north side of the cathedral in the seventeenth century(from an engraving by daniel king).
To leave purely architectural history for a while, we find the church on which all this labour was so lovingly bestowed undergoing another terrible experience in 1264. On GoodFriday of that year it was desecrated by the troops of Simon de Montfort, after their capture of the city. In the old annalist’s account we read (in Latin) how they “entered the church of St. Andrew on the day on which the Lord hung on the cross for sinners.... Armed knights on their horses, coursing around the altars, dragged away with impious hands some who fled for refuge thither, the gold and silver and other precious things being with violence carried off thence. Many royal charters, too, and other muniments, in the Prior’s Chapel, and necessary to the church of Rochester, were destroyed and torn up. The oratories, cloisters, chapter house, infirmary and all the sacred buildings were turned into horses’ stables, and everywhere filled with the dung of animals and the defilement of dead bodies.”
There is a record of a later, more welcome visit from Earl Simon’s conqueror. In 1300 Edward I. made a progress in Kent, and we find the following items in the wardrobe accounts for this, the twenty-eighth year of his reign. On the 18th of February he offered seven shillings at the shrine of St. William, and a like amount again on the next day. He then went forward to Canterbury, and on his return from the archiepiscopal city gave, on the 27th of the same month, seven shillings each for the shrines of SS. Paulinus and Ythamar in the church of the Priory.
From March till October, 1314, we read that Isabel, the queen of Robert Bruce, was a prisoner in Rochester Castle, permitted to walk at convenient times, under safe custody, within its precincts and those of the Priory of St. Andrew adjoining. This is, however, to some extent a matter of controversy.
The fourteenth century saw the junction of the new and the Norman work in the nave completed, and the design of rebuilding the whole western arm finally abandoned. A beautiful capital at the joining on the south side will call for especial mention later, and in the part of the triforium just over it there is a piece of apparently later-Norman work, which is, however, by builders of the “Decorated” period. They seem to have found it best to reproduce here, as accurately as possible, what they had just destroyed. That it is by them is shown by the stone used, which is greensand and not the Caen stone of later-Norman workmen, and by differences in working. The early-Norman architects had chiefly used tufa, and these successive changes of materialare of great help in assigning their respective dates to various parts of the fabric.
About 1320 some alterations were made in the clerestory of the south transept, while on its east side there was, apparently, a conversion of two arches into one to form a large altar recess. This change seems to be alluded to when in 1322 the altar of the Blessed Virgin Mary in this transept is spoken of as “de nova constructo.” At this time there were many disputes between the monks and the parishioners of St. Nicholas, whose altar[5]stood from 1322, at any rate, till 1423, against the rood-screen across the end of the nave beneath the western tower-arch. In 1327, in which year Mr. Walcott tells of a riotous assault by the townsfolk on the pretence of a right of entrance by day or night for the ministration of the Viaticum, an oratory was built, by agreement between the monks and the parishioners, “in angulo navis,” for the Reserved Sacrament, and the small door was inserted in the west front. To dread of such attacks or fear of the crowds of strangers constantly passing through the town, which stood on the main road to Canterbury and the Continent, we must attribute the erection of the screens and strong doors of this time, which shut off the choir from the rest of the cathedral, and also the almost contemporaneous walling off of the priory from the town. Among these screens is included the west side of the pulpitum, which still contains its original central doorway, as well as the screens in the choir aisles. To this same period also belongs, apparently, the western cloister door.
In 1343 the central tower was at last raised by Bishop Hamo de Hythe, and capped by him with a wooden spire in which he placed four bells named Dunstan, Paulinus, Ythamar, and Lanfranc. The south tower had already been destroyed and with its demolition we approach the end of the changes which have brought the south choir aisle to its present form and which will be described in the chapter on the interior of the church.[6]The completion of this aisle is assigned to W. de Axenham; its wooden roof seems to belong to King Edward II.’s time. Decorated tracery was inserted in the presbytery windows soon after the erection of the tower, and Bishop Hamo is recorded to have reconstructed in marble and alabaster the shrines ofSS. Paulinus and Ythamar. Finally, to this time, to about the middle of the fourteenth century, belongs the beautiful doorway which leads to the present chapter room and library, and is one of the chief glories of the church.
In the painted decoration of the choir walls, with its alternate lions and fleurs-de-lis,—which Sir Gilbert Scott partly saved and partly renewed,—we have probably a contemporary allusion to and commemoration of, the victories won by our countrymen in France in Edward III.’s reign. Rochester lay on the main route to the Continent and is sure to have seen much of the soldiers who passed to and fro. In 1360 there is a record of the passage of John II. on his way back to his own land. He had, it will be remembered, been defeated by the Black Prince at Poictiers in 1356, and brought as a prisoner to England until arrangements should be made for his ransom. It was on the 2nd of July that he went through the town, and, ere he left it, made an offering of sixty crowns at the Church of St. Andrew.
