CHAPTER XVI

Visit of Beatrice and her mother to Venice—Letters of Lodovico to his wife—Reception of the duchesses by the Doge at S. Clemente—Their triumphal entry—Procession andfêtesin the Grand Canal—Letter of Beatrice to her husband—The palace of the Dukes of Ferrara in Venice.

Visit of Beatrice and her mother to Venice—Letters of Lodovico to his wife—Reception of the duchesses by the Doge at S. Clemente—Their triumphal entry—Procession andfêtesin the Grand Canal—Letter of Beatrice to her husband—The palace of the Dukes of Ferrara in Venice.

The spring of 1493, as we have already said, proved a turning-point in Lodovico Sforza's policy. And it also marked a new period in the life of Beatrice d'Este. Up to this time the young duchess was a bright and joyous child, intellectual and cultivated like the other ladies of her family, but eager, above all, to enjoy the splendour and gaiety of her new life, to taste of every pleasure, and fling herself into every passing amusement. But now she appears in a new light. For the first time, on this visit to Venice, she takes a leading part in political affairs, and comes before the Doge and Senate as her husband's ambassador and spokeswoman. Here we see this princess, who was not yet eighteen years of age, assuming the character of orator and diplomatist, and revealing these talents which excited the admiration of the Emperor Maximilian and made him pronounce her unlike all other women.

In selecting his young wife for this important mission, Lodovico had acted with his usual prudence and forethought. He saw her remarkable powers of mind, and trusted implicitly in her womanly tact and charm. When the Venetian Senate first heard that Lodovico was to visit Ferrara, they announced their intention of sending ambassadors to request him to accompany the two duchesses to Venice. But the Moro felt that, at this critical moment of his negotiations with both Charles VIII. andMaximilian, his presence at Venice might lead to awkward questions and excite the suspicion of these princes. So he preferred to send his wife, whose journey with her mother and brother would appear rather in the light of a party of pleasure, and whose youth and charms would disarm suspicion, and at the same time exert a beneficial influence on the counsels of the Republic. In the written instructions which he gave Tuttavilla and the other envoys who accompanied Beatrice, they were desired to lay especial stress on the honour which the rulers of Milan were doing the Signory of Venice by the choice of so exalted a lady to be their messenger.

"The presence of the most illustrious Duchess of Bari is the best proof their Excellencies can have of the singular satisfaction with which the Dukes of Milan and Bari regard the conclusion of this league. In sending, the one his aunt, the other his wife, who is the dearest thing that he possesses, to congratulate the Signory on this auspicious occasion, they show you how great and exceptional is the pleasure which they feel at this alliance between our two states."

On Saturday, the 25th of May, the Duchess of Ferrara, with her two daughters, Beatrice Duchess of Bari and Madonna Anna Sforza, and her son Alfonso, accompanied by a large retinue numbering in all 1200 persons, sailed down the Po into the Adriatic, on their way to Venice. Beatrice was accompanied by Antonio Trivulzio, Bishop of Como, Francesco Sforza and his wife, and several other Milanese gentlemen of rank, besides the four ambassadors already named, and in her train were the famous Flemish tenor Cordier and the other court singers of the ducal chapel. On the 20th the party reached Chioggia, where they were entertained in the houses of noble Venetian families, and on the following day sailed up between the islands, under the long sandy shore of the Lido, into the port of Venice. At Malamocco, the fort on the southern point of Lido guarding the entrance of the harbour, they were received by a deputation of patricians, while at S. Clemente the old Doge, Agostino Barbarigo, himself came out to meet them in the bucentaur, followed by an immense company of boats and gondolas in festive array.

"Of all cities that I have ever known, Venice is the onewhere the greatest honour is paid to strangers," wrote Philippe de Commines, when, a year and a half later, he came to Venice as ambassador from his most Christian Majesty. And on this occasion the welcome offered to the wife of the powerful Moro was grander, and thefêtesgiven in her honour were more splendid, than had been seen for many years.

