear—even less, gentlemen, than did I.
And then, on the third day—in the heart of this diseased and horrible region—we made a discovery that drew a strange cry even from those mysteriously silent lips of M'sieu.
It was the print of a naked human foot in a bar of mud.
How it came there, why it was there, and why if was a naked foot I suppose were the first thoughts that leaped into our startled minds. What man could live in these infernal regions? WAS it a man, or was it the footprint of some primeval ape, a monstrous survival of the centuries?
The trail led through a steaming slough in which the mud and water were tepid and which grew rank with yellow reeds and thick grasses—grasses that were almost flesh-like, it seemed to me, as if swollen and about to burst from some dreadful disease, Perhaps your scientists can tell why sulphur has this effect on vegetation. It is so; there was sulphur in the very wood we burned. Through those reeds and grasses we soon found where a narrow trail was beaten, and then we came to a rise of land sheltered in timber, a sort of hill in that flat world, and on the crest of this hill we found a cabin.
Yes, a cabin; a cabin built roughly of logs, and it was yellow with sulphur, as if painted. We went inside and we found there the man whom you know as Joseph Brecht. I did not look at M'sieu when he first rose before us, but I heard a great gasp from his throat behind me. And I think I stood as if life had suddenly gone out of me. Joseph Brecht was half naked. His feet were bare. He looked like a wild man, with his uncut hair—a wild man except that his face was smooth. Curious that a man would shave there! And not so odd, perhaps, when one knows how a beard gathers sulphur. He had risen from a cot on which there was a bed of boughs, and in the light that came in through the open door he looked terribly emaciated, with the skin drawn tightly over his cheek bones. It was he who spoke first.
"I am glad you have come," he said, his eyes staring wildly. "I guess I am dying. Some water, please. There is a spring back of the cabin."
Quite sanely he spoke, and yet the words were scarcely out of his mouth when he fell back upon the cot, his eyes rolling in the top of his head, his mouth agape, his breath coming in great panting gasps. It was a strange sickness. I will not trouble you with all the details. You are anxious for the story—the tragedy—which alone will count with you gentlemen of the law. It came out in his fever, and in the fits of sanity into which he at times succeeded in rousing himself. His name, he said, was Joseph Brecht. For two years he had lived in that sulphur hell. He had, by accident, found the spring of fresh, sweet water trickling out of the hill—another miracle for which I have not tried to account; he built his cabin; for two years he had gone with his canoe to the shore of the great Slave, forty miles distant, for the food he ate. But WHY was he here? That was the story that came bit by bit, half in his fever, half in his sanity. I will tell it in my own words. He was a Government man, mapping out the last timber lines along the edge of the Great Barren, when he first met Andre Beauvais and his wife, Marie. An accident took him to their cabin, a sprained leg. Andre was a fox-hunter, and it was when he was coming home from one of his trips that he found Joseph Brecht helpless in the deep snow, and carried him on his shoulders to his cabin.
Ah, gentlemen, it was the old story—the story old as time. In his sanity he told us about Marie, I hovering over him closely, M'sieu sitting back in the shadows. She was like some wonderful wildflower, French, a little Indian. He told us how her long black hair would stream in a shining cascade, soft as the breast of a swan, to her knees and below; how it would hang again in two great, lustrous braids, and how her eyes were limpid pools that set his soul afire, and how her slim, beautiful body filled him with a monstrous desire. She must have been beautiful. And her husband, Andre Beauvais, worshipped her, and the ground she trod on. And he had the faith in her that a mother has in her child. It was a sublime love, and Joseph Brecht told us about it as he lay there, dying, as he supposed. In that faith of his Andre went unsuspectingly to his trap-lines and his poison-trails, and Marie and Joseph were for many hours at a time alone, sometimes for a day, sometimes for two days, and occasionally for three, for even after his limb had regained its strength Joseph feigned that it was bad. It was a hard fight, he said—a hard fight for him to win her; but win her he did, utterly, absolutely, heart, body and soul. Remember, he was from the South, with all its power of language, all its tricks of love, all its furtiveness of argument, a strong man with a strong mind—and she had lived all her life in the wilderness. She was no match for him. She surrendered. He told us how, after that, he would unbind her wonderful hair and pillow his face in it; how he lived in a heaven of transport, how utterly she gave herself to him in those times when Andre, was away.
Did he love her?
