THE STORY

WHILE the line to be taken by the new railway between Culm and Everill was still under discussion, the engineer caused some difference of opinion among the moneyed men who were the first Directors of the Company, by asking if they proposed to include among their Stations the little old town of Honeybuzzard.

For years past, commerce had declined, and population had decreased in this ancient and curious place. Painters knew it well, and prized its mediaeval houses as a mine of valuable material for their art. Persons of cultivated tastes, who were interested in church architecture of the fourteenth century, sometimes pleased and flattered the Rector by subscribing to his fund for the restoration of the tower, and the removal of the accumulated rubbish of hundreds of years from the crypt. Small speculators, not otherwise in a state of insanity, settled themselves in the town, and tried the desperate experiment of opening a shop; spent their little capital, put up the shutters, and disappeared. The old market-place still showed its list of market-law's, issued by the Mayor and Corporation in the prosperous bygone times; and every week there were fewer and fewer people to obey the laws. The great empty enclosure looked more cheerful, when there was no market held, and when the boys of the town played in the deserted place. In the last warehouse left in a state of repair, the crane was generally idle; the windows were mostly shut up; and a solitary man represented languishing trade, idling at a half-opened door. The muddy river rose and fell with the distant tide. At rare intervals a collier discharged its cargo on the mouldering quay, or an empty barge took in a load of hay. One bold house advertised, in a dirty window, apartments to let. There was a lawyer in the town, who had no occasion to keep a clerk; and there was a doctor who hoped to sell his practice for anything that it would fetch. The directors of the new railway, after a stormy meeting, decided on offering (by means of a Station) a last chance of revival to the dying town. The town had not vitality enough left to be grateful; the railway stimulant produced no effect. Of all his colleagues in Great Britain and Ireland, the station-master at Honeybuzzard was the idlest man—and this, as he said to the unemployed porter, through no want of energy on his own part.

Late on a rainy autumn afternoon, the slow train left one traveller at the Station. He got out of a first-class carriage; he carried an umbrella and a travelling-bag; and he asked his way to the best inn. The station-master and the porter compared notes. One of them said: "Evidently a gentleman." The other added: "What can he possibly want here?"

The stranger twice lost his way in the tortuous old streets of the town before he reached the inn. On giving his orders, it appeared that he wanted three things: a private room, something to eat, and, while the dinner was being cooked, materials for writing a letter.

Answering her daughter's questions downstairs, the landlady described her guest as a nice-looking man dressed in deep mourning. "Young, my dear, with beautiful dark brown hair, and a grand beard, and a sweet sorrowful look. Ah, his eyes would tell anybody that his black clothes are not a mere sham. Whether married or single, of course I can't say. But I noticed the name on his travelling-bag. A distinguished name in my opinion—Hugh Mountjoy. I wonder what he'll order to drink when he has his dinner? What a mercy it will be if we can get rid of another bottle of the sour French wine!"

The bell in the private room rang at that moment; and the landlady's daughter, it is needless to say, took the opportunity of forming her own opinion of Mr. Hugh Mountjoy.

She returned with a letter in her hand, consumed by a vain longing for the advantages of gentle birth. "Ah, mother, if I was a young lady of the higher classes, I know whose wife I should like to be!" Not particularly interested in sentimental aspirations, the landlady asked to see Mr. Mountjoy's letter. The messenger who delivered it was to wait for an answer. It was addressed to: "Miss Henley, care of Clarence Vimpany, Esquire, Honeybuzzard." Urged by an excited imagination, the daughter longed to see Miss Henley. The mother was at a loss to understand why Mr. Mountjoy should have troubled himself to write the letter at all. "If he knows the young lady who is staying at the doctor's house," she said, "why doesn't he call on Miss Henley?" She handed the letter back to her daughter. "There! let the ostler take it; he's got nothing to do."

"No, mother. The ostler's dirty hands mustn't touch it—I'll take the letter myself. Perhaps I may see Miss Henley." Such was the impression which Mr. Hugh Mountjoy had innocently produced on a sensitive young person, condemned by destiny to the barren sphere of action afforded by a country inn!

The landlady herself took the dinner upstairs—a first course of mutton chops and potatoes, cooked to a degree of imperfection only attained in an English kitchen. The sour French wine was still on the good woman's mind. "What would you choose to drink, sir?" she asked. Mr. Mountjoy seemed to feel no interest in what he might have to drink. "We have some French wine, sir."

"Thank you, ma'am; that will do."