"Never," wrote Taddeo de' Vimercati, the Milanese ambassador, "was lord or lady received with greater joy, or more magnificently entertained than the duchess has been on this occasion." And in his letters to his wife Isabella, the Marquis of Mantua, who had arrived at Venice three days earlier, and was among the spectators of his mother and sister-in-law's triumphal entry, dilates on the extraordinary honours that were paid them, on the vast concourse of people assembled to greet their arrival, and the exultation with which they were received. He describes the procession of barks and gondolas, filled with ladies in gay toilettes, that were seen rowing across the lagoon many hours before the arrival of the illustrious visitors, and tells how the old Doge—the same whose venerable figure is familiar to us in Giovanni Bellini's altar-piece, at Murano—made his way to S. Clemente early in the afternoon, and retired to rest for an hour or two, in a chamber prepared for his Serene Highness, until the Ferrarese bucentaurs were seen in the distance. Gianfrancesco dwells on the number and beauty of the gaily decorated barges and triremes, and describes the magnificent loggia hung with tapestries and wreaths of flowers which had been erected in front of thepalazzooccupied by the Milanese ambassador, at the entrance of the Canal Grande. But what impressed him most of all were the thundering salvoes of artillery which burst from the fleet of galleys, from the arsenal and the Milanese embassy, at one and the same moment, as about five o'clock the Ferrarese bucentaurs reached Malamocco and entered the Venetian waters. "The whole air," he writes, "was filled with confusion, when these demonstrations of great rejoicing burst simultaneously upon our ears."

Isabella d'Este, who had herself lately returned from Venice and was now with her beloved sister-in-law, Elizabeth Duchess of Urbino, at the villa of Porto, devoured her husband's lettersgreedily, although she professed indifference, and wrote to her mother, "To me all these ceremonies seem very much of the same nature, and are all alike very tedious and monotonous."

There was one point, however, upon which Gianfrancesco confessed himself unable to gratify his wife and sister's curiosity. "I will not attempt," he says, "to describe the gowns and ornaments worn by these duchesses and Madonna Anna, this being quite out of my line, and will only tell you that all three of them appeared resplendent with the most precious jewels."[40]Fortunately, this omission was supplied by one of Beatrice's secretaries, Niccolo de' Negri, who, in a letter to Lodovico, informed him, on the day of her arrival at Venice, that the duchess wore her gold brocade, embroidered with crimson doves, with a jewelled feather in her cap, and a rope of pearls and diamonds round her neck, to which the priceless ruby known as El Spigo was attached as pendant. But the best account we have of Beatrice's visit to Venice is contained in four of her own letters addressed to her husband, which have been preserved in the archives of Milan. They were originally published twenty years ago by Molmenti, who, however, omitted some portions which are given here, and transcribed some of the dates incorrectly. Unfortunately, several of the letters in which Beatrice daily recorded the events of this memorable week for her lord's benefit are missing. But although the narrative is incomplete, it is none the less of rare value and interest. The first two letters after her departure from Ferrara are missing, but in their stead we have two notes from Lodovico, which show how tenderly he thought of his absent wife, and how carefully he followed her movements. On the evening of the 25th, he wrote the letter that has been already quoted, from Belriguardo; on the 26th, he sent her a second note in reply to the letters which he had just received. In one of these Beatrice had apparently given a lively account of her triumphs at cards in the games which she had played with her companions on board the bucentaur. Like Isabella d'Este and most of her contemporaries, the duchess was very fond ofscartinoand other fashionable card-games, and had the reputation of being exceptionally lucky. Inthe course of the year 1494, Lodovico informed Girolamo Tuttavilla, who was at one time treasurer to the duchess, that his wife had won no less than three thousand ducats, all of which she declared had been spent in alms. "When I remarked that this seemed a very large sum, the duchess confessed she had paid some of it to embroiderers and other craftsmen. Even then I fail to see how she could have disposed of more than a few hundred ducats. At this rate I fear she will be unable to buy lands or build new houses, but when you return from Naples, we must try and carry out some plans better worthy of your name."

On this occasion Beatrice seems to have won a considerable sum of money at the game ofbritinoduring her journey to Chioggia, and had apparently informed her husband of her good luck, for he writes in reply—

"My dearest Wife,

"It has given me the greatest pleasure to hear from your last letters that you have been winning your companions' money, and since I conclude you have been playing atbuttino, I hope you will remember to keep account of your winnings, so that you may keep the money for yourself. But I only say this in case you win, as if you lose, I do not care to hear about it. Commend me to the illustrious Madonna Duchessa, our common mother, as well as to Don Alfonso and Madonna Anna, and salute all the councillors for me.

"Your most affectionate husband,"Lodovicus Maria Sfortia.[41]

Belriguardo, 26th of May, 1493."

The first of Beatrice's letters that we have was written on the evening of her arrival at her father's house in Venice and is dated May 27.