Yes, in that mad passion of the brute. But not as you and I might love a woman, gentlemen. Not as Andre loved her. Whether she had a heart or a soul it did not matter. His eyes were blind with an insensate joy when he shrouded himself in her wonderful hair. To see the wild color painting her face like a flower filled his veins with fire. The beauty of her, the touch of her, the mad beat of her heart against him made him like a drunken man in his triumph. Love? Yes, the love of the brute! He prolonged his stay. He had no idea of taking her with him. When the time came, he would go. Day after day, week after week he put it off, feigning that the bone of his leg was affected, and Andre Beauvais treated him like a brother. He told us all this as he lay there in his cabin in that sulphur hell. I am a man of God, and I do not lie.
Is there need to tell you that Andre discovered them? Yes, he found them—and with that wonderful hair of hers so closely about them that he was still bound in the tresses when the discovery came.
Andre had come in exhausted, and unexpectedly. There was a terrible fight, and in spite of his exhaustion he would have killed Joseph Brecht if at the last moment the latter had not drawn his revolver. After all is said and done, gentlemen, can a woman love but once? Joseph Brecht fired. In that infinitesimal moment between the leveling of the gun and the firing of the shot Marie Beauvais found answer to that question. Who was it she loved? She sprang to her husband's breast, sheltering him with the body that had been disloyal to its soul, and she died there—with a bullet through her heart.
Joseph Brecht told us how, in the horror of his work—and possessed now by a terrible fear—he ran from the cabin and fled for his life. And Andre Beauvais must have remained with his dead. For it was many hours later before he took up the trail of the man whom he made solemn oath to his God to kill. Like a hunted hare, Joseph Brecht eluded him, and it was weeks before the fox-trapper came upon him. Andre Beauvais scorned to kill him from ambush. He wanted to choke his life out slowly, with his two hands, and he attacked him openly and fairly.
And in that cabin—gasping for breath, dying as he thought, Joseph Brecht said to us: "It was one or the other. He had the best of me. I drew my revolver again—and killed him, killed Andre Beauvais, as I had killed his wife, Marie!"
Here in the South Joseph Brecht might not have been a bad man, gentlemen. In every man's heart there is a devil, but we do not know the man as bad until the devil is roused. And passion, the mad passion for a woman, had roused him. Now that it had made twice a murderer of him the devil slunk back into his hiding, and the man who had once been the clean-living, red-blooded Joseph Brecht was only a husk without a heart, slinking from place to place in the evasion of justice. For you men of the Royal Mounted Police were on his trail. You would have caught him, but you did not think of seeking for him in the Sulphur Hell. For two years he had lived there, and when he finished his story he was sitting on the edge of the cot, quite sane, gentlemen.
And for the first time M'sieu, my comrade, spoke.
"Let us bring up the dunnage from the canoe, mon pere."
He led the way out of the cabin, and I followed. We were fifty steps away when he stopped suddenly.
"Ah," he said, "I have forgotten something. I will overtake you."
He turned back to the cabin, and I went on to the canoe.
He did not join me. When I returned with my burden, M'sieu appeared at the door. He amazed me, startled me, I will say, gentlemen. I could not imagine such a change as I saw in him—that man of horrible silence, of grim, dark mystery. He was smiling; his white teeth shone; his voice was the voice of another man. He seemed to me ten years younger as he stood there, and as I dropped my load and went in he was laughing, and his hand was laid pleasantly on my shoulder.
Across the cot, with his head stretched down to the floor, his eyes bulging and his jaws agape, lay Joseph Brecht. I sprang to him. He was dead. And then I SAW Gentlemen, he had been choked to death!
"He made one leetle meestake, mon pere. Andre Beauvais did not die. I am Andre Beauvais."
That is all, gentlemen of the Royal Mounted. May the Law have mercy!
Thornton wasn't the sort of man in whom you'd expect to find the devil lurking. He was big, blond, and broad-shouldered. When I first saw him I thought he was an Englishman. That was at the post at Lac la Biche, six hundred miles north of civilization. Scotty and I had been doing some exploration work for the government, and for more than six months we hadn't seen a real white man who looked like home.
We came in late at night, and the factor gave us a room in his house. When we looked out of our window in the morning, we saw a little shack about a hundred feet away, and in front of that shack was Thornton, only half dressed, stretching himself in the sun, and LAUGHING. There wasn't anything to laugh at, but we could see his teeth shining white, and he grinned every minute while he went through a sort of setting-up exercise.
