XV

[1] See the author's "Sisters-in-Law."

She was listening now as Clavering told her of his adventurous meeting with Madame Zattiany, of their subsequent conversations, and of his doubts.

"Are you sure she is not playing a part deliberately?" she asked. "Having her little fun after those horrible years? She looks quite equal to it, and a personal drama would have its attractions after an experience during which a nurse felt about as personal as an amputated limb. And while one is still young and beautiful—what a lark!"

"No. I don't believe anything of the sort. I fancy that if she didn't happen to be so fond of the theatre she'd have come and gone and none of us been the wiser. Her secret issui generis, whatever it is. I've racked my mind in vain. I don't believe she is the Countess Zattiany's daughter, nor a third cousin, nor the Countess Josef Zattiany. I've tried to recall every mystery story I ever read that would bear on the case, but I'm as much in the dark as ever."

"And you've thought of nothing else. Your column has fallen off."

"Do you think that?" He sat up. "I've not been too satisfied myself."

"You've been filling up with letters from your correspondents after the fashion of more jaded columnists. Even your comments on them have been flat. And as for your description of that prize fight last night, it was about as thrilling as an account of a flower show."

He laughed and dropped back. "You are as refreshing as a cold shower, Gora. But, after all, even a poor colyumist must be allowed to slump occasionally. However, I'll turn her off hereafter when I sit down to my typewriter. Lord knows a typewriter is no Wagnerian orchestra and should be warranted to banish sentiment.… Sentiment is not the word, though. It is plain raging curiosity."

"Oh, no, it is not," said Miss Dwight coolly, lighting another cigarette, which she carefully fitted into a pair of small gold tongs: neither ink nor nicotine was ever seen on those long aristocratic fingers. "You are in love with her, my child."

"I am not!"

"Oh, yes, you are. I've never been misled for a moment by your other brief rhapsodies—the classic Anne—the demoniac Marian—but you're landed high and dry this time. The mystery may have something to do with it, but the woman has far more. She is the most beautiful creature I ever beheld and she looks intelligent and keen in spite of that monumental repose. And what a great lady!" Gora sighed. How she once had longed to be a great lady! She no longer cared a fig about it, and would not have changed her present state for that of a princess in a stable world. But old dreams die hard. There was no one of Madame Zattiany's abundant manifestations of high fortune that she admired more. "Go in and win, Clavey—and without too much loss of time. She'll be drawn into her own world here sooner or later. She confesses to being a widow, so you needn't get tangled up in an intrigue."

"You forget she is also a very rich woman. I'd look like a fortune hunter——"

"How old-fashioned of you! And you'd feel like nothing of the sort. The only thing that worries you at present is that you are trying to hide from yourself that you are in love with her."

"I wonder! I don't feel any raging desire for her—that I can swear."

"You simply haven't got that far. The mystery has possessed your mind and your doubts have acted as a censor. But once let yourself go …"

"And suppose she turned me down—which, no doubt, she would do. I'm not hunting for tragedy."

"I've an idea she won't. While you've been talking I've written out the whole story in my mind. For that matter, I began it last Monday night when I saw you two whispering together. I was in the box just above—if you noticed! And I watched her face. It was something more than politely interested."

"Oh, she looked the same when she was talking to Din and Osborne that night at dinner. She is merely a woman of the world who has had scores of men in love with her and is young enough to be interested in any young man who doesn't bore her. To say nothing of keeping her hand in.… But there is something else." He moved restlessly. "She seems to me to be compounded of strength, force, power. She emanates, exudes it. I'm afraid of being afraid of her. I prefer to be stronger than my wife."

"Don't flatter yourself. Women are always stronger than their husbands, unless they are the complete idiot or man-crazy. Neither type would appeal to you. The average woman—all the millions of her—has a moral force and strength of character and certain shrewd mental qualities, however unintellectual, that dominate a man every time. This woman has all that and more—a thousand times more. A mighty good thing if she would take you in hand. She'd be the making of you, for you'd learn things about men and women and life—and yourself—that you've never so much as guessed. And then you'd write a play that would set the town on fire. That's all you need. Even if she treated you badly the result would be the same. Life has been much too kind to you, Clavey, and your little disappointments have been so purely romantic that only your facile emotions have played about like amiable puppies on the roof of your passions. It's time the lava began to boil and the lid blew off. Your creative tract would get a ploughing up and a fertilizing as a natural sequence. Your plays would no longer be mere models of architecture. I am not an amiable altruist. I don't long to see you happy. I'm rather inclined to hate this woman who will end by infatuating you, for of course that would be the last I'd ever see of you. But I'm an artist and I believe that art is really all that is worth living for. I want you to do great work, and I want you to be a really great figure in New York instead of a merely notable one."