"Most illustrious Prince and excellent Lord, my dearest Husband,

"I wrote to you yesterday of our arrival at Chioggia. This morning I heard mass in a chapel of the house where Ilodged. The singers assisted, and I felt the greatest spiritual delight in hearing them, Messer Cordier as usual doing his part very well, as he did also yesterday morning. Certainly his singing is the greatest consolation possible. Then we breakfasted, and at ten we entered the bucentaur, dividing our company between the middle-sized and small bucentaur and a few gondolas, which were prepared for us, as being safer, since the weather was still rather stormy. My most illustrious mother, Don Alfonso and Madonna Anna, with a very few servants, entered the small bucentaur, and the other ladies and gentlemen travelled on the larger bucentaur, or in small gondolas, while I entered another gondola with Signor Girolamo, Messer Visconti, and a few others, so as to lighten the small bucentaur and travel more comfortably, as we were assured. So we set out and reached the port of Chioggia, where the ships began to dance. I took the greatest delight in tossing up and down, and, by the grace of God, did not feel the least ill effects. But I can tell you that some of our party were very much alarmed, amongst others Signor Ursino, Niccolo de' Negri, and Madonna Elisabetta. Even Signor Girolamo, although he had been very frugal, felt rather uncomfortable; but no one in my gondola was really ill, excepting Madonna Elisabetta and Cavaliere Ursino, at the port of Chioggia. Most of the others, especially the women, were very ill. The weather now improved so much, that we arrived at Malamocco in quite good time. Here we found about twenty-four gentlemen, with three well-fitted and decorated barges, one of which we entered, with as many of our suite as it could hold, and were honourably seated in the prow. Several Venetian gentlemen now entered our barge, and a certain Messer Francesco Capello, clad in a long mantle of white brocade, embroidered with large gold patterns, like your own, delivered an oration to the effect that this illustrious Signory, having heard of your presence at Ferrara, had sent two ambassadors to show the love they bear you, and that now, having heard of my Lady Mother's and my own visit to Venice, they had sent the other gentlemen who received us at Chioggia, and now, as a further token of their affection, sent these to Malamocco, to express the great pleasure the Signory felt at our coming, and to inform us that the Dogehimself, with the Signory and a number of noble matrons, were about to give us welcome and do us honour to the best of their power. My mother, with her usual modesty, begged me to reply, but I insisted on her saying a few words, and afterwards began to speak myself. But hardly had she finished speaking, and before I had begun, than all the gentlemen ran up to kiss our hands, as they had done the day before, so that I could only express my feelings by courteous gestures.

"Then we set off towards Venice, and before we reached S. Clemente, where the Prince was expecting us, two rafts came towards us, and saluted us with the sound of trumpets and firing of guns, followed by two galleys ready for battle, and other barks decked out like gardens, which were really beautiful to see. An infinite number of boats, full of ladies and gentlemen, now surrounded us, and escorted us all the way to S. Clemente. Here we landed, and were conducted to a spacious pavilion hung with drapery, where the Prince, accompanied by the members of the Signory, met us and bade us welcome, assuring us how eagerly our presence had been desired, and saying that my lord father the duke and your Excellency could do him no greater pleasure than to send us, whom he looked upon as his dear daughters. All this and much more concerning the fatherly love which he bore us, he hoped to be able to express at a future occasion. Then he placed my lady mother on his right and myself on his left, with Madonna Anna next to me, and next to my mother the Marquis of Mantua and Don Alfonso—the Marchese having arrived with the Prince—and so he conducted us on board the bucentaur. On the way we shook hands with all the ladies, who stood up in two rows behind the Prince, and then sat down in the same order. All of our ladies shook hands with the Prince, and we set out again on our journey, meeting an infinite number of decorated galleys, boats, and barks. Among others, there was a raft with figures of Neptune and Minerva, armed with trident and spear, seated on either side of a hill crowned with the arms of the Pope and our own illustrious lord, together with your own and those of the Signory of Venice. First Neptune began to dance and gambol and throw balls into the air to the sound of drums and tambourines, and then Minerva didthe same. Afterwards they both joined hands and danced together. Next Minerva struck the mountain with her spear, and an olive tree appeared. Neptune did the same with his trident, and a horse jumped out. Then other personages appeared on the mountain with open books in their hands, signifying that they had come to decide on the name that was to be given to the city on the mountain, and they gave judgment in favour of Minerva. This representation was said to signify that the existence of states is founded on treaties of peace, and that those who lay the foundations will give their name to future kingdoms, as Minerva did to Athens.