When the bell rang again, and the time came to produce the second course of cheese and celery, the landlady allowed the waiter to take her place. Her experience of the farmers who frequented the inn, and who had in some few cases been induced to taste the wine, warned her to anticipate an outbreak of just anger from Mr. Mountjoy. He, like the others, would probably ask what she "meant by poisoning him with such stuff as that." On the return of the waiter, she put the question: "Did the gentleman complain of the French wine?"

"He wants to see you about it, ma'am."

The landlady turned pale. The expression of Mr. Mountjoy's indignation was evidently reserved for the mistress of the house. "Did he swear," she asked, "when he tasted it?"

"Lord bless you, ma'am, no! Drank it out of a tumbler, and—if you will believe me—actually seemed to like it."

The landlady recovered her colour. Gratitude to Providence for having sent a customer to the inn, who could drink sour wine without discovering it, was the uppermost feeling in her ample bosom as she entered the private room. Mr. Mountjoy justified her anticipations. He was simple enough—with his tumbler before him, and the wine as it were under his nose—to begin with an apology.

"I am sorry to trouble you, ma'am. May I ask where you got this wine?"

"The wine, sir, was one of my late husband's bad debts. It was all he could get from a Frenchman who owed him money."

"It's worth money, ma'am."

"Indeed, sir?"

"Yes, indeed. This is some of the finest and purest claret that I have tasted for many a long day past."

An alarming suspicion disturbed the serenity of the landlady's mind. Was his extraordinary opinion of the wine sincere? Or was it Mr. Mountjoy's wicked design to entrap her into praising her claret and then to imply that she was a cheat by declaring what he really thought of it? She took refuge in a cautious reply:

"You are the first gentleman, sir, who has not found fault with it."

"In that case, perhaps you would like to get rid of the wine?" Mr. Mountjoy suggested.

The landlady was still cautious. "Who will buy it of me, sir?"

"I will. How much do you charge for it by the bottle?"

It was, by this time, clear that he was not mischievous—only a little crazy. The worldly-wise hostess took advantage of that circumstance to double the price. Without hesitation, she said: "Five shillings a bottle, sir."

Often, too often, the irony of circumstances brings together, on this earthly scene, the opposite types of vice and virtue. A lying landlady and a guest incapable of deceit were looking at each other across a narrow table; equally unconscious of the immeasurable moral gulf that lay between them, Influenced by honourable feeling, innocent Hugh Mountjoy lashed the landlady's greed for money to the full-gallop of human cupidity.

"I don't think you are aware of the value of your wine," he said. "I have claret in my cellar which is not so good as this, and which costs more than you have asked. It is only fair to offer you seven-and-sixpence a bottle."

When an eccentric traveller is asked to pay a price, and deliberately raises that price against himself, where is the sensible woman—especially if she happens to be a widow conducting an unprofitable business—who would hesitate to improve the opportunity? The greedy landlady raised her terms.

"On reflection, sir, I think I ought to have ten shillings a bottle, if you please."

"The wine may be worth it," Mountjoy answered quietly; "but it is more than I can afford to pay. No, ma'am; I will leave you to find some lover of good claret with a longer purse than mine."

It was in this man's character, when he said No, to mean No. Mr. Mountjoy's hostess perceived that her crazy customer was not to be trifled with. She lowered her terms again with the headlong hurry of terror. "You shall have it, Sir, at your own price," said this entirely shameless and perfectly respectable woman.

The bargain having been closed under these circumstances, the landlady's daughter knocked at the door. "I took your letter myself, sir," she said modestly; "and here is the answer." (She had seen Miss Henley, and did not think much of her.) Mountjoy offered the expression of his thanks, in words never to be forgotten by a sensitive young person, and opened his letter. It was short enough to be read in a moment; but it was evidently a favourable reply. He took his hat in a hurry, and asked to be shown the way to Mr. Vimpany's house.

MOUNTJOY had decided on travelling to Honeybuzzard, as soon as he heard that Miss Henley was staying with strangers in that town. Having had no earlier opportunity of preparing her to see him, he had considerately written to her from the inn, in preference to presenting himself unexpectedly at the doctor's house. How would she receive the devoted friend, whose proposal of marriage she had refused for the second time, when they had last met in London?

The doctor's place of residence, situated in a solitary by-street, commanded a view, not perhaps encouraging to a gentleman who followed the medical profession: it was a view of the churchyard. The door was opened by a woman-servant, who looked suspiciously at the stranger. Without waiting to be questioned, she said her master was out. Mountjoy mentioned his name, and asked for Miss Henley.

