"That theIliadis not so essentially one piece as theOdyssey, every man agrees. It includes a much greater multiplicity of events, and what is yet more important, a greater multiplicity of prominent personages: the very indefinite title which it bears, as contrasted with the speciality of the nameOdyssey, marks the difference at once. The parts stand out more conspicuously from the whole, and admit more readily of being felt and appreciated in detached recitation. We may also add, that it is of more unequal execution than theOdyssey--often rising to a far higher pitch of grandeur, but also occasionally tamer: the story does not move on continually; incidents occur without plausible motive, nor can we shut our eyes to evidences of incoherence and contradiction.
"That theIliadis not so essentially one piece as theOdyssey, every man agrees. It includes a much greater multiplicity of events, and what is yet more important, a greater multiplicity of prominent personages: the very indefinite title which it bears, as contrasted with the speciality of the nameOdyssey, marks the difference at once. The parts stand out more conspicuously from the whole, and admit more readily of being felt and appreciated in detached recitation. We may also add, that it is of more unequal execution than theOdyssey--often rising to a far higher pitch of grandeur, but also occasionally tamer: the story does not move on continually; incidents occur without plausible motive, nor can we shut our eyes to evidences of incoherence and contradiction.
"To a certain extent, theIliadis open to all these remarks, though Wolf and W. Müller, and above all, Lachmann, exaggerate the case in degree. And from hence has been deduced the hypothesis which treats the part in their original state as separate integers, independent of, and unconnected with each other, and forced into unity only by the afterthought of a subsequent age; or sometimes not even themselves as integers, but as aggregates grouped together out of fragments still smaller—short epics formed by the coalescence of still shorter songs. Now there is some plausibility in these reasonings, so long as thediscrepanciesare looked upon as the whole of the case. But in point of fact they are not the whole of the case; for it is not less true that there are large portions of theIliad, which present positive and undeniable evidences ofcoherence, as antecedent and consequent, though we are occasionally perplexed by inconsistencies of detail. To deal with these latter, is a portion of the duties of a critic; but he is not to treat theIliadas if inconsistency prevailed every where throughout its parts; for coherence of parts—symmetrical antecedence and consequence—is discernible throughout the larger half of the poem.
"To a certain extent, theIliadis open to all these remarks, though Wolf and W. Müller, and above all, Lachmann, exaggerate the case in degree. And from hence has been deduced the hypothesis which treats the part in their original state as separate integers, independent of, and unconnected with each other, and forced into unity only by the afterthought of a subsequent age; or sometimes not even themselves as integers, but as aggregates grouped together out of fragments still smaller—short epics formed by the coalescence of still shorter songs. Now there is some plausibility in these reasonings, so long as thediscrepanciesare looked upon as the whole of the case. But in point of fact they are not the whole of the case; for it is not less true that there are large portions of theIliad, which present positive and undeniable evidences ofcoherence, as antecedent and consequent, though we are occasionally perplexed by inconsistencies of detail. To deal with these latter, is a portion of the duties of a critic; but he is not to treat theIliadas if inconsistency prevailed every where throughout its parts; for coherence of parts—symmetrical antecedence and consequence—is discernible throughout the larger half of the poem.
"Now the Wolfian theory explains the gaps and contradictions throughout the narrative, but it explains nothing else. If (as Lachmann thinks) theIliadoriginally consisted of sixteen songs or little substantive epics, not only composed by different authors, but by each without any view to conjunction with the rest—we have then no right to expect any intrinsic continuity between them; and all that continuity which we now find must be of extraneous origin. Where are we to look for the origin? Lachmann follows Wolf in ascribing the whole constructive process to Peisistratus and his associates, at the period when the creative epical faculty is admitted to have died out. But upon this supposition, Peisistratus (or his associate) must have done much more than omit, transpose, and interpolate, here and there; he must have gone far to re-write the whole poem. A great poet might have re-cast pre-existing separate songs into one comprehensive whole, but no mere arrangers or compilers would be competent to do so; and we are thus left without any means of accounting for that degree of continuity and consistency which runs through so large a portion of theIliad, though not through the whole. The idea that the poem as we read it grew out of atoms, not originally designed for the places which they now occupy, involves us in new and inextricable difficulties when we seek to elucidate either the mode of coalescence or the degree of existing unity.
"Now the Wolfian theory explains the gaps and contradictions throughout the narrative, but it explains nothing else. If (as Lachmann thinks) theIliadoriginally consisted of sixteen songs or little substantive epics, not only composed by different authors, but by each without any view to conjunction with the rest—we have then no right to expect any intrinsic continuity between them; and all that continuity which we now find must be of extraneous origin. Where are we to look for the origin? Lachmann follows Wolf in ascribing the whole constructive process to Peisistratus and his associates, at the period when the creative epical faculty is admitted to have died out. But upon this supposition, Peisistratus (or his associate) must have done much more than omit, transpose, and interpolate, here and there; he must have gone far to re-write the whole poem. A great poet might have re-cast pre-existing separate songs into one comprehensive whole, but no mere arrangers or compilers would be competent to do so; and we are thus left without any means of accounting for that degree of continuity and consistency which runs through so large a portion of theIliad, though not through the whole. The idea that the poem as we read it grew out of atoms, not originally designed for the places which they now occupy, involves us in new and inextricable difficulties when we seek to elucidate either the mode of coalescence or the degree of existing unity.
"Admitting, then, premeditated adaptation of parts to a certain extent as essential to theIliad, we may yet inquire whether it was produced all at once or gradually enlarged—whether by one author or by several; and, if the parts be of different age, whichis the primitive kernel, and which are the additions?
"Admitting, then, premeditated adaptation of parts to a certain extent as essential to theIliad, we may yet inquire whether it was produced all at once or gradually enlarged—whether by one author or by several; and, if the parts be of different age, whichis the primitive kernel, and which are the additions?
"Welcker, Lange, and Nitzeh, treat the Homeric poems as representing a second step in advance in the progress of popular poetry: First comes the age of short narrative songs; next, when these have become numerous, there arise constructive minds who re-cast and blend together many of them into a larger aggregate, conceived upon some scheme of their own. The age of the epos is followed by that of the epopee: short spontaneous effusions prepare the way, and furnish materials for the architectonic genius of the poet. It is farther presumed by the above-mentioned authors that the pre-Homeric epic included a great abundance of such smaller songs—a fact which admits of no proof, but which seems countenanced by some passages in Homer, and is in itself no way improbable. But the transition from such songs, assuming them to be ever so numerous, to a combined and continuous poem, forms an epoch in the intellectual history of a nation, implying mental qualities of a higher order than those upon which the songs themselves depend. Nor is it at all to be imagined that the materials pass unaltered from their first state of combination: they must of necessity be re-cast, and undergo an adapting process, in which the genius of the organising poet consists; and we cannot hope, by simply knowing them as they exist in the second stage, ever to divine how they stood in the first. Such, in my judgment, is the right conception of the Homeric epoch—an organising poetical mind, still preserving that freshness of observation and vivacity of details which constitutes the charm of the ballad.