"As we sailed on, we saw many other barks and galleys, all richly decorated. Among them was one galley of armed Milanese, with a Moor in the centre, armed with a spear, and bearing shields with the ducal arms and your own fastened to the stern and prow. Round this Moor were figures of Fortitude, Temperance, Justice, and Wisdom with a sceptre in his hand, all of which made a fine pageant, and the firing of guns and cannons at the same time sounded quite splendid.

"Besides these there were many barks representing the different arts and crafts of Venice, very beautiful to see. And so we entered the Canal Grande, where the Prince, who talked to us all the way with the utmost familiarity and kindness, took great pleasure in showing us the chief palaces of this noble city, and pointing out the ladies, who appeared glittering with jewels at all the balconies and windows, besides the great company—about a hundred and thirty in number—who were already with us in the bucentaur. All the palaces were richly adorned, and certainly it was a magnificent sight. The Prince showed us all the chief objects along the canal, until we reached my father's palace, where we are lodged, and where the Prince insisted on landing and conducting us to our rooms, although my mother and I begged him not to take this trouble. We found all the palace hung with tapestries, and the beds covered with satin draperies adorned with the ducal arms and those of your Excellency. And the rooms and hall are hung with Sforzesca colours, so you see that in point of good entertainment, good company, and good living we could desire nothing better. This evening threegentlemen came to visit me in the name of the Signory, and made the most splendid offers, beyond all that could have been expected, for my pleasure and convenience. To-morrow, if the audience has taken place, you shall hear more. I commend myself to your Highness.[42]

"Venice, May 27, 1493."

"Era stupendissima cesa a vedere!It was a magnificent sight!" exclaimed Beatrice. And indeed the scene was one which would have stirred a less impressionable nature than that of this young princess, who was so keenly alive to joy and beauty, and who now for the first time saw "this most triumphant city of the world," in all the loveliness of the summer evening. Both the Milanese ambassador and the Marquis of Mantua said they had never seen the like. The blue waters of the lagoon swarmed with boats and gondolas decked with flowers and streamers of the gayest hues, the Venetian Gothic palaces along the canal were hung with Indian and Persian carpets. The rich colours of Oriental stuffs relieved the dazzling whiteness of Istrian stone, and festoons of fresh leaves and flowers were twisted round their columns of porphyry and serpentine. From each carved balcony and painted window fair Venetian ladies looked down in their sumptuous robes, glittering with gold and gems, and the air rang with theVivasof the crowds who filled the gondolas or flocked along the Riva to see the gay pageant. It was a spectacle such as Venice alone could offer in these days of her glory, when the Canal Grande was, as Commines justly said, the finest street in the whole world.

And the Palazzo to which the old Doge conducted Beatrice and her mother was the oldest and one of the grandest in that long avenue of palaces. Originally built for the Pesaro family, it had been presented to Niccolo II. of Este in gratitude for his services when, a hundred years before, he had supplied the Republic with corn during the long war against Genoa. Since then the house had been repeatedly sequestered during the wars between Venice and Ferrara, and had only been restored to Duke Ercole after the conclusion of the peace of Bagnolo. Now its ancient walls, dating as far back as the year 900, had beenfreshly decorated with frescoes, and the long arcades and loggias, with their massive pillars and Byzantine capitals of grey marble, were enriched with shields carved with the unicorns and lilies of the house of Este. Within, the spacious halls were lavishly adorned with gilding and variegated marble, with fine pictures and the paintedcassoniand chairs which we still admire on old Venetian palaces, while the tapestries and hangings bearing Sforza devices and the Moro's favourite mottoes met Beatrice's eyes at every turn. As she wrote in her joyous letters to her husband, there was nothing lacking that could charm the eyes or please the mind, and the courtesy and hospitality of the venerable old Doge and of the Venetian Signory left nothing to be desired.

[40]"Storia di Venezia nella Vita privata," p. 60.

[40]"Storia di Venezia nella Vita privata," p. 60.

[41]Luzio-Renier,op. cit., p. 376.

[41]Luzio-Renier,op. cit., p. 376.

[42]Molmenti,op. cit., p. 693.

[42]Molmenti,op. cit., p. 693.

Fêtesat Venice in honour of the Duchess of Ferrara and Duchess of Bari—Beatrice d'Este has an audience with the Doge and Signory—Explains Lodovico's position and his treaties with France and Germany—Visit to St. Mark's and the Treasury—Fêtein the ducal palace—The Duchess visits the Great Council—Takes leave of the Doge—Return to Ferrara.

