REVIEWS.

History of Tennessee.—The Making of a State, by James Phelan. (Houghton, Mifflin & Co.)—This book is to us a great delight. It illustrates so clearly what we have often said, that the success of an author is not so much in what he has to say as in the manner of saying it. This is an English rendition of the French axiom that style is thought. Anyone doubting this has only to remember that Shakespeare translated to any other language than his own is poor stuff. We laughed ourselves into tears once over the play of "Hamlet" rendered into French. The melancholy Dane became a grotesque mountebank, and Shakespeare's thoughts the dreariest sort of commonplace. It is the same of all.

Now, we have had histories and histories. Those of the dull, plodding workers in the worm-holes of time lift out the dust, and dust it remains until taken in hand by genius, and the dust is changed to gold. "The rank is but the guinea's stamp"—but the stamp makes it currency, and it is prized as it passes from hand to hand.

We have histories of States, we have histories of Tennessee—and they are too solemnly stupid, it is said, for consultation. The consultations are so rare that moth, mold, and mildew eat in and destroy them unmolested. We are erecting at an immense expense a huge building at Washington to hold the bound commonplaces of authors. How much better it would be to have a commission of good fellows go through and consign to the flames, or to the Young Men's Christian Association, or the common-school libraries, all the unreadable books! What a bonfire we should haveof histories alone! The dry theological husks of learning would give Satan material for his furnaces for some days.

To return to our mutton—and it is tender, appetizing, digestible mutton. We have had histories of States and histories of Tennessee. They are all full of solid facts. Yet if a man can be found who will make affidavit that he has read any one of them with comfort to himself, we shall doubt his sanity or his truthfulness. Here is a young man, and a Member of Congress at that, who takes the same dry bones of fact, and through the magic touch of his pen, lo! the old skeletons take on flesh, drink in life, and through the roseate atmosphere of romance the records are fascinating, and one closes the book with the feeling that pervades our being at the close of a grand opera well rendered, when in the silence the feelings yet vibrate like the waves of the sea when the winds that have vexed them are still.

For the first time we waken to the fact that the earlier settlers of Tennessee were not common people. As a well-painted landscape is more prized than the real view, because of the art, so Mr. Phelan has given us a local coloring that makes these hardy pioneers picturesque and poetic. They make a charming background for such men as John Sevier, Andrew Jackson, James K. Polk, Daniel Boone, Sam Houston, and other noted characters who toiled and wrought, killed and got killed, while the State was forming.

Mr. Phelan tells us in his charming way of the struggles and hardships, the wanton wrongs and wars, until the forests were felled, the swamps drained, fields opened, highways and railroads built, and the wilderness changed in less than three generations to farms and villages, where the busy hum of human life took the hearing from the cry of wild beasts, the yell of Indians, and the sharp crack of the murderous rifles in the hands of robbers.

Our space will not permit our giving much of this fascinating volume. The author seeks to rescue John Sevier from an undeserved oblivion. At the same time he relegates that historic myth Daniel Boone to his deserved contempt as a land-shark and speculator. It is a great comfort to find a man of genius and a student withal going through these sham gods of the past, and puncturing their bran-stuffed bodies until they collapse into insignificance. What a task some iconoclast of the future will have among our war heroes of the late armed conflict! How the great generals whose fame, like kites, has been made of newspapers, will tumble from their pedestals, while the real heroes are lifted into place!

We give space to give one extract not only as an example of our author's style, but for the facts he narrates. Speaking of the early Methodist Church of Tennessee and its pioneer preachers, he says:

"His manners were not polished, but they were far from rude. They were simple and sincere, and were filled with a real sympathy and warmed the hearts of his associates. He was plain of speech, however, though if hewounded the vanity of his hearers he never wounded their sensibilities. These were his chief limitations: he was narrow, sectional, and bigoted, unpolished, beyond the grasp of any but Christian fellowship, taking a hard, austere, and almost terrible view of the world as it is, having real sympathy alone with the world as it should be or as he would make it. Religion to him was the goal of existence; all other interests were greater or less temptations that drew away from the path of that goal.... It is not a figure of speech to say that his path was beset with death, and that for months at a time the penances of a Trappist monastery were but as luxuries as compared to the daily trials of hunger and thirst and sleeplessness which fell to his lot. He would ride for days at a time, through any inclemency of weather, through any degree of heat or cold, to keep an appointment to preach the Word to those who hungered for the Lord. The last rain perhaps had swept a bridge away. A tribe of hostile Indians were prowling through the forests which he would have to penetrate. A heavy fall of snow had obscured the trail that led through the intricacies of a swamp. It was doubtful if he could procure food for man or beast for days, and it was vain to try to carry a sufficient supply. It was impossible to procure a guide across 'the forks' of some range of hills, thickly covered with ravines and with dangerous defiles. Starvation and all the forms of death lay thick around and before him. The stoutest heart might have quailed, the most unflinching sense of duty might have wavered. The rational mind might have justly demanded a greater degree of equality between the magnitude of the thing to be accomplished and the difficulties and dangers attending its accomplishment. All these things gave him not a moment's pause. Herein was manifest the grandeur of the circuit rider's character. His mind was not the mind of a rational man, as we estimate rationality. His profession of faith and his wish for salvation were sincere to the full extent of their importance as he estimated it. Religion was a real and a tangible thing to him. The simple, unhesitating sincerity of his faith was grand, it was wonderful, it was sublime.... He merged the individual completely in the work, he lost all sense of personal interest in the craving to advance the interests of others. He was willing to meet death for the attainment of the smallest of the tasks set before him. He was willing to forego all personal comfort as a part of the daily life of which hunger and thirst were the incidents. Luxury he had never known or seen.... As the Church increased in numbers and influence, the pioneer of religion, the one who had hewn for it a way through the primeval forests, either pushed forward with the advance line of civilization or yielded to the mellowing influence of a more genial state of society. As villages developed into towns with souls enough to repay an exclusive charge, the saddle-bags and the saddle were exchanged for a settled habitation. Sometimes he married, and from the first, marriage had practically destroyed his usefulness as an itinerant. He is now familiar to us only in tradition. The discipline of Conference assignments of duty, which carry with them change of habitation, still suggests his noble activity in the early days of Tennessee history."

And yet, remembering the self-devotion, the sacrifices, the fervor and force of this religious enthusiasm, how little trace was left. The religion of Tennessee to-day is farther removed from the teachings of those earlymartyrs to what they believed the cause of God than were the Indians they cared little for, or the rough settlers they sought so fervently to convert. There is no trace of Indian or settler, nor the remotest vestige of the religion these preachers so earnestly taught. This because it was the religion of dogmas, founded upon the vengeance of God as they saw it in the chronicles of the Hebrews. They carried what Burns called "tyding o' damnation;" and the long-haired, hollow-eyed, hot gospeller gave vivid descriptions of unending torture of hell to the unbeliever. The love of God, the tender mercy of our blessed Redeemer, were lost in the awful vengeance of an offended and unforgiving Deity.