"Welcker, Lange, and Nitzeh, treat the Homeric poems as representing a second step in advance in the progress of popular poetry: First comes the age of short narrative songs; next, when these have become numerous, there arise constructive minds who re-cast and blend together many of them into a larger aggregate, conceived upon some scheme of their own. The age of the epos is followed by that of the epopee: short spontaneous effusions prepare the way, and furnish materials for the architectonic genius of the poet. It is farther presumed by the above-mentioned authors that the pre-Homeric epic included a great abundance of such smaller songs—a fact which admits of no proof, but which seems countenanced by some passages in Homer, and is in itself no way improbable. But the transition from such songs, assuming them to be ever so numerous, to a combined and continuous poem, forms an epoch in the intellectual history of a nation, implying mental qualities of a higher order than those upon which the songs themselves depend. Nor is it at all to be imagined that the materials pass unaltered from their first state of combination: they must of necessity be re-cast, and undergo an adapting process, in which the genius of the organising poet consists; and we cannot hope, by simply knowing them as they exist in the second stage, ever to divine how they stood in the first. Such, in my judgment, is the right conception of the Homeric epoch—an organising poetical mind, still preserving that freshness of observation and vivacity of details which constitutes the charm of the ballad.
"Nothing is gained by studying the Iliad as a congeries of fragments once independent of each other: no portion of the poem can be shown to have ever been so, and the supposition introduces difficulties greater than those which it removes. But it is not necessary to affirm that the whole poem, as we now read it, belonged to the original and preconceived plan. In this respect theIliadproduces upon my mind an impression totally different from theOdyssey.In the latter poem the characters and incidents are fewer; the whole plot appears of one projection, from the beginning down to the death of the suitors: none of the parts look as if they had been composed separately, and inserted by way of addition into a pre-existing smaller poem. But theIliad, on the contrary, presents the appearance of a house built upon a plan comparatively narrow, and subsequently enlarged by successive additions. The first book, together with the eighth, and the books from the eleventh to the twenty-second inclusive, seem to form the primary organisation of the poem, then properly anAchilleïs: the twenty-third and twenty-fourth books are additions at the tail of this primitive poem, which still leave it nothing more than an enlargedAchilleïs: but the books from the second to the seventh inclusive, together with the tenth, are of a wider and more comprehensive character, and convert the poem from anAchilleïsinto anIliad. The primitive frontispiece, inscribed with the anger of Achilles and its direct consequences, yet remains, after it has ceased to be co-extensive with the poems. The parts added, however, are not necessarily inferior in merit to the original poem: so far is this from being the case, that amongst them are comprehended some of the noblest efforts of the Grecian epic."—(Vol. ii. p. 230.)
"Nothing is gained by studying the Iliad as a congeries of fragments once independent of each other: no portion of the poem can be shown to have ever been so, and the supposition introduces difficulties greater than those which it removes. But it is not necessary to affirm that the whole poem, as we now read it, belonged to the original and preconceived plan. In this respect theIliadproduces upon my mind an impression totally different from theOdyssey.In the latter poem the characters and incidents are fewer; the whole plot appears of one projection, from the beginning down to the death of the suitors: none of the parts look as if they had been composed separately, and inserted by way of addition into a pre-existing smaller poem. But theIliad, on the contrary, presents the appearance of a house built upon a plan comparatively narrow, and subsequently enlarged by successive additions. The first book, together with the eighth, and the books from the eleventh to the twenty-second inclusive, seem to form the primary organisation of the poem, then properly anAchilleïs: the twenty-third and twenty-fourth books are additions at the tail of this primitive poem, which still leave it nothing more than an enlargedAchilleïs: but the books from the second to the seventh inclusive, together with the tenth, are of a wider and more comprehensive character, and convert the poem from anAchilleïsinto anIliad. The primitive frontispiece, inscribed with the anger of Achilles and its direct consequences, yet remains, after it has ceased to be co-extensive with the poems. The parts added, however, are not necessarily inferior in merit to the original poem: so far is this from being the case, that amongst them are comprehended some of the noblest efforts of the Grecian epic."—(Vol. ii. p. 230.)
To many persons the undisputed fact that the Homeric poems were composed to be recited, not read, has appeared a convincing proof that they could not have originally assumed the form in which they are known to us. For setting aside the difficulty of preserving by the aid only of memory, and the still greater difficulty ofcomposinga long poem without help of the manuscript, to keepsecurethe part already completed, what motive, it has been said, could induce the poet to undertake so great and so superfluous a labour? Why indite a poem so much longer than could be recited on any one occasion, and which,as a whole, could never be appreciated? But we would suggest that it is not necessary to suppose that the poet commenced his labours with the project in view of writing a long epic, in order to believe that we possess these two great poems very nearly in the original form in which they were composed. If it were the task of the poet or poets to supply a number of songs on the adventures of a popular hero, or the achievements of some famous war, such number of songsmustassume a certain consecutive order, the one will necessarily grow out of the other. Let any one reflect for a moment how the work of composition proceeds, and he will perceive that it would be impossible for a poet to take any one such subject as the siege of Troy, orthe return of Ulysses, as the theme for a number of separate poems, and not find that he was writing, with more or less continuity, one long entire poem. This continuity would be improved and especially attended to, when a certainordercame to be preserved (as we know it was) in the recitation of the several poems. We have no difficulty, therefore, in believing that, in the time of Pisistratus, theeditorsof Homer might have had very little to do to give them that degree of completeness and unity which they at present display. A number of consecutive songs upon the same subject would naturally grow into an epic.
