"The final undoing of Fate hath begun,And Esgair's frail portion of happiness done;Arise and return to us, child of the lake,Nor nursling nor husband thy slumbers shall wake."
"The final undoing of Fate hath begun,And Esgair's frail portion of happiness done;Arise and return to us, child of the lake,Nor nursling nor husband thy slumbers shall wake."
"The final undoing of Fate hath begun,
And Esgair's frail portion of happiness done;
Arise and return to us, child of the lake,
Nor nursling nor husband thy slumbers shall wake."
Quick as light Esgair turned a strange look of terror on her husband. "The waters, the cruel waters!" she cried; "haste to the hills ere it be too late—hasten, or they will overwhelm you!" No thought of her own fate unnerved the heroic woman. Waving wildly to the workmen, she bade them escape for their lives, and indeed the nurse had already seen from above, and turned to warn them of an impending tempest. Lurid clouds veiled the sun, wild winds sighed around, strange shapes arose in the bed of the little river, madly leaping to and fro, while, stranger than all, and striking consternation to the bravest heart, with low growls as of far thunder, arose a huge black wall of water in the distant sea, and seemed ever approaching nearer. Sea gulls and cormorants wheeled in the air above, uttering dissonant cries. Affrighted and amazed, the terrified workmen left tools, clothes, and implements behind and fled in desperate haste towards the mountains.
At this moment Esgair, turning, perceived that Llewelyn, paralyzed with terror and remorse, could move neither hand nor foot to save himself or the child. Endued for the time being with superhuman strength, she snatched the babe from his arms, and crying "Follow me," swept rapidly across the uneven ground, sometimes stumbling and nearly falling, but never stopping to take breath until, on the slopes of Moel Llys, she reached the trembling crowd, who from this vantage-ground watched the wild work of destruction below. Breathless and exhausted she flung herself down on the soft turf and soothed the bitterly crying and frightened infant.
Esgair's hurried flight awoke Llewelyn from the stupor of despair. He followed and aided her as best he could, and now stood by her side. In silent awe that little assembly beheld the appalling inroad of the waters. Like a dark pall, the slow moving mass spread itself over the fertile lands below; ere long it reached the castle; the unfinished walls disappeared, and soon a wide watery waste covered the whilome scene of busy labour and the rich fields around. At length the remorseless waves dashed unavailingly beneath the rising ground where stood the trembling fugitives. Loud thanksgivings for their safety arose from these simple pious men, and they gratefully acknowledged the hand of Providence in their wonderful escape from a watery grave.
But now low sobs of anguish were heard, a mother—like Rachel of old—weeping over her child, and refusing to be comforted. The gentle Esgair, wan and weary, lay prostrate upon the ground. Painfully she drew her labouring breath and strained Rhiwallon to her poor aching heart. Her eyes were mournfully fixed on Llewelyn, as if to take a last farewell. His grief could find no utterance. With gloomy foreboding he recalled the words of the ancient legend, and a cold thrill ran through him as he remembered that his fatal impatience had not only tempted Esgair's fate, but according to the old prophecy had riveted still more firmly the spell that bound her hapless kinsmen; for was it not written—
But if that wedded peace be riven,By blows at random three times given,Esgair must seek her father's cave,Nor quit again the gloomy wave,No slow revolving years shall wakeThe spell-bound slumberers of the lake.
But if that wedded peace be riven,By blows at random three times given,Esgair must seek her father's cave,Nor quit again the gloomy wave,No slow revolving years shall wakeThe spell-bound slumberers of the lake.
But if that wedded peace be riven,
By blows at random three times given,
Esgair must seek her father's cave,
Nor quit again the gloomy wave,
No slow revolving years shall wake
The spell-bound slumberers of the lake.
By this time the tempest had gradually died away. A faint melody of unearthly beauty fell on their ears—as they listened wondering and entranced, they heard these thrilling words:
Three times lost, and three times won,Thou hast wedded Dafydd's son:Brow that holy sign hath crossedNe'er can be by witchcraft lost.By thy faith and suffering powerThou hast won the conquering hour;Though the spell on thee must break,Rhuddlan's race from sleep shall wake;Thou and thine shall dwell in light,Saved by glory infinite.Rise, the evil spell is broken,Peace be thine, and this the token.
Three times lost, and three times won,Thou hast wedded Dafydd's son:Brow that holy sign hath crossedNe'er can be by witchcraft lost.By thy faith and suffering powerThou hast won the conquering hour;Though the spell on thee must break,Rhuddlan's race from sleep shall wake;Thou and thine shall dwell in light,Saved by glory infinite.Rise, the evil spell is broken,Peace be thine, and this the token.
Three times lost, and three times won,
Thou hast wedded Dafydd's son:
Brow that holy sign hath crossed
Ne'er can be by witchcraft lost.
By thy faith and suffering power
Thou hast won the conquering hour;
Though the spell on thee must break,
Rhuddlan's race from sleep shall wake;
Thou and thine shall dwell in light,
Saved by glory infinite.
Rise, the evil spell is broken,
Peace be thine, and this the token.