Poor human nature, as found among those earlier settlers, was frightened. The historian tells us that these attacks, more on the nerves than the conscience, culminated at revivals in what was called the "jerks." He says: "They were involuntary and irresistible. When under their influence the sufferers would dance, or sing, or shout. Sometimes they would sway from side to side, or throw the head backward or forward, or leap, or spring. Generally those under the influence would, at the end, fall upon the ground and remain rigid for hours, and sometimes whole multitudes would become dumb and fall prostrate. As the swoon passed away, the sufferer would weep piteously, moan and sob. After a while the gloom would lift, a smile of heavenly peace would irradiate the countenance, words of joy and rapture would break forth, and conversion always followed."

It came, in time, to be observed that this conversion affected only the converted member's manner. To be very serious and sad, to have profanity give place to prayers, made the substance of the process through which one escaped eternal punishment after death. Faith that is simply a longing for life was confounded with belief that, having its base in evidence, is entirely beyond the control of the would-be believer. The whole theological affair touched the moral conduct of the true believer only slightly. Life was harder in the Church than out of it. Charity, the love of one's neighbor, the forgiveness of sins on the part of the member—how could he forgive when his God would not forgive?—all gave way to a loud assertion of total depravity in the convert, and a profound belief in the dogmas. It was not long before these settlers observed that in dealing with a class-leader they had to be more cautious and guarded against being cheated than in like transactions with the godless.

However, those simple souls upon the border did not differ much from our humanity of to-day. Poor human nature is prone to love in the form itself the object for which the form was created. The white-chokered leader of Sunday-schools who flees to Canada with the cash of the bank where he was cashier is no more of a hypocrite than the president and directors. Religion to all these is one thing, moral conduct quite another. They are on a par with the bandit of Italy who hears mass, goes to confession, and has prayers said in his behalf before going out to rob and murder. Nor dothey differ from the committee of negroes that waited on their white preacher and begged him to stop for one Sunday talking about lying and stealing, and "gib 'em one day ob good ole-fashioned glory-to-God religion."

Men and Measures of Half a Century, by Hugh McCulloch (Charles Scribner's Sons).—Here is a name that will loom up in the hereafter as that of one of the ablest financiers given our country. It is lost now in the yet lingering glare and blare of war, where little men, magnified by newspapers to gigantic generals, famous for the wanton slaughter of their own men, absorb public attention.

Mr. McCulloch was called to the Secretaryship of the Treasury by President Lincoln, and continued there by Lincoln's successor, Andrew Johnson. It was the hard task of Mr. McCulloch to rectify the errors of Salmon P. Chase. This great man had won success for the government in the war with the South on his financial blunders. Finding capital so unpatriotic that it would loan the government no money so long as the conflict was in doubt, Chase appealed to the people, and made his loans from them in the shape of promises to pay in the currency. While the soldiers in the field and the average citizen took a patriotic pride in accepting this currency at par, the financiers were as busy as Satan in depreciating it, until the Secretary was driven to buying up those money-getters. They drove a hard bargain with the oppressed Secretary, and this bargain ended in turning over a large part of the fiscal agency of the government, and all the currency, to nearly two thousand corporations.

When Mr. McCulloch took the portfolio of the Treasury our financial condition was most deplorable. The land was flooded with an irredeemable currency, and the source of credit being thus poisoned, all business was mere gambling. To understand this, one has to remember that in the first year of the war a tariff on imports was enacted by Congress that amounted at first to prohibition. In thus closing the door against foreign capitalists the government raised the prices of all manufactured goods against itself. The evil did not end here. As a purchaser of supplies in a paper currency for a million of wasteful and extravagant men in the field, the government again augmented prices to its own hurt. After the battle of Gettysburg, when the timid capital felt that it was safe, not to help an impoverished government, but to make investments, bonds were taken, paid for in the depreciated currency—and when the war ended, a subsidized Congress, leaving the loan in the shape of currency made by the people to take care of itself, enacted that these bonds, bought in currency, should be redeemed, capital and interest, in gold.

This was the situation that faced Mr. McCulloch when sworn in office as Secretary of the Treasury. He was selected by President Lincoln, and continued in office by Andrew Johnson. A more admirable appointment could not have been made. Hugh McCulloch is not only a remarkableman, but one singularly well adapted to the position assigned him. An eminently handsome man, he carried a large, healthy brain on a trunk capable of great endurance. It was health, good health, throughout. To a keen, sensitive intellect he adds a calm, dispassionate temperament and the highest courage. Although modest in manner and reticent in speech, his very presence commanded respect among his opponents, such as all positive characters possess; while his friends felt that their cause, whatever it might be, was safe in his hands. Trained a banker, he had made a success of his banking; and while possessed of a thorough acquaintance with the details of his business, he had also a philosophical knowledge of the science. This is a rare combination.

"How little those people know of their own business!" said Salmon P. Chase to Mr. Richard B. Pullen, of Cincinnati, after a meeting of bankers the able Secretary of the Treasury had called for consultation. It was well for the bankers that such was and is their condition. They are practical men—that is, men who accept the fact as they see it, without bothering their brains as to the reason for it. The business man who sends an order through the telegraph or telephone does not stop to consider what strange agency he is using. If he did, he would not only have his mind taken from his avocation, but lose the chance of a deal in the market. The mind given to and capable of study is one given to dreaming, not acting.

The vast debt owing the people by the government in the shape of currency presented to Secretary McCulloch his first problem that had to be solved before credit could be restored and business again put on a sound, healthy basis. He had the advantage of knowing clearly and precisely the work before him. It was the error of the day, as it is the error now, to confound currency with money. By money is meant the great measure of value in gold and silver coin determined on by trade and accepted the world over since trade first began. Currency, on the contrary, is that form of credit used in paper to facilitate exchange. Now, trade calls for a certain amount of this, not so large as is popularly supposed, but fluctuating in quantity as trade makes its demand. Gold and silver cannot be relied on for this purpose, for their intrinsic value, which makes them a measure of value, forbids. This measure of value, like that of the yard as to length, and the pound as to weight, becomes an abstract idea. When one seeks to purchase a pair of shoes, and the shoemaker says that their, price is five dollars, one may pay for them five bushels of wheat; so that on both sides a value is got at that facilitates the exchange. If currency is used, it, too, has the same nature—with this fact added: the intrinsic value of the paper promise to pay coin lies in the credit of the man, corporation, or government issuing the promise.