No decisive argument, we submit, can be drawn from the absence or limited application of the art of writing at the era assigned for the composition of these poems. There is nothing left for us but to examine the poems themselves, to determine what degree of unity of plan or of authorship may be attributed to them. Unfortunately the critical perception of scholars, equally eminent, leads to such different results, that the controversy appears to be hopeless. Where one sees with the utmost distinctness the difference of workmanship, another sees with equal clearness the traces of the same genius and manner. And in controversies of this nature, there is unhappily a most perverse combination of the strongest conviction with an utter impotence to force that conviction upon another. Between these two, a man is generally driven into a passion; and thus we often find a bitter, acrid mood infused into literary discussions, which, lying as they do apart from the selfish and conflicting interests of men, would seem to be the theatre for no such display. The controversy rages still in Germany, and, it seems, with considerable heat. Lachmann, after dissecting a certain portion of the Iliad into four songs, "in the highest degree different in their spirit," tells us that whoever thinks the difference of spirit inconsiderable—whoever does not feel it at once when pointed out—whoever can believe that the parts as they stand now belong to one artistically constructed epos, "will do well not to trouble himself any more either with my criticisms, or with epic poetry, because he is too weak to understand any thing about it—("weil er zu schwach ist etwas darin zu verstehen.") On the contrary, Ulrici, after having shown (or tried to show) that the composition of Homer satisfies perfectly, in the main, all the exigencies of an artistic epic, adds, that this will make itself at once evident to all those who have any sense of artistical symmetry, but that to those to whom that sense is wanting, no conclusive demonstration call be given. He warns the latter, however, they are not to deny the existence of that which their short-sighted vision cannot distinguish, for every thing cannot be made clear to children, which the mature man sees through at a glance! Mr Grote, from whom we quote these instances, adds that he has the misfortune to dissent both from Lachmann and Ulrici; for to him it appears a mistake to put (as Ulrici and others have done) the Iliad and the Odyssey on the same footing. The sort of compromise which Mr Grote offers seems very fair; but, for our part, we begto reserve the point; we will not commit ourselves on so delicate a subject, by a hasty assent. But we promise to read our Homer again with an especial regard to these boundaries he has pointed out between theAchilleïsand theIliad.
Who Homer himself may have been, and if the blind bard ever existed, is a question, of course, very different from the degree of unity to be traced in the two great poems which have descended to us under his name. On this subject Mr Grote gives us an hypothesis which, as far as we are aware, is new and original. It has not, however, won our conviction—and we had intended to offer some objections against it. But we have already dwelt so long on this legendary period, that unless we break from it at once, we shall have no space left to give any idea whatever of the manner in which Mr Grote treats the more historical periods of his history. We must be allowed, therefore, to make a bold and abrupt transition; and, as every one in a history of Greece turns his eye first toward Athens, we shall, at one single bound, light upon the city of Minerva as she appeared in the age of Solon and Pisistratus.
A fidelity to the spirit of the epoch upon which he is engaged, as well as to the text of his authorities, we have already remarked, is a distinguishing merit of Mr Grote. Of this, his chapters upon the age of Solon might be cited as an illustration. We are persuaded that a reader of many a history of Greece, unless himself observant, and on the watch to detect, as he passes, the signs of the times, might proceed from the age of Pisistratus to that of Pericles, and not be made aware how very great the advancement, during that period, of the intellectual condition of the people of Athens. He has been in Athens all the time, but how very different have the Athenians become! And unless he were under the guidance of some more powerful thinker than ordinarily wields the pen of history, he might be little aware of the change. Mr Grote points it out with great distinctness.
At the first of these epochs, it is but a barbarous people, with qualities which bode something better—that bear the name of Athenians. Amongst the laws of Solon, is one which forbids "the sale of daughters or sisters into slavery by fathers or brothers!" A law is enacted against the exportation of all produce of the soil of Attica except olive oil, and to enforce this commercial or non-commercial regulation, "the archon was bound, on pain of forfeiting a hundred drachms, to pronounce solemn curses against every offender!" The superstitious or religious feelings, if we must honour them by the latter name, are rude and violent in the extreme—give rise to frenzy amongst the people,—the women especially,—and call for or admit of human sacrifice.Boththe artifices by which Pisistratus on two several occasions succeeded in obtaining the tyranny, indicate a people in the very first stages of civilisation. But what shall be said of the second or grosser of these artifices?—his entrance into Athens in a chariot with a tall damsel by his side, personating Minerva,visiblyunder the protection of the goddess.
It is worth observing, that the same class of historians who are given to extract with an unauthorised boldness a prosaic fact from a poetic legend, are also the slowest and most reluctant in understanding the more startling facts which meet them on historic ground, in their simple and full significance. They are bold before the fable, they are timid before the fact. Nor is this surprising. In both cases they are on the search for incidents analogous to those which the ordinary course of life or of history has made familiar to their imagination. They see these with an exuberant faith where they do not exist, and will see nothingbutthese when something of a far different nature is actually put before them. Mr Grote, who refused to tread at all on the insecure ground of the legend, meets this narrative of the second entry of Pisistratus into Athens upon the level ground of history, and sees it in its simple form, and sees the people in it. Dr Thirlwall, on the contrary, who would read the history of a people's wars and emigrations in the fabulous exploits of fabulous persons, is staggered at the story—converts it all into a holiday pageant! It was some show or procession, and all the world knew as well as Pisistratus that it was the damsel Phyê, and not Minerva, who stood in the chariot.
"This story would indeed be singular," writes Dr Thirlwall, "if we consider the expedient in the light of a stratagem, on which the confederates relied for overcoming the resistance which they might otherwise have expected from their adversaries. But it seems quite as possible that the pageant was only designed to add extraordinary solemnity to the entrance of Pisistratus, and to suggest the reflection that it was by the special favour of Heaven he had been so unexpectedly restored."—(Vol. ii. p. 67.)
If this story stood alone in spirit and character, and there were no other contemporary events to occasion us the same kind of surprise, some such interpretation might not be unreasonable. But other facts which the historian himself relates with their unabated and literal significance, testify equally to the gross apprehension of the Athenian people at this epoch. What shall we say, of the visit of Epimenides to purify the city? The guilt, it seems, of sacrilege had, some time past, been incurred by Megacles and his associates, who had put to death certain of their enemies withinthe precincts of the temple of Minerva, whither they had fled for refuge. Megacles might have starved them there, but was scrupulous to bring this defilement upon the temple. He therefore promised to spare their lives if they would quit the sanctuary. Upon this they came forth, holding however, as an additional safeguard, a rope in their hands which was fastened to the statue of Minerva. Better not have trusted to the rope, for it broke. Megacles, seeing this, pronounced aloud that the goddess had evidently withdrawn her protection, and ordered them to be put to death. For this sacrilege—not for the promise-breaking or bloodshed—a curse hung over the city. Superstitious terrors haunted the inhabitants; the scarcity, the sickness, every evil that afflicted them, was attributed to this cause; and the women especially, gave themselves up to frantic demonstrations of fear and piety.