When you begin to analyze a man, there is always some one human trait that rises above all others, and that laugh was Thornton's. Even the wolfish sledge-dogs at the post would wag their tails when they heard it.
We soon established friendly relations, but I could not get very far beyond the laugh. Indeed, Thornton was a mystery. DeBar, the factor, said that he had dropped into the post six months before, with a pack on his back and a rifle over his shoulder. He had no business, apparently. He was not a propectory and it was only now and then that he used his rifle, and then only to shoot at marks.
One thing puzzled DeBar more than all else. Thornton worked like three men about the post, cutting winter fire-wood, helping to catch and clean the tons of whitefish which were stored away for the dogs in the company's ice-houses, and doing other things without end. For this he refused all payment except his rations.
Scotty continued eastward to Churchill, and for seven weeks I bunked with Thornton in the shack. At the end of those seven weeks I knew little more about Thornton than at the beginning. I never had a closer or more congenial chum, and yet in his conversation he never got beyond the big woods, the mountains, and the tangled swamps. He was educated and a gentleman, and I knew that in spite of his brown face and arms, his hard muscles and splendid health, he was three-quarters tenderfoot. But he loved the wilderness.
"I never knew what life could hold for a man until I came up here," he said to me one day, his gray eyes dancing in the light of a glorious sunset.
"I'm ten years younger than I was two years ago."
"You've been two years in the north?"
"A year and ten months," he replied.
Something brought to my lips the words that I had forced back a score of times.
"What brought you up here, Thornton?"
"Two things," he said quietly, "a woman—and a scoundrel."
He said no more, and I did not press the matter. There was a strange tremble in his voice, something that I took to be a note of sadness; but when he turned from the sunset to me his eyes were filled with a yet stranger joy, and his big boyish laugh rang out with such wholesome infectiousness that I laughed with him, in spite of myself.
That night, in our shack, he produced a tightly bound bundle of letters about six inches thick, scattered them out before him on the table, and began reading them at random, while I sat bolstered back in my bunk, smoking and watching him. He was a curious study. Every little while I'd hear him chuckling and rumbling, his teeth agleam, and between these times he'd grow serious. Once I saw tears rolling down his cheeks.
He puzzled me; and the more he puzzled me, the better I liked him. Every night for a week he spent an hour or two reading those letters over and over again. I had a dozen opportunities to see that they were a woman's letters: but he never offered a word of explanation.
With the approach of September, I made preparations to leave for the south, by way of Moose Factory and the Albany.
"Why not go the shorter way—by the Reindeer Lake water route to Prince Albert?" asked Thornton. "If you'll do that, I'll go with you."
His proposition delighted me, and we began planning for our trip. From that hour there came a curious change in Thornton. It was as if he had come into contact with some mysterious dynamo that had charged him with a strange nervous energy. We were two days in getting our stuff ready, and the night between he did not go to bed at all, but sat up reading the letters, smoking, and then reading over again what he had read half a hundred times before.
I was pretty well hardened, but during the first week of our canoe trip he nearly had me bushed a dozen times. He insisted on getting away before dawn, laughing, singing, and talking, and urged on the pace until sunset. I don't believe that he slept two hours a night. Often, when I woke up, I'd see him walking back and forth in the moonlight, humming softly to himself. There was almost a touch of madness in it all; but I knew that Thornton was sane.
One night—our fourteenth down—I awoke a little after midnight, and as usual looked about for Thornton. It was glorious night. There was a full moon over us, and with the lake at our feet, and the spruce and balsam forest on each side of us, the whole scene struck me as one of the most beautiful I had ever looked upon.
When I came out of our tent, Thornton was not in sight. Away across the lake I heard a moose calling. Back of me an owl hooted softly, and from miles away I could hear faintly the howling of a wolf. The night sounds were broken by my own startled cry as I felt a hand fall, without warning, upon my shoulder. It was Thornton. I had never seen his face as it looked just then.
"Isn't it beautiful—glorious?" he cried softly.
"It's wonderful!" I said. "You won't see this down there, Thornton!"
"Nor hear those sounds," he replied, his hand tightening on my arm. "We're pretty close to God up here, aren't we? She'll like it—I'll bring her back!"
"She!" He looked at me, his teeth shining in that wonderful silent laugh. "I'm going to tell you about it," he said. "I can't keep it in any longer. Let's go down by the lake."
We walked down and seated ourselves on the edge of a big rock.