"If a man fall down a steep place," said the Hon. Tom Benton, "and get killed with a gold dollar in his pocket, and his bones be found a hundred years after, they will be worth the dollar. If, however, he has a promise to pay a dollar, he has that which depends for value on a boardof directors sitting around a mahogany table. It may be worth a dollar and it may be worthless."

This disposes of the fiat money. We cannot create something out of nothing by act of Congress. When the government issues its paper, it coins its credit into currency. Its value, if it has any, lies in that.

Now, when Secretary McCulloch took command of the Treasury Department the credit of the government was at a heavy discount, and getting less every hour. The only class at the North that doubted the ability of the government to maintain itself in the War of Secession was the moneyed class, and this class continued to decry the credit of the government long after the war had been brought to a successful conclusion. This, because the condition of discredit was a source of income. They who had refused to fetch out their money-bags to aid the government when the roar of the first artillery was throbbing along the halls of the Capitol, now sought to fatten on its distress.

Hugh McCulloch found the government financially aground like a stranded whale, with sharks eating in at one end, and vultures and wolves at the other.

And yet all the vast powers of the government are given to the aid and support of this class from which come the sharks, buzzards, and wolves.

The new Secretary had this class to contend with; and he had another in the form of politicians, the representatives of the people that represented everything but the people's patriotism. Mr. McCulloch knew that to restore credit and redeem our currency the volume must be contracted. The moneyed class wanted to be let alone—it always wants that. The politicians wanted more currency—or money, as they called it.

In addition to this trouble, the politicians of the dominant party sought to make a colony of the entire South, to be governed by carpet-baggers and bayonets, because Southern staples could thus be made to contribute to Northern capital, and the ignorant plantation negroes could be used to keep that party in power. In this way half our territory and the most valuable of our products were paralyzed.

Fortunately for the country, President Johnson got into a row with both capitalists and politicians. As a poor white of the South, he hated wealth; as a Southerner, he hated Northern politicians. An ignorant, vicious sort of a man, Johnson was obstinate and courageous. It was, however, a sort of moral courage—if we may use such a term in this connection. Probably his nerve had been demoralized by his intemperate habits. It is true that the man who in the Senate defied the fierce slave-holders was the man whom General Don Carlos Buell cowed at Cincinnati, and who ordered the unfortunate and innocent Mrs Surratt to be hanged within twenty-four hours, with the recommendation to mercy of the court that condemned her before him, and the shrieks of her agonized daughter ringing in his ears.

Be all that as it may, Andrew Johnson, cutting loose from Congress and the moneyed class, took the executive government into his own hands. Fewof us realize what a tremendous power is this government of ours. The framers of it made it so, to guard against the people in whose behalf it was created. The politicians in Congress saw this, and sought to free themselves of Johnson through impeachment. They charged him with selecting his cabinet. The charge was absurd, and failed; and while Johnson, with little dignity and less success, went on fighting politicians, Secretary McCulloch used the power given him to contract our currency, restore our credit, and put the country once more on the road to honest trade and its high prosperity.

No one, however, must open Hugh McCulloch's book with any hope of finding therein a history of this financial crisis and his part in the restoration to honor we enjoyed. The author is a modest man, and leaves to others the truth and the praise the truth awards him.

There is a more serious objection to the work, and that comes of Mr. McCulloch's marked ignorance of men. While clear-sighted and profound in his knowledge of great economic subjects, he scarcely knows one man from another, save as they are labelled and described by popular expression. It is amusing to run over his list of prominent men and see under each, if not an official pedestal, one given by social verdict. With the conservatism of his temperament in his judgment of men, he seldom departs from the recorded estimate of the public. The most ludicrous instance of this is his history of Grant and his summing up of the man's supposed character. It is the political fiction and newspaper lie of the day.

From this we can turn to the views of a statesman on finance, the tariff, and on reconstruction with not only pleasure but profit. So far we have three great historical characters to record as financiers: Hamilton because of his luck, Chase for his blunders, and McCulloch for his ability.

Recent Novels.—The great stream that swells day by day in the form of prose fiction is simply appalling. It is not only the genius of to-day that has seized on this vehicle of thought and feeling, but the amateur pen-driver plunges in without hesitation. Every male citizen of these United States is born to hold office and edit a newspaper. Every female born under the stars and stripes comes into the world prepared to write a novel. No study, no preparation whatever is needed. When the Irishman was asked if he could play upon the French horn, he responded, "Shure, it looks aisy;" and a love story looks so easy that every little girl is ready to produce one.

Of the pile before us we of course seize first on that under the name of Julian Hawthorne. The admiration felt by all for the father, to say nothing of the love that yet lingers in memory for the man, makes the name of Hawthorne sacred. It brings to mind the noble, handsome, Cæsarian head of the master, that was made winning by the shy, gentle, and affectionate manner—so little understood by the many, so fascinating to the few. Then lived our greatest genius in the world of fiction. When one realizesthe nature of the material upon which he had to work, the cold, barren soil of New England, the hard, unsympathetic characters, with no background of romance on which to build, the mighty power of the magician looms up before us. The touch of his pen wrought such strange wonders that the very hardness of the groundwork seemed to play into his hand, and from theTwice-Told Talesto that grandest of all tragedies in the English language,The Scarlet Letter, one is held spellbound.

Well, it is not belittling Julian to say that it is a misfortune that he should be the son of his father. We read his charming stories by the light of a past that can never again be renewed, and all the time the memory of the mighty master dwarfs the work of the son. In this way I read aloud to my dear invalidA Dream and a Forgetting. Had there been any other name upon the title-page than Hawthorne, we should have been charmed with the book that Belford, Clarke & Co. have gotten up so beautifully. As it was, we could not help looking for the sunlight through rifts that, alas! can never come again. It is singular to note, however, the Hawthornish traits that yet linger in the son. The same boldness that made the elder Hawthorne accept and use without hesitation the most unpromising characters, and make them not only acceptable but attractive, belongs to the younger. It is this which drives him not only to depict Fairfax Boardwine, but to make his hero such a weak, selfish creature. After all, he is only a foil to Mary Gault, and the true work in the artist lies in the clear yet delicate prominence he gives to his heroine.

The charm the elder Hawthorne threw over the rocky land of New England is evident in thePot of Gold, by Edward Richard Shaw (Belford, Clarke & Co.). Here is the barren, sandy coast, with a few rough fishermen, the cold, heaving sea, enlightened by no love, but made attractive by the shadowy play of adventure found in piratical ships, that come and go as if they were phantoms of a half-forgotten past. With all the dim, misty character of the piratical craft, the author gives us the coast and its atmosphere, the rough, ignorant characters of its inhabitants, in a way to prove that he is an artist and has made good use of his study. To the average reader, as well as the more cultured, this book is very attractive.