There was a man of Crete, born of a nymph, fed by the nymphs, if indeed he was fed at all, for no one saw him eat. In his youth, this marvellous Cretan had been sent by his father to bring home some stray sheep, and turning aside into a cave for shelter from the noontide heat, had fallen asleep. He slept on for fifty years. Either supernatural knowledge comes in sleep, or Epimenides invented this fable to stop all inquiries as to where, or how, he had passed the early period of his life. He attained the age of one hundred and fifty-four—some say three hundred years.
This remarkable person, supposed to know by what means the anger of the gods might be propitiated, was called to Athens. What means he devised for this purpose may easily be conjectured. After the performance of certain religious ceremonies, the foundation of a new temple, and the sacrifice of a human victim, the Athenians were restored to their usual tranquillity.
"The religious mission of Epimenides to Athens," observes Mr Grote, "and its efficacious as well as healing influence on the public mind, deserve notice as characteristics of the age in which they occurred. If we transport ourselves two centuries forward to the Peloponnesian war, when rational influences and positive habits of thought had acquired a durable hold upon the superior minds, and when practical discussion on political and judicial matters were familiar to every Athenian citizen, no such uncontrollable religious misery could well have subdued the entire public; and if it had, no living man could have drawn to himself such universal veneration as to be capable of effecting a cure. Plato, admitting the real healing influence of rites and ceremonies, fully believed in Epimenides as an inspired prophet during the past, but towards those who preferred claims to supernatural power in his own day, he was not so easy of faith: he, as well as Euripides and Theophrastus, treated with indifference, and even with contempt, the Orpheotelestæ of the later times, who advertised themselves as possessing the same patent knowledge of ceremonial rites, and the same means of guiding the will of the gods, as Epimenides had wielded before them.... Had Epimenides himself come to Athens in those days, his visit would probably have been as much inoperative to all public purposes as a repetition of the stratagem of Phyê, clothed and equipped as the goddess Athena, which had succeeded so completely in the days of Peisistratus—a stratagem which even Herodotus treats as incredibly absurd, although a century before his time both the city of Athens and the Demas of Attica had obeyed, as a divine mandate, the orders of this magnificent and stately woman to restore Peisistratus."—(Vol. iii. p. 116.)
There is nothing to which we are more averse than the converting ancient history into a field for the discussion of modernparty politics. We are fully persuaded that the most thorough English Conservative may admire the Athenian republic; so far at least admire as to admit that it is impossible to conceive how, under any other form of government, the peculiar glories of Athens could have shone forth. And, indeed, an Athenian democracy differs so entirely from any political institution which the world sees at present, or will ever see again, that to carry the strife of our politics back into those times, in other than a quite general manner, is as futile as it is tasteless and vexatious. After this avowal, we shall not be thought disposed to enter into any needless cavil, upon this topic, with Mr Grote; we shall not, certainly, be upon the watch to detect the too liberal politician in the historianof Greece. An interest in the working of popular institutions is a qualification the more for his task; and the historian himself must have felt that it was no mean advantage he had acquired by having taken his seat in our house of parliament, and mingled personally in the affairs of a popular government. What the future volumes of the history may disclose, we will not venture to prognosticate; but, hitherto, we have met with nothing which deserves the opprobrium of being attributed to party spirit. There is a certaintonein some of his political observations which, as may be supposed, we should not altogether adopt; but many of them are excellent and instructive. Nothing could be better than the following remarks on the necessity of a "constitutional morality." He is speaking of the reforms of Cleisthenes.
"It was necessary to create in the multitude, and through them to force upon the leading ambitious men, that rare and difficult sentiment which we may term a constitutional morality,—a paramount reverence for the forms of the constitution, enforcing obedience to the authorities acting under and within those forms, yet combined with the habit of open speech, of action, subject only to definite legal control, and unrestrained censure of those very authorities as to all their public acts,—combined, too, with the perfect confidence in the bosom of every citizen, amidst the bitterness of party contest, that the forms of the constitution will not be less sacred in the eyes of his opponents than in his own. This co-existence of freedom and self-imposed restraint—of obedience to authority with unmeasured censure of the persons exercising it—may be found in the aristocracy of England, (since about 1688,) as well as in the democracy of the American United States; and, because we are familiar with it, we are apt to suppose it a natural sentiment; though there seem to be few sentiments more difficult to establish and diffuse among a community, judging by the experience of history. We may see how imperfectly it exists, at this day, in the Swiss cantons; and the many violences of the French Revolution illustrate, amongst various other lessons, the fatal effects arising from its absence, even among a people high in the scale of intelligence. Yet the diffusion of such constitutional morality, not merely among the majority of any community, but throughout the whole, is the indispensable condition of a government at once free and peaceable; since even any powerful and obstinate minority may render the working of free institutions impracticable, without being strong enough to conquer ascendency for themselves."—Vol. iv. p. 205.
Then follow, close on the extract we have just made, some observations upon the famous law of Ostracism, which are well deserving of attention, and which we would willingly quote did our space allow of it. Perhaps it would be difficult, in following out the several applications of this law, to show that it had exactly the beneficial operation which—arguing on the theory of the institution,—is here assigned to it. But, at the very lowest, this much may be said of the law of Ostracism, that it gives to the stronger of two factions a means of deciding the contest without appeal to force, before the contest rose to its maximum of bitterness, and without necessity or excuse for those wholesale banishments which afflicted the republics of Italy. If such an institution had existed in the Florentine republic, we should not have heard of those cruel banishments that Guelph and Ghibelline, Bianchi and Neri, inflicted upon each other; such banishments as that, for instance, in which its great poet Dante was involved.
Of one remarkable event, characterising the working of the Athenian government, we do not assent to the view presented to us by Mr Grote. His last published volume brings down the affairs of Greece to the battle of Marathon and the death of Miltiades. In the sentence passed on the hero of Marathon, the operation of a popular government has been often disadvantageously traced; the Athenians have been accused of fickleness and ingratitude. Mr Grote repels the charge. With some observations upon this defence, which forms the conclusion of the fourth and last of the published volumes, we shall bring our own notice to a close.
Ingratitude, we readily admit, is not the proper word to be used on such an occasion. A citizen serves the state, and is honoured; if he commits a crime against the state he is not, on this account, to go unpunished. His previous services invest him with noprivilege to break the laws, or act criminally. What man, capable of doing, a patriotic action, would wish for such a privilege, or dream of laying claim to it?