"You've both taken the conceit out of me and bucked me up.… But I want you to meet her, and I don't know how to bring it about. I have an idea that your instinct would get somewhere near the truth."

"Suppose I give a party, and, a day or two before, you ask her casually if she would like to come—or put it to her in any way you think best. Nobody calls these days, but I have an idea she would. People of that type rarely renounce the formalities. Then, if I'm really clever, I'll make her think she'd like to see me again and she will be at home when I return her call. Do you think you could work it?"

"It's possible. I've roused her curiosity about our crowd and I'll plant a few more seeds. Yes, I think she'll come. When will you have it?"

"A week from Saturday."

"Good. You're a brick, Gora. And don't imagine you'll ever get rid of me. If she is unique, so are you. This fireside will always be a magnet."

Miss Dwight merely smiled.

Clavering walked rapidly toward Mr. Dinwiddie's club. He was in no haste to be alone with himself, although he should have been at his desk an hour ago. But it was time Dinwiddie had some news for him.

The club was deserted as far as he was concerned and he went on to Mr. Dinwiddie's rooms in Forty-eighth Street. There he found his friend in dressing-gown and slippers, one bandaged foot on a stool.

"Gout?" he asked with the callousness of youth. "Wondered why I hadn't heard from you."

"I've tried to get you no less than four times on the telephone."

"When I'm at work I leave orders downstairs to let my telephone alone, and I've been walking a lot."

"Well, sit down and smoke. Standing round makes me nervous. You look nervous yourself. Been working too hard?"

"Yes. Think of taking a run down to Florida."

"Perhaps I'll go with you. But I've something to tell you. That's the reason I called you up——"

"Well?"

"Don't snap my head off. Got a touch of dyspepsia?"

"No, I haven't. If you had to turn out a column a day you'd be nervous too."

"Well, take a vacation——"

"What have you found out?"

"It took me a week to get in touch with Harry Thornhill, but he finally consented to see me. He's lived buried among books for the last twenty years. His wife and two children were killed in a railway collision——"

"What the devil do I care about Harry Thornhill!"

"You're a selfish young beggar, but I would have cared as little at your age. Well—a cousin of his, Maynard Thornhill, did move to Virginia some thirty-five years ago, married, and had a family, then moved on to Paris and remained there until both he and his wife died. Beyond that he could tell me nothing. They weren't on particularly cordial terms and he never looked the family up when he went over. Has Madame Zattiany ever said anything about brothers and sisters?"

"Not a word."

"Probably married and settled in Europe somewhere, or wiped out. You might ask her."

"I'll ask her no more questions."

"Been snubbing you?"

"On the contrary, she's been uncommonly decent. I got rather strung up the last time I was there and asked her so many leading questions that she'd have been justified in showing me out of the house."

"You impertinent young scamp. But manners have changed since my day. What did she tell you?"

"Nothing. I'm as much in the dark as ever. What have you found out about Josef Zattiany?"

"Something, but not quite enough. I met an Austrian, Countess Loyos, at dinner the other night and asked her about the Zattianys. She said the family was a large one with many branches, but she had a vague idea that a Josef Zattiany was killed in the war. Whether he was married or not, she had no idea.…"

Clavering stood up suddenly and looked down on Mr. Dinwiddie, who was smiling less triumphantly than ruefully. "Well?" he asked sharply. "Well?"

"I see you've caught it. It's rather odd, isn't it, that this Austrian lady, who has lived her life in Viennese Society, knows nothing apparently of any young and beautiful Countess Zattiany? I didn't give her a hint of the truth, for I certainly shall not be the one to loose the bloodhounds on this charming young woman, whoever she may be. Told her that I recalled having met a very young and handsome countess of that name in Europe before the war and wondered what had become of her.… But somebody else may let them loose any moment. A good many people are interested in her already."

"Well, they can't do anything to her. She's a right to call herself whatever she likes, and she asks no favors. But I'd like to hypnotize Judge Trent and get the truth out of him. He knows, damn him!"

"He's laying up trouble for himself if he's passing off an impostor—letting her get possession of Mary's money. I cannot understand Trent. He's a fool about women, but he's the soul of honor, and has one of the keenest legal minds in the state. That she has fooled him is unthinkable."

"He knows, and is in some way justified. Madame Zattianymusthave your friend's power of attorney. That's positive. And there is no doubt that Countess Zattiany—Mary Ogden—is in some sanitarium in Vienna, hopelessly ill. She let that out."

"Poor Mary! Is that true?"