The servant's manner altered at once for the better; she showed him into a small drawing-room, scantily and cheaply furnished. Some poorly-framed prints on the walls (a little out of place perhaps in a doctor's house) represented portraits of famous actresses, who had been queens of the stage in the early part of the present century. The few books, too, collected on a little shelf above the chimney-piece, were in every case specimens of dramatic literature. "Who reads these plays?" Mountjoy asked himself. "And how did Iris find her way into this house?"

While he was thinking of her, Miss Henley entered the room.

Her face was pale and careworn; tears dimmed her eyes when Mountjoy advanced to meet her. In his presence, the horror of his brother's death by assassination shook Iris as it had not shaken her yet. Impulsively, she drew his head down to her, with the fond familiarity of a sister, and kissed his forehead. "Oh, Hugh, I know how you and Arthur loved each other! No words of mine can say how I feel for you."

"No words are wanted, my dear," he answered tenderly. "Your sympathy speaks for itself."

He led her to the sofa and seated himself by her side. "Your father has shown me what you have written to him," he resumed; "your letter from Dublin and your second letter from this place. I know what you have so nobly risked and suffered in poor Arthur's interests. It will be some consolation to me if I can make a return—a very poor return, Iris—for all that Arthur's brother owes to the truest friend that ever man had. No," he continued, gently interrupting the expression of her gratitude. "Your father has not sent me here—but he knows that I have left London for the express purpose of seeing you, and he knows why. You have written to him dutifully and affectionately; you have pleaded for pardon and reconciliation, when he is to blame. Shall I venture to tell you how he answered me, when I asked if he had no faith left in his own child? 'Hugh,' he said, 'you are wasting words on a man whose mind is made up. I will trust my daughter when that Irish lord is laid in his grave—not before.' That is a reflection on you, Iris, which I cannot permit, even when your father casts it. He is hard, he is unforgiving; but he must, and shall, be conquered yet. I mean to make him do you justice; I have come here with that purpose, and that purpose only, in view. May I speak to you of Lord Harry?"

"How can you doubt it!"

"My dear, this is a delicate subject for me to enter on."

"And a shameful subject for me!" Iris broke out bitterly. "Hugh! you are an angel, by comparison with that man—how debased I must be to love him—how unworthy of your good opinion! Ask me anything you like; have no mercy on me. Oh," she cried, with reckless contempt for herself, "why don't you beat me? I deserve it!"

Mountjoy was well enough acquainted with the natures of women to pass over that passionate outbreak, instead of fanning the flame in her by reasoning and remonstrance.

"Your father will not listen to the expression of feeling," he continued; "but it is possible to rouse his sense of justice by the expression of facts. Help me to speak to him more plainly of Lord Harry than you could speak in your letters. I want to know what has happened, from the time when events at Ardoon brought you and the young lord together again, to the time when you left him in Ireland after my brother's death. If I seem to expect too much of you, Iris, pray remember that I am speaking with a true regard for your interests."

In those words, he made his generous appeal to her. She proved herself to be worthy of it.

Stated briefly, the retrospect began with the mysterious anonymous letters which had been addressed to Sir Giles.

Lord Harry's explanation had been offered to Iris gratefully, but with some reserve, after she had told him who the stranger at the milestone really was. "I entreat you to pardon me, if I shrink from entering into particulars," he had said. "Circumstances, at the time, amply justified me in the attempt to use the banker's political influence as a means of securing Arthur's safety. I knew enough of Sir Giles's mean nature to be careful in trusting him; but I did hope to try what my personal influence might do. If he had possessed a tenth part of your courage, Arthur might have been alive, and safe in England, at this moment. I can't say any more; I daren't say any more; it maddens me when I think of it!" He abruptly changed the subject, and interested Iris by speaking of other and later events. His association with the Invincibles—inexcusably rash and wicked as he himself confessed it to be—had enabled him to penetrate, and for a time to defeat secretly, the murderous designs of the brotherhood. His appearances, first at the farmhouse and afterwards at the ruin in the wood were referable to changes in the plans of the assassins which had come to his knowledge. When Iris had met with him he was on the watch, believing that his friend would take the short way back through the wood, and well aware that his own life might pay the penalty if he succeeded in warning Arthur. After the terrible discovery of the murder (committed on the high road), and the escape of the miscreant who had been guilty of the crime, the parting of Lord Harry and Miss Henley had been the next event. She had left him, on her return to England, and had refused to consent to any of the future meetings between them which he besought her to grant.