Not gratitude or ingratitude—but justice or injustice—is the issue to be tried between Miltiades and the Athenian assembly. And although Mr Grote is supported, in some measure, by Dr Thirlwall in the judgment he gives on this transaction, we prefer to side here with the opinion expressed by the earlier historian, Mr Mitford: we view the sentence passed on Miltiades not as the triumph of law or justice, but of mere party-spirit, the triumph of a faction gained through the unreasonable anger of the people.
Though the extract is rather long, we must, in justice, give the narrative of Mr Grote in his own language.
"His reputation (that of Miltiades) had been great before the battle (of Marathon), and after it the admiration and confidence of his countrymen knew no bounds; it appears indeed to have reached such a pitch, that his head was turned, and he lost both his patriotism and his prudence. He proposed to his countrymen to incur the cost of equipping an armament of seventy ships, with an adequate armed force, and to place it altogether at his discretion; giving them no intimation whither he intended to go, but merely assuring them that if they would follow him, he would conduct them to a land where gold was abundant, and thus enrich them. Such a promise, from the lips of the recent victor of Marathon, was sufficient, and the armament was granted; no man except Miltiades knowing what was its destination. He sailed immediately to the island of Paros, laid siege to the town, and sent in a herald to require from the inhabitants a contribution of one hundred talents, on pain of entire destruction. His pretence for this attack was, that the Parians had furnished a trireme to Datis for the Persian fleet at Marathon; but his real motive (so Herodotus assures us) was vindictive animosity against a Parian citizen named Lysagoras, who had exasperated the Persian general Hydarnes against him. The Parians amused him at first with evasions, until they had procured a little delay to repair the defective portions of their wall, after which they set him at defiance; and Miltiades in vain prosecuted hostilities against them for the space of twenty-six days: he ravaged the island, but his attacks made no impression on the town. Beginning to despair of success in his military operations, he entered into some negotiation (such at least was the tale of the Parians themselves,) with a Parian woman named Timô, priestess or attendant in the temple of Demeter (Ceres) near the town-gates; this woman, promising to reveal to him a secret which would place Paros in his power, induced him to visit by night a temple to which no male person was admissible. He leaped the exterior fence and approached the sanctuary; but on coming near was seized with a panic terror and ran away, almost out of his senses; on leaping the same fence to get back, he strained or bruised his thigh badly, and became utterly disabled. In this melancholy state he was placed on ship-board; the siege being raised, and the whole armament returning to Athens."
"His reputation (that of Miltiades) had been great before the battle (of Marathon), and after it the admiration and confidence of his countrymen knew no bounds; it appears indeed to have reached such a pitch, that his head was turned, and he lost both his patriotism and his prudence. He proposed to his countrymen to incur the cost of equipping an armament of seventy ships, with an adequate armed force, and to place it altogether at his discretion; giving them no intimation whither he intended to go, but merely assuring them that if they would follow him, he would conduct them to a land where gold was abundant, and thus enrich them. Such a promise, from the lips of the recent victor of Marathon, was sufficient, and the armament was granted; no man except Miltiades knowing what was its destination. He sailed immediately to the island of Paros, laid siege to the town, and sent in a herald to require from the inhabitants a contribution of one hundred talents, on pain of entire destruction. His pretence for this attack was, that the Parians had furnished a trireme to Datis for the Persian fleet at Marathon; but his real motive (so Herodotus assures us) was vindictive animosity against a Parian citizen named Lysagoras, who had exasperated the Persian general Hydarnes against him. The Parians amused him at first with evasions, until they had procured a little delay to repair the defective portions of their wall, after which they set him at defiance; and Miltiades in vain prosecuted hostilities against them for the space of twenty-six days: he ravaged the island, but his attacks made no impression on the town. Beginning to despair of success in his military operations, he entered into some negotiation (such at least was the tale of the Parians themselves,) with a Parian woman named Timô, priestess or attendant in the temple of Demeter (Ceres) near the town-gates; this woman, promising to reveal to him a secret which would place Paros in his power, induced him to visit by night a temple to which no male person was admissible. He leaped the exterior fence and approached the sanctuary; but on coming near was seized with a panic terror and ran away, almost out of his senses; on leaping the same fence to get back, he strained or bruised his thigh badly, and became utterly disabled. In this melancholy state he was placed on ship-board; the siege being raised, and the whole armament returning to Athens."
"Vehement was the indignation both of the armament and the remaining Athenians against Miltiades on his return; and Zanthippus, father of the great Perikles, became the spokesman of this feeling. He impeached Miltiades before the popular judicature as having been guilty of deceiving the people, and so having deserved the penalty of death. The accused himself, disabled by his injured thigh, which even began to show symptoms of gangrene, was unable to stand or to say a word in his own defence; he lay on his couch before the assembled judges, while his friends made the best case they could in his behalf. Defence, it appears, there was none; all they could do was to appeal to his previous services; they reminded the people largely and emphatically of the inestimable exploit of Marathon, coming in addition to his previous conquest of Lemnos. The assembled dikasts or jurors showed their sense of these powerful appeals, by rejecting the proposition of his accuser to condemn him to death; but they imposed on him the penalty of fifty talents 'for his iniquity.'" (Vol. iv. p. 488.)
"Vehement was the indignation both of the armament and the remaining Athenians against Miltiades on his return; and Zanthippus, father of the great Perikles, became the spokesman of this feeling. He impeached Miltiades before the popular judicature as having been guilty of deceiving the people, and so having deserved the penalty of death. The accused himself, disabled by his injured thigh, which even began to show symptoms of gangrene, was unable to stand or to say a word in his own defence; he lay on his couch before the assembled judges, while his friends made the best case they could in his behalf. Defence, it appears, there was none; all they could do was to appeal to his previous services; they reminded the people largely and emphatically of the inestimable exploit of Marathon, coming in addition to his previous conquest of Lemnos. The assembled dikasts or jurors showed their sense of these powerful appeals, by rejecting the proposition of his accuser to condemn him to death; but they imposed on him the penalty of fifty talents 'for his iniquity.'" (Vol. iv. p. 488.)
He died shortly after from his wound.