As the voice ceased the sun broke through the clouds, and from his western declivity threw a long radiance across the calming ocean. Within this glittering pathway stood an angel of exceeding beauty, and of grave and majestic countenance. With his left hand he beckoned to Esgair. With his right he pointed to the golden rays behind him, within which myriad shapes of brightest loveliness seemed to move. The light fell on Esgair's head as she arose with new strength from the earth. Already a solemn stillness hushed the grief of her pale features and a new expression beamed from her pure face.
"Heaven guard and guide thee, my babe," she said, and placing him tenderly in his nurse's arms, turned to Llewellyn imploring him to wish her farewell. He approached and wildly cast his arms around her—the strong passions of earth still raged uncontrolled in his unchastened bosom—but she slowly disengaged herself from his despairing caress and hopefully trod the brief steps that divided her from the heavenly visitant. The angel took her by the hand—once more with overflowing tenderness she waved adieu to her husband, and ere the awestruck Llewelyn could move from where he stood, the red sun disappeared with a sudden dip behind the distant island. With him also, alas! were gone the last faint traces of that pathway of light, wherein had moved, but a moment before, those bright blessed forms, connecting earth with the upper world.
Breaking from his trancelike despair, Llewelyn madly rushed to the water's brink and again and again strove to end his miserable existence by flinging himself into the gloomy sea. But his people restrained him, and the nurse brought the little Rhiwallon to his side. The unhappy father turned to look on his child, then with renewed agony, as he remembered how he had for ever deprived that tender nursling of a mother's care, he groaned aloud and smote his hands wildly together. But now, through the quiet evening air—calm and serene—like dew on the parched and weary herb, was borne this soothing message from invisible realms:
Farewell to the home of my brief mortal years,Farewell to the valley of sunshine and tears.Now over our castle on Arvon's pale shoreThe waters of Meinai shall surge evermore.Llyn Idwyl! sleep calmly—thou desolate lake.Dark Glydirs! no Esgair your echoes shall wake.But mourn not, Llewelyn, the fate of thy love,She smiles still upon thee from regions above.Arise and walk onward, nor idly repine,A mission that angels might sigh for is thine,To guide and to shelter through life's opening daysRhiwallon, whose future all Cymri shall praise.The Spirit Divine hath inclined to my voice,And parents and kindred around me rejoice.My fate is accomplished—the spell overcome,And Paradise opens to Rhuddlan a home.
Farewell to the home of my brief mortal years,Farewell to the valley of sunshine and tears.Now over our castle on Arvon's pale shoreThe waters of Meinai shall surge evermore.Llyn Idwyl! sleep calmly—thou desolate lake.Dark Glydirs! no Esgair your echoes shall wake.But mourn not, Llewelyn, the fate of thy love,She smiles still upon thee from regions above.Arise and walk onward, nor idly repine,A mission that angels might sigh for is thine,To guide and to shelter through life's opening daysRhiwallon, whose future all Cymri shall praise.The Spirit Divine hath inclined to my voice,And parents and kindred around me rejoice.My fate is accomplished—the spell overcome,And Paradise opens to Rhuddlan a home.
Farewell to the home of my brief mortal years,
Farewell to the valley of sunshine and tears.
Now over our castle on Arvon's pale shore
The waters of Meinai shall surge evermore.
Llyn Idwyl! sleep calmly—thou desolate lake.
Dark Glydirs! no Esgair your echoes shall wake.
But mourn not, Llewelyn, the fate of thy love,
She smiles still upon thee from regions above.
Arise and walk onward, nor idly repine,
A mission that angels might sigh for is thine,
To guide and to shelter through life's opening days
Rhiwallon, whose future all Cymri shall praise.
The Spirit Divine hath inclined to my voice,
And parents and kindred around me rejoice.
My fate is accomplished—the spell overcome,
And Paradise opens to Rhuddlan a home.
The sudden shadow that had followed sunset now gave way to gorgeous colouring. From the closed western portals of the day emerged rich waving lines of gold and roseate hue, and spread far overhead. Behind the distant islands where the sun had disappeared glowed an atmosphere of living amber. For a brief moment the gates of Paradise were indeed "standing ajar" to receive the now immortal Esgair and her long lost kindred.
Awhile the watchers on the shore continued on their knees hoping once more to see that heavenly visitant or hear again the soul-stirring voice that had fallen from unseen lips. At last one by one they arose, and gazing seawards by the waning light beheld the broad band of waters still covering the fertile plains, the green meadows, and the unfinished castle. Little rippling waves broke at their feet and marked the boundary line, where to this day, the waves surge and swell between the mighty Penmaens upon the Cambrian Coast.
At this moment Gwynneth arrived breathless in their midst and joined her lamentations to those of the little babe, who, missing his mother, bewailed her loss in heart-rending tones.
The workmen now turned to seek a night's lodging where they could, for their temporary dwellings had shared the fate of the more lordly castle. Llewelyn, still carrying his child, motioned to his mother to draw somewhat aside, and as they slowly remounted the hill, frequently pausing to cast wistful glances around, and to strain their eyes in vain toward the fading west, he related to her the various occurrences of that fatal day and repeated the farewell words of his lost wife. "Hear me, mother," exclaimed he, as they gained the door of the shieling; "by the remembrance of my Esgair's pure and holy life, I devote myself henceforth to the fulfilment of her behest, and while life and strength remain I promise so to cherish and bring up our child (aided by heavenly power) that he shall renew the memory of his sainted mother, and become the benefactor of mankind."