The oratory that was constructed in 1327, and other attempted arrangements, did not settle the differences between the monks and the parishioners of St. Nicholas. These were only finally ended by the erection of a new church, for the use of the latter, in the cemetery called the Green Church Haw, on the north side of the cathedral. The people were still allowed to pass within the north side of the cathedral in their processions, and the Perpendicular doorway which exists, walled up, towards the west end of the north aisle wall, was inserted for their passage. The right that the mayor and corporation of the city still retain of entering the cathedral in their robes and with their maces, etc., borne before them, by the great west door, seems to be a relic of the old parochial use of the nave.
Later in the fifteenth century the clerestory and vaulting of the north choir aisle were finished, and Perpendicular windows were inserted in the nave aisles. Then, about 1470, the great west window was inserted, and the nave clerestory, together with the northern pinnacle of the west gable, rebuilt. It was in 1490, or thereabouts, apparently, that the Perpendicular builders carried out their last important work: the erection of the so-called Lady Chapel, in the corner between the south transept and the nave. This seems to be really an extension of the Lady Chapel in the south transept (where the altar to theBlessed Virgin Mary has been already mentioned), to be a nave to this rather than a chapel itself.
There is now nothing very important to record until we come to the time, when, at the suppression of the monasteries by Henry VIII., regulars, after more than four centuries and a half, ceased at last to form the establishment of this cathedral. Two general visitations of religious houses had been made in 1535 and 1537, but neither of the reports on this establishment seems to be extant. If either could be found it would very possibly prove unfavourable. Some injunctions by Bishop Wells, in 1439, nearly a century before, seem to show that he found deviations from the rule of the order, and that he thought precautions against its infraction necessary.
During its later days the priory does not seem to have been in a flourishing state. In the twentieth year of King Henry VIII.’s reign, the annual income of its estates was returned to the exchequer as only£486 11s.6d., and its financial condition, though it has not been accurately ascertained, seems to have been bad. In 1498 there were only twenty-four monks in the house, though the original establishment had been sixty, and this great diminution in numbers was probably due to the want of funds. Later, to the priory’s acknowledgment of the Royal Supremacy, dated June 10th, 1534, there were only twenty signatures altogether.
The 20th of March, 1540, is the date of the commission to the Archbishop of Canterbury, George Lord Cobham, and others to accept the surrender of the house and its possessions to the king. On the 8th of April following the seal of the convent was affixed to the instrument of resignation, a document which seems to us very ironical in its wording. It was sent in, we read by them “with their unanimous assent and consent, deliberately and of their own certain knowledge and mere motion, from certain just and reasonable causes, especially moving their minds and consciences, of their own free will.” Some pensions were granted on the day of surrender, the total number given among the dispersed monks being thirteen. These seem very few, but possibly vacancies had been left unfilled for some years in dread of such an event, and perhaps one or two of the monks embraced the opportunity of release from their vows. Others, we know, were given new appointments. Even the above small number soon dwindled. In Cardinal Pole’s list of 1556we find only one former member of this priory recorded as in receipt of an annuity, and five as in receipt of pensions. The annuity was possibly a payment to which the house was already liable at the time of the suppression, while the pensions would be the “convenient charity” of the Crown.
When enforcing their surrender the king had said that the monks were to go, that the endowment they had so long possessed “might be tornyd to better use as heraffter shall folow, werby Gods word myght the better be sett forthe, cyldren brought up in learning, clerks nuryshyd in the universites,” etc. We shall now see how he tried to secure this improvement, and how, in some respects, at any rate, his scheme was good. It was not hurried forth at once, the letters patent for the new establishment not being issued till the 20th of June, 1542. It was then incorporated under the title of “the Dean and Chapter of the Cathedral Church of Christ and the Blessed Virgin Mary of Rochester.”[7]Provision was made for a dean, six prebendaries, six minor canons, a deacon, a sub-deacon, six lay clerks, a master of the choristers, eight choristers, an upper and an under master of the grammar school, twenty scholars, six poor men, a porter, who was also to be barber, a butler, a chief cook, and an assistant. A yearly pension of£5 was to be paid also to four scholars, of whom two were to be members of each University.
The offices of deacon and sub-deacon were disused after the Reformation, and the butler and cooks ceased to be appointed when there was no longer a common table. Charles I. attached one of the prebends to the archdeaconry of Rochester in 1637; a union which is still maintained. Another was annexed by letters patent of 1713 to the provostship of Oriel College, Oxford, and this connection was confirmed by Parliament in the same year, though it has, of course, to lapse when, as has been the case, the provost is a layman. On the whole, the establishment, thus originally provided for, is maintained, but the full numbers are not just now kept up throughout, owing to a great loss of income due to the gradual decrease in value of landed property. With regard to the educational provisions, it will, perhaps, be interesting just to mention here, that it was chiefly owing to the late Rev. R. Whiston, long thehead master of the Rochester Grammar School, that this and similar institutions were, about the middle of this century, made to conform more to the spirit of their original foundations, by the making of alterations, especially in the terms of scholarships, to meet the great changes that have since occurred in money values.