Fêtesat Venice in honour of the Duchess of Ferrara and Duchess of Bari—Beatrice d'Este has an audience with the Doge and Signory—Explains Lodovico's position and his treaties with France and Germany—Visit to St. Mark's and the Treasury—Fêtein the ducal palace—The Duchess visits the Great Council—Takes leave of the Doge—Return to Ferrara.

A series offêteshad been arranged by the Doge and Signory of Venice in honour of their illustrious guests, and the order in which they took place is given by the Marquis of Mantua in a letter to his wife. On Tuesday races were held in the piazza for apallinumof twenty yards of crimson velvet; on Wednesday afternoon a regatta took place on the Riva. Amongst other amusing contests, Pietro Bembo tells us there was a race between boats rowed by four women, a thing never before seen in Venice, and which, on account of its novelty, excited the greatest amusement. "In which marvellous contention," says Bembo, "a thing happened which added greatly to the pleasure of the spectacle and to the general mirth. A bark won the race that was rowed by a mother and her two daughters and one daughter-in-law, this being arranged out of compliment to Duchess Leonora, who has herself two daughters and one daughter-in-law."

On the morning after her arrival, Beatrice received a visit from three gentlemen sent by the Doge to confer with her on the object of her mission. Much to their surprise and admiration, says Romanini, the Venetian historian, the young duchess, who was not yet twenty years of age, requested to be allowed the honour of an audience with the Signory. Before leavingthe Este palace these gentlemen assisted at mass, which was privately celebrated in the duchess's rooms, and heard Cordier sing, as we learn from a short note addressed to Lodovico on the morning of the 28th.

"This morning," she writes, "as soon as I was dressed, I heard mass sung in my own rooms. Messer Cordier sang, and, as usual, did his part admirably, which pleased me greatly, both on account of the rare delight which his talent gives me, and because on this occasion the gentlemen who had been sent to see me by the Doge were also present, and expressed the greatest admiration for his singing."

Beatrice and the four Milanese ambassadors were then escorted to the ducal palace, where the young duchess was admitted to the Sala del Collegio, and laid her husband's memorial before the Signory. But, as M. Delaborde remarks, the language which Beatrice employed on this occasion differed considerably from the written instructions which had been given to the Milanese envoys by Lodovico. During the interval, Belgiojoso's despatches relating to the Treaty of Senlis, and announcing the French king's fixed intention of undertaking an expedition against Naples, had produced a sensible alteration in Lodovico's policy. In the letter of the 10th of May, the ambassadors were desired to congratulate the Venetian Signory in the most cordial terms on the conclusion of the league between Milan, the Pope, and the Republic, and to dwell especially on the importance of being in readiness to resist foreign invasions at this critical time when the French monarch and the King of the Romans were about to settle their differences. But when Beatrice herself addressed the Signory, she insisted on the excellent relations of Lodovico as Regent of Milan with both France and Germany, and, after setting forth the pains which her lord had taken to oppose the French expedition, laid Belgiojoso's latest despatch before the Signory. In this missive the Milanese envoy informed Lodovico of Charles the Eighth's intention to send an envoy to Milan, Venice, and Rome, and seek the help of these powers in carrying out his designs for the conquest of Naples. Beatrice, addressing the Venetian Signory in her lord's name, asked their advice as to the answer which he should give tothe French king, and ended by informing them of his negotiations with Maximilian for the investiture of the duchy of Milan, which, she added, were already far advanced. After some deliberation, the Signory returned a courteous but evasive answer, begging the duchess to assure her husband of their most friendly sentiments, but saying that the French king's proposals required grave consideration, and that they must, first of all, communicate with the Pope as head of the League.