At this stage in the narrative, Mountjoy felt compelled to ask questions more searching than he had put to Iris yet. It was possible that she might be trusting her own impressions of Lord Harry, with the ill-placed confidence of a woman innocently self-deceived.

"Did he submit willingly to your leaving him?" Mountjoy said.

"Not at first," she replied.

"Has he released you from that rash engagement, of some years since, which pledged you to marry him?"

"No."

"Did he allude to the engagement, on this occasion?"

"He said he held to it as the one hope of his life."

"And what did you say?"

"I implored him not to distress me."

"Did you say nothing more positive than that?"

"I couldn't help thinking, Hugh, of all that he had tried to do to save Arthur. But I insisted on leaving him—and I have left him."

"Do you remember what he said at parting?"

"He said, 'While I live, I love you.'"

As she repeated the words, there was an involuntary change to tenderness in her voice which was not lost on Mountjoy.

"I must be sure," he said to her gravely, "of what I tell your father when I go back to him. Can I declare, with a safe conscience, that you will never see Lord Harry again?"

"My mind is made up never to see him again." She had answered firmly so far. Her next words were spoken with hesitation, in tones that faltered. "But I am sometimes afraid," she said, "that the decision may not rest with me."

"What do you mean?"

"I would rather not tell you."

"That is a strange answer, Iris."

"I value your good opinion, Hugh, and I am afraid of losing it."

"Nothing has ever altered my opinion of you," he replied, "and nothing ever will."

She looked at him anxiously, with the closest attention. Little by little, the expression of doubt in her face disappeared; she knew how he loved her—she resolved to trust him.

"My friend," she began abruptly, "education has done nothing for me. Since I left Ireland, I have sunk (I don't know how or why) into a state of superstitious fear. Yes! I believe in a fatality which is leading me back to Lord Harry, in spite of myself. Twice already, since I left home, I have met with him; and each time I have been the means of saving him—once at the milestone, and once at the ruin in the wood. If my father still accuses me of being in love with an adventurer, you can say with perfect truth that I am afraid of him. Iamafraid of the third meeting. I have done my best to escape from that man; and, step by step, as I think I am getting away, Destiny is taking me back to him. I may be on my way to him here, hidden in this wretched little town. Oh, don't despise me! Don't be ashamed of me!"

"My dear, I am interested—deeply interested in you. That there may be some such influence as Destiny in our poor mortal lives, I dare not deny. But I don't agree with your conclusion. What Destiny has to do with you and with me, neither you nor I can pretend to know beforehand. In the presence of that great mystery, humanity must submit to be ignorant. Wait, Iris—wait!"

She answered him with the simplicity of a docile child: "I will do anything you tell me."

Mountjoy was too fond of her to say more of Lord Harry, for that day. He was careful to lead the talk to a topic which might be trusted to provoke no agitating thoughts. Finding Iris to all appearance established in the doctor's house, he was naturally anxious to know something of the person who must have invited her—the doctor's wife.

MOUNTJOY began by alluding to the second of Miss Henley's letters to her father, and to a passage in it which mentioned Mrs. Vimpany with expressions of the sincerest gratitude.

"I should like to know more," he said, "of a lady whose hospitality at home seems to equal her kindness as a fellow-traveller. Did you first meet with her on the railway?"

"She travelled by the same train to Dublin, with me and my maid, but not in the same carriage," Iris answered; "I was so fortunate as to meet with her on the voyage from Dublin to Holyhead. We had a rough crossing; and Rhoda suffered so dreadfully from sea-sickness that she frightened me. The stewardess was attending to ladies who were calling for her in all directions; I really don't know what misfortune might not have happened, if Mrs. Vimpany had not come forward in the kindest manner, and offered help. She knew so wonderfully well what was to be done, that she astonished me. 'I am the wife of a doctor,' she said; 'and I am only imitating what I have seen my husband do, when his assistance has been required, at sea, in weather like this.' In her poor state of health, Rhoda was too much exhausted to go on by the train, when we got to Holyhead. She is the best of good girls, and I am fond of her, as you know. If I had been by myself, I daresay I should have sent for medical help. What do you think dear Mrs. Vimpany offered to do? 'Your maid is only faint,' she said. 'Give her rest and some iced wine, and she will be well enough to go on by the slow train. Don't be frightened about her; I will wait with you.' And she did wait. Are there many strangers, Hugh, who are as unselfishly good to others as my chance-acquaintance in the steamboat?"