"I'm afraid it is … perhaps … thatmaybe it.…"

"What are you talking about?"

"When she was mocking my curiosity she suggested that she might have been an actress and won the confidence of Countess Zattiany owing to the resemblance. It struck me as fantastic, but who knows?… Still, why should she use the name Zattiany even if your friend did give her the power of attorney … unless …" he recalled Gora's suggestion, "she is out for a lark."

"Lark? She hasn't tried to meet people. I can't see any point in your idea. Absurd. And that woman is no actress. She isgrande dameborn and bred."

"I've met some actresses that had very fine manners indeed, and also theentrée."

"Well, they don't measure up according to my notion. This girl is the real thing."

"Then why, in heaven's name, doesn't your Countess Loyos know anything about her? If Madame Zattiany is what she says she is, they must have met in Viennese Society a hundred times. In fact she would have been one of the notable figures at court."

"The only explanation I can think of is that Madame Zattiany is all that she claims to be, but that for some reason or other she is not using her own name."

"Ah! That is an explanation. But why—why?"

"There you have me … unless … Ah!" The familiar glitter came into his eyes and Clavering waited expectantly. This old bird had a marvellous instinct. "I have it! For some reason she had to get out of Europe. Maybe she's hiding from a man, maybe from the Government. Zattiany may be one of her husband's names—or her mother's. Of course Mary would be interested in her—with that resemblance—and help her out. She knew her well enough to trust her, and somebody had to represent her here. Of course Trent knows the truth and naturally would keep her secret."

"Another plot for the movies … still—it's a plausible enough explanation … yes … I shouldn't wonder. But from whom is she hiding?"

"Possibly from her husband."

"Her—her——"

"Like as not. Don't murder me. I think you'd better go to Florida and stay there. Better still, marry Anne Goodrich and take her along——"

Clavering had flung himself out of the room.

He charged down Madison Avenue, barely escaping disaster at the crossings in the frightful congestion of the hour: he was not only intensely perturbed in mind, but he was in a hurry. His column was unfinished and an article on the "authentic drama" for one of the literary reviews must be delivered on the morrow. In the normal course of events it would have been written a week since.

He was furious with himself. Passionate, impulsive, and often unreasonable, his mind was singularly well-balanced and never before had it succumbed to obsession. He had taken the war as a normal episode in the history of a world dealing mainly in war; not as a strictly personal experience designed by a malignant fate to deprive youth of its illusions, embitter and deidealize it, fill it with a cold and acrid contempt for militarism and governments, convert it to pacificism, and launch it on a confused but strident groping after Truth. It was incredible to him that any one who had read history could be guilty of such jejunity, and he attributed it to their bruised but itching egos. After all, it had been a middle-aged man's war. Not a single military reputation had been made by any one of the millions of young fighters, despite promotions, citations, and medals. Statesmen and military men long past their youth would alone be mentioned in history.

The youth of America was individualism rampant plus the national self-esteem, and the mass of them today had no family traditions behind them—sprung from God knew what. Their ego had been slapped in the face and compressed into a mould; they were subconsciously trying to rebuild it to its original proportions by feeling older than their fathers and showering their awful contempt upon those ancient and despicable loadstones: "loyalty" and "patriotism." Writers who had remained safely at home had taken the cue and become mildly pacifist. It sounded intellectual and it certainly was the fashion.

Clavering, whose ancestors had fought in every war in American history, had enlisted in 1917 with neither sentimentalism, enthusiasm, nor resentment. It was idle to vent one's wrath and contempt upon statesmen who could not settle their quarrels with their brains, for the centuries that stood between the present and utter barbarism were too few to have accomplished more than the initial stages of a true civilization. No doubt a thousand years hence these stages would appear as rudimentary as the age of the Neanderthals had seemed to the twentieth century. And as man made progress so did he rarely outstrip it. So far he had done less for himself than for what passed for progress and the higher civilization. Naturally enough, when the Frankenstein monster heaved itself erect and began to run amok with seven-leagued boots, all the pigmies could do was to revert hysterically to Neanderthal methods and use the limited amount of brains the intervening centuries had given them, to scheme for victory. A thousand years hence the Frankenstein might be buried and man's brain gigantic. Then and then only would civilization be perfected, and the savagery and asininity of war a blot on the history of his race to which no man cared to refer. But that was a long way off. When a man's country was in danger there was nothing to do but fight. Noblesse oblige. And fight without growling and whining. Clavering had liked army discipline, sitting in filthy trenches, wounds, hospitals, and killing his fellow men as little as any decent man; but what had these surly grumblers expected? To fight when they felt like it, sleep in feather beds, and shoot at targets? Disillusionment! Patriotism murdered by Truth! One would think they were fighting the first war in history.