Clasping the babe closer in his arms he turned to enter at the lowly door, but with a cry of joy the infant stretched out its little arms, and lo! soft and pure in the western sky gleamed through the dusk the gentle Evening Star. Then Llewelyn knew in his heart that his vow had been heard, and that an angel spirit shone approval of his humble resolution.
With mournful resignation, aided by his mother and cheered by the ministrations of the good Father Tudno, Llewelyn passed the remainder of his days in the careful up-bringing of his son. They never returned to the Castle of the Lakes. For at daybreak on the morning which succeeded Esgair's translation, a messenger arrived footsore and weary bringing strange tidings of devastation. As the last stroke of midnight clanged from the castle clock the whole mighty fabric disappeared, and with it the numerous servants, the fleet steeds, and the fabulous wealth which Esgair's bridal night had brought to Llewelyn.
Gwynneth and Llewelyn now fixed their abode on the giant slopes of Penmaenmaur, and often at sunset the father was seen pointing up the golden pathway and watching with his little son for the first pale ray of the Evening Star.
Rhiwallon grew and flourished apace. His was a fearless nature. He loved the sea, the hills, the birds, and the flowers. His childish brow only became clouded with pain or sorrow for the sufferings of man and beast, which even in earliest boyhood he ever yearned to alleviate.
When still an infant he was often found with a sweet smile upon his countenance, and in after years could recall the dim vision of an angel form that bent over and lulled him in his dreams, but was ever absent when he awoke. Gwynneth and Llewelyn were long spared to foster his awakening talents, and ere they were gathered to their fathers the name of Rhiwallon had become a household word, for the sweet songs of the gentle bard are to this day remembered and sung wherever the Cymri tongue is known and loved.[1]
EOTHWALD: THE YOUNG SCULPTOR.
It will not surprise you, dear children, to learn that after Hans Christian Andersen wrote his touching story of "The Little Mermaid," the whole world sighed with a strong desire to behold the true likeness of that loving and lovely heroine.
Painters and sculptors wandered anxiously by the sea-shore; not alone in Denmark, but in many other countries, seeking thus to obtain a glimpse of one of the mermaidens—whose whole race has been for ever immortalized by the gentle Dane—longing to depict on canvas, or to carve in marble, the fair lineaments of the faithful sea-child who gave her voice and her life for the Prince she loved.
Now for successive ages it has been well known among the denizens of the ocean that trouble and misfortune must certainly fall on the mermaiden who should visit the shore too frequently, or permit her likeness to be taken in any form whatsoever.
Long, long ago, the most beautiful of the sea-nymphs rose in her gambols to the surface of the billows; and as in those days mermaids wore no tails, and were consequently unable to steer themselves properly, she was carried on shore by the force of the waves, where such was the confusion caused by her charms, that gods and goddesses themselves quarrelled about her, and artists in their enthusiasm neglected everything else to depict in all its bewildering beauty the sea-born loveliness of "Aphrodite." Great was the indignation excited by the appearance of this fair interloper in the aerial courts, and "Hera," the Queen of Olympus, persuaded her husband, the awful "Jove," to issue a decree ordaining that henceforth and for evermore all mermaidens should bear long tails; thus confining their dangerous influence to their own native element; and furthermore forbidding them, on pain of severest penalties, to hold communication with the inhabitants of earth or sky.
Though centuries have rolled away, this dread command is still remembered and obeyed, and hence the extreme difficulty experienced by those whose artistic longings had been kindled afresh by the glowing descriptions of the sweet Danish writer.
One golden evening during the brief but glorious northern summer, the young sculptor, Eothwald, after a weary day of unavailing search for the far-famed mermaidens, threw himself down on the soft grass by a river's side, and lulled by the soft ceaseless murmur of the rushing waters, sank into deep dreamless sleep. As the drowsiness of fatigue wore itself away, he became gradually conscious of ravishing strains of music, and rousing himself half awakened to listen to the dulcet sounds, he still heard the harmonious cadences of some stringed instrument swell and thrill in tones of unearthly beauty.
Eothwald arose softly from his grassy couch, and stole noiselessly along. Keeping himself carefully concealed behind rocks and brushwood, he followed the sound, till at a bend of the stream he beheld the young river god Näcken, seated at the entrance to a grotto, playing and singing to his harp strains of heaven-born music; while, bathed in the evening sunshine, and with their arms lovingly intertwined, there on the surface of the water, in rapt attention, floated the lovely mermaiden sisters, Duva and Himingläfa, unsuspicious of danger, and forgetful of all else, for the spell of love's magic numbers hung over them and rivetted their attention.
The inspired Näcken continued his impassioned lay; the blushing Himingläfa, to whom his song of homage was addressed, shook her long chestnut tresses until they formed a veil around her, and laid her soft cheek on the shoulder of the innocent Duva, who, childlike, wondered at her sister's excess of emotion.
A while Eothwald remained motionless, overwhelmed by the beauty of the scene, but soon the surpassing loveliness of the sea-sisters fired his artistic mind with keen ardour; he felt within himself that could he but reproduce these enchanting forms in marble, he would die content. He resolved to seek his home, and return thence provided with all the necessary materials for working. He had noticed during his wanderings, not far from this very spot, a cave, where he fancied he could work undisturbed. The clay by this river being famous for its plastic properties, it would be easy for him to model by day concealed from all beholders, and at eventide to steal forth unobserved, and gain new ideas of beauty from the fair sisters now before him.
