FOOTNOTES:[37]“Beethoven et Wagner. Essais d’Histoire et de Critique Musicales.” Teodor de Wyzewa. Paris, 1898.[38]For a full discussion of these “periods,” see Lenz’s “Beethoven et ses trois styles.”[39]The foregoing quotations from Grove are to be found in his “Beethoven and His Nine Symphonies.”[40]E. g. Second Symphony: Larghetto: passage immediately preceding the Restatement section.[41]E. g. Second Symphony: Larghetto: passage at the end of the second subject. A motif of four sixteenth-notes in 3/8 measure.[42]E. g. Second Symphony: Finale: passage of half-notes in coda augmented later to whole notes.[43]Compare what is said on page 207, of the harmonic device used by Haydn to introduce the last entrance of the theme in the Finale of his Fifth Salomon Symphony.
FOOTNOTES:
[37]“Beethoven et Wagner. Essais d’Histoire et de Critique Musicales.” Teodor de Wyzewa. Paris, 1898.
[37]“Beethoven et Wagner. Essais d’Histoire et de Critique Musicales.” Teodor de Wyzewa. Paris, 1898.
[38]For a full discussion of these “periods,” see Lenz’s “Beethoven et ses trois styles.”
[38]For a full discussion of these “periods,” see Lenz’s “Beethoven et ses trois styles.”
[39]The foregoing quotations from Grove are to be found in his “Beethoven and His Nine Symphonies.”
[39]The foregoing quotations from Grove are to be found in his “Beethoven and His Nine Symphonies.”
[40]E. g. Second Symphony: Larghetto: passage immediately preceding the Restatement section.
[40]E. g. Second Symphony: Larghetto: passage immediately preceding the Restatement section.
[41]E. g. Second Symphony: Larghetto: passage at the end of the second subject. A motif of four sixteenth-notes in 3/8 measure.
[41]E. g. Second Symphony: Larghetto: passage at the end of the second subject. A motif of four sixteenth-notes in 3/8 measure.
[42]E. g. Second Symphony: Finale: passage of half-notes in coda augmented later to whole notes.
[42]E. g. Second Symphony: Finale: passage of half-notes in coda augmented later to whole notes.
[43]Compare what is said on page 207, of the harmonic device used by Haydn to introduce the last entrance of the theme in the Finale of his Fifth Salomon Symphony.
[43]Compare what is said on page 207, of the harmonic device used by Haydn to introduce the last entrance of the theme in the Finale of his Fifth Salomon Symphony.