"Very few, I am afraid."

Mountjoy made that reply with some little embarrassment; conscious of a doubt of Mrs. Vimpany's disinterested kindness, which seemed to be unworthy of a just man.

Iris went on.

"Rhoda was sufficiently recovered," she said, "to travel by the next train, and there seemed to be no reason for feeling any more anxiety. But, after a time, the fatigue of the journey proved to be too much for her. The poor girl turned pale—and fainted. Mrs. Vimpany revived her, but as it turned out, only for a while. She fell into another fainting fit; and my travelling-companion began to look anxious. There was some difficulty in restoring Rhoda to her senses. In dread of another attack, I determined to stop at the next station. It looked such a poor place, when we got to it, that I hesitated. Mrs. Vimpany persuaded me to go on. The next station, she said, washerstation. 'Stop there,' she suggested, 'and let my husband look at the girl. I ought not perhaps to say it, but you will find no better medical man out of London.' I took the good creature's advice gratefully. What else could I do?"

"What would you have done," Mountjoy inquired, "if Rhoda had been strong enough to get to the end of the journey?"

"I should have gone on to London, and taken refuge in a lodging—you were in town, as I believed, and my father might relent in time. As it was, I felt my lonely position keenly. To meet with kind people, like Mr. Vimpany and his wife, was a real blessing to such a friendless creature as I am—to say nothing of the advantage to Rhoda, who is getting better every day. I should like you to see Mrs. Vimpany, if she is at home. She is a little formal and old fashioned in her manner—but I am sure you will be pleased with her. Ah! you look round the room! They are poor, miserably poor for persons in their position, these worthy friends of mine. I have had the greatest difficulty in persuading them to let me contribute my share towards the household expenses. They only yielded when I threatened to go to the inn. You are looking very serious, Hugh. Is it possible that you see some objection to my staying in this house?"

The drawing-room door was softly opened, at the moment when Iris put that question. A lady appeared on the threshold. Seeing the stranger, she turned to Iris.

"I didn't know, dear Miss Henley, that you had a visitor. Pray pardon my intrusion."

The voice was deep; the articulation was clear; the smile presented a certain modest dignity which gave it a value of its own. This was a woman who could make such a commonplace thing as an apology worth listening to. Iris stopped her as she was about to leave the room. "I was just wishing for you," she said. "Let me introduce my old friend, Mr. Mountjoy. Hugh, this is the lady who has been so kind to me—Mrs. Vimpany."

Hugh's impulse, under the circumstances, was to dispense with the formality of a bow, and to shake hands. Mrs. Vimpany met this friendly advance with a suavity of action, not often seen in these days of movement without ceremony. She was a tall slim woman, of a certain age. Art had so cleverly improved her complexion that it almost looked like nature. Her cheeks had lost the plumpness of youth, but her hair (thanks again perhaps to Art) showed no signs of turning grey. The expression of her large dark eyes—placed perhaps a little too near her high aquiline nose—claimed admiration from any person who was so fortunate as to come within their range of view. Her hands, long, yellow, and pitiably thin, were used with a grace which checked to some extent their cruel betrayal of her age. Her dress had seen better days, but it was worn with an air which forbade it to look actually shabby. The faded lace that encircled her neck fell in scanty folds over her bosom. She sank into a chair by Hugh's side. "It was a great pleasure to me, Mr. Mountjoy, to offer my poor services to Miss Henley; I can't tell you how happy her presence makes me in our little house." The compliment was addressed to Iris with every advantage that smiles and tones could offer. Oddly artificial as it undoubtedly was, Mrs. Vimpany's manner produced nevertheless an agreeable impression. Disposed to doubt her at first, Mountjoy found that she was winning her way to a favourable change in his opinion. She so far interested him, that he began to wonder what her early life might have been, when she was young and handsome. He looked again at the portraits of actresses on the walls, and the plays on the bookshelf—and then (when she was speaking to Iris) he stole a sly glance at the doctor's wife. Was it possible that this remarkable woman had once been an actress? He attempted to put the value of that guess to the test by means of a complimentary allusion to the prints.

"My memory as a playgoer doesn't extend over many years," he began; "but I can appreciate the historical interest of your beautiful prints." Mrs. Vimpany bowed gracefully—and dumbly. Mountjoy tried again. "One doesn't often see the famous actresses of past days," he proceeded, "so well represented on the walls of an English house."

This time, he had spoken to better purpose. Mrs. Vimpany answered him in words.