At a second conference which the Doge had with the young duchess on the 1st of June, Beatrice, acting under Lodovico's directions, laid stress on the fact that her husband as regent was all-powerful in Milan, and could dispose of the treasure and castles of Lombardy at his pleasure. The Doge understood by this, as we learn from the secret records of the Venetian Government, that the real aim of the duchess was to discover how far the Republic was disposed to uphold Lodovico's claim to the ducal title, but he merely returned a civil answer and repeated his professions of friendship. If Beatrice's mission, however, secured no very tangible result from the wise and crafty Venetian, her charms made a deep impression upon the old councillors, who one and all marvelled at her wisdom and eloquence, and grudged no pains or expense to give her pleasure. "No honours," writes Cardinal Bembo, "were held too great for these royal ladies, who in those joyous times had come to see the city, nor was any kind of pleasure or generous liberality lacking in the splendidfêteswith which they were entertained on this memorable occasion." As for Beatrice herself, she was enchanted with the beauties of Venice and the courtesy of her hosts, and longed to see and hear all the wonders of the famous city. The greater part of these days was spent in visiting the chief sights of the place—the great Dominican and Franciscan churches, S. Zanipolo with the tombs of the doges and the Gothic shrine of S. Maria Gloriosa with Giovanni Bellini's newly painted Madonnas in all their radiant loveliness, the graceful Renaissance buildings of S. Maria dei Miracoli and the Scuola di S. Marco, which the Lombardi had lately finished. Like all royal visitors, the duchesses were conducted over the arsenal, which Commines justly calls the finest thing of thekind in the whole world, and were shown not only the fleet of a hundred ships in port, but the galleys in course of construction, the men making the oars, the women and children at work on the sails and ropes, the sulphur and saltpetre mills, and the splendid armoury, all enclosed within lofty walls, and guarded by twin towers crowned with the winged lion. And they saw what was indeed one of the wonders of the world—the glorious front of St. Mark's just as we see it in Gentile Bellini's great picture, with the many domes and myriads of pillars, the glittering mosaics and famous bronze horses, and the crimson standards floating from the three tall Venetian masts on the Piazza. We are not told whether Beatrice, like her sister Isabella d'Este, ascended the Campanile to enjoy the wonderful prospect over the lagoons, but we know that she went to hear the singing of the Augustinian nuns, a community of noble Venetian maidens as famous for the many scandals attached to their society as for the perfection of their musical services. Above all things in Venice, the duchesses admired the magnificent pile of the ducal palace and the noble mural paintings on which the Bellini and their fellow-artists were at work in the Great Hall, a sight of which the great fire of the sixteenth century has deprived future generations.

But the most splendidfêtegiven in Beatrice's honour was the banquet, ball, and torchlight procession that were held on Thursday in the ducal palace. That same morning the duchesses attended mass in state at St. Mark's, and by the Doge's request the Milanese choir took part in the service. Beatrice's letters to her husband give a full account of the day's festivities—

"Most excellent and illustrious Lord, my dearest Husband,

"To continue my relation of what is happening here day by day, I must now inform you that this morning my illustrious mother, Don Alfonso, Madonna Anna, and I, with all our company, set out for St. Mark's, where the Prince invited both us and our singers to assist at mass and see the Treasury. But before reaching St. Mark's, we landed at the Rialto, and went on foot up those streets which are called the Merceria, where we saw the shops of spices and silks andother merchandise, all in fair order and excellent both in quality and in the great quantity and variety of goods for sale. And of other crafts there was also a goodly display, so much so that we stopped constantly to look at now one thing, now at another, and were quite sorry when we reached St. Mark's. Here our trumpets sounded from a loggia in front of the church, and we found the prince, who advanced to meet us at the doors of St. Mark's, and placing himself as before, between my illustrious mother and myself, led us to the high altar, where we found the priest already vested. There we knelt down with the prince and said the confession, and then took the seats prepared for us and heard mass, which the priest and his assistants sang with great solemnity, and our singers did their part, and their singing greatly pleased both the Prince and all who were present, especially that of Cordier, who always takes great pains to do honour to your Highness. After mass, we accompanied the Prince to see the Treasury, but had the greatest difficulty in the world to get in, because of the crowds of people who were assembled there, as well as in the streets, although every one tried to make room for us, even the Prince crying out to try and clear the way. But at last the Prince himself was forced to retire on account of the great pressure of the crowd, and left us to enter with only a few others, and even then we had the greatest difficulty to get in. Once safely inside the Treasury we saw everything, which was a great pleasure, for there was an infinite quantity of most beautiful jewels and some magnificent cups and chalices. When we came out of the Treasury, we went on the Piazza of St. Mark, among the shops of the Ascensiontide fair which is still going on, and found such a magnificent show of beautiful Venetian glass, that we were fairly bewildered, and were obliged to remain there for a long time. And as we walked along from shop to shop, every one turned to look at the jewels which I wore in the velvet cap on my head, and on the vest embroidered with the towers of the Port of Genoa, and especially at the large diamond which I wore at my breast. And I heard people saying one to the other—'That is the wife of Signor Lodovico. Look what fine jewels she wears! What splendid rubies and diamonds she has!'

"At last, since the hour was already late, we went home to dine, and by this time it was nearly two o'clock.[43]

"Venice, May 30, 1493."

