Chapter 11

"May I go to the church? Have they taken him there?"

She saw that Bob hesitated before he answered. "I hope you won't see him," he replied after a minute. "We believe he was killed instantly, but——" He broke off and then went on desperately, "If you will go home and leave the arrangements to us, we promise you that everything shall be as he would have wished. We should like him to have the funeral of a hero."

"The funeral of a hero!" she echoed. She did not know, she could not imagine what kind of funeral that would be; but she felt intuitively that Nathan would have liked it, and that she had no right to deny him the funeral that he would have liked.

Without replying in words, she bent her head and turned back to the wagon, where a completely demoralized Nimrod awaited her. A stunned sensation held her emotions imprisoned, and a few minutes later, as she drove homeward, it occurred to her that she was proving unequal again to one of the supreme occasions of her life. Emotionally, would she always prove unequal to the demands of life? She was not feeling what she knew that she ought to feel; she was not feeling what she knew that they expected of her. Her stern judgment told her that she was a hypocrite; but it was hypocrisy against which she was inert and helpless. Though she was overwhelmed by the general tragedy, she was without a keen sense of widowhood. Something within her soul, that thin clear flame which was herself, remained unshaken by her loss, as it had remained unshaken by every tragedy but one in her life. She was leaving Nathan, with regret but not with grief, to his belated popularity. How could she begrudge him in death the thing that he had wanted most when he was alive? Yes, beholding him as she did with compassion but without pretense, she knew that he would have enjoyed the funeral of a hero.

Waking in the blackness before dawn, she heard John Abner come downstairs and stop in the hall to light his lantern.

"I ought to go out to the milking," she thought, and then more slowly, "I can't believe that Nathan is dead."

Would the idea ever grow familiar to her? Could she ever live with the fact, acknowledged and yet unregarded, as she had lived with the fact of her marriage? "There never was a better man in the world," she said aloud. Here on the farm she found herself missing him with the first vague sense of loss. The insensibility which had protected her at the station disappeared when her mind dwelt on his good qualities,—his kindness, his charity, his broad tolerance of her prejudices. She knew that she should miss him more and more in all the details of the farm, and that she should begin to sorrow for him as soon as she had time to realize that she had lost him for ever. Yesterday was a void in her mind. When she thought of the long day after her return from the station, she could remember only the incredible tenderness of John Abner, and the visit in the afternoon from James Ellgood, who had told her that the news of the wreck had just travelled as far as the farms beyond Whippernock River, and that the absent minister was returning at midnight.

On this, the second day after Nathan's death, the primitive ceremonies of the funeral began. The earliest and one of the most depressing signs of mourning was the loud demoralization of the negroes, who rose to the funeral as fish to bait, and became immediately incapable of any work except lamenting the dead. As long as there was hope left in tragedy, they were able to brace themselves to Herculean exertions; but superstition enslaved them as soon as death entered the house. The cows, of course, had to be milked; but with the exception of the milking and the necessary feeding of the stock, the place was like an abandoned farm until the burial was over. Though Nathan's charred body remained at Pedlar's Mill, the pall of mourning extended to Old Farm. John Abner had even suggested sending a telegram to the hotel and the dairy in Washington and letting the milk spoil; but the thought of all the good cream that would be thrown away was too much for Dorinda's economical instincts, and she had checked the impulse with the reminder that Nathan had hated a waste. Yes, he had hated a waste, it is true, but he had also loved a funeral. She remembered her mother's death, and the completeness, the perfection, of his arrangements.

"Am I too hard?" Dorinda asked herself. "Ought I not to see that everything gets so upset? After all, as Fluvanna says, a person does not die but once." The small ironic demon of her sagacity concluded, in spite of her will: "It is a good thing, or there wouldn't be any room left for life."

Breakfast was no sooner over than she was engulfed in a continuous deluge of sympathy. She was up in the attic with Fluvanna, going over the black things which had been left from the mourning of her parents, when the coloured woman glanced out of the dormer-window and gasped breathlessly. "Thar they are, Miss Dorinda. You hurry up and get into that black bombazine befo' they catch you out of mournin'."

She held up a dingy dress which had once belonged to Mrs. Oakley, and Dorinda slipped into it with the feeling that she was preparing for her own coffin. As she was about to go down to meet her callers, Fluvanna unfolded and shook out before her the crape veil which had been worn by two generations of widows. Her grandmother had bought it in more affluent circumstances, and after her death, for she had been one of the perpetual widows of the South, it had lain packed away in camphor until Mrs. Oakley was ready for it. Now it was Dorinda's turn, and a shiver went through her heart as she inhaled the rusty smell of bereavement.

"You'll have to get a new veil after the burial," Fluvanna observed, "but I reckon you can make out with this crape until that is over. It has turned real brown, but there won't many people notice it in church."

Putting the proffered veil aside, Dorinda hastened downstairs, after reminding Fluvanna that she must make coffee in case the visitors expected something to eat.

"If only they would leave the dignity and take away the sordidness of death," she thought.

At the foot of the staircase, Miss Seena Snead was waiting for her with a black serge dress that she had borrowed from one of the neighbours.

"What in the world have you got on, Dorinda?" she asked, while the tears brimmed over her kind old eyes. "I declare it looks as if it was made befo' the Flood. I no sooner heard of po' Nathan's death than I began to study about where I could find a good black dress for you to wear to the funeral. I wasn't a bit surprised that Nathan turned out to be such a hero. I always knew there was a lot mo' in him than some folks suspected. Then, while I was in the midst of trying to recollect who had died last year, young Mrs. John Garlick drove into our yard with this dress and a widow's bonnet in her arms. She told me she's stoutened so she couldn't make the dress meet on her, and she'd be obliged if you'd do her the favour to wear it. The bonnet she sent along because it's a widow's bonnet anyway, and she can't wear it herself until she loses John. That makes her sort of superstitious about keepin' it put away as if she were saving it for a purpose. John bought it for her in New York when she lost her mother. Wasn't that like a man all over again, to go and buy his wife a bonnet with a widow's ruche when her mother died?"

"I'm much obliged to her," Dorinda replied stiffly, taking the bonnet out of the bandbox.

"It'll be real becomin' to you," Miss Seena exclaimed consolingly. Though her tears were still streaming for Nathan, her imagination had already envisaged Dorinda as a widow in weeds. "It makes you look mo' strikin' than colours. There ain't nothin' you can wear so conspicuous as crape, my po' Ma used to say."

Dorinda put on the dress and stood straight and still in the middle of her bedroom floor while the dressmaker let down the hem and took a pleat in the belt. "I've never seen anybody keep her figger so well as you've done," remarked Miss Seena. "It's stayin' out of doors an' movin' about so much, I reckon. My Ma used to say that when you get on in life, you have to choose between keepin' yo' face or yo' figger; but it looks as if you had managed to preserve both of 'em mighty well. You get sort of chapped and weatherbeaten in the winter time, an' the lines show mo' than they ought to, but that high colour keeps 'em from bein' too marked. You're forty now, ain't you, Dorinda?"

"Forty-two. It's hard sometimes for me to believe it."

"Well, you're the hard kind that don't wear away soon. Look at Geneva Ellgood, poor thing. She broke almost as quick as she grew."

Dorinda sighed. "She needed love too much ever to find it," and she thought, "The surest way of winning love is to look as if you didn't need it."