As he silently pondered and matured this plan, a silvery voice was heard afar, and, quick as light, Duva and Himingläfa sprang away through the darkening waters at their mother's call, while Näcken, carrying his harp with him, abruptly disappeared within the shadowy entrance of the grotto.
Darkness came suddenly on; the river, cold and black, ran past Eothwald with sullen murmurings; the wild owl swept close by where he stood, brushing his face with her wing, and uttering her desolate cry. The startled sculptor well-nigh missed his footing, and only escaped falling into the stream by catching hold of the boughs above his head. But undismayed and undaunted, he groped his way successfully out of the wood, and then hastened cheerfully homewards, light-hearted and content; for what were darkness, danger, or fatigue? The quenchless fire of genius burned within his breast; the long dreamt-of ideal was no longer a faint, far-off vision, but had become to him a reality of dazzling beauty.
Ere daylight returned Eothwald had been to his home and informed his old housekeeper that he was bound for a few days' trip into the country. He put together his working tools, and having at her earnest request taken some provisions in his knapsack, he swallowed a hasty meal, and before the sun was yet high in the heavens, was already ensconced in the cave and fast asleep in its welcome shade, after all the fatigue and excitement of the last few but eventful hours.
And now night after night, sheltered by brushwood, rock, and fern, the enthusiastic youth engraved on his heart the exquisite beauty of those fair denizens of the sea; nay more, in the ardour of his pursuit he became himself enamoured of the lovely childlike Duva. Often while Näcken and Himingläfa held sweet converse together, their companion unobserved would float silently nearer and nearer to the shore. Sometimes she amused herself by twining long wreaths of the ferns and creepers which hung over the river bank. Sometimes she laughingly lifted small silvery fish from their holes beneath the bank; then remembering that air to them was death, she would place them gently once more in their native element, and smiling, watch their playful movements when they frisked around her, as if in gratitude, before they swam away. Sometimes flinging her long tresses of hair over the grass by the river margin, clasping her hands above her head, reposing half on land and half on water, she would lie with all a maiden's dreamy thoughts of the unknown future, her clear blue eyes fixed on the starry vault above, her every action a study of grace and poetry, until Himingläfa's soft summons roused her, when springing again into life and motion, the agile Duva excited new admiration in the sculptor's mind as with the swiftness of a startled bird she flitted across the water and disappeared with her sweet sister beneath the briny wave.
It is not given to me to say how Duva and Eothwald first became acquainted; but it is certain that before the young sculptor had spent many nights by the water's side, that innocent child of the sea grew to know what it was that made the long hours pass so swiftly to Himingläfa and Näcken, when they were together; for a feeling hitherto unknown sprang up within her own simple breast, and taught her to welcome with beating heart the appearance of her new friend.
What long happy hours they passed together by starlight and moonlight on that river brink! How endless were the words they had to say to each other in those stolen interviews! and yet, though all seemed so untroubled, a secret care disturbed the peace of either loving bosom. It is true that Duva had attempted to lighten hers by confiding it to her lover, for early in their acquaintance she told him that she longed to whisper in her mother's ear the story of her Eothwald, and to find in the majestic Ran's motherly bosom a soft pillow whereon to still the flutterings of her awakened heart; but in tones of displeasure the young sculptor chid her childlike impulse, and went so far as to threaten that should she ever breathe to her family the fact of his existence, he could never seek her more.
Chilled and frightened at hearing Eothwald address her in accents such as he had never used before, the gentle Duva tearfully promised to comply with his request, and to conceal from all the knowledge of her earthly lover. But the concealment preyed on her mind, and though in his presence she forgot all save the bliss of being beloved, yet she had for ever lost the joyous serenity of her early youth; while the very look which roused her watchful mother's anxiety, gave her in her lover's eye, a more etherial air of languor and grace.
Eothwald's secret care was widely different: he knew that his Duva might in some terrible unknown manner have to suffer for his love; but his anxiety was lest he should not succeed in obtaining her perfect likeness, and thence partly came his reluctance to allow her to speak of him to her people. He made sure they would remind her of the perils of holding intercourse with mankind, and probably put a complete stop to their clandestine meetings, now only carried on under the shadow of the more legitimate attachment of Himingläfa and Näcken.
While the inexperienced Duva only knew and felt she loved, the more worldly Eothwald gazed upon her with a critical and artistic eye, and often sent a chill of cold presentiment to her very heart's core, when to her gentlest words he vouchsafed no answer; but, absently scanning her perfect form, would strive to compare and calculate in his mind the accuracy of his progressing model in the cave.
He found it easy to obtain Duva's compliance with all his requests save one; but it was for long in vain that he besought her to leave her watery home. Many a time and oft they parted almost in anger, and the poor little sea-nymph more than once weepingly entreated him sooner to quit her for ever, and go back to his own kith and kind. But Eothwald always returned afresh to the charge, for, besides his real attachment to the gentle maid herself, he knew that could he but once behold her fair proportions near him in the cave, he could successfully finish his now nearly completed model; and, by imparting to it those life-like touches which alone it required, he would be enabled to give to the world for the first time the perfect image of a mermaiden. With true artistic fervour he forgot his mortal love in the eager pursuit of his immortal art, and, brought completely to a standstill by the harassing intensity of his longing to have the living form at hand to aid him in his work, he grew so unkind towards Duva that with saddened heart the poor child promised to comply with his prayer, and arranged to accompany him through the wood the following night, when the yellow harvest moon would reign in her fullest beauty.