Edgar Saltus, whose immature book,The Truth about Tristrem Varick, won him wide mention as the author of a grotesque bit of immorality, comes to the front again inEden, a novel published by Belford, Clarke & Co. There is the marked progress in this volume we prophesied in the young author. He has great ability, marred by certain affectations, that will in time, we hope, disappear. Mr. Saltus has been roughly assaulted by the critics. He probably deserved all that he got. We can say to him, as the fond parent said to his son after the youth had been kicked in the face by a mule, "He will not be so handsome hereafter, but he will have more sense."

Mr. Saltus builds his novels on the French methods. His narrative and conversations find expression in short epigrammatic sentences. To theaverage reader this is easy and delightful, for there is a sense of wisdom that to such is quite captivating. To the more cultured it has the effect of an old-fashioned corduroy road over a swamp. It simply jolts one, and the knowledge that the short sticks and logs cover a quagmire is not comforting. The characters are nearly all alike; and their conversation so much so, that to a listener to one who reads aloud, omitting the names, it seems to be one person dealing out worldly wisdom in short, jerky sentences. As a specimen of style we quote:

"Then, Miss Menemon, you must know the penalty which is paid for success." He straightened himself, the awkwardness had left him, and he seemed taller than when he entered the room. "Yes," he continued, "the door to success is very low, and the greater is he that bends the most. Let a man succeed in any one thing, and whatever may be the factors with which that success is achieved, Envy will call a host of enemies into being as swiftly as Cadmus summoned his soldiery. And these enemies will come not alone from the outer world, but from the ranks of his nearest friends. Ruin a man's home, he may forget it. But excel him, do him a favor, show yourself in any light his superior, then indeed is the affront great. Mediocrity is unforgiving. We pretend to admire greatness, but we isolate it and call that isolation Fame. It is above us; we cannot touch it; but mud is plentiful and that we can throw. And if no mud be at hand, we can loose that active abstraction, malice, which subsists on men and things. No; had I an enemy I could wish him no greater penance than success—success prompt, vertiginous, immense! To the world, as I have found it, success is a crime, and its atonement, not death, but torture. Truly, Miss Menemon, humanity is not admirable. Men mean well enough, no doubt; but nature is against them. Libel is the tribute that failure pays to success. If I am slandered, it is because I have succeeded. But what is said of my father is wholly true. He did make shoes, God bless him! and very good shoes they were. Pardon me for not having said so before."

Again, here is another character speaking, and it seems a continuation of what we have quoted. It is not; there are nearly a hundred pages between the two, and a world-wide difference in sex. Now read:

"Before I met you I thought myself in love. Oh, but I did, though. And it was not until after I had known you that I found that which I had taken for love was not love at all. How did I know? Well—you see, because that is not love which goes. And that went. It was for the man I cared, not the individual. At the time I did not understand, nor did I until you came. Truly I don't see why I should speak of this. Every girl, I fancy, experiences the same thing. But when you came life seemed larger. You brought with you new currents. Do you know what I thought? People said I married you for money. I married you because—what do you suppose, now? Because I loved you? But at that time I told myself I had done with love. No, it was not so much for that as because I was ambitious for us both. It was because I thought Wall Street too small for such as you. It was because I discerned in you that power which coerces men. It was because I believed in the future; it was because I trusted you. Yes, it was for that, and yet this afternoon—"

The advance made in this brilliant book, for such it is with all its faults, from that grotesquely immoral work calledThe Truth about Tristrem Varick, justifies our expressed faith in the ability of Edgar Saltus. This novel is clearly highly dramatic and intensely interesting. There is the making of a foremost master of fiction in the young man when he shall have shaken off his affectations.

His Way and Her Will, by Fannie Aymar Mathews (Belford, Clarke & Co.).—This is a vivid picture of our supposed New York social life, as seen by certain writers of fiction through the plate-glass window of a fashionablemodistein an atmosphere heavy with the cheap scents of a barber-shop. We are introduced to most elegant people of high birth and culture through many generations. The villain is a villain because he is the son of a lowborn and base stonemason.

We have two sorts of fiction affected mainly by our American novelists. One is of the English sort, not Braddon, but Trollope and Miss Austen, where the interest, of a mild sort, turns on the social law of caste. "The hero and the heroine paddle about in the shallow sea of affection, never out of sight of the church-steeple," and it is a poor plebeian girl beloved by a lord, or a noble lady, rich and well-born, who is sought for by a lover of base origin. The other, or French method, is to have the characters tossed upon an awful ocean of passion, where the rag of chastity is torn in shreds by the lurid storm.

The novel before us is of the English class. As we have no aristocracy, one is created. It is, of course, one of birth. The old Knickerbockers and the Puritans of the Mayflower furnish the lofty pedigree, and chivalrous gentlemen and silken dames appear in or come out of elegant drawing-rooms, and love and make love in a most refined and lofty sort.

The stories are not only imaginary, but the foundations for the same are of the stuff dreams are made of. There is no such social life in this land of ours. The aristocracy we have here is one of wealth, and of necessity is without culture. Money-getting, in its best aspect, is a mere instinct. As we have to get our living from the hard crust of earth on which we are born, nature has given us the instincts necessary to that living, and a man gathers the good things about him very much as swine seek shelter and make a bed before a viewless coming storm. As we cultivate the animal we destroy the instinct; hence it is that when a man ceases to accumulate and goes to spending he loses the power of accumulation.

We do not mean to say by this that a man may not, through an exercise of his reason, accumulate property also. The goose that flies a thousand miles on a line due north is emulated by the mariner, who, by the use of a compass, will sail with the same accuracy. But the goose carries its own stomach, and the sailor a rich cargo of silks and velvets. The rule, or rather, the law, is that when reason takes the place of instinct, the instinct is lost. The man who from natural impulse and motive makes his moneyis unable to enjoy what he has made. He is a mere animal, and of these animals is our aristocracy made.

When, therefore, we apply to American life the characters, motives, and manners of European social existence, we make an egregious blunder. The aristocracy of Europe, mainly of England, is not one of wealth alone, for many commoners are richer than their lords. Nor is it of pedigree, for the great majority of them are without such. It is the power of a hereditary class. It dominates not only the social but the political structure as well. The lords we look up to and dwell upon, so fascinated, are the masters, and, relieved from the necessary toil for an existence, have time and means to be cultured.

It is a class with the prestige of power. Take this away, and a lord would be no more than the ring-master of a circus, and not half so amusing as the clown.

Our social aristocrats play at being such, and are ring-masters and clowns, admired by the ignorant and laughed at by all.

Again, there is no class in the United States that has the leisure necessary to learn. We have no idle class. We have a continuous stream of would-be aristocrats, but they come and go so rapidly that no time is given for the cultivation of manner, nor can there be the repose necessary to aristocratic ways. The duration of family life on Murray Hill, or any other fashionable locality in New York or elsewhere, is that of the penitentiary or the car-horse—about five years. All the families change in that time. Whence they come they carefully conceal; whither they go no one cares to learn. There are enormous fortunes made in a day, that disappear in a night.