"Everybody knew that it was Jim Ellgood that made Jason marry her, and folks about here were mighty mad with him for throwing you over. It was that mo' than drink that ruined his practice because people didn't want a man to doctor them who hadn't behaved honourable. He began to go downhill right after that, and he and Geneva lived like cat and dog befo' she drowned herself. Jason is about as bad off now as she was, tho' men don't ever seem to get the craze that they're goin' to have a baby. But he's got a screw loose, or he wouldn't live way back yonder in the woods, with nobody but an old coloured woman to look after him." She was kneeling on the floor pinning up Dorinda's skirt, with the help of the red pincushion, shaped like a tomato, which she wore fastened to the bosom of her dress. "It was fortunate for you that Geneva got him," she concluded, "and that you waited and took Nathan instead. You must find a heap of comfort in feeling that you're the widow of a hero."

The widow of a hero! Already Nathan's spirit, disencumbered of the gross impediment of the flesh, was an influence to be reckoned with. Alive, he had been negligible, but once safely dead, he had acquired a tremendous advantage.

"I believe I'll drop if I have to stand a minute longer," Dorinda said in a fainting voice.

Miss Seena was immediately solicitous. "Poor child, I reckon the shock must have unnerved you. You lie right down, and I'll have this dress ready befo' the minister gets here."

At last the dressmaker stopped talking and settled down to her work, and in the afternoon, when the Ellgoods came with the minister to tell Dorinda of the arrangements for the funeral, she received them in the black serge dress with a bit of crape at her throat. A fire was burning in the parlour beneath the two black basalt urns on the mantelpiece and the speckled engraving on the wall above. While she was still shaking hands with the Ellgoods, a stream of people, led by Minnie May and Bud, poured into the hall. Minnie May had brought her six children with her, and the smaller ones immediately began to play with their dolls behind the rosewood sofa in the corner, while the eldest boy fingered the books which ran halfway up the walls on three sides of the room.

"Don't you think I ought to make them stop?" Minnie May asked presently. "They'd be more at home, anyway, in the kitchen where Fluvanna is making gingerbread for them."

"Tell Fluvanna not to forget to bring in some blackberry wine and cake," Dorinda whispered in reply.

Before she had spoken to her first visitors, the parlour was crowded; and John Abner was obliged to bring chairs from the spare room. "To think of my having to wear a bonnet with a widow's ruche!" Dorinda found herself thinking, while she was condoled with in husky accents by the old minister. "If they'd go away and let me have time to think, I might feel; but I can't feel anything as long as they're all talking to me." Though most of the faces were familiar to her, and some of them she had passed in the road ever since her childhood, there were several persons whom she did not seem to remember. These, she discovered presently, were strangers who had been on the wrecked train with Nathan. Two of them he had rescued from the burning cars at the cost of his life.

Bad as the roads were, only the tenant farmers who lived beyond Whippernock River had been prevented from coming. The bridge had been damaged by the storm, and the thawing ice had made the shallow stream unfordable. Old Mr. Kettledrum, who had given up his practice and become "the mail rider" for the new rural delivery had been almost swept away when he had tried to cross at the ford. Even Willow Creek was so high that the log bridge had been torn to pieces by the flood. Yet neither flood nor snow had held the neighbouring farmers at home. White and black, rich and poor, they had turned out to visit the widow of a hero in her affliction. Even Mr. Kettledrum had sent word that, undaunted by his narrow escape from drowning, he had driven round the circuit in order to bring Dorinda the morning papers.

"To think that all this should be about Nathan," Dorinda said to herself, while she sat there with the newspaper James Ellgood had given her in her lap.

"HERO ON WRECKED TRAIN GIVES HIS LIFE FOR OTHERSDESCENDANT OF FIRST MILLER OF PEDLAR'S MILL DIESAFTER SAVING WOMEN AND CHILDREN.MONUMENT TO BE ERECTED IN CHURCHYARD AT PEDLAR'SMILL."

After this there was a list of contributions for the monument, beginning with one thousand dollars, which had been subscribed by an anonymous stranger from the North.

Yes, dreadful as it was, she couldn't get over the feeling that there was something unreal and theatrical in the event. She might have been on the stage at a school festival, listening to all these people declaiming selections from Shakespeare. Nathan's heroism sounded to her as unnatural as the way things happened in Shakespeare. She felt ashamed of herself. Had she failed Nathan in his death because she could not recognize him in what she thought of vaguely as his heroic part? Well, ashamed or not, she simply could not take it in. If you could once take it in, she said to herself stupidly, the whole of life would be different; yet, for the moment, she was too stunned, too confused, to credit the incredible. The tragedy appeared too magnificent to be true.

The minister was an old man. He had known Dorinda's mother when they were both young; he had known Nathan when he was a child; and he wheezed now with distress when he talked of him. His face was as grey and inflexible as a rock, Dorinda thought, though his voice reminded her of a purling brook. Over his bulging forehead his limp white hair hung in loose strands which curled at the ends. She had not seen him for years outside the pulpit, and it embarrassed her that he should stand on a level with her and wipe his eyes on the shreds of a silk handkerchief. While he rambled on, she looked beyond him and saw all those persons, some of whom were unknown to her, moving about the parlour, which was as sacred to her as a tombstone. They were whispering, too, among themselves, and she knew that they were speaking of Nathan in the sanctimonious tone which they had consecrated to missionaries who had died at their posts or to distinguished generals of the Confederacy. She observed John Abner go out to help put up the horses, and glancing out of the window, she saw Fluvanna coming from the henhouse with a bunch of fowls in her hands. With her usual foresight, the girl, who had kept her head better than the other negroes, was preparing supper for the multitude.

The old minister had finished once, but he was beginning again in a florid oratorical style. How long would he go on, she wondered, and would it be like this at the funeral? There was much to be said, she conceded, for the Episcopal service which circumscribed the rhetoric of clergymen. When at last he sat down, wiping his glasses, in the cushioned rocking-chair close to the fire, Bob Ellgood stood up and explained the funeral arrangements as if he wished her to understand that they were to be worthy of Nathan. This was Wednesday, and the public funeral, the funeral of a hero, would be held at three o'clock on Friday afternoon. Then he handed her a list of the pallbearers, many of them merely "honorary," Dorinda perceived, and among them there were several names that she did not know.

"They were on the wrecked train," Bob replied to her question, "and wish to pay this last mark of respect." These were the men, he told her, who had started the list of contributions. "It is our idea to build a monument by public subscription," he concluded, "over his grave in the churchyard. Then future generations will remember his heroism."

"Poor Nathan," she thought, while her eyes filled with tears. "If only he could hear what they are saying." There had never been a monument erected by public subscription at Pedlar's Mill, and she could not help thinking how pleased Nathan would have been if he could have taken an active part in the plan. Well, some people had to wait until they were dead to get the things that would have made them happy while they were living.

As soon as Bob Ellgood stopped speaking, a general droning began in the room, and she grasped, after an instant of confusion, that everybody was trying to tell her of some boyish act of generosity which was still remembered. These recollections, beginning with a single anecdote related in the cracked voice of the minister, gathered fulness of tone as they multiplied, until the room resounded with a chorus of praise. Was it possible that Nathan had done all these noble things and that she had never heard of them? Was it possible that so many persons had seen the greatness of his nature, and yet the community in which he lived had continued to treat him as more or less of a clown? Over and over, she heard the emphatic refrain, "I always thought there was a heap more in Nathan Pedlar than people made out."