Words cannot paint the overflowing sorrow that oppressed the pale mermaiden's heart that eventful day as she joined her parents and sisters, for what an inward voice told her, was the last time. Old Agir, her father, gathered her to his bosom, and pressed his little Duva to tell her trouble, but with a forced smile she first nestled closer to that protecting shoulder and then sprang half sobbing away, and they thought she grieved over the approaching bridals of Näcken and Himingläfa and the prospect of losing her favourite sister.
The wild young Kolga blew through her shell, and in her efforts to cheer Duva made such a bubbling amid the water, that people passing in boats far above the sea-king's palace, paused on their oars to watch the agitated surface and thought they had discovered a new ocean spring.
Häfring and Blodughadda caressed their little sister and playfully asked her to choose whether they should all wear coral or pearls at Himingläfa's wedding, but with trembling lip she turned away, unable to trust her voice in answer to their laughing affection, and for the first time they deemed their pet Duva was sullen. Ah! how little they knew the aching throbs of pain that strangled her sweet voice and silenced their sorrow-stricken playmate.
At last the hour of sunset drew near. Together, as usual, Himingläfa and Duva rose to the surface of the darkening ocean, and soon were greeted by the entrancing strains of Näcken's harp. Slowly Duva disengaged herself from her sister's embrace and lingered long near the companion, till now the sharer of every joy or care. But time's relentless wheel rolled on, and through the woods by the river's brink gleamed the golden radiance of the harvest moon, as the mermaiden at length approached the shore where her lover kept anxious watch. With joyful eagerness Eothwald greeted her, and in low trembling tones whispered loving thanks into her ear; even then Duva would have withdrawn her consent, but the impatient Eothwald, without pausing, threw his strong arms around her, raised his beloved burden from the glittering water, and bore her swiftly towards the cave.
A feeling of deadly sickness came over the little sea-maid as she was thus lifted from her native element, but the soothing words of her lover infused new life into her fainting frame, and in safety they reached the cave, where Eothwald joyfully deposited his lovely charge on the couch he had so long prepared for her use.
Uttering but scant welcome the sculptor flew rapidly to his work, for already fatigue and exhaustion clouded the sweet eyes, that were wont to sparkle so merrily, and spread a new languor over the limbs of his exquisite model. With passionate energy Eothwald moulded his plastic clay, completely forgetting in his ardour the unwonted position of the sea-king's daughter, and her need of watchful tenderness.
A stranger in a new and untried world—a timid maiden strayed for the first time far beyond the protecting care of parents and brethren, the little Duva reclined amazed upon her fragrant bed of leaves. Strange thrills were sent through her by the strong night perfumes exhaled on every side from earthly leaf, tree, and flower.
At last she was upon that land about which from childhood she had dreamed, with an eager desire to explore its forbidden mysteries. But she thought not of these things, her whole heart was absorbed in Eothwald. The young sculptor no longer gazed on her with the melting eye of love. By the flickering light of the torch which shed its ruddy glow over the cave, she could perceive the artist's glance now fixed on his clay figure, now turned upon herself with a searching look of restless dissatisfaction due in reality to the shortcomings of his own handiwork, but which chilled and saddened Duva's sensitive heart.
EOTHWALD AND DUVA IN THE CAVE.
EOTHWALD AND DUVA IN THE CAVE.P. 102.
Again and again the gentle maiden nerved her voice to speak, but faintness overpowered her, and a dreamless sleep already fanned her with its over-shadowing wings. Eothwald's form swam magnified before her eyes, and then vanished altogether amid the mist of gathering tears. The cave grew dim—the little sea-child again beheld the palace of her father—her lovely sisters waved a mute welcome through the changing atmosphere. With the tremulous sigh of a repentant child that has erred, but returns with glad sorrow to fling itself on its mother's breast, Duva, forgetting all save that joyful vision, stretched forth her innocent arms with a low murmur of tenderness, and a gesture of delight.
"Can you not remain as I placed you?" impatiently muttered the sculptor, as the sudden movement of Duva's arms altered her whole position, and lost irretrievably the graceful attitude he was striving faithfully to immortalise. Even as he spoke, something about his beloved alarmed him; he rushed across the cave, but ere he could touch her, Duva's fair form had disappeared—she was gone!
The red torch flickered high, and suddenly expired. The moon's ray, cold and pale, penetrated within the cave, and lo! upon the spot so lately pressed by the enchanting figure of the poor little stranger, pure and transparent in the silvery light, glistened a white pearly shell, while a tiny rivulet stole silently from beneath it, and trickled into the moonlit glen without.
Eothwald threw himself wildly on his knees, and felt the couch all over in vain—in vain!—then in desperation he fled out into the wood and searched for his lost love, breathing her name in fondest accents through the silence of the night, but alas! awakening no response from the desolate solitudes around him. Wearied and heart-broken he returned at length from his fruitless errand, and sank into heavy slumber.