The day's labours, however, were hardly begun, and in her next letter Beatrice resumes her story—

"After dinner and a little rest, a large company of gentlemen came to conduct us to thefestaat the palace. We travelled in barges, and, when we reached the palace, were conducted into the Great Hall. There a grand tribunal was erected at one end of the hall, in two divisions running the whole length of the walls, and in the centre of the hall a square stage was placed for dancing and theatrical representations. We ascended the tribunal, where we found a number of noble Venetian ladies, one hundred and thirty-two in all, richly adorned with jewels. On the wing to our right as we entered sat the Lord of the Company of 'the Potenti'—'a group of the famous company of La Calza, which included the wealthiest and most illustrious youths of Venice'—seated on a throne under a canopy of gold brocade, with Don Alfonso as a member of the company on his right hand. We took our seat on the left wing, and sent Madonna Anna to take her place by the Lord of the Company. The Prince was not present on this occasion, being too old and infirm to take part in such fatiguing entertainments; but a certain Messer Constantino Privolo occupied his place, as the oldest member of the Signory. The chiefs of thefestaled out several ladies to dance, two or three at a time, and then came to ask if some of our ladies and gentlemen would not also take part in the dance. So, to show our friendly intentions, we agreed, and Conte Girolamo da Figino and a few others danced. Of the women, the wife of Count Francesco Sforza, the daughters Messer Sigismondo and of Messer Raynaldo, and a few others, also danced. During the dancing, by reason of the excessive heat of the room, my head began to ache, and as my throat also felt a little sore, I left the hall and retired to rest in another room for an hour. When I returned, it was already dark. A hundred lighted torches hung from the ceiling, and a representation was given on the stage, in which two big animals withlarge horns appeared, ridden by two figures, bearing golden balls and cups wreathed with verdure. These two were followed by a triumphal chariot, in which Justice sat enthroned, holding a drawn sword in her hand inscribed with the mottoConcordia, and wreathed with palms and olive. In the same car was an ox with his feet resting on a figure of St. Mark and the adder. This, as your Highness will readily understand, was meant to signify the League, and as in all their discourses to me the Prince and these gentlemen speak of your Highness as the author of peace and tranquillity of Italy, so in this representation they placed your head on the triumphal arch above the others. Behind the chariot came two serpents, ridden by two other youths, dressed like the first riders. All these figures mounted the tribunal in the centre of the hall, and danced round Justice, and after dancing for a while, their balls exploded, and out of the flames, an ox, a lion, an adder, and a Moor's head suddenly appeared, and all of these danced together round the figure of Justice. Then the banquet followed, and the different dishes andconfettiwere carried in to the sound of trumpets, accompanied by an infinite number of torches. First of all came figures of the Pope, the Doge, and the Duke of Milan, with their armorial bearings and those of your Highness; then St. Mark, the adder, and the diamond, and many other objects, In coloured and gilded sugar, making as many as three hundred in all, together with every variety of cakes and confectionery, and gold and silver drinking-cups, all of which were spread out along the hall, and made a splendid show. Among other things, I saw a figure of the Pope surrounded by ten cardinals, which was said to be a prophecy of the ten cardinals whom the Pope is going to make to-morrow! The banquet was spread out upon the stage, and the dishes were handed round with many of these triumphs, and the Pope and the Duke and Duchess of Milan fell to my share. When the banquet was finished, we had another representation, in which the two youths on serpents played the chief part. A messenger arrived, riding on a triumphal car in a boat, bearing a letter in a packet, which he presented to the Lord of the Company, who opened it, and, after reading the letter, handed it back to him; then he entered theboat again and left the hall, followed by the others on their serpents. This last figure was said to be a herald who had been sent to announce the proclamation of the League, and a little while afterwards the triumphal car of the League, as described above, appeared again, followed by four giants. The first one carried a horn of foliage and fruit, the two next bore two clubs with gold and silver balls, or catapults, while the last carried a cornucopia, similar to that borne by the first giant in his hand. Then came four animals in the shape of Chimeras ridden by four naked Moors, sounding tambourines and cymbals or clapping their hands. They were followed by four triumphal cars, bearing figures of Diana, Death, the mother of Meleager, and several armed men—four or five persons in each chariot, the whole intended to represent the story of Meleager, which was fully set forth, from his birth to his death, with interludes of dances. The whole fable would take too long to repeat, but Gian Giacomo Gillino will be able to recite it from beginning to end, if you care to hear it. This was the conclusion of the wholefesta. After this we entered our boats, and the clock struck one before we got home. The bishop of Como was sitting by me all the evening, and his infinite weariness at the length of the performance, and his dislike of the great heat in that crowded hall, made me laugh as I never laughed before. And in order to tease him and have more fun, I kept on telling him that there was still more to come, and that the acting would go on till to-morrow morning; and it was most amusing to see him stretch himself first on one leg, then on the other, and to hear him complain, 'My legs are worn out. When will thisfestaever come to an end? Never again will I come to another.' I really think that his sighs and groans gave me as much pleasure as thefestaitself. When at length we reached home, I supped frugally and then went to bed, as it was already three o'clock. The gown that I wore after dinner was of crimson and gold watered silk, with my jewelled cap on my head, and the rope of pearls with the Marone as a pendant. I commend myself to your Highness. Your Excellency's most affectionate wife,