It was not the war they took seriously but themselves.

Like other men of his class and traditions, Clavering had emerged from the war hoping it would be the last of his time, but with his ego unbruised, his point of view of life in general undistorted, and a quick banishment of "hideous memories." (His chief surviving memory was a hideous boredom.) One more war had gone into history. That he had taken an infinitesimal part in it instead of reading an account of it by some accomplished historian was merely the accident of his years. As far as he could see he was precisely the man he was before he was sent to France and he had only unmitigated contempt for these "war reactions" in men sound in limb and with no derangement of the ductless glands.

As for the women, when they began to talk their intellectual pacificism, he told them that their new doctrine of non-resistance became them ill, but as even the most advanced were still women, consistency was not to be expected—nor desired. Their pacificism, however, when not mere affectation—servility to the fashion of the moment—was due to an obscure fear of seeing the world depopulated of men, or of repressed religious instinct, or apology for being females and unable to fight. He was extremely rude.

And now this infernal woman had completely thrown him off his balance. He could think of nothing else. His work had been deplorable—the last week at all events—and although a month since nothing would have given him more exquisite satisfaction than to write a paper on the authentic drama, he would now be quite indifferent if censorship had closed every theatre on Broadway. Such an ass, such a cursed ass had he become in one short month. He had tramped half the nights and a good part of every day trying to interest himself by the wayside and clear his brain. He might as well have sat by his fire and read a piffling novel.

Nevertheless, until Gora Dwight had brought her detached analytical faculty to bear on his case, he had not admitted to himself that he was in love with the woman. He had chosen to believe that, being unique and compact of mystery, she had hypnotized his interest and awakened all the latent chivalry of his nature—something the modern woman called upon precious seldom. He had felt the romantic knight ready to break a lance—a dozen if necessary—in case the world rose against her, denounced her as an impostor. True, she seemed more than able to take care of herself, but she was very beautiful, very blonde, very unprotected, and in that wistful second youth he most admired. He had thought himself the chivalrous son of chivalrous Southerners, excited and not too happy, but convinced, at the height of his restlessness and absorption, that she was but a romantic and passing episode in his life.

When Gora Dwight had ruthlessly led him into those unconsciously guarded secret chambers of his soul and bidden him behold and ponder, he had turned as cold as if ice-water were running in his veins, although he had continued to smile indulgently and had answered with some approach to jocularity. He was floored at last. He'd got the infernal disease in its most virulent form. Not a doubt of it. No wonder he had deluded himself. His ideal woman—whom, preferably, he would have wooed and won in some sequestered spot beautified by nature, not made hideous by man—was not a woman at all, but a girl; twenty-six was an ideal age; who had read and studied and thought, and seen all of the world that a girl decently may. He had dreamed of no man's leavings, certainly not of a woman who had probably had more than one lover, and, no doubt, would not take the trouble to deny it. He hated as much as he loved her and he felt that he would rather kill than possess her.

It was half an hour after he reached his rooms before he finished striding up and down; then, with a final anathema, he flung himself into a chair before his table. At least his brain felt clearer, now that he had faced the truth. Time enough to wrestle with his problem when he had won his leisure. If he couldn't switch her off for one night at least and give his brain its due, he'd despise himself, and that, he vowed, he'd never do. He wrote steadily until two in the morning.

He awoke at noon. His first impression was that a large black bat was sitting on his brain. The darkened room seemed to contain a visible presence of disaster. He sprang out of bed and took a hot and cold shower; hobgoblins fled, although he felt no inclination to sing! He called down for his breakfast and opened his hall door. A pile of letters lay on his newspapers, and the topmost one, in a large envelope, addressed in a flowing meticulously fine hand, he knew, without speculation, to be from Madame Zattiany.

He threw back the curtains, settled himself in an armchair, read his other letters deliberately, and glanced at the headlines of the papers, before he carefully slit the envelope that had seemed to press his eyeballs. The time had come for self-discipline, consistently exercised. Moreover, he was afraid of it. What—why had she written to him? Why hadn't she telephoned? Was this a tardy dismissal? His breath was short and his hands shaking as he opened the letter.

It was sufficiently commonplace.

"Dear Mr. Clavering:

"I have been in Atlantic City for a few days getting rid of a cold. I hope you have not called. Will you dine with me tomorrow night at half after eight? I shall not ask any one else.

"Sincerely,"MARIE ZATTIANY."

So her name was Marie. It had struck him once or twice as humorous that he didn't know the first name of the woman who was demanding his every waking thought. And she had been out of town and unaware that he had deliberately avoided her. Had taken for granted that he had been polite enough to call—and had left his cards at home.