In 1541 panelled book-desks were provided for the new canons and singing men. Some of the panels belonging to them still remain, and are incorporated in the present choir stalls.
For some years little of interest occurred directly concerning the cathedral itself, though much happened of importance in the history of the see and its bishops. In 1558, however, the body of Cardinal Pole lay here for a night in state, and we are able to give an eye-witness’s account, written by Francis Thynne, afterwards Lancaster Herald, and published in Holinshed’s Chronicles in 1587. “Cardinal Poole died the same daie wherein the Queene” (Mary) “died, the third hour of the night.... His bodie was first conveyed from Lambeth to Rochester, where it rested one night, being brought into the Church of Rochester at the West doore, not opened manie yeres before. At what time myselfe, then a yoong scholer” (he was born in 1545), “beheld the funeral pompe thereof, which trulie was great and answerable both to his birth and calling, with store of burning torches and mourning weedes. At what time, his coffin, being brought into the church, was covered with a cloth of blacke velvet, with a great crosse of white satten over all the length and bredth of the same, in the middest of which crosse his Cardinal’s hat was placed. From Rochester he was conveied to Canterbury, where the same bodie (being first before it came to Rochester inclosed in lead) was, after three daies spent in his commendations set foorth in Latine and English, committed to the earth in the Chapell of Thomas Becket.”
In 1568 we have a curious story, said to be taken originally from records in the Rochester Diocesan Registry of the discovery and apprehension, at Rochester, of a Jesuit in disguise. A certain Thomas Heth, purporting to be a poor minister, came and asked the dean to recommend him for some preferment. The dean said that he would consider his case after he had heard him preach before him in the cathedral. No fault seems to have been found with the sermon, but in the pulpitafterwards, the sexton, Richard Fisher, picked up a letter that had been dropped, and carried it to the bishop, Dr. Gest. This was directed to Th. Finne from Samuel Malta, a noted Jesuit at Madrid. Heth was brought up and examined before the bishop; he acknowledged that he had preached for six years in England, but said that he had left the hated order. He was then remanded until the case had been reported to the queen and her council. Incriminating papers were in the meantime found among his belongings, and, at a later second examination, he confessed. He was pilloried, branded, and mutilated after the cruel manner of those days, beside the High Cross at Rochester, and was condemned to be imprisoned for life. From this imprisonment he was released by an early death.
We are next able to mention a visit by Good Queen Bess. She came to Rochester during her summer progress in Kent in 1573, and lodged, during her first four days in the city, at the Crown Inn. On the last day of her stay she was entertained by Mr. Richard Watts at his house, on Boley Hill, which then, it is said, obtained its name of “Satis,” she having answered with this word his apologies for the poor accommodation that he had been able to offer to so great a queen. On Sunday, the 19th of September, she attended divine service, and heard a sermon at the cathedral.
In 1591 there is recorded the destruction of a great part of the chancel by fire, but the fabric itself does not seem to have been much damaged. At any rate, in 1607 the dean and chapter were able to certify to Archbishop Abbot, who was making a metropolitical visitation, that the church, though requiring weekly repair from its antiquity, was, as a whole, in reasonable condition. This statement was probably accurate, as the return was not followed by any injunctions from the visitor.
During the preceding year,a.d.1606, Christian IV. of Denmark, brother-in-law of James I., had visited Rochester in company with the latter King and Queen Anne, and their eldest son, Prince Henry. These royal personages had separate lodgings during their stay, King James’s own being at the Bishop’s house. It was on Saturday that they arrived, and “the next day,” we are told, “being Sunday, ... their Majesties came to the Cathedrall Church of the Colledge, where they heard a most learned sermon by a reverende grave and learnedDoctor.” This was Dr. Parry, Dean of Chester, one of the most famous preachers at his time. King Christian is said to have been much pleased with his discourse, and to have given him afterwards a very rich ring. The royal travellers then visited the shipping, and on the Monday “set forwarde towardes Gravesend.”