On this narrative we must make one or two observations. The turn of expression which the writer has selected for conveying the meaning of the original Greek text of his authority, might lead us to imply that when the Athenians placed a force of seventy ships at the command of Miltiades they did not know on whatkindof expedition he was about to employ them. "He would conduct them to a land where gold was abundant, and thus enrich them." Surely no one had an idea that it was avoyage of discovery, in search after some El Dorado that Miltiades was about to undertake. Every one in Athens knew that the fleet was to be directed against some of their neighbours: although, for very manifest reasons,—the advantage of taking their victim by surprise, and of leaving their general unfettered, to act according to circumstances,—the objects of attack were not revealed, and on this a perfect secrecy was allowed to be maintained. It should be alsoaddedto this account, that Zanthippes, father of Pericles, who made himself spokesman for the angry feeling of the Athenians, was also, as Dr Thirwall tells us, "the son of Ariphron, the chief of the rival house of the Alcmaonids," who were little pleased with the sudden rise of Miltiades.
From the same authority we may also learn, that "Paros was at this time one of the most flourishing amongst the Cyclades." Miltiades directed the expedition against Paros from personal motives, from vindictive animosity against a Parian citizen; but Paros was rich, and could therefore pay a ransom—the very object of the expedition; and the pretext under which alone Athens could extort a ransom or a tribute from its neighbours, that they had assisted the Persians, or failed in bringing aid to the common cause against them, applied to Paros; it had furnished, or was accused of having furnished, a trireme to Datis. Whatever baseness Miltiades betrayed in using a public force for his own private revenge, there is nothing to make it appear that the selection of Paros for the object of his attack was not in perfect consistency with the real public purpose of the enterprise.
What crime in all this had Miltiades committed against theAthenians? The injustice of the expedition they shared; for it would be childishness to suppose that they sent their general out with seventy ships, and had no idea that he would attack any one. The personal motives which led him to direct it against Paros, however mean and unworthy of him, are not shown to have been at variance with the professed objects of the expedition. Nor can any one doubt for a moment that if he had succeeded in extorting from the Parians, and others, a large sum of money, the Athenians would have welcomed him back with applause, as loud as the censure they bestowed on their defeated generals, who, instead of plunder, brought them back only the disgrace of having tried to plunder. There were those at hand ready to take advantage of the public irritation; they accused him, and obtained his condemnation. We are not claiming for Miltiades the praise of virtue; nor should we make any pathetic appeal in his behalf. He was not free from a moral delinquency; but, so far as the Athenians were concerned, his substantial offence was failure in his enterprise.
That his friends urged no other defence but that of his previous services, is no proof that other grounds for acquittal were not present to their minds. They were pleading before angry and irresponsible judges, whom it, was their object to soothe and propitiate. Would the strain of inculpatory observations that we have been making, have answered their purpose? To tell an angry man that he is angry, because he is disappointed, is not the way to abate his passion. That Miltiadeshaddisappointed them was certain; undoubtedly the best method of defence was to remind them of the great services that he had formerly rendered them. It was not the demands of judicial reason his advocates had to satisfy: they were pleading before judges whose feelings of the moment were to be the law of the moment.
"Thus closed the life of the conqueror of Marathon. The last act of it," continues Mr Grote, "produces an impression so mournful, and even shocking—his descent from the pinnacle of glory, to defeat, mean tampering with a temple-servant, mortal bodily hurt, undefended ignominy, and death under a sentence of heavy fine, is so abrupt and unprepared—that readers, ancient and modern, have not been satisfied without finding some one to blame for it: we must except Herodotus, our original authority, who recounts the transaction without dropping a single hint of blame against any one. To speak ill of the people, as Machiavel has long ago observed, is a strain in which every one at all times, even under ademocratical government indulges with impunity and without provoking any opponent to reply; and in this case the hard fate of Miltiades has been imputed to the vices of the Athenians and their democracy—it has been cited in proof partly of their fickleness, partly of their ingratitude. But however such blame may serve to lighten the mental sadness arising from a series of painful facts, it will not be found justified if we apply to those facts a reasonable criticism."
He thus vindicates the Athenians from the charge offickleness, on the ground that it was not they, but Miltiades who had changed. The fugitive from Paros, and the victor of Marathon, were two very different persons. As any remarkable instance of fickleness we should certainly not be disposed to cite the case. The charge ofingratitude, we have admitted, is, presuming that he was guilty, entirely displaced. But when Mr Grote in his final summary says, "The fate of Miltiades thus, so far from illustrating either the fickleness or the ingratitude of his countrymen, attests their just appreciation of deserts," we must indeed demur. No, no: this was not the triumph of justice over the finer sensibilities of our nature, as Mr Grote would seem to imply. On the fairest review we can give to the whole of the circumstances, we find on the sentence passed upon Miltiades a gross instance of that old notorious injustice which pronounces an enterprise meritorious or criminal according to its success. The enterprise was altogether a disgraceful affair. But the Athenians must be supposed cognisant of the nature of the expedition for which they fitted out their seventy ships:—against them, we repeat, the only substantial offence committed was his failure; nor can we doubt that his welcome back to Athens would have been quite different had there been a different issue to the adventure. Justice there was none; unless it be justice for three freebooters to pass sentence upon the fourth.
Before concluding, we ought, perhaps, to take, some notice of the reform in our orthography of Greek words which Mr Grote is desirous of introducing, in order to assimilate the English to the Greek pronunciation. The principal of these is the substitution ofkforc. Our ownk, he justly observes, precisely coincides with the Greekk, while acmay be eitherkors. He writes Perikles, Alkibiades. To this approximation of the English pronunciation to the Greek we can see nothing to object. A reader of Greek finds it a mere annoyance, and sort of barbarism, to be obliged to pronounce the same name one way while reading Greek, and another when speaking or reading English; and to the English reader it must be immaterial which pronunciation hefinallyadopts. Meanwhile, it must be allowed that the first changing of an old familiar name is a disagreeable operation. We must leave the popular and the learned taste to arrange it how they can together. Mr Grote has wisely left some names—as Thucydides—in the old English form; in matters of this kind nothing is gained by too rigid a consistency. It is not improbable that his orthography will be adopted, in the first place, by the more learned writers, and will from their pages find its way into popular use. Mr Grote also, in speaking of the Greek deities, calls them by their Greek names, and not by the Latin equivalents—AsZeusfor Jupiter—Athenefor Minerva.