Hours had passed unheeded away, when with troubled recollection he awoke and sprang to his feet. Gradually he remembered that in his dreams Duva had again appeared to him. With bitter tears she sorrowfully told him that his own thoughtless actions had parted them. He first tempted her by mortal love to deceive and leave her fond parents and her beloved home; then as he moulded his clay from her beautiful form, in the self-abstraction of genius, he half forgot her sacrifice, and neglected her tender spirit. Wounded and unable to struggle against her altered condition of life without the comforting care of her mortal lover, she had fallen a victim to the law that ruled supreme over herself and her kindred, and lost her visible shape, which became again transformed into the water, whence it originally sprang. With streaming eyes she waved a long farewell, then, lovely as a morning dream, faded from his view.
Eothwald flew back to his work with fierce energy; he felt indeed a high soaring ambition. He yearned to represent worthily, to this and future generations, the fair lineaments, the tender immortal beauty of the sea-king's daughter, who had given him her simple young heart, and whose affection he had so rudely requited. A solemn inward voice told him he had no time to spend in useless remorse, or in unavailing lamentation. Death's shadowy finger already beckoned him to the "silent land." Grief had snapped the first chord of life's hitherto sweet melody, and his days on earth were numbered.
He returned in a short space to his native city. His half-finished work was slowly removed to the studio. There by day and by night he laboured almost ceaselessly, and wove into a wild poetical dream the young life of the fair Duva and her family, as she herself in days gone by had frequently, half romancing and half in earnest, described it to him.
He designed a lofty fountain, and upon its six sides placed in groups of wondrous imagery her parents, their nine lovely daughters, and the young river-god Näcken, whose strains had first led him to his beloved. As in his lonely studio he ceaselessly toiled, he wrote down at intervals this explanation of his labours—that to all futurity might be known the names and history of those whose divine beauty he thus strove to commemorate.[2]
"Agir, the ocean god, who hates mankind, I represent in the prime of life, with a long flowing beard, which he holds back with one hand, in the other he grasps a sceptre. Enthroned on a gigantic shell, and planting his foot on a dolphin, his handsome features wear an expression of proud disdain.
"When the winter has passed (as our Northern poets have sung) and the May sun melts the ice, the ships in the harbour lift their anchors ready to sail, and only the wind is wanting. Thereupon Agir (who delights in punishing the pride of mankind by robbing them of their treasures—taking husbands from their homes, their wives, and their children, and drowning the mourners in floods of bitter tears) calls to his youngest daughter Kolga to begin the sport.
"In the next shell-like division of the fountain, I place Kolga, who, with short rough hair and hoydenish action, distends to the full her rosy cheeks as she blows through the valves of her shell a soft, seductive wind, sufficient to swell the sails, and tempt the ill-fated ships to sea. Above her, shrouded in her long veil, is the mysterious and majestic Ran (Agir's princely consort, and the anxious mother of his many children). She encourages Rönn, her second youngest, who gently and dreamingly along the blue ripples stirs the first breath on the calm waters. Häfring, Unn, and Bylgia, with the little water-elves and sprites, help to raise the swelling seas until the waves are mountains high.
"Then the hard-hearted and vindictive Boara (once scorned and deserted by a mortal lover) crushes the prows to atoms. She delights in the destruction of human handiwork, and is therefore portrayed with a sternly beautiful though cruel countenance. Next Agir calls on Blodughadda, enveloped in her long flowing tresses, to descend through the deeper waters and secure the ships' rich treasures, for no lock or key any longer protects them.
"But the fond father misses his favourite children, Himingläfa and Duva; he loudly calls on Ran to tell him where they are. 'Alas,' answers his queen, 'our daughters are held captive in the web of Näcken; up there, on the fresh water-stream, they float, like one charmed, listening to his melodious song. I have begged and threatened, but all in vain. Methinks one or both of them is befooled by first love.'
"Then Agir arose in fearful rage, calling upon his remaining daughters to entice Näcken forth from the precincts of his grotto (which, being in fresh water, was beyond the sea-king's domain) into the deep ocean, there to take him captive, and deliver their sisters from his thraldom.
"So they all float on, displaying their charms like roses and lilies playing on the waters: their beautiful dishevelled hair, their graceful forms, their coral chains, their strings of pearls, triumphantly making sure of enticing the hapless youth into the salt waters. But no sooner have they reached the entrance to the grotto, than behold! a youth, divinely beautiful, is seen. Harp in hand, he sings a soft, melancholy strain with the purest of voices. The beauteous sisters, scarce moving, tarry on the heaving waters, and listen, entranced, to his heart-thrilling song.
"Awakening from his own love-dreams as he marks the approach of Himingläfa's lovely sisters, the young river-god sings of his happy youth, when amid green meadows, and under verdant trees, he listened to the melodies of birds, and learnt from them the sweet art of song—until, restless and eager for change, he wandered forth from his early home into the wide world, with endless longing for the unattainable. To punish his presumption, he was at length condemned only to exist in water, and became the genius of running streams. Thus he pours out his lament in strains so moving, that even the wild swan is arrested in her flight, and the daughters of Agir, deeply enthralled, heedless of their parents' call to action, remain motionless before the grotto, allowing ships and mariners to sail by in perfect calm.