All the while the money-getting and -losing continue. There is no pause. The masculine element of such society is made up of men who carry the anxieties of their work into parlors and ball-rooms. The late dinners and later parties are frequented by fathers and brothers who know that at counting-rooms and offices they must be every morning by ten o'clock, to worry all day with an anxiety that kills. These noble scions of male American aristocracy carry protested notes on their dyspeptic countenances, and the female specimens their bills for jewelry and gorgeous wearing apparel. The surface of the whole creation is not even good veneer, but the thinnest sort of a scratched varnish.

What absurd fictions, then, are our society novels!

We have in reality our social life, and it is of the best and highest. The millions of homes over the land have their comedies and tragedies well worth putting to record, but they are American, not European. Why cannot our gifted authors, such as Miss Mathews, for example, turn to these and give us a fiction worthy the name? The book she has given us, with all its defects, is entertaining. From title-page to close the interest in the plot and characters holds the reader who does not look too narrowly into the probability.

Of the same sort of work is the volume entitledThat Girl from Texas, by Jeannette H. Walworth (Belford, Clarke & Co.), an amusing story under a bad name. The idea is not so original, as Sancho Panza remarked, but what we might have met it before. The "Fair Barbarian" who invades England and crops out in English novels, much to our discredit, and the like character from the far West who assaults fashionable life East, are getting to be somewhat monotonous. Society is shocked in both localities by the rough ways of the maiden; but as she is ever beautiful, rich, and shrewd, she plays a leading rôle and comes out victor in the end. If "Elmira does not stab that deep-dyed villain, the Count," she circumvents him in the most adroit and unexpected manner, so that virtue triumphs and vice is exposed and punished.

We cannot comprehend why it is that when a sprig of English nobility seeks our shores, he should always be a cad or an idiot, and in many instances blooming specimens of both. Time was when this specimen proved a fraud, and the so-called lord turned out a lackey. But now his ancestors are the real lace, but his intellect, morals, and manners are at a heavy discount.

Nor is it understandable why the newly rich of the far West are such ignorant boors, while the same articles at the East are refined and intellectual. We observe that the difference between the two is to have the Western man spell his words as they are pronounced, while all the correct spelling is given to the Eastern gentleman. This is scarcely fair to the citizen of means from a Texan ranch or a Nevada mine. But the dramatic effect is good, so we must not complain.

Allowing for these slight defects,That Girl from Texasis a well-told story, and, like the preceding,His Way and Her Will, is a healthy book. There is nothing in either to shock even the sense of propriety, let alone morals, and both give evidence of a talent for story-telling that if properly cultivated will make the fair authors famous.

Some years since Théophile Gautier published a strange story of transformation in which the soul of the lover was passed to the body of a husband, and the inner life of the husband transferred to the body of the lover. Morbidly-inclined readers are referred to this ingenious but disgusting work for entertainment. The author ofThe Princess Daphne, too modest to put his or her name upon the title-page (Belford, Clarke & Co.), to accommodate morbid readers unacquainted with French, has translated Gautier's plot and adapted it to American taste by making the transferee female instead of the coarser sex. "Whether it was worth while to go through so much for so little," as Sam Weller's school-boy remarked when he got done with the alphabet, "is a matter of taste." We think, in the case ofThe Princess Daphne, that it was not.

By Alexander L. Kinkead.

Bill Kellar played the first fiddle and called the figures; Blind Benner was second fiddle, and Hunch Blair blew the cornet. A curious trio they were.

William Kellar had come from an Eastern city, where he had been the leader of a successful orchestra. The noises of the streets had proved too much for his sensitive hearing, and he had fled from them to the stillness of the forest. He lived at the foot of Coot Hill, where he was frequently visited by Blind Benner, a young man to whom he had taken a fancy and whom he taught to play on the violin.

Blind Benner had a Christian name, but the people of Three-Sisters did not know what it was, and they always spoke of him by the title his infirmity suggested.

Hunch Blair did odd jobs at the furnace store at Three-Sisters, a village located at the foot of a spur of the Alleghany Mountains. Only his father called Hunch by his Christian name. He was a mannish dwarf. Somewhere he had learned to play the cornet.

These were the musicians at the Queen's ball, and lively music they played.

"Move round there, you huckleberry-huckster, and keep some sort of time to the music," Bill shouted at Mrs. Wright from Tihank.

She sold berries in their season and was a quaint character. Spurred by the caller's sharp reprimand, she got ahead of the others, and left her partner before it was time to "turn corners."

He was none other than the stalwart, handsome, dignified owner of the Three-Sister furnaces, and known to all the iron trade as Colonel Jerry Hornberger. He had honored the Queen's ball with his presence and was dancing the first quadrille with Mrs. Wright.

"Seat your partners," Bill shouted presently, "and give Hunch a chance to fill that extra lung he carries on his back."

The party was given in honor of Elizabeth McAnay, the Queen of the Block of Blazes, who had become twenty-one that day.

Tall, strong, light-footed, and graceful, she was the best dancer in Three-Sisters and eagerly sought as a partner at all the balls. Although not pretty, her face was full of character. Her eyes and hair, which was worn short, were black. Her walk was erect, and her manner regal. She was always grave and dignified, yet could enter heartily into the spirit of a jolly occasion. However, she never lost her womanly dignity as many girls do at balls or parties in the country, by playing practical jokes on the young men; and because she would not join in such tricks, one of the girls had given her the nickname, "The Queen of the Block."

"Twenty-one dances, mind," said Bill, tuning his fiddle for the second dance. "Your positions for number two. Huckleberries, you dance here where I can tap you with the fiddle-bow."

Mrs. Wright, taking a place on the floor by the side of John Gillfillan,the head clerk at the furnace store, turned up her nose at Bill, and joined another set.

Snap! Blind Benner broke a fiddle string, and was so grieved that he could not play that Bill delayed the dance until the string was again tuned.

Elizabeth was dancing with her oldest brother Levi. Her partner in the first quadrille had been her aged father, who danced no more that night.

Levi was tall and wore his hair long, falling on his shoulders. He was a school-teacher, and a strange combination of faculties found expression in his methods of instruction and discipline. His smile was potent with his pupils being both their reward and punishment; to the deserving it was a benediction, to the unfaithful it was a mocking grin, confounding and abashing them. He was gallant to his sister, and walked gracefully through the dance with her.

Elizabeth's partner in the third dance was Matthew McAnay, her brother, four years older than she. By occupation a wood-chopper, he was an active, strong man, but rather a clumsy dancer. Sometimes his face wore a smile similar to Levi's; to acquaintances it was tantalizing, to strangers annoying.