Sitting there in the midst of the belated appreciation, it seemed to Dorinda that the shape of an idea emerged gradually out of the fog of words. All his life Nathan had been misunderstood. Though she was unaware of the exact moment when the apotheosis occurred, she realized presently that she had witnessed the transformation of a human being into a legend. After to-day, it was impossible that she should ever think of Nathan as unromantically as she thought of him while he was alive. Death had not only ennobled, it had superbly exalted him. In this chant of praise, there was no reminder of his insignificance. Could it be that she alone had failed to recognize the beauty of his character beneath his inappropriate surface? Had she alone misunderstood and belittled him in her mind? Her heart swelled until it seemed to her that she was choking. When she remembered her husband now, it was the inward, not the outward, man that she recalled.

"I reckon he warn't mo' than eight years old when he took that whipping for stealing old man Haney's cherries rather than tell on Sandy Moody's little boy Sam," Ezra Flower, the auctioneer, was reciting. "I can see the way he stood up and took the lashing without a whimper, and the other boys teasing him and calling him a clown on account of hid broken nose. Yes, ma'am, I always knew thar was a heap mo' in Nathan Pedlar than most folks made out."

The warm room, the firelight, the humming voices, faded into a mist. Beyond the window-panes, which flamed with a reflected glow, Dorinda saw the white fields and against the fields there flickered a vision of the room in which she was sitting. Out of this vision, the prayer of the minister stole over her like some soporific influence. An inescapable power of suggestion, as intense yet as diffused as firelight, was reassembling her thoughts of the past. "Yes, there was more in Nathan than anybody ever suspected," she found herself repeating.

With one of those sudden changes that come in Virginia, the day of Nathan's funeral brought a foretaste of spring. The snow had melted so rapidly that the roads were flowing like brooks, and Whippernock River, with its damaged bridge, was still impassable. But an April languor was in the air, and the sky over the wintry fields was as soft as clouds of blue and white hyacinths. Though a number of farmers who lived beyond Whippernock River had been unable to come to the funeral, people had arrived by train from the city and in every vehicle that could roll on wheels from the near side of the railroad. The little church was crowded to suffocation while the minister read his short text and preached his long sermon on the beauty of self-sacrifice. When the last hymn was sung with gasps of emotional tension, and the congregation flocked out into the churchyard, with Nathan in his flower-banked coffin and Dorinda hidden in her widow's weeds, a wave of grief spread like a contagious affliction over the throng. With her head reverently bowed, Dorinda tried to attend only to the words of the minister, to see only the open grave at her feet, with the piles of red clay surrounding the oblong hole. Yet her senses, according to their deplorable habit in a crisis, became extraordinarily alive, and every trivial detail of the scene glittered within her mind. She saw the blanched and harrowed face of the minister, who prayed with closed eyes and violent gestures as if he were wrestling with God; she saw the nodding black plumes of Miss Texanna Snead, and remembered that Nathan had once called her "a plumed hearse." She saw the gaping mouths of the children, whom their mothers, in the excitement of the occasion, had neglected to wash; she saw even the predatory brood of chickens which had invaded the graveyard and was scratching upon the graves. The ground at her feet was heaped with flowers, and among the floral crosses and wreaths and pillows, she observed the design of a railway engine made of red and white carnations, and tried to recall the names on the card. Long after she had forgotten every word of the prayer, she could still see that preposterous floral engine and smell the strong scent of fading carnations.

Standing there beside the open grave, recollections blew in and out of her mind like chaff in the wind. Her first sermon. The old minister praying with eyes so tightly shut that they looked like slits made by a penknife. The way her feet could not reach the floor. Peppermints in a paper bag to keep her quiet. Her mother smelling of soap and camphor. Missionaries in the front pew. The saving of black babies. The way she had yawned and stretched. Nathan was there then, a big boy who sang, with a voice as shrill as a grasshopper, in the choir. Rose Emily too. How pretty she was. Then Rose Emily as she lay dying with the happy light in her eyes and the flush in her cheeks. Twenty-two years ago! Well, she had done her best by Rose Emily's children.

Afterwards, when she drove home with John Abner, she found that, though they had buried the actual Nathan in the churchyard, the legendary Nathan of prayer and sermon still accompanied them.

"I wish Father could have heard what they said of him," John Abner remarked, with detached reverence, as he might have spoken of one of the public characters in the Bible. "It would please him to know what they thought of him after he was gone."

"Perhaps he does know," Dorinda responded.

For a few moments they talked of this; of the way death so often makes you understand people better than life; of the sermon and the flowers, and the general mourning.

"Did you see Jacob Moody there?" asked John Abner presently. "He used to work for Father before we moved to Old Farm, and Jacob told me he swam Whippernock River to come to the funeral."

Dorinda wiped her eyes. "Things like that would have touched Nathan. I never saw any one get on better with the coloured people. It was because he was so just, I suppose."

"Those were Jacob's very words. 'Mr. Nathan was the justest white man I ever saw,' he said. Put back that heavy veil, Dorinda. It is enough to smother you. There now. That's better. Your face looks like the moon when it comes out of a cloud."

Dorinda smiled. "Even that old German who has just moved into the Haney place was there. I wonder what he thinks now of Germany? We shan't hear anything about the war after this. I used to tell your father he couldn't have felt more strongly if it had been fought at Old Farm."

"I was beginning to get interested myself," John Abner returned. "I'll try to follow it on the map just as he did in the evenings. Well, it will be over before next winter, I reckon."

"And all that waste so unnecessary!" Dorinda exclaimed.

They were turning in at the gate by the bridge. Straight ahead, she saw the house, with the smoke flying like banners from the chimneys. On the hill beyond, the big pine was dark against the blue and white of the sky.

Although Dorinda would have been astonished had she discovered it, the years after Nathan's death were the richest and happiest of her life. They were years of relentless endeavour, for a world war was fought and won with the help of the farmers; but they were years which rushed over her like weathered leaves in a storm. To the end, the war came no nearer to her than a battle in history. There was none of the flame-like vividness that suffused her mother's memories of the starving years and the burning houses of the Confederacy. Only when she saw victory in terms of crops, not battles, could she feel that she was part of it.

In the beginning the Germans had seemed less a mortal enemy than an evil spirit at large, and she had fought them as her great-grandfather might have fought a heresy or a pestilence. That men should destroy one another appeared to her less incredible than that they should deliberately destroy the resources which made life endurable. That they should destroy in a day, in an hour, the materials which she was sacrificing her youth to provide! At night, lying in bed with limbs that ached so she could not sleep, and a mind that was a blank from exhaustion, she would hear the rotation of crops drumming deliriously in her thoughts. Potatoes. Corn. Wheat. Cow-peas. Clover. Alfalfa. And back again. Alfalfa. Cowpeas. Potatoes. Corn. Wheat. Clover. That was all the seasons meant to her, one after one. Her youth was going, she knew; but youth had brought so little that age could take away, why should she regret it? The hair on her temples had turned from grey to white; her skin, beneath its warm flush, was creased with lines and roughened from exposure; but her eyes were still bright and clear, though the caged look had gone out of them.

What she felt most, as the struggle went on, was the failure of elasticity. The tyranny of detail was more exacting, and she rebounded less quickly from disappointment. Notwithstanding what Doctor Faraday had called her "superb constitution," her health began to cause her uneasiness. "The war has done this," she thought, "and if it has cost me my youth, imagine what it has cost the men who are fighting." It was a necessary folly, she supposed, but it was a folly against which she rebelled. Had humanity been trying unwisely to hurry evolution, and had the crust of civilization proved too thin to restrain the outbreak of volcanic impulses? Her two years with Doctor Faraday had accustomed her to the biological interpretation of history. "And the worst thing about the war," she concluded grimly, "is not the fighting. It is not even the murder and plunder of the weaker. The worst thing about it is the number of people, both men and women, who enjoy it, who embark upon it as upon a colossal adventure."