"At length, Agir and Ran, angry and impatient, hasten towards them, when, enchanted like their children, by Näcken's exquisite lay, they also remain to listen, forgetful of the time and of the passing hours, till daylight breaks suddenly upon them. The relentless laws of fate forbidding their escape (if found within fresh water at sunrise), they all then become spell-bound."
Such was the description Eothwald wrote of his wondrous fountain, on which Näcken still dreams on, harp in hand, singing of the days of yore. The beautiful Himingläfa leans forward, modestly drawing her long tresses across her white shoulders, drinking in, with downcast eyes, every intonation of her betrothed. The child-like Duva, adorned as when the sculptor first beheld her, with long strands of priceless pearls intertwined on hair, neck, and bosom, raises herself from the water in the attitude he had studied a thousand times, and half surrounds her beloved sister with her arm, listening intently, as on that well-remembered evening, to Näcken's heart-thrilling music. No shadow of future sorrow clouds Duva's fair brow; but moulded in all the fresh innocence of her dewy youth, she remains to this hour the loveliest mermaiden that ever gladdened mortal eye.
The shell she left upon the couch of leaves, the artist introduced again and again in his labour of love, and indeed took from its shape the designs for the six sides of his fountain, the figures on which were the size of life.
At last the story of Duva's early life was given. Raised from ocean, cavern, and grotto by Eothwald's genius, her family were immortalized by his art. The sculptor's task was completed. In a paroxysm of agony, he fell on his knees as he realized that though instinct with life his inspired work arose in all its chill perfection before him, yet the living, loving, lovely mermaiden would never more greet him with her warm, shy smile, and her low, tender voice.
At daybreak the old housekeeper came to light the studio fire; for it was now winter-time, and the snow lay thick upon the ground. By the first dim ray of light she descried Eothwald kneeling before his finished sculpture. Her heart misgave her; he was her foster-child—dear to her as her own. She stumbled forward and touched his arm; it was cold and motionless as his own marble figures. Then a loud cry of grief told the tale of death. Eothwald was no more. His immortal spirit had fled. Whether in the regions of the unknown invisible world he may once more meet and clasp his Duva to his breast by the blessed waters of Paradise, we cannot tell, but such may be the merciful will of that loving Father who watches unceasingly over the creatures of his hand, and feels a divine sympathy in their sorrows.
One of Eothwald's hands rested on the word Duva, which he had finished chiselling beneath his beauteous beloved. In his other hand was found, fast clasped—so fast indeed that they could not remove it from his stiffened fingers—a gleaming white pearly shell.
FIDO AND FIDUNIA.
Once within a deep and gloomy forest there dwelt a lonely maiden. She had never known any companionship but that of nature, animate and inanimate. She loved the birds, the shy playful squirrels, and all the various animals, which having always known her there, friendly and harmless, regarded her in their turn, with trustful affection.
It made no difference in their feelings towards the young girl that she was not beautiful. Her thick sandy hair hung in coarse straight elf locks on her shoulders. Her skin looked rough, and her features were not prepossessing. But these poor ignorant creatures only noticed that her voice was low and exceeding sweet. When she stooped to fondle the frolicsome rabbits, or perchance to bind up the leg of some wounded hare, they thought her tender fingers wondrous soft, and her warm cheek felt very smooth to them as she pressed it against their furry coats, and pettingly coaxed them to linger a moment on her lap.
Strange to say, though the little maid had no distinct remembrance of human fellowship, yet she spoke in silvery tones a language which you or I, dear children, should very well understand.
She dwelt in the hollow of an old tree, and few were the wants of her simple life. A clear spring, bubbling up among the rocks near at hand, in the centre of an open grassy space, formed a natural bath, where every morning, undisturbed by fear of man, she bathed herself, and wrung the water from her dripping tresses.
In summer time she often slept high up between the forked branches of a mighty cedar-pine, where with sticks and long grass she had woven herself a sort of nest. From hence also she could contemplate the stars, between whom and herself there ever seemed a link of sympathy. To her untaught imagination it appeared that the heavenly luminaries were happy in being among others of their kind. Whereas, had she but known it, each one of those seemingly tiny lights glowed myriads of miles apart from its nearest neighbour.
Fidunia dwelt serene, content with her lot; yet it was only natural that in her maturing bosom the yearning instincts of womanhood should awake, and that she longed, with an intensity of which she herself was hardly aware, for some creature to whom she could recount, and with whom she could share, the pleasures and pains of her solitary life.
In the forest where she had her home there were no great alternations of heat and cold, nor was the length of the days so different as we find it in our own more northerly climate. Still it was spring-time in this land of which I speak. The fair soft tread of summer already sent a reviving thrill through the woods and glades, and Fidunia's thoughts turned anew to her forlorn condition.
She remarked, as was her wont, the habits of the brute-world around. Every bird had its mate. The sober rooks perambulated the green sward in pairs. The thrush wooed his love in songs of gushing melody. The tender turtle-doves cooed ceaselessly to each other. The very mole that burrowed by the fountain side, brought a sable bride to enjoy with him the hidden comforts of his subterranean dwelling.
Fidunia sat and pondered over these things. Again and again she tried, like Narcissus, to see her image in the crystal spring. But kind nature, careful to spare the little maid a needless pang, ruffled the translucent surface so perpetually, that the young girl's face only cast a dancing shadow on the bubbling water amid the rocks.