Should he go? He'd have his breakfast first and do his thinking afterward.

He did ample justice to the breakfast which was also lunch, read his newspapers, cursed the printers of his own for two typographical errors he found in his column, then called up her house. Feeling as normal and unromantic as a man generally does when digesting a meal and the news, he concluded that to refuse her invitation, to attempt to avoid her, in short, would not only be futile, as he was bound to respond to that magnet sooner or later, but would be a further confession of cowardice. Whatever his fate, he'd see it through.

He gave his acceptance to the butler, went out and took a brisk walk, returned and wrote his column for the next day, then visited his club and talked with congenial souls until it was time to dress for dinner. No more thinking at present.

Nevertheless, he ascended her steps at exactly half-past eight with the blood pounding in his ears and his heart acting like a schoolboy's in his first attack of calf love. But he managed to compose himself before the footman leisurely answered his ring. If there was one point upon which he was primarily determined it was to keep his head. If he gave her a hint that she had reduced him to a state of imbecility before his moment came—if it ever did!—his chances would be done for—dished. He looked more saturnine than ever as he strode into the hall.

"Dinner will be served in the library, sir," said the footman. "Madame will be down in a moment."

A tête-à-tête by the fire! Worse and worse. He had been fortified by the thought of the butler and footman. An hour under their supercilious eyes would mean the most impersonal kind of small talk. But they'd hardly stand round the library.

However, the small table before the blazing logs looked very cosy and the imposing room was full of mellow light. Two Gothic chairs had been drawn to the table. They, at least, looked uncomfortable enough to avert sentiment. Not that he felt sentimental. He was holding down something a good deal stronger than sentiment, but he flattered himself that he looked as saturnine as Satan himself as he warmed his back at the fire. He hoped she had a cold in her head.

But she had not. As she entered, dressed in a white tea gown of chiffon and lace, she looked like a moonbeam, and as if no mortal indisposition had ever brushed her in passing. Instead of her pearls she wore a long thin necklace of diamonds that seemed to frost her gown. She was smiling and gracious and infinitely remote. The effect was as cold and steadying as his morning's icy shower.

He shook her hand firmly. "Sorry you've been seedy. Hope it didn't lay you up."

"Oh, no. I fancy I merely wanted an excuse to see Atlantic City. It was just a touch of bronchitis and fled at once."

"Like Atlantic City?"

"No. It is merely an interminable line of ostentatiously rich hotels on aboard walk! None of the grace and dignity of Ostend—poor Ostend as it used to be. The digue was one of the most brilliant sights in Europe—but no doubt you have seen it," she added politely.

"Yes, I spent a week there once, but Bruges interested me more. I was very young at the time."

"You must have been! Don't you like to gamble? The Kursaal could be very exciting."

"Oh, yes, I like to gamble occasionally." (God! What banal talk!) "Gambling with life, however, is a long sight more exciting."

"Yes, is it not? Atlantic City might do you good. You do not look at all well."

"Never felt better in my life. A bit tired. Generally am at this time of the year. May take a run down to Florida."

"I should," she said politely. "Shall you stay long?"

"That depends." (Presence of servants superfluous!) "Are you fond of the sea?"

"I detest it—that boundless flat gray waste. A wild and rocky coast in a terrific storm, yes—but not that moving gray plain that comes in and falls down, comes in and falls down. It is the mountains I turn to when I can. I often long for the Austrian Alps. The Dolomites! The translucent green lakes like enormous emeralds, sparkling in the sun and set in straight white walls. A glimpse of pine forest beyond. The roar of an avalanche in the night."

"New York and Atlantic Citymustseem prosaic." He had never felt so polite. "I suppose you are eager to return?" (Why in hell don't those servants bring the dinner!)

"I have not seen the Alps since two years before the war. Some day—yes! Oh, yes! Shall we sit down?"

The two men entered with enormous dignity bearing plates of oysters as if offering the Holy Grail and the head of Saint John the Baptist on a charger. Impossible to associate class-consciousness with beings who looked as impersonal as fate, and would have regarded a fork out of alignment as a stain on their private 'scutcheon. They performed the rite of placing the oysters on the table and retired.

Madame Zattiany and Clavering adjusted themselves to the Gothic period. The oysters were succulent. They discussed the weather.

"This was a happy thought," he said. "It feels like a blizzard outside."

"The radiator in the dining-room is out of order."

"Oh!"