If John Abner had gone to France, the war would have come closer to her; but John Abner was tied by his clubfoot to the farm. The crowning humiliation of his life came, she knew, when he watched the other boys from Pedlar's Mill start off for the training camp. Her pity for him was stronger than her relief that she could keep him, and she wished with all her heart that he could have gone. "You will be more useful on the farm," she said consolingly, as they turned away; but he only shook his head and stared mutely after the receding train. What John Abner desired, she saw, was not usefulness but glory.

Of the boys they saw go, a few were killed; but they were boys whom she knew only by sight. Two of Josiah's sons went, and one died of influenza after he had been decorated three times; but this boy had lived away so long that she did not feel close to him. Bob Ellgood's second son returned a nervous wreck from shell shock, and whenever Dorinda saw him on the porch at Green Acres, trying to make baskets of straw, she would feel that her heart was melting in pity. But even then the war did not actually touch her. Her nearest approach to the fighting was when Fluvanna's son Jubal died in a French hospital, and she was obliged to read the later aloud because Fluvanna was too distressed to spell out the words. Dorinda had known Jubal from his babyhood. He had grows up on the farm, and she had taught him to read. The day the news came the two women worked until they were ready to drop from exhaustion. Work had always been Dorinda's salvation. It was saving her now from the war as it had once saved her from the memory of Jason.

With the return of peace, she had hoped that the daily life on the farm would slip back into orderly grooves; but before the end of the first year she discovered that the demoralization of peace was more difficult to combat than the madness of war. There was no longer an ecstatic patriotism to inspire one to fabulous exploits. The world that had been organized for destruction appeared to her to become as completely disorganized for folly. Even at Pedlar's Mill there were ripples of the general disintegration. What was left now, she demanded moodily, of that hysterical war rapture, except an aversion from work and the high cost of everything? The excessive wages paid for unskilled labour were ruinous to the farmer; for the field hands who had earned six dollars a day from the Government were not satisfied to drive a plough for the small sum that had enabled her to reclaim the abandoned meadows of Five Oaks. One by one, she watched the fields of the tenant farmers drop back into broomsedge and sassafras. She was using two tractor-ploughs on the farm; but the roads were almost impassable again because none of the negroes could be persuaded to work on them. Even when she employed men to repair the strip of corduroy road between the bridge and the fork, it was impossible to keep the bad places firm enough for any car heavier than a Ford to travel over them. Yet these years, which she had believed would mean the end of her prosperity, passed over her also and were gone.

After all, the men farmers had suffered more. James Ellgood allowed his outlying fields to run to waste again because he could not find labourers to till them. Old John Appleseed gave up his market garden after he had lost all his vegetables one spring when he was ill and there was nobody to gather them. It was in such a difficulty that Dorinda was aided by a gift she had never depended on in the past, and this was her faculty for "getting on," as she would have called it, with the negroes. Unlike James Ellgood, who was inclined to truculence, she had preserved her mother's friendly relations with the established coloured families at Pedlar's Mill. When the scarcity of labour came, the clan of Moodys provided the field workers that she required. The Moodys, the Plumtrees, and the Greens, were scattered on thrifty little farms from the settlement of Plumtree to the land beyond Whippernock River; yet, one and all, they were attached by ties of kindred to the descendants of Aunt Mehitable. In a winter of frozen roads and a disastrous epidemic of influenza, the relatives of Aunt Mehitable, who had died long ago, sent pleading messages to Dorinda, and she gave generously of the peach brandy and blackberry cordial she had inherited from her mother. There was scarcely a cabin that the pestilence did not enter, and wherever it passed, Dorinda followed on Snowbird, her big white horse with the flowing mane and the plaited tail which had never been docked. That was a ghastly winter. From November to March the landscape wore the spectral and distraught aspect of one of the engravings after Doré in her mother's Bible. Doctor Stout was still in France, and there was no physician but Jason Greylock at Pedlar's Mill. Dorinda met him sometimes going or returning on horseback from a desperate case; but he appeared either not to recognize her or to have forgotten her name. People said that he was still a good doctor when he had his senses about him. The pity was that he was often too drunk to know what he was doing. He looked an old man, for his skin was drawn and wrinkled, the pouches under his eyes were inflamed with purple, and there were clusters of congested veins in his cheeks.

One afternoon, when the epidemic was at its worst, she rode up to the door of one of the humbler cabins and met him coming away.

"You ought not to go in there," he said shortly, for he was sober at last. "Two children have just died of pneumonia, and the others are ill. They are the worst cases I've seen."

Mounted on her white horse, like some mature Joan of Arc, she glanced down on him. Her face was expressionless but for its usual look of dauntless fortitude. She was thinking, "At last I shall have to speak to him, and it makes no difference to me whether I speak to him or not." It was a quarter of a century since she had driven home with him that February afternoon. A quarter of a century, and she had not forgotten! Well, when you have only the solitude to distract you, your memory is obliged to be long!

"I am not afraid," she replied in level tones, after she had dismounted and tethered Snowbird to the branch of a tree. "Are you?"

While he could wrap himself in his professional manner, it occurred to her that he was not without dignity. Even though there were only the rags of it left, he was less at her mercy than he would have been in the character of a remembered lover. For an instant it seemed to her that he waited for her question to sink in. Then he answered with the sound of a laugh that had been bitten back.

"I? No. What have I to fear?"

Her smile was as sharp as a blade. "There is always something, isn't there, even if it is only the memory of fear?"

"You think, then, that I was always a coward?" Yes, he was sober enough now, restrained by those shreds of professional responsibility which was the only responsibility he had ever acknowledged.

She laughed. "I stopped thinking of you twenty-five years ago."

"I know." He looked as if he were impressed by her words. "You took the best man, after all. There was more in Nathan than anybody realized."

"Every one says that now."

"Well, it's true even if every one says it. You married a good man."

It was her hour of triumph; and though it was her hour of triumph, she knew that, like everything else in her life, it had come too late. A quarter of a century outlasts expectancy. The old pang was dead now, and with it the old bitterness. It made no difference any longer. Nothing that he could say or do would make any difference. She had outlived both love and hatred. She had outlived every emotion toward him except disgust. That last scene at Five Oaks returned to her, and her lips twisted with aversion. "Yes, I married a hero," she rejoined, and she added to herself, "If only Nathan could hear me!"

"You made your life in spite of me. I'm glad of that."

She laughed again. How little men knew of women! Even Nathan, who had loved her, had never seen her as she was. "Yes, I made my life in spite of you."

"It was too much, I suppose, to expect you to understand how I failed. I never ran after women. That wasn't my weakness. I never wanted to do any of the things I did. I never wanted to throw you over. I never wanted to marry Geneva. I never wanted to ruin either of your lives. I never wanted to stay in this God-forsaken solitude. I never wanted to let drink get a hold on me. I did not want to do a single one of these things; but I did them, every one. And you will never understand how that could be."

She shook her head. "It doesn't matter now. It isn't worth thinking about."

"All the same I wish you could understand that I was not the kind of man to do the things that I did. I was a different sort of fellow entirely. But what I was never seemed strong enough to withstand the pull of what I was not. Of course, you'll never see that. You'll just go on thinking I was born rotten inside. Perhaps you're right. I don't know. I can't work it out."