"I have many pleasant associations with the theatre," she said, "first formed in the time of my girlhood."

Mountjoy waited to hear something more. Nothing more was said. Perhaps this reticent lady disliked looking back through a long interval of years, or perhaps she had her reasons for leaving Mountjoy's guess at the truth still lost in doubt. In either case, she deliberately dropped the subject. Iris took it up. Sitting by the only table in the room, she was in a position which placed her exactly opposite to one of the prints—the magnificent portrait of Mrs. Siddons as The Tragic Muse.

"I wonder if Mrs. Siddons was really as beautiful as that?" she said, pointing to the print. "Sir Joshua Reynolds is reported to have sometimes flattered his sitters."

Mrs. Vimpany's solemn self-possessed eyes suddenly brightened; the name of the great actress seemed to interest her. On the point, apparently, of speaking, she dropped the subject of Mrs. Siddons as she had dropped the subject of the theatre. Mountjoy was left to answer Iris.

"We are none of us old enough," he reminded her, "to decide whether Sir Joshua's brush has been guilty of flattery or not." He turned to Mrs. Vimpany, and attempted to look into her life from a new point of view. "When Miss Henley was so fortunate as to make your acquaintance," he said, "you were travelling in Ireland. Was it your first visit to that unhappy country?"

"I have been more than once in Ireland."

Having again deliberately disappointed Mountjoy, she was assisted in keeping clear of the subject of Ireland by a fortunate interruption. It was the hour of delivery by the afternoon-post. The servant came in with a small sealed packet, and a slip of printed paper in her hand.

"It's registered, ma'am," the woman announced. "The postman says you are to please sign this. And he seems to be in a hurry."

She placed the packet and the slip of paper on the table, near the inkstand. Having signed the receipt, Mrs. Vimpany took up the packet, and examined the address. She instantly looked at Iris, and looked away again. "Will you excuse me for a moment?" saying this she left the room, without opening the packet.

The moment the door closed on her, Iris started up, and hurried to Mountjoy.

"Oh, Hugh," she said, "I saw the address on that packet when the servant put it on the table!"

"My dear, what is there to excite you in the address?"

"Don't speak so loud! She may be listening outside the door."

Not only the words, but the tone in which they were spoken, amazed Mountjoy. "Your friend, Mrs. Vimpany!" he exclaimed.

"Mrs. Vimpany was afraid to open the packet in our presence," Iris went on: "you must have seen that. The handwriting is familiar to me; I am certain of the person who wrote the address."

"Well? And who is the person?"

She whispered in his ear:

"Lord Harry."

SURPRISE silenced Hugh for the moment. Iris understood the look that he fixed on her, and answered it. "I am quite sure," she told him, "of what I say."

Mountjoy's well-balanced mind hesitated at rushing to a conclusion.

"I am sure you are convinced of what you tell me," he said. "But mistakes do sometimes happen in forming a judgment of handwriting."

In the state of excitement that now possessed her, Iris was easily irritated; she was angry with Hugh for only supposing that she might have made a mistake. He had himself, as she reminded him, seen Lord Harry's handwriting in past days. Was it possible to be mistaken in those bold thickly-written characters, with some of the letters so quaintly formed? "Oh, Hugh, I am miserable enough as it is," she broke out; "don't distract me by disputing what I know! Think of a woman so kind, so disinterested, so charming—the very opposite of a false creature—think of Mrs. Vimpany having deceived me!"

There was not the slightest reason, thus far, for placing that interpretation on what had happened. Mountjoy gently, very gently, remonstrated.

"My dear, we really don't know yet that Mrs. Vimpany has been acting under Lord Harry's instructions. Wait a little before you suspect your fellow-traveller of offering her services for the purpose of deceiving you."

Iris was angry with him again: "Why did Mrs. Vimpany never tell me she knew Lord Harry? Isn't that suspicious?"

Mountjoy smiled. "Let me put a question on my side," he said. "Didyoutell Mrs. Vimpany you knew Lord Harry?" Iris made no reply; her face spoke for her. "Well, then," he urged, "isyoursilence suspicious? I am far, mind, from saying that this may not be a very unpleasant discovery. Only let us be sure first that we are right."

With most of a woman's merits, Miss Henley had many of a woman's faults. Still holding to her own conclusion, she asked how they could expect to be sure of anything if they addressed their inquiries to a person who had already deceived them.