She was a woman of the world. Why in thunder didn't she make things easier? Had she asked him here merely because she was too bored to eat alone? He hated small talk. There was nothing he wanted less than the personalities of their previous conversations, but she might have entertained him. She was eating her oysters daintily and giving him the benefit of her dark brown eyelashes. Possibly she was merely in the mood for comfortable silences with an established friend. Well, he was not. Passion had subsided but his nerves jangled.

And inspiration came with the soup and some excellent sherry.

"By the way! Do you remember I asked you—at that last first-night—if you wouldn't like to see something of the Sophisticates?"

"The what?"

"Some of them still like to call themselves Intellectuals, but that title—Intelligentsia—is now claimed by every white collar in Europe who has turned Socialist or Revolutionist. He may have the intellect of a cabbage, but he wants a 'new order.' We still have a few pseudo-socialists among our busy young brains, but youth must have its ideals and they can originate nothing better. I thought I'd coin a new head-line that would embrace all of us."

"It is comprehensive! Well?"

"A friend of mine, Gora Dwight—at present 'foremost woman author of America'—is giving a party next Saturday night. I'd like enormously to take you."

"But I do not know Miss Dwight."

"She will call in due form. I assure you she understands the conventions. Of course, you need not see her, but she will leave a card. Not that it wouldn't be quite proper for me merely to take you."

"I should prefer that she called. Then—yes, I should like to go. Thank you."

The men arrived with the entrée and departed with the soup plates.

Once more he had an inspiration.

"Poor old Dinwiddie's laid up with the gout."

"Really? He called a day or two after the dinner, and I enjoyed hearing him talk about the New York of his youth—and of Mary's. Unfortunately, I was out when he called again. But I have seen Mr. Osborne twice. These are his flowers. He also sent me several books."

"What were they?" growled Clavering. He remembered with dismay that he hadn't even sent her the usual tribute of flowers. There had been no place in his mind for the small amenities.

"A verboten romance called 'Jurgen.' Why verboten? Because it is too good for the American public? 'Main Street.' For me, it might as well have been written in Greek. 'The Domesday Book.' A great story. 'Seed of the Sun.' To enlighten me on the 'Japanese Question.' 'Cytherea.' Wonderful English. Why is it not also verboten?"

"Even censors must sleep. Is that all he sent you?"

"I am waiting for the chocolates—but possibly those are sent only by the very young men to the very young girls."

He glowered at his plate. "Do you like chocolates? I'll send some tomorrow. I've been very remiss, I'm afraid, but I've lost the habit."

"I detest chocolates."

Squabs and green peas displaced the entree. The burgundy was admirable.

Once more he was permitted to gaze at her eyelashes. He plunged desperately. "The name Marie doesn't suit you. If ever I know you well enough I shall call you Mary. It suits your vast repose. That is why ordinary Marys are nicknamed 'Mamie' or 'Mame.'"

"I was christened Mary." She raised her eyes. They were no longer wise and unfathomable. They looked as young as his own. Probably younger, he reflected. She looked appealing and girlish. Once more he longed to protect her.

"Do you want to call me Mary?" she asked, smiling.

"I hardly know whether I do or not.… There's something else I should tell you. I swore I'd never ask you any more questions—but I—well, Dinwiddie kept on the scent until he was laid up. One of the Thornhills verified your story in so far as he remembered that a cousin had settled in Virginia and then moved on to Paris. There his information stopped.… But … Dinwiddie met a Countess Loyos at dinner."

"Countess Loyos?"

"Yes—know her?"

"Mathilde Loyos? She is one of my oldest friends."

"No doubt you'd like to see her. I can get her address for you."

"There is nothing I want less than to see her. Nor any one else from Austria—at present."

"I think this could not have been your friend. She emphatically said—I am afraid of being horribly rude——"

"Ah!" For the first time since he had known her the color flooded her face; then it receded, leaving her more pale than white. "I understand."

"Of course, it may be another Countess Loyos. Like the Zattianys, it may be a large family."

"As it happens there is no other."

Silence. He swore to himself. He had no desire to skate within a mile of her confounded mysteries and now like a fool he had precipitated himself into their midst again. But if she wouldn't talk.…

"Suppose we talk of something else," he said hurriedly. "I assure you that I have deliberately suppressed all curiosity. I am only too thankful to know you on any terms."

"But you think I am in danger again?"

"Yes, I do. That is, if you wish to keep your identity a secret—for your own good reasons. Of course, no harm can come to you. I assume that you are not a political refugee—in danger of assassination!"

"I am not. What is Mr. Dinwiddie's inference?" She was looking at him eagerly.

"That you really are a friend of Countess Zattiany, but for some motive or other you are using her name instead of your own. That—that—you had your own reasons for escaping from Austria——"

"Escaping?"