In Archbishop Laud’s annual report on the diocese to King Charles I., in 1633, it is said that the Bishop (Dr. John Bowle) complained “that the cathedral suffered much for want of glass in the windows, and the churchyard lay very indecently, and the gates down, because the dean and chapter refused to be visited by him on pretence that the statutes were not confirmed under the broad seal.” Here the king wrote in the margin: “This must be remedied one way or other, concerning which I expect a particular account of you.” There was probably a considerable likelihood then of the imposition of a new set of statutes of the archbishop’s devising; the dean and chapter, however, managed to retain the old ones. They submitted to a visit from the archbishop, as metropolitan, in the following year, and in answer to one of his questions stated that the cathedral was sufficiently repaired in all its parts, the only defects, and these small, being in the glass of some of the windows. These defects had been left for a little while, owing to the great charges that they had incurred of late years. If they had been among the first parts repaired they would probably have wanted mending again before the other works were finished. This would have involved more expense. In addition to their ordinary annual outlay on the fabric, they had recently expended on it and on the “making of the organs” more than£1,000. The archbishop evidently thought this report correct, for with regard to the cathedral and its furniture he only found it necessary to enjoin: that the windows should be repaired without delay in a decent manner, and the bells together with the frames put in good order; that there should be a new fair desk in the choir, and new church books provided without delay; that the communion table should be placed at the east end of the choir in a decent manner, and a fair rail put up to go across the choir as in other cathedral churches. That they had not of their own accord seen to what he considered such an important matter as this last, is sure to have influenced him against them. In their answer the dean and chapter said thatall these things were either done, or would be taken in hand as soon as possible, but pointed out that, if the altar were removed quite to the end, the clergyman ministering at it would be almost out of hearing of the congregation, and suggested instead the erection of a screen behind it, in the more westerly position, where it then was and again is, for it to stand against. This suggestion seems not to have been accepted. They pointed out the impossibility of carrying out his injunctions as to the “verie handsome fence” for their churchyard. They had before told him of parochial rights, and rights of way, in the cemetery, and promised that it should be as decently kept as possible in the future, and that they would report the mayor and citizens if they also did not do their best in the matter. The maintenance of the establishment seems to have been generally satisfactory, but there was some discussion as to requiring a “pettie canon” and two lay clerks, who were “gent, of his Matieschappell,” to provide substitutes when they were at court. The new desk was taken in hand, but they said: “for our church bookes, we conceave that noe church in England hath newer or fayerer,” and went on to give particulars. As to his enforcement of the wearing of “square cappes” within the cathedral at times of service and sermons, they said that this was the usual practice of the dean and canons in residence, and that care would be taken that it should now be carried out by all.[8]
In Lansdowne MS. no. 213, at the British Museum, there is included “A relation of a short survey of the westerne counties of England, ... observed in a seven weekes journey begun at Norwich and thence into the West on Thursday, August 4th, 1635, ... by the same Lieutenant, that, with the Captaine and Ancient (Ensign) of the military company in Norwich, made a journey into the North the yeere before.” It includes an interesting, rather antithetical, account by this officer of Rochester and its cathedral as they were just before the troublous times of the Civil War. He says: “As I found this Citty little and sweet, so I found her cheife and best structures correspondent to her smallnesse, which was neat and hansome, and neither great nor sumptuous. And first I’le begin with her cheife seat the Cathedrall, which was consecrated in Hen. the I. time; and though the same be but small and plaine, yet it isvery lightsome and pleasant: her quire is neatly adorn’d with many small pillars of marble; her organs though small yet are they rich and neat; her quiristers though but few, yet orderly and decent.” He then passes on to the deanery, the episcopal palace, and the monuments in the church. He names some of these last, and alludes to “diverse others also of antiquity, so dismembred, defac’d and abused as I was forced to leave them to some better discovery than I was able to render of them; as also the venerable shrine of St. William.” John Weever, whose “Ancient funerall Monuments” was published in 1631, agrees with our Norwich lieutenant as to the dilapidated state of the older monuments in the church in his time. People are at times found, who thoughtlessly charge the Roundheads with all such defacements as these, but the above authorities clear them in many cases, though still leaving acts of “vandalism” that they are responsible for.
In “A perfect diurnall of the severall passages in our late Journey into Kent, from Aug. 19 to Sept. 3, 1642, by the appointment of both Houses of Parliament” we have an official account of the doings of the Parliamentary soldiers in this cathedral as elsewhere in the county. Of the last day of their stay in the town on their outward journey, we read: “On Wednesday, being Bartholomew Day, before we marched forth, some of our souldiers (remembring their protestation which they tooke) went to the Cathedrall about 9 or 10 of the clock, in the midst of their superstitious worship, with their singing men and boys; they (owing them no reverence) marched up to the place where the altar stood, and staying awhile, thinking they would have eased their worship, and demanded a reason of their posture, but seeing they did not, the souldiers could not forbeare any longer to wait upon their pleasure, but went about the worke they came for. First they removed the Table to its place appointed, and then tooke the seate which it stood upon, being made of deale board, having 2 or 3 steps to go up to the altar, and brake that all to pieces; it seemed the altar was so holy that the ground was not holy enough to stand upon. This being done they pluckt down the rails and left them for the poore to kindle their fires; and so left the organs to be pluckt down when we came back again, but it appeared before we came back they tooke them downe themselves. When this work was finished we then advanced towards Maidstone.” AtCanterbury it was far worse. There, “on Saterday morning before we departed some of our souldiers visited the great Cathedrall, and made havock of all their Popish reliques.... When they had done their pleasure we all marched to Dover.” Their pleasure meant terrible injuries to this grand church.