Cassius McAnay was Elizabeth's partner in the fourth dance. He, too, was her brother, two years her senior, and much like their elder brothers. He was his father's assistant in the coaling.

After the fourth dance John Gillfillan made his way along the ball-room to Elizabeth's side. The change of her manner as she accepted his arm for the next dance showed how welcome he was, yet they were not avowed lovers. He had not made his declaration, but she was expecting it that night. It came, yet not as she had hoped for it.

The ball-room was a long porch, which had once been the platform where freight was received when the Block had been a warehouse, Three-Sisters at that time being the terminus of a railroad. When the railroad was carried farther up the river, the warehouse was found to be unnecessary, and Colonel Hornberger, desiring to turn it into a tenement-house, bought it from the railroad company.

In it a dozen families could be comfortably accommodated, each family having five rooms, three upstairs and two down. The long platform was divided by fences, and to each door steps led from the street. In the openings thus made in the floor of the platform trap-doors were fitted.

These porches were the wash-rooms of the families; and on a Monday, when the washing of clothes took place, so many quarrels arose between the women that the house was given the nickname of the Block of Blazes.

On the night of Elizabeth's party there was harmony in the Block. The wash-tubs and benches were removed, the middle fences were taken away, the trap-doors were down, and the platform made a dancing-floor, which was lighted by candles placed in the windows, and by perforated stable-lanterns, swung on ropes above the heads of the dancers.

John, or Gill, as he was called, conducted Lizzī—for that was what her brothers shortened her name to—to the end of the porch opposite the musicians, who had seats raised above the floor.

Many of the guests were grouped near this platform, gathered around Jacob McAnay and his wife; and Gill and Lizzī had the other end of the porch to themselves. She leaned over the rail and looked at a star twinkling near the horizon, which was made in the West for Three-Sisters by a ridge that was precipitous and high.

"Lizzī," said Gill, "will you be my wife?"

"I will, John."

The shrill voice of Bill Kellar broke upon their ears.

"Cotton, Lizzī! cotton, quick! or there'll be no more dancing here to-night."

Lizzī turned impatiently toward him.

"Never mind him; he's drunk," said Gill.

"Lizzī, the devil is here, and wants a dance, and if I don't get some cotton for my ears, I'll have to give it to him."

"I must humor him, John," said Lizzī, and disappeared in the house.

There she encountered Gret Reed, Seth Reed's wife, who, knowing Bill's eccentricities, had gone for some cotton when he first asked for it.

"I have it, Lizzī," said Gret; "your mother told me where it was."

"Just like you, Gret; always the first to do anything that is asked."

Gret took the cotton to Bill, who stuffed it in his ears. Then he shouted, "Partners for the fifth dance."

Gill led Lizzī to the floor. She was very happy, betrothed to the man she loved. How light her step, how graceful her movement, as the tall, comely girl walked through the quadrille by the side of her promised husband!

After the dancers were seated when this quadrille was finished, Bill took Hunch aside and asked:

"Hunch, are you afraid of the devil?"

"Ain't afeard uv nuthin'!"

Hunch looked it. His wrinkled old face, with its expression of cunning, and his disfigured form suggested that he was on intimate terms with all sorts of evil spirits.

"The devil is here to-night, Hunch, begging me to play for him to dance, and I don't want to hear him. That's why I put the cotton in my ears. But I will have to play for him. He never lets me go without a dance when he comes around. If I refuse to play, he gives me a lower-region chills-and-fever that makes my bones ache and my flesh burn. But to-night he will have to wait until the party is over; then I will play for him. He will dance on the roof. When I give you the nod, just take your cornet, sneak up on the roof and blow a hole through him, will you?"

"I will thet;" and Hunch jerked his head in a way that showed he intended to ventilate Satan effectively.

When Bill returned to the musician's stand, Blind Benner, who knew the mood that was upon his master, asked the privilege of playing second fiddle for the devil's dance.

"Sorry, Benner, but Old Nick wouldn't have it. He will dance to but one fiddle, and insists that I shall play it. And if he don't get his dance to-night, he will give me an ague that quinine won't cure."

Blind Benner looked sad. Hunch was given the privilege of driving Satan away; but he could not extend to his teacher, tortured into playing for the demoniacal dance, the sympathy of an accompanying violin. With a sigh, he twanged the strings of his violin to learn if they were in tune.

The last dance was a Virginia Reel. With Colonel Hornberger as a partner, Lizzī took the head to lead off.

When the reel was finished, the guests prepared to leave.

"Not yet," shouted Bill. "Don't go yet. Seats, everybody, and we will have a jig by the devil."

A shiver passed over the guests, and they remained standing in groups.

Bill, who was tuning his violin, seemed to have been suddenly transformed. A demon seemed to have taken possession of him. His lookwas wild, and his eagerness to play almost a frenzy. Before he put the instrument under his chin he unstopped his ears. Immediately, when his bow crossed the strings, he gave himself up to a delirium of melody. His eyes glared, and his body swayed. His auditors were frightened into silence. However, Hunch was self-possessed, and held his horn ready to perforate Satan with a blast from it. Blind Benner wept silently.

Finally Bill nodded, and Hunch hastened from the porch. A minute after he entered the Block, a discordant blast from the roof broke the spell, restored the player to his senses, and relieved the others, who to this day declare that they distinctly heard the cloven hoof keeping time to the music on the shingles.

On his way home Bill muttered:

"What infernal business had Old Nick at Lizzī's party?"

In after-time he knew.

John Gillfillan was chief clerk at the furnace store. Upon him was the entire responsibility of its management; to him was given the sole charge of its business. Colonel Hornberger was always boasting of his ability and trustworthiness, and made him his deputy with full power to act for him. John went to the city and bought the goods for the store and put the selling price on them. He knew just how much stock there was on hand. He was a genius in a way, having a remarkable memory, which relieved him of the trouble of keeping an order book. Gill was the quickest and shrewdest buyer with whom the wholesalers had to deal.

He was handsome, tall, broad-shouldered, muscular, and always well-dressed. His mustache and hair were dark, almost black; his eyes gray.

In the furnishing of his room, which was on the second story of the store building, a taste almost effeminate was displayed. A stranger entering it would think a woman dwelt there.

When he went to it after leaving the McAnay ball he sat down, not to think in superstitious wonder of the strange fancy of Bill Kellar's, but to recall the words, actions, looks, of the graceful and willowy girl who had said, "I will, John."

"She has more pride than Queen Elizabeth," he muttered. "No 'Thank you' to me; but 'I will, John.' Lizzī, you are the comeliest girl I know, and I have got your promise to be my wife. Well, so much."

Hard, unfeeling words, dictated by passion. Love is tender, generous; Passion, harsh and selfish. They sit opposite at the same feast. Love surrenders to the intoxication of the scene, grateful to be allowed there. Passion glances scornfully at foolish Love and considers his presence at the banquet a compliment to the giver. Love treasures the crumbs. Passion wastes basketfuls.