She looked through him and beyond him to the brown solitude of the winter fields. The sunken roads were swimming in melted snow; the bushes were like soaked rags; the trees were dripping with a fluid moisture which was heavier than rain. From the sodden ground a vapour steamed up and floated like a miasma on the motionless air.

"Men like you ought to have been sent to the war," she said. "They wouldn't take me. I was too old, and besides I've got the drink habit."

"And you blame somebody else for that, I suppose?"

"No, I don't blame anybody. I don't blame anybody for anything. Least of all myself. It was the way things turned out. Strange as it may seem to you, I always did the best that I could. If Father had died sooner, it might have been different. But everything happened too late. The broomsedge grew over me before I could get away."

Exultation flared up and then died down to ashes. "You ruined Five Oaks, and I saved it," she said.

"Yes, you have done well with the farm." Twenty-five years of toil and self-denial, and in the end only: "You have done well with the farm!"

"That shows what you can do even with poor land when you put your heart into it," he added.

"Not the heart, but the head," she retorted sharply, as she went past him into the cabin.

When the spring came and the epidemic was over, she had won the loyal friendship of the poorer tenant farmers and the negro landowners; but her energy and her resilience were less than they had ever been in her life.

Machinery could not work alone, and even tractor-ploughs were obliged to be guided. She had installed an electric plant, and whenever it was possible, she had replaced hand labour by electricity. In the beginning she had dreaded the cost, but it was not long before she realized that the mysterious agency had been her safest investment. The separator in the dairy was run by electricity. With the touch of a button the skimmed milk was carried by pipes to the calf-yard or the hog-pen. Pumping, washing, churning, cooling the air in summer and warming it in winter, all these back-breaking tasks were entrusted to the invisible power which possessed the energy of human labour without the nerves that too often impeded it, and made it so uncertain a force.

"What would Pa say if he could see so many cows milked by machinery?" she asked John Abner, after the first experiment with electricity in the cow-barn.

"Do you think it will help much in milking?"

"In the end it may. The young cows don't mind it, but you'll never get the old ones to put up with it."

"Then until the young ones have turned into the old ones, we'll have to take whatever milkers we can find. Cows must be milked twice a day, and no darkey wants to work more than three times a week."

"They're still living on their war wages. If I ran this farm the way men manage the Government, we'd be over head and ears in debt. Perhaps," she suggested hopefully, "when the negroes have spent all they've saved up, they'll begin to feel like working."

John Abner grinned. "Perhaps. But it takes a long time to starve a darkey."

"Well, I'll see what Fluvanna can do about it," Dorinda retorted. She did not smile at his jest because the problem, she felt, was a serious one. The negro, who was by temperament a happiness hunter, could pursue the small game of amusement, she was aware, with an unflagging pace. Without labourers, the farms she had reclaimed with incalculable effort would sink again into waste land. "Yes, I'll see what Fluvanna can do," she repeated.

In the end, it was Fluvanna who, with the assistance of the patriarchs among the Moodys, the Greens, and the Plumtrees, drove the inveterate pleasure-seekers back to the plough. Looking at the coloured woman, generous, brisk, smiling, with her plump brown cheeks and her bright slanting eyes, Dorinda would ask herself how she could have managed the farm without Fluvanna. "Heaven knows what I should have done if I had not had a pleasant disposition about me," she said. In return for Fluvanna's sunny sympathy and her cheerful alacrity, which never faltered, Dorinda had discreetly overlooked an occasional slackening of industry.

Though the years were hard ones, she was more contented than she had ever been. The restless expectancy had ceased, and with it the indefinite longing which had awakened with the scent of spring rains on the grass, or the sound of the autumn wind in the broomsedge. Even the vision of something different in the future, that illusion of approaching happiness which she had believed as indestructible as hope itself, had dissolved as the glimmer of swamp fires dissolves in the twilight. She knew now that life would never be different. Experience, like love, would always be inadequate to the living soul. What the imperfect actuality was to-day, it would be to-morrow and the day after; but there was rest now, not disquietude, in the knowledge. The strain and the hard work of the war had tired her nerves, and she looked forward to the ample leisure of the time when she could expect nothing. Since Nathan's death she had lost the feeling that life had cheated her. It was true that she had missed love; but at the first stir of regret she would shake her head and remind herself that "you couldn't have everything," and that, after all, it was something to have married a hero. Nathan's victorious death had filled the aching void in her heart. Where the human being had failed her, the heroic legend had satisfied.

As she grew older, it seemed to her that men as husbands and lovers were scarcely less inadequate than love. Only men as heroes, dedicated to the service of an ideal, were worthy, she felt, of the injudicious sentiments women lavished upon them. At twenty, seeking happiness, she had been more unhappy, she told herself, than other women; but at fifty, she knew that she was far happier. The difference was that at twenty her happiness had depended upon love, and at fifty it depended upon nothing but herself and the land. To the land, she had given her mind and heart with the abandonment that she had found disastrous in any human relation. "I may have missed something, but I've gained more," she thought, "and what I've gained nobody can take away from me."

Without John Abner, who was much to her, though not so much as she had once believed he would be, and the indispensable memory of Nathan to fall back upon, she sometimes wondered what her middle years would have brought to her. John Abner, it is true, was subject to moods, and recently he had been warped by a disappointment in love; but even if he was not always easy to live with, she knew that, in his eccentric fashion, he was attached to her. With Nathan, it was different. In the years that had passed since his death, he had provided her with the single verity which is essential to the happiness of a woman no longer young, and that is a romantic background for her life. The power of mental suggestion, which is stronger than all other influences in the world of emotion, had cultivated around her this picturesque myth of Nathan. No one spoke to her now of his ugliness, his crudeness, his reputation as a laughing-stock; but whenever she went to church, she beheld the imposing monument which public sentiment had placed over his grave. Every soldier who went from Pedlar's Mill was reminded by fire-breathing orators that the heroes of war must be worthy of the hero of peace. Every appeal from the Red Cross in the county bore his name as an ornament. As time went on this legend, which had sprung from simple goodness, gathered a patina of tradition as a tombstone gathers moss. Yes, it was something, Dorinda assured her rebellious heart, to have been married to a hero.

In these years she might have married again; but a distaste for physical love, more than the rigid necessity of her lot, kept her a widow. When, a year after his wife's death, Bob Ellgood began, according to the custom of the country, to motor over to Old Farm on Sunday, she was at first flattered, then disturbed, and at last frankly provoked. Walking through the pasture with him one afternoon in April, she reflected, not without chagrin, that this also was one of the blessings that had come at the wrong time. "Thirty years ago, before I knew Jason, I could have loved him," she thought; and she remembered the Sunday mornings in church when she had gazed longingly at his profile and had asked herself, "Can he be the right one, after all?" She had wanted him then with some sudden cobweb of fancy, which had been spun by an insatiable hunger for life. If he had turned to her at that moment, she would have loved him instead of Jason, and the future, which was now the past, would have been different. But he had not wanted her then; he had first to make a disappointing marriage, and by the time he had discovered his mistake, it was too late to begin over again. Well, that was the way things happened in life!

"Why won't you marry me, Dorinda?" he asked, wheeling abruptly round from the pasture bars.