Mountjoy's inexhaustible indulgence still made allowances for her. "When Mrs. Vimpany comes back," he said, "I will find an opportunity of mentioning Lord Harry's name. If she tells us that she knows him, there will be good reason in that one circumstance, as it seems to me, for continuing to trust her."

"Suppose she shams ignorance," Iris persisted, "and looks as if she had never heard of his name before?"

"In that case, I shall own that I was wrong, and shall ask you to forgive me."

The finer and better nature of Iris recovered its influence at these words. "It is I who ought to beg pardon," she said. "Oh, I wish I could think before I speak: how insolent and ill-tempered I have been! But suppose I turn out to be right, Hugh, what will you do then?"

"Then, my dear, it will be my duty to take you and your maid away from this house, and to tell your father what serious reasons there are"—— He abruptly checked himself. Mrs. Vimpany had returned; she was in perfect possession of her lofty courtesy, sweetened by the modest dignity of her smile.

"I have left you, Miss Henley, in such good company," she said, with a gracious inclination of her head in the direction of Mountjoy, "that I need hardly repeat my apologies—unless, indeed, I am interrupting a confidential conversation."

It was possible that Iris might have betrayed herself, when the doctor's wife had looked at her after examining the address on the packet. In this case Mrs. Vimpany's allusion to "a confidential conversation" would have operated as a warning to a person of experience in the by-ways of deceit. Mountjoy's utmost exertion of cunning was not capable of protecting him on such conditions as these. The opportunity of trying his proposed experiment with Lord Harry's name seemed to have presented itself already. He rashly seized on it.

"You have interrupted nothing that was confidential," he hastened to assure Mrs. Vimpany. "We have been speaking of a reckless young gentleman, who is an acquaintance of ours. If what I hear is true, he has already become public property; his adventures have found their way into some of the newspapers."

Here, if Mrs. Vimpany had answered Hugh's expectations, she ought to have asked who the young gentleman was. She merely listened in polite silence.

With a woman's quickness of perception, Iris saw that Mountjoy had not only pounced on his opportunity prematurely, but had spoken with a downright directness of allusion which must at once have put such a ready-witted person as Mrs. Vimpany on her guard. In trying to prevent him from pursuing his unfortunate experiment in social diplomacy, Iris innocently repeated Mountjoy's own mistake. She, too, seized her opportunity prematurely. That is to say, she was rash enough to change the subject.

"You were talking just now, Hugh, of our friend's adventures," she said; "I am afraid you will find yourself involved in an adventure of no very agreeable kind, if you engage a bed at the inn. I never saw a more wretched-looking place."

It was one of Mrs. Vimpany's many merits that she seldom neglected an opportunity of setting her friends at their ease.

"No, no, dear Miss Henley," she hastened to say; "the inn is really a more clean and comfortable place than you suppose. A hard bed and a scarcity of furniture are the worst evils which your friend has to fear. Do you know," she continued, addressing herself to Mountjoy, "that I was reminded of a friend of mine, when you spoke just now of the young gentleman whose adventures are in the newspapers. Is it possible that you referred to the brother of the present Earl of Norland? A handsome young Irishman—with whom I first became acquainted many years since. Am I right in supposing that you and Miss Henley know Lord Harry?" she asked.

What more than this could an unprejudiced mind require? Mrs. Vimpany had set herself right with a simplicity that defied suspicion. Iris looked at Mountjoy. He appeared to know when he was beaten. Having acknowledged that Lord Harry was the young gentleman of whom he and Miss Henley had been speaking, he rose to take leave.

After what had passed, Iris felt the necessity of speaking privately to Hugh. The necessary excuse presented itself in the remote situation of the inn. "You will never find your way back," she said, "through the labyrinth of crooked streets in this old town. Wait for me a minute, and I will be your guide."

Mrs. Vimpany protested. "My dear! let the servant show the way."

Iris held gaily to her resolution, and ran away to her room. Mrs. Vimpany yielded with her best grace. Miss Henley's motive could hardly have been plainer to her, if Miss Henley had confessed it herself. "What a charming girl!" the doctor's amiable wife said to Mountjoy, when they were alone. "If I were a man, Miss Iris is just the young lady that I should fall in love with." She looked significantly at Mountjoy. Nothing came of it. She went on: "Miss Henley must have had many opportunities of being married; but the right man has, I fear, not yet presented himself." Once more her eloquent eyes consulted Mountjoy, and once more nothing came of it. Some women are easily discouraged. Impenetrable Mrs. Vimpany was one of the other women; she had not done with Mountjoy yet—she invited him to dinner on the next day.