FOOTNOTES:[1]A History of Greece.By George Grote, Esq.[2]Vol. ii. p. 346.[3]Grote: vol. i, p. 641, where the quotation is very effectively introduced.[4]Vol. i. p. 434.[5]Dr Thirlwall's Hist.vol. i. p. 152.[6]Thirlwall, vol. i. p. 154. On the subject of the Trojan war we quote the following passage from the same historian, as an instance of the extremely slender thread which a conjectural writer will think it worth his while to weave in amongst his arguments for the support of some dubious fact. "One inevitable result," he says, "of such an event as the Trojan war, must have been to diffuse amongst the Greeks a more general knowledge of the isles and coasts of the Ægean, and to leave a lively recollection of the beauty and fertility of the region in which their battles had been fought. This would direct the attention of future emigrants in search of new homes toward the same quarter; and the fact that the tide of migration really set in this direction first, when the state of Greece became unsettled,may not unreasonably be thought to confirm the reality of the Trojan war." (P. 250.) Little need, one would think, of a Trojan war to direct the tide of emigration to the opposite coasts of Asia Minor.
[1]A History of Greece.By George Grote, Esq.
[1]A History of Greece.By George Grote, Esq.
[2]Vol. ii. p. 346.
[2]Vol. ii. p. 346.
[3]Grote: vol. i, p. 641, where the quotation is very effectively introduced.
[3]Grote: vol. i, p. 641, where the quotation is very effectively introduced.
[4]Vol. i. p. 434.
[4]Vol. i. p. 434.
[5]Dr Thirlwall's Hist.vol. i. p. 152.
[5]Dr Thirlwall's Hist.vol. i. p. 152.
[6]Thirlwall, vol. i. p. 154. On the subject of the Trojan war we quote the following passage from the same historian, as an instance of the extremely slender thread which a conjectural writer will think it worth his while to weave in amongst his arguments for the support of some dubious fact. "One inevitable result," he says, "of such an event as the Trojan war, must have been to diffuse amongst the Greeks a more general knowledge of the isles and coasts of the Ægean, and to leave a lively recollection of the beauty and fertility of the region in which their battles had been fought. This would direct the attention of future emigrants in search of new homes toward the same quarter; and the fact that the tide of migration really set in this direction first, when the state of Greece became unsettled,may not unreasonably be thought to confirm the reality of the Trojan war." (P. 250.) Little need, one would think, of a Trojan war to direct the tide of emigration to the opposite coasts of Asia Minor.
[6]Thirlwall, vol. i. p. 154. On the subject of the Trojan war we quote the following passage from the same historian, as an instance of the extremely slender thread which a conjectural writer will think it worth his while to weave in amongst his arguments for the support of some dubious fact. "One inevitable result," he says, "of such an event as the Trojan war, must have been to diffuse amongst the Greeks a more general knowledge of the isles and coasts of the Ægean, and to leave a lively recollection of the beauty and fertility of the region in which their battles had been fought. This would direct the attention of future emigrants in search of new homes toward the same quarter; and the fact that the tide of migration really set in this direction first, when the state of Greece became unsettled,may not unreasonably be thought to confirm the reality of the Trojan war." (P. 250.) Little need, one would think, of a Trojan war to direct the tide of emigration to the opposite coasts of Asia Minor.
It was on a bright, hot day of July, which threw the first gleam of sunshine across a long tract of soaking, foggy, dreary, hopeless weather, that we ascended Ben Nevis. The act was unpremeditated. The wet and fog of weeks had entered into our soul; and we had resolved, in the spirit of indignant resignation, that we wouldnotattempt the hill. Accordingly we were stalking lazily along General Wade's road: we had left Fort William, and thought there might be a probability of reaching Fort Augustus to dinner,—when we were not ungratefully surprised to see the clouds tucking themselves up the side of the mountain in a peculiar manner, which gives the experienced wanderer of the hills the firm assurance of a glorious day. Soon afterwards, the great mountain became visible from summit to base, and its round head and broad shoulders stood dark against the bright blue sky. A sagacious-looking old Highlander, who was passing, protested that the hill had never looked so hopeful during the whole summer: the temptation was irresistible, so we turned our steps towards the right, and commenced the ascent.
It is one among the prevailing fallacies of the times, that to mount a Highland hill is a very difficult operation, and that one should hire a guide on the occasion. We lately witnessed a very distressing instance of the alarming prevalence of this notion, in a young Chancery barrister, fresh from Brick Court Temple, who asked us in a very solemn tone of voice, if we could recommend him to "a steady guide to the top of Arthur Seat." When matters have come to such a crisis, it is time to speak out; and we are able, on the ground of long experience, to say, that if the proper day be chosen, and the right method adopted, the ascent of our grandest mountains is one of the simplest operations in all pedestrianism. True, if people take it in the way in which pigs run up all manner of streets, and go straight forward, looking neither to the right nor to the left, they will run their heads against nature's stone walls, which are at least as formidable as man's. But let any one study the disposal of the ground, calculating the gradients and summit levels as if he were a railway-engineer for the time being—let him observe where the moss lies deep, and precipices rise too steep to be scrambled over; and he will be very obtuse indeed, if he is not able to chalk out for himself precisely the best way to the top. It is a good general rule to keep by the side of a stream. That if you do so when you are at the top of a hill, you will somehow or other find your way to the bottom, is, we are convinced, a proposition as sound as Newton's theory of gravitation. But in the ascent, the stream is often far better than a human guide. It has no interest to lead you to the top of some episodical hill and down again, and to make you scramble over an occasional dangerous pass, to show you how impossible it is that you could have found the way yourself, and how fortunate you are in having secured the services of an intelligent and intrepid guide. On the contrary, as long as you keep by the side of the stream you are always gaining ground and making your way towards the higher levels, while you avoid bogs: for the edge of a stream is generally the dryest part of a mountain.
Choosing the broadest and deepest scaur that is scratched down the abrupt side of the lower range of the mountain, we find it, as we anticipated, the channel of a clear dancing stream, which amuses us with its babble for several hundred feet of the ascent. Some time ere we had reached the base of the hill we had lost sight of the summit, and there was before us only the broad steep bank, with its surface of alternate stone and heather, and a few birch-trees peeping timidly forth from crevices in the rock. After a considerable period of good hard climbing, accompanied by nothing worthy of note either in the variations of the scenery or in theincidents encountered, we are at the top of this rampart; and behold! on the other side of a slight depression, in which sleeps a small inky lake, the bold summit of the mountain rises clear and abrupt and close, as one might see the dome of a cathedral from the parapet on the roof. Here we linger to take a last look of the objects at the foot of the hill, for ere we resume the ascent we shall lose sight of them. Already Fort William looks like a collection of rabbit-houses. The steam-boat on the lake is like a boy's Christmas toy. The waters have assumed that hard burnished metallic appearance which they convey to the eye raised far above them in a hot summer day. The far-stretching moss, with one or two ghastly white stones standing erect out of its blackness like druidical remains, carries the eye along its surface to the dusky and mysterious ruins of Inverlochy Castle, which has so sadly puzzled antiquaries to divine how its princely round towers and broad barbican could have been erected in that wild and remote region, where they stand patiently in their ruined grandeur, waiting till our friend Billings shall, with his incomparable pencil, make each tower and arch and moulding as familiar to the public eye as if the old ruin stood in Fleet Street.