Startled, she cast about for a reason which might appear plausible to his masculine vanity. Was there a reason? Had she any reason behind her resolve, or was aversion as physical a process as first love? Once he had been handsome, a young blond giant, and now he was coarsened and beefy, with a neck like a bull's and a rapidly spreading girth. There was a purple flush in his face and puckers of flesh between his collar and his slightly receding chin. This, also, was the way things happened, she knew. Yet, after a moment's compassionate regard, she discerned that he wore his unalluring age as easily as he had once worn his engaging youth. He appeared unaware even that it might be a disadvantage in courtship.

"Suppose I looked like that?" she said to herself, and then, "Perhaps women are more fastidious than they used to be, but men have not yet found it out. Or is it simply because I am independent and don't have to marry for support that I can pick and refuse?"

"Have you decided why you won't marry me?" he inquired presently.

He was smiling at her, and it seemed to her—or was it only her imagination?—that a gleam, like the star in the eyes of her prize bull, flickered and went out in his glance. His face was so close to her that for an instant she believed he was going to kiss her. Not that look! something cried in her heart. Oh, never that look again!

"I can't tell," she answered, walking on again. "There isn't any reason. I've finished with all that."

He was undismayed. "I'll keep on. I'm not in a hurry." Actually at fifty-five, he was not in a hurry.

"It isn't any use," she replied as firmly as she could. "It isn't the least use in the world."

"Well, I'll keep on anyway."

In the end, though she had spoken with decision, she had failed to convince him. That had been two years ago, and he still came in his big car every Sunday afternoon. But as he had warned her, he was not in a hurry, and his courtship was as deliberate as his general habit of body.

Although it seemed to her that she had grown wiser with the years, she had never entirely abandoned her futile effort to find a meaning in life. Hours had come and gone when she had felt that there was no permanent design beneath the fragile tissue of experience; but the moral fibre that had stiffened the necks of martyrs lay deeply embedded in her character if not in her opinions. She was saved from the aridness of infidelity by that robust common sense which had preserved her from the sloppiness of indiscriminate belief. After all, it was not religion; it was not philosophy; it was nothing outside her own being that had delivered her from evil. The vein of iron which had supported her through adversity was merely the instinct older than herself, stronger than circumstances, deeper than the shifting surface of emotion; the instinct that had said, "I will not be broken." Though the words of the covenant had altered, the ancient mettle still infused its spirit.

There were winter nights, in front of her sinking fire, when she would live over the romantic folly and the thwarted aims of her youth. Then, through what appeared to be an endless vista, she would survey the irreconcilable difference between character and conduct. In her own life she could trace no logical connection between being and behaviour, between the thing that she was in herself and the things she had done. She thought of herself as a good woman (there were few better ones, she would have said honestly) yet in her girlhood she had been betrayed by love and saved by the simplest accident from murder. Surely these were both flagrant transgressions according to every code of morality! They were acts, she knew, which she would have condemned in another; but in her memory they appeared as inevitable as the rest of her conduct, and she could not unravel them from the frayed warp-and-woof of the past. And she saw now that the strong impulses which had once wrecked her happiness were the forces that had enabled her to rebuild her life out of the ruins. The reckless courage that had started her on the dubious enterprise of her life had hardened at last into the fortitude with which she had triumphed over the unprofitable end Of her adventure. Good and bad, right and wrong, they were all tangled together. "How can I tell," she could ask, "what I should have done if I had not been myself?"

Riding slowly down the road from Five Oaks to Gooseneck Creek, Dorinda watched the few sheep browsing among the lengthening shadows of the October afternoon. Beyond them the life-everlasting broke in silver waves against the dim blue horizon. Over the whole landscape, with its flat meadows, its low rounded hill in the east, its crawling rust-coloured roads, hung a faint, hazy drift, as inaudible as the dying quiver of insects. Passing at a walk on her white horse against the rich autumn sunset, she reached the log bridge at the creek and kept on toward the fork of the road. She had taken the longer way home in order that she might inspect the new gate which William Fairlamb had finished. Round her, as evanescent as the last flare of day, there was this quivering haze, which was half dreamlike and half the tremor of perishing things. Nature drifting into rest; flowers drifting into dust; grasshoppers drifting into death; faint sunshine drifting into darkness. And in her own mind shadowy images or impressions drifting into thoughts.

It was five years now since the war had ended, and in those years she had recovered both her inward confidence and her outward prosperity. The misfortunes that had threatened the two farms had passed over her like wild geese. Even the labour question had been lessened, if not solved, by the application of electricity and gasoline. She had made a name that was not unknown among the farmers of the state; she had reclaimed two unproductive farms from the clutch of broomsedge and sassafras. In shallow soil, where her father had ploughed only six inches deep, she was now raising rich and abundant crops. Her dairy, she knew, was as well managed, her butter as good, as any that could be found in the country. The products of her dairy, with the name Old Farm stamped under the device of the harp-shaped pine, were bringing the highest prices in the market. She could smile now, with her butter selling in the Washington dairy at a dollar a pound, over the timidity with which she had, modestly asked thirty cents in the beginning. By that subtle combination of prudence and imprudence which she called character, she had turned disappointment into contentment and failure into success.

Riding there in the silver gleams which flashed up from the life-everlasting, she appeared, after the hard years, to have ripened into the last mellowness of maturity. Though her figure in the shirtwaist and knickerbockers of brown corduroy was no longer youthful, it was still shapely. The texture of her skin was rough and hard like the rind of winter fruit, but the dark red had not faded, and her eyes beneath the whitened hair were still as blue as a jay bird's wing. Though she did not look young for her fifty years, she looked as if the years had been victorious ones.

As she opened the new gate, and passing through, turned to close it behind her, she heard the sound of approaching wheels, and saw the piebald horse and peculiar gig of Mr. Kettledrum ascending from the dip in the road. When he reached her they stopped to speak, after the manner of the country, and the old "mail rider," who was just returning on his circuit of twenty-six miles, described, with sprightliness, the condition of the roads over which he had travelled.

"Three big trees blew down on the Whippernock road the other night," he said, "and I reckon they'll lie thar until they rot if the farmers down that way don't cut them up for logs to burn. The Government sent an inspector down last week and he rode over my circuit along with me." A note of pride crept into his quavering voice. "He told me he'd never seen any worse roads in the whole course of his recollection. No, ma'am, not in the whole course of his recollection."

"I hope he'll do something about them. After all, the Government is responsible for the rural delivery."

Mr. Kettledrum shook his head. "I ain't lookin' for nothin' to be done, at least not in my time. It don't look as if the Government can afford to inspect and improve too, particularly when they're inspectin' the roads where mostly Democrats travel. But it was a real comfort to know he thought it was the worst mail road he'd ever laid eyes on in the whole course of his recollection."

"I've been trying to get some of the negroes to mend this bad place before winter. The only way is for the farmers to keep their own roads in repair. The state started to improve the road between Pedlar's Mill and Turkey Station, and all it did was to cut down every last one of the trees. There isn't a patch of shade left there."

"That's true. I know it, ma'am," assented Mr. Kettledrum, who liked to talk of the road, as a man likes to talk of an affliction. "Don't I travel that road between ten and two o'clock on hot August days?" Then his face saddened to the look of stoical resignation with which men survey the misfortunes of others. "When I come along thar this mornin' they was bringin' Jason Greylock away from his house in the woods, and I stopped for a word with him. He was too weak to speak out loud, but he made a sign to say that he knew me. If thar ever was a wasted life, I reckon it was Jason's, though he started out with such promise. Bad blood, bad blood, and nothin' to counteract the taint of it."