"Our early hour is three o'clock," she said modestly. "Pray join us. I hope to have the pleasure of introducing my husband."

Mountjoy had his reasons for wishing to see the husband. As he accepted the invitation, Miss Henley returned to accompany him to the inn.

Iris put the inevitable question to Hugh as soon as they were out of the doctor's house—"What do you say of Mrs. Vimpany now?"

"I say that she must have been once an actress," Mountjoy answered; "and that she carries her experience of the stage into private life."

"What do you propose to do next?"

"I propose to wait, and see Mrs. Vimpany's husband to-morrow."

"Why?"

"Mrs. Vimpany, my dear, is too clever for me. If—observe, please, that I do her the justice of putting it in that way—if she is really Lord Harry's creature, employed to keep watch on you, and to inform him of your next place of residence in England, I own that she has completely deceived me. In that case, it is just possible that the husband is not such a finished and perfect humbug as the wife. I may be able to see through him. I can but try."

Iris sighed. "I almost hope you may not succeed," she said.

Mountjoy was puzzled, and made no attempt to conceal it. "I thought you only wanted to get at the truth," he answered.

"My mind might be easier, perhaps, if I was left in doubt," she suggested. "A perverse way of thinking has set up my poor opinion against yours. But I am getting back to my better sense. I believe you were entirely right when you tried to prevent me from rushing to conclusions; it is more than likely that I have done Mrs. Vimpany an injustice. Oh, Hugh, I ought to keep a friend—I who have so few friends—when I have got one! And there is another feeling in me which I must not conceal from you. When I remember Lord Harry's noble conduct in trying to save poor Arthur, I cannot believe him capable of such hateful deceit as consenting to our separation, and then having me secretly watched by a spy. What monstrous inconsistency! Can anybody believe it? Can anybody account for it?"

"I think I can account for it, Iris, if you will let me make the attempt. You are mistaken to begin with."

"How am I mistaken?"

"You shall see. There is no such creature as a perfectly consistent human being on the face of the earth—and, strange as it may seem to you, the human beings themselves are not aware of it. The reason for this curious state of things is not far to seek. How can people who are ignorant—as we see every day—of their own characters be capable of correctly estimating the characters of others? Even the influence of their religion fails to open their eyes to the truth. In the Prayer which is the most precious possession of Christendom, their lips repeat the entreaty that they may not be led into temptation—but their minds fail to draw the inference. If that pathetic petition means anything, it means that virtuous men and women are capable of becoming vicious men and women, if a powerful temptation puts them to the test. Every Sunday, devout members of the congregation in church—models of excellence in their own estimation, and in the estimation of their neighbours—declare that they have done those things which they ought not to have done, and that there is no health in them. Will you believe that they are encouraged by their Prayer-books to present this sad exposure of the frailty of their own admirable characters? How inconsistent—and yet how entirely true! Lord Harry, as you rightly say, behaved nobly in trying to save my dear lost brother. He ought, as you think, and as other people think, to be consistently noble, after that, in all his thoughts and actions, to the end of his life. Suppose that temptation does try him—such temptation, Iris, as you innocently present—why doesn't he offer a superhuman resistance? You might as well ask, Why is he a mortal man? How inconsistent, how improbable, that he should have tendencies to evil in him, as well as tendencies to good! Ah, I see you don't like this. It would be infinitely more agreeable (wouldn't it?) if Lord Harry was one of the entirely consistent characters which are sometimes presented in works of fiction. Our good English readers are charmed with the man, the woman, or the child, who is introduced to them by the kind novelist as a being without faults. Do they stop to consider whether this is a true picture of humanity? It would be a terrible day for the book if they ever did that. But the book is in no danger. The readers would even fail to discover the falseness of the picture, if they were presented to themselves as perfect characters. 'We mustn't say so, but how wonderfully like us!' There would be the only impression produced. I am not trying to dishearten you; I want to encourage you to look at humanity from a wider and truer point of view. Do not be too readily depressed, if you find your faith shaken in a person whom you have hitherto believed to be good. That person has been led into temptation. Wait till time shows you that the evil influence is not everlasting, and that the good influence will inconsistently renew your faith out of the very depths of your despair. Humanity, in general, is neither perfectly good nor perfectly wicked: take it as you find it. Is this a hard lesson to learn? Well! it's easy to do what other people do, under similar circumstances. Listen to the unwelcome truth to-day, my dear; and forget it to-morrow."

They parted at the door of the inn.


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