"I told you that I came up here because of a woman—and a man," continued Thornton. "Well, I did. The man and woman were husband and wife, and I—"
He interrupted himself with one of his chuckling laughs. There was something in it that made me shudder.
"No use to tell you that I loved her," he went on. "I worshipped her. She was my life. And I believe she loved me as much. I might have added that there was a third thing that drove me up here—what remained of the rag end of a man's honor."
"I begin to understand," I said, as he paused. "You came up here to get away from the woman. But this woman—her husband—"
For the first time since I had known him I saw a flash of anger leap into Thornton's face. He struck his hand against the rock.
"Her husband was a scoundrel, a brute, who came home from his club drunk, a cheap money-spender, a man who wasn't fit to wipe the mud from her little feet, much less call her wife! He ought to have been shot. I can see it, now; and—well, I might as well tell you. I'm going back to her!"
"You are?" I cried. "Has she got a divorce? Is her husband still living?"
"No, she hasn't got a divorce, and her husband is still living; but for all that, we've arranged it. Those were her letters I've been reading, and she'll be at Prince Albert waiting for me on the 15th—three days from now. We shall be a little late, and that's why I'm hustling so. I've kept away from her for two years, but I can't do it any longer—and she says that if I do she'll kill herself. So there you have it. She's the sweetest, most beautiful girl in the whole world—eyes the color of those blue flowers you have up here, brown hair, and—but you've got to see her when we reach Prince Albert. You won't blame me for doing all this, then!"
I had nothing to say. At my silence he turned toward me suddenly, with that happy smile of his, and said again:
"I tell you that you won't blame me when you see her. You'll envy me, and you'll call me a confounded fool for staying away so long. It has been terribly hard for both of us. I'll wager that she's no sleepier than I am to-night, just from knowing that I'm hurrying to her."
"You're pretty confident," I could not help sneering. "I don't believe I'd wager much on such a woman. To be frank with you, Thornton, I don't care to meet her, so I'll decline your invitation. I've a little wife of my own, as true as steel, and I'd rather keep out of an affair like this. You understand?"
"Perfectly," said Thornton, and there was not the slightest ill-humor in his voice. "You—you think I am a cur?"
"If you have stolen another man's wife—yes."
"And the woman?"
"If she is betraying her husband, she is no better than you."
Thornton rose and stretched his long arms above his head.
"Isn't the moon glorious?" he cried exultantly. "She has never seen a moon like that. She has never seen a world like this. Do you know what we're going to do? We'll come up here and build a cabin, and—and she'll know what a real man is at last! She deserves it. And we'll have you up to visit us—you and your wife—two months out of each year. But then"—he turned and laughed squarely into my face—"you probably won't want your wife to know her."
"Probably not," I said, not without embarrassment.
"I don't blame you," he exclaimed, and before I could draw back he had caught my hand and was shaking it hard in his own. "Let's be friends a little longer, old man," he went on. "I know you'll change your mind about the little girl and me when we reach Prince Albert."
I didn't go to sleep again that night; and the half-dozen days that followed were unpleasant enough—for me, at least. In spite of my own coolness toward him, there was absolutely no change in Thornton. Not once did he make any further allusion to what he had told me.
As we drew near to our journey's end, his enthusiasm and good spirits increased. He had the bow end of the canoe, and I had abundant opportunity of watching him. It was impossible not to like him, even after I knew his story.
We reached Prince Albert on a Sunday, after three days' travel in a buckboard. When we drove up in front of the hotel, there was just one person on the long veranda looking out over the Saskatchewan. It was a woman, reading a book.
As he saw her, I heard a great breath heave up inside Thornton's chest. The woman looked up, stared for a moment, and then dropped her book with a welcoming cry such as I had never heard before in my life. She sprang down the steps, and Thornton leaped from the wagon. They met there a dozen paces from me, Thornton catching her in his arms, and the woman clasping her arms about his neck.
I heard her sobbing, and I saw Thornton kissing her again and again, and then the woman pulled his blond head down close to her face. It was sickening, knowing what I did, and I began helping the driver to throw off our dunnage.
In about two minutes I heard Thornton calling me.
I didn't turn my head. Then Thornton came to me, and as he straightened me around by the shoulders I caught a glimpse of the woman. He was right—she was very beautiful.
"I told you that her husband was a scoundrel and a rake," he said gently. "Well, he was—and I was that scoundrel! I came up here for a chance of redeeming myself, and your big, glorious North has made a man of me. Will you come and meet my wife?"