The Cavaliers themselves agree that Rochester Cathedral suffered far less mischief than many other sacred edifices, from the bigotry of their opponents. The following passage, from a paper entitled “Mercurius Rusticus,” of 1647, is quoted in “The History and Antiquities of Rochester.” “In September, 1640” (apparently a mistake for August—September, 1642) “the rebels coming to Rochester, brought the same affections which they express’d at Canterbury; but in wisdom thought it not safe to give them scope here, as there; for the multitude, tho’ mad enough yet were not so mad, nor stood so prepared to approve such heathenish practices. By this means the monuments of the dead, which elsewhere they brake up and violated, stood untouch’d; escocheons and arms of the nobility and gentry remained undefaced; the seats and stalls of the quire escaped breaking down; only those things which were wont to stuff up parliamentary petitions, and were branded by the leaders of the faction for popery and innovations; in these they took liberty to let loose their wild zeal: they brake down the rails about the Lord’s table or altar; they seized upon the velvet of the holy table; and, in contempt of those holy misteries which were celebrated on the table, removed the table itself into a lower part of the church. To conclude with this farther addition, as I am credibly informed, they so far profaned this place as to make use of it in the quality of a tippling place, as well as dug several saw-pits, and the city joiners made frames for houses in it.” Even the Royalist and Church party, therefore, allow that comparatively little damage was done here. The statement that the monuments “stood untouch’d” is especially interesting and valuable as coming from them.
The name of one despoiler is on record. In the answer by the dean and chapter to an enquiry by Bishop Warner, a certain John Wyld, a shoemaker of Rochester, is mentioned as having taken down and sold iron and brass work from some of the tombs. The Rev. S. Denne gives the following additional information,—on the testimony of “Mr. William Head, senior alderman of the city, a very antient worthy man, who diedMarch 5, 1732,”—that the church was used as a stable by Fairfax’s troops, who turned their horses’ heads into the stalls in the choir.
north-west view, early eighteenth century(from an engraving published in 1719).
Great efforts were made directly after the Restoration to bring the building into a decent state once more. On the 10th of April, 1661, Samuel Pepys, then on a visit of inspection to Chatham as Secretary to the Admiralty, tells, in his diary, how he went on to Rochester and “there saw the Cathedrall, which is now fitting for use, and the organ then a-tuning.” The church must have been in a very bad state, for the dean and chapter reported to the bishop, in 1662, that the repairs that they had already executed had cost them£8,000, and that the defects still remaining in the fabric would need a further expenditure of not less than£5,000 to make them good. Theysaid that they were unable to raise this sum themselves, but they remitted a quarter of the arrears due to them towards it. The under steward, Sir Henry Selby, gave up his salary for as long as should be thought fit; and several donations are recorded in the minute books, with the donors’ names.
At this time Mr. Peter Stowell paved with freestone a great part of the body of the church, from the west door to the choir steps, at a cost of£100. This had been rendered necessary, probably, by the saw-pits mentioned above. He also recovered at his own expense the iron frame for the pulpit hour glass, and got back many books, records, etc., belonging to the church that were in the custody of Mr. Duke, of Aylesford. Under the Commonwealth, Stowell had for his loyalty suffered fine and imprisonment. He was joint registrar to the bishops from 1629 until his death in 1671, and was buried in the cathedral.
In 1664 the south aisle of the nave was re-cased, and in 1670 an agreement was made with Robert Cable, to take down a length of 40 feet of the north aisle wall and re-erect it from the ground.