Off we start with the lake to the left, taking care to keep the level we have gained. A short interval of walking in a horizontal direction, and again we must begin to climb. On this side the porphyry dome is round and comparatively smooth—scarcely so abrupt as the outer range of hill which we have just ascended. But wending north-eastwardly when near the summit, we came suddenly to a spot where a huge fragment of the dome had, as it were, been broken off, leaving a ghastly rent—how deep it were difficult for the eye to fix, but the usual authorities tell us that the precipices here are 1500 feet high. When we reached their edge, we found that the clouds, which had been completely lifted up from the smoother parts of the mountain, still lingered as if they had difficulty in getting clear of the ragged edges of the cavernous opening, and moving about restlessly like evil spirits, hither and thither, afforded but partial glimpses of the deep vale below. Though Ben Nevis was at this time rather deficient in his snowy honours, considerable patches lay in the unsunned crevices of the precipice. It was a fine thing to occupy one's-self in tilting over huge boulders, and to see them gradually approach the edge of the gulf, and then leap thundering into the mist.
Turning our eyes from the terrible fascinations of the precipice to the apex of the hill now in full view, a strange sight there met our eyes—a sight so strange that we venture to say the reader no more anticipates it than we did, at the moment when we looked from the yawning precipice to what we expected to be a solitary mountain-top. "Pooh!" the reader will say, "it was an eagle looking at the sun, or a red-deer snuffing with his expanded nostrils the tainted air." We shake our heads. "Well, then, it was a waterspout—or, perhaps, a beautiful rainbow—or something electric, or a phenomenon of some sort." Utterly wrong. It was neither more nor less, reader, than a crowd of soldiers, occupying nearly the whole table-land of the summit! Yes, there they were, British troops, with their red coats, dark gray trousers, and fatigue caps, as distinctly as we ever saw them in Marshall's panoramas! We were reminded of the fine description which Scott gives of the Highland girl who was gazing indolently along the solitary glen of Gortuleg on the day of the battle of Culloden, when it became suddenly peopled by the Jacobite fugitives. "Impressed with the belief that they were fairies—who, according to Highland tradition, are visible to men only from one twinkle of the eyelid to another—she strove to refrain from the vibration, which she believed would occasion the strange and magnificent apparition to become invisible." But whether the eye winked or not, there they were—substantial able-bodied fellows; what could it mean? Had Colonel Mitchell discovered a new system for protecting the country by fortifying the tops of mountains which an enemy never comes near? Could it be some awkward squad sent to be drilled on this remote spot that it might escape the observation of the sarcastic public?Such were the theories as suddenly rejected as they were suggested. It was vain to speculate. No solution we could devise made the slightest approach to probability; and our only prospect of speedy relief was in pushing rapidly forward. A very short sentence from the good-humoured looking young fellow who received our first breathless and perplexed inquiry, solved the mystery,—"did you never hear of the Ordnance Survey?" Yes, indeed, we had heard of it; but our impression of it was as of something like a mathematical line, with neither breadth nor thickness; but here it was in substantial operation. The party were occupied in erecting a sort of dwelling for themselves—half tent, half hut. Though in fatigue dresses, and far from being very trim, it was easy to see that they were not common soldiers. They belong, we believe, to the educated corps of sappers and miners; and a short conversation with them showed that the reputation of intelligence and civility long enjoyed by that distinguished body has not been unjustly earned. Though not blind to the magnificence of the panorama of mountain, lake, and distant far-stretching forest-land that lay beneath our feet as we conversed, they did not conceal their consciousness that the prospect of passing some months on such a spot was not particularly cheering to round-cheeked comfortable Englishmen, accustomed at Sandhurst and Addiscombe to comforts even superior to those of the Saut Market. The air was unexceptionably pure and abundant—yet the Bedford level might have been preferable as a permanent residence. Many were the reflections that occurred to us of the feelings of a set of men thus cut off from the earth, down on which they looked, like so many Jacks on a huge bean-stalk. What a place to encounter the first burst of the November storm in, beneath the frail covering of a tent! How did their friends address letters to them? Would a cover addressed "Mr Abel Thompson of the Royal engineers, Top of Ben Nevis," be a document to which the post-office would pay any more regard than to a letter addressed to one of the fixed stars? Could they ask a friend to step up to dinner, or exchange courtesies with the garrison of Fort William, into whose windows they might peep with their telescopes?
In the course of conversation with our new friends, we alighted on a subject in which we have long taken an interest. They had already conducted some operations on Ben Muich Dhui, and they were now commencing such surveys on Ben Nevis, as would enable them finally to decide which of these mountains has the honour of being the highest land in the United Kingdom. Competition has of late run very close between them; and the last accounts had shown Ben Muich Dhui only some twenty feet or so a-head. We freely confess that we back Ben Muich Dhui in this contest. It is true that Ben Nevis is in all respects a highly meritorious hill. We must do justice to his manly civility and good humour. We have found many a crabbed little crag more difficult of access; and, for his height, we scarcely know another mountain, of which it is so easy to reach the top. He stands majestic and alone, his own spurs more nearly rivalling him than any of the neighbouring hills. Rising straight from the sea, his whole height and magnificent proportions are before us at once, and the view from the summit has an unrivalled expanse. Still there are stronger charms about the great centre of the Cairngorm range. Surrounded by his peers, he stands apart from the every-day world in mysterious grandeur. The depth and remoteness of the solitude, the huge mural precipices, the deep chasms between the rocks, the waterfalls of unknown height, the hoary remains of the primeval forest, the fields of snow, and the deep black lakes at the foot of the precipices, are full of such associations of awe, and grandeur, and mystery, as no other scenery in Britain is capable of arousing. The recollections of these things inclined us still to favour Ben Muich Dhui; and before separating from these hermits of her Majesty's ordnance, we earnestly requested, if they had any influence in the matter, that they would "find" for our favourite, to which we shall now introduce our readers.
Our public are certainly not amenable to the charge of neglecting what is worth seeing, because it is distant and inaccessible. On the top of the Righi, where people go to behold the sun rise over the Alps, we have seen the English congregated in crowds on the wooden bench erected for that purpose, making it look like a race-course stand, and carrying on a bang-up sort of conversation—