"So far, so good," Gill murmured. "I'll go to Jim Harker to-morrow."

And without one tender thought for the woman, who even then, all a-tremble with delight at being his betrothed, was uttering a prayer for him, he threw himself on the bed and went asleep.

Lizzī did not sleep. Gill's declaration of love, as she regarded his proposition of marriage, had opened the door of the future, and her eyes were fastened on the scenes that imagination conjured up beyond the threshold. She lay awake looking at them, all beaming in the sunlight.

"Squire, can you keep a secret?"

James Harker, shoemaker to Three-Sisters, sat in front of his shop, smoking, when Gill addressed him. The title flattered him, coming from so influential a person. He was a candidate for the office of Justice of the Peace. At the polls on the following Tuesday—the McAnay ball was on Wednesday—it would be decided whether Squire Parsons should retain the right to issue warrants and summon law-breakers before him, or have only the dignity of the title, while James Harker, formerly shoemaker, occupied the office and received the fees.

Jim looked piqued by Gill's question.

"Keep a secret? Humph! do yer take me fer a woman?"

Gill laughed and stroked his mustache. "I'll bet you ten dollars if I was to tell you a secret that you couldn't keep it an hour."

"Ten dollars is skeerce with me, Gill; but I'll hev ter go yer thet much anyhow."

From somewhere in his clothes Jim produced a greasy wallet, which he opened. He took from it a ten-dollar gold piece. Gill promptly mated it, but modified the time.

"An hour's too short a time for a fair test."

Jim replaced the money in his wallet. Gill tossed his gold piece into the air, caught it as it fell, balanced it on the tip of his finger, and said:

"Jim, how would you like to have this shiner for your first wedding-fee?"

Jim's eyes dilated.

"Well, yer wouldn't think I'd objec', would yer?"

Gill laughed and slipped the coin into his pocket. Jim's face betrayed his eagerness for the gold.

"Let's go into the shop. I've something particular to say to you," said Gill.

They entered, and Jim shut the door. Gill dropped into the shoemaker's seat and laid the lap-board on his knees.

"Do you know, Jim, that Squire Parsons is going to be hard to beat?"

Jim sat down on a stool and drew a heavy breath, which was an admission that he was of that opinion.

Gill had a knife in his hand and was cutting a piece of leather into strips. The shoemaker, too cunning to force the conversation, looked on in silence. Finally Gill said: "But I believe we can do it, Jim."

"Think so?" Jim asked carelessly.

Gill took another piece of leather and, after whetting the knife on the side of the bench, began cutting a shoe-string. When he finished it, he said:

"Jim, if you will promise to do me a favor, I'll elect you."'

Without looking up, or waiting for an answer, he began cutting another string, running the knife dextrously around the circular piece of leather. With great difficulty Jim restrained a promise to do anything Gill might ask. He began to feel his way cautiously.

"If it be in my power as an honest jedge."

"I am not in the habit of asking impossibilities."

Gill was pointing the ends of the shoe-strings, and appeared very indifferent as to whether Squire Parsons remained in office or not. His coolness proved too much for the shoemaker, whose greed had been greatly excited. He leaped to his feet and held up his right hand.

"I'll do it. I swear I will."

"Sit down, Jim, and keep cool. This is to be a bargain, and bargains made in cold blood are surest kept."

Jim resumed his seat and stared in amazement at Gill, who, sure of his man, seemed to take interest only in the shoe-strings he held before him.

"Guess I'll send these to Squire Parsons with your compliments, Jim, as a hint that we'll string him up."

A poor attempt at wit, but it had the desired effect, and Jim was soon as calm as Gill could desire. Then he threw the shoe-strings away and proceeded to business.

"I mean to elect you Justice of the Peace, Jim. That office will materially increase your income. In return for my exertions in your behalf, I expect you to marry me. You will be elected on Tuesday. On Wednesday night you will meet me at the church and unite me to the woman of my choice. I will pay you a fee and, besides, will bet you twenty dollars in gold that you will be the first to tell of a marriage which for good reasons my intended wife and I desire to be kept secret for some time."

Jim rose, delighted that the favor asked of him would be so easily granted.

"Say, Gill, thet's all right; yer needn't make the bet. Yer jist 'lect me squire, an' I'll marry yer fer nuthin' and never tell a soul."

"But I think I'll win, that's why I want to bet."

"Well, then, I'll jist take yer up."

"All right; it's a wager."

His business completed, Gill returned to the store.

Squire Parsons was defeated by two votes, and great was the astonishment in Three-Sisters, where everybody believed that John Gillfillan, clerk of the election, was a surety against fraud.

But Gill gave little thought to the deceit that had placed Jim Harker in the office of Justice of the Peace, for he had a weightier matter on his mind—theft. For more than two years he had been stealing systematically from the cash-box, and protected himself from discovery by false entries in the books. The money thus obtained he had lost at the gaming-table during his semi-annual visits to the city for the purpose of buying goods. As soon as he got back to the store he began thieving again in small amounts, in order to accumulate capital for another venture when he next visited the city.

Luck having been so persistently against him, he had determined to learn the art of juggling with cards, and purchased a book of instruction in that line. With this open before him and a pack of cards in his hands he sat in his daintily furnished room on the night of the election. He continued to shuffle and cut the cards until near midnight, when he rose, muttering as he concealed the pack and book:

"I think that practice will make me an expert at cards, and I'll win next time; but I don't propose to risk much longer the chances of being caught by Colonel Hornberger. Something has got to happen to those books, or they will tell on me."

Gill did not caution Lizzī to keep their engagement secret. He knew she would, for every true woman enjoys alone for a short time the knowledge that her love is reciprocated. She does not hasten to tell that she has had a proposal and accepted it. To her such conduct seems eagerness to boast of a good bargain. And Gill reckoned rightly when he esteemed Lizzī a true woman.

He did not speak of his intended marriage to any one but Jim Harker. It did not occur to Lizzī that he was trying to see as little of her as possible. Very busy at opening and marking the fall invoice of new goods, he saw her only when he passed the Block on his way to the warehouse, or when she came to the store. On these occasions he was very gallant, and addressed her with a meaning in his tones and looks that her heart quickly interpreted.

Sugar Camp Hollow was the shortest cut from Three-Sisters to the farm on which an uncle of Lizzī lived. It was a long, deep ravine, where grew great towering pines and graceful sugar-maples. These latter gave it the name. Every spring there was a sugar-boiling at the mouth of the hollow. In the fall and winter the deer herded in the laurel thickets near the top of the mountain. A narrow path ran the length of the ravine, and from a spring near the mountain-top a noisy brook rolled to the mountain's foot and tumbled into the river.