During the reign of King Charles II. two remarkable funerals took place in the cathedral. The earlier of these was that of Cossuma Albertus, Prince of Transylvania, who, having been driven out by the Germans, came to Charles II. for succour. He is said to have been kindly received and given a sufficient maintenance. This prince was approaching Rochester on the 15th of October, 1661, when his chariot stuck fast in the mire within a mile of Strood, probably at Gad’s Hill (“that woody and high old robbing hill,” as our Norwich officer called it). He resolved to sleep in his coach, and was there killed, with his own hanger, and plundered by his coachman, Isaac Jacob, alias Jacques, a Jew, and his footman Casimirus Kausagi. The murderers were afterwards caught in London, and executed, the footman having confessed. Cossuma’s body was found on the 19th. One arm was brought by a dog to its master, a doctor of physic of Rochester, who was out for a walk near, and a search was then instituted. Two contemporary accounts of his death and of his funeral, which took place on Tuesday, the 22nd, have been found. From one of these, in the “Mercurius Publicus” of October, 1661, the following is taken: “His body being brought to the parish of Strood was accompanied from thence to the west door of the Cathedral Church of Rochesterby the Prebendaries of the said church in their formalities, with the gentry and commonalty of the said City and places adjacent, with torches before them. Near the Cathedral they were met by the choir who sung Te Deum before them; when Divine service was ended, the Choir went before the body to the grave (which was made in the body of the Church) singing Nunc dimittis. Thousands of people flockt to this Cathedral, amongst whom many gave large commendations of the Dean and Chapter, who bestowed so honourable an interment on a stranger at their own proper cost and charges.” The exact site of this grave cannot be pointed out. An account of the other funeral is to be seen in the diary of John Evelyn for 1672. We there read: “June 2, Trinity Sonday, I pass’d at Rochester; and on the 5th, there was buried in the Cathedral MonsrRabinière, Reare Admiral of the French squadron, a gallant person, who died of the wounds he received in the fight. This ceremonie lay on me, which I perform’d with all the decency I could, inviting the Mayor and Aldermen to come in their formalities; Sir Jonas Atkins was there with his guards, and the Deane and Prebendaries; one of his countrymen pronouncing a funeral oration at the brink of his grave, which I caus’d to be dug in the quire.” Such was the funeral of a brave ally; the English and French were then fighting together against the Dutch.[9]It is interesting to note here that the corner of his coffin, in a position such as Evelyn describes, beneath the choir, was touched when the tunnel was being made, in Sir G. Scott’s time, to connect the organ with its bellows in the crypt.
The steeple, a little later, had much attention devoted to it. It was in a dangerous way in 1679, and Mr. Guy, a celebrated architect, was asked to report on it. He stated that it was very ruinous and ready to break down into the church; that the plates were rotten, the girders quite rotted through, and all the lead so thin that it could not be repaired; that three corners also of the stonework were so rent and crooked that they would need to be taken down. “He supposed that the making good of the stone tower, the taking down of the old spire and putting up of a new, and to sufficiently cover the same with lead wouldcost£1,000 over and besides the old lead and timber.” His was a very alarming statement, but he was not intrusted with the superintendence of this extensive piece of work. The dean and chapter seem to have hoped that the matter was not really quite so serious. A few months later they consulted Henry Fry, a carpenter of Westminster, and he declared that the mending of the lead and of one end of a beam at the lower end of the east side of the spire would be sufficient to keep it from falling. He was evidently skilful and honest, for with his, and some slight subsequent repairs, the spire stood for another sixty-nine years. One would think that he deserved more than the 30s. paid to him for his visit and report.
A sum of£160 was, in 1688, spent on the repairing of the old organ and on a new chair organ, a name often wrongly altered to ‘choir organ.’ In 1705 the nave was newly leaded, the names of Henry Turner, carpenter, Thomas Barker, plumber, and John Gamball, bricklayer, being inscribed with those of the bishop, dean, prebendaries, and verger on one of the sheets. The altar-piece of Norway oak, “plain and neat,” which retained its place throughout the century, was probably constructed in 1707. A sketch of its history, with notices of the various adornments that it had at different times, will be given when the furniture of the choir is described. In 1724 a return was made to Bishop Bradford that three-quarters of the whole roof had been re-leaded within the previous twenty years, and that the rest was believed to be in good order. There was then no defect in the walls reported; the windows were said to be in good repair and the pavement also. Until 1730 the bells were rung from a loft or gallery over the steps to the choir, the approach being from Gundulf’s tower. This gallery was then removed, and the vaulting of the crossing finished to match that of the south transept, which had been repaired and decorated not long before according to a plan by Mr. James. At the same time the order was given for the part of the organ screen towards the nave to be wainscoted.
Very considerable repairs and alterations were made in the choir during the years 1742-43, under the direction of Mr. Sloane. While they were in progress, for the space of a year and a quarter, the dean and chapter attended service at St. Nicholas Church. New stalls and pews were erected and the partition walls wainscoted; a pavement was laid “with Bremenand Portland stone beautifully disposed;” and an episcopal throne was presented by Bishop Wilcocks and placed opposite the pulpit, where the present throne now stands. Much white-washing was done at this time, even the numerous Purbeck marble shafts being covered with it. In 1788, however, they are mentioned as polished once more and restored to their original beauty. From shortly after the Restoration until about the time of these alterations, the inclosure of the bishop’s consistory court had been situated near the west end of the south aisle of the nave. It was now removed to the Lady Chapel, where it remained until well on in the present century.