"Where were they taking him?" Dorinda inquired indifferently; and turning, she glanced over the autumn fields to the red chimneys of Five Oaks. The house was occupied now by Martin Flower, the manager, and smoke was rising in a slender column from the roof. Mr. Kettledrum cleared his throat. "I thought perhaps they'd sent word to you. Mr. Wigfall told me they was comin' over to ask if you could make a place for Jason at Five Oaks. They seemed to think you owed him a lodgin' on the farm considerin' you bought it so cheap and made so much money out of it."

A flush of anger stained Dorinda's forehead and her eyes burned. "I owe him nothing," she answered. "The place was sold at public auction after he had let it run to seed, and my husband bought it fairly for what he bid. If I did well, it is because I toiled like a field-hand to restore what the Greylocks had ruined." She broke off with a gasp, as if she had been running away from herself. The old "mail rider," she saw after a moment, stared at her in surprise.

"Yas'm, I'm sorry I spoke, ma'am," he replied mildly. "You've earned the right to whatever you have, that thar ain't no disputin'. I was just thinkin' as I come along what a pleasant surprise it would be to your Pa if he could come back an' see all those barns and dairy-houses, to say nothin' of that fine windmill an' electric plant."

Dorinda sighed. "Poor Pa. My only regret is that he couldn't share in the prosperity. He worked harder than I did, but he never saw any results. It has taken me thirty years." Yes, she was fifty now, and it had taken her thirty years.

"You've kept the old house just as it was in his day. Wall, I favour a shingled roof, myself, even if it does burn quicker when it ketches fire. But thar's something unfeeling to me about one of these here slate roofs. They ain't friendly to swallows, an' I like to see swallows flyin' over my head at sunset."

"Yes, a slate roof is almost as ugly as a tin one." She regarded him steadily for a minute while she bent over to stroke Snowbird's neck. The light struck her face obliquely through the fiery branch of a black-gum tree, and if Mr. Kettledrum had been gifted with imagination, he would have seen the look of something winged yet caged flutter into her blue eyes.

"What is the matter with Doctor Greylock?" she asked.

In Mr. Kettledrum, who was wafted off on waves of agreeable retrospection, the sudden question produced mental confusion. He was past the sportive period when one can think without effort of two things at the same time. "Eh, ma'am?" he rejoined, cupping one gnarled hand over his ear.

"I asked you what was the matter with Doctor Greylock?"

"Oh, Doctor Greylock! Thar's no disputin', ma'am, that you owe him nothin' in the matter of Five Oaks."

"I haven't seen him for five years," she said with deliberate slowness. "I thought he was still living in that house by Whippernock River."

"So he was till this morning; that's what they told me. But it seems they've heard nothing of him since Aunt Mehaley Plumtree stopped doin' for him six months ago because he told her he didn't have the money to pay her wages. He'd put everything he had, which was mighty little, I reckon, in some wild-cat scheme of oil wells in Mexico, and they'd either burst or leaked, if they ever was thar in the beginnin', which I doubt. Everybody knows he never paid his taxes, but that thar little old place in the backwoods wasn't worth a cent, so nobody troubled about tryin' to collect 'em. Anyhow, he had to do for himself ever since Aunt Mehaley left him, an' he's been gittin' sicker an' sicker with consumption all the time. When Ike Pryde was over that way squirrel huntin' yesterday, he stopped in thar an' found Jason out of his head, without a bite to eat in the house. The whole place, henhouse and all, Ike said, was as bare as the pa'm of his hand. Wall, he ran home an' got his wife to come over, and she did the best she could till they could lay hands on the sheriff. Jason had just kept alive on whiskey and some persimmons he'd managed to pick up from the ground. He must have been that way for weeks."

The colour had ebbed from Dorinda's cheeks and she looked as if she had withered. There was no distress in her mind, only a cloud of horror through which she could not see clearly. She lifted her hand and drew it across her eyes, brushing away the mist that obscured them. There was nothing there. Nothing but the drooping shadows over the road, the shocked corn against the sunset, the blur of scarlet and gold and wine-colour in the woods. There was no horror in these things; yet while she looked at them they became alive and struck out at her like a serpent.

"I have no sympathy to waste on him," she said harshly, and then, "Won't James Ellgood take care of him?"

Mr. Kettledrum shook his head, vaguely apologetic. "Not James. He hates him like poison. Maybe thar's something in the notion that Jason drove his wife crazy. I ain't takin' sides. But like most soft-hearted men James is like a rock when he gets set against a thing. Thar wa'n't no place for Jason to go but the poorhouse. The old women thar can look after him when he needs it."

"Well, you can't blame James Ellgood," Dorinda replied. "As far as I can see nobody owes Jason Greylock anything but trouble."

She was determined not to make excuses for him simply because he was dying. Everybody died sooner or later, and the vein of posthumous sentiment was not, she told herself sharply now, her affliction. Nothing was altered in the past because Jason had drunk himself into the poorhouse or the grave. Nothing was altered, she repeated, and yet she could not see the past any longer because of the present. Neither love nor hate but the poorhouse was the reality.

"It is a hard thing to have to die in the poorhouse," she said.

"So 'tis, ma'am," assented Mr. Kettledrum, who had stinted himself all his life in the hope of attaining an honourable old age. "But he's light-headed most of the time and don't know it. Anyhow," he continued astutely, "it ain't so hard on him as it would be on a man who had lived more respectable. He wasted mo' on drink, I reckon, than it would cost to bury him decently."

"That's the dreadful part of it. It would be easier to help a man you didn't despise." She rode on a few paces and then turned back to the side of the gig. "If you see Mr. Wigfall at the station, tell him I'll give him what he needs for Doctor Greylock, but I cannot have him at Five Oaks."

"I'll tell him," Mr. Kettledrum rejoined, and he added impulsively for one of his unhurried observations, "You carry yo' years well, if you don't mind my remarkin' on it."

She smiled. "That's because I never think of them. Most women want their youth back again; but I wouldn't have mine at any price. The worst years of my life are behind me, and my best ones ahead."

"You look it," the old man agreed, and then, without reason, he sighed. "Ah, I recollect you thirty years ago, when they used to say you had a face like a May mornin'. Not that you ain't a fine figure of a woman now; but as we old men get on in years, our thoughts turn backward and we like to dwell on young things. Thirty years ago you looked as if sugar wouldn't melt in yo' mouth."

He drove on regretfully, while Dorinda, on Snowbird, trotted homeward. The light on the shocked corn was so faint that it waned to a shadow while she looked at it. A flock of wild geese curved like blown smoke in the afterglow. Immersed in this twilight as in the sadness of memory, she gazed at the autumn scene, with the small gold leaves on the locust trees, the windmill beyond the house, and the flickering of firelight in the west wing. A prosperous farm to-day, a casual observer would have remarked; but to Dorinda, who never forgot, the whole place wore the look of wistful brooding which she remembered whenever she thought of her father.

Her exultation over Jason's ruinous end had diminished now into an impersonal pity. She had longed to punish him for his treachery; she had hated him for years, until she had discovered that hatred is energy wasted; but in all her past dreams of retribution, she had never once thought of the poorhouse. Even as a question of justice, it seemed to her that the poorhouse was excessive. That terror of indigence which is inherent in self-respecting poverty was deeply bred in her nature, and she knew that her humbler neighbours were haunted by fear of charity as one is haunted by fear of smallpox in a pestilence. Yes, whatever he deserved, the poorhouse was too much. Though the horror of his fate did not lessen the wrong he had done, by some curious alchemy of imagination it reduced the sum of human passions to insignificance. What did anything invisible matter at the gate of the poorhouse?