Beatrice Sfortia Viscomtis.[44]

Venetina, May 31, 1493."

On the back of this letter are the words—

"To the most illustrious Prince and excellent Lord, my dearest husband, the Lord Lodovico Maria Sfortia, etc.Ubi. sit. cito. cito."

On Saturday, the 1st of June, Beatrice wrote another letter, in which she describes her visit to the Great Council and final interview with the Doge, but makes no mention of political affairs, which were no doubt reserved for a separate despatch.

"To-day after dinner," she begins, "we went to the palace, honourably attended by many Venetian gentlemen, to visit the Great Council, and were conducted into the Great Hall. Here in the centre of the hall we found the Prince, who had descended from his rooms to meet us, and who accompanied us to the Tribunal, where we sat in our usual order, and the Council began to vote by ballot for elections to two different offices. When this was over, my lady mother thanked the Prince for all the honours which had been paid us, and took her leave. When she had finished speaking, I did the same; then, following the instructions which you had given me in your letter, I offered myself as a daughter to obey all the Doge's commands. The Prince replied that he needed no thanks, for he had only done what might be expected from a father for a beloved daughter, excusing himself if anything had been left undone, and begging I would not impute what was lacking to him, but to the failure of his servants to discharge their duties, and assuring me once more that his will could not be better disposed towards me. Then he once more expressed the paternal love which he cherished towards our most illustrious duke, towards your Highness and myself, and again placed himself and his Government at the disposal of your Excellency, with many very generous expressions, begging me to salute your Highness and beg you to be of good courage, and tell you that the Signory accepted all my offers, and would, if need be, avail themselves gratefully of your help. After this, I replied again in similar terms, and he again desired me to greet you warmly from him, and beg you to take good care of your own health and person. Our councillors were then presented to him, and Monsignore da Como returned thanks very courteously and repeated our expressions of gratitude, as wasconvenient, and then took leave. He also replied in suitable terms to all that the Prince had said to me, which speech I will not repeat here, for fear of wearying your Excellency.

"The Prince then rose and accompanied us to the foot of the great staircase, and here shook hands and left us. After that we went to visit the Queen of Cyprus at Murano, where she received us with great honour and gave us a beautiful entertainment. We also visited the shrine of St. Lucia, and so ends my tale for to-day. To-morrow morning, by the grace of God, we hope to set out on our journey at eight o'clock. I commend myself to your Excellency.

"Your most illustrious lordship's wife,Beatrice Sfortia.

Venice, 1st of June, 1493."

And so, with a pleasant trip across the sunny waters of the lagoon and afestain the beautiful gardens of Caterina Cornaro, that royal lady who never neglected an opportunity of showing her friendship for the house of Este, Beatrice's week at Venice came to an end. The success of her visit had been complete, and both the Milanese ambassador and Niccolo de' Negri were eloquent on the splendour of thefêtesheld in her honour and the favourable impression which she had made on these grave and reverend signers.

The secretary especially, in his letters to Lodovico, dwells with complacency on the admiration which the young duchess's gowns and jewels, and still more her own charms, had excited among the Venetians. "On every occasion the duchess appeared clad in new and beautiful robes and glittering jewels. Her jewels, indeed, were the wonder of the whole town. But I shall not be wrong if I say that the finest jewel of all is herself—my dear and most excellent Madonna, whose gracious ways and charming manners filled all the people of Venice with the utmost delight and enthusiasm, so that your Highness may well count himself what he is—the happiest and most fortunate prince in the whole world."

[43]E. Motta,op. cit., p. 390, etc.

[43]E. Motta,op. cit., p. 390, etc.


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