The steeple had, at last, to be rebuilt in 1749. Mr. Sloane’s model of its woodwork was for many years preserved in St. William’s Chapel, and has since been kept in the crypt, where it still remains, but in a very dilapidated condition. In 1763 the northern of the towers flanking the west front was considered to be in a dangerous state, and was taken down, together with the upper part of the north aisle end beside it. It was rebuilt soon afterwards. A bequest of£100, in 1765, by Dr. John Newcome, dean of the cathedral and master of St. John’s College, Cambridge, towards the repair of the fabric, was probably intended to help this work. The new tower was professedly a careful reproduction of the old, but its incongruities have formed one of the reasons for the recent thorough renovation, instead of mere repairing, of the west front. It was only carried up to about half its former height, and was there, with the aisle end, finished off with battlements. This was all done before 1772, as an engraved view of the west front in that year shows. The southern tower is in this view still unlowered, but it was cut down, to match its fellow in height, soon afterwards.
For a long time previously the outer walls of the south choir aisle and south choir transept had occasioned great anxiety. They were not buttressed originally, like the similarly situated walls on the other side of the church, probably because they had the cloister and other conventual buildings to support and shelter them. Several attempts were made, in particular, to render the transept secure. A first was by the fixing of wooden ties, with large iron bolts, in the main timbers of the roof; a second, in 1751, in pursuance of advice by Mr. Sloane, by the raising of two great brick buttresses; and a third, about twenty years later, by lightening the roof. These were useful for a time, but,as the wall was still evidently declining, Mr. Mylne was consulted and, by his direction, piles of bricks were erected in the undercroft, and other methods were used to discharge the weight of the upper works. These schemes were brutal and inartistic. Though they answered their purpose for some years, they were afterwards found to be doing harm rather than good.
north-west view, early nineteenth century(from an engraving by john coney, 1816).
In his “History of Kent” (1782) Hasted gives expression to some very gloomy views as to the state of the fabric. We there read: “The whole bears venerable marks of its antiquity, but time has so far impaired the strength of the materials with which it is built, that, in all likelihood, the care and attention of the present chapter, towards the support of it, will not be sufficient to prevent the fall of great part of it, even in their time.” Dr. Denne, however, thought the case, though bad, not quite so hopeless as this, and his more sanguine opinion has proved to be correct. Constant care, however, has had to be bestowed on the place.
A fine new organ was constructed for the cathedral in 1791.During the closing years of the eighteenth century or the earliest ones of the nineteenth occurred the destruction of the upper portion of Gundulf’s tower, which was, before it suffered this injury, one of the most curious and interesting pieces of architecture in England. Some sketch-books of Mr. Essex, who was, in the closing years of last century, employed on restorations in the cathedral, are preserved in the Department of MSS. at the British Museum. They contain many notes on, and sketches of, the building and details in it, but nothing of interest for this history as they do not illustrate his work in the church.
Since the close of the Napoleonic wars the cathedral has passed through four busy periods of restoration. The first of these lasted from the beginning of 1825 until about 1830. Mr. L. N. Cottingham was in charge, Messrs. Bayfere, Smirke, Savage, and Twopeny being also consulted at various times. The roofs of the choir and its transept, though they had been thoroughly repaired only fourteen years before, were soon found to be quite unsafe and so eaten up with dry-rot, that it was necessary to renew them. The part of the south wall between the main transept and the chapter room was also dangerously out of the perpendicular. The great masses of brick within and triangular buttresses without, the clumsy attempts of the eighteenth-century architects to save it, had by their subsidence even increased the mischief. Cottingham removed them and built up the wall, which deviated twenty-two inches from the upright, with a face of ashlar which constituted an invisible buttress. He also found that the central tower consisted to a great extent of rubble, and was incapable of supporting the spire. He almost entirely rebuilt it from the roof, and left it in its present form, finished with corner pinnacles but without a spire. All these serious works affecting the safety of the fabric involved the setting aside, to a great extent, of restoration in an ornamental sense. The east end was, however, considerably improved by the removal of the huge altar screen that concealed much of it. He opened out and renewed the lower range of windows there, of which the central had been quite, and side ones partially, blocked with brick, and lowered the altar and its pavement, to show the bases of the chancel pillars. The ugly upper window he merely restored, and left it for Sir G. Scott to erect in its stead the more appropriate tier of lancets that now take its place. Cottingham alsorenewed many other windows, including the great west one, those on either side of the presbytery, and the Decorated one by the chapter room. In the nave some red brick flooring had York pavement substituted for it, and in the choir some Grecian panelling and a cornice along the side walls were removed. The stalls also were repaired, and the paint cleared off the seats in the choir. There are two other pieces of work in connection with which Cottingham’s name is often mentioned. One of these was the restoration of the chapter house door, with parts of which much fault has been found. The other was not so remarkable in itself as for a great discovery that it led to. I refer to the removal, quite at the beginning of 1825, of the mass of masonry that had long concealed from view the famous monument of Bishop John de Sheppey, whose effigy was made almost perfect by the careful re-fitting of some fragments that were found. Unfortunately Cottingham had it re-coloured, though the fact seems generally forgotten.