Though her first impulse, derived from Presbyterian theology, was to regard his downfall as a belated example of Divine vengeance, her invincible common sense reminded her that Divine vengeance is seldom so logical in its judgments. No, he had not ended in the poorhouse because he had betrayed her. On the contrary, she saw that he had betrayed her because of that intrinsic weakness in his nature which would have brought him to disaster even if he had walked in the path of exemplary virtue. "His betrayal of me was merely an incident," she thought. "Drink was an incident. If he had been stronger, he might have done all these things and yet have escaped punishment." For it was not sin that was punished in this world or the next; it was failure. Good failure or bad failure, it made no difference, for nature abhorred both. "Poor Jason," she said to herself, with contemptuous pity. "He was neither good enough nor bad enough, that was the trouble."

As she stepped on the porch, the door opened and John Abner came out, accompanied by Amos Wigfall and one of the tenant farmers, Samuel Larch, who lived on the far side of Pedlar's Mill. John Abner looked morose, but this had become his habitual expression since he had been crossed in love, and she was less disturbed by it than she was by the anxious suavity on the face of the sheriff.

"I was admirin' yo' improvements," Mr. Wigfall remarked. "Thar's been a heap of changes since the old days when yo' Pa an' Ma lived here."

She met his wandering glance and held it firmly. "I saw Mr. Kettledrum and he gave me your message."

The sheriff's flabby face stiffened. "My message, ma'am?"

"About Doctor Greylock. I cannot have him at Five Oaks. He has no claim on me." Hesitating an instant, she repeated slowly, weighing each separate syllable, "He has no claim on me, but I will pay you whatever you need to keep him out of the poorhouse."

Mr. Wigfall uttered an obsequious noise which might have been either a bray or a cough. "I don't reckon thar's a mo' charitable-minded lady in the county, ma'am. It ain't often that you refuse to help an' when you do, you're likely to have a good reason."

"Well, I'm ready to help Doctor Greylock," Dorinda rejoined impatiently, "but there's no sense in the notion that I owe him something because he ruined Five Oaks and I saved it."

"Naw'm, thar cert'n'y ain't no sense in that," Mr. Wigfall conceded with suspicious alacrity.

"He thinks we might let him live in one of the unused wings," John Abner explained. "Of course that will mean we'll have to provide for him too, and as you say he hasn't really the shadow of a claim on us. Poor devil!"

"The idea has got about that he's dangerous from drink," said Mr. Wigfall, "and thar wouldn't nobody take him in, pay or no pay. The choice was between the county gaol an' the poorhouse, an' considerin' everything the poorhouse seemed mo' hospitable. Doctor Stout can look after him thar, and a bunch of female paupers can take turns at the nursing."

"If he's still out of his head, you can hardly expect Martin Flower to want him at Five Oaks," John Abner suggested.

"Oh, he's come to himself now," Samuel Larch rejoined before the sheriff could reply. "I was the first to git to him after Ike Pryde brought word, an' when I first clapped eyes on him he was clean out of his senses. But even then he was as weak as a baby an' he couldn't have lifted a finger against you. Soon as he had a few swallows of soup and a little brandy, he began to pick up, an' by the time he'd been fed regular he could talk like himself again. Doctor Stout thinks he'll hang on a few months longer if he gets plenty of milk an' fresh eggs."

"Well, I imagine he isn't likely to get them in the poorhouse," John Abner observed, with his sarcastic smile.

"Of course there isn't the slightest reason why we should help him," Dorinda insisted, as if the deprecating sheriff had started an argument. After a moment's silence she added in a sharper tone, "But you can't possibly let him die in the poorhouse."

Mr. Wigfall, who had occupied a position of authority long enough to feel uncomfortable when he was displaced, shuffled his feet in the rocky path while he fingered uneasily the brim of his hat. "Naw'm," he replied with as much dignity as he could command, and a few minutes later, he repeated in a louder voice, "Naw'm."

Dorinda looked over his head at John Abner.

"It isn't human," she began, and, correcting herself, continued more deliberately: "It isn't Christian to let a man die in the poorhouse because he has lost all he had."

The two men nodded vacantly, and only John Abner appeared unimpressed by her piety.

"Naw'm, it cert'n'y ain't Christian," Mr. Wigfall agreed, with a promptness that was disconcerting.

"He can't possibly be looked after there," Dorinda resumed, as if she had not been interrupted.

"Naw'm, he can't be looked after thar."

For an instant she hesitated. Though she understood that her decision was a vital one, she felt as remote and impersonal to it as if it were one of those historic battles in France, which cost so much and yet were so far away. It even occurred to her, as it had occurred so often during the war, that men were never happy except when they were making trouble. Of course Jason could not be left in the poorhouse. Having acknowledged this much, she, to whom efficiency had become a second nature, was irritated because these slow-witted country officials appeared helpless to move in the matter.

"There isn't any call to worry Martin Flower's wife," she said. "She's ailing, anyway, and it would put her out to have a sick man, even if he were sober, in the house. You'll have to bring him here until you can make some other arrangement. It is true," she repeated harshly, "that he hasn't the shadow of a claim on us; but we have plenty of milk and eggs, and for a few weeks he may have the spare room on the first floor."

Mr. Wigfall gasped before he could articulate. Though he had prayed fervently to have the burden of an extra pauper, especially a pauper who had known better days and acquired the habit of drink, removed from his shoulders, he had never imagined, from his acquaintance with the leisurely methods of Providence, that his prayer would be so speedily answered. While he stared at Dorinda, his mute relief was as obvious as if he had uttered it at the top of his voice.

"He's glad to wash his hands of him," she thought, and then: "Who wouldn't be?"

"I don't reckon anybody will dispute yo' charity, Mrs. Pedlar," Samuel Larch was wheezing out. "Thar ain't nobody stands any higher to-day in this here community than you do. You're hard on the surface, as my wife says, but you're human enough when you're whittled down to the core."

Dorinda smiled, but her eyes were tired and wrinkles showed in her ruddy skin. If they knew! If only they knew! she reflected; and she wondered if many other reputations were founded like hers upon a flattering ignorance of fact.

"Tell your wife it is hard things that wear well," she responded. "After all, somebody has to bear the burden, and I am better able to do it than any of the rest of you, except perhaps," she concluded indifferently, "James Ellgood."

"Yas'm. I'm downright glad you take that sensible view of it," the sheriff replied, as soon as he was capable of speaking. "Everybody about here knows that when they come to you, they'll get justice."

Justice! That was Nathan's favourite word, she remembered. She could hear him saying as plainly as if he were present, "Any man has a right, Dorinda, to demand justice." Strange how often Nathan's words, which she had scarcely heeded when he was alive, returned to her in moments of difficulty or indecision. Only in the last few years had she begun to realize her mental dependence upon Nathan.

"I reckon we can manage to get him over here to-morrow evening," Samuel Larch was saying. "Thar ain't no call for you to send all the way to the poorhouse. Maybe Reuben Fain will let us have that auto-wagon of his."

"Oh, I'll come for him in the big car in the morning," Dorinda replied. "It isn't my way to do things by halves."

The sheriff nodded. "Naw'm, it ain't yo' way to do things by halves," he echoed thankfully.

After the two men were out of sight, she turned apologetically to John Abner. Although he said little, for he was never a great talker, she had observed that his face wore a look of severe disapprobation.


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