Lizzī's aunt was ill, and, on the Sunday following her engagement, Lizzī, with a basket full of good things, went to visit her. The day was very still, and she enjoyed the deep silence of the woods, broken only by the rustling of the dead leaves as she stepped lightly on them. Sometimes she paused to let the quiet rest her.

As she turned a sharp bend in the path she discovered Gill waiting for her, and uttered an exclamation of glad surprise. Putting down the basket, she let him fold her in his arms. Her heart beat quickly and strongly. He felt it throb, and a thrill startled his steady nerves. Lifting her head from his shoulder, he took her face in both hands and drew it slowly closer to his, feasting his eyes on it. She looked a quick protest and then yielded. A flush mantled her cheeks.

He would have repeated the kiss, but she would not let him. Repetition would be profanation in her eyes and he understood her refusal. Ever after in her life she regarded that first kiss as sacred.

Usually his manner was lightsome, but to-day it was subdued.

"Why have you got such a long face, John? Ain't you glad to see me?"

"Of course I am."

He pressed her hand and looked away from her. The sad smile on his face was succeeded by an expression of dejection.

"Sit down on this log and tell me what's the matter."

Gill sat on the log and looked down the mountain-side to the village below. Lizzī took a seat close to him, and waited for his confidence. Apparently he was hesitating.

"What am I for if you can't tell me your troubles?" she asked impulsively, and caught him by the arm.

Thus encouraged, Gill said:

"I had a letter from mother, yesterday."

She withdrew her hand quickly, sat erect and waited for him to continue, ready to become intensely jealous of that mother, who was probably some selfish old woman that would not let her son marry.

Gill took from his pocket a neatly folded, daintily perfumed letter, the chirography of which was like steel-engraving. From it he read:

"'There are indications in your letter just received and read with the eagerness of a mother homesick for her only child, that your affections for the first time in your life are feeling with restless tendrils for a place to cling to in another woman's heart.'"

Gill could see from the corner of his eye the resolute expression melt on Lizzī's face and a gentle glow of color appear on her cheeks, while a soft look suffused her eyes. He continued:

"'Now I hasten to warn you. I care not how beautiful, how accomplished the woman is who enthralls you; if I hear again of this—rather, I should say, that if you do not write to me that you are free, I shall make my will according to your father's directions.'"

Lizzī had placed one arm on his shoulder and was reading the beautifully written lines, breathlessly looking for the threat she knew they embodied. When she saw it she rose to her feet, and passed her hand quickly over her eyes as if to brush away something that prevented her from seeing clearly. Gill stood up too, and, grasping her shoulder with one hand, gave her a little shake.

"Don't you see, Lizzī? I have been in love with you for a long time and gave mother a hint to learn her opinion, and then before the reply came, my heart broke from its bonds, and I told you my love."

"Yes?" said Lizzī, interrogatively.

"And then I got this letter, threatening to disinherit me, as my father directed I should be if I married without my mother's consent."

"Yes?" again the plaintive interrogation. Then by a sudden great effort she overcame the doubt that had for the moment shackled her. She loosed his grasp, picked up the basket, and, standing erect with one foot advanced, a queen abdicating a throne, said:

"Write to her you are free."

"But I will not."

His reply was positive. He stood before her, blocking her way, himself aroused to earnestness that needed no affectation, for it was honest. He had just discovered how unselfish a woman's love can be, and reckoned upon it as the last means of retaining his promised wife.

"See," and he tore into bits the beautiful letter. "Thus do I leave my mother for you, Elizabeth; but it will break her heart, it will shorten her life."

His head drooped, his chin touched his chest. Lizzī was touched by his grief, and for him had great compassion. She still held the basket on her left bended arm. With her free hand she gave his forehead a quivering pressure.

"Wait, John, till your mother dies; then I will be your wife."

"I cannot. I will not!"

He lifted his hand determinedly. She still held the basket, her right hand clasping the left, her posture signifying that she was pausing for him to let her pass. He gave her an imploring look, but she was inflexible. Her face had assumed a softened yet determined expression. Regret and resolve had mingled their lines and gave her features a sad tenderness. She was merciful, yet resolute.

Gill pulled aside the overhanging branch of a tree and bowed to let her pass.

A sigh parted her lips as she gave him her hand in farewell. He seized it eagerly and held it firmly. She endeavored to take it from him, but not rudely. He loosed his grasp slightly and his hold became clinging in its significance. Her bursting heart, for she was giving up her life to her pride, rightly interpreted the meaning of this change in the pressure of his hand, and she thought of the tendrils spoken of in his mother's letter. Yes, they clung to her heart, and she could not roughly tear them away. So she lingered.

He gave her hand a pull, bending it until the wrist would not give way. Holding it thus, he said despairingly.

"I thought, Lizzī, you could arrange it some way."

He tried to lift her hand to his lips, but her wrist was firm.

"Can't you help me, Lizzī?"

The wrist yielded, her hand was at his lips. She let him kiss it, and then set down her basket.

Gill knew he had won. But she would have her hand free, for that would give her a feeling of independence. At the first hint he released it. She interlocked it with the other and looked meditatively at the ground, moving a loose stone with the toe of her shoe.

"I don't like bein' married as if I was ashamed of it."

She was suggesting a clandestine marriage, just what he wanted. He met the question frankly.

"It does look cowardly in me to ask such a thing; but if I get that money, I could buy an interest in the furnaces from Colonel Hornberger, and we could live as well as they do."

"It would be nice to have a home like the Hornbergers'. If we was rich, I'd want long hair. Guess it will grow, though;" and she ran one hand through it, shaking it out.

"I like it better as it is," and he played with it too.

"Do you, dear? Then I'll never have it long again."

"And your father is old enough to quit working. We could give him and your mother a good home, and I'd help Levi become a lawyer. We could do lots of things if we had mother's money. She is old and won't live long, perhaps a couple of years."

"Let us wait for two years."

"No, I will not. If you do not marry me, I will go away."

"John, would you marry me and give up the money—marry me before people and send your mother word?"

"I would, indeed."

"Then I will marry you and not let people know."

"Thank you, sweetheart. You are so good!"

He would have kissed her again, but she would not let him. Her heart was sore at having consented to a secret marriage.

"Let us be married on Wednesday night after prayer-meeting."

"Oh! I couldn't get a new dress by that time."

Gill laughed at her vanity.

"I thought you looked the prettiest I ever saw you on your birthday."

"Would you like me to wear that dress?"

"Yes, dear."

"I will if you want me to, but I must hurry to aunt's, or she'll think I'm lost."

Gill lifted the heavy basket and went with her.

The gentle autumn day was asleep on the crazy patchwork quilt spread over the vast mountains, and the lovers walked along in silence, lest they should disturb its rest.

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