"One was that you might have got into some political mess—restoration of Charles, or something——"

She laughed outright.

"The other was—well—that you are hiding from your husband."

"My husband is dead," she said emphatically.

He had never known that clouds, unless charged with thunder, were noisy. But he heard a black and ominous cloud gather itself and roll off his brain. Had that, after all, been … Nevertheless, he was annoyed to feel that he was smiling boyishly and that he probably looked as saturnine as he felt.

"Whatever your little comedy, it is quite within your rights to play it in your own way."

"It is not a comedy," she said grimly.

"Oh! Not tragedy?" he cried in alarm.

"No—not yet. Not yet!… I am beginning to wish that I had never come to America."

"Now I shall ask you why."

"And I shall not tell you. I have read your Miss Dwight's novel, by the way, and think it quite hideous."

"So do I. But that is the reason of its success." And the conversation meandered along the safe bypaths of American fiction through the ices and coffee.

They sat beside the fire in chairs that had never felt softer. He smoked a cigar, she cigarettes in a long topaz holder ornamented with a tiny crown in diamonds and the letter Z. She had given it to him to examine when he exclaimed at its beauty.

Z!

But he banished both curiosity and possible confirmation. He was replete and comfortable, and almost happy. The occasional silences were now merely agreeable. She lay back in her deep chair as relaxed as himself, but although she said little her aloofness had mysteriously departed. She looked companionable and serene. Only one narrow foot in its silvery slipper moved occasionally, and her white and beautiful hands, whose suggestion of ruthless power Clavering had appreciated apprehensively from the first, seemed, although they were quiet, subtly to lack the repose of her body.

Once while he was gazing into the fire he felt sure that she was examining his profile. He made no pretensions to handsomeness, but he rather prided himself on his nose, the long fine straight nose of the Claverings. His brow was also good, but although his hair was black, his eyes were blue, and he would have preferred to have black eyes, as he liked consistent types. Otherwise he was one of the "black Claverings." Northumbrian in origin and claiming descent from the Bretwaldes, overlords of Britain, the Claverings were almost as fair as their Anglian ancestors, but once in every two or three generations a completely dark member appeared, resurgence of the ancient Briton; sometimes associated with the high stature of the stronger Nordic race, occasionally—particularly among the women—almost squat. Clavering had been spared the small stature and the small too narrow head, but saving his steel blue eyes—trained to look keen and hard—he was as dark as any Mediterranean. His mouth was well-shaped and closely set, but capable of relaxation and looked as if it might once have been full and sensitive. It too had been severely trained. The long face was narrower than the long admirably proportioned head. It was by no means as disharmonic a type as Gora Dwight's; the blending of the races was far more subtle, and when making one of his brief visits to Europe he was generally taken for an Englishman, never for a member of the Latin peoples; except possibly in the north of France, where his type, among those Norman descendants of Norse and Danes, was not uncommon. Nevertheless, although his northern inheritance predominated, he was conscious at times of a certain affinity with the race that two thousand years ago had met and mingled with his own.

He turned his eyes swiftly and met hers. She colored faintly and dropped her lids. Had she lowered those broad lids over a warm glow?

"Now I know what you look like!" he exclaimed, and was surprised to find that his voice was not quite steady. "A Nordic princess."

"Oh! That is the very most charming compliment ever paid me."

"You look a pretty unadulterated type for this late date. I don't mean in color only, of course; there are millions of blondes."

"My mother was a brunette."

"Oh, yes, you are a case of atavism, no doubt. If I were as good a poet as one of my brother columnists I should have written a poem to you long since. I can see you sweeping northward over the steppes of Russia as the ice-caps retreated … reëmbodied on the Baltic coast or the shores of the North Sea … sleeping for ages in one of the Megaliths, to rise again a daughter of the Brythons, or of a Norse Viking … west into Anglia to appear once more as a Priestess of the Druids chaunting in a sacred grove … or as Boadicea—who knows! But no prose can regenerate that shadowy time. I see it—prehistory—as a swaying mass of ghostly multitudes, but always pressing on—on … as we shall appear, no doubt, ten thousand years hence if all histories are destroyed—as no doubt they will be. If I were an epic poet I might possibly find words and rhythm to fit that white vision, but it is wholly beyond the practical vocabulary and mental make-up of a newspaper man of the twentieth century. Some of us write very good poetry indeed, but it is not precisely inspired, and it certainly is not epic. One would have to retire to a cave like Buddha and fast."

"You write singularly pure English, in spite of what seems to me a marked individuality of style, and—ah—your apparent delight in slang!" Her voice was quite even, although her eyes had glowed and sparkled and melted at his poetic phantasma of her past (as what woman's would not?). "I find a rather painful effort to be—what do you call it? highbrow?—in some of your writers."