Various other faults in Cottingham’s work have since been pointed out, but at the time his restoration received much praise. On the 30th of November, 1827, we find the dean and chapter voting him an honorarium of£100, as a token of their appreciation of the ability and zeal that he had shown.
The opening years of the fourth decade of the century form our next period, during which Cottingham still had the direction of the works. He now substituted the present rich and elaborate, but not altogether praiseworthy roof of the main crossing, for the plainer one that he had placed there earlier, when he rebuilt the tower. He restored the canopy of Bishop John de Sheppey’s monument, designed a new pulpit, and a new bishop’s throne for the choir, and later, in 1848, was responsible for a new font in the nave. These will be described and their several fates recorded later.
To Mr. Cottingham we also owe a repair of the ceilings of the choir and nave, and a final cleaning from whitewash of the Purbeck marble shafts throughout the building. He cleared the crypt out thoroughly, lowered the ground there to the base of the columns, repaired the whole, and, especially, renewed the shafts. The organ was enlarged by Hill in 1842, at Canon Griffith’s expense; and at that of his wife, in 1852, the Lady Chapel was restored.
From the year 1871 till his death in 1877 the fabric wasentrusted to Sir G. Scott, and the work in it was all carried out from his designs and under his immediate superintendence. At an early stage of his work he put the clerestory of the nave in sound repair, and the western arm of the church was then used for services while the restoration of the choir was in progress. During the latter part of the time its aisle walls were underpinned. To the western transepts and crossing Scott devoted much attention, considering rightly that they formed one of the most elegant parts of the structure. He largely repaired the masonry of both the south and north transepts, underpinned the former’s end, inserted some new windows in the west wall of the latter, and gave it a new doorway and massive oak door, in place of the ruinous entry that before existed. He did away with the low eighteenth century roofs and gables of both, restored the former gables, chiefly on the authority of old prints, and erected roofs of the old high pitch once more. In the south transept he made good, also, the interesting vaulting, with its oak ribs, which were decayed and threatening to fall. The spaces between them, which had been formerly boarded, he found filled only with lath and plaster. To the organ screen he gave back its original plainness, which made it rather an eyesore, as there was now no further screen in front of it, on the other side of the transept, as there had been when St. Nicholas’ altar stood at the east end of the nave. For the organ a new case was made after his design, which, without any removal of the instrument or parts of it, preserves the vista of the choir. In making a tunnel to connect the organ with its bellows in the crypt, many interesting discoveries were made.
We now come to Sir G. Scott’s work in the choir; it was very thorough. He restored the gables to the east end, the north transept, and the aisle of the latter, but had not funds to raise the roof to correspond. At the same time he replaced where they had been lost the curious little pinnacles that surmount the flanking turrets of the north choir transept and of the east end. The ugly, upper east window he, after some hesitation, decided to do away with, though it was in sound condition after Cottingham’s repairs. In its place was erected the present group of lancets, which are certainly more appropriate, and have, with the tier below, from which he removed some inserted decorated tracery, a very pleasing effect. The high altar was removed from the east end to its old position, some distance infront, with a free passage all round. For this old situation conclusive evidence was found when the floor of the presbytery was lowered to show the bases of the piers round it. For the altar Scott himself designed its new reredos, and the greater part of the eastern arm was floored by him with encaustic tiles, though some would have preferred a pavement less showy and glittering in effect. The designs of most of these tiles were taken from a few old ones still to be seen in the choir transepts. Under his direction, too, new stalls for the dean and prebendaries were erected under the organ, and new stalls for the choir constructed. In these latter as much earlier work as possible was preserved. On the wall above them he restored a painting of which he found considerable portions still remaining there. He also designed the new pulpit, which was put in a different position to that of its predecessor, and the new throne. The earlier pulpit, by Cottingham, was removed to the nave, and the old throne went later to St. Albans. By far the greater part of the money for the work of all these three periods was found by the dean and chapter themselves, and for this they deserve great praise. The new choir furniture was, however, provided for by Dr. Griffith,—who had been formerly canon here,—and his wife, with a donation of£3,000. Earlier instances of their liberality on the building’s behalf have been already given. The episcopal throne was the gift of Lord Dudley; and Dr. Claughton, then bishop of the see, gave the brass lectern in the choir.
A little later the rather plain stalls in the nave were erected by the Rev. A. Cazenove, an honorary canon, in memory of his father, who died in 1880. After the death of the late Dean Scott, the great lexicographer, it was decided to raise a memorial to him in his cathedral. The memorial took the form of a decoration of the choir screen with a series of statues under canopies. This was designed by Mr. J. L. Pearson, and, though not faultless, is a great improvement on the plain, flat wall left by Sir G. Scott.