Baffled in her hopes of even a shadowy companion, Fidunia, with a tear in her eye, murmured "Alone, ever alone! Ah, cruel fate! How I sigh for something really to love me."
Awhile she remained motionless, gazing moodily into the troubled spring, but anon her quick ear caught the pattering sound of little feet upon the dead beech-leaves that formed a rich carpet near at hand. She thought it was the squirrels, yet theirs was a bounding lighter tread. She turned—and, lo! running towards her across the open space, she saw a beautiful dog. In colour he was almost golden; his silky hair fell soft as feathery down on either side of his little body. His tail and ears of darker chestnut tinge imparted piquancy to his shape. His paws were exquisitely clean, and covered with lovely hair. His brilliant dark brown eyes shone with extraordinary intelligence—at least, so Fidunia thought—as the little fellow slowly trotted up and stood before her, wagging his bushy tail.
"Art thou come to be my companion?" the maiden joyfully cried. In answer to her question, the small quadruped came nearer still, and very very gently laid himself down at her feet. His mute gesture was most expressive.
Fidunia surveyed him carefully, she thought she saw the marks of sadness in his wistful countenance—he gambolled not around her, nor attempted to lick her hand, but fixing on her his large anxious eyes, seemed to implore permission to remain by her side. Naturally fearless and fond of animals, Fidunia drew him upon her knee, and gently stroking the while his silky coat she asked him "whence he came, where his home, and what his name." The little creature could not reply in human tongue, but he continued to wag his eloquent tail, and to gaze earnestly in her face.
"If you are going to be my companion, I must know what to call you," said the wondering maiden. "My name is Fidunia," added she dreamily—but at this last word the dog sprang from her lap to the ground, and assumed a begging attitude in front of the little damsel. "Nay, nay, my dear doggie, I cannot call you Fidunia," cried she, but, after a moment's reflection, "would not 'Fido' do as well?"
Hardly had this name dropped from her lips than the wise animal bounded into the air, and then ran round and round in a manner most expressive of joy. Fidunia delighted, clapped her hands, and as at this well-known signal all her feathered and furred friends came trooping around to enquire her will, she at once introduced Fido to their notice, and an alliance offensive and defensive was forthwith agreed upon between the community at large, and their mistress's new favourite.
Ere long Fidunia discovered that her comrade was both active and playful, and though he could not speak her language nor she understand his, and she therefore never discovered his previous history, yet she surmised that he must have been separated from some one he dearly loved. For this reason she bore patiently with his occasional fits of low spirits. Soothed and cheered by her gentle companionship and thoughtful sympathy, Fido, before very long forgot his sorrows, and became the gayest of the gay.
Echoes hitherto unknown to Fidunia in the solemn forest, were roused by his shrilly bark of joy, as capering round his young mistress, they wandered together far adown those sylvan glades. Fidunia could now indeed venture farther from home, as however long they roamed abroad, the dog's wondrous instinct always led them back to the gnarled tree, the crystal fountain, and the green velvety lawn, for so many years the little maiden's happy abode.
She soon discovered that Fido was very accomplished in various ways—and she fancied also that he understood all she said to him—he watched so keenly every word that fell from her lips.
About this time strange dreams began to haunt the young girl. Night after night she wandered in regions such as she never remembered to have seen in her waking hours.
At one time she walked amid beautiful gardens—on either side of her bloomed a rich profusion of lovely fragrant flowers. Within each sweet floweret lurked a tiny elf, and as she passed along, fairies swung themselves forth singing through the perfume laden air in soft musical tones, "King Antiphates is blind! King Antiphates is blind! and the maid who alone can deliver him knows not her mission!"
At another time she climbed painfully along a steep path, leading through scenes perfectly unknown to her. The hot sun beat on her bare head, and she toiled on and on, ever ascending, yet never reaching the craggy summit towering far above. Beneath her feet, an unfathomable ocean surged and swelled, and broke in hoarse grumblings upon the frowning iron-bound shore, sending vast sheets of spray aloft, and awakening strange terrors in the woodland maiden's breast. White screaming sea-birds dashed around her, and as they brushed her face with their wings, she heard them cry wildly, "The great king is blind, only Fidunia can deliver him—but she knows it not! she knows it not!"
Again the little maiden found herself upon a lonely terrible mountain. She stood upon dismal rocks whereon appeared no vestige of life. Tossed and wreathed in fantastic shapes, the very stones seemed to bear the impress of writhing agony. Though now cold and motionless, they had passed through the seething horrors of fire. Scathed and withered, repulsive alike to man, beast and herb, amid their desolate clefts, only the slimy reptile traced his sinuous course; or the bright-eyed lizard peered warily forth on the shuddering beholder. Turning to escape, if possible, from this dreary place, Fidunia found herself on the very verge of a huge chasm. She felt a burning heat scorch her face, and penetrate her feet. Long tongues of horrid flame darted in lurid flashes from the thick darkness below. A sulphurous vapour enveloped her in its hot and suffocating fumes. She endeavoured to cry for help, but could not utter a sound—an echo like the reverberating growl of distant thunder filled the air around her with these words, "He will never see now, for the maiden dreams away her life in the forest, and knows not that she alone can save him."