"The youngsters. I went through that phase. We all do. But we emerge. I mean, of course, when we have anything to express. Metaphysical verbosity is a friendly refuge. But as a rule years and hard knocks drive us to directness of expression.… But poets must begin young. And New York is not exactly a hot-bed of romance."

"Do you think that romance is impossible in New York?" she asked irresistibly.

"I—oh—well, what is romance? Of course, it is quite possible to fall in love in New York—although anything but the ideal setting. But romance!"

"Surely the sense of mystery between a man and woman irresistibly attracted may be as provocative in a great city as in a feudal castle surrounded by an ancient forest—or on one of my Dolomite lakes. Is it not that which constitutes romance—the breathless trembling on the verge of the unexplored—that isolates two human beings as authentically—I am picking up your vocabulary—as if they were alone on a star in space? Is it not possible to dream here in New York?—and surely dreams play their part in romance." Her fingertips, moving delicately on the surface of her lap, had a curious suggestion of playing with fire.

"One needs leisure for dreams." He stood up suddenly and leaned against the mantelpiece. The atmosphere had become electric. "A good thing, too, as far as some of us are concerned. The last thing for a columnist to indulge in is dreams. Fine hash he'd have for his readers next morning!"

"Do you mean to say that none of you clever young men fall in love?"

"Every day in the week, some of them. They even marry—and tell fatuous yarns about their babies. No doubt some of them have even gloomed through brief periods of unreciprocated passion. But they don't look very romantic to me."

"Romance is impossible without imagination, I should think. Aching for what you cannot have or falling in love reciprocally with a charming girl is hardly romance. That is a gift—like the spark that goes to the making of Art."

"Are you romantic?" he asked harshly. "You look as if born to inspire romance—dreams—like a beautiful statue or painting—but mysterious as you make yourself—and, I believe, are in essence—I should never have associated you with the romantic temperament. Your eyes—as they too often are—— Oh, no!"

"It is true that I have never had a romance."

"You married—and very young."

"Oh, what is young love! The urge of the race. A blaze that ends in babies or ashes. Romance!"

"You have—other men have loved you."

"European men—the type my lot was cast with—may be romantic in their extreme youth—I have never been attracted by men in that stage of development, so I may only suppose—but when a man has learned to adjust passion to technique there is not much romance left in him."

"Are you waiting for your romance, then? Have you come to this more primitive civilization to find it?"

She raised her head and looked him full in the eyes. "No, I did not believe in the possibility then."

"May I have a high-ball?"

"Certainly."

He took his drink on the other side of the room. It was several minutes before he returned to the hearth. Then he asked without looking at her: "How do you expect to find romance if you shut yourself up?"

"I wanted nothing less. As little as I wanted it to be known that I was here at all."

"That damnable mystery! Whoareyou?"

"Nothing that you have imagined. It is far stranger—I fancy it would cure you."

"Cure me?"

"Yes. Do you deny that you love me?"

"No, by God! I don't! But you take a devilish advantage. You must know that I had meant to keep my head. Of course, you are playing with me—with your cursed technique!… Unless …" He reached her in a stride and stood over her. "Is it possible—do you—you——"

She pushed back her chair, and stood behind it. Her cheeks were very pink, her eyes startled, but very soft. "I do not admit that yet—I have been too astounded—I went away to think by myself—where I was sure not to see you—but—my mind seemed to revolve in circles. I don't know! I don't know!"

"You do know! You are not the woman to mistake a passing interest for the real thing."

"Oh, does a woman ever—I never wanted to be as young asthatagain! I should have believed it impossible if I had given the matter a thought—It is so long! I had forgotten what love was like. There was nothing I had buried as deep. And there are reasons—reasons!"

"I only follow you vaguely. But I think I understand—worse luck! I've hated you more than once. You must have known that. I believe you are deliberately leading me on to make a fool of myself."

"I am not! Oh, I am not!"

"Doyou love me?"

"I—I want to be sure. I have dreamed … I—I have leisure, you see. This old house shuts out the world—Europe—the past. The war might have cut my life in two. If it had not been for that—that long selfless interval … I'd like you to go now."

"Will you marry me?"

"It may be. I can't tell. Not yet. Are you content to wait?"

"I am not! But I've no intention of taking you by force, although I don't feel particularly civilized at the present moment. But I'll win you and have you if you love me. Make no doubt of that. You may have ten thousand strange reasons—they count for nothing with me. And I intend to see you every day. I'll call you up in the morning. Now I go, and as quickly as I can get out."


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