THE END.
GRET: The Story of a Pagan. By Beatrice Mantle. Illustrated by C. M. Relyea.
The wild free life of an Oregon lumber camp furnishes the setting for this strong original story. Gret is the daughter of the camp and is utterly content with the wild life—until love comes. A fine book, unmarred by convention.
OLD CHESTER TALES. By Margaret Deland. Illustrated by Howard Pyle.
A vivid yet delicate portrayal of characters in an old New England town.
Dr. Lavendar's fine, kindly wisdom is brought to bear upon the lives of all, permeating the whole volume like the pungent odor of pine, healthful and life giving. "Old Chester Tales" will surely be among the books that abide.
THE MEMOIRS OF A BABY. By Josephine Daskam. Illustrated by F. Y. Cory.
The dawning intelligence of the baby was grappled with by its great aunt, an elderly maiden, whose book knowledge of babies was something at which even the infant himself winked. A delicious bit of humor.
REBECCA MARY. By Annie Hamilton Donnell. Illustrated by Elizabeth Shippen Green.
The heart tragedies of this little girl with no one near to share them, are told with a delicate art, a keen appreciation of the needs of the childish heart and a humorous knowledge of the workings of the childish mind.
THE FLY ON THE WHEEL. By Katherine Cecil Thurston. Frontispiece by Harrison Fisher.
An Irish story of real power, perfect in development and showing a true conception of the spirited Hibernian character as displayed in the tragic as well as the tender phases of life.
THE MAN FROM BRODNEY'S. By George Barr McCutcheon. Illustrated by Harrison Fisher.
An island in the South Sea is the setting for this entertaining tale, and an all-conquering hero and a beautiful princess figure in a most complicated plot. One of Mr. McCutcheon's best books.
TOLD BY UNCLE REMUS. By Joel Chandler Harris. Illustrated by A. B. Frost, J. M. Conde and Frank Verbeck.
Again Uncle Remus enters the fields of childhood, and leads another little boy to that non-locatable land called "Brer Rabbit's Laughing Place," and again the quaint animals spring into active life and play their parts, for the edification of a small but appreciative audience.
THE CLIMBER. By E. F. Benson. With frontispiece.
An unsparing analysis of an ambitious woman's soul—a woman who believed that in social supremacy she would find happiness, and who finds instead the utter despair of one who has chosen the things that pass away.
LYNCH'S DAUGHTER. By Leonard Merrick. Illustrated by Geo. Brehm.
A story of to-day, telling how a rich girl acquires ideals of beautiful and simple living, and of men and love, quite apart from the teachings of her father, "Old Man Lynch" of Wall St. True to life, clever in treatment.
MARY JANE'S PA, By Norman Way Illustrated with scenes from the play.
Delightful, irresponsible "Mary Jane's Pa" awakes one morning to find himself famous, and, genius being ill adapted to domestic joys, he wanders from home to work out his own unique destiny. One of the most numerous bits of recent fiction.
CHERUB DEVINE. By Sewell Ford.
"Cherub," a good hearted but not over refined young man is brought in touch with the aristocracy. Of sprightly wit, he is sometimes a merciless analyst, but he proves in the end that manhood counts for more than and? cut lineage by winning the love of the fairest girl in the flock.
A WOMAN'S WAY. By Charles Somerville. Illustrated with scenes from the play.
A story in which a woman's wit and self-sacrificing love save her husband from the toils of an adventuress, and change an apparently tragic situation into one of delicious comedy.
THE CLIMAX. By George C. Jenks.
With ambition luring her on, a young choir soprano leaves the little village where she was born and the limited audience of St. Jude's to train for the opera in New York. She leaves love behind her and meets love more ardent but not more sincere in her new environment. How she works, how she studies, how she suffers, are vividly portrayed.
A FOOL THERE WAS. By Porter Emerson Browne, Illustrated by Edmund Magrath and W. W. Fawcett.
A relentless portrayal of the career of a man who comes under the influence of a beautiful but evil woman; how she lures him on and on, how he struggles, falls and rises, only to fall again into her net, make a story of unflinching realism.
THE SQUAW MAN. By Julie Opp Faversham and Edwin Milton Royle. Illustrated with scenes from the play.
A glowing story, rapid in action, bright in dialogue with a fine courageous hero and a Beautiful English heroine.
THE GIRL IN WAITING. By Archibald Eyre. Illustrated with scenes from the play.
A droll little comedy of misunderstandings, told with a light touch, a venturesome spirit and an eye for human oddities.
THE SCARLET PIMPERNEL. By Baroness Orczy. Illustrated with scenes from the play.
A realistic story of the days of the French Revolution, abounding in dramatic incident, with a young English soldier of fortune, daring, mysterious as the hero.
CY WHITTAKER'S PLACE. By Joseph C. Lincoln. Illustrated by Wallace Morgan.
A Cape Cod story describing the amusing efforts of an elderly bachelor and his two cronies to rear and educate a little girl. Full of honest fun—a rural drama.
THE FORGE IN THE FOREST. By Charles G. D. Roberts. Illustrated by H. Sandham.
A story of the conflict in Acadia after its conquest by the British. A dramatic picture that lives and shines with the indefinable charm of poetic romance.
A SISTER TO EVANGELINE. By Charles G. D. Roberts. Illustrated by E. McConnell.
Being the story of Yvonne de Lamourie, and how she went into exile with the villagers of Grand Pré. Swift action, fresh atmosphere, wholesome purity, deep passion and searching analysis characterize this strong novel.
THE OPENED SHUTTERS. By Clara Louise Burnham. Frontispiece by Harrison Fisher.
A summer haunt on an island in Casco Bay is the background for this romance. A beautiful woman, at discord with life, is brought to realize, by her new friends, that she may open the shutters of her soul to the blessed sunlight of joy by casting aside vanity and self love. A delicately humorous work with a lofty motive underlying it all.
THE RIGHT PRINCESS. By Clara Louise Burnham.
An amusing story, opening at a fashionable Long Island resort, where a stately Englishwoman employs a forcible New England housekeeper to serve in her interesting home. How types so widely apart react on each others' lives, all to ultimate good, makes a story both humorous and rich in sentiment.
THE LEAVEN OF LOVE. By Clara Louise Burnham. Frontispiece by Harrison Fisher.
At a Southern California resort a world-weary woman, young and beautiful but disillusioned, meets a girl who has learned the art of living—of tasting life in all its richness, opulence and joy. The story hinges upon the change wrought in the soul of the blasé woman by this glimpse into a cheery life.
THE MUSIC MASTER. By Charles Klein. Illustrated by John Rae.
This marvelously vivid narrative turns upon the search of a German musician in New York for his little daughter. Mr. Klein has well portrayed his pathetic struggle with poverty, his varied experiences in endeavoring to meet the demands of a public not trained to an appreciation of the classic, and his final great hour when, in the rapidly shifting events of a big city, his little daughter, now a beautiful young woman, is brought to his very door. A superb bit of fiction, palpitating with the life or the great metropolis. The play in which David Warfield scored his highest success.
DR. LAVENDAR'S PEOPLE. By Margaret Deland. Illustrated by Lucius Hitchcock.
Mrs. Deland won so many friends through Old Chester Tales that this volume needs no introduction beyond its title. The lovable doctor is more ripened in this later book, and the simple comedies and tragedies of the old village are told with dramatic charm.
OLD CHESTER TALES. By Margaret Deland. Illustrated by Howard Pyle.
Stories portraying with delightful humor and pathos a quaint people in a sleepy old town. Dr. Lavendar, a very human and lovable "preacher," is the connecting link between these dramatic stories from life.
HE FELL IN LOVE WITH HIS WIFE. By E. P. Roe. With frontispiece.
The hero is a farmer—a man with honest, sincere views of life. Bereft of his wife, his home is cared for by a succession of domestics of varying degrees of inefficiency until, from a most unpromising source, comes a young woman who not only becomes his wife but commands his respect and eventually wins his love. A bright and delicate romance, revealing on both sides a love that surmounts all difficulties and survives the censure of friends as well as the bitterness of enemies.
THE YOKE. By Elizabeth Miller.
Against the historical background of the days when the children of Israel were delivered from the bondage of Egypt, the author has sketched a romance of compelling charm. A biblical novel as great as any since "Ben Hur."
SAUL OF TARSUS. By Elizabeth Miller. Illustrated by André Castaigne.
The scenes of this story are laid in Jerusalem, Alexandria, Rome and Damascus. The Apostle Paul, the Martyr Stephen, Herod Agrippa and the Emperors Tiberius and Caligula are among the mighty figures that move through the pages. Wonderful descriptions, and a love story of the purest and noblest type mark this most remarkable religious romance.
QUINCY ADAMS SAWYER. A Picture of New England Home Life. With illustrations by C. W. Reed, and Scenes Reproduced from the Play.
One of the best New England stories ever written. It is full of homely human interest * * * there is a wealth of New England village character, scenes and incidents * * * forcibly, vividly and truthfully drawn. Few books have enjoyed a greater sale and popularity. Dramatized, it made the greatest rural play of recent times.
THE FURTHER ADVENTURES OF QUINCY ADAMS SAWYER. By Charles Felton Pidgin. Illustrated by Henry Roth.
All who love honest sentiment, quaint and sunny humor, and homespun philosophy will find these "Further Adventures" a book after their own heart.
HALF A CHANCE. By Frederic S. Isham. Illustrated by Herman Pfeifer.
The thrill of excitement will keep the reader in a state of suspense, and he will become personally concerned from the start, as to the central character, a very real man who suffers, dares—and achieves!
VIRGINIA OF THE AIR LANES. By Herbert Quick. Illustrated by William R. Leigh.
The author has seized the romantic moment for the airship novel, and created the pretty story of "a lover and his lass" contending with an elderly relative for the monopoly of the skies. An exciting tale of adventure in midair.
THE GAME AND THE CANDLE. By Eleanor M. Ingram. Illustrated by P. D. Johnson.
The hero is a young American, who, to save his family from poverty, deliberately commits a felony. Then follow his capture and imprisonment, and his rescue by a Russian Grand Duke. A stirring story, rich in sentiment.
BRUVVER JIM'S BABY. By Philip Verrill Mighels.
An uproariously funny story of a tiny mining settlement in the West, which is shaken to the very roots by the sudden possession of a baby, found on the plains by one of its residents. The town is as disreputable a spot as the gold fever was ever responsible for, and the coming of that baby causes the upheaval of every rooted tradition of the place. Its christening, the problems of its toys and its illness supersede in the minds of the miners all thought of earthy treasure.
THE FURNACE OF GOLD. By Philip Verrill Mighels, author of "Bruvver Jim's Baby." Illustrations by J. N. Marchand.
An accurate and informing portrayal of scenes, types, and conditions of the mining districts in modern Nevada.
The book is an out-door story, clean, exciting, exemplifying nobility and courage of character, and bravery, and heroism in the sort of men and women we all admire and wish to know.
THE MESSAGE. By Louis Tracy. Illustrations by Joseph C. Chase.
A breezy tale of how a bit of old parchment, concealed in a figurehead from a sunken vessel, comes into the possession of a pretty girl and an army man during regatta week in the Isle of Wight. This is the message and it enfolds a mystery, the development of which the reader will follow with breathless interest.
THE SCARLET EMPIRE. By David M. Parry. Illustrations by Hermann C. Wall.
A young socialist, weary of life, plunges into the sea and awakes in the lost island of Atlantis, known as the Scarlet Empire, where a social democracy is in full operation, granting every man a living but limiting food, conversation, education and marriage.
The hero passes through an enthralling love affair and other adventures but finally returns to his own New York world.
THE THIRD DEGREE. By Charles Klein and Arthur Hornblow. Illustrations by Clarence Rowe.
A novel which exposes the abuses in this country of the police system.
The son of an aristocratic New York family marries a woman socially beneath him, but of strong, womanly qualities that, later on, save the man from the tragic consequences of a dissipated life.
The wife believes in his innocence and her wit and good sense help her to win against the tremendous odds imposed by law.
THE THIRTEENTH DISTRICT. By Brand Whitlock.
A realistic western story of love and politics and a searching study of their influence on character. The author shows with extraordinary vitality of treatment the tricks, the heat, the passion, the tumult of the political arena, the triumph and strength of love.
HAPPY HAWKINS. By Robert Alexander Wason. Illustrated by Howard Giles.
A ranch and cowboy novel. Happy Hawkins tells his own story with such a fine capacity for knowing how to do it and with so much humor that the reader's interest is held in surprise, then admiration and at last in positive affection.
COMRADES. By Thomas Dixon, Jr. Illustrated by C. D. Williams.
The locale of this story is in California, where a few socialists establish a little community.
The author leads the little band along the path of disillusionment, and gives some brilliant flashes of light on one side of an important question.
TONO-BUNGAY. By Herbert George Wells.
The hero of this novel is a young man who, through hard work, earns a scholarship and goes to London.
Written with a frankness verging on Rousseau's, Mr. Wells still uses rare discrimination and the border line of propriety is never crossed. An entertaining book with both a story and a moral, and without a dull page—Mr. Wells's most notable achievement.
A HUSBAND BY PROXY. By Jack Steele.
A young criminologist, but recently arrived in New York city, is drawn into a mystery, partly through financial need and partly through his interest in a beautiful woman, who seems at times the simplest child and again a perfect mistress of intrigue. A baffling detective story.
LIKE ANOTHER HELEN. By George Horton. Illustrated by C. M. Relyea.
Mr. Horton's powerful romance stands in a new field and brings an almost unknown world in reality before the reader—the world of conflict between Greek and Turk on the Island of Crete. The "Helen" of the story is a Greek, beautiful, desolate, defiant—pure as snow.
There is a certain new force about the story, a kind of master-craftsmanship and mental dominance that holds the reader.
THE MASTER OF APPLEBY. By Francis Lynde. Illustrated by T. de Thulstrup.
A novel tale concerning itself in part with the great struggle in the two Carolinas, but chiefly with the adventures therein of two gentlemen who loved one and the same lady.
A strong, masculine and persuasive story.
A MODERN MADONNA. By Caroline Abbot Stanley.
A story of American life, founded on facts as they existed some years ago in the District of Columbia. The theme is the maternal love and splendid courage of a woman.
WHEN A MAN MARRIES. By Mary Roberts Rinehart. Illustrated by Harrison Fisher and Mayo Bunker.
A young artist, whose wife had recently divorced him, finds that a visit is due from his Aunt Selina, an elderly lady having ideas about things quite apart from the Bohemian set in which her nephew is a shining light. The way in which matters are temporarily adjusted forms the motif of the story.
A farcical extravaganza, dramatized under the title of "Seven Days."
THE FASHIONABLE ADVENTURES OF JOSHUA CRAIG. By David Graham Phillips. Illustrated.
A young westerner, uncouth and unconventional, appears in political and social life in Washington. He attains power in politics, and a young woman of the exclusive set becomes his wife, undertaking his education in social amenities.
"DOC." GORDON. By Mary E. Wilkins-Freeman. Illustrated by Frank T. Merrill.
Against the familiar background of American town life, the author portrays a group of people strangely involved in a mystery. "Doc." Gordon, the one physician of the place, Dr. Elliot, his assistant, a beautiful woman and her altogether charming daughter are all involved in the plot. A novel of great interest.
HOLY ORDERS. By Marie Corelli.
A dramatic story, in which is pictured a clergyman in touch with society people, stage favorites, simple village folk, powerful financiers and others, each presenting vital problems to this man "in holy orders"—problems that we are now struggling with in America.
KATRINE. By Elinor Macartney Lane. With frontispiece.
Katrine, the heroine of this story, is a lovely Irish girl, of lowly birth, but gifted with a beautiful voice.
The narrative is based on the facts of an actual singer's career, and the viewpoint throughout is a most exalted one.
THE FORTUNES OF FIFI. By Molly Elliot Seawell. Illustrated by T. de Thulstrup.
A story of life in France at the time of the first Napoleon. Fifi, a glad, mad little actress of eighteen, is the star performer in a third rate Parisian theatre. A story as dainty as a Watteau painting.
SHE THAT HESITATES. By Harris Dickson. Illustrated by C. W. Relyea.
The scene of this dashing romance shifts from Dresden to St. Petersburg in the reign of Peter the Great, and then to New Orleans.
The hero is a French Soldier of Fortune, and the princess, who hesitates—but you must read the story to know how she that hesitates may be lost and yet saved.
THE PRIDE OF JENNICO. Being a Memoir of Captain Basil Jennico.
"What separates it from most books of its class is its distinction of manner, its unusual grace of diction, its delicacy of touch, and the fervent charm of its love passages. It is a very attractive piece of romantic fiction relying for its effect upon character rather than incident, and upon vivid dramatic presentation."—The Dial. "A stirring, brilliant and dashing story."—The Outlook.
THE SECRET ORCHARD. Illustrated by Charles D. Williams.
The "Secret Orchard" is set in the midst of the ultra modern society. The scene is in Paris, but most of the characters are English speaking. The story was dramatized in London, and in it the Kendalls scored a great theatrical success.
"Artfully contrived and full of romantic charm * * * it possesses ingenuity of incident, a figurative designation of the unhallowed scenes in which unlicensed love accomplishes and wrecks faith and happiness."—Athenaeum.
YOUNG APRIL. With illustrations by A. B. Wenzell.
"It is everything that a good romance should be, and it carries about it an air of distinction both rare and delightful."—Chicago Tribune. "With regret one turns to the last page of this delightful novel, so delicate in its romance, so brilliant in its episodes, so sparkling in its art, and so exquisite in its diction."—Worcester Spy.
FLOWER O' THE ORANGE. With frontispiece.
We have learned to expect from these fertile authors novels graceful in form, brisk in movement, and romantic in conception. This carries the reader back to the days of the bewigged and beruffled gallants of the seventeenth century and tells him of feats of arms and adventures in love as thrilling and picturesque, yet delicate, as the utmost seeker of romance may ask.
MY MERRY ROCKHURST. Illustrated by Arthur E. Becher.
In the eight stories of a courtier of King Charles Second, which are here gathered together, the Castles are at their best, reviving all the fragrant charm of those books, likeThe Pride of Jennico, in which they first showed an instinct, amounting to genius, for sunny romances. "The book is absorbing * * * and is as spontaneous in feeling as it is artistic in execution."—New York Tribune.
THE OCTOPUS. A Story of California.
Mr. Norris conceived the ambitious idea of writing a trilogy of novels which, taken together, shall symbolize American life as a whole, with all its hopes and aspirations and its tendencies, throughout the length and breadth of the continent. And for the central symbol he has taken wheat, as being quite literally the ultimate source of American power and prosperity.The Octopusis a story of wheat raising and railroad greed in California. It immediately made a place for itself.
It is full of enthusiasm and poetry and conscious strength. One cannot read it without a responsive thrill of sympathy for the earnestness, the breadth of purpose, the verbal power of the man.
THE PIT. A Story of Chicago.
This powerful novel is the fictitious narrative of a deal in the Chicago wheat pit and holds the reader from the beginning. In a masterly way the author has grasped the essential spirit of the great city by the lakes. The social existence, the gambling in stocks and produce, the characteristic life in Chicago, form a background for an exceedingly vigorous and human tale of modern life and love.
A MAN'S WOMAN.
A story which has for a heroine a girl decidedly out of the ordinary run of fiction. It is most dramatic, containing some tremendous pictures of the daring of the men who are trying to reach the Pole * * * but it is at the same time essentially awoman'sbook, and the story works itself out in the solution of a difficulty that is continually presented in real life—the wife's attitude in relation to her husband when both have well-defined careers.
McTEAGUE. A Story of San Francisco.
"Since Bret Harte and the Forty-niner no one has written of California life with the vigor and accuracy of Mr. Norris. His 'McTeague' settled his right to a place in American literature; and he has now presented a third novel, 'Blix,' which is in some respects the finest and likely to be the most popular of the three."—Washington Times.
BLIX.
"Frank Norris has written in 'Blix' just what such a woman's name would imply—a story of a frank, fearless girl comrade to all men who are true and honest because she is true and honest. How she saved the man she fishes and picnics with in a spirit of outdoor platonic friendship, makes a pleasant story, and a perfect contrast to the author's McTeague.' A splendid and successful